#For me it's League of extraordinary gentlemen

[vivislittleteacorner]

"I don't watch bad movies" Wrong, everyone has that one really shitty movie they love with their whole fucking soul and think about every single day

[mad-scientist-in-theory-2]

Fuck it. League lineup.

[thestuffedalligator]

The Canadian League of Extraordinary Gentlemen was founded in 1910, and consisted of Dorothy “Dott” Pilgrim, a talented martial artist and bar fighter from Toronto, Anne Shirley, a schoolteacher from Prince Edward Island, and Sam McGee, a prospector who died during the Yukon Gold Rush and cremated on the marge of Lake Lebarge near Whitehorse, Yukon.

Together they fight crimes or whatever

[maxwell-grant]

I guess it's also time for the annual ask: Thoughts on The League of Extraordinary Gentlemen?

@mirrorfalls asked: Perhaps it's time to touch the elephant in the room: thoughts on League of Extraordinary Gentlemen?

anonymous asked: Any thoughts on Moore's LOEG? anonymous asked: any advice on how to do a fictional character mashup story ala chimera brigade, league, etc? anonymous asked: you wrote a bit on the wold newton universe and the chimera brigade, any thoughts on league of extraordinary gentleman?

(TW: sexual assault, also a whole lot of racism)

(clip from Anti-Spook Squad by Doctor Lalve)

Let it never be said I don't love or do anything for you people because Jesus Christ what an ordeal.

It was pretty inevitable that I'd eventually have to talk about LOEG given the, niche, I made for myself here, and given I'd read and touched on all these other works that either inspired it or were inspired by it, like the Wold Newton Universe, The Chimera Brigade, Tales of the Shadowmen and etc. I'd read through plenty of different LOEG takes and fics, it's an idea that has a lot of appeal on it's own and is easy to flirt with, if not so easy to pull off.

One thing to put upfront: Kevin O'Neil was a brilliant, one-of-a-kind creator and his work here is great, it's the one thing almost unimpeachably great about the whole thing except when he's asked to draw racist caricatures, which he does quite a bit, we'll get into those. I love the collaboration between Moore and O'Neil and I frequently enjoy the little tidbits where they show up as themselves within the supplemental material. O'Neil does a lot of heavy lifting in these even at their worst, in fact especially at their worst. This comic is a legitimately impressive achievement, and I don't regret reading it, if nothing else I think it was a hell of a wake-up call in regards to all of it's warts I may have been overlooking or replicating in my work or that of others.

I'm gonna break it down by going through the individual installments:

Volume 1: One of the nicest things there is to League is that it only keeps getting better, in the sense that it starts off on the worst foot and it gets better by virtue of not really being able to get worse (yes, even with the Golleywog and Harry Potter sections and whatever). From the moment you open the book it takes about six pages for Mina to be assaulted by Brute Arab Rapist Hordes that Quatermain and Nemo have to gun down, and that pretty much sets the stage on what to expect. Volume 1 is where the series has yet to jump off the deep end in tackling all of fiction, being a more grounded adventure story based on it's premise of being a comic book crossover/hero team comprised of Victorian era literary characters. It's LOEG at it's shallowest and most straightforward, and also at it's least impressive. I'm not remotely charmed by much of what's done here, I've seen a million variants of these before and many of those weren't that great either, but their lows weren't as catastrophic.

(text comes from an essay Alan Moore wrote regarding his usage of Fu Manchu in the book, which was scanned and sent to me by @mirrorfalls, thank you for that.)

The LOEG's first enemy is Fu Manchu and the book sure likes depicting leering hordes of yellow peril cartoons for our heroes, Mr Hyde in particular, to brutally mow down. Alan Moore thought the genius trick to making Fu Manchu not-racist was to make him as inscrutable and sinister as possible so as to not even appear human, which is a great understanding of how racial caricatures work guys, the "not potentially offensive" shirt has people asking a lot of questions answered by it.

I've heard a lot of claims over the years that LOEG was intended to be a parody, or satire, and that it's using Fu Manchu to make a point as a criticism of the British Empire and imperialism, and I'm gonna make this clear before we move on: LOEG is not a parody or satire, not as a whole. It parodies and satirizes a lot of things, but it is neither parody nor satire. It is very much in love with much of it's subject matter even when it wants to burn it down. LOEG is also a frankly terrible critique of imperialism, it is one of the most imperialist things I've ever read. Part of it is because you can't just recycle problematic garbage and claim it's commentary, especially when you're going out of your way to sensationalize said garbage to be provocative or in many cases add shit that wasn't even there in the first place. Moore asked if anyone else was gonna try and criticize colonialist bigotry in fiction by tripling down on reproducing it as hard as possible, and then didn't wait for an answer before doing it.

