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cc--2224 · 5 hours

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I'll Show You Heaven

Pairing: Crosshair x F!Reader

Summary: Crosshair was always someone of interest to you, much to the other clones’ dismay. When he hears a Reg disrespecting you, he doesn’t hesitate to step in. You were told that there was no point trying to fix him, but you knew you could handle dangerous; although it turned out that to you, he wasn’t dangerous at all.

Warnings: This is very much 18+ Minors do not interact! Alcohol and smoking mentions; drunk clones being assholes including one putting the reader in a dangerous/uncomfortable situation but nothing happens! Smut - masturbation, Crosshair having dirty thoughts, oral (m and f receiving), biting/marking, unprotected p in v - wrap it before you tap it!!, praise kink, one instance of Cross being too rough but he corrects it, porn with feelings, language, tons of compliments/pet names, jealous maybe slightly protective Crosshair

Notes: Very slightly based on the song I Can Fix Him (No Really I Can)

Word Count: ~6.4k

Taglist: None, let me know if you'd like to be added!

Masterlist

It was just another day. The haze of smoke lingering in the bar, the loud laughter and chatter amongst the patrons, and him.

You had gotten to know most of the regulars at 79s, including Clone Force 99, but you never made it a point to become their friend. The clones, usually drunk, would flirt with you endlessly, but never the 99s. They kept to themselves, and you had learned over the months that they weren't very popular with the others.

You hadn't considered there were social hierarchies among the clones, but you supposed they were no different than any other group of people.

You traced the smoke back to the tall, silver-haired man. He sat at one of the tall tables, not quite facing the bar, but enough that you could see his sharp features silhouetted by the pulsing lights.

He never looked pleased to be there, he seemed to have a permanent scowl, and you couldn't even recall a time where he said more than three words at a time, and none of them kind.

And while these might be negative traits to most, but to you, these traits mixed with his deep brown eyes that you had caught on you once or twice, and the smirk that came along with it, the expression of an all-too-confident man, only helped to draw you in to him.

You had a feeling that he was one to put up a front, wall himself in so that he didn't appear vulnerable. it made sense for a soldier, but there was a part of you that wanted to see what he was like when the walls came down.

"Hey! Cyar'ika!" You heard from behind you, you turned to face the clone holding his glass up to you. "You gonna give me a top up or stare at the reject squad all night?"

You rolled your eyes and turned to him too quickly to see the sharp glare of the man you were just staring at point at the rowdy clone. After refilling his glass, you set it down in front of him and gave him a warning, "Everyone is welcome in my bar, and everyone gets attended to while they're here. Understood, trooper?"

Before he could answer, you walked toward the centre of the bar, making a point to keep an eye on all your patrons so they wouldn't also get the wrong idea about who was getting more attention. Your eyes naturally wandered back to where the 99s were sitting, briefly meeting with the same brown eyes you had been silently admiring just moments ago, the tattooed crosshairs outlining one of them perfectly.

He turned his head back toward the rest of his squad but you could almost see him glance at you through the corner of his eyes at least once before you were called away again.

"Y'know what?" The loud clone called out again, "I think you should just come home with me. I could make you forget all about them." He jerked his head toward the 99s.

"And I think you've had too much to drink." You chided, ignoring his request for another top up.

"C'mon," He groaned. "If you're gonna cut me off, you should at least make it up to me. Wanna come home with a real man? I bet those 99s could never measure up to us if you get my meaning. Whattaya say, copikla?

Several clones laughed at his words, your Mando'a wasn't perfect, but based on their laughs, you assumed it wasn't nice.

Before you could get security to kick him out, you heard a chair scrape against the floor and then the crack of knuckles on flesh. You didn't even see the tall clone cross the bar before he was laying into the loud one.

You ran out from behind the bar and tried to pull him back, as much as you didn't want to, you also didn't want him to be permanently banned either.

Once he noticed you pulling his arm back, he stopped.

"What's going on?" One of the security guards had come over, hearing the commotion.

"Nothing," you said before gesturing to the floor, "He had too much to drink. Best if he goes home."

The security looked at you carefully, making sure you were okay before helping the clone to his feet and walking him out of the bar.

You sighed and returned back to where you were standing before, watching the other clones glare but cautiously move out of the way of the 99.

He started walking back to his table before pausing and turning to look at you, his features almost seeming softer now.

"You didn't have to cover for me." He said, a toothpick lodged between his lips.

You shrugged, "He was getting on my nerves, deserved the punch if you ask me. As long as you’re okay, I’m okay." You smiled up at him.

You could handle yourself, you've been working at 79s for a while, you knew how unruly people could get when alcohol was involved, and as much as you could handle people yelling at you, you didn't like when your regulars hurled insults at groups who were just minding their own business. Especially when, to your understanding, they got enough of that back on their homeworld.

He hummed in response.

"Can I get you guys anything?" You asked after a brief silence had fallen.

"No, we're heading out. See you around." Almost on cue, the rest of his crew stood up and began to leave.

— — —

“You shouldn't have done that.” Hunter warned him quietly when they had returned to the Marauder.

Crosshair shoved past him to get into the ship.

“Regs will always take each other's side, if you get reported for starting a fight…”

“Again,” Tech chimed in.

“I'll deal with it if it happens. Regs are probably too drunk to remember anyway.”

“Why'd you attack him, anyway?” Wrecker asked.

His eyebrows furrowed, “Didn't you hear him? He was treating her like his little pet.”

The others looked at each other, seemingly sharing the same thought between them.

Hunter's voice didn't betray his thoughts, “Even still, you should go back and apologize. Probably scared the poor girl.”

Crosshair rolled his eyes at Hunter's order.

“No promises.”

He went to his bunk and discarded his armour, laying on his bunk in his blacks. He couldn't seem to get your face out of his head. The way your eyes met, how you took his side even though his squad was right, he did start the fight. Your smile when you made sure that he was okay.

This wasn't the first time he had seen you, but it was the first time the two of you had ever spoken; he didn't do small talk, Hunter and Wrecker did.

But he wanted to talk to you again, he wanted to see you again, see you smiling up at him.

The more you crept into his thoughts, the more he couldn't get you to leave.

Eventually with the solitude of his bunk, his thoughts got the better of him. He imagined how you would look, naked and squirming under him. How you'd taste, how you'd feel around him.

He couldn't shoo these thoughts away, he found himself palming his cock over his blacks at the thought of you taking it into your mouth.

He had been with others before, but it was rare for him to feel like this. Usually when he’s with someone it’s just to get his own release, but thinking of you was different. He wanted to make you come, to hear you cry for him, to feel you come on his cock, on his fingers, whatever you’d allow.

He wanted you, all of you. And he couldn’t stand the thought of some Reg pretending to flatter you just to get you into his bunk. You deserved better than that, you deserved someone who would treat you right, make you feel good, someone who could be good for you. Someone like him.

He reached his hand into his blacks, pulling himself out and stroking it. He let his mind continue to wander, imagining everything all over again as a loop. He thought of your voice, telling him how good he was, telling him how he was made for you, how no one else could satisfy you like him. He thought of marking your neck, your tits, your thighs.

As he began to reach his climax, he stroked himself faster, he thought about filling you up with his release, he didn’t know where, whether it was your throat or your cunt, he just knew he wanted to come inside you.

This thought sent him over the edge as he spilled out over his hand with a groan.

He knew it wasn't right to think this way, he didn't even know you, but he also knew there was no way for you to know what was going through his mind.

But would it be so bad if you did?

— — —

Something about his expression when he finally came back to the bar was different than it had been a few days ago. Not bad by any means, just not how he normally looked.

Part of it was likely due to the fact that he was in civilian clothes instead of his armour, nut most of all, his ever-present scowl seemed softer, and he didn't wear a smirk when he noticed you looking at him, instead he almost seemed nervous.

He walked toward the bar and sat on one of the stools, scanning to make sure none of the gathering clones were the one from a few rotations ago.

"Can I get you something?" You asked him with a smile.

He blinked like he still somehow wasn't expecting you to talk to him after what happened, but then shook his head. "No, nothing."

He sighed, looking down at the counter in front of him. "I wanted to..."

You looked at him, eyebrows knitted together in confusion.

"My actions the other day, that wasn't okay."

Your face softened into a small smile. "Don't worry about it, nothing to apologize for."

"Did the Reg apologize to you?"

"Oh, no I haven't seen him, but like I said, nothing to apologize for. I'm used to it." You told him nonchalantly. His gaze snapped up to meet yours and his eyes narrowed.

"Used to it? Being drunk doesn't give them an excuse to be assholes to you." His voice raised slightly.

"Really, it's fine. I'm just sorry you had to hear him talk about your squad like that for so long."

He laughed quietly and used your words back at you, "We're used to it."

Neither of you said anything for a bit. You worked on pouring another glass for one of the other patrons at the bar and then turned back to face him.

"I see you guys around here often, but until the other day, you and I have never spoken, I'd like to change that.” your kind smile at him caused his heart to pound in his chest, but when he didn't answer, you continued. “You have a name, trooper?"

"Crosshair."

You smirked then told him yours.

"Where's the rest of your squad today?"

"They stayed back, wanted me to make sure you were okay. But since you are, I should be going."

He was out of the stool and heading toward the door before you could convince him to stay. He needed to clear his head, it wasn't like him to feel so reserved and shy, but he felt your presence hammering on the walls he had built for himself and he didn't know if he was ready for them to come down.

You watched him as he left and smiled to yourself. Was he really concerned about your opinion of him so much that he came all the way here just to apologize? Or maybe he just wanted to make sure the other trooper kept his distance. Either way, seeing him was always a treat, and now you had a name to go with his face.

"I'd be careful of him." One of the clones said, pulling you out of your thoughts.

"What do you mean?"

"Clone Force 99 isn't known for following rules. They have the highest success rate out of any squad, but the way they complete their missions goes against most protocols we have. That one, Crosshair, he's their sniper, a dangerous one at that, and definitely not a friendly sort of person, someone you don't want to get on the bad side of. Not someone you can just fix with that pretty smile of yours."

You listened to him as he warned you, but even still, Crosshair and his squad intrigued you. You wanted to get to know them better.

Crosshair had caught your eye from the moment you had first seen him, and now the gap between you was finally starting to close.

You wanted to be his friend, but you were also curious about being more than that. You wanted to see what he was like when the two of you were alone. Was he sweet? Was he demanding? Was he some mix of both?

You wanted to know what his lips would feel like, what he would taste like, how he'd feel. Thoughts that sparked a flame in your core. You didn't know if you'd ever get an answer to any of them, but the world worked in mysterious ways.

— — —

Once everyone had cleared out and you got some cleaning done, it was finally time to go home.

