#Flans 1987

[mauricedelafalaise]

Flans, 1987

[hriobzagelthewanderer]

☕ Cozy things tag game

comfort food(s): (Peppermint) Candy Canes, Chicken Parmigiana, Chicken Enchiladas, Flan, Baclava, Brownies

comfort drink(s): Chai Latte, Thai Tea, Horchata (Mexican), Vietnamese Coffee, Mint Herbal Tea, Peppermint Hot Cocoa

comfort movie(s): Spaceballs (1987), Titan A.E. (2001), Get Smart (2008), Iron Man (2008)

comfort show(s): Star Trek: Enterprise, Mythbusters, Chopped

comfort clothing: Khaki Pants and Flannel Long-Sleeve Shirt w/ scarf in winter, Khaki Shorts and T-Shirts in summer

comfort song(s): Who We Want To Be, IN MY REMAINS, The World is Still Beautiful, Six, Tenebre Rosso Sangue, Run Boy Run

comfort book(s): The Hobbit, The Hitchhiker's Guide to the Galaxy, How to Survive a Horror Movie

comfort game(s): Skyrim, Valheim, Stellaris, Supreme Commander, Space Engineers, Armored Core (IV), Cyberpunk 2077

tagged by: -Stolen from @xxlordalexanderxx-

tagging: @rxdhairxdsirxns @nomercyleft @entwinedfates @dragonskxn @sins-of-the-sea @heroesxdemons @oflostinfound

[agendaculturaldelima]

#SinMusicaNoExisto

🎶 “INESPERADO [TOUR]” 🌎 💚💛❤️

👥 PANDORA + FLANS (México)

💥 Regresa la agrupación de habla hispana Pandora con sus éxitos musicales compartiendo escenario con el grupo Flans. Gracias a la canción “Cómo te va mi amor”, que las hermanas Mayte e Isabel Lascurain junto a Fernanda Meade, saltan a la fama en los años ochenta y se convierten en una de las agrupaciones más famosas del momento, logrando una nominación al Grammy en la categoría Pop Latino (1987). “Adiós Amor”, “Alguien llena mi lugar”, “Amor, Amor”, “Cuando no estás conmigo”, “Ni Tú ni Yo, “Sólo Él y Yo”, las posicionan en lo más alto, alcanzando vender trece millones de copias a nivel mundial, recibiendo 146 discos de oro y 157 de platino, convirtiéndolas en leyenda viva de la música.💿💽

🔥En la actualidad, Flans, ahora integrada por Irma Hernández “Mimí” e Ilse María Olivo, pues la tercera integrante Ivonne Guevara, abandona el trio para dedicarse a temas personales y al arte. Alcanzan la popularidad en la década de los ochentas con las canciones “Bazar” y “No controles”, colocándose en los primeros lugares de los rankings musicales, respaldadas por el conductor Raúl Velasco en su programa “Siempre en Domingo” (1985). 😍🌻

© Producción: Global Music Group.

📌 CONCIERTO:

📆 Sábado 02 de Noviembre

🕗 8:00pm.

🏟️ Anfiteatro Nicomedes Santa Cruz del Parque de la Exposición (av. 28 de julio y Garcilaso de la Vega – Lima)

🎫 Entrada: S/.161

🖱 Reservas: https://www.ticketmaster.pe/event/pandora--flans-inesperado-tour-home

[differenthead]

Volume 288

0:00:00 — "Introducción" (Edit) by Quál (1988)

0:00:41 — "Apañón" by La Maldita Vecindad y los Hijos del Quinto Patio (1989)

0:04:13 — DJ

0:07:03 — "Tonight" by Size (1980)

0:08:26 — "Margarita" by Lucía Méndez (1983)

0:11:47 — "Cuerpos Huecos" by Casino Shanghai (1985)

0:15:09 — "Las Mil y Una Noches" by Flans (1987)

0:19:31 — DJ

0:26:00 — "Mi Globo Azul" by Timbiriche (1985)

0:29:22 — "Suave" by Luis Miguel (1993)

0:34:01 — "Electropical Heart" by Volti (1986)

0:38:39 — "El Paso Del Tiempo" (Versión Remezclada) by Silueta Pálida (1984)

0:42:08 — DJ

0:47:15 — "Planetarios Suite" (Edit) by Eblen Macari (1987)

0:49:38 — "Passacaglia" by Eblen Macari & J.L. Almeida (1989)

0:51:54 — "Saltatrás Cuarterón" by Jorge Reyes & Suso Sáiz (1991)

0:55:42 — "El Arrullo de la Mujer Dia, Mujer Luz" by Jorge Reyes (1986)

1:01:30 — DJ

1:06:19 — "Siente Más y Piensa Menos" by Aristeo (1988)

