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hcneymooners · 5 months ago

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thinking of chef!sevika...

suggestive content. men & minors dni.

🫕 and how the two of you met least luxuriously. you had gone on a terrible date - the kind where the conversation was tepid as lukewarm soup, where you watched the other person cut their food into increasingly smaller pieces just to have something to do with their hands.

🫕 you'd stolen away to the bathroom and found yourself wedged between the open window and sill, desperate for air untainted by forced laughter. thinking of how you got stuck and she looked up at you, as if you were suspended in a baroque-era painting, all twisted limbs and desperation. you'd reached out to her, a stranger in the alleyway of a restaurant, and asked for help.

🫕 she'd lifted you free with hands that spoke of years in kitchens - calloused, sure, strong - and you found the ground beneath your feet again, hair slightly mussed from all the movement. thank you, you said and she'd smiled so that you could see the body of the cigar held tightly between her teeth. she had a gap-tooth smile that reminded you of warm bread torn apart, and you thought of it all the way home and even after, constantly.

🫕 thinking of chef!sevika and how you met again, this time at a group function at some lush little eatery off a street you didn't know had any reputation in the city. it was a birthday party so the place had been rented out and you were pressed back-to-back and front-to-front with people who you knew nothing of, but shared memories of the birthday girl with. it was nineteen twenties themed so you'd gotten a jet-black wig, short and curling softly at the apples of your cheeks, and had ornamented yourself with an authentic flapper dress: glittering sleekly in the perfect shade of baby blue. your diamond necklaces were long and layered, your mother's relic.

🫕 the noise had become too much - crystal glasses clinking like wind chimes in a storm - so you'd slipped away, found a door marked 'staff only' and pushed through into blessed quiet. you've tucked yourself into this side kitchen, where the air smells of reduced wine and fresh herbs.

🫕 chef!sevika who's surprised to find you lounging in her extra kitchen, who hides a smile as you dip a finger into a plate of artfully smoked salmon laid out in thin blush slices against a fan of pita and sauce. she's older than you, carries it in the silver threading her temples, in the assured way she moves through her domain.

🫕 her knife work is hypnotic - you watch her hands move with the surety that comes from decades of practice, the blade an extension of herself. curious little thing, she murmurs, but slides the plate closer to you instead of pulling it away.

🫕 you start bringing her things after that night - rare spices from specialty shops tucked into quiet corners of the city, flowers still warm from the morning market, cookbooks with cracked spines from antique stores.

🫕 she teaches you to taste properly: eyes closed, breathing in the steam of broths she's spent hours perfecting. slow down, she'll whisper, one hand on your wrist, savor it. and you learn to do just that - to savor everything about her, about this slow-burning thing between you.

🫕 in her kitchen late at night, you watch her alter recipes. she lets you be her tester, feeding you tiny portions from wooden spoons worn smooth with use. too much salt? she asks, and you shake your head, entranced by how she makes notes in a leather-bound journal, her handwriting precise and slanting. you're perched on a counter, legs swinging, and she moves between stoves with the grace of a dancer. sometimes her hand brushes your knee as she passes, and you feel it like a flame.

🫕 she teaches you to make pasta on a sunday morning, the kitchen filled with golden light. her hands guide yours through the motions of kneading, and you lean back against her chest, feeling how your breathing slowly synchronizes. patience, she says, when you want to rush. good things take time. you understand she's not just talking about the dough beneath your fingers.

🫕 your first real kiss tastes of the cardamom ice cream she's been perfecting - sweet and complex and slightly spiced. she cups your face in hands that smell of basil and butter, and you think about how many ways there are to feed someone, to nourish them.

🫕 months pass like honey dripping from a spoon. you build rituals together: morning coffee in the garden she's started growing herbs in, weekend trips to farmers' markets where she charms every vendor with her expertise and that gap-toothed smile. she teaches you the names of every herb in her garden, how to tell when tomatoes are perfectly ripe, the secret to properly seasoning cast iron. you teach her how to slow down sometimes, to leave the kitchen and dance with you in the living room, to let a meal be simple if it means more time to kiss.

🫕 you surprise her on her birthday by converting the spare room into a spice library - floor-to-ceiling shelves filled with jars from your travels together, each one labeled in your careful handwriting. she cries, just a little, and you kiss the salt from her cheeks.

🫕 the proposal happens in her kitchen - where else? - while she's teaching you to make her grandmother's secret recipe for braised short ribs. this is a family secret, she says, and then pauses, wooden spoon halfway to the pot. i suppose you should be family then. you nearly drop the wine you're holding, and she laughs, deep and rich. marry me, she says, let me feed you forever.

🫕 the wedding is in autumn, when the air is crisp and sweet with falling leaves. she spends days in the kitchen you built her, crafting a feast that tells your story: the smoked salmon from the night in her extra kitchen, pasta rolled by four hands instead of two, herbs from your shared garden. your dress is the color of a deep forest, and when you walk down the aisle, she cries again, just a little.

🫕 there are harder days, when eating feels like swallowing stones. she finds you curled on the kitchen floor one morning, the marble cool against your cheek. without a word, she sits beside you, gathers you into her lap like something precious.

🫕 hey baby, she whispers against your hair, and her hands are so gentle as they trace the hollow spaces of you. she feeds you breakfast slowly, carefully - warm bread torn into tender, small pieces, drizzled with honey. each bite is followed by a kiss: to your temples, your shoulders, the soft plane of your stomach.

🫕 you're here, she reminds you, you're safe. and you are - safe in this kitchen that smells of rosemary and rising dough, safe in her arms that have always known how to hold you.

🫕 later, when you're stronger, she shows you another kind of recipe. dark chocolate melting on your skin like sunset, the sharp bright burst of reduced raspberry sauce. the secret, she murmurs against your collarbone, is the canvas. her tongue traces patterns like plating designs, and you laugh, breathless, at how she makes art of everything. my masterpiece, she calls you, and you feel beautiful, consumed, cherished.

🫕 the cookbook comes as a surprise - you find the proof copy on her desk one evening. "recipes for my love," the title reads, and inside are all your favorites. each recipe comes with a story, a memory. "the secret ingredient is time," she writes in the introduction, "and someone worth spending it with." it sells out in weeks, then months. "it's like reading a love letter," the reviews say, and you blush every time, even as you beam with pride at how she's shared your love with the world.

🫕 thinking about how your home becomes a sanctuary, especially for jinx and isha. they come at all hours - after fights, during celebrations, on quiet sunday afternoons when they just need to be somewhere warm.

🫕 sevika teaches jinx knife skills while you and isha roll out cookie dough, all of you covered in flour and laughing. the cool aunts, they call you, but you know it's more than that. it's the way sevika always knows when to start making hot chocolate (the real stuff. none of that synthetic crap, she grumbles), the way you keep their favorite snacks in the pantry, the way the kitchen island has become a confessional booth where secrets are whispered and hearts are allowed to be swollen with grief .

🫕 kitchens are for healing, sevika says one night, watching you all from the doorway. jinx is asleep on the couch, isha curled up beside her, and the house smells like the cookies you'd stress-baked together after a particularly rough day. you lean back against her chest, feeling her heartbeat strong and steady. and for family, you add, and feel her smile against your hair.

🫕 thinking of how the years pass like this - measured in meals shared, in recipes perfected, in late-night comforts and early morning kisses that taste of coffee. your love never spoils, never grows stale. it only deepens, like a good red wine, like a soup that's been simmering all day.

🫕 sevika still feeds you from splintering spoons, still kisses your stomach on hard days, still looks at you like you're the most exquisite dish she's ever created. and you still perch on counters to watch her work, still bring her flowers and spices, still catch your breath at the full force of her smile.

🫕 in the end, it's simple: your kitchen is your heart, and your heart is always full.

me 🤝🏾 my eating disorder and subsequent recovery 🤝🏾 wanting to marry someone in the food industry.

#sevika x you #sevika x y/n #sevika x reader #sevika arcane #sevika #sevika my love #arcane x reader #arcane fanfic #wlw #lesbian #sapphic #fluff #light angst #mine ; 🐎.#female!reader #arcane x female reader #fem!reader #sevika x oc

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nottragic-stilltoothsome · 2 years ago

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Everything I found in Szarr's palace, for all your fanfiction-writting needs. I haven't found any other post like this one, so i hope i m not copying anyone. Posting it here, because editing the official wiki feels intimidating. Feel welcome to add anything I missed.

Astarion's siblings (the other spawn):

Petras - one of the two you meet in the Flophouse.

Dalyria - the other one from the two you meet in the flophouse. Her diary can be found in the "guest room". Before Cazador turned her, she was a doctor, a "Physician General to the Parliament of Baldur's Gate". She thinks vampirism is a disease and plans on curing herself of it by drinking blood of someone young and healthy - other spawn's daughter, Victoria.

Leon Onufrio - before Cazador turned him, Leon was a sorcerer. He is the one whose daughter's (Victoria's) body is found, cursed, in the room where with the Kozakuran dictionary.

