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#Don Diamond
aragarna · 7 months
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Don Diamond as Corporal Reyes and Henry Calvin as Sergeant Garcia (Zorro, 1957, 1x21)
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kwebtv · 4 months
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From the Golden Age of Television
Season 1 Episode 3
The Adventures of Kit Carson - The Road to Monterey - Syndication - August 25, 1951
Western
Running Time: 30 minutes
Written by Luci Ward
Produced by
Directed by Derwin Abrahams (as Derwin Abbott)
Stars:
Bill Williams as Kit Carson 
Don Diamond as El Toro
Kenneth MacDonald as Senator Tom Fowler
Glenn Strange as Jim Wade
Pilar Del Rey as Christina Gonzales
Frank Hagney as Little Pete
Eddie Parker as Stage Driver
Wally West as Stage Guard
Tom London as Stage Passenger
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emo--chanel · 2 years
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thank you for participating in this very important professional scientific study!
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perfettamentechic · 1 year
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19 giugno … ricordiamo …
19 giugno … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic
2022: Marina Marfoglia, è stata un’attrice, cantante, modella e ballerina italiana. Ragazza-copertina e modella per fotografie destinate alle cartoline illustrate di località turistiche, recitò fra il 1965 e i primi anni ottanta, comparendo in pellicole del cinema d’autore e della commedia all’italiana molto in voga in quei decenni. Fece parte del corpo di ballo di Don Lurio e della compagnia de…
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sun-ni-day · 8 months
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Numb3rs 2x09 Toxin
@hearteyesmcgarrett ask and you shall receive
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fiddlezips · 3 months
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very rough wip of some chibi boys!!! 🥇🥈🦪
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pierppasolini · 7 months
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Miami Vice - 3.19 - Red Tape
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thegoodduckfan · 17 days
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I love being a Donald Duck fan trying to turn obscure trivia into memes.
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#freediamonddick
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sillyroundkatie · 1 year
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Artfight 2023 attack #2, Okona for @roakkaliha Some girls have all the luck... ♦️♠️♥️♣️
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zosonils · 24 days
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apparently at some point it became my mission in life to have a flight rising dragon for every character from idw sonic
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guerrilla-operator · 4 months
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From Spin Magazine, 10/93.
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rocketshipsodawater · 3 months
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vinyl-artwork · 2 years
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Diana Ross & The Supremes / Neil Diamond – It's Happening! (1970) Cover art by Don Weller.
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l4-r4t4 · 1 year
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dibujos kkdalda 
Sans Latina TV es de una persona de Tiktok 
@SimpArtist 
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adamwatchesmovies · 10 months
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The Family Man (2000)
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Around the holidays, you’re probably sitting around the TV with your loved ones, exchanging gifts and creating warm memories. Your heart is probably a bit mushy - your head might be too from too many glasses of “egg nog”. This makes you the perfect target for The Family Man, which is essentially a retread of other, better Christmas films with a couple of knobs tweaked. It’s got appeal but it’s no classic.
Thirteen years ago, Jack Campbell (Nicolas Cage) said goodbye to Kate Reynolds (Téa Leoni) and swore he’d come back for her after his twelve-month internship with Barclays in London. They never saw each other again. Now a bachelor living as a Wall Street executive, Jack gets to see the life he never got to live when he wakes up one day, married to Kate with two children.
We’ve got a kind of body-switch movie meets a reverse “It’s a Wonderful Life” scenario. Jack was used to lighting his fancy cigars with dollar bills. Now, he’s sleeping next to the same woman every morning, trying in vain to bring his daughter, Annie (Makenzie Vega) to school while keeping an eye on his newborn son. He sells tires at his father-in-law’s business and has a pathetic wardrobe compared to the luxurious suits he used to wear. The scenario is played for comedy until (of course) Jack begins to warm up to his new family. This is where the film wobbles. There’s a reason why body-switch movies usually feature someone at the bottom thrust up. A kid becomes an exec at a toy company, a daughter gets her mother’s body, a woman whose marriage is falling apart goes back in time to when she and her future husband first met. When you have it the other way around, it creates a divide between you and the protagonist. Firstly, Jack is hard to relate to. He went from a luxury suite in New York, working at a job that meant setting up meetings on Christmas day to what most of us would call an ordinary life. No one watching would ever think "This is not an upgrade". Secondly, Jack is an idiot for a large chunk of this movie, unable to handle even simple household tasks. It’s comical for a bit but this film leans heavily on the emotional side and the two should mix… but they just don’t.
A hint of what this picture could’ve been is seen briefly whenever Jack and his daughter interact. She recognizes immediately that something’s amiss - it’s pretty easy to tell but she’s the only one who does - and volunteers to help her “father” get through the day. Those scenes bring a smile to your face. More of those, please!
That said, the film often hits the emotional notes well enough for you to forgive its predictable storyline. For one, Téa Leoni and Nicolas Cage have fantastic chemistry. From their interactions, you’re immediately sold on the new lifestyle that’s been thrust onto Jack’s lap even though most of the movie doesn’t have the two of them properly in love. Maybe its the Christmas sentiments making your heart soft but whenever Jack has a revelation about his new life, you agree with it. In the back of your mind, you know the ending will be big and dramatic, that this glimpse at an alternate reality isn’t going to last, which fills you with sadness. You like this family. You want to see more of them and you want Jack to figure out what you knew from the second you saw him wake up next to Kate.
How you ultimately feel about The Family Man depends on how carefully you scrutinize it. Compared to the films it most closely resembles, it doesn’t hold up. Even without the comparisons, its nature prevents the film from creating the kind of emotional swell that sweeps you away. If you’re watching it with the whole family - the kids are there, your cousin who only watches Steven Seagall movies is there and grandma too - and you don't overthink it, Nicolas Cage and Téa Leoni work together well enough for you to enjoy The Family Man. (On Blu-ray, November 30, 2019)
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marvelousmrm · 1 year
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Marvel Premiere #30 (Thomas/Heck, Jun 1976). I guess the Liberty Legion saved the Invaders or whatever…??
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