Stream

Download

[newcastle-ediciones]

Elías Moro

“Mirar atrás”

16,5 x 12 cm

102 páginas

PVP 9 €

Hubo un tiempo, parecería remoto -blanco y negro y bordes aserrados-, de sábanas al sol con azul brasso, flan chino El mandarín, harina lacteada y linimento. Un tiempo de tebeos y sillones de escay que nos trae Elías Moro como quien, una tarde de domingo, abriera un viejo álbum de fotos.  Así, se acuerda Elías del primer libro que compró, de los bares cubiertos de serrín, del Floyd para después del afeitado… Se acuerda de un amigo que tenía seis dedos en las manos, de sabores y olores, de los cines, del parchís, de marcas comerciales (Myrurgia, Baldosinín, Netol), de aventuras y eslóganes de radio: “Cuando el monte se quema, algo suyo se quema…”, a lo que se añadía siempre entre risas, “señor conde”. Son recuerdos, los suyos (y los nuestros cuando nos los recuerda), que nos llegan con el sabor dulzón de la nostalgia de aquel tiempo de pantalones cortos, rodillas magulladas, mercromina y mañanas al sol en calles sin asfaltar, donde quedaron nuestras voces jugando, para siempre, infantiles, allí, junto a otras voces.  

Jesús Marchamalo

 

Sobre el autor:

Elías Moro nació en Madrid en 1959 y reside en Mérida desde 1982. Ha publicado poesía -Contrabando (1987), Casi humanos bestiario, La tabla del 3 (2004), la antología En piel y huesos (2009), Hay un rastro (2015), De nómadas y guerreros (2018)-, narrativa -Óbitos súbitos (2000), Me acuerdo (2009), Microrrelatos domésticos (2017), Álbum de sombras (2017), Hasta que la muerte nos separe (2021)-, el dietario El juego de la taba (2010), la miscelánea Manga por hombro (2013) y los volúmenes de aforismos Algo que perder (2015), Morerías (2018) y Lo inseguro (2020).

[babyheroeclipseweasel]

Las Mil Y Una Noches (Nachas...) (Maybe an Iteration of One Thousand and One Arabian Nights...

[turnbacktothe80s]

Flans - Luz Y Sombra (1987)

[remasterizados]

Las Mil y Una Noches de Flans, del álbum Luz y Sombra (1987)

[retropopcult]

Late Night with David Letterman - August 26, 1987:  Dave’s monologue, “What’s Hal Wearing?”, Top Ten list, trouble with the “Thrill Cam”, ordering flan, fun with monkeys, and some basketball in the studio. 

[aconstantallegory]

10 Questions and 10 Tags Game

tagged by @queen-of-meows ty!!!!

favorite item: the first thing off the top of my head is a christmas ornament shaped into a crystal, with a pointy bit at the end, it's pretty old and its the one of the few left after others were lost after changing houses - it's like a cool wand and a holder of memories

dream outfit: anything mori kei pleeeaaaaas

relationship status: tarrant hightopp counts right

favorite color: easily '50s mint green

three favorite foods: burger steak, turon and leche flan yum yum

song stuck in my head: Altale by Sakuzyo

recently listened song: not exactly a song, but the full album of Floral 1987 by Hiroshi Yoshimura

last thing i googled: walter white gasp

dream trip: research venture in underland pls pls pls

anything i really want: ^^^^^^^ / an epiphany

tagging: still too shy to tag anyone so [gmod ragdolls]

[mauricedelafalaise]

Ilse (Flans) & Luis Miguel, 1986

[tornamesass]

#Flans “Luz Y Sombra" / 🇲🇽 1987 / VG+ - VG+ - VG+ / $150 MXN. . #MiguelBose “Más Allá" / 🇲🇽 1981 / VG+ - VG / $120 MXN. . . Envíos Nacionales e Internacionales 🌎 . #loverecords #loverecordstores #Vinyl #vinilos #lp #33rpm #records #recordstore #TiendaDeDiscos #pop #balada (en La Tienda Del Disco De Vinyl) https://www.instagram.com/p/CI4LdGbpMxA/?igshid=1dtw4cs0bvoqs

[cowboyprosecutor]

Get to know your character

GENERAL

NAME: Neil Marshall ALIAS(ES): Neily, Neilo, Hermano, Mijo AGE: 27 (at time of death) DATE OF BIRTH: 11 April, 1987 PLACE OF BIRTH: Los Angeles, CA HOMETOWN: Los Angeles, CA SPOKEN LANGUAGES: English, Spanish SEXUALITY: Tentatively Bisexual But Maybe Homosexual I Don't Know He Won't Tell Me OCCUPATION(S): Prosecutor, Private Eye (verse dependent)