Leon put a protective counter-curse on her, to discourage other spawns from attacking her. Despite his efforts, Dalyria bit her, hoping it'd cure her vampirism. Needless to say, it didn't and Victoria died @easterlingwanderer found out that if you use "speak with the dead" on the body, it turns out that it was a random urchin and Leon did get Victoria out of the city on time. After removing the curse inflicting you with necrotic demage, you can loot a letter of her body from her father instructing Victoria to read said dictionary, so she can freely move around the castle.

In the favoured spawn room, you can learn that Leon was the one usualy occupying it (along with his daughter). His diary reveals that he put extra effort to be Cazador's best hunter, so he can keep Victoria away from others and that he came up with a plan with Figaro to disguise and sneak Victoria out of the palace.

He also notes that he doesnt like the way Violet looks at Victoria and Cazador's wicked smile, when Leon asked him what his master was planning to do with his daughter.

Violet - you can find her Diary in the Dormitory of Spawn. She notes that she put garlic in Yousen bed as a prank.

Aurelia - a tiefling

Yousen - @neophytepagan noticed he is a gnome

Other:

The chamberlain of Cazador was Antwun Dufay. In his diary, which can be found under his bed in his room after a successful passive perception check, it says that he had a lover Lurianna (a werewolf, who can be found dead by walking through fake north wall of chamberlain's office, or through another fake wall in Chamberlain's private room). He knew about Cazador's Black Mass enough to fake his death in order to avoid the threat of taking Astarion's place. Unfortunately for him, it seems he confused the actual death potion and fake death potion, and really died. His lover drank the other potion, which melted her guts. The actual fake-death elixir can be found in his desk, which puts the player in 10-turn coma. He ordered the elixir from Bonecloaks', where he also ordered most of the things the palace needed to function (like bloodstain remover, candles and food for "guests").

Godey - Cazador's right hand. Astarion says that while Cazador was the master of the palace, the kennels (the room where the spawn d be tortured, when they did something Cazador didnt approve of) was the domain of Godey. Godey tortured the spawn when Cazador didnt feel like it. Cazador trusted Godey with the key to the sealed ballroom for the duration of the ritual.

Through the palace, fanatic-servants cleaning the palace: Syrin - human, Greenfern - wood half-elf, Vilhelm - human, Varderola - also human. All of them are servants, who Astarion said are devoted to Cazador and came to the palace of their own will, beggining Cazador to turn them into vampires. Vilhelm is most noteable, as you can talk to him and he asks Astarion why isn't he downstairs, that he is late and the ballroom is already locked. If pressed, he informs that Godey has a key and that the Cazador is going to punish Astarion for missing the ritual (and from his expression, he seems to quite like the thought).

Chamberlain Dufay wrote a blooddonnors ledger, instructing the Spawn to favourite the lower class as prey, as too many missing patriars may drow too much attention.

The language Cazador uses is Kozakuran, from a distant land of Kara-Tur. Astarion notes that they were strictly forbidden from learning it. From Cazador's Journal you can learn that Astarion was not an unreliable narrator when he said Cazador liked torturing him the most: Cazador paid the most attention to him in the journal.

In the favoured spawn room, there is a ledger with the list of spawns who have been favoured (its only Leon and one time Violet).

Amanita Szarr - on her 13th birthsday, invited by her Uncle Cazador. She was invited to the ballroom. She became a vampire, but was not happy about it. She rejected her family name Szarr and named herself Lady Incognita. She claims she stays in the attic and writes stories. One of the books written by her can be found on Cazador's desk.

Mrel Alkam - vampire mastress from Athkatla that Cazador wrote a letter to.

#astarion #baldur's gate 3 #bg3 #spawn #astarion's siblings #cazador szarr #cazador #fanfiction #godey #astarion x tav #resources #astarion ancunin #lore #chamberlain dufay

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keferon · 6 months ago

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Titan LL!

Heavens, I love Titan LL.

...You know, since nobody's doing anything, I think I'll try something. Dibs!

.*.*.*.

Lost Light is named after a day of mourning.

He doesn't feel like it.

Perhaps it was a wish made upon the smallest of the youngest batch of Titans, brought online shortly before fires of revolution blazed across Cybertron and it's domains. For the mourning to be the least in the coming times. Perhaps they succeeded, but joke's on them. Lost Light may have been online through the times of grief, but grief does not touch his spark. It's another element of his surrounding, like floating rocks, clouds of solid something, solar winds, the works.

Well, for a given definition of "online", because, he, his batch and some older Titans were moored in random spots in the system, just away from Cybertron itself.

The new batch was mostly stationed in the shadows of Cybertron, in vain hopes of civil war going away quickly. But sometimes, when the fighting peaked and threatened to reach the moons, they were herded away and over to the system's edge, near the border of termination shock. There were a lot of visible stars here. And Primus, there was nothing more Lost Light liked more than those beautiful, beautiful stars.

The first Titans were sparked to carry their Cybertronian brethren beyond the embrace of their homeworld to the stars and defend them on the way. Not all Titans functioned as deep-space transport nowadays, but that was the original idea behind their frametype. Wayfarers.

And just when Lost Light started to go mad between moorings and itched to stretch his warp drive, because Primus and Unicron conspired to punish him specifically for his hubris, the Quintessons struck.

And Titans of Cybertron, eternal guardians they are, stood as the first line. While the little ones below scrambled around and got their priorities and slag-all in order, they stood. And together they withstood successfully. Neither Cybertron nor any planet in it's system fell to the Quintessons. It was not a clean victory, and Quints broke the lines to land incursions, but the Titans weathered enough that the little ones on the grounds were not overwhelmed. They endured the first of storms.

In the end of the beginning, the home system was safe, the civil war was over, and the Titans under the newly united Cybertronian High Command were partially reassigned to the outer fronts.

Now, Lost Light is a tiny Titan. An unusually tiny Titan by Titan standarts. He heard it was because there was a mix-up of vessels for reforging into Titanframes, and his was made from a late shipment two classes below specification.

His largest configuration houses in theory a thousand crewmembers. He prefers his smallest, which should hold above a dozen, but he does not have even a dozen of a crew anyway. He is still a Titan, and can comfortably rip into one, two, three Quint ships, but he cannot withstand a dozen, and Primus below, Quint ships in outer space come in waves and swarm like the squids they are. Instead, in this war he does he does best of what he does - he runs. He is small, his warp drives and bridge generators are the best among his batchmates, and he is fast. So he runs.

There's no Quint blockade that can stop him. Perhaps his cargo hold is not the largest, but if he is given a delivery, he will deliver it as soon as possible, come Pit or high tides. There's no escort craft that can keep up with him (and let's be honest, they are already understaffed enough that they simply can't find proper escort for his size), so he runs alone. If the Prime himself needs an express delivery, Lost Light is the Titan for the job.

He sees a lot of stars on his runs. He is pretty sure some of them are at least unclaimed, and some may be uncharted at all, so he marks them all on his maps. For later! Once the war ends, the beautiful, beautiful stars are his! He amasses a lot of maps, colors and marks them in the brightest hues his software comes with.

And some little ones even ask after the maps. Not like he hides them or something.

So, when the Prime calls, he comes.

Prime waits for him in the hanger personally. Together with the usual retinue, very much less usual very large pile of maps, boards and documents, a Perceptor hidden behind the pile of stuff (Xanthium talks about her favorite gunner a lot, when they have time to catch up), some twitchy engineer and his frequent passenger of express ferry Head Tactician Prowl.

Who has something very tiny enthusiastically crawling on him. Something so tiny, he has to recalibrate his inner and outer sensors for recordicon contact. His optics were hit in bot mode by rocks larger! Which were sometimes crawling with assorted space crustaceans! Come to think of it, thos crustaceans moved similarly...

And, because he is better at acceleration than braking, first thing Lost Light does is voice this observation.

"Prowl, sir, you've got crabs"

...

That was a start of a wonderful working relationship. Once they calm the tiny organic down from laughing, that is. It's name is Jazz, and it needs a ride home. Home which is besieged by Quintessons, and likely is near a fortified outpost, if not a starbase.

Strictly speaking, usually Titans are kept apart from organics, because they are usually very small, and tend to rot and fossilize. But since Lost Light is also very small, he got a direct invitation to an organic planet and immediately engaged his internal environmental system to produce enough oxygen. This is a chance of a lifetime!

Which brings him to his current... Problem?

The thing is, Jazz apparently has comrades. They pilot simulacrum frames specialized in Quint killing, which is very much respectable. And Lost Light's alt-mode's hangar bay may be a little tight in this configuration, but still compatible with them.

The issue is, one of those simulacrums which Lost Light got to shelter, a pleasantly painted one (flame patterns are always in vogue! No matter what anybody says!), appears to have broken down. Which made the organic inside very upset. At least he thinks it's upset, he is not very good at reading organics. Those "humans" do have fields, but they are very dull in comparison to Cybertronian ones.

