strap in for this week's fic flavor: the failsafe episode of season one of the young justice cartoon except the simulation just won't. fuckin. end.
(fics that inspired this at the end)
If I ever did sit down to make my own fic, I'd split it in 3 parts:
The Simulation: bits and pieces of the 40 years Dick lives after most everyone he knows has died
The Return: the immediate aftermath and healing from the trauma of having not-quite-actually lived a whole life only to wake up and find out it was all fake. nothing traumatizing about that whatsoever.
The Unintended Consequence: aka the twist I'd love to add and would hint to in the second part - finding out the simulation, through martian mind fuckery, pulled from the real world (and in many cases, from real minds). Dick meets a bunch of people he didn't think were real outside the confines of his simulated life. A bunch of rowdy, heroism-inclined teens across the years get to meet the sibling/friend/mentor figure they all dreamed up one night.
(actual idea snippets under the cut)
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Dick Grayson is 14 and most of the world's heroes have died. He planned a suicide mission that left him the sole survivor of a doomed team he helped found. The invasion may have been stopped, but is this really the price he wanted to pay?
The first face he sees in the infirmary is Roy's, and he has to close his eyes and just breathe for a few minutes because for one painful moment he'd thought it was Wally. But this isn't the world where his best friend miraculously survived alongside him. This is the one where he got his best friend killed and didn't even give him the courtesy of following behind him. Behind them.
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Dick Grayson is 27 and has lived longer without Bruce than with him. The invasion's anniversary is always a tough day for him, but that morning seems especially harrowing. He'll get shit for it later, but can't resist stepping out onto the balcony of the manor's master bedroom (Bruce's old bedroom) for a smoke -- his first since he'd promised to quit if Jason, just 15 then, did too.
"Bad habits tend to pile up," he'd said, a rueful quirk to his tired grin. He'd tapped the cigarette twice on the railing and added, lower, "and this one's especially nasty, huh."
He inhales, watches the sun creep across the horizon, and lets acrid smoke burn through his lungs for a long moment before blowing it out in a small cloud. His eyes water, but he doesn't cough. It tastes just as bad as it did the first time he smoked one, not even a year after the invasion and treading water as Robin proved insufficient.
There hadn't been enough heroes to go around then, and Dick had been trained by one of the best. It hadn't been fair, but it had been his plan that had ultimately stopped the invasion. His shoulders everyone's expectations fell on.
He takes another drag, then smudges the lit end against the rail he's leaned on when he hears a boot scuff purposefully against the roofing above him.
"Todd and Pennyworth will be upset with you."
He doesn't turn around. Damian doesn't jump down to join him.
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Dick Grayson is 54 and wakes up in a room full of ghosts. He hears his long-dead father-figure tell his long-dead team about a simulation they weren't meant to win. A training exercise gone wrong and only half a day spent under their mentors' careful, if slightly panicked, supervision.
He looks at his hands, watching the way his gloves crease when he flexes them in and out of tight fists. He looks at his team, their eyes a little haunted but shoulders slumped with relief even as they grumble. Batman's heavy, gloved hand settles on his shoulder and the weight of it is a nauseating mix of foreign-familiar.
He opens his mouth. Closes it.
Tears prick his eyes behind his domino mask, and he tells himself the suffocating, acidic void building in his chest is just some leftover side effect of the ordeal and not the grief-guilt of outliving yet another family (no matter that they hadn't been real in the end).
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Dick Grayson is 16-going-on-56 and well used to the coincidences piling up between his simulated life and the real thing. Some of it -- missions and villains he remembers cropping up -- he's marked for Bruce to review and sort as he pleases. Some -- security for the cave, team building anecdotes, and training regimens -- he's shared with the team. And some he keeps only for himself.
Tim is one of those. He knows it's not fair to the kid (so much smaller now than he ever was when Dick lived his simulated life), but he can't help being selfish just for this. Tim is the one kid he's sure he didn't make up, and if Dick's taken to babysitting the kid just to be near at least one member of the family he built for himself in the wake of the worst days of his life .... Well, anyone who says shit about it can happily stand in line to have their teeth kicked in.
Despite this, it still catches him off-guard when he sees a familiar face pop up in one of Bruce's reports.
Jason Todd, caught boosting tires off the batmobile, is nearly the same age now as he was when Dick met him. He stares at the words, but none of them really sink in beyond the kid's name and address. He's moving before he's even made the decision.
He's used to the world kicking him when he's down - lived it for 40 frustrating years. But he has Bruce again. And things with Tim have been so good. And he's always been selfish when it comes to family. If he could just see Jason. If he could just meet him. If he could talk to him.
If if if if if--
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Inspirations:
Circles in Shattered Mirrors by InfinityIllusion
Fine (But Not Okay) by CharlotteDaBookworm
Verisimilitude by mutemelody
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Copy Right and Public Domain in 2024
Happy 2024 all! its also Public Domain Day! a magical holiday here in America where things enter the public domain. Works published in the year 1928 (or 95 years ago!) have entered the public domain, which means they belong to us, all of us, the public!
Mickey's Back!
Yes! I'm sure you've heard, but Mickey Mouse (and Minnie Mouse too) is entering the Public Domain today. This has been news for a few years and indeed Disney's lobbying in the late 1990s is why our copy right term is SO long. So what exactly is now public domain?
