#Family Members Dead

[some-kind-of-creature]

It wasn’t supposed to be a secret.

If you died while with the league, you will no longer be acknowledged to have existed, especially if you died during a mission. A disappointment will not be remembered.

The bats and birds don’t like speaking about the people they have lost, so they don’t. If someone ask about the dead, they will tell the person they don’t talk about that.

So how was Damian supposed to know that he should have told his father about his dead brother?

[wigglebox]

Supernatural September - Day 4 | Glitch

Canonically, Dean never said Cas’ name after the fake phone call in 15.19. Canonically, while Bobby said Cas “Helped” revamp Heaven into a Heaven that Dean “deserved,” Cas never showed up. Canonically, Dean left that heaven, which contained his family, to go “find family.”

There is a glitch that is Cas-shaped, and Dean knows it.

[alonemust001]

Enugu Apartment Finds Five Family Members Dead

Enugu Apartment Finds Five Family Members Dead

Enugu apartment finds five family members dead. Following the passing of five family members in an apartment in the community, the Amutenyi village in the Obollo-Afor community, Udenu Local Government Area of Enugu State, has been plunged into grief. The mom, her two kids, and her two visiting sisters were killed in Saturday morning’s early hours. A statement released on Sunday by the State…

[spacedace]

Had a thought about the Reluctant War and made myself a bit sad and I have no idea if it'll make it into the story proper so I'm going to inflict it upon all you guys:

Dick Grayson on the streets of Gotham trying to do everything he can to help as everyone join the ghosts in fighting the GIW, suddenly has a version of the GAV barreling down towards him and for some reason he can't get out of the way in time.

He thinks he's about to join the army of the dead in a whole new way, when the tank fo a vehicle is suddenly sent flying as something massive charged it from the side. He hears a familiar bellowing and then realizes that it's Zitka, a ghost after passing away peacefully a few years before.

She wasn't apart of the army of the ghosts, wasn't brought in to fight. She's just been following her tiny human child around all these years and now that there's enough ecto in the air to do so, she's going to protect him with all her might.

Dick is emotional, so thankful to have his old friend back, but the city is still in a state of chaos. He gets onto Zitka's back and they get to work, running - flying - around helping to grab the injured and whisk them away to safety or take out other GAVs and the like.

It's absurd and freeing and wonderful all at once to be literally flying through the skies of Gotham on the ghost of his elephant best friend, and if Dick wasn't already on the side of King Phantom he is *now* and -

He gets shot off Zitka's back.

A GIW agent was aiming for the Ghost elephant but somehow *missed* and hit Dick instead. Not enough to injure him too badly, but enough to send him flying off Zitka's back and plummeting to the ground. His grapple is broken, and Zitka is diving for him but she's being shot at and she's not going to make it in time and -

A hand, reaching out to him in midair, familiar with its callouses and strong grip as he reaches out and grasps it, body suddenly swinging in a different direction and muscles acting on memory as he falls into the old, achingly familiar routine of his childhood. His mother, ethereal and bright as she smiles down at him, hanging upside down from a bar suspended from nothing but open sky as they swing and he is let go, flipping on instinct and caught by the steady strong hands of his father.

The Flying Graysons reunited in the skies above Gotham, Dick's ghostly parents determined to ensure their little bird never falls the way they did.

[metamatar]

it's true though that the partition refugee trauma is slightly insane making. it is displacement with no possibility of return, not simply because it is impossible to go back to 1947 or because we lost the argument but because even any imagination of return is a betrayal to india as it is. to want to return to a world where you can simply take a train to lahore is a refusal for the punjabi to accept the gifts of having been saved by the "secular" side. and the worst part is with hindutva even that is denied, so the only thing partition trauma can even have the space for now is fuelling islamophobic atrocity porn.

[noramsblog]

Haunted

[shouldprobablybereading]

It is actually funny how with both kaladin and dalinar their brothers deaths are such major parts of their respective arcs that they would likely be different people if not for it. Meanwhile shallan just kinda goes “huh my brother is dead? Whoops turns out it was my close friend Kaladin that killed him” and then moves on like nothing

[doesromandoart]

“did you hate living with me that much?”

[bonefall]

This AU is basically the Dungeon Meshi of Warrior Cats. This is a high compliment.

It's so funny, I get that a lot and I totally see it + appreciate it, but BB actually predates me being a fan of Dungeon Meshi! I've been getting that compliment since even before the anime dropped.

It makes perfect sense though. Dungeon Meshi uses food as a metaphor for communication across individuals, class, and most relevantly culture. It's something that brings people together, even when that's being addressed as a sinister thing when.......

Ah. No spoilers. You should go and read the manga to find out what I'm teasing ;)

I do something with a lot of overlap in BB. Food is an extension of the culture of the five Clans. I use it to characterize individuals too and as a metaphor for things at times (like Darkstripe's growth or cultural friction in Heartstar's Rise), but most of all, I try to emphasize the food as the product of the society that makes it. The biome, the diet, the behaviors of its chefs... so Dungeon Meshi and BB are naturally going to draw some interesting similarities.