The little organic with great taste is shouting what appears to be obscenities at unresponsive frame and alternates this with begging. Lost Light is floundering in his processor. The organic performs some indecipherable actions towards a fuel line of some sort with a tiny wrench. He's been at it for hours. None of the others from Jazz's makeshift warband returned yet.

This means Lost Light is responsible as the hosting Titan. Lost Light is usually alone. He does not quite know how to host other Cybertronians for prolonged periods of time, let alone organics. He hopes he maintains a nice oxygenated atmosphere.

He cannot watch this anymore. He has to gather all his confidence in his circuits and do something. Like talk to an organic without Prowl or the twitchy engineer (Swear? Swole? Swire? Swalter?) present. And, well, he'll figure how to decelerate later!

"Little one, do you require any assistance? I do have an internal welder somewhere..."

The organic startles, almost falling from it's precarious perch at the simulacrum's locked elbow joint, catches itself in time, and glances around. Then it glances up. And around again.

"I haven't hit my head that hard, yes? Is there someone here?"

"Well, yes? I mean no offence, but you're inside me"

Silence answers him, quickly broken by laughter. He remembers Jazz laughing. It is a similar laugh. He thinks he likes this laugh more.

"Well, I did not expect the ship to be speaking too. I really should not be surprised after this whole month"

At least the organic isn't despairing anymore? Lost Light thinks he can see a smile on it's face if he strains the camera.

"Technically, I'm a Titan. I'm a ship in the same way Deadlock is a,,, what you call small ground vehicle... Car? If I want to, I can be a building."

"Wait, but if you're the ship... How big do you guys come?!"

"Very. Now, little one, do you want my welder or not?"

Another wave of laughter follows.

"I do have a name!"

"You did not introduce myself"

"Cheeky. And yet, you did not introduce yourself either, big ship"

"My designation is Lost Light, and I'm the best Titan Courier this side of the galaxy"

The organic seems to finally locate his internal camera and so it points at it with it tiny wrench. Lost Light thinks it likes it's smile too.

"Well, nice to meet'cha, Lost Light. Name's Hot Rod. Now, about that welder..."

Lost Light rummages in his inventory for his favorite welder, mountable on a cargo manipulator. It is surprisingly elusive.

"I have it, I have it.... somewhere. It's been a long time since I patched up myself."

"...You patch yourself up often?"

"Nowadays not much, I'm a very good runner, and... Aha! There it is!"

Hot Rod look very, very happy to see the welder-wielding cargo manipulator. He is so much smaller than the tiniest little ones he carried. He reminds Lost Light of something that escapes his processor.

"Thanks, big ship. I hate ruptured lines. God knows when Ratch and that Swerve guy will be back"

"I'm not that big, you know. And I'm glad to be of assistance"

Despite pointed critique from the organic called Ratchet later on, Lost Light considers his skills with a welder in his internal cargo manipulator arms to be above average.

Hot Rod thinks so too, and ire of a medic shared is misery halved in Lost Light's books.

And then it hits him.

He reminds Lost Light of those beautiful, beautiful distant stars.

Lost Light prepares a very tiny datapad for a very big map.

.*.*.*.

...And here it is. I got possessed. Guest-starring my basic knowledge of astrophysics and bad jokes.

OOOOOOOOOOOHHHHHHHHH I LOVE THIS TAKE ON THEM SO MUCH

#tf mecha universe #lostrod #mecha writing #mecha lr writing

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clickety-clacker · 20 days ago

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Introducing: ARTIFRACTURE, my newest GGG AU!

Summary: When the rift was opened, the gods weren't entirely sucked from the rift... but some gods ended up losing more than others. Huzzle Mug and Click Clack have to work together to find the parts of their minds that they lost, with their quest being made much more difficult by two certain mortals...

More info below the cut!

To get a little bit more in depth, this AU relies heavily on my own personal headcanons of how gods function both physically and mentally, and how that can be manipulated and explored. It's also in part a foray into the relationship between Huzzle Mug and Click Clack, two gods I don't see interacting much, but I have a lot of thoughts on their relationship.

Essentially, a god is not just their body.

While their 'body' is their tool to interact with things (and is easier for them to control because they used to be humans), their entire realm within the rift is them. When Inspekta pries open the rift at the end of the game, you can see things from their realms flying out, forming the debris around the spire. This physically 'damages' the gods, and though the rift is closed, a lot of them are left very tired, drained, and sickly until they can recuperate.

But some gods lost more than others. Huzzle Mug and Click Clack both have something in common they don't share with the other gods- dual consciousnesses.

I've touched on this a bit for Click Clack in my fic Act Zero, but essentially...

When a god ascends, their mind is also changed to help them better process their new role, depending on their domain.

The human mind cannot properly multitask. Thus, gods who needed to constantly multitask had their consciousnesses split in two, which now work together as one being.

Huzzle Mug is the god off innovation, yes, but also the future. To be so good at inventing and innovating, it has to be able to see future possibilities. But seeing every possible future is too much for one mind to handle, so it has one mind that is constantly perusing futures, and one that's focused on making decisions in the present. The 'future sight' consciousness will supply any information of what will happen when the active/present consciousness decides something.

Click Clack does something similar. He has one mind that processes the script of the world- the narrator- and one that is the 'character' or the editor. One cannot be both!

But having two means they sit 'looser' within their realms, more prone to dislodging... and that's exactly what happens.

When parts of the God realm are sucked out of the rift, Huzzle Mug's future sight consciousness and Click Clack's character/editor conscious are sucked into the mortal realm.

This changes how they portray themselves, pictured above.

Click loses his 'face' as he's lost his character, and Huzzle Mug loses it's floating eyes and limbs. It also gets more splotchy and drippy when it gets emotional, and it's feet posses thumbs.

On the left is how they look at the 'beginning' of the AU, and on the right is how they look near the 'end' once they begin to function better together... and thus influence each other.

Meanwhile...

Disconnected from their realms and cut off from the rest of their bodies and minds, the parts of their consciousness they lost have to go dormant to survive (as opposed to fading into nothing), and take the form of objects. Click Clack's consciousness takes the form of a fountain pen, and Huzzle Mug's takes the form of a bag of marbles.

These items are found by Patience Zero and Dr. Cara respectively.

Though they're inert, they still possess some of their powers. The pen still has the power to make minor edits to the world, and the marbles still have the ability to tell possible futures. Patience uses the pens to actually edit her stories to make people enjoy them and listen to her, and Cara uses the marbles to evade getting in trouble... until one day, he gets a vision of Huzzle Mug finding him and Patience and being utterly pissed.

He assumes the worst, and goes out to find Patience, and convinces her to go 'on the run' or else the gods are going to hurt them. Not true, but fueled by paranoia, they go on the run... not realizing that what they possess aren't just objects that belong to the gods, but part of the gods themselves.

Huzzle Mug and Click Clack, on their own, struggle to function- but together, Click Clack's narration acts as Huzzle's future sight, and Huzzle acts as Click's 'character' and direction.

Equally, Patience and Cara have to work together to avoid capture from the gods and their followers.

There's a bit more to the AU, but this is the gist! If anyone ever has any questions, comments, concerns or thoughts, PLEASE feel free to send in asks! I'm happy to talk about them! :D

#my art #ggg #great god grove #click clack #huzzle mug #patience zero #dr. cara #rostro cara #artifracture au

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ennn · 6 months ago

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On Writing Rio Vidal

So @trickofthelights did a great post on things to take note of when writing Agatha Harkness in fic and I figured I could do one for my girl if some folk are interested.

Now I do see that getting a handle on Rio can be tricky because she only has so much screentime and every time she pops up we see a different side to her character. That said, here's some fundamentals I see for portraying Rio:

Disclaimer: I'm not a cop. Fic writing is for fun. This is entirely about canon-consistency, which can also apply to AUs. If you want to write an original romance novel inspired more by the actors than their AAA characters, hey you do you.

Rio is powerful and knows it

Canonical Rio literally embodies power. She's Death and even gods die. She is one of the most powerful entities in the universe and she knows it. It's essentially who she is. Power is part of her being.

In non-magic AUs where Rio is human, the show literally serves up Special Agent Rio Vidal as a handy reference point to work with. She's an FBI agent with the power of a higher authority, amazing at her job, and she owns it.

I find it quite jarring when AU fics have Rio set up as someone needing saving, or someone seriously lacking in confidence. Even if you're doing a high school or coffeeshop AU, Rio Vidal needs to know she's hot shit in some domain. She doesn't need to have her life together but you gotta have that sense of power and self-assurance somewhere in her life.

Because when it comes to writing canon-consistent Agatha/Rio, this is fundamental to Agatha's attraction to Rio because Agatha is attracted to power.

Like yes, I know it's Aubrey Plaza but it is essentially Rio's power that compels Agatha to give her a second look. Canonically, it's Rio's inability to die that allows them to have a relationship. Not beauty, not a winning personality. They're able to match each other’s energy, to clash and survive each other.