Most people know about Mickey's first appearance Steamboat Willie, but a second short film, Plane Crazy was also released in 1928 so will also be public domain. So what's public? well these two films first of all, you're allowed to play them, upload them to YouTube or whatever without paying Disney. In theory you'll be allowed to cut and sample them, have them playing in the background of your movie etc. Likewise in theory the image of Mickey and Minnie as they appear (thats important) in these films will be free to use as well as Mickey's character as he appears in these works will be free to use. Now Mickey's later and more famous appearance
will still be protected. Famously the Conan Doyle Estate claimed that Sherlock Holmes couldn't be nice, smile, or not hate women in works because they still held the copyright on the short stories where he first did those things even though 90% of Sherlock Holmes stories were public domain. It's very likely Disney will assert similar claims over Mickey, claiming much of his personality first appeared in works still copyrighted.
Finally there's copyright vs trademark. Copyright is total ownership of a piece of media and all the ideas that appear in it, copyright has a limited set term and expires. Trademark is more limited and only applies to things used to market and sell a product. You can have a Coke branded vending machine in your movie if you want, but it couldn't appear anywhere in the trailer for your movie as thats you marketing your movie.
Where trademark ends and copyright begins and how trademarked something in the public domain is allowed to be are all unsettled areas of law and clearly Disney in the last few years as been aggressively pushing its trademark not just to Mickey in general but Steamboat Willie Mickey in particular
Ultimately the legal rights and wrongs of this might not matter so much since few people have the money and legal resources of the Walt Disney corporation so they might manage to maintain a de facto copyright on Mickey through legal intimidation, but maybe not?
And Tigger Too!
All the talk about Mickey Mouse and Steamboat Willie has sadly overshadowed other MAJOR things entering the public domain today. Most people are aware Winnie the Pooh entered the public domain in 2022, but they might not realize his beloved friend Tigger didn't. Thats because Tigger didn't appear till A. A. Milne's second (and last) book of Pooh short stories, The House at Pooh Corner in 1928.
Much like Mickey Mouse only what appears in The House at Pooh Corner is public domain so the orange bouncy boy from the 1960s Disney cartoon is still on lock down. But the A. A. Milne original as illustrated by E. H. Shepard is free for you to use in fiction or art. His friend Winnie the Pooh has made a number of appearances since being freed, most notably in a horror movie, but also a Mint Mobile commercial so maybe Tigger too will have a lot of luck in the public domain.
Other works:
Peter Pan; or the Boy Who Wouldn't Grow Up
Peter Pan is a strange case, even though the play was first mounted in 1904, and the novelization (Peter and Wendy) was published in 1911, The script for the play was not published till 1928 (confusing!) meaning while the novel as been public domain for years the play (which came first) hasn't been, but now it is and people are welcome to mount productions of it.
Millions of Cats
The oldest picture book still in print, did you own a copy growing up? (I did)
Lady Chatterley's Lover
The iconic porn novel that was at the center of a number of groundbreaking obscenity cases in the 1960s and helped establish your right to free speech.
All Quiet on the Western Front and The Threepenny Opera in their original German (but you can translate them if you want), The Mystery of the Blue Train by Agatha Christie, and Orlando by Virginia Woolf will also be joining us in the public domain along with any and all plays, novels, and books published in 1928
for Films we have The Man Who Laughs who's iconic image inspired the Joker
Charlie Chaplin's The Circus, Buster Keaton's The Cameraman, Should Married Men Go Home? the first Laurel and Hardy movie, Lights of New York the first "all talking" movie, The Passion of Joan of Arc, The Wind, as well as The Last Command and Street Angel the first films to win Oscars for Best Actor and Best Actress respectively will all be entering public domain
For Musical Compositions (more on that in a moment) we've got
Mack the Knife by Bertolt Brecht, Let’s Do It (Let’s Fall in Love) by Cole Porter, Sonny Boy by George Gard DeSylva, Lew Brown & Ray Henderson, Empty Bed Blues by J. C. Johnson, and Makin’ Whoopee! by Gus Khan are some of the notables but any piece of music published in 1928 is covered
Any art work published in 1928, which might include works by Frida Kahlo, Georgia O'Keeffe, Alexej von Jawlensky, Edward Hopper, and André Kertész will enter the public domain, we are sure those that M. C. Escher's Tower of Babel will be in the public domain
Swan Song, Public Domain and recorded music
While most things are covered by the Copyright Act of 1976 as amended by the Digital Millennium Copyright Act, none of the copyright acts covered recordings you see when American copyright law was first written recordings did not exist and so through its many amendings no one fixed this problem, movies were treated like plays and artwork, but recorded sound wasn't covered by any federal law. So all sound recordings from before 1972 were governed by a confusing mess of state level laws making it basically impossible to say what was public and what was under copyright. In 2017 Congress managed to do something right and passed the Music Modernization Act. Under the act all recordings from 1922 and before would enter the public domain in 2022. After taking a break for 2023, all sound recordings made in 1923 have entered the public domain today on January 1st 2024, these include.
Charleston by James P. Johnson
Yes! We Have No Bananas (recorded by a lot artists that year)
Who’s Sorry Now by Lewis James
Down Hearted Blues by Bessie Smith
Lawdy, Lawdy Blues by Ida Cox
Southern Blues and Moonshine Blues by Ma Rainey
That American Boy of Mine and Parade of the Wooden Soldiers by Paul Whiteman and his Orchestra
Dipper Mouth Blues and Froggie More by King Oliver’s Creole Jazz Band, featuring Louis Armstrong
Bambalina by Ray Miller Orchestra
Swingin’ Down the Lane by Isham Jones Orchestra
Enjoy your public domain works!
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