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#Chris Burns
jedivoodoochile · 9 months
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Marilyn Monroe. Pencil Drawing By Chris Burns.
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largemouthbassnation · 10 months
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Shooting Times gundog training video
Gundog trainer Chris Burns looks at how to perfect the recall and sit commands. source
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View On WordPress
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sunrisemill · 1 month
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I need to feel it scratching against my thighs
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sturnioloho · 3 months
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new fav chris pic cuz r u fucking kidding me
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physicalvocalist · 1 year
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It's just The Burn how bad can it be
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#Captains Of The Ship Be Like
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tiahnaparisart · 6 months
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A silly poster I whipped up today. The idea of someone being like “oh, I love talking heads!” And you hitting them with the “woah, me too; do you have a favourite song?” And them being like “what? I was referring to when you can’t see the body of the person being interviewed” wriggled its way in and wouldn’t come out. Anyway, this is the result!
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halo-eight-94 · 20 days
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NIИ | Burn | 1994 | co-directed by Hank Corwin, Trent Reznor, & Oliver Stone | Natural Born Killers: A Soundtrack | Released, August 23, 1994 | Nothing/Interscope records
rear projections & mostly Trent edit 🎥
TW: Flashing ⚠️
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boxofbonesfic · 1 month
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Title: Brave [10 of ?]
Pairing: Orc!Steve x Reader
Summary: You see that the grass sea does truly have an end.  
Warnings: 18+ Only, Genre typical violence, Warlord Nomad AU, Dark Fantasy AU, Enemies to lovers, Eventual smut, References to past abuse, Fighting, Monsters, Animal Death, Violence, Mildly described gore
A/N: 👀 as always, reblogs and feedback of all kinds are appreciated and always welcome! thank you! mind the warnings ❤️
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Steve wakes you before dawn. 
You’re still tired from the hard rides in the days before, only managing to stay upright on your horse through sheer force of will alone. The others are more experienced at sleeping in the saddle than you, who begins to slip out of it just as soon as your eyes drift shut. 
Riding in the middle of the pack had meant you had no responsibility other than to keep ranks, to follow the path set in front of you. But at the front, Steve had had different requirements. 
Hold your hand like this, Sweetmeat. Which way’s the wind leaning? 
Ride up ahead, Little One. Tell me what you see. 
You see the first stars on the horizon? Good. Spread your fingers like this—ah. See? That tells us how far we have left to go. 
When his hand falls upon your shoulder, you lurch in the saddle, a hand flying to the hilt of your short sword as the other grips the reins. 
“Easy, Sweetmeat.” You feel Steve’s hand close around your own, re-sheathing your partially drawn sword with a click. “Ready for battle?” He asks with a chuckle, and your cheeks burn. 
“Shouldn’t I always be?” You shoot back, before stifling a yawn. The sky is still dark above you, only just beginning to turn orange and indigo at the edges.  The shapes Steve had taught you to look for—Tirth’s Throne, Ginza the bear—are high in the sky now, directly overhead. 
“Is something wrong? We haven’t lost course, have we?” 
Steve raises an eyebrow. “No, we have not.” He seems almost… Proud. “How dutiful.” It is not the most flowery compliment to be sure, but it makes you bite your lip and look away anyway. Perhaps it is the look of admiration that makes you nervous—yes, nervous. Certainly that is what the trembling is in your belly, the reason you look for something to do with your hands. You settle on smoothing out your skirt. 
“That was your purpose in teaching me navigation, was it not?” You ask, and he laughs. 
“If you like.” His horse falls into step beside yours. Even his horse is a massive beast, larger at least by half than the mare you sit astride. 
“Then why wake me?” 
The smile that creeps across the Orc’s face makes you look away for the pounding in your chest. 
“I promised you wondrous sights, did I not?”
At his bidding, you had handed Carol the reins to your horse, stammering and staring at the ground you wished might open up to swallow you. You can feel the eyes of the pack on your back, Steve’s especially. Carol elbows you, the force of it making you stumble. 
“Not one but two, eh?” She grins so wide her tusks poke into the apples of her cheeks. Your whole body prickles.
“I do not know what you mean.” You loop a stray curl away behind your ear. “Take good care of my horse, will you?”
“Mm. Like my own.” 
You return to Steve, who holds out his hand, beckoning. 