Rio is lawful first, chaotic second

An all-powerful character who can do anything is pretty boring, which is why when it comes to Rio "with great power comes great responsibility" but in her case it's literal and on a cosmic level. Canonically Rio's power is limited by certain rules she has to follow.

The whole tragedy at the crux of Rio as a character is that her identity is her purpose is her function is her duty is her job. As unpredictable as she seems, Rio literally describes herself as "the natural order of all things".

It's interesting that in the Zoom call interview Plaza mentions Puck when describing how Rio acts in the show because I find the fey a helpful reference when framing Rio as a character. Yes, Rio can cause lots of chaos but she has very specific rules she's obligated to follow. Everything beyond that however is fair game.

In non-magic AUs, this doesn't have to mean Rio has a literal job or profession that she values highly (although it can). It could be a personal mission, a set of principles, a duty to certain people or an organisation. Regardless there should be a method to Rio's madness.

And when it comes to writing canon-consistent Agatha/Rio, this is a delightful contrast because Agatha's such a rule-breaker ("So you broke the rules, big deal!") and a cheater ("You can't cheat Agatha / Says who!").

There are sharp edges to Rio's character

I sometimes joke that in AU fics the best way to help ensure canon-consistency is to give Rio a knife. It's funny because it's kinda true?

There is a darkness to Rio as a character that if ignored, I think does a disservice to her. Canonically, she's the balance of life and death, the cycle of decay and rebirth, the ugly and beautiful, violent and soft.

I think very romantic or domestic AUs do come with the risk of making Rio too soft, too patient, too kind. Which is not to say she can't be those things—you could argue that anyone who chooses to put up with Agatha Harkness certainly has those qualities in no small amount—but it's the contrast that I think makes Rio interesting as a character.

Consider Rio's capacity for love contrasted with her viciousness, her patience with her pettiness, her restraint with her rage.

There's probably more where this came from, but these ones seem to the main ones that stick out. And look, I'm a fan and I get that it's tempting to pull from the other roles Plaza has played, and we only see so much of Rio (I mean, consider how much of Agatha we got to see from Wandavision before AAA) and AUs are meant to be a playground—but there does come a point where a character just doesn't seem like Rio Vidal.

#agatha all along #rio vidal #agathario #agatha x rio #aaa meta #tv: agatha all along

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ty-loves · 8 months ago

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Briarwood Mortuary🕊️🪦

The Briarwood Mortuary is owned & operated by the Briar Family of Brindleton Bay. This longstanding mortuary & cemetery is the resting place of many of Brindleton Bay's most coveted citizens. This lot can be used to lay your sims to rest peacefully, host a funeral service, or even have a wedding in the cemetery.

Gallery ID: ty_loves415 (✅include custom content to find builds)

Information:

30x30 lot

$319,543

Functions as: Generic, Wedding Venue, or Museum lot

CC Used:

Asabinsims | Real Trees for build mode (1)

Alf-si | Birch Trees (1),

Magnoliidae | Leafy Ground Cover plant recolor (1)

TheJim07 | Gravestone & Mortuary ts3 (1), Mater Dolorosa (1), Winged Victory of Samothrace (1)

Felixandre | Estate (2), (1), (3), Paris (2), (1), Chateau (2), (5), (6), Berlin (2), (1), London (1), Gothic Revival (2), (1), Grove (4), Fayun (2), (1), Florence (2), (1), Soho (1)

Pinkbox AnYe | Venice (1), Summer Garden (1), (2), Bayfront Powder room (1), Miranda (1), Cozy Corner (1), Magnolia (1), Ashwood Dining (1)

SYB | Ratatouille Kitchen (1), Hotel (1), Piano (1)

Valia | Mediterranean columns (1)

Lilis Palace | Folklore Skanzen (5), Intarsia Enfilade (1)

Plush Pixels | Parisian Apartment (1), Summer in the Hamptons (2)

Max20 | Garden at Home (1)

Pierisim | Domaine du Clos (2), (1), Auntie Vera’s Bathroom Toilet (1), Winter Garden (1), Woodland Ranch Old Rug (1)

Harrie | Coastal (2), (8), Copenhagen (1), Brutalist Bathroom Tiles (1)

PsychicPeanutKitty | Ghost w/ a Lantern (1)

KHD | Noor Set (1), Ghibli (2), Liberty (1), Countess Desk & Chair (1)

Severinka | Halloween 2018 (1)

Sims4Luxury | Fall 2023 Pumpkins (1)

Myshunosun | Herbalist Clutter (1)

Natalia-Auditore | Baron Samedi Coffins (1)

CWB | Anapolis Wall Light (1), October 2022 (1)

HYDRA | Heart Vanity (1)

Sooky88 | Vertical Oil Paintings (1)

PandoraSimBox | Get to Church Stuff Pack Pulpit (1) LittleDica | Countryside Cabin Roof Trim (1)

*Packs Used: Lovestruck (benches), Cottage Living, City Living, Get Together, Jungle Adventure GP, Romantic Garden Stuff, Paranormal Stuff Extras & TOU:

Please do not reupload or claim my build as your own

Please do feel free to tag me if you use this build <3

Always use bb.moveobjects when placing

Reshade by YoursTrulySims

Leave a comment here if you have any issues

Thank you all cc creators <3

All trees used in this build are CC, not defaults.

@asabinsims @felixandresims @pinkbox-anye @alf-si @sooky88 @pierisim @lilis-palace @myshunosun @kerriganhouse @harrie-cc @sims4luxury @psychicpeanutkitty @valiasims @maxsus @littledica @hydrangeachainsaw @nataliaauditore-blog @syboubou @thejim07 @magnoliidae @plushpixelssims

#tyloves #simblr #ts4 screenshots #black simmer #ts4 simblr #sims 4 screenshots #sims 4 gameplay #sims 4 #ts4 #ts4 build #sims 4 build #sims 4 interior #sims 4 builds #mybuilds #my builds #Briarwood #ts4 interiors #ts4 interior #lot download

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vexwerewolf · 9 months ago

Note

If I could ask you for some advice, what do you think helps the flavour text of a mech or piece of equipment sell a player on the fantasy of using it?

I'm finding it frustratingly difficult to do so with my own homebrew content: I can come up with lore and backstory easily enough, but re-reading it feels dry, and I can't help but contrast it with how the descrptions in official content and other supplements is more evocative, at least for mechs.

Let's observe some corebook Lancer flavour text and examine the various varieties it comes in.

Purely Functional

While it's usually not the most fun type of flavour text, this just tells us what the weapon is, and - if it has any particular tags or on-hit effects - why it's like that. The Hand Cannon is a good example: here's what it is (modified pistol), here's why it does more damage, and here's why it has Loading.

The main advantage of Purely Functional flavour text is that it provides space for other types of flavour text to breathe. Flavour text is a great place for jokes, but it's not good for every piece of flavour text to be a joke - the pauses between notes in music are just as important as the notes.

Obfuscating Vendorspeak

The Bristlecrown Flechette Launcher this is a great example of dark humour that Lancer uses quite often: marketing fast-talk to cover up something really unpleasant. The joke here is based on us understanding precisely what the equipment does mechanically, and then seeing how the manufacturer tries to sell it. There's a bunch of dense technobabble here meant to obfuscate the fact that this weapon fires knives in every direction specifically designed to kill infantry.

Deadpan Weirdness

The joke here relies on describing something extremely weird like it's the most natural thing in the world. Wait, you're telling me that in a world where I can just print new parts if the old ones break, they put DRM on my fucking knife and I have to apologise to the fucking knife maker to get a new one? What the fuck, dude? Why are you acting like this makes any sense?!

My sword uploads fucking what to the Space Internet?!

Third-Act Twist

This type of flavour text disguises itself as something else - most often Purely Functional - and then hits you with Third Act Twist. It makes you go "wait, what?!" It's very classic setup-punchline stuff. You're telling me my mech can rot?!

As a side note, Lancer loves to use this for its NHPs.

WHY DID YOU PUT THAT IN SCARE QUOTES, LUCIFER

Worldbuilding

This is similar to the Purely Functional, but instead of just describing technical specifications of the weapons, it puts the weapon in the broader context of the setting's history. Okay, so we know what this weapon is and what it does - why was it built? What was the original use case, and why? Most importantly, what can the existence of this weapon tell us about the world that build it?

Whimsical Aside

This is the insertion of a light-hearted, humanising little insertion regarding how this piece of equipment gets used in the field. This serves to remind us that soldiers aren't cold, unfeeling killing machines: they can be as emotional, irreverent and silly as the rest of us, and they do things like name their mobile bombs...

... or call resupply drones "mech snacks."

The Ominous Out-Of-Context Quote That Explains Nothing And Only Raises More Questions

As I've said in multiple textmash memes, this is basically Tom and Miguel's shorthand for "this technology is Intensely Fucked Up in a way that it is more fun and scary not to explain." This is essentially Lancer's version of SCP's [REDACTED].