It was late, too late to be wandering around the understreets of Coruscant alone, but you knew the most direct way back to your apartment, and had a blaster set to stun, just in case.

You turned down the alleyway, and you saw a figure push itself off the wall and walk toward you.

"Awful late, isn't it?" You could hear the faint accent of a clone, and the audible slurring of one that had too much to drink.

"Come on, copikla, let me walk you home."

He stumbled toward you. When he came into the light, you could see the black eye that Crosshair had given him, still purple and blue despite the days that had passed.

"I'm fine, thank you."

"Don't be like that, I wanted to apologize and do something nice for you. C'mon." He got closer to you and you felt your hand shake as you reached for your blaster.

"There's no need for that," He told you when you had the blaster fixed on him. "I'm not going to hurt you."

"Then go back to your barracks, trooper."

He smirked, "Y'see the other day, your friend from the reject squad, he gave me this-" He said as he pointed to his eye. "All because I gave you a compliment, so really, you o-"

Before he could finish his sentence you saw a blue bolt whiz past you, hitting the clone and stunning him.

You turned to see where it came from and at the other side of the alleyway, Crosshair stood with a pistol drawn.

He walked toward you, "He hasn't had a very good week." He pointed out, looking at the clone on the ground before bending down to look at his armour, looking for his identifier.

"What are you doing?"

"Getting his ID. He'll probably be sent back to Kamino for a while for breaking protocol."

He brought his comm up to his face. "Tech, I’m sending you coordinates and a trooper ID, arrange a pickup."

"Copy." You heard the distorted voice through the comm link before Crosshair began typing in numbers.

"You seem confused." He said, looking at you now.

"I thought your squad didn't care about rules and protocol."

He smirked, "Regs have been talking about us, huh? That's true, we do our own thing and don't take orders very well but.. we wouldn't put a civ in danger in a dark alleyway, he should have known better."

"Well, thank you for helping me, but.. how did you know I'd be here?"

"I didn't. After I left the bar earlier, I went back to our ship, but there aren't many places there to think quietly so I went for a walk."

"I see. I guess it's a good thing you were here. I have a blaster for my own safety, but I froze." You looked at the gun in your hand and sighed.

"Don't worry about it, the Coruscant guard will be here before long to deal with him.”

He turned on his heels and began walking away and you watched him before looking down.

“Crosshair?” You called out before he could get too far.

He turned to look at you again but didn't say anything.

“I'm not too far but.. could you walk with me? I just…” You trailed off looking at the stunned clone at your feet.

He walked back over to you, “Of course.”

He was silent for the remainder of the walk, but he walked with you to your door.

"Would you like to come in?" You asked as you punched in the key code.

"You sure?"

You nodded and the door hissed open, you walked in, followed by Crosshair.

He looked around your place, it was small but it was inviting.

He knew he should have just gone back to the Marauder, but part of him wanted to make sure you felt safe, and another, much more hidden part of him thought that if you had invited him in, maybe his thoughts of you hadn't been as one-sided as he thought.

"Make yourself at home." You told him.

He sat on the small sofa in the living room, his arm draped over the back, and you stared at him, remembering what the clone had said at the bar. If Crosshair really was someone to look out for, you didn't see it. You would even go as far as to say that he was being kind to you.

"Like what you see?" He asked when he caught you staring at him, his tone slightly huskier now that he was indoors.

You rolled your eyes, and walked over toward the couch, sitting at the opposite end from him, but turned to look at him.

"What does copikla mean? I know cyar'ika and mesh'la because I get those a lot from the regulars, but that guy was the only one to call me that."

He looked at you and frowned slightly. "It means cute, but in a way you'd say to a child or a tooka kit, not a woman. That Reg wasn't paying you a compliment when he called you that."

"I see. And that's why you jumped him?"

"I had enough of him long before that point, but yes."

You didn't notice that as you spoke, the more distance had been closed between you and Crosshair until your knees brushed lightly.

"What if it were a compliment?" You asked.

"I guess it depends on how you reacted, if you weren't comfortable." His eyes bore into yours now. "But you seem to like the compliments from the Regs."

You shrugged, "As I said earlier, I'm used to it."

His hand moved toward you, gently caressing your face. You could feel the calluses on his fingertips brush against your skin and you leaned into his touch.

"Would you react the same if I complimented you?" He asked, his voice a little more than a whisper.

"You could try." You answered. “See what happens.”

His hand traveled down to rest on the side of your neck, with his thumb stroking your jawline.

He shifted slightly closer to you, eyes half-lidded. Your heart was pounding in your chest, and you were certain he could hear it with how quiet it was in the room.

Crosshair leaned over to you and looked into your eyes, looking for any hint of hesitation, and when he didn't find any, he pulled you into a kiss. It wasn't demanding, but it wasn't gentle either. You could tell that this is what he had been thinking about when he said he had to clear his mind.

Neither of you had been sure if the other wanted this, but when your lips connected, you both figured it out.

His tongue pushed into your mouth and he swallowed the moan you gave when you tasted him.

His other hand had made its way over to you, resting on your waist. Your hands rested on his chest at first, but slowly wrapped around the back of his neck, drawing him closer.

He sat back to look at you, leaned against the arm of the couch, lips starting to swell, pupils dilated, and he smirked.

"You're beautiful." He told you. You knew he was trying to get a reaction from you, but his voice was sincere.

You could feel yourself getting warmer, and your stomach beginning to coil with the dull ache you felt between your legs.

You slid off the couch and gently took his hand, pulling him up with you.

He seemed confused for a moment, so you clarified.

"Figured you'd want somewhere a bit more comfortable."

His smirk returned, "Presumptuous of you."

"If I'm wrong, we can continue to sit here."

"Oh no, you’re not wrong. Lead the way, mesh'la."

You had heard the Mando'a compliments so many times they didn't even feel like real words to you, but Crosshair saying it brought new life.

When you didn't move, he leaned in to kiss you, but you ducked out of the way and began walking to your room.

He watched you walk away, slightly offended when you dodged his kiss, but that disappeared when he looked at your hips swaying, beckoning him to follow you.

When you walked into your bedroom, you turned on the lamp beside your bed before sitting with your back to the pillows, watching the door for him.

He entered slowly and you finally took a good look at him. He seemed much taller in your apartment than he did at the bar. You eyed him from head to toe, feeling your core clench slightly when you noticed the raised outline of his crotch straining against his jeans.

"Come here," you said, your voice low.

He walked around to the end of your bed, crawling over you with one leg on either side of your ankles.

"Closer." You breathed.

He moved upward, hovering parallel to your hips, eyes fixed on your core.

"Good boy,." You praised him. You didn't expect him to groan at that, but as if something ignited in him, he dipped down, kissing your stomach, then your hips, and moving down to kiss your thighs before hooking his fingers into the waistband of your jeans, looking up at you to ask permission.

"Yes, please, Crosshair."

He worked your jeans and panties off in one fell swoop, throwing them to a corner somewhere once they were off. You gasped when you felt his lips on your upper thigh, slowly trailing higher.

You arched your back slightly, desperate to feel him, but he smirked against your leg, biting into the soft flesh, before kissing the mark he had left.

He moaned when he felt your fingernails scratch against his scalp, trying to guide his head when you needed him.

He left another mark on your other thigh before licking a stripe from that mark all the way to your centre.

Your back arched again, pulling his face closer to you.

"You like that, mesh'la?" His voice vibrating against you.

"Y-yes!" You threw your head back in pleasure when you felt his tongue circle your entrance before swiping up between your folds, tasting all you had to give him.

"G-good boy, keep... keep going."

His hands found their way to your hips, holding them in place, you were certain that he was going to leave bruises on each one but you didn't care.

His lips clasped around your clit and he sucked so hard you saw stars, and then he went back to using his tongue, circling the bud slowly, trying to pull every moan from you that he could.

"Say it again." He said against your centre.

"Say what again?" You teased, knowing exactly what he wanted.

"Call me a-" He licked you up and down again, not finishing his question.

"Oh, you want me to call you a good boy?" You asked sweetly.

He rutted his hips against the bed as his tongue dove into you.

You cried out his name. The intensity of him drinking you up had begun to build and with it, you could feel yourself beginning to come undone. You were so close, you could feel your walls clench around his tongue, and he pulled it out.

You looked down at him in time to see his hand slide down from your hip, and he planted two fingers inside you, curling them against your walls.

"Go-good, you're so good, Crosshair, know just what I want."

He groaned, grinding against the bed again before adding another finger, drawing a cry from your lips.

His thumb took over for his tongue against your clit as his long fingers worked on opening you up. He placed gentle, yet desperate kisses wherever he could, nipping at your soft flesh.

"Cro-Crosshair I- I'm so close."

He sucked another mark onto your thigh and groaned when he felt your hand tighten around his hair.

Your hips bucked as you felt yourself get closer and closer to your release.

"That's it, come all over my fingers." His voice coaxed you further, "Let me feel you."

His tongue went back to your center, working circles around you again as your walls continued to clench around him.

It didn't take much else to pull the orgasm out of you, you cried out his name as you came undone, legs twitching and hips bucking as he continued to work you through it.

He pulled his fingers out of you, and kissed your center once again before leaving a trail of kisses up toward your neck, slowly lifting your shirt as he went before it, too, was thrown into the corner of your room. He nipped and kissed the sensitive skin, leaving you another mark before kissing your jawline and lips once more.

He was perched above you, leaning on one of his elbows while he straddled your hips, his jeans doing little to hide the feeling of his stiffness pressing into you.

“How was that, beautiful?” He asked you, a smirk plastered on his face.

“Perfect,” you replied. “I think you deserve some attention now too, for being so good to me.” He bucked his hips involuntarily into you.

He brought his hand up to cup your face. His fingers still wet from your slick. He rested them against your lips before pushing them past. You moaned against his digits as he pressed them against your tongue, making you taste yourself. You circled each of his fingers with your tongue before sucking on them gently. He pressed his head into where your shoulder and neck meet as he reluctantly pulled his fingers out of your mouth, thinking of nothing else but how your lips would feel wrapped around his cock.

“Do you want me to fuck you, cyar'ika?”

“Gods, yes, but first I want to taste you.”

His cock twitched against his jeans.

“I didn't know you could read minds.” He said, his voice low.

“I can't, I just know how I want to reward my good boy.”

Before he could say anything else, he got up from you and sat back on his heels, undoing the button on his jeans, and unzipping them just enough to relieve some of the strain.

You sat up and crawled toward him, resting your hands on his thighs, looking up at him for any sign of discomfort before you pulled on the waistband.

“You know, it's not very fair that you're so covered and I'm not.” You told him with a mischievous glint in your eye.