“It is faster with just one,” he explains. Your hand seems tiny in his as he grips it and swings you up in front of him. Hopefully he cannot feel how hard your heart is beating, or hear how fast the blood rushes in your veins. He’s warm behind you, the bare skin of his tattooed chest pressing against you through the back of your dress, and touching you where the sleeves had been torn off for convenience. You stiffen as he lowers his head to speak directly into your ear. 
“Hold onto the saddle.” 
You do, yelping as the horse rears back before taking off. The beat of its hooves is tremendous as it races into the horizon, pounding against the earth like a great drum. Carol is a speck behind you in moments, lost in the shifting grass. You ride until you are sure the pack lies many leagues behind you now, and the sea has well and truly swallowed them. But finally Steve brings the beast to heel, slowing, and you see that there is an end to the low hills and little rivers of the zikaegina—here, at least. Countless days and nights from the village you’d known but there is at least one place where the grass sea does not truly meet the sky. 
The air smells of water and something familiar but unidentifiable, and as Steve slows, you see the grass is shorter, windswept and crusted with white. He dismounts behind you, before helping you down. You run a hand over the stiff, almost frosted grass, and then bring a finger to your lips. 
Salt.
There is a sound almost like wind through the tall grass but louder, like deep and resounding thunder. 
“What is that?” You turn to stare at Steve, wide eyed. He looks up from hobbling the horse, a small smile gracing his features as he loops the reins around the remains of a stunted tree. 
“Go and look. Mind the edge.” 
You creep forward, pushing your way through the grass until it’s almost a normal height, brushing against your knees. And the dirt—it’s looser, grittier, nothing like the hard packed red clay beneath the village, or the dark, moist soil of the grass sea. It is littered with tiny dried shells, circles and spirals and little five pointed stars, crunching beneath your feet. The grass ends in a sharp drop—a cliff. The salt-water smell is stronger than ever now, as is the wind and e sound. As you approach the edge with cautious steps, you see it—
Water. 
Deep and endless blue, like the green that stretches on forever behind you.  
Infinity meets infinity.
The waves slam against the sheer rocky cliffside, and even up here, miles above, you can feel the cool spray. You have never seen this much water at once, roiling and crashing. What swims beneath those waves, you wonder, what stares up at the sun through the shifting mirror of its surface? A curious, childish joy wells up in you at the sight of it, at this new wonder you behold with wide eyes. 
“What is this?” You shout to be heard over the cacophony of wind and waves and crumbling stone. The Orc who had been your captor is now behind you, you can feel his presence, like the world simply bends around him, held like a suspended breath. You do not know what you would call him now, as “captor” no longer seems fitting. 
“The sea.” You turn to face him, the wind whipping wildly at your hair and skirts. 
“It’s beautiful.” You turn back to watch the water, staring at place where it meets the horizon, a lifetime away. 
“Yes,” Steve says quietly. “It is.” Together, you watch as the sun rises, orange-red and shimmering from the depths. You sit in the grass, folding your legs beneath you as the glorious spectacle keeps you riveted. It isn’t the first time you’ve watched the sun rise, but now it seems incredible, beautiful instead of mundane.
“Did the sea come up here, once? Is that why there’s sand?”
“Once.” He nods. “I believe I told you of Molroch.” 
You nod. “You said he split the sea.” Steve smiles. 
“So they say.” He gestures at the grass sea, and at the sharp stone edge. In the distance, you see it curve around, stretching on for uncountable thousands of leagues before disappearing into the horizon. “And what do your people say?” 
“They say that Gods and giants dwell on the other side of the mountain.” The village sat as most settlements did in the Kingdom of Light—in the shadow of the mountains. They traveled parallel to the grass sea, hostile and uncrossable. It was forbidden anyway, a land shrouded in choking mist and marked by a chasm so deep that the bottom could never be reached. “They say Halith reached down and pulled up the mountains so the giants could never reach us again. That she went up into the sky to shine down upon us and shun them from her light.” 
You look back at the sea. “Is there anything on the other side?” 
“I don’t know, Sweetmeat.” He rises to his feet with a stretch. “Perhaps one day we shall find out. But today, we lead the pack to Tarrath.” Steve offers you his hand, and you take it. You stand, brushing sand and dry grass from your skirts as you do. 
“We’ll get there today?” You ask, wide eyed. Steve laughs. 