Volume 2: Objectively an improvement over the first if only because Fu Manchu isn't there. It's also where the book kinda improves in terms of making a critique. LOEG never really has much to say about it's characters, instead developing them in service of the story or social commentary, and Volume 2 is better at it than the first. Still has a lot of the same problems as 1, it's still a shallow team-up thing that wants to have it's cake and eat it too, it's still the worse version of a concept that's been done many many times before and after. Edward Hyde gets the bulk of the focus here and he was very clearly Moore and O'Neil's favorite character to work on, he gets the most memorable sequences for better or worse. I don't wanna talk about him much and I don't wanna talk about how the book wraps up the Invisible Man's subplot (and how it's not even gonna be the last time sexual violation of a villain is played for oh-so-horrific catharsis), I'd frankly like to stop thinking about it.

The Traveler's Almanac was definitely the most exhausting part to read in full and only not a total waste of time because of Jess Nevins' annotations, which turn this into fairly valuable research material. But so do Wold Newton articles and they're really not the most riveting thing to read, and at least those have a point or constrain themselves to a single topic or character, or are briefer and come with resources on hand or have a point or even can pitch some neat/cool ideas and concepts as a whole. Jess Nevins even did the better version of this in his own WNU chronologies.

Where as this is just complete ass and there's only so many times you can read a variant of "and then we went to this place with horrible cannibal savages and then we went to the other place with beautiful cannibal savages and then we found this utopia and then we found this dystopia and then we referenced this and that and this and that", and it brings me to another point I'd also seen brought up a lot in regards to LOEG: that it's too damn anglocentric to live up to it's premise, too contradictory within itself, and it was always too big of an undertaking to be done the way Moore and O'Neill did it.

I appreciate Moore trying to make this world feel like a world, in as gigantic all-encompassing a scale as he could possibly account for, with a full world tour and internal chronology. I sure would have liked a big fiction crossover almanac with entire chapters for Africa and China and South America, but we don't get that, because EVERYTHING in them is taken from colonial texts elevated to fact. Literally, entire paragraphs taken from political and colonial texts. All the time spent dicking around with all of those Euro political texts and ancient lore that just had to be paid it's due, and then Orlando goes to China and finds Sun Wukong stuffed as a public freakshow and dismisses his mythos as a bunch of loony (but intriguing and exotic!) hogwash, and Godzilla is later brought up in one line of dialogue to mention how Hugo Hercules killed him offscreen. (I think those might be the only two texts Moore brings up that aren't from European/American sources? There might be others but good luck finding them in the annotations).

Is it unfair to expect Moore to have read all of fiction? Of course it is, but that's what he wants this to be about, he wants this to be about All of Fiction and he wants to write about Africa and China and South America with nothing but colonial texts about those places as reference. He wants to write about how the things he likes are cool and happened and are real while the things he doesn't like don't count or are garbage or didn't happen the way we were told happened. He wants to make a story criticizing racism and misogyny in fiction while writing a text far more racist and misogynistic than most of the things he's bringing up. It's irreconcilable.

Black Dossier: It's constantly jumping between different formats and having to adjust it's prose and visual style accordingly, and it does that fairly well (the beatnik section is completely fucking unreadable though, the prose sections are already a handful to get through as is but that one was too much even for me), although Tempest I think is gonna do it much better. It's got some good parts, it's also got some bad ones. Definitely more readable than the prior two + Almanac.

This is the one with the Gollywog in it and I'm not gonna talk about that thing, I think what's wrong with it is self-explanatory as is. Look, I truly love a lot of Moore's work I've read, and I think a lot of the pushback against Alan Moore painting him as just a cranky old man who hates comics is overblown and shitty and symptomatic of bigger issues with how fans discuss comics and superheroes, but his defense of the Gollywog and his response to the criticisms of LOEG was embarassing and beneath him.