“No? Well, we can fix that.” He quickly pulled his shirt off before throwing it aside, revealing his toned chest. Your hands brushed against his abdomen and he sighed. You began idly tracing the outlines of his muscles and scars, and he took your chin between his fingers and tilted your face up to his, kissing you gently at first then with more passion. You felt him bite your bottom lip and you moaned into his mouth. Your hands glided across his skin before finding the waistband of his jeans again.

Without breaking the kiss, he helped you to disrobe him, and when you pulled down on his briefs, he sucked in a breath, feeling his cock spring free.

You looked down at it and instinctively parted your lips slightly, feeling your pussy clench around nothing in anticipation.

“You just going to stare at it all night?” He asked you.

You shook your head, “Can't wait to taste you, to feel you fuck my mouth.”

You saw his cock twitch at your words and you looked up at him with a smirk. “Is that what you want?”

Instead of answering, he laced his fingers through your hair, guiding you down toward him. You were bent over, using your elbows for support with your ass in the air.

“I could get used to this view,” Crosshair said. You didn't have to look up to know he was staring at your ass, but you pulled his gaze back to the back of your head when you kissed the side of his length. His breath hitched at each gentle kiss you gave him, and you heard him try to subdue a moan when you licked a stripe along the vein at the bottom all the way to the head, cleaning up any pre-cum that had already begun to spill out.

“F-Fuck,” He sputtered.

You peered up at him through your lashes and his grip tightened around your hair, trying his hardest to not buck his hips and force himself into your mouth.

Your tongue swirled around his head before you took it into your mouth.

He whispered your name as he guided you further down onto him, and you took him inch by inch.

You couldn't fit him all, you felt yourself gag slightly when he got to the back of your throat, which earned another moan from him, and you wrapped one hand around whatever had been left out.

“Gods, you're taking me so well, wanna feel you gag on me again.”

You moaned around him as he began using your mouth. He bucked his hips into you as he brought your head further down onto him. Your throat closed around him once again and you felt tears prick in the corner of your eyes.

You ran your tongue across the bottom of him again, bobbing your head up and down on him, swallowing around him, sucking on him, all while he was bucking his hips into you.

His thrusts started to quicken, becoming slightly more erratic, and you gave a warning tap on his leg, you couldn't take him that quickly. He understood and slowed down.

“S-Sorry, beautiful, didn't mean to hurt you, I'm just getting close..”

You removed your hand from the base of his length and gently caressed his balls as you continued bobbing on his cock.

“Gonna make me- I'm gonna come down your throat if you- if you keep that up.” He said between pants.

You hummed around him and kept going. You felt him begin to tighten up and you could hear quiet curses fall from his lips.

He moaned your name as your cheeks hollowed out around him. He stilled inside your mouth, and you felt hot spurts of him hit the back of your throat. You swallowed everything he gave you before pulling off of him, a trail of saliva keeping you connected to him for a moment longer before you sat up on your knees.

He was breathing heavily and when he looked at you, you could still see his eyes full of lust.

“Cyar'ika,” He breathed out. “You are so incredible.”

You leaned forward to kiss him before you felt yourself fall back onto the pillows with him caging you in with his arms.

His kisses were hungry, he pushed his tongue into your mouth, tasting himself and you on your tongue.

“Want to fuck you. Want to be so good for you.” He said almost into your mouth. “Want to hear you scream my name as I come inside you.”

His words elicited another moan from you, and he took the opportunity to push his tongue between your lips again.

His cock began pressing into your leg as you felt him getting hard again.

“Crosshair,” you said quietly. He stopped and looked at you, afraid he might have crossed a line. “Lie down.”

He got up from on top of you and rolled onto his back as you moved to straddle his torso.

You kiss him gingerly on the lips, and then his neck. You felt his hands come up and rest on your hips.

“You gonna be good for me?”

He nodded quickly. You kissed the tip of his nose before positioning yourself above his cock. He bucked his hips once trying to close the distance.

“Patience.” You told him before sinking down on him.

Heaven.

That was the only word that could describe how he felt inside of you. His eyes screwed shut, your tight walls felt like they were suffocating his cock as they fluttered around him and he needed to feel more of it. You threw your head back and he tightened his grip on your hips. You sunk yourself down slowly until he had fully disappeared into you.

Once you had adjusted to how he felt, you moved your hips against him as you leaned over him, seeking out his lips. He kissed you back with fervour as his hands slid around to your back and he bucked his hips to meet your movements.

You wrapped your arms around his neck, pulling him back up with you. His face was buried in your chest when you straighted your back, and you could feel his lips press against your breasts, and then his teeth.

You moaned at the feeling, rolling your hips into him faster. His hands glided along your skin back to your hips. He held them tightly as he lifted you off of him slightly before shoving you back down.

“Fuck, Crosshair!” You cried, feeling him even deeper inside you.

He groaned as your walls constricted around him again, this time when he lifted you off of him, he had nearly pulled out completely before slamming himself back in.

You panted out quiet curses as you tightened your arms around him.

“This okay?” He asked you as he did it again.

“Yes, gods, you feel so good. Want you to fuck me harder, feels so good.”

You didn't need to ask him twice. His hands slid up to your back as he eased you down on the bed before putting his hands on either side of your head.. He used his knee to push your leg up, opening you up more for him.

His slammed himself all the way in again, each thrust seeming to reach further and further. Your hands fell above your head and he used the opportunity to grab both of your wrists with his hand, pinning them above you as he drove himself into you again at a brutal pace, relishing in the way your tits bounced with each of his thrusts.

“Gods Crosshair, being such a good boy for me,” you panted.

His lips landed on your neck, kissing you then biting you, leaving another mark on the soft skin.

“You're marking me up so well.” You said as he gave you another love bite just above the last one.

“Gotta make sure everyone knows that you're mine, make sure that trooper knows who you belong to.”

You arched your back with a moan, just as he thrusted into you. With his relentless pace, you knew you wouldn't last much longer, his words were only sending you further over the edge.

“Getting so close, Crosshair,” you said between thrusts.

He answered by bringing his free hand down to rub circles around your clit.

“Come on my cock, wanna feel you come, wanna hear you scream for me.”

The coil tightened again, he felt your walls squeezing him and his breath hitched.

“I'm gonna come with you, angel,” He told you. “Tell me where you want me.”

“Inside, I want to feel you fill me up.”

His grip on your wrists tightened as his pace with his other hand quickened, pulling moans from you with each thrust.

“Pl-please, I'm so cl- so close,” you whined, getting more desperate for your release.

He knew that he couldn't keep going for much longer as his thrusts became more erratic, but he was determined to wait for you.

Your moans grew louder and you clamped around his cock more with each thrust. The build up was getting to be too much, until eventually the knot in your stomach came undone, you screamed his name as your orgasm finally crashed over you.

“That's it, just like that,” He said, his hand moved from your wrists to intertwine his fingers with yours as he thrusted as far into you as he could, spilling into you, painting your walls with his his release.

You both stayed as you were, panting, looking into each other's eyes and then his lips came crashing down onto yours as he pulled himself out of you.

“You're incredible,” you told him, completely blissed out.

“So are you.” He buried his face in your neck, not moving from on top of you.

“Shower?” You asked, and he sighed and nodded into you.

“Please.”

He got up off you and took your hand, waiting for you to lead him.

“I take it you liked the compliments.” He said, more of a statement than a question.

“Hm?”

“Unless that’s how you always act when a clone compliments you.”

You shook your head, “No, that was reserved only for you.”

He had a smug smile as you began to walk to the fresher with him in tow.

“Can't wait to see what the others say when you walk into the bar, with my marks all over you.” He said, grabbing your hips from behind, pulling you back toward him.

“Well, not all over me, but there's still time, if you're good.”

You escaped from his grip and he all but dragged you into the refresher.

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archetypesanalysis · 2 days

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Crosshair's Anima

This is the third part of the character analysis for Crosshair. You can read part 1 and part 2 here. I will be referring to “Goddesses in Everywoman” by Jean Shinoda Bolen for this analysis.

Crosshair’s anima consists of multiple archetypes, but the most prominent ones are Artemis and Hera. Artemis, or Diana as the Romans called her, is the Goddess of the Hunt and the Moon. She is the first-born twin sister of Apollo, the God of the Sun. As the Goddess of the Hunt, she wields a silver bow and carries a quiver of arrows on her back. She roams the wilderness of forest, mountain, meadow and glade with her band of nymphs and hunting dogs. As the Goddess of the Moon, she acts as a light-bearer, carrying torches in her hands or with the moon and stars surrounding her head. She is also the Goddess of Wildlife and she is associated with many undomesticated animals like the stag, doe, hare, quail, lioness, boar, bear and horse.

Artemis is a virgin goddess and she is the personification of an independent feminine spirit. She feels whole without a partner, and she has the “I can take care of myself” attitude. This archetype enables one to pursue interests and work that matters to them without needing other people’s approval. Their identity and sense of worth are based on who they are and what they do, rather than their relationships with others. Although Crosshair is part of the Bad Batch, he is capable of doing his own work while separated from them. In “The Bad Batch”, when the Bad Batch, Rex and Jesse infiltrate the Cyber Center, Crosshair positions himself from a distance, and he goes to secure a speeder craft as their getaway vehicle. In “A Distant Echo”, when Anakin tells the Bad Batch and Rex to split up so they can find Echo easier, Crosshair chooses to separate from his team and follow Anakin. With the rise of the Empire, Crosshair remains capable of carrying out the orders given to him even though the Bad Batch refuses to do so. He strongly identifies himself as a soldier of the Empire, claiming that this is who he is in “Return to Kamino”. He is certain of his identity even without the influence of the inhibitor chip and without the approval of the Bad Batch.

As the Goddess of the Hunt, Artemis is an archer that has the ability to aim for any target and know that her arrows will reach its marks. This archetype gives one the ability to concentrate intensely on whatever it is important to them, and to be undistracted from their course, which is called “focused consciousness”. The needs of others or competition would not deter them. In fact, competition only heightens the excitement of “the chase”. Not even obstacles or the difficulty in achieving the goal can hinder their perseverance. Since Artemis is more aligned to her instincts, her arrows are charged up with emotions. Hence, when a person channels their passion and intense emotions into pursuing a goal, their focus can be so intense that it becomes incredibly precise or destructive. Crosshair channels his intense emotions through his sharpshooting skills. His focus is so intense that every shot he makes is a precise killshot. However, in “Aftermath”, the shot Crosshair makes towards Wrecker only injures him. This may be a sign that he is fighting the effects of the inhibitor chip, and that he never intends to kill his brothers despite they have been branded as traitors to the Empire.