“Perhaps by nightfall.” You begin to make for the grass and his horse. “Wait.” He reaches for a pouch at his waist, and from it he pulls a cone shaped spiral shell, perhaps half the size of your palm. It’s pearly and iridescent, shining beautifully in the sun when you hold it up. Your cheeks heat. 
“A token.” He says, turning back toward the grass sea. “So you always remember. Hold it to your ear and listen.” He pantomimes holding it up, and you do, pressing your ear to the hole. After a moment, you hear it, a softer, quieter version of the booming crash of the water against the cliffside. You smile. 
“Thank you. It’s beautiful.” 
Steve nods. “It is.” He is not looking at the shell, though. You tuck it carefully into the little pouch at your waist. 
“To Tarrath, then?” You ask, and Steve lifts his chin, tusks gleaming as his lips curve upward. 
“To Tarrath.” 
Brave Masterlist
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blackhholes · 2 months
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teen wolf meme: [2/2] locations -> the hale house
I've been having dreams. Dreams, or nightmares? Nightmares... About a fire. It's this-this house, and I can hear screaming-
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plasticferal · 8 months
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all i can think about is how bad i need to feel chris’s beard between my thighs.
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sydcarmyfan · 8 months
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I want it to be a slowburn, but I don’t think I can wait 20+ years
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chrisrin · 9 months
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ONE MORE SHEET LEFT! C'MOOOOOOOOOOOOOOON!
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uniiiquehecrt · 1 month
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Voice actors are NOT the same as actors.
It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.
Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.
The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.
This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.
Actors are not the same as voice actors.
And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.
I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.
People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.
Voice Actors ≠ Actors.
#(i am incredibly passionate about this)#(and seeing celebrity voice actors in what should be a voice actor's role completely burns my buns it doesn't matter WHO it is)#(hemsworth as optimus? someone tell me one good reason why they couldn't get a good v/a to replace mr. cullen properly for the future)#(ben shwartz as sonic? dude literally isn't even a good voice actor OR actor anyways-)#(- A N D jason griffith AND my boy roger craig smith are still RIGHT HERE)#(jason griffith IN PARTICULAR would have pulled back SO many sonic fans that went to watch the film anyways. if not /more/.)#(and on top of that he has the same tonality and energy they tried to force this moshmo to try and emulate anyways so GET THE REAL THING)#(chris pratt as mario? i can at least defend /him/ and say that barring his failure to do a NY accent consistently he wasn't terrible)#(but mario's new voice actor could've been used instead and people would've clearly appreciated that WAY more)#(vanessa hudgens as sunny starscout in mlp g5's pilot movie? literally why. they replace her and hitch's va in the show.)#(don't even get me started on the concept of hiring celebrity singers to do musical theatre roles or not letting musical theatre singers-)#(-dub the celebrity voice actors you just HAD to hire for your film bc you're so worried about not getting enough clout to get ppl in seats#(that you're putting it all in this (1) big name hire bc turns out that you have no faith in your writing ability much less-)#(-animation as a medium.)#(and no before anyone says anything : no this is not me saying that ALL celebrity voice castings are bad.)#(there are some that aren't that bad and others that are actually pretty good.)#(i especially appreciate it when actors are damn well aware they aren't voice actors and try to LEARN from voice coaches-)#(-and/or their va predecessors if applicable.)#(that does not change the fact that the celebrity shouldn't have been hired just because the film wanted to have bragging clout-)#(-oh look at this FAMOUS PERSON we were able to hire — yeah ok. sure wendy. i want to know if this film is quality or not.)#(and 9/10 times the SECOND there is money spent on a non voice actor to voice the main character especially)#(that usually means somewhere along the way animation IS going to get shafted. if not w the animators themselves then in the way of-)#(-the actual animation itself and ESPECIALLY the screenwriting because it's especially been so dogshit lately even before the strike.)#(a celebrity being hired to fill a voice actor's role is such an immediate red flag to me and it is VERY rare that i get to be proven wrong
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tiredsurvivoronmain · 5 months
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Snuggling beans - RE8/RE9 Edition
RE1 Version
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0605018redactedasmr · 4 months
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Ngl kind of obsessed with the though of Morgan being obsessed with his listener
Like my man is pathetic
'Would you kill for me one day ?'
'Yes, of course I will my darling'
Type a thing
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