Century: This is the one with Harry Potter and The Lightning Penis in it. To those of you who heard at some point that Alan Moore had done a much-maligned pisstake on Harry Potter and got curious, don't get your hopes up. It's nothing, it's not even that mean, it's just a crude crayon doodle in service of a larger and very dumb critique of modern fiction that could have been anyone. Shame that he bullseyed ahead of the schedule the cultural about-face against Harry Potter without having anything actually criticizing Harry Potter to show for it.

Century does work for me a bit better because it dispenses with the pretense of the series and has it build up to the big awful tragedy it ends on, with all of it's remaining characters miserable immortals and all the fictions having curdled up and gone sour. It works for me only because I have no love whatsoever for this world and so it destroying our characters in the service of the larger narrative about stories and fictional immortality and whatnot is a decision I agree with and I think makes it stronger, even if the social commentary / the story's criticism of modern stories compared to the old ones is frankly absurd. Century I think was perceived as Moore/O'Neill having lost the plot, but to me it feels like the plot (more importantly, the point of it) finally showing up after so much pointless dicking around.

The Nemo trilogy: Easily the one I most enjoyed reading, the Nemo Trilogy is almost like a breather set in between books, just fairly straightforward pulp adventure stories done in far less rancid a fashion than Volume 1. It feels less like a LOEG book and more like one of those LOEG fanfics made by people who like the concept and characters but are dissappointed by the books, so they fill or add or rewrite in the blanks with their own ideas, which is basically every LOEG fanfic ever made. I quite like Janni Dakkar as a character and I'm already a huge mark for Captain Nemo, one of my favorite characters ever, and I was of course very glad to get away from the extremely tiresome Mina/Allan/Orlando trio for a change. Frankly I'd even recommend these as a standalone, they're so disconnected from everything else in LOEG.

If you guys want to read a comic take on Captain Nemo though, read Mobilis by Juni Ba. Infinitely better than anything Moore did with the concept of Nemo, takes far less pages to actually explore the character meaningfully and has far more interesting, more humane and personal things to say and do in general, one of the best things I ever read and a tremendous palette cleanser after LOEG.

Tempest: Tempest is what I'd call the best of the LOEG books, in terms of craft and in terms of achieving what it sets out to do. Namely, it's one of the most elaborate and most artistically impressive slowly unfurling middle fingers I'd ever read, Alan and Kevin in full burning down the house mode throwing everything they've got at the wall, playing around with as many different styles and gags and ideas as they can cram into the great apocalyptic ending of their collaboration. It's a very spiteful work that has a lot of joy and humor to it, fully divested from giving a shit about it's characters and instead recasting them as the bit players they always were in the grand fuckening of humanity at the hands of our fictions.

It gets to burn down everything and also preserve everything in a big dreamy Noah's Ark forever, it plays to every strength the series had, and frankly I barely minded the detours because this thing is all detours. The superhero parody that takes up so much of it isn't really anything funny or insightful or really anything, but there's good bits in it, and I like Alan Moore talking trash about superheroes (of course, it pales in comparison to What Can We Know About Thunderman, but that one is a league of it's own). It's Alan and Kevin's farewell to comics with all the mixed feelings towards it and the industry and the subject matter they both have decades of so much experience with it. It is The End of Everything and I think it ended on the best note it could have ended with.

In summary, I think LOEG has a lot of individually cool or neat or even great ideas that I think get lost, because there is so, so much of it, and so much of it is impressively painted sludge. Sometimes it is ingenious, sometimes it is fun, it is never not visually impressive, but it's more frequently dull and grotesquely self-indulgent and far too shallow. It suffers from an almost inescapable side effect of doing this dealing with the fiction he was dealing with without accounting for taste or bothering to reign in his worst impulses, too much to cover and not enough actually being said about it. In truth, much of it doesn't feel much different than reading the wiki summaries for it I had already read forever ago. It is a unique beast taking swings that I'd never seen before that most wouldn't, probably for very good reasons most of the time. It is also guilty of literally everything it's criticizing other works of being and doing, and sometimes it actually provides it's best commentary because of that! It's a complicated thing to tackle and wrap your head around. God knows what Jess Nevins must have gone through to make the annotations for this, as they put it on the Almanac annotations.

I don't consider it wasted time because, I did really enjoy the final two installments, there are good bits scattered across the other books and I learned some good things from it as a whole, but would I recommend it in it's entirety? Unless you're really a huge fan or completionist for it's creators (although reading LOEG really disillusioned me on Moore in a lot of ways, not that this is a bad thing, if anything that's a necessary thing to really try and grasp a creator's body of work) or you're the kind of sicko who'd be in the tank for the whole thing, no, not really.