Artemis is seen as the archetype of the women’s movement because she is competent and independent, and she is protective of women and children. Since Artemis goes hunting and exploring the wilderness with her band of nymphs and minor deities associated with mountains, woods and streams, Artemis is also seen as the “big sister” archetype who emphasizes the “sisterhood” of women. In the myths, Artemis helped her mother Leto during her prolonged childbirth, and saved her from the giant Tityus who tried to overtake her. Artemis also came to other women’s aid, for example, she rescued the woodland nymph Arethusa from the pursuit of a river deity. Artemis is also known for her mercilessness, which is evident when she punished the hunter Actaeon who accidentally saw the goddess and her nymphs bathing in a hidden pool.

Crosshair is very protective of his brothers. In the Hyperspace Stories #10, when Dr. Krail appears as a hologram to greet the Bad Batch and state that he has been anticipating their arrival, Crosshair stands in front of Wrecker to protect him. In the episode “On the Wings of Keeradaks”, Crosshair protects the Poletecs by taking down the battle droids from afar. He also cares about Echo’s wellbeing as he is seen placing a hand on Echo’s shoulder after they fight off the battle droids. There are many headcanons and fanfictions that depict Crosshair protecting the vulnerable such as rescuing a person from another’s unwanted advances, which sometimes leads to a physical altercation. If Crosshair is not affected by the inhibitor chip, he will be impressed by Omega’s bravery for standing up for the Bad Batch in “Aftermath”.

People who feel true to themselves being with nature is connected to Artemis because she is associated with the wilderness and undomesticated nature. They may feel like they are in a spiritual communion with nature – be it surrounded by forests, mountains, or under the starry night. As the Goddess of the Moon and the Hunt, Artemis grants “moonlight vision”, which helps a person to look inward (like going into the wilderness, which contains our dreams, experiences and connection with nature) and be more reflective. There are headcanons that depict Crosshair as an animal lover, especially towards baby animals, which is an Artemis trait. In “Kamino Lost”, Crosshair is shown to have “moonlight vision” when he successfully takes the shot to save Omega despite the dark surroundings and the murky waters below. In “The Outpost”, Crosshair makes a spiritual connection with the Ice Vulture, which helps him to look inward and reflect on his decisions, leading him to turn against the Empire.

In Greek mythology, three goddesses make up the moon trinity – Selene who rules over the sky, Artemis on earth, and Hecate in the Underworld. This moon trinity can be represented by Riyo Chuchi, Crosshair and Echo in terms of their fight against the Empire: Riyo Chuchi is Selene because she is a senator and her high status means she is at the sky domain (the Galactic Senate); Crosshair is Artemis because his rebellion starts in the wilderness of Barton IV; Echo is Hecate (who is a constant companion to Persephone, Echo’s anima) because he fights in the darkness and at the crossroads where he rescues Howzer and two of his men.

Zeus and Leto are parents to Artemis, who are both loving and approving of her course of life. Parental support is needed to cultivate the Artemis archetype from a young age. Opposition and disapproval from parents (mostly from the father) may damage the self-esteem and self-confidence of an Artemis person. They may continue to put on a defiant attitude, but deep down, they feel inadequate despite all the successes they have, and they have a tendency to self-sabotage. Conflict usually arises between the mother and the daughter, especially if the mother is a Demeter archetype. A Demeter mother prefers a compliant good girl like Persephone, who will follow her, ask for her help, and accept that “mother knows best”. However, Artemis is the opposite to Persephone for she is independent and stubborn, which can lead to disappointment and feelings of rejection within the Demeter mother.

The conflict between Demeter and Artemis can be seen between Hunter and Crosshair. Hunter has the Zeus and Demeter archetypes. As Zeus, Hunter recognizes Crosshair’s talent and encourages him to develop it further. Though, his Demeter anima likely causes Hunter to limit Crosshair and stop him from doing certain things. Nevertheless, Crosshair’s stubbornness will get in the way, leading to arguments between the two. In “Aftermath”, Crosshair keeps shooting at Caleb Dume despite Hunter repeatedly telling him to stand down. They later have an argument about following orders. In “Return to Kamino”, Hunter refuses to accept that Crosshair willingly chooses to join the Empire, and decides to forcibly take him away after stunning him. In “Kamino Lost”, Hunter keeps trying to reason with Crosshair about the Empire’s atrocities but to no avail. Crosshair feels that Hunter is trying to control and limit him, deciding what is best for him because Hunter has the mindset that “he knows best”. The more Hunter tries to control Crosshair, the more Crosshair will rebel. This is why he stands his ground and refuses to rejoin the Bad Batch.

Another problem faced by the Demeter mother-Artemis daughter involves a weak, passive mother. The mother may be depressed, an alcoholic, trapped in a bad marriage, or immature, which causes the daughter to take on the parent role. The daughter is disappointed that she does not have a strong mother, and that she is not strong enough to change her mother’s life (unlike the goddess Artemis who was able to help her mother Leto). Determined not to resemble her mother, the Artemis daughter refuses to show her vulnerability and dependency, and she usually rejects what are traditionally feminine like softness, gentleness and receptivity. Crosshair faces this issue when he sees Hunter has failed in his leadership skills or has let his feelings getting in the way. In “Aftermath”, when Hunter refuses to execute Saw Gerrera and his people, Crosshair begins to see Hunter as unfit to lead the squad, and he wants to take over. Crosshair even demands Hunter to explain when he has become soft as he disobeys orders to save Omega, which indicates Crosshair’s contempt for softness and vulnerability. In “Kamino Lost”, Crosshair accuses Hunter that his failed leadership is going to lead them to their deaths, and he expresses his disapproval to let Omega calling the shots because she is a child.

Like Artemis, Crosshair is a natural competitor who is willing to push himself to the limit to achieve his goals. He likes to be challenged, which is seen in the Hyperspace Stories #10. In this comic, the Bad Batch is sent to Hylanth for a mission to investigate battle droids. Crosshair thinks that this mission can be carried out by the regular clone troopers, and the apparent lack of challenge frustrates him. After Tech explains that these battle droids have been modified, Crosshair says that “maybe there is hope for this mission yet” as he feels motivated to take on the challenge. Even if the goal does not guarantee success or it can cause him to become distant from others, Crosshair still chooses to continue his pursuit because he finds personal fulfilment with it. Since Crosshair finds his role as a soldier personally fulfilling, he chooses to stay with the Empire despite facing disapproval from the Bad Batch. Many Artemis people take up sports, especially in marathons and skiing which require a combination of goal focus, will, intensity and competitiveness. They move forward without any hesitation, undeterred by any challenges ahead. We have seen Crosshair expertly slides across floors or down snow slopes in “A Distant Echo” and “Aftermath”, which is a trait of his Artemis anima.

Most Artemis people, especially in their early adulthood, are engrossed in their work or causes. Marriage and childbearing are often far from their minds, or they outright reject them. Though, they like children and are extremely protective of children, like a mother bear who ferociously protects her young. They also prefer to foster independence in children. There are headcanons that Crosshair is not interested in getting married and having children, or he is alright with marriage but chooses to be childfree. These are traits of his Artemis anima. Moreover, Crosshair is not much of a parental figure in the beginning possibly because he views Omega as a dependent, passive child, which is not ideal for an Artemis person. However, as Omega becomes more independent, active and assertive, it is possible for Crosshair to become protective of her while encouraging her to be independent.

A relationship with an Artemis person, be it platonic or romantic, usually resembles the sibling relationship, friendly rivals or the Artemis-Apollo twinship. Their desire to maintain independence in a relationship means they are not drawn to dominating partners and they are not interested in playing the parental role. Their partner is usually their equal with shared or complementary interests, or is the one who nurtures them like teaching them to be more considerate and sensitive. If the Artemis person and their partner are both competitive, they must be careful not to let their competitive nature kill off their relationship, which parallels the myth of Artemis and Orion, where Orion was killed due to Artemis being goaded to take on Apollo’s challenge. Some people do view Crosshair as a person who will treat his partner as his equal instead of dominating them (which is associated with his Poseidon archetype), and his partner is usually as competitive as him, or a nurturing person who opens him up. Crosshair has a strong connection with the Bad Batch, and he is shown to share a friendly competition with Wrecker during the Clone Wars. I interpret Crosshair and Tech having the Artemis-Apollo twinship due to both of them being similar yet different from each other. Crosshair mostly has a brother-sister dynamic with Omega, who usually helps him to be more considerate and sensitive to his feelings.

In the myths, Artemis never suffered but she did bring harm to those who offended her. Similarly, people who identify themselves strongly as Artemis usually cause others to suffer rather than hurting themselves. If an Artemis person is raised to look down on traditionally feminine values, she may develop a contempt for vulnerability and dependency. Her relationships with others are marked with emotional distance and the usual physical unavailability. She may lose interest once her partner wants to get close to her emotionally, or becomes dependent on her, which are seen as “weaknesses” to her. She may even be cruel to her loved ones, treating them as unwanted intruders. Hence, it is important for an Artemis person to realize the importance of love and trust of a special person.

In “Aftermath”, Crosshair expresses his contempt for vulnerability upon seeing Hunter disobeying orders to save Omega. He also dislikes Omega trying to get close to him. It is likely that his inhibitor chip has affected him – possibly strengthening his Artemis anima to the point of becoming cold and cruel. However, he still retains the same contempt for vulnerability even without the influence of the inhibitor chip. In “Return to Kamino”, Crosshair tries to take Omega away from the Bad Batch and he tells Hunter to stop pretending to be a father figure to her because “that is not who he is”. In “Kamino Lost”, Omega tries to connect with Crosshair but he pushes her away again. Fortunately, Crosshair overcomes his contempt for vulnerability after receiving the love and trust from Commander Mayday in “The Outpost”.

Artemis has been called “the Far-Distant Artemis”, and this archetype is marked with emotional distance. This means Artemis people can become so focused on their own goals that they fail to notice the feelings of other people and can get offended by those who interrupt their focus. Their lack of attentiveness can make people who care about them feel insignificant and excluded. To grow beyond this archetype, Artemis people must learn to pay attention to others and be a good listener. They must also remain in touch and accessible to those who care about them.

When Order 66 happens, Crosshair’s inhibitor chip is somewhat activated. He becomes adamant of following orders, which leads to conflict between him and the rest of the Bad Batch (especially Hunter). He does not understand why they choose to disobey orders, and he even sighs in frustration when Hunter tells him to stand down in “Aftermath” as if Hunter is interrupting his focus to carry out the order. When Crosshair joins the Empire, he becomes “inaccessible” to the Bad Batch. In “Return to Kamino” and “Kamino Lost”, Crosshair reveals that he already has his inhibitor chip removed and that he willingly joins the Empire. This realization hurts the Bad Batch because it means that Crosshair chooses not to come back in his own volition because he prioritizes his role as a soldier of the Empire. Although Crosshair remains mostly closed-off from other clones, Commander Cody’s advice does affect him in “The Solitary Clone”. Later, in “The Outpost”, Commander Mayday helps Crosshair to open up and become more accessible to him.