You might think this is the domain of HORUS, and you'd be right, but every single manufacturer indulges in these - although IPS-N had to wait until NRFaW to get theirs:

What the fuck do you mean by that, Lancer?

#lancer #lancer rpg #lancerrpg #lancer-rpg #vex asks

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lumenniveus · 1 year ago

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It's May. Mermay. Happy Mermay! 🧜‍♀️

Download: MERGED or as ZIP

First of all: if EA can announce a pool kit, then I can make a Barbie Malibu plastic villa one because I love pop colors. Yes. Not ALL my things are happy black. That new pool water for example, that's blue!

Second thing is that I found these really cool mermaid artworks on pinterest and it said they are public domain. I couldn't resist turning them into a jeweled bedazzling pool mosaic.

This set also goes very nicely together with @surely-sims new pose pack for merkids, which you can find here -- and I think it's funny how we end up making complimentary stuff again without planning to.

As usual, more previews and the catalog are below the read more cut

This one is fun. It comes with a lot of stuff that goes into your sims' inventory and that you can live-drag around. The bag and tray are functional. The floaties are BASEGAME, no need for any packs.

I lied. It still comes in all black.

Any bugs go into my ask box, please. I always playtest but sometimes stuff can fall through the cracks.

#ts4 download #sims 4 #maxis match cc #maxis match #sims custom content #ts4 maxis match #ts4 cc #download #mermay #mermay 2024 #cute #cc kit

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magalhaessims · 1 year ago

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THIRSTY CACTUS DINER - MAXIS-MATCH CC BUILD

Fresh and renewed! One of my very first builds, now with a modern twist! The Thirsty Cactus Diner is the ideal destination for those seeking a brief escape, where you can unwind and savor the perfection of a robust cup of black coffee. Also, I've just created my very first Speed Build Video on YouTube! If you appreciate this type of content, be sure to check it out. I hope you enjoy the video!

NOT CC FREE

Lot Type: Cafe | Bar | Restaurant

Size: 30x20

World: Oasis Springs

Enable bb.moveobjects before placing in your game!

WATCH THE SPEED BUILD HERE

Origin ID: MagalhaesSims (remember to enable custom content on!) DOWNLOAD

CC USED IN THIS BUILD:

NOTE: For convenience, some of the CC is included in the Download Folder. Please put it in your Mods Folder along with the CC linked below.

Amoebae: GF Horizontal Slats & Vertical Beans | Vintage Dining Set | Plastered Style || AroundTheSims4: Diner | Paris (Bench) | Restaurant || AwingedLlhama: Nostalgia Living (Blinds) || Charly Pancakes: Chalk (Kitchen Clutter) || TheClutterCat: BubbleGum | Dandy Diary (Glasses) || Felixandre: Colonial | Paris | Soho || Harrie: Halcyon Kitchen | Klean | Spoons || HouseOfHarlix: Baysic Bathroom | Baysic || LittleDica: Delicious Kitchen | Greasy Goods | Rise&Grind | Summer Party || Max20: Cozy Bathroom | Dining Room Kit | Kitchen Appliances | Poolside Lounge (Plants) || Peacemaker-ic: Creta Kitchen (Mini Frigde) || Pierisim: Coldbrew | David Apartment | Domaine Du Clos | Pantry || RVSN: ShopChef Consumables || Simkoos: Clutter Dump || SixamCC: Private Schools (Fire Alarm) || SurelySims: Kitchen Of Tomorrow | Office Space || Syboulette: Crossfit Reborn (Wall Digital Clock) || Taurus Design: Lilith Chillin’ Areas: Coffee Corner || Zx-Ta: Painting | Retro Diner

The CC Sets above are the main ones I used to decorate this specific building and you can find all the links to the creators’ sites on my Resource Page. However, if you can’t find something specific, you can send me a WCIF and I’ll try to help you find it!

HOW TO MAKE IT FUNCTIONAL:

If you want a more immersive experience with this lot, I highly suggest downloading LittleMsSam’s Auto Employees Mod. With this mod, NPCs will automatically work at the lot, once you place the correct object for them to appear.

Make sure to read all the information available on the mods pages in order to make it work properly in your game!

My content will always be free and right away available to everyone, but if you want to, you can show your support through my Ko-Fi Page. Your donation will always be much appreciated!

Thank you for reblogging: @maxismatchccworld @mmoutfitters @mmfinds @s4realtor @coffee-houses-finds and everyone else for helping me boost this post!

#the sims 4 #ts4 maxis match #ts4 build #ts4 cc build #ts4 speed build #ts4 oasis springs #magalhaessims save file #build #download

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so-i-did-this-thing · 2 months ago

Note

Do you happen to have any advice on looking for art to hang on walls? Originals, prints, doohickeys; I find a lot of antique malls tend to have stuff for shelf display and not a lot of wall decor. I thought you might have a few tips?

Stuff on walls? That's where I'm a viking!

Facebook marketplace, estate sales, auctionninja.com, etsy, and eBay are my primary sources for finding wall decor. I usually only find original prints at antique malls if that is what the booth specializes in.

But also consider branching out. If you are into shelf decor, get some wall shelves!

I have found that antique malls are less likely to have shelving, but antique *fairs* are a different matter.

If you like a pre-1960s style, wooden shelves are in abundance, from teacup/saucer shelves, to various one-offs:

Salvage is also fun to use to display things -- see my printer tray above and church pew hymnal racks:

Back on the art side -- I highly recommend hunting down artists you enjoy and commission from them or buy their prints, pins, etc:

You can also look on etsy or do a web search for places that offer high quality scans of public domain art. A lot of museum websites also have high quality downloads of their collections. Print and frame these yourself.

And don't forget, you can slap anything on a wall, from the functional to the... uh, well, a hand scythe *is* also functional, technically...

Hope this gives you ideas. But when it boils down to it, estate sales and marketplace have been my best sources.

#my weird house #home decor

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kestrelteens · 1 year ago

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Some of you guys asked me if I'd be willing to share this build so here it is! 🐸 It's an old apartment building in San Myshuno where its tenants have figured out a creative way to utilize their rooftop spaces.

The lot is 30x30 and it has 4 floors on which the 4 apartments are located and the 3rd and the 4th apartment have access to the rooftops that are fully functional. There's not much cc that comes with this lot (it's only half furnished inside, but your simmies can move in right away) and I have included most of it, but there are some sets that are too big, so I think it's better if you get them yourself (the list is under the cut + the floor plan pics). I did not 'mark' the apartments with the For Rent expansion 'cause sometimes it would be a little buggy for me and I didn't want it to get borked for you, so please do it yourself! Also, I have all the packs.

You can also find this lot on the Gallery under 'kestrelteeens' (that's 3 Es lol and make sure to check 'include cc').

There's not much more to say except enjoy! ♥

download (mediafire)

CC sets you need (and you probably have by now lol):

awingedllama boho living + nostalgia kitchen

charlypancakes slouch + soak

harrie klean part 3 + kwatei part 3

littledica rise & grind

pierisim auntie vera + domaine du clos part 1 + mcm part 1 + winter garden part 2

simmila record store

Floor plan:

CC credits: anye, awingedllama, freak, pierisim, kkb, sixam, harluxe, dorocash, sforzinda, simkoos

#ts4 pictures #ts4 simblr #ts4 #ts4 gameplay #ts4 screenshots #the sims community #the sims 4 #sims 4 #show us your builds #kestrellots #sims 4 build

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elsecrytt · 8 months ago

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Kinktober Day 5

Prostate Massage | Blindfold | Cages

Pairing: Satoru Gojo X Reader

Warnings: noncon/dubcon, yandere/controlling behavior, drugging, captivity, panic attack

He’s missing again.

This is more surprising than one might think – Gojo, for all his whimsical tendencies, doesn’t typically slack on exorcizing curses.

It’s why they think he’s just going off the grid for a bit to take care of some other business – goodness knows he drags in enough sorcerer children to the school.

But it’s been a while, and no one’s heard from him.

If he had meant to defect, he would surely have done it when Suguru Geto was still alive. So this must be another fit of arrogance, running off and doing whatever he pleased. It was annoying, but who could stop him? He was, after all, the strongest sorcerer in the world.

Certainly, no one was expecting to find Satoru Gojo in a cage inside your basement.

You��re not a sorcerer, after all. No one Satoru knew or had ever known would even know your name, much less where you live and that Satoru was with you.

You don’t even bother visiting him for the first few days. There’d be no point. He’d try to convince you this was a bad idea (it probably was) and to let him go (you absolutely could not, not under any circumstances). He probably wouldn’t lie – you never thought him to be the type, even if his life were truly on the line – but nothing he said would be of any use to you.

He’d already said enough when under the influence of those helpful substances you slipped him. You’d gone through a few before you found one that made him pliable enough to repeat the words you needed.

A binding vow. One that would keep him here, and keep him tame, for as long as you wanted.