It is one of the most impressive and accomplished works I've ever read, I will probably come back to it for research purposes, but holy shit am I glad to put it behind me.

[gordonstanheight]

ok but playing lestat de lioncourt and dorian grey back to back is actually insane? still to this day i can’t tell you what stuart townsend was cooking but he was definitely in the kitchen

[sagegreenlila]

My roman empire was reading the league of extraordinary gentleman as a gothic lit fan.....

[canadian-pug-cartel]

I need to be assassinated or so help me god im gonna act insane

[strangestcase]

specifically about League comic/movie versions. Movie-exclusive characters marked with 🎬, comic-exclusive characters marked with 💥

[waddlesworth]

She’s so damn FINE!! 😩🥵

[bookwyrminspiration]

it’s been days and I can’t stop thinking about dorian gray but specifically from the 2003 movie the league of extraordinary gentlemen. who let that man be so flamboyantly melodramatic and where can I get one I want to study him as he says funny little quips at me

[auxiliarydetective]

Varsha: The Potion and The Poison

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Standing next to Ishmael was a young woman with dark skin, large brown eyes, and long black hair. Her face was mesmerizing to look at, appearing almost otherworldly. There was something about her eyes and her smile that made you trust her, want to protect her at all costs, but it also gave you a feeling of safety, of hospitality. But it didn’t end at her face, of course. It was in her clothes, too, a white top showing off her midriff, covered by winding, indigo-colored fabric, a saree, of silk, with a fine pattern of silver that gleamed in the light of the lamps. A thin chain went along where her hair was parted, leading down onto her forehead to a golden ornament, a similar design shared by both her earrings and the stud gracing her left nostril. But the gold and silver didn’t clash, no, it was far from that. They harmonized in a way that should not be possible. Or, to put it into one sentence: She looked regal. As soon as she laid her eyes on the guests entering the bridge, she placed both her palms together under her chin and gave a deep bow.

Skinner whistled in astonishment. “Wow, I think I’ve just found the most beautiful thing on this ship!” he called out and had already started heading for the woman when Nemo grabbed him and held him back.

“Nobody is to touch her,” the Captain immediately declared.

“Sorry,” Skinner quipped back, “didn’t know she was your daughter.”

“That honour isn’t mine to claim.”

“Clearly, Skinner, she’s out of your league,” Gray declared and pulled him back towards the group.

“This, gentlemen,” Nemo said as he gestured towards the woman to come closer, “is Miss Varsha Devi, the jewel of this ship. She may not speak our language, but she understands every word.”

“I always thought women on a ship meant bad luck,” Quartermain regarded with a smirk.

“Not this one. In fact, since Varsha has been on board, the seas have been nothing but kind to me. - Perhaps due to her navigation.”

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Quietly, you are saving me Please, don't fade away Into the darkness of night I don't need no light to see you shine

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That was when he heard music down the hallway, though only very faintly. Any regular human probably wouldn’t have heard it but, seeing as some portion of Hyde’s superior senses carried over to him, he did. It was an exotic instrument, possibly stringed, with a very distinct timbre. Curious, Jekyll followed the sound to a door that stood just slightly ajar. Nonetheless, the opening was just barely enough to look inside.