Artemis is known to be merciless. In one myth, the hunter Actaeon accidentally saw Artemis and her nymphs bathing in a hidden pool. The goddess turned him into a stag and he was later torn to pieces by his own hounds. In another myth, Niobe insulted Leto by bragging that she had many sons and daughters, unlike Leto who only had two. Leto called on Artemis and Apollo to avenge her without mercy. With their bows and arrows, Apollo killed Niobe’s six sons while Artemis killed Niobe’s six daughters, and Niobe was turned into a weeping pillar of stone.

People who strongly identify as Artemis are extremely loyal to others, tend to get angry at injustice, unafraid to express their point of view, and have a tendency to take action. These are positive traits of Artemis, but there is also a tendency to mercilessly judge the actions of others in an absolute black and white. From this perspective, not just an action is either entirely bad or entirely good, but the person who does the action is also either all bad or all good. With that, an Artemis person feels justified to retaliate or punish the person.

Crosshair is extremely loyal to the Bad Batch. However, when they leave him behind on Kamino, he feels betrayed and view them as bad people. In “Reunion”, Crosshair is determined to hunt the Bad Batch down as they have been branded as traitors to the Empire. In “Return to Kamino”, Crosshair offers the Bad Batch to join the Empire, but they refuse, which from his perspective, makes them all bad people. That is why he tells them not to make the same mistake twice and not to become his enemy. In “Kamino Lost”, Crosshair views Hunter as a bad leader because he has caused the Bad Batch to disobey orders, run away from the Empire and now they are trapped under Tipoca City that is sinking to the ocean floor. In “The Solitary Clone”, Crosshair calls the clones who are questioning orders as traitors like the Jedi because from his perspective, a good soldier follows orders without question, and even a slight tendency to question orders is considered an entirely bad thing, and it makes the soldier a completely bad person.

It is important for an Artemis person to develop compassion and empathy, which may come with maturity and experience. Many Artemis people enter adulthood feeling self-confident and invulnerable. However, after going through suffering, being misjudged or failing at something, they may grow to become more compassionate. They will learn to be more merciful as they learn what it is like to be vulnerable and become more understanding, they realize that people are more complex than they think, and they learn to forgive themselves and others for making mistakes.

Crosshair has always felt confident and invulnerable. He does not believe that he would be replaced by the Empire because of his superiority. He turns a blind eye at the regular clone troopers, who are feeling the plight of being forced into “retirement”. However, that all changes when Crosshair goes through suffering in “The Outpost”. He learns how to be vulnerable to Mayday, which makes him more understanding and compassionate towards the regular clone trooper. This helps Crosshair to become more mature, and realize that the Empire does not care about the clones, including him. Hopefully, Crosshair can learn to forgive himself for making the mistake of joining the Empire and disappointing the Bad Batch.

The goddess Artemis is known for her destructive aspect that is symbolized by the wild boar, one of the animals sacred to her. In Greek mythology, Artemis sent the Calydonian Boar to terrorize the countryside of Calydon because King Oeneus had failed to honour her in his rites to the gods. The Calydonian Boar was described to have burning, bloodshot eyes, thick bristles that stood like sharp spikes, hide tougher than armour, and tusks similar to those of Indian elephants. It trampled vineyards and crops, drove away flocks and herds of animals, and killed many heroes who had tried to bring it down. This rampaging destruction serves as a metaphor for an Artemis person on a warpath.

The rage of Artemis is surpassed only by that of Hera. Although both goddesses appear to share the same intense feelings, the provocation and the direction of the anger are different. A Hera person directs their rage at “the other woman”, while an Artemis person directs their rage at people (mostly men) for depreciating them or for disrespecting something they value. The rage of Artemis can be observed in people reacting to injustice with intense hostility that is often out of proportion to the particular provocation, which leads to a rampage similar to the Calydonian Boar, hurting themselves and many like-minded people along the way.

After the Bad Batch leaves Crosshair behind, he is greatly offended by their betrayal and for throwing away their legacy. He hunts them down as if he is like Artemis on a warpath. His rampage causes injuries to himself and his troops. In “The Outpost”, Crosshair is furious that Lieutenant Nolan refuses to provide medical aid to Mayday because “they should not waste the Empire’s resources on a clone”, resulting in his death. Crosshair reacts to the injustice with intense hostility and he shoots Lieutenant Nolan, instantly killing him. However, Crosshair’s action causes him to end up on Mount Tantiss, where he gets experimented and tortured by Dr. Hemlock.

In the myth of the Calydonian Boar, the huntress Atalanta faced the charging boar with a bow and an arrow, or in some versions, a spear. She waited until the boar was almost on her, took careful aim, and then shot the arrow or threw the spear through an eye, which was its only vulnerable spot. Her action successfully wounded the boar. According to Jean Shinoda Bolen, the destructive rage of an Artemis person can only be stopped by what Atalanta did in this myth. The Artemis person must take courage to confront their own destructiveness directly. They must see it as an aspect of themselves that must be stopped before it consumes them and devastates their relationships. They can no longer feel righteous and powerful when they realize how much damage they have done to themselves and others. Humility is what returns their humanity as they become aware that they are flawed humans, not an avenging goddess.

When Crosshair gets angry, he reacts by taking action. However, his actions sometimes hurt himself and others. For example, his decision to hunt the Bad Batch down because he feels betrayed by them worsens the rift between them. By killing Lieutenant Nolan to avenge Mayday’s death, Crosshair ends up being imprisoned on Mount Tantiss and is subjected to experimentation and torture. It is important for Crosshair to realize how destructive his rage is, and how it hurts him and others. He must learn not to let his rage consumes him, and instead become aware that he too is a flawed person.

The myth of Iphigenia depicted the crucial choice an Artemis person would make in their lives. In this story of the Trojan War, the Greek ships had been assembled to set sail for Troy, but no winds arose to fill the sails and carry the fleet to war. Agamemnon, the leader of the Greeks, believed that it was the doing of a god, so he consulted the expedition’s seer. The seer explained that Agamemnon had offended the goddess Artemis on his way to the Trojan War by hunting and killing one of her sacred stags, and she punished him by withholding the winds. The seer stated that the goddess could only be appeased by the sacrifice of Agamemnon’s daughter Iphigenia. At first, Agamemnon resisted, but as pressure from his troops mounted, he tricked his wife Clytemnestra into sending Iphigenia to him, on the pretext that she was to be married to the Greek hero Achilles. Instead, she was prepared for the human sacrifice in exchange for the winds. There were two types of endings for this myth. One version stated that the death of Iphigenia was carried out as demanded by Artemis. In the alternate version, Artemis interceded just at the point of sacrifice, substituting a stag in her place, and carried her off to Tauris, where she became one of Artemis’s priestesses.

Jean Shinoda Bolen interprets these two endings as the possible effects of the Artemis archetype. She believes that every Artemis person likely has certain traits of Iphigenia — young, trusting, vulnerable, receptive, nurturing, the ability to relate to others, the ability to be intimate with others, dependent on others, and the willingness to make sacrifices for the sake of others. On one hand, the Artemis archetype rescues these traditionally feminine values from the devaluation and oppression of the patriarchy, like Artemis rescuing Iphigenia. On the other hand, the Artemis archetype makes a person so intensely focused on their goals that they sacrifice and devalue these traditionally feminine values, like Iphigenia was sacrificed to appease Artemis so the winds could bring the Greek fleet to war.

With that, an Artemis person is faced with a crucial choice: Will they rescue and protect this Iphigenia part of themselves so that it can grow even as they continue with their life and pursue their goals? Or will they be required to kill this Iphigenia part of themselves in order to be as focused, hard and clear as possible?

The myth of Iphigenia is depicted in “Kamino Lost”. Omega represents Iphigenia for she is young, receptive, vulnerable and dependent on others. Hunter also represents some traits of Iphigenia for he is nurturing and he cares deeply for Omega. These values are deemed as traditionally feminine. In this episode, Omega is unwilling to lose AZI so she swims after the droid. Hunter wants to enter the water to save Omega because she is about to drown. At this moment, Crosshair pulls out his rifle and it seems like he is aiming at Hunter, which is why Wrecker, Tech and Echo point their blasters at him. This scene seems to depict the possibility of Crosshair choosing to “sacrifice Iphigenia”, which is “to eliminate Hunter and let Omega drown”. After all, the episode has shown that Crosshair still has conflicts with Hunter and he continues to push Omega away, which can be interpreted as Crosshair devaluing these traditionally feminine values in favour of the Empire and his soldier’s duty.

When it seems that Hunter is in danger and Omega is about to drown, Crosshair is actually aiming at the water and he shoots a grapple that latches onto AZI, allowing him to pull Omega and the droid to the surface. Crosshair’s action to save Omega’s life represents his Artemis anima choosing to “save Iphigenia”, which can be interpreted as Crosshair rescuing and protecting these traditionally feminine values. His action indicates that there is still good in him, and that he can be vulnerable, receptive and nurturing.

To grow beyond the Artemis archetype, one must learn to become vulnerable, to love and care deeply about another person. This usually happens after the Artemis person has “run down”, after they have achieved or failed their goals, or after the pursuit has gone stale. The people who care about the Artemis person may have to wait, or they can get some help from Aphrodite.

The Atalanta myth serves a metaphor for the psychological growth that an Artemis person may go through. Atalanta was a huntress and runner whose courage and capabilities were equal to any man’s. She was left on a mountaintop to die by her father soon she was born. She was then saved by a bear and raised by hunters. She grew up to be a beautiful woman and she devoted herself to the goddess Artemis. A famous hunter named Meleager became her lover and companion. They played an important part in the Calydonian boar hunt where Atalanta successfully wounded the boar and Meleager finished it off. Since Atalanta had drawn first blood, Meleager offered the boar skin to her as a prize. However, Meleager’s uncles, who had been hunting with them, thought it was disgraceful that a woman should get the trophy where men were involved. They tried to take the skin for themselves and claimed the credit for killing the boar. Meleager was outraged by this and he killed them, which then resulted in his mother killing him shortly thereafter.

Atalanta then left the wilderness, and was eventually reunited with her father. Her father recognized her as heir to his throne, and insisted that she should get married, which was something she was not interested of. Many suitors came to win her hand, and she rejected them all. As her suitors became more persistent, she came up with a challenge for them: she would marry the man who could beat her at a footrace, but he would lose his life if he lost the race. Race after race, Atalanta was always in the lead. Finally, the unathletic Hippomenes, who truly loved her, entered the race. He prayed to Aphrodite, the Goddess of Love and Beauty, for help at the night before the race, and she gave him three golden apples to use in the race. During the race, Hippomenes threw the three golden apples in Atalanta’s path three times, which managed to distract her long enough for him to cross the finish line first and take her as his wife.