Oh, you’re sure he was terribly confused for those first few days. Wondering what kind of curse or curse technique had him trapped in there. Poor baby was probably bored to death, too, if anything you knew about him was correct.

But it would take a while to get to him, to get him to the place he needed to be. And you had all the time you needed.

After all, good things come to those who wait.

You open the door, a thrill in your heart at the thought of just how excited Satoru Gojo is going to be to see you.

The worst part is, you’re right.

Satoru’s been stuck in here for three days now. He is, frankly, bored. Worse than bored. He’s sort of going insane.

It’s not like he needs to use the restroom, or even eat. Sorcerers – anyone who could use reverse curse technique, really – had ways to suspend bodily functions and stuff like that, for use on long missions, in extreme environments, or domains with weird effects.

So, no. He’s not hungry, or thirsty, he doesn’t need to use the restroom. That’ll catch up with him eventually, of course, but it’s not a problem right now.

The problem right now is that someone was powerful enough to trap him in here, had some weird power that stopped him from escaping, but they just. Left him.

All. Alone. In the dark. Even with the six eyes, it was dark in here. He can tell where the door is, but the light level is far beneath what a normal human could see. There’s almost no sound. No cursed energy at all. Nothing interesting in the room to stare at, nothing moving.

It was a weird, surreal sort of experience, for about ten minutes. Hard to tell even how much time was passing. Just the sound of his breath and the thoughts knocking around in his head. He didn’t get time like this often, didn’t just sit down and think. It cleared his head in a strange way – no more migraines, no more constant analyses from his six eyes, no more reverse curse technique constantly healing his brain.

Like taking off a weight he hadn’t noticed was there to begin with. He felt lighter, so many physical demands suddenly lifted from his body. A breath of fresh air.

Fresh air got old pretty fast, when most of his thoughts kept coalescing on Why can’t I use my curse technique and What the hell is going on? At first, there was even fear, too – he wasn’t totally crazy – but after that?

This is just boring. He’s never been so bored in his entire life. His brain feels like it’s rattling in his skull, waiting to drop out the next time he tilts his head. Satoru is about ready to start banging it against the bars just to have something to listen to.

So when you open the door, light suddenly flooding in from a crack (it’s bright enough to make him wince, with his eyes), Satoru Gojo is entirely focused on you, in an instant. Taking in every single detail about your body, your voice, your cursed energy and cadence.

It’s amazing, how much you can learn when you pay attention.

He learns that you’re not a sorcerer. That he’s not kept here by any curse technique or tool – rather, it’s by a binding vow. One that only you can release. You’d drugged him through his infinity using a knockout gas and gotten his half-conscious self to repeat specific words to make the vow.

He learns you think you’re doing this to help him, save him.

“I just don’t think you’re that strong. I mean, it was easy enough for me to get you like this, right? And I’m not a sorcerer at all.”

His eyes are fixed on you like shattered sapphires. You’re insane – you must be – but it isn’t every day some insane person manages to get one over on him.

Maybe the reason you were able to get this far with him was because you were so crazy.

“For your whole life, you’ve had to be strong.” Your eyes soften; he can discern your features on a microscopic level, the tiny flecks of warmth and concern, “But you aren’t. And you don’t have to try anymore. I’ll protect you.”

Something weird twists in his guts.

There’s lots of kinds of crazy in Jujutsu sorcerer. He’s no stranger to it. But this kind of crazy? He’s never seen it before.

Love is the most twisted curse of them all.

And that is what you tell him, that you love him. You continue by telling him all sorts of funny things – that you’re taking care of him now, getting him back on track, this is for his own good, yada yada.

It’s definitely crazy person speak, but it’s new and refreshing that it’s directed towards him. And maybe because it’s so novel and fun, he goes ahead and sits back and enjoys it.

Like, he tries to tell you he’s important. People to protect, students to teach, all that stuff. You just dismiss him, tell him he’s weak, tell him he doesn’t know what’s best for him. He wasn’t meant for sorcery – his life will be better, now.

(Somewhere in the back of his head, he realizes with a belated horror, that this is what he sounds like to other people.)

It’s funny, though, it is. He laughs at you (you smile, though, because you’re delusional like that, even if you can tell he’s mocking you), at the thought that he could be meant for anything but sorcery.

And hey, it’s not like he’s got anywhere to be. Anywhere he can be. He’ll give it a try.

Although it’s not so much a try as endure the very carefully calculated daily plans you lay out for him. You’ve got a lot of free time – probably some work-from-home position – and a lot of money, too.

(Great taste in body wash also. Amber and honeysuckle or something. He’ll have to remember it when he gets out of here.)

The room he’s in is special in that it’s painted a gentle off-white color, and sparsely decorated. His little cage is large enough to fit him just sitting down, tall as he is, and it’s large enough for a cot in the corner. It’s kind of cozy, he’ll admit, in a camping kind of way.

When you send him to bed – yes, like an actual child – he finds out the cot is a lot softer than he’d expected, some kind of memory foam he’s never tried. The sheets are extra cooling, the pillow feels like a dream, the room is pitch black and chilly. It only takes him a few minutes of moody contemplation to start drifting off after he lays down.

Sleep training, you’d called it. Satoru’s pretty sure he’d be offended if he actually knew what it was.

“You have your healing powers, sure,” (when he’d interrupted you to tell you it was reverse curse technique you’d paused and waited out his explanation like a champ), “But there’s no substitute for a good eight hours of sleep, Satoru.”

Your voice is stern and laden with something he can’t quite get, but it doesn’t matter anyways. He’ll be out soon.

It’s interesting, lying down inside the cage. This room is so small. It’s all fitted just for him, perfectly sized to leave neither empty space nor squeeze him too tight. His world is reduced to this cage and the things you choose to put in it.

He’s quick to complain about the boredom, but you don’t mind his whining. You actually hook up several game consoles to a small TV set carefully placed at head height for him, sitting up, with controllers you hand him through the bars.

“I’ll have to limit your screen time – it’s not good for your eyes. It’s probably even worse for the six eyes. So I’ve got a collection of books here, and an e-reader, so you can get anything you want. Oh! I’ve also brought some puzzles.”

Yaaawwwn. You don’t even flinch at his exaggerated expression of boredom, promising instead to find more complex puzzles online to entertain him. Rubik’s cubes, jigsaws – these things bored him. He put everything together right away.

You find a puzzle made in braille, one that has to be put together by touch. Brain teasers that required out-of-the-box thinking… you’d even brought him a jigsaw puzzle with a mixed up image printed on it, one that couldn’t be put together by the visuals at all. He had to hand it to you, that was neat.

There’s almost an amusement in watching how diligent you are about finding things to entertain him with. The video games, the books, the puzzles, some TV, too. He’s half worried that you stole his collection of movies, but it turns out you just have some streaming services. It’s fun enough to kill time. Human Earthworm 4 really was garbage.

You laugh when he tells you so. Your defense of the dumb movie is that it was half-parody (you are correct), and he tells you with a sniff that you have no taste, and you laugh, and his stomach feels funny.

Clearly the isolation is getting to him, if you feel like decent company.

He takes meals with you, too, and you’re particular about them. No more mochi for breakfast and dinner, no more coffee at all actually – “It’ll interfere with your rest,” – instead, you make him eat ‘real food’.

Complete, home-cooked, admittedly delicious meals. They’re all way more palatable than most things he eats, all foods he likes, he ends up liking… at first he didn’t want to try, but you’d dangled so many sweet looking deserts over his head – specially made mochi, fresh souffles and macarons, carefully crafted crystal candies.

Ugh, you know way too much about him. And you look so pleased with yourself, too. He wonders if you make them yourself – so he asks, and watches your face blush lightly, watches you smile, eyes softening as you look at him in that way he doesn’t get.

Isolation. It’s getting to him. Definitely.

“And of course, I’ll be here to allow you socialization time. We could play games together, or if you want, we could read the same books? Or just talk, if you like. I’m not letting you out, but I’d be happy to hear about your life from before, your likes and dislikes. You can make requests, too!”

Normally he’d be all like “No way, creepy kidnapper,” seriously. But to be honest, he’s kind of looking forward to a chance to pick your brain.

You seem all too happy to oblige. Delighted that he’s taking an interest in you, which is kinda cute and pathetic, since it’s totally not what’s happening. He just wants to know how the hell you got to be so fucking weird.

“I think love makes us all a little crazy, don’t you? As for why I love you, Satoru… well. I couldn’t pick only one reason. Suffice to say, I’m really happy to be talking to you now. It probably sounds weird to you, but being around you just these past few days has been awesome for me. Being around you just brings me so much joy. I want to make it good for you, too!”

Yeah, to be honest, it’s really weird how accommodating you are. You let him out for bathroom breaks at regular intervals – he’s still not sure why you put him in the cage at all –

“Oh, the cage? That’s for your benefit, not mine. Obviously this room is locked. But I think you… it’s difficult to explain. But your awareness of the space around you is warped somehow. I constantly see you nap in awkward places, sit or lean in positions that would stress your body out, zone out from your surroundings. I think it’s important to reset your senses.”