The room was lit by a circle of candles, or rather small oil lamps, their flames flickering with the sound of the instrument. In its middle sat Varsha, playing an instrument that vaguely resembled a guitar, though with a smaller, oval- or teardrop-shaped body and a long, thick neck with many more strings than a guitar could feasibly have. It was ornamentally decorated, with designs similar to ones found in Varsha’s jewelry. Distinctly, a snake wound itself around the body of the instrument, a sleek creature crafted by a master, no doubt. Still, the instrument was no match for the beauty of the artist. In the light of the candles, Varsha’s skin took on a copper glow and her hair gleamed golden. The flames flickered in her eyes and her jewelry glimmered. With the way her sleek fingers gently plucked the instrument, a man could get jealous. But not Jekyll. Certainly not Jekyll. After all, them being in any sort of relationship was an impossibility. As he tried to convince himself of that, he barely even noticed himself taking out his pocket watch and starting to fidget with it. First of all, Varsha was divine, and she was fundamentally good-hearted, something Jekyll wished he could claim of himself but clearly couldn’t. He couldn’t possibly burden her with the looming threat that was Hyde, not someone as kind and as fragile as her. Not anyone, but definitely not her. Secondly, Nemo’s protection of her. Though he was not her father, he did shelter her like his own daughter. Skinner had told Jekyll that Nemo had forbidden anyone in the League from as much as touching Varsha, making it very obvious how sacred her purity had to be to him. Even the most elevated and proper courting of her could upset the captain and that was the last thing Jekyll wanted. Not to mention that Varsha probably wouldn’t be interested. After all, who would want a pathetic man like him? The only thing he had to offer was his doctorate. Not even his moderate wealth that he had managed to carry over from London would be a viable factor, considering that she lived in the utmost luxury aboard the Nautilus - if she even cared about riches at all. Thirdly, and most importantly of all, Jekyll knew of the fact that it was customary in India for marriages to be arranged. Surely, someone as beautiful as her already had a husband, or at the very least a fiancé. Nemo may have mentioned that she had no family to speak of, but then he probably had made the arrangement himself, in his efforts to care for her. With Nemo off the table for obvious reasons, the next possible option was Ishmael, but as he was a Westerner, he was an unlikely choice. But there were hundreds of Indian men on board this vessel and one of them was sure to be engaged to her, officially or not. But no matter how much he tried to reason, his heart still beat faster than it should, his hands shivered about the pocket watch and his breath hitched. It was like he was hypnotized. The dangerous snake to her snake charmer. For a while, it was just him and her and the music between them. That was until a voice echoed through Jekyll’s mind.

“Yes, Henry. Look, but don’t touch.” Hyde gave a chuckle. “That’s your way.”

Suddenly, Jekyll became very aware of his surroundings. Of the shadow he might be throwing into the room, of the clicking sound his pocket watch might make, of his breathing that Varsha might hear. Quickly, he put the pocket watch away and hurried around a corner, away from this peaceful image.

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Tagging: @daughter-of-melpomene and @waddlesworth aka the LXG mutual and one of the few people with good content on the movie on this platform. I thought I'd honour you this way, hope you don't mind :)

[pixie-skull]

10 characters in 10 fandoms tag :D thank you @airasora for tagging me. =D

So I did do a VERY similar post a few days ago, but screw it more shout-outs fandoms I like. >:D

UPDATED ON NOVEMBER 23, 2023

10. Diablo vide games:

One of my first favorite video games and favorite character is Deckard Cain.

9. Monty Python and the Holy Grail:

The comedy group Monty Python needs more fans I feel. XD Favorite character of this movie is Tim.

8. Futurama:

I feel like a fool I did not think of this particular fantastic show. Besides being one of few science fiction I can enjoy so much, the stories, running gags, animation, and especially the characters are so great. Favorite character is so hard as younger me adored Leela, but as I get older it is a tie of her and Kif. I just like show reversed certain expected traits for characters. Leela to muscle while Kif the temped heart. That being said Zoidberg and Nibbler as I oddly relate to. 🤷‍♂️

7. Scooby Doo:

If from the original, to the movies (Witch’s Ghost and Alien Invaders), to newer shows, and a few video games. :D Favorite character is Scooby tied with Shaggy.

6. Non-Disney:

Now this kinda cheating but I adore animated movies, especially hand-drawn movies. I mean dang I am so grateful that certain animated movies gems that I have seen, that it made and I happily if could consider voice acting for a career. However I am also cheating to say a favorite character as he is a comfort character, Thief from The Thief and the Cobbler. This also why this middle of my list as so vague.

5. Allan Moore’s work fandom:

Okay a tie, between a graphic novel and a movie. I am aware Allan Moore well known to despise his work be adapted to film. Graphic novel (even though the movie is a guilty pleasure of mine) is The League of Extraordinary Gentlemen. Movie is V for Vendetta, plus favorite character a three-way tie of Deirich + Evey + Finnich. Yes I meant it alphabetically order. XP

4. Firefly+Serenity:

I am sure this does not surprise anybody? XD Favorite character is hard but it is Inara with Sharped in close second place.

3. The Tenth Kingdom:

I rarely hear anyone talk about this miniseries which is a shame as such a fun show. @airasora I for some reason can see the character Wolf being your favorite character. :D In regards my favorite character, it has to be Virginia.