Plus, Dungeon Meshi's a good ass series man, it's downright awe-inspiring. I hope I can make a narrative as satisfying as Ryoko Kui can, lmao. I love how much that girlie loves food

[mangotelevision]

I love to think that the real reason the members of the jury have to renounce their family and their past isn't because of some oath they take, no it's because when they take the power of the jury they start to lose who they once were. They forget those that they used to hold dear because of the powers their jury form lends them. They don't intend to forget and it's not instant, it's slow and gradual. Overtime it'll just feel like a dream, becoming unsure if there was anyone ever there to begin with.

This theory very heavily ties back in with Katelyn, why after the Irene dimension she wasn't too quick to go searching for her family, because at that point she had forgotten who they were a long time ago. She's no longer a member of the jury, no longer influenced by this memory fog. But it still lingers, throughout her time with aphmau and laurance she starts to remember little things, she knows there were people, those who she cared about. But she can't remember their names, who they were, who they wanted to be. She remembers feelings. It's why when she talks about her family in the later season she's so inconsistent, because she doesn't remember and it bothers her that she might never remember

[nydescynt]

Thematic Analysis of Hades II: Why You Can Never Go Home

(At some point I might make a video on this, but for now sharing my thoughts via textpost. Spoilers ahead!)

So the text of the story of Hades and Hades 2 are Zagreus breaking out of the House, and Melinoë breaking in.

But the wild thing (and the reason Hades 2 is much more interesting to me) is that both games actually have almost inverted themes from that text. Zagreus is intent on uniting a household; Melinoë is discovering the home she's fought to return to is rotten to the core.

Zagreus, despite his entire textual goal being to leave his home and family, is narratively & thematically working to bring the family and household together. His mother comes back and is reunited not just with him but her husband, mother, and entire extended family. Achilles and Patrocles, Orpheus and Eurydice, Asterion and Theseus: Hades is a story of people metaphorically coming home and making peace with where they are (Sisyphus, Thanatos, Orpheus). Everyone basically gets a happy ending, credits roll, problems all resolved or en route to be solved. Everyone is home.

(Important to note: we never see a human in the first game. We see shades, and gods, and monsters, and the closest you get to a mortal living thing is the satyrs. This is a story concerned with the realm of the gods.)

In contrast, Melinoë has no home - besides being estranged from her childhood home, she literally lives in a tent. In case the theme was too subtle, presumably.

Now, she has been fighting her entire life to become powerful enough to return home and reclaim her family - that seems Zagreus-adjacent on its face. However, there isn't a home to return to- Hades is in shackles, the rest of her family trapped in time. At this point in Early Access, on both a metatextual & diegetic level she quite literally can neither make it to Mt Olympus or into Zagreus' room - she cannot go home, she cannot meet her family.

Consider the others: Odysseus' presence seems to tie into the idea of a long journey home, but this is an Odysseus who lived and died and now has other (inhuman) priorities. He loves them, but has no interest in reuniting with Penelope and Telemachus at this point. Nemesis dislikes her siblings, and is more concerned with the equal application of "justice" than whether it has any reforming effect. Narcissus and Echo eventually talk and part more amicably, but that's the best that can be said about their relationship.

Hecate refuses to be called Melinoë's mother: she will not distract from the "true" family that Melinoë has no memory of ever meeting.

Instead of Ares and Dionysus (enjoyers of chaos and least affected by the toxicity of the family in Hades 1) we have Hestia and Hephaestaus- a goddess who helped murder her father and a god constantly belittled by his own family. Their tense and frequently bitter interactions with the other Olympians are evocative of the central theme being explored: what if there isn't a home to go back to? What if your family is unforgivable? (What if you want to forgive them anyways? What if you need to?)

This theme is why Arachne is in the game, and Athena is not: likeable, first-helper-of-Zagreus Athena turned Arachne into a spider out of petty anger. How do you reconcile that?

Moros (lovely, kind Moros, who gushes at Odysseus like a fanboy) and his sisters the Fates did horrible things to mortals out of boredom. The same mortals whose bodies you can see stacked up like cordwood in Ephyra, who you repeatedly claim you are fighting to protect from Chronos. Moros can neither confirm nor deny that the current events could have been set in motion by the Fates. How do you reconcile that?

Polyphemus raises sheep. He genuinely loves and cares for them, is protective of them. He also eats them, and is confused when Melinoë implies a contradiction.

How can you love someone and be willing to kill them? For survival? For fleeting satisfaction? For vengeance?

Is Chronos' willingness to eat his children so morally heinous that it makes him worse than every cruelty the gods have wrought? Worse for who?

[little-pondhead]

Oops.