APPEARANCE

EYE COLOR: Brown HAIR COLOR: Brown HEIGHT: His canon height is 5'9” but I say he's 6'2” because he's a bean pole SCARS: Just the normal ones you get from being an overactive kid who gets into fights a lot BURNS: Nah OVERWEIGHT?: No UNDERWEIGHT?: Probably??? He'd forget to eat if he wasn't friends with Angel FAVORITE COLOR(S): Purple FAVORITE HAIR COLOR(S): ? FAVORITE EYE COLOR(S): ? FAVORITE SONG: Probably something by Guns N' Roses FAVORITE MOVIE: Toy Story FAVORITE TV SHOW: MacGyver FAVORITE FOOD: Flan FAVORITE DRINK: Coffee in absolutely any form whatsoever FAVORITE BOOK: 'The Murder of Roger Ackroyd' by Agatha Christie

HAVE THEY…

PASSED UNIVERSITY/COLLEGE?: Yes HAD SEX?: ??? I have no idea HAD SEX IN PUBLIC?: Probably not GOTTEN PREGNANT?: No KISSED A BOY?: Maybe KISSED A GIRL?: Yes GOTTEN A TATTOO (OR MORE THAN ONE)?: No GOTTEN PIERCINGS?: No HAD THEIR HEART BROKEN?: ?? BEEN IN LOVE?: Mmmmaybe? STAYED UP FOR MORE THAN 24 HOURS?: Frequently

ARE THEY…

A VIRGIN?: I still don’t know A CUDDLER?: Yes! A KISSER?: Possibly SCARED EASILY?: No JEALOUS EASILY?: No TRUSTWORTHY?: Yes DOMINANT?: Not particularly SUBMISSIVE?: A little IN LOVE?: No SINGLE?: Yes

RANDOM QUESTIONS

HAVE THEY HARMED THEMSELVES?: No HAVE THEY THOUGHT OF SUICIDE?: No HAVE THEY ATTEMPTED SUICIDE?: No HAVE THEY WANTED TO KILL SOMEONE?: Yes HAVE THEY DRIVEN A CAR?: No HAVE THEY HAD OR HAVE A JOB?: Yes DO THEY HAVE ANY FEARS?: Not doing well enough, letting people down, etc.

FAMILY RELATIONS

PARENTS: Mother, Father, Step-Father ADOPTIVE PARENTS: N/A SIBLINGS: Jake PETS: I think I decided he had a cat once ETC.: He might have some step-siblings

TAGGED BY: @modusoperandi

TAGGING: @38-dollars @langzisays @wild-mare-of-prosecution and whoever else wants to idk

[sweetdreamsqueen]

Songs (remix) the 80's in spanish for the zodiac signs

Attention: these titles of songs, can find them in youtube.

Aries:Emmanuel - La Chica De Humo (12 Inch Remix) 1989 - Vinyl.

Taurus:Veni vidi Vici - Viviendo De Noche (Remix) (1987).

Gemini:Ole Ole - Bailando Sin Salir De Casa (Maxi) 1986.

Cancer:Ana Gabriel - Hice Bien Quererte (Remix) (1989).

Leo:Flans - No Controles (Remix) (1986).

Virgo:Chayanne - Violeta (Remix 12'') 1987.

Libra:Loco Mia - Loco Mia (Original Extended Mix).

Scorpio:Jose Luis Rodriguez "El Puma" - Agarrense de las manos (12" Remix) HD 320kbps.

Sagittarius:Miguel Bosé - Bandido / Remix (Radio edit).

Capricorn: Flans - Bazar (Remix) (1986).

Aquarius:Chayanne - Fiesta En America (Remix 12'') 1987.

Pisces:Menudo Claridad Version Remix.

[variosvideosvarios]

¿LAS DROGAS ACABARON CON EL GRUPO FLANs? 2:58 ¿Por Qué Se Desintegro FLANS? En exclusiva, te contamos las verdaderas razones por las que el exitoso grupo FLANS tuvo que separarse a tan solo 4 años de convertirse en un verdadero suceso musical! Sketch ¿Qué Nos Pasa?: FLANS y Doña Soyla (1987) FLANS "Timido" En Vivo Asi Somos Tour 2018 San Antonio Por favor SUSCRIBETE AQUI https://www.youtube.com/channel/UCKs3IzvU5TS_kzCmQtDbdcQ AVISO DE USO JUSTO / USO LEGITIMO Este video puede contener material con derechos de autor, pero no se utiliza la totalidad de la obra protegida por copyright. Estamos haciendo tal material disponible en nuestro canal con el fin de crítica, comentario y reportaje informativo. Lo cual, Creemos que este constituye un 'uso justo' de cualquier material con derechos de autor tal como se prevé en el artículo 107 de la Ley de Derecho de Autor. De conformidad con el Título 17 USC Sección 107, el material de este sitio se distribuye sin costo a aquellos que han expresado un previo interés en recibir la información incluida para propósitos educativos, reportaje, reseña, crítica y comentarios