The Atalanta myth, or more specifically the deadly footrace, is played out in “The Outpost”, and it helps Crosshair to grow beyond his one-sided Artemis anima and achieve wholeness. There are no official explanations as to why Atalanta is distracted by the three golden apples, but Jean Shinoda Bolen provides her own interpretations for the three golden apples, which surprisingly match Crosshair’s character arc in “The Outpost”.

When Hippomenes threw the first golden apple and Atalanta went to take it, she saw her own face distorted by the curves of the apple. The first golden apple is interpreted to have given her the awareness of time passing. Many Artemis people are unaware of time passing until their desire to take up challenges or to reach their goals dwindle. They may become aware that they are not going to be eternally youthful and start reflecting about their course of life. At the beginning of “The Outpost”, Crosshair observes three clone troopers protesting their “forced retirement” due to the Defense Recruitment Bill has been passed by the Senate. Upon arriving at the outpost, Crosshair meets Commander Mayday, who has been guarding the cargo held in the outpost for a year, and has been expecting reinforcements 36 rotations ago. By witnessing the clones being forced into retirement and realizing that a year has passed since the formation of the Empire, Crosshair becomes aware of time passing, and that soon enough, he would be replaced by Stormtroopers, as it is the fate of all clones.

When Hippomenes threw the second golden apple, Atalanta went to retrieve it, and memories of her dead lover Meleager took over her. The second golden apple is interpreted to raise awareness of the importance of love. As yearnings for physical and emotional closeness are stirred by Aphrodite, an Artemis person may become more receptive to love and intimacy, and this feeling is strengthened by the awareness of time passing.

As Commander Mayday gives Crosshair a tour of the depot and its surroundings, he explains that they have been attacked by raiders who have caught them off guard in the last few raids. Mayday believes that the polar conditions have degraded the sensors, which may explain how the raiders get past them. To make matters worse, he is not receiving any replacements from the Empire. At this moment, Crosshair probably starts to recall memories of Hunter and Tech. Hunter would have been able to detect the raiders quickly thanks to his enhanced senses, and Tech would have upgraded the sensors to make it difficult for raiders to get past.

When Crosshair steps on a pressure mine, Mayday goes ahead to disarm it despite he is not an explosive expert and that he does not have the proper equipment to do so. However, he is able to improvise with the tools he has. At this moment, Crosshair probably starts to recall memories of Wrecker. Wrecker is an explosive expert, and he would have the proper equipment to disarm the pressure mine with ease. While Mayday disarms the mine, he asks Crosshair about his unit. This prompts Crosshair to mention that he was part of Clone Force 99, but they are gone. As he recalls the memories of his former squad, he probably begins to yearn for their presence and support. He probably starts to yearn for physical and emotional closeness, which is why he becomes closer to Mayday.

As Atalanta was about to pass Hippomenes and win the race, he dropped the third golden apple. For a split second, she hesitated: should she cross the finish line and win the race, or take the apple and lose? She chose to reach for the apple just as Hippomenes crossed the finish line, winning the race and her for his wife. The third golden apple represents procreative instincts and creativity, which are associated with Aphrodite. In life, there may come a time where achievements become less important to the Artemis person. They may shift their focus to other things like settling down and having a family, or transforming their experiences into some form of personal expression. They start to follow their heart more.

Crosshair and Mayday are sent to retrieve the cargo stolen by raiders. They are successful but they get caught in an avalanche. Crosshair digs himself out of the snow and finds Mayday injured. Mayday tells Crosshair to go because he is not going to make it. Crosshair now must make a choice: should he complete the mission and leave Mayday to die, just like he has said earlier, “no point of carrying deadweight”? Or should he abandon the mission and save Mayday’s life? Just like Atalanta gives up winning for Hippomenes, Crosshair gives up the mission for Mayday. Crosshair is well-aware that he will be reprimanded for not completing the mission, and his icy-cold reputation will certainly be tarnished. However, as he starts following his own heart, his brotherly love for Mayday wins over his ego and his tendency to follow orders.

Jean Shinoda Bolen believes that the knowledge of Aphrodite can be brought through the love of another person, which can help an Artemis person to move beyond the one-sidedness of this archetype and achieve wholeness. The Artemis person can turn inward to reflect on what is important to them, and be inner-directed as well as outer-focused. They may realize their needs for intimacy as well as for independence. Once they embrace love, they will have moments to decide for themselves what is most important.

In “The Solitary Clone”, Crosshair begins to turn inward to reflect on what is important to him after Commander Cody tells him that they make their own decisions and choices, and they have to live with them too. Crosshair’s brotherly love for Mayday is what pushes him further to turn inward for reflection. From here, he decides that his loyalty to his brothers (and his sister Omega) and his protectiveness towards them mean the most to him. With the Empire not seeing eye to eye with him, Crosshair finally turns against the Empire.

Besides Artemis, Hera is another prominent archetype in Crosshair’s anima. Hera, or Juno as the Romans called her, is the Goddess of Marriage. She is the wife of Zeus (or Jupiter by the Romans), the chief god of the Olympians, who rules over the heavens and earth in Greek mythology. Her name is thought to mean “Great Lady”, which is the feminine form of the Greek word “hero”. Her symbols are the cow, the cuckoo, the Milky Way, the lily, and the peacock (and its iridescent tailfeather “eyes” that symbolized Hera’s watchfulness). Hera has two contrasting aspects: she is greatly revered and worshipped in rituals as a powerful goddess of marriage, and she is depicted as a vindictive, quarrelsome, jealous shrew due to Zeus’s infidelity.

In her rituals, Hera had three epithets and three corresponding sanctuaries where she was worshipped during the year. In the spring, she was Hera Parthenos (Hera the Maiden or the Virgin). She was celebrated as Hera Teleia in the summer and autumn (Hera the Perfected One or the Fulfilled One), and became Hera Chera (Hera the Widow) in the winter. These three aspects of Hera represented the three states of a married person’s life (or more specifically, a woman’s life in Ancient Greece): in spring, they were single; in summer, they felt completed through a wedding; in winter, they grieved at the end of their marriage due to separation or death of their partner.

Hera is the wife archetype that prompts a person to get involved in a committed relationship and to get married. People who identify strongly as Hera view marriage as a way to gain prestige, respect and honour. They want to be recognized as “someone important”, and they seek out outer acknowledgement by having a large wedding ceremony. They find joy, fulfilment and completeness in marriage, in which they see it as sacred. Just like Hera is married to Zeus, people who identify with the Hera archetype are attracted to competent, successful people like rulers, businessmen or politicians. They are usually not into artists, scholars or humanitarians. Their choice in partners comes from their view of marriage as something that provides comfort and security to their lives. Besides that, some Hera people may view marriage as a way out of a bad situation, especially if their parents resemble Hera’s parents Cronos and Rhea – a patriarchal, dominating father and a powerless mother.

There are many headcanons that Crosshair enjoys security and comfort in his life, which are granted by the Republic’s support. The Republic provides necessities to all the clone troopers such as food, shelter, payment, weapons, training and transport. With that, Crosshair may feel ease to do other things. Many fans agree that Crosshair is the most fashionable of the Bad Batch, and he likes to wear jewellery. He may indulge in the best fabrics for comfort like wearing a pair of sleepwear and/or eye mask that are made of silk. He likely cares about his appearance greatly, which leads to a headcanon that he uses a loofah (suggested by a fan) or a pumice stone (suggested by the person running the Star Wars twitter account) during showers for he cares about his skin. These headcanons evoke the imagery of the Hera archetype in Crosshair – pompous, feelings of superiority and likes attention – basically, a prima donna. He probably gets jealous at Omega because she captures all the attention of the Bad Batch in “Aftermath”.

There are also headcanons that Crosshair likes to indulge the Bad Batch like bringing them to the best restaurants on a planet, buying things they like, or crafting things for them. The writers have come up with a headcanon that Crosshair is the one who creates Lula for Wrecker. I also have a headcanon that Crosshair creates Lula after the Hyperspace Stories #10 because Wrecker has lost the stuffed toy and Crosshair wants to cheer him up. I can imagine Crosshair buying something delicious for Wrecker to eat, getting the best equipment for Tech, and choosing the most comfortable fabric for Hunter to wear as a casual outfit. In “Aftermath”, Crosshair is shown to desire orderliness and cleanliness as he complains about the smell getting worse in the squad’s barracks, and that his bed is spotless and tidy (even his blacks are folded neatly). I have this headcanon that Crosshair is mainly responsible for the orderliness and cleanliness of the Marauder, and that Echo’s arrival has helped to ease most of his burdens. For example, Crosshair makes sure the floors of the Marauder are clean of dirt, dust, mud and food crumbs. He makes sure the lights and ventilation are working properly. He washes their blacks regularly and keeps a tab on their toiletries. He does all of these for everyone’s comfort, including himself.

I have seen people shipping Crosshair with a character that is of a higher status than him like a Jedi, a senator, or a politician, which kind of evokes the imagery of Hera and Zeus. There are many romantic headcanons for Crosshair that evoke the Hera archetype, for example, he buys something that his partner yearns to have regardless of the price, or he creates something for his partner to show his love and devotion. People who identify as Hera tend to share the same friend group and interests with their partner, even when they initially do not like them. It is a general headcanon that Crosshair will reluctantly do an activity with his partner because he prioritizes his partner’s needs and wants over his, which is a Hera trait. I have seen one headcanon that Crosshair is willing to give his partner children if his partner wants them, which is also a trait of the Hera archetype.

People who identify strongly as Hera find fulfilment in playing the role of a housewife or a househusband. They can take care of everything in the house while their partner is away for work. Since Crosshair has some traits of the Hera archetype, it is possible for him to play the role of a househusband well. Imagine yourself coming back home from a long, tiring day of work, and you find that Crosshair has cleaned the entire house, done the laundry, cooked your favourite meal, prepared a bubble bath for you, and planned to give you a body massage to help you relax before you go to sleep. Basically, Crosshair can be a devoted partner that pampers and spoils you, making you feel that you are the most important person in his universe.