2. Buffy the Vampire Slayer:

Yay one of the FEW shows I have actually watched all 7 seasons of (plan to rewatch the movie). XD I am honestly torn between two characters I really like. Especially as both are relatable in info dumping on legends/folklore, plus the few times they work together it is a fun team=Willow and Giles

1. Sense8:

I can not articulate enough how this show deserves more attention and needed more time/episodes. Favorite character has to be my crush Kala. However she is also a favorite character along, Lito x Hernado (I am aware both are cis gay men, but as a bi trans man they are one of few men love men relationships I have felt so relatable to).

0. Mythology:

If I had pick what particular creature that pop culture has used it is obviously the Unicorn. Funny enough I have not watched any of the My Little Pony shows+movies. I just feel too weary it be hard to not be bothered by the fact they are “horses with horns and cute”.

[spider-xan]

What is, in your opinion, the healthiest LxG ship?

Okay, I don't want to be mean, but this is an absurd question to ask for this particular work, whether it's the comics or movie, given that the premise is really fucked up Victorian literary characters coming together as a team of superheroes who are more anti-hero and anti-villain than hero - even both versions of Mina, the most morally upstanding one, has her respective issues - so looking for a fluffy healthy ship is a pointless cause without sanitizing the characters, like, even Tom Sawyer in the movie is a fucking fed working for the US government lol

[bindi-the-skunk]

Funny how I have read a few LxG fanfics that make it out like Jekyll would be unable to shoot for shit

Wonder if that’s a reference to Jasons role in the jungle book film?

[nemeyuko]

I seen some people say that Dorian Gray in LXG film was being “straight washed” because he had sex with Mina.

He’s canonically bisexual in the original book by Oscar Wilde.

Tell me you’re a biphobe without telling me you’re a biphobe.

[see-arcane]

this person who posted in the tags that you do "weird flanderization of Jonathan who suddenly is the most feral most strongest most specialest little boy who gets to meet all of the other characters." and that "he shouldn't be in the league at all" isn't because of your writing or anything but because they're mad that jonathan is taking up jekyll's spotlight in the league. i apologize on behalf of the j+h fandom they are notorious around here and now they have targeted you too.

I'll be honest, I seriously blanked on what post you could be talking about because my eyes kind of glazed over mid-rant when I was scrolling past it. (My pretty pink eye is always open but it doesn't always pay attention, so ¯\_(ツ)_/¯

On that note, I've mentioned before what my reaction to people/media being jerks about Jonathan Harker is *--

*Spoilers: It means I make even more gratuitously indulgent Jonathan Harker content. I'm making a whole monster AU sequel novel centered around the guy for crying out loud.

--and that was well before I started churning out fanfic for the LXGF comic that Does Not Exist Yet about the myriad public domain characters who are owned by no one, but who are, to the best of my knowledge, being written in a way that realistically grows from the canon of the books they come from. On that point, if their main issue is the League of Extraordinary Gentlefolk and my premature bootleg scribbling about the same, feat. Jonathan Harker? I guess it needs repeating (as it is made very clear on the comic's blog itself):

This is not Alan Moore's comic! The closest resemblance is the name! It is not, nor was it ever planned to be, a direct child of Alan Moore's work! Nor of any movie or musical or series or adaptation!

The characters and their potential adventures are based on what we can take from the actual books!

Which are being read en masse at this point by all the writers involved, as we love nothing more than inflicting book club after book club on ourselves. Anyway.

This isn't worth a meatier rant, honestly. Ditto for anyone's griping about how we're not catering specifically to their version of Jekyll and Hyde, or how they want the comic to be done, or how they want anyone who dares to write a story involving public domain characters to mimic their favorite adaptation or spinoff. None of the things they're complaining about are being made for them. They're being made by people who want those stories to exist for themselves and for anyone else who might like to see their stories. That's it.

I will say that I honestly hope they can get past whatever hang-up they have about these characters and their hobby of trying to shout or wheedle everyone else into playing along with their mean-spirited takes.

Because looking at the wider fandoms of all these classic literature and comic book fans? This person seems to be one lone sourpuss stamping their feet while everyone else is being chill or excited about their own stuff. Some have even done the easy thing and, you know, blocked the blogs/tags that upset them. I do it all the time. It's probably been done to me. I don't know and I don't care that I don't know.

I sincerely want this person to get to that headspace too. If only so they can find their way back to the point of being a fan, which is having fun with the content they enjoy rather than seeking out projects and people to throw bile at.