For starters, this film is visually STUNNING. I also adore all the musical references scattered throughout the film score. I love how some parts are just thematic medleys, but other sections have a single motif worked into the film score. It's a cool way to breathe new life into some familiar themes like Bob-Omb Battlefield, for example. When we're not being flooded with musical references from the games, I like how the rest of the score is padded out with 80's music. Some people may not like that, but I do. I was raised on classic rock thanks to my parents, and putting 80's music in the film makes sense, since the series got its start in the 80's!
Now let's move on to the characters. OH MY GOD. The way their personalities were so fleshed out was incredible. Mario and Luigi's wholesome twin sibling bond was everything I envisioned it to be. I was also very pleasantly surprised by how Peach and Toad's characters were handled. Peach's personality, to me, could best be described as a fusion of Diana from the first "Wonder Woman" film (a girlboss who is still unfailingly kind and protective) and Ariel from "The Little Mermaid" (an ever-curious princess who is super curious about humans and wanting to learn more about their world and way of life). Toad was amazing because the writers could have exploited his character as this little guy who was hungry for adventure but ended up as the incompetent comic relief...but that didn't happen. They played up Toad's capability and loyalty to Peach and Mario super well, and it showcases great acting range on Keegan-Michael Key's part.
Speaking of actors, HOLY SHIT. I couldn't hear any of the actor's regular voices at ALL in the characters they played. I thought I'd have a massive problem with Chris Pratt as Mario, but that ended up not being the case. Jack Black also did an incredible job voicing Bowser. Probably the only time I heard Jack Black and not Bowser was during his "Peaches" song, but I don't mind that. Bowser has been known to have some goofy moments and dialogue before in the "Mario and Luigi" and "Paper Mario" games, so it's easy to let slide. If anything, Donkey Kong was the only character whose voice I had issues with. It was just Seth Rogen being Seth Rogen, typecast once again as a comic dudebro who gets knocked down a peg at some point to learn a little about humility.
Slight aside, by the way, I also like how Bowser is animated when he's angry. When he's angry in the film, you can literally see the insanity in his eyes. It's a fantastic little touch that the games don't normally have. (Yeah, he's full of rage, but his eyes don't show it anywhere near as well.)
Probably the only real issue I had was with the film's pacing. Just when we think we're going somewhere interesting in a scene, all of a sudden we're immediately transported elsewhere. The transitions are kind of jarring and I feel like a lot loose ends in the previous scenes aren't tied up properly. Hopefully the sequel will fix that. (And let's be real. There WILL be a sequel with how much money this film is making. This film is sooooo much more successful than that 1993 monstrosity lmao)
Overall, VERY solid film and a job very well done. 4 out of 5 (Super) Stars from me 🌟🌟🌟🌟
OK THIS IS NOT A FUCKING DRILL EVERYONE FUCKING REPEAT AFTER ME. THIS IS WHAT YOU WILL DO WHEN YOU WATCH MUPPET CHRISTMAS CAROL THIS YEAR:
You will navigate to the page on disney plus (and it has to be here. Unless someone has actually uploaded the REAL movie anywhere else you cannot get it elsewhere)
BUT YOU WILL NOT HIT PLAY. You won’t do it. Because it’s NOT THE REAL VERSION OF THE FILM AND DISNEY IS FUCKING LYING TO YOU AS IT ALWAYS DOES
You will scroll down HERE. To EXTRAS instead. You MUST GO HERE. This is non -negotiable
THEN YOU WILL SCROLL DOWN TO THE BOTTOM OF THE EXTRAS AND YOU WILL THEN HIT PLAY ON THIS BAD BOY: THE FULL LENGTH VERSION
And you will watch it. And you will thank me for having been so blind and led astray by that stupid fucking mouse. You’re welcome.
Now that Ghibli's new movie is coming out soon, I've been thinking about anime films and wanna talk about my favorite animated movie ever, Tokyo Godfathers.
TG is a 2003 tragicomedy by Satoshi Kon, following three unhoused people––an alcoholic, a runaway girl, an a trans woman––who find a baby in a dumpster and set off across Tokyo to reunite her with her parents.
If you like the sound of that, go watch it because the rest of this post is spoilers and I have FEELINGS about this movie.
URGHH, the fact that only two moments of true kindness, generosity, and care given to the three protagonists without any expectation of reciprocity are given by a Latin-American immigrant couple and a drag show club full of trans women. The fact that, despite her loud and dramatic personality, Hana is the glue that holds the team together and the heart of the whole movie. The fact that this movie pulls no punches at showing the violence and inhumanity committed by "civilized Japanese society" against the unhoused. The fact that Miyuki craves to be loved by her parents and ends up seeing Hana as her true mother. The fact that Miyuki starts off accidentally using transphobic language against Hana, but slowly begins calling her "Miss Hana" out of respect. The fact that, according to Kon, Hana's role in the story is as a mythological trickster god and "disturb the morality and order of society, but also play a role in revitalizing culture." The fact that Hana so desperately wants to be part of a true family, yet is willing to sacrifice her found family so they can be with their own, and is rewarded for her good deeds in the end by becoming a godmother. The fact that, throughout the movie, wind and light have been used to signify the presence of god's hand/influence (this movie's about nondenominational faith––faith in yourself, faith in others, faith in a higher power. Lots of religious are referenced, such as Buddhism/Hinduism, Christianity, and Shintoism), and in the climax of the film, as Hana jumps off a building to save a baby that isn't hers, a gust of wind and a shower of light save her from death. The fact that god saves a trans woman's life because she proved herself a mother, and that shit makes me CRY.
yknow what, fuck you, [unhumans your previous elemental masters of lightning and ice and makes them best friends^_^]
Ice is an unspecified eldritch being. He has an uncanny valley effect on humans that unnerves the majority of the team who in turn can't understand how Libber, Garmadon, and Wu don't feel unsettled by him. Eventually, the teams warms up to him, and though no one becomes as close to him as Libber is, everyone knows they can come to him if they want to hex their ex or get a demon exorcised (sometimes these are one and the same).
Libber is a raijū and though this isn't common knowledge when she joins the elemental masters, news quickly spreads; she isn't great at keeping secrets. She DOES bite and Maya learnt this the hard way.
soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart
sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers
and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure
the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish
soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down
he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill
we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan
he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost
he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them
he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted
he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much
I've seen thousands of Evelyns, but never a Evelyn like you. You have so many goals you never finished. Dreams you never followed. You are living your worst you. I can't be the worst… what about the hot dog one? No. Everyone here agrees. This one's worse.
wrt prev post and sam’s original ‘fed demon blood by azazel as a baby’ arc like. actually that was the most insane thing to see depicted on my television especially when it seemed like no one else i knew or followed was talking about it. it felt so explicit and yet it was sooo deep in metaphor. she walked in on us. sammy, you’re my favourite. god it must be terrible to know something happened but that you’ll never be able to remember it or tell anyone about it. never be able to rip it out or scrub it clean. so azazel could get into my nursery and- bleed in my mouth? because i wasn’t clean. these trials - they’re purifying me. anyway. augh