The Hera archetype grants a person the capacity for commitment. They are loyal and faithful to their partner, and they are willing to endure and go through difficulties with their partner. They are the ones who stay “for better or worse”, and they are willing to drop everything for their partner. Loyalty means everything to the clones, and Crosshair takes it very seriously. Crosshair is extremely loyal to the Bad Batch, and he will do anything for them. In “The Bad Batch”, when Rex takes charge of the mission after Cody is injured, Crosshair sees it as Rex challenging Clone Force 99 for authority, or more specifically, challenging Hunter’s leadership role. This causes Crosshair to defend Hunter and Clone Force 99 by pointing out that Cody has called them in to help Rex, so Rex has no right to challenge their authority. This scene evokes an image of a Hera person fiercely defending their partner. I can imagine Crosshair leaving the last ration bar for Wrecker, placing a warm blanket on Tech when he has fallen asleep on his desk, and giving Hunter a hug upon seeing how work has overwhelmed him. Crosshair always gives his best to his loved ones, and puts their needs above his.

In Greek mythology, Zeus got close to Hera by turning himself into a shivering little bird. Hera took pity of the bird and brought it close to her body to warm it up. Then, Zeus revealed himself as the chief god and made a promise to marry her, in which she accepted. People who identify strongly as Hera may find themselves attracted to powerful and successful people that are also emotionally immature like Zeus. This emotional immaturity is what makes a Hera person to view them as “a poor little creature in need of Hera’s warmth and protection”. This caring trait of Hera can be seen in Crosshair. Although Crosshair can get annoyed at Wrecker’s antics (even telling him to “grow up”), his complaints are never taken seriously by anyone. In “The Bad Batch”, when Jesse defends Rex from Crosshair, Wrecker grabs and lifts him by the throat. Crosshair then defends Wrecker by warning Kix to stay out of it and fights him. This shows that Crosshair is not just protective of Wrecker, he is also enabling Wrecker’s impulsiveness. In “Aftermath”, Crosshair complains about the smell in their barracks and he does not like their laziness on cleaning up the mess. Yet, his complaints are treated as passing comments, and he does not try to change the Bad Batch. He probably grumbles while cleaning up the mess they have created, as if he is just tolerating their bad habits. The Bad Batch probably even sees it as a hobby for Crosshair that is not sharpshooting. Just like how Hera views Zeus in his poor little bird form, it is possible that Crosshair views Hunter, Tech and Wrecker as “poor little boys” in need of his warmth and protection. He feels the need to fiercely defend them from criticisms and insults, and he does not feel the need to change them at all, even if their antics do annoy him.

When the goddess Hera was worshipped in Greek temples and the marriage of Zeus and Hera was ritually enacted, Zeus was called Zeus Teleios, which meant “Zeus, Bringer to Fulfilment”. With that, a Hera person unconsciously places an archetypal expectation of fulfilment on their partner, with the assumption that they will be transformed by marriage. This tendency to project an image of an idealized partner onto a person can usually lead to disappointment, criticism and anger from the Hera person, causing them to urge their partner to change.

To a Hera person, a happy marriage means that their partner is devoted to them, placing their marriage first, and appreciating them as their wife or husband. However, a Hera person is usually drawn to people like Zeus, who are devoted to their careers. A Zeus person usually uses marriage to boost their social image by marrying someone from the same class or higher than his, and they can appear side by side in public. This type of marriage is a personal disaster for a Hera person due to their partner’s lack of involvement and concern of her. Yet, no matter how dissatisfied the Hera person feels about the marriage, they are the least likely to seek divorce and instead, they choose to bury their feelings by putting on the image of a perfect couple.

People who identify strongly as Hera have a tendency to place their relationship with their partner above everything else. They believe in marital promises of eternal devotion and they are willing to make sacrifices for their partner. They can give up their education to be a full-time wife or husband for their partner, get a job to support their partner, or relocate to another town or country if their partner wants to move. Hera people usually do not maintain family ties and friendships made before marriage. They are usually not close with their own children since they tend to prioritize their partner over their children. They also do not maintain their own interests prior to marriage. They instead make themselves conform to their partner’s life, interests and friends. These constraints can lead to problems for a Hera person, and they are made worse if their partners do not give them support to grow beyond the Hera archetype.

The Hera archetype can be such an overwhelming force that it oppresses people, and it turns people into oppressors. This archetype may make an unmarried person feel incomplete and they may end up in a bad marriage. This archetype may also cause a married person to stay in a bad marriage no matter how damaging it is to them. They may constantly nag at their partner for failing to live up to the image of Zeus who fulfils, or they may become enraged and jealous if their partner is unfaithful – be it in a factual or an imaginary scenario.

Whenever Zeus cheats on Hera, the goddess does not channel her rage towards her husband. Instead, she channels her destructive and vindictive rage at the other women (e.g. Callisto, Io, Leto, Aegina), at children conceived by Zeus with other women (e.g. Heracles, Dionysus), or at innocent bystanders (e.g. Echo). Just like the goddess, Hera people tend to judge and punish other people by excluding or ostracizing them and their children, all because they do not meet Hera’s standards. Hera people are judgemental towards people who are unmarried, sensual, or divorced because they are seen as “a threat” that can attract their married partner. Hera people are also judgemental towards people who are not personally threatening like unmarried mothers on welfare.

These disappointed expectations, constraints and judgmental attitude from the Hera archetype can be seen in Crosshair. In “Aftermath”, Crosshair does not see the difference between the Republic and the Empire because their roles as soldiers are being maintained. He expects the Bad Batch to stay as soldiers because that is what they are made for, and that is the only acceptable role for them. Besides that, Crosshair looks down on the regular clone troopers and does not like to work alongside with them because he sees himself and the Bad Batch as more superior than them. Of course, his decision to ostracize the regular clone troopers is also due to him and the Bad Batch are constantly bullied by the regs. When Omega approaches the Bad Batch and sits with them, Crosshair is not welcoming towards her. He sees her as a child, and that she should not hang out with soldiers like them.

Crosshair becomes extremely disappointed at Hunter when he chooses to disobey orders and he starts to prioritize Omega’s safety. To him, good soldiers should follow orders, and Hunter is breaking it. Crosshair’s bitterness towards the Bad Batch grows when they leave him on Kamino and they have taken Omega with them, giving the feeling that he has been replaced. Although he is furious at the Bad Batch, he does not channel his destructive rage towards them, even though the Bad Batch thinks that he is trying to kill them. Instead, he channels his destructive rage towards other people. In “Replacements”, Crosshair executes ES-01 for insubordination and he orders the rest of the Elite Squad Troopers to execute innocent civilians, in which the Bad Batch has failed to do so earlier. In “Reunion”, Crosshair dismisses the Bad Batch for scavenging like rats since they no longer have a stable financial support after deserting the Empire. For Crosshair, being a soldier is the only truly acceptable role for a clone trooper. The life of a mercenary or a bounty hunter is a definite “no” for him and for any clone trooper.

In “Return to Kamino”, Crosshair kills his own Elite Squad Troopers for refusing to stand down as he has ordered. He offers the Bad Batch to join the Empire to have a purpose again. Moreover, he tries to take Omega away from the Bad Batch, even telling Hunter to stop pretending to be a father figure to her, which in Crosshair’s eyes, is something Hunter is not. When the Bad Batch refuses Crosshair’s offer, he gets angry at them, warning them not to make the same mistakes twice and not to become his enemy. Despite witnessing and surviving the destruction of Tipoca City caused by the Empire, Crosshair still chooses to stay loyal to the Empire, and not even Hunter’s advice can get to him.

In “The Solitary Clone”, Crosshair is seen to be eating his meal alone as other regular clone troopers move away from him. It is true that regular clone troopers usually have issues with “defective” clones like Crosshair, but Crosshair’s tendency to limit himself to only the Bad Batch also now becomes a side effect as he is no longer with his former squad. He has nobody close to him in the Empire. Although Commander Cody is a close friend of Crosshair, his eventual desertion wounds Crosshair, causing him to further shut himself off. Furthermore, Crosshair still chooses to return to the Empire despite being stranded on Kamino for 32 rotations, claiming that he is a soldier of the Empire. Even though Crosshair later becomes aware that the Empire is not treating the clones well, he finds himself unable to desert the Empire and his role as a soldier, just like a Hera person finds themselves unable to leave an abusive relationship or marriage.

The Medea syndrome, which originates from the Greek mythology character Medea, describes the spurned woman, which is the negative Hera pattern. The Medea myth is a metaphor that describes the Hera woman’s capacity to put her commitment to a man ahead of everything else, and her capacity for revenge when she finds that her commitment counts for nothing in his eyes.

In the myth, Medea was the priestess and daughter of King Aeëtes of Colchis. The Golden Fleece belonged to the king, and Jason and the Argonauts sought it. Jason needed help to obtain the Golden Fleece as it was well-guarded, and that he needed to complete three seemingly impossible tasks given by the king in a single day. His patron goddesses, Hera and Athena, managed to persuade Aphrodite to make Medea fall in love with him and help him steal the Golden Fleece. Jason begged Medea to help him and promised that he would marry her. So, out of her love and loyalty to Jason, Medea helped him steal the fleece. By doing so, she betrayed her father and her country, and brought about her brother’s death. She fled with Jason, and they eventually settled in Corinth. They got married and had two young sons.

Since Medea was a foreigner, her position was similar to that of a common-law wife. Jason wanted a better life, so he decided to marry Glauce (or Creusa), the daughter of King Creon of Corinth. As a condition for the marriage, Jason agreed that Medea and their children would be exiled. Medea was enraged with Jason for breaking his vows, and she felt humiliated that all her sacrifices and crimes committed for him meant nothing to him. With that, she plotted and carried out her revenge.

First, Medea sent Glauce a gown and a golden coronet that were covered with poison as wedding gifts. Once Glauce put them on, she was burned to death. Her father tried to save her, but he was also burned to death. Then, Medea was in conflict between her love for her children and her desire for revenge. Ultimately, her desire for revenge won, and she murdered her children. When Jason learned of her vengeful plot, Medea fled to Athens in a golden chariot driven by dragons sent by her grandfather, the god of the sun Helios. Despite all the crimes Medea had done, she retained the favours of the gods. As for Jason, since he broke his oath to love Medea forever, he lost favour with Hera and he died alone and unhappy. His story ended with a rotting prow of the Argo breaking off and crushing him in his sleep.

Literal reenactments of the Medea myth are rare, but they are quite common on a metaphoric level. When a person is influenced by Hera and Aphrodite like what happened to Medea, their instinct to mate and their passion for their loved one may cause them to put that relationship above everything. They may leave their family and friends, betray their own values, and cut off any ties if necessary. They will not have any help or support if their partner behaves like Jason.

The Medea person may imagine or attempt to harm their partner’s lover. For example, “Medea” may spread lies to damage the reputation of the other woman or man. Moreover, the Medea person may attempt to destroy their children’s relationship to their partner. They may take the children away, or make efforts to drive their partner away from the children. They may even make their children hate their other parent. It is worth noting that Medea did not murder Jason in the myth. Similarly, the hostile, spurned Hera often harms other people more than the partner who left them.