While learning to control his powers under the guidance of Clockwork, Danny accidentally curses his own bloodline with the Curse of Sentient Food several centuries in the past. Originally, a witch was supposed to curse his family. Oops. Well, the Fentons were always adapting, and technically, either way, he'd end up battling dino nuggets at three am in his underwear, no matter who the curse came from. So he shrugged and continued on.

Unfortunately, this also means that out of nowhere, the timeline shifted, and some of his very distant relatives are now battling their food into submission at every meal because Danny is ultimately way more powerful than some mortal witch from the 1600s. His version of the curse reached literally everyone he could ever be related to for the last few centuries. Even if they were adopted into the family!

So, returning to the present time after training, Danny is a little startled to see some news clips of people's dinners coming to life and beginning revolutions. Wow, John Fentonightingale really got around, didn't he? He felt a little uncomfortable that now all these random people had to deal with their share of Fenton luck, but from some of the interviews, everyone seemed to be handling it pretty well!

Especially his so-distant-they're-on-another-tree cousins, the Kents, who contacted his family directly, asking how best to prepare a zombie turkey. Their son was coming for Thanksgiving with his new wife and some coworkers, and they just refused to make the guests fight for their lives on a holiday!

They invited the Fentons to join them, of course.

[sunflowerandstrawberryspice]

I love a good old fashioned predetermined destiny that can not be stopped. Everyone knows that Garmadon is my favorite character by this point and while Lloyd isn't one of my favorite characters (not cause he's a bad character I just like others more) I still really like his story and arc over the course of the story.

I will never not think it's interesting that both Lloyd and Garmadon had fates that they couldn't change or escape. Lloyd was always going to be the green ninja it was destined before he was even a thought, before he was even born, before he could develop a true sense of self a title was thrust upon him and thusly the expectations of everyone around him. Garmadon on the other hand was doomed from the second he was bit by the Great Devourer maybe even before then. He was his father's Oni half and he was very aware of that fact throughout his entire journey in Spinjitzu Brothers we see him slowly begin to think he is destined to ultimately left evil and alone. He tries to be good time and time again only to be possessed, killed and brought back to life without his good half.

Tattoo translations:

Garmadon: Statera Latin for Balance

Lloyd: Iussum Latin for Order

Anyways I like to think Lloyd and Garmadon look kinda similar in facial features and stuff while also looking really different. I think Garmadon probably has a couple of tattoos (it just makes sense for him) and I think Lloyd has maybe one or two but they're smaller but meaningful. Also I think I've FINALLY settled on a Lloyd design, since before now it's been changing every time.

I just think these Legos are interesting :)

[roomba-mangga]

thoughts on thistle and yaad's dynamic that i vomited in the tags of another post but will now try to articulate here: they're not actually family, or at least they shouldn't be. not in a conventional sense anyway. framing them as uncle and nephew (even in a non-literal, silly fantasy world way) rides more on technicality than anything concrete.

what i mean by this is yaad calls thistle by name and says he and delgal were raised "like" brothers. he talks about thistle like he's an outsider imposing himself into the melinis' space, and it's clear that thistle was never legitimized as a member of the family. for thistle's part, though we don't know how he would treat yaad pre-demon brainrot, it's safe to assume based on the way he punishes him—turning him into a doll—and how little is shown in the way of any sort of relationship between them that thistle only cares* about yaad as an extension of delgal (otherwise i'd expect something like kabru and milsiril, because it's not like another complicated interspecies family dynamic would be out of place, yet there's next to nothing on them even in bonus content, just their scant interactions in the main story).

in essence, they're strangers to one another. thistle's desperation to preserve the illusion of a family, a model where he doesn't even fit, was the snare they were caught in for the past thousand years of stasis. yaad-as-nephew is a prop to uphold that illusion, and thistle is playing a role he's unfit to play. in the context of post-canon interactions, attempting to reconstruct that facade would only be a reenactment of trauma for them both (in a deeply compelling way i'd love to watch unfold, tbh), as that "uncle and nephew" framing places thistle in an implicit position of power over someone he's already traumatized through misuse of authority in the past, a role which also perpetuates his adultification and yaad's infantilization in turn. it'd mostly be an obstacle to any real connection.

best to burn the melini family bridge, i think, and if there's still anything salvageable left in the rubble, let something different supplant it.

[mollysunder]

I was today years old when in learned, "Ma Meilleure Ennemie" uses French in the feminine case. This means that the "Enemy" in "My Best Enemy" is being referred to in the feminine gender, as in Jinx.

On one very obvious hand this could be about Ekko's perspective on Jinx and how they got where they're at, where they go from here, and what has it meant to either of them as whatever partnership they forge won't last.

But my more fun crack theory is this could be about Caitlyn realizes Jinx isn't the worst person in her life, it's Ambessa. The Noxus-Piltover alliance has fallen apart and Caitlyn is horrified to realize Jinx isn't the reason everything's worse and she's having a near mental breakdown as she thinks of all the choices she's justified under the previous assumption.

[kaiiscottage]

Little Matakara and his brother since i haven’t seen anyone post them yet <3