It’s creepy at this point. Or it would be, if it hadn’t blown wayyy past that part.

He likes that you don’t press him much. You just confess your love and go on about your day. No expectations, no freak outs. You’re crazy but you’re obviously not so crazy you think he loves you back. You just think you’re trying to do the right thing by him, which is like, really sweet, in a super weird and demented way.

Satoru had already decided that he doesn’t want to go after you once he gets out of here. You’re not malevolent, even if some distant part of his mind knows that people are dying while he’s chilling out in here.

No, you’re just lonely, and you’ve somehow attached yourself to him with this completely delusional idea that you understand him on a deeper level, and you wanted to protect him. Wasn’t that sweet? The cutest thing?

He can’t really bring himself to be mad at you. Not when you’re probably the only person on earth who’s ever thought this about him, who tried to do something about it. And it’s a damn good try, he’ll give you that.

The cage really isn’t that small. It’s comfortable in here, actually, it’s nice. It’s simple and easy in a way that would be boring if you didn’t give him company, entertainment, meals. The bed is so easy to fall asleep in, he has more energy waking up, he’s happier,

He gets where you’re coming from. You’re still totally insane, of course, but he sees the idea behind it. It’s not the space that he’s in. It’s what’s happening in that space.

It’s his time. And you seem to have so many ways to occupy it.

He starts thinking about you more and more. It gets weirder. He runs into you fresh out of the shower, no clothes on, watches the blush on your face and feels himself –

No. No, no no. It’s not a big deal. It’s whatever. He knew you were crushing on him. You’d made absolutely no secret of your feelings, and he knows the attraction is there, he can tell.

So maybe he sneaks in a hand job or two during these lonely nights. Purely for fun. It’s your fault for not stimulating him enough!

Are you watching on camera? That’s what all the stalkers do. You’re totally a stalker, you know way too much about him. You have all his skincare, shampoo, and conditioner in the bathroom.

You’re totally watching him. He licks his lips while he jerks himself. If he listens hard enough he can hear your breath in the other room.

(Turns out you’re all the way down the hall, but he’s got the six eyes, not the six ears.)

He could put on a show for you, even. His dick gets harder at the thought. He wonders if you’ve thought about this. If you watch him in the cage touching himself. If you want to be in here with him. In the room, or in the cage.

Would you want to touch? The thought absolutely tickles him, has him twitching in his hands, licking his lips. Would you want him so badly? You’re so dedicated, so diligent about his welfare. He could just imagine your pretty lips opening right up, how hot and wet your mouth would be, how those eyes of yours would look at him, always so full of care and affection.

Your hair looks soft, silky even – what would it feel like in his hands? Are you so crazy for him you’d let him fuck your face, or would you guide him through it, like you guide him through everything?

A pulse, another pulse, throbbing in his fist. Your hands would be smaller, softer. What would they feel like on his bare skin? He’s gotten more skin-to-skin contact these paste few weeks than the past ten years. What would you feel like on him? How would you touch him, where?

How would you look at him? He thinks of your face – of your eyes when you smile at him – he feels a squeeze –

When he cums, he does it with an exaggerated moan, head tilted back, lips wide and open. Spurting all over his hand as he makes a little blissful sigh.

He looks up, where he imagines a camera might be, eyes half-lidded. Smirk fighting to tear his lips as he closes them around his fingers, licking them clean.

Maybe you weren’t watching, but that doesn’t stop him. Not from giving you looks the next day.

There’s something in his chest. Wobbling around. Something knocked loose. He finds himself waiting for you to visit, impatient between meals. Demanding. You give, and give of course, but you never give any indication that you’ve seen what he did.

Actually… that was probably his way out.

He tries to proposition you, of course. Lays it on thick. But you hesitate to accept. You blush, and he thinks cute, he thinks he’s got you, but you act like you’re too good for him or something, like you’re not sure if you really want to be with him.

Like you’re too good to be seduced by him? When you fucking kidnapped him in the first place? You don’t want to come in here in the cage you put him in?

It makes him acidic. The rattling in his chest feels like the rattling in his head, only, his tolerance has gotten so much lower.

It’s not long before he snaps at you.

“What?” He says cruelly, words escaping him without his will, “You didn’t think I liked you or anything, did you?”

There’s something mean in his voice, something awful that curdles in his chest. He brandishes it like a sword. Swinging at you, carving sorrow over your features.

“You fucking kidnapped me.” The words come as a surprise even to him, but it was true, wasn’t it? “I’m not here willingly. You’re keeping me here against me will, you’re not helping me. Did you think I’d forget?”

(He can’t even convince himself of that lie. He knows he’d forgotten.)

You look at him, something strange in your eye.

“…If you want to leave, then leave.” You say, and he feels it, like the click of a lock, the crunch of a shackle. How the Binding Vow unwinds in an instant. “I’m not going to drag you back. It’s pointless to keep you here if you hate it so much.”

He tells himself he darted straight out. He didn’t hesitate for a single moment.

But he can’t tell himself that he didn’t look back. That would be too blatant a lie.

He tries not to think about the look on your face, empty and indifferent. He tries not to think about how it felt like a knife to his chest.

And just like that, he’s back. And –

“Gojo? About time you showed up. There’s several special grades waiting for you to exorcise. Where the hell were you? Okkotsu has barely been able to help out your other students.”

His students. His precious students, the ones who needed him, the ones he was preparing to take over the Jujutsu world –

God, the world is so big, isn’t it? It feels so vast and massive now, like he’s suddenly stepped into the shadow of a terrible monolith, blocking out the sun. It doesn’t feel like the first daylight he’s seen in weeks. This light is blinding, like a shadow convalesced.

“Gojo, do you hear me? I’m sending Ichiji over with the car.”

And there’s a sinking feeling in his chest, dragging him down in a way he normally doesn’t feel. This isn’t something that bothers him. For the life of him, he can’t figure out why.

He likes fighting. He likes sorcery, and he’s good at it. Exorcizing curses, beating curse-users to shit. It’s fun. He’s so strong that it’s not a risk anymore, just something to do with his overpowered abilities, and that’s cool. He’s not afraid, not in any universe.

So why does the voice asking him when he’s going to go kill these curses fill him with a sudden, inexplicable nausea?

Why does the thought of having to do this again, all over again, always on repeat, have the pit of his stomach burning? Like there’s a pressure on his shoulders that he knows he can’t relieve.

Satoru knows he has to do this. He’s the only one who can. Other sorcerers are weak – many of them would die. For some of these special grades, it’s him or nothing, with the lives of regular civilians on the line.

Each thought sends his stomach churning. He has to. He has to. He has to do it he has to go he has to he can’t avoid it. Today and tomorrow and the next day, too, over and over and over again.

The sky – it’s so big. So massively big, so wide and yawning, he feels like he’s falling into it. His head is pounding, information flooding back through his senses. One special grade, two, three or four – he has to teleport to them, exorcise them. He has to teach his students. He has to report to the elders. He has to – he has to – there’s so much, so much to do –

The six eyes are screaming at him, the sky is screaming, light burning into his retinas it’s too bright. Too fucking bright out here.

His legs carry him to a nearby wall. He’s leaning against it, now, breaths coming heavy and labored.

And then, it comes. He’d only been half expecting it – part of him still probably thought he was invincible, untouchable.

And he’s right. Nothing is touching him. It just feels like his skin is crawling for no reason. Pins and needles, electric adrenaline racing through every last nerve fiber in his body.

He’s simultaneously too strong and feverishly weak, collapsing against the wall. Gravity feels like it’s pulling harder, off balance, only it shouldn’t be. He should be fine, he should be able to move his limbs however he wants, they shouldn’t feel gangly and overresponsive and desperately twitchy.

His heart shouldn’t be trying to beat itself out of his chest. His lungs shouldn’t feel like they’re on fire. He shouldn’t have alarm bells going off his head, his limbs burning hot with too much energy and not enough.

Between ragged breaths he catches a faint, familiar scent, warm like sunlight –

“Satoru?”

It’s – it’s – it’s you, you’re back, and something awful in his chest jumps with irrational delight, a weight shifting on his shoulders, almost lifted. He tries to control his racing pulse, stammer through your name –

A mind, indifferent gaze meets his eyes. It freezes him in place. All his anxiety swinging on a precipice.

“Is something wrong?” A voice that betrays no emotion, no affection, no hidden longing. No I missed you, or I’m happy to see you, or I hope you weren’t lonely while I was gone.

He’s going insane, he must be going insane, but with all the adrenaline shooting through him, limbs trembling, he’s barely able to keep himself upright against the wall.

“Don’t – don’t you – ” Insane, insane, he knows he’s delirious while he’s saying this, why is he saying it, but his body is acting on his behalf, mind paralyzed with fright, “Don’t you want me?”

How could he sound so – needy? So forlorn? You’d fucking kidnapped him, he should be afraid, he should be angry, if anything.