Crosshair shows his Hera’s destructive rage and the Medea syndrome in “Return to Kamino” and “Kamino Lost”. When Hunter says that they are loyal to each other and not the Empire, Crosshair counters that Hunter is not loyal to him and he has not forgotten that time the Bad Batch left him behind on Kamino. Crosshair is also bitter that the Bad Batch has thrown away their legacy. I have seen headcanons that Crosshair is willing to make tremendous sacrifices for his squad, which aligns with Hera’s capacity for commitment. When the Bad Batch leaves him behind, Crosshair must have felt that all of his devotion and sacrifices mean nothing to his squad. This incident leads him to take on the hostile, spurned Hera archetype.

Furthermore, Crosshair tries to take Omega away from Hunter and send her on a shuttle off-world. Hunter pleads with Crosshair not to do it because Omega belongs with the Bad Batch. However, Crosshair says that Omega is in constant danger from living among fugitives like the Bad Batch, and he is doing this for her own good and for the Bad Batch too. Crosshair even tells Hunter to let go of Omega and stop pretending to be something that he is not – a father figure to the child. This argument evokes the metaphoric reenactment of Medea and Jason, where Crosshair is the “Medea” that threatens to take the child Omega away from Hunter the “Jason”. True to Hera’s destructive rage, Crosshair has no intention of killing the Bad Batch despite their alleged treason and their disloyalty towards him. Instead, he kills his Elite Squad Troopers for refusing to stand down.

To grow beyond the Hera archetype, one must recognize Hera’s influence and understand the susceptibilities of this archetype. It is crucial for a Hera person to expand beyond the Hera archetype. They must realize that this archetype at best limits them, and at worst is destructive to them. They must consciously develop other archetypes, which can enrich their life and marriage, and give them the ability to adapt if death or divorce brings the marriage to an end.

Besides that, a Hera person should view marriage as a growth experience instead of an expectation of fulfilment. An insecure Hera person is highly susceptible to jealousy, and they can easily suspect infidelity or feel humiliated by their partner’s inattention. They may alienate their partner with accusations or make their partner be more aware of the effects of their indifferences. Their partner may learn to respond to the Hera person’s needs with compassion. The Hera person must repeatedly decide whom to trust – the suspicious Hera within or their partner. To grow, they must resist Hera and give their partner credit for support and fidelity.

In the myths, Hera has two sons – Ares, the God of War, and Hephaestus, the God of the Forge. Hera favoured Ares, and “like mother, like son”, Ares’s uncontrollable fury on the battlefield mirrored Hera’s uncontrollable vindictiveness. When a Hera person struggles with their vindictiveness and rage, they can transform their rage and pain into creative work by following the example of Hephaestus, whose wife Aphrodite was repeatedly unfaithful to him. Any kind of work, be it mental or manual, can help the Hera person to channel their rage in a healthy manner instead of being consumed and destroyed by it. Crosshair is close to Wrecker, who has a strong Ares archetype. Like Hera and Ares, they both express their rage directly, which is evident in “The Bad Batch” where Wrecker and Crosshair get into a fight with Jesse and Kix. Since Echo has a strong Hephaestus archetype, Crosshair can learn from Echo to channel his rage in a healthy manner.

It is normal for any person to grasp the loss once their partner has left them. For a Hera person, they are likely to believe that their partner will miss them and come back, just like that myth about Zeus and Hera’s reconciliation. In this myth, after a quarrel with Zeus, Hera left him and retreated to the island of Euboea, and there was nothing Zeus could say to change her mind. King Cithaeron then advised Zeus to stir her jealousy by announcing that he was about to marry Plataea, the daughter of Asopus. Then, Zeus arranged a mock wedding ceremony with a wooden statue of a woman that was wrapped up in a dress. Once Hera heard the news, she stormed into the wedding and tore away the dress from the figure, only to discover that it was a lifeless statue. Hera was amused by this prank, and she and Zeus reconciled and returned to Mount Olympus.

This myth provides several psychological elements for a possible reconciliation to occur. Firstly, Hera let go of more than her husband Zeus. She also let go of her hopes that he would change, and let go of the role of victimized, vindictive Hera. After Hera left, Zeus discovered that she was truly important to him. Zeus set up the mock wedding ceremony with a wooden statue to convey the message that each of his affairs had been a symbol to him (like the statue) rather than an important relationship. Hera was amused by it because she finally recognized that no other woman really had mattered to him all along, leading to a reconciliation. Life sometimes follows this mythic happy ending, but most of the time, it does not. A Hera person may see that separation has not changed her partner’s heart. Then, they must accept reality, grieve and move on with their life.

Despite feeling betrayed by the Bad Batch leaving him on Kamino, Crosshair still clings onto the hope that they can be brothers again. He proves his loyalty towards them by killing his Elite Squad Troopers. Then, he offers them to join the Empire as their chance of reconciliation. However, they refuse his offer, forcing Crosshair to face the reality that the separation has not changed their hearts. When Hunter offers Crosshair a chance to rejoin the Bad Batch, Crosshair refuses, claiming that he has made his decision. At this moment, Crosshair lets go of more than the Bad Batch. He also lets go of his hopes that they will change, and lets go of the role of victimized, vindictive Hera. By accepting this reality, Crosshair is able to grieve and move on with his life without the Bad Batch. He stops chasing after them and he lets go of any desire for revenge. Of course, Crosshair is still loyal to the Bad Batch, and this is proven when he lies in his report that they have perished in the bombardment of Tipoca City. He still wants to protect them, even going so far as to send Plan 88 to warn them to hide.

In “The Crossing”, Tech admits to Omega that he does miss Crosshair. When Tech reveals that Crosshair is now under the hands of Dr. Hemlock, Wrecker is surprised that Crosshair has turned against the Empire. Based on his voice, Wrecker is hopeful that Crosshair will come back to them. Tech then pushes the mission to rescue Crosshair because he is their brother, and they do not leave their own behind. Omega, Wrecker and Echo are supportive of the mission, which leads Hunter to give the approval. Their attempt to rescue Crosshair conveys the message that Crosshair is truly important to them.

Since the worship for the goddess Hera was done in a yearly cycle (Hera the Maiden in spring, Hera the Fulfilled One in summer and autumn, and Hera the Widow in winter), there is an archetypal possibility for a Hera person to complete the cycle and begin anew. A Hera person can emotionally “widow” themselves by leaving a relationship or marriage that is empty, abusive or smeared with infidelity. They can then start anew and choose wisely this time. Their drive to be a committed partner can once again be fulfilled in a positive manner as they find themselves in a new relationship or marriage.

Crosshair takes on the archetypal Hera the Widow when conflict arises between him and Hunter, and it gets worse when the Bad Batch leaves him on Kamino. In “Kamino Lost”, Crosshair chooses to emotionally “widow” himself by not returning to the Bad Batch that clearly does not trust him anymore. This is evident when Wrecker, Tech and Echo point their blasters at Crosshair because they think that he is going to shoot Hunter, when in fact, he is going to shoot a grapple to save Omega. Although Crosshair has made a horrible decision to stay with the Empire, he does come to his senses after meeting Commander Mayday. When Mayday is devastated to realize that the Empire disposes the clones despite their loyalty and sacrifices, Crosshair finally understands that loyalty goes two ways. Since this loyalty between the clones and the Empire is only one-sided, Crosshair turns against the Empire. I am sure that once Crosshair is back with the Bad Batch, he can start anew with them and make wiser decisions this time – like he “recycles” himself and takes on the archetypal Hera the Maiden.

Crosshair’s archetype combination is Poseidon, Apollo, Artemis and Hera. These archetypes are opposites to each other: Poseidon is emotional while Apollo is logical; Artemis is independent while Hera is dependent on others. This combination gives Crosshair a lot of complexity: he is both logical and emotional, is an independent spirit but also deeply cares for his loved ones. In Greek mythology, Apollo and Artemis are twins, and they are both archers, capable of aiming their goals from afar. Apollo is associated with civilizations while Artemis is associated with the wilderness. The Apollo-Artemis combination helps Crosshair to accomplish his goals with ease. He works well with social institutions and he has a love for the wilderness. Besides that, the Poseidon-Hera combination is also possible for it reflects the relationship between Poseidon and his wife Amphitrite. Since a Poseidon person is more in touch with their emotions, they may place high importance on their loved ones, especially if they take on the mature Poseidon that embrace their emotionality in a positive manner. With that, a loving Poseidon can satisfy their Hera partner greatly. The Poseidon-Hera combination makes Crosshair an extremely loyal and committed person. He takes great care of his loved ones and he is fiercely protective of them.

It is worth noting that there is one myth where Poseidon, Apollo, Hera and Athena tried to overthrow Zeus, but they failed. They were punished except for Athena because she was the favourite child of Zeus. This myth gives an insight to the relationship between Hunter (Zeus), Tech (Athena) and Crosshair (Poseidon, Apollo and Hera). When Tech decides not to follow Hunter’s orders, Hunter gets annoyed by it but he lets Tech do his own thing. This is evident in “Cut and Run” when Tech decides to get their ship impounded by the Imperials because this is the simplest solution to get the chain codes. Hunter is angry that Tech goes against his plan, but he trusts that Tech has everything under control. He only warns Tech that Omega is on the ship. On the other hand, when Crosshair decides not to follow Hunter’s orders, Hunter immediately shuts him down. This is evident in “Aftermath” when Crosshair keeps shooting at Caleb Dume despite Hunter repeatedly orders him to stand down. Hunter even questions Crosshair about his actions, wondering what is wrong with him. Moreover, in the Hyperspace Stories #10, Hunter probably senses Crosshair’s frustration with the mission they are given, and he mistakes it as Crosshair questioning orders, which is why he reminds Crosshair that they have their orders. All of these seems to indicate that Tech is Hunter’s favourite, and Crosshair is treated like “the middle child” of the Bad Batch. It is also worth noting that Poseidon, Artemis and Hera are all known for their destructive rage that does not spare innocents, and this reflects on Crosshair’s wrath. If you want to live, do not ever get on his bad side.

Despite all four of his archetypes being opposites of each other, they all prioritize on loyalty and commitment, which are Crosshair’s main values. Crosshair is extremely committed to his duty as a soldier, but he is also committed to his loved ones (probably more than his duty as a soldier). He is fiercely loyal to his loved ones, and will do anything to protect them from harm. If you can see through his cold façade, you will find a man who is willing to make tremendous sacrifices to keep you warm and safe. You just need to be patient with him and be kind to him. As long as you are on his good side, rest assured that you will have a valuable friend and partner in Crosshair.

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