[ricardosousalemos]

Thurston Moore: Rock n Roll Consciousness

Though they personified the squall and squalor of 1980s Manhattan, Sonic Youth’s hearts always belonged to 1960s California. Starting with 1985’s Bad Moon Rising, Golden State roots both literal (see: Kim Gordon’s Los Angeles upbringing) and figurative (Lee Ranaldo’s Deadhead past) began to deeply entangle themselves in their knotty guitar gnarl. But where the Manson-inspired maelstrom of “Death Valley ’69” seemed to add another gallon of piss onto the grave of the hippie dream, the content and iconography of Sonic Youth’s subsequent work suggested they were secretly mourning it.

The inner-sleeve artwork for 1986’s EVOL found Thurston Moore posing like a flower child with a sitar, while a scrawled crucifix insignia—emblazoned with the words “Sonic Life”—evoked the DIY religiosity of West Coast free-love cults. And with 1987’s Sister, Sonic Youth produced the most Californian album in their canon, from the desecrated Disneyland photo on the cover to the specific geographic references, not to mention the song that proved to be the closest Gordon and Moore would ever get to their own “I Got You Babe.” After flirting with mainstream success in the early 1990s, Sonic Youth more or less carried themselves as a post-punk Grateful Dead, becoming a modern paragon of hippie-era artistic freedom but without the incense, hacky sacks, and wavy-arm dancing.

This summer marks the 30th anniversary of Sister, but in lieu of a big deluxe reissue campaign, Moore has surfaced with a solo record that similarly exhibits outer aggression as a means to achieve inner bliss. While Moore’s most recent work has seen him unleash his latent activist streak, Rock n Roll Consciousness uses its noisy guitar jams as battering rams to access more intimate, spiritual modes of expression. The title is no misnomer—on Rock n Roll Consciousness, Moore is consciously rocking, with the returning cast of guitarist James Sedwards, My Bloody Valentine bassist Debbie Googe, and Sonic Youth drummer Steve Shelley further solidifying the groundwork they laid on 2014’s The Best Day. But that sturdy foundation gives Moore the confidence to let his head float evermore freely into the clouds, atop some of the most joyous, optimistic lyrics he’s ever sung.

Rock n Roll Consciousness is an album about love—if not an album of love songs per se. Moore isn’t singing to his girlfriend here—he’s addressing mythical goddesses and the mystique of big cities at night and the changing of the seasons. Like The Best Day, the new record features lyrical contributions from London poet Radio Radieux, whose cosmic vocabulary—with its references to “the prophetess,” “peyote walkers,” “magic drums,” and “vibration love”—allows Moore to mine the ecstatic without losing his ageless, dead-cool drawl.

But if the album’s lyrics project a certain youthful idealism, musically, Moore and co. proudly dig their worn-out Converse heels into an indie-is-the-new-dad-rock ethos that trades in Sonic Youth’s abstract extremes for a tougher, more propulsive thrust. It’s more meat-and-potatoes, sure, but it’s really choice grass-fed beef with yam flan. “Exalted” unfurls like the Feelies playing at 16 rpm, before Sedwards starts channeling J Mascis channeling Eddie Hazel on what sounds like a meditative rendition of Neil Young’s “Like a Hurricane.” This melancholic reverie is rudely interrupted by a doom-metal drone that hits like a flaming gong crash, blazing the trail for Moore’s star-struck vocal to finally come in just before the eight-minute mark. “Aphrodite,” meanwhile, feels like an entire song spun out of the staccato, pin-pricked climax to “Marquee Moon,” until Googe’s hypnotic bass breakdown goads Moore and Sedwards to engage in some wah-wah warfare.

Where The Best Day proffered a somewhat uneven mix of extended odysseys and rough-hewn sketches, Rock n Roll Consciousness is much more cohesive and smoothly sequenced. Its five tracks (averaging eight minutes a piece) feel like carefully plotted epics rather than improvised excursions; the revved-up 10-minute thriller “Turn On,” in particular, is packed with hairpin twists and turns. But Moore can also reach euphoric peaks through a more direct route. “Cusp”—a cloud-parting ode to the coming of spring—is six-and-a-half sustained minutes of shimmering jangle and steady, shuffling rhythm. The song is simultaneously frantic and soothing; like a jogging-on-the-spot exercise, the surroundings may not change, but by the end, your heart is pounding and you feel light-headed. It’s the moment where this album’s core philosophies achieve their purest physical manifestation. As Moore would attest, rock’n’roll—like love itself—should instill a higher state of consciousness, while at the same time make you feel like you’re losing it.