(Maybe that was his fault from the beginning. He’d never really been quick to anger. Never been one to fear others, either. Deep down, the only thing that had ever hurt him was being left behind.)

Even the six eyes cannot discern your tone, “I don’t want someone who doesn’t want me. I tried to make things work with you. You didn’t want it.”

He didn’t, of course he didn’t, you were keeping him fucking captive. He knows this, the information is there in his mind, but his body won’t stop shaking. The sky is too big, the street is too broad, too many bodies, too much cursed energy, every object in every direction overwhelming his senses.

It feels like a migraine. It feels like his legs are about to give out under him, no solid earth to be found. Too big it’s too big he wants to go –

“Unless… you want to come back?”

Satoru knows he doesn’t. He knows the answer is no. He knows that you fucked him up, that this is a consequence of your captivity directly, that he should be able to overcome this if he just bears with it –

I don’t want someone who doesn’t want me. I tried.

“Please,” His voice says without his permission, “I want…” To go home. Take me back. Don’t leave me.

Relief floods the entirety of his quaking form as soon as you smile.

“Of course, Satoru,” Your eyes soften, and against all rationality, he feels like he’s made the right choice, “Take my hand. Let’s go home.”

He’s messed up, this is messed up. He’s better than this! He isn’t stupid, he knows what you’re doing! He has the six eyes, for fuck’s sake, he’s the strongest sorcerer in the world!

You’re not strong, Satoru. You only think you are, and I understand why. The whole world has been telling you this forever. But you aren’t, and that’s okay. I’ll protect you.

He doesn’t have to be the strongest sorcerer. Not if he doesn’t want to. He can go back where it’s dark and comfortable and warm, and he can be Satoru Gojo, your cherished pet.

He looks at you, six eyes blinding him, headache burning though his skull. He thinks of how close and soft and safe that place was. How you stayed with him for hours and hours on end. He never had to be alone.

Nothing has ever felt as right as your hand clasped with his own.

#jujutsu kaisen #satoru gojo #satoru x reader #gojo x reader #yandere #yandere!reader #lemon #kinktober #satoru gojo smut #i tried really hard on the formatting for this... trying something new... even though it's actually not a lot. i did my best!!! jfglsdhg #i hate making more work for myself but i think it does look a little nice... maybe...

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she-who-paints-with-fire · 9 months ago

Text

KING'S FALL

Monarch pilots knew missiles well. The small, the medium, the large; the heat-seeking, the antiradiation, the radar locking; the agile, the powerful, the arcing.

Monarch pilots knew missiles very well. It was their domain.

[RADAR LOCK WARNING]

Not all kings could control their subjects.

[INCOMING MISSILE!]

Dawn Always Comes went into a steep dive; Lux strained against a force several times stronger than gravity and felt her mech strain with her. Her knuckles were white around the controls as her thumb pressed down the button for the first stage countermeasures.

[CHAFF FLARE / CHAFF FLARE / CHAFF FLARE]

Twenty thousand metres, falling at 600 metres per second and increasing. Slivers of metal exploded from small boxes in her mech, obscuring her back in a haze of metallic film.

[RADAR LOCK BROKEN]

Respite. She kept diving, just in case—

[RADAR LOCK WARNING] [INCOMING MISSILE!]

—that happened. 670 metres per second and increasing. Eighteen thousand metres above sea level.

[PROXIMITY WARNING - MISSILE] [CHAFF FLARE / CHAFF FLARE / CHAFF FLARE]

1000 metres and closing. Lux knew that instinctively.

[RADAR LOCK WARNING] [PROXIMITY WARNING - MISSILE] [CHAFF FLARE / CHAFF FLARE / CHAFF FLARE]

Dawn Always Comes screamed warnings at Lux as she kept diving, jinking left and right all the while in an effort to find some sort of space or measure of safety. 730 metres per second and falling. Sixteen thousand metres above sea level. The air was growing thicker as she shot downwards, meaning the missiles following her would need to expend more fuel to keep up and retarget. Her fuel, on the other hand, was functionally infinite.

[RADAR LOCK WARNING] [INCOMING MISSILE!] [INCOMING MISSILE!] [INCOMING MISSILE!] [PROXIMITY ALERT - MISSILE]

Fifteen thousand metres. Her pursuer had fired more ordnance. The lock-on warning tone howled in Lux's ear as she did her best to evade while her subjectivity suite screamed warnings directly into her mind. Her thumb pressed down the button for her countermeasures again.

As slivers of metal and thousand-degree magnesium flares shot away from her back, she felt a momentary searing heat, then a wash of fire as a missile detonated too close. Instinctively she flinched away, only to feel another missile detonate too close again, sending small electric shocks rippling across her frame.

The feeling jolted her brain, made something stand out over the haze of warnings. Gandiva. She was being shot at with Gandiva missiles.

[PROXIMITY WARNING - MISSILE] [INCOMING MISSILE!] [INCOMING MISSILE!]

Reality smashed back into her with the warning tone of ten thousand metres. 810 metres per second and falling. No time to think about how the hell her opponent, a small-time pirate lord Union wanted dethroned, had gotten their hands on mainstay BELLA CIAO weaponry. Only time to react.

Nine thousand metres. She kept moving, dodging back and forth, trying to evade whatever she could.

[RADAR LOCK WARNING] [PROXIMITY WARNING - MISSILE] [INCOMING MISSILE!] [INCOMING MISSILE!]

In her mind she weighed a choice. It was clear she couldn't outrun the missiles, even as she closed in on Mach 3, and the countermeasures hadn't worked the second time. Her Javelin rockets and Avenger mini-missiles could function as an ad-hoc point defense, but to fire them she would need to turn around, bleeding away speed—and while yes, speed wasn't going to win this fight, it did give her time and time gave her options, which was something she was sorely lacking.

Eight thousand metres. 920 metres per second.

[RADAR LOCK WARNING] [PROXIMITY WARNING - MISSILE] [INCOMING MISSILE!] [INCOMING MISSILE!]

Seven thousand metres. 930 metres per second. As seconds passed by so did distance. Distance gave time. Time gave options. She was running out of all three.

[RADAR LOCK WARNING] [PROXIMITY WARNING - MISSILE] [INCOMING MISSILE!] [INCOMING MISSILE!]

Six thousand metres. 940 metres per second. Her thumb hovered over the countermeasures. She could feel herself pushing past the redline; the subjectivity suite that linked her neurons to her mech made it feel like her heart was straining to keep up.

[RADAR LOCK WARNING] [PROXIMITY WARNING - MISSILE] [INCOMING MISSILE! INCOMING MISSILE!]

Five thousand metres. 950 metres per second.

[ALTITUDE! ALTITUDE!] [RADAR LOCK WARNING] [PROXIMITY WARNING - MISSILE] [INCOMING MISSILE!] [INCOMING MISSILE!]

Four thousand metres. 950 metres per second.

[ALTITUDE! ALTITUDE!] [RADAR LOCK WARNING] [PROXIMITY ALERT - MISSILE] [INCOMING MISSILE!] [INCOMING MISSILE!]

Three thousand metres. 950 metres per second. Lux braced for the force of gravity on her to multiply even further.

[ALTITUDE! ALTITUDE!] [RADAR LOCK WARNING] [PROXIMITY ALERT - MISSILE] [INCOMING MISSILE!] [INCOMING MISSILE!]

Two thousand metres. 950 metres per second. This was insanity under the best of circumstances—suicide under the worst. Bleeding off nearly a thousand metres per second of speed in less than a second was near impossible.

[PULL UP! PULL UP!]

Lux strained as hard as she could to level out before throwing herself around and firing every micromissile she had at the incoming ordnance. Her body felt like it was being crushed into paste as her momentum fought against the thrusters on her back and lost—900 metres per second, 700 metres per second, 500 metres per second, 400 metres per second, 100 metres per second. It made her ill. Her bones howled, her organs screamed, even with the interia cushioning provided by the Monarch—had she not had that cushion she would have been emulsified. Her micromissiles blazed away, seeking out the incoming missiles and detonating them prematurely a mere 100 metres away. Slivers of metal and white-hot flares shot out from her metal back, [RADAR LOCK BROKEN] finally freeing her from the enemy targeting lock, and [SCAN COMPLETE] her IFF system tagged the enemy mech as a Monarch named Dark Sky Stalker as it silhouetted itself against the setting moon.

Dark Sky Stalker, the personal mech of the pirate lord Lux was hunting.

[TARGET LOCKED]

[SHARANGA MISSILES ARMED]

[GANDIVA MISSILES ARMED]

[JAVELIN ROCKETS RELOADING]

[AVENGER MISSILES RELOADING]

She pressed the trigger, bore witness to a hundred shooting stars, and then the light of dawn.

[KILL CONFIRMED. NO FURTHER TARGETS. WELL DONE, LANCER.]

#lancer rpg #lancer ttrpg #lancer #lancerrpg #doj/hrposting #short story

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