#Free Radical Design

[sanuske-ramblings]

As expected, artist who were working on the new Timesplitters game have started to drop their work on ArtStation and the like. I'm glad their work isn't stuck in NDA jail.

I'm a big fan of most of the character art that I've seen. My only complaint is that the Corporal Hart design is a little too clean and smooth. OG Corporal Hart had a robot arm with a shoulder pad the bigger than her head, but the new design's robot arm is just normal arm sized.

Ignore the robot arm being on opposite arms. Due to time travel shenanigans Future Perfect Hart lost a different arm than Timesplitters 2 Hart and it sounds like the cancelled game was going to be a TS2 Remake. I don't entirely hate the new robot arm design, as her old arm is pretty generic chunky arm, but I think the pauldrons really round out the design and you can feel the lack of them in the new one.

It is cool to see that her legally distinct label is "Sci-fi Female Lead" when she was a sidekick in Timesplitters 2. An anonymous employee did an interview to say the game game was going to be a TS2 remake where Hart was the protagonist. So that explains the "lead" descriptor, but I'm not really sure what her being the protagonist would change considering TS2's timetravel involved body hopping and you didn't really play as Hart of Cortez, but maybe there would've been more of a story to it that would've made her more central.

Check out Alfred Turner's Artstation to see all the other characters he work on for the game. Despite my issues with the Corporal Hart design, I do really like most of the designs here.

[skeith-platinumprincess]

Sad news for fans of classic first person shooters. Free Radical Design, the studio behind TimeSplitters, has closed down. Details to be found below

[hecatine-writer]

In a more just world it would be the executives that would be thrown out on their asses for making a series of idiotic gambles that would blow up in their faces when Saudi investors realized that investing 2 billion dollars in this farce would be a bad idea.

The worker sows the benefits only to reap the consequences while the rich sow the consequences only to reap the benefits.

[kerri-the-skunk]

I fucking hate the Embracer Group.

[wolfleblack]

Free Radical Design has been shut down by Embracer

It appears that developer Free Radical Design has indeed been shut down by the Embracer Group following Embracer confirming that closure was a genuine possibility. While neither Free Radical Design or Embracer have offered any official statement, Free Radical’s website now reads, “404 Company Not Found :-(“ I headed over to Free Radical’s LinkedIn page to see if I could find any form of…

[numberxxisora]

Yesterday, we explored a complex hidden in a dam. What secrets lie underneath? We'll find out.

[indeedgoodman]

[m0m075]

SLAVA GAZA (Glory to GAZA!) PALESTINE EXISTE (Palestine exists !) STATE NOW

[mai-333]

The Free the Nipple Movement

Yves Saint Laurent Spring/Summer 2023 Ready-to-Wear Collection

The women’s ‘Free the nipple’ movement is one of the most important campaigns in feminism, protesting the inequality between sexualising men and women’s bodies. The movement grew in momentum following the preproduction of the American Free The Nipple documentary in 2012 by Lina Esco.

Free the Nipple challenges the double standard and unequal legislation of male or female torso nudity. While men are allowed to parade their topless chests, women are forced to cover up while also being expected to show a little so that they can still be sexualised. It is the nipple that men are allowed to show, but it is everything except the nipple for women. Despite biological reasons for women to be allowed to go topless such as for breastfeeding, women are still not allowed the equal rights men possess around their bodies. Something as little as going without bra is still quite taboo. Many women have taken to going braless for both comfort and activist reasons.

Seeing models wear sheer dresses, braless, down the runway for YSL is such a huge step forward for women. There is no sexualisation, or unnecessary attention brought to the breasts, they are simply just a part of the model.

[asterchats]

i see

[googiekitsch]

VOTE: WHICH RANDOM OLD NICHE DESIGN AESTHETIC IS THE COOLEST TO YOU????

Mission School / Supergraphic Ultramodern / Wacky Pomo / Contempo Eclectic / Groovival / Cyberdelia / Neoclassical Pomo / Cassette Futurism / Pulp Fantasy / Radical Surrealism / Rad Dog aka Neon Surf / Whimsigothic

doing this because im very autistic about old design styles and im curious what other people who dont have as much knowledge on the subject prefer. more popular or relatively popular design styles like frutiger aero, vaporwave, global village coffeehouse etc have been excluded from this poll as theres already a lot of people who are aware of those design styles and favor them already. this is more to see what specifically current audiences prefer in terms of "nostalgic old aesthetics" and what could potentially be the next Big Trendy Aesthetic in online culture (or at least the makings of one) ^_^ feel free to rb

[ladyshinga]

“lol you realize Barbie is only a marketing movie, right? it’s just SELLING STUFF, you know that right? capitalism? lol?”

You’re too late.

Like, you’re not wrong, but you are wildly late on this one.

No one is under the impression that this movie isn’t marketing a toy line.

But that toy line? Has been on this earth longer than you’ve been. Barbie is old. Barbie is everywhere. We’ve all seen a commercial if not owned at least one Barbie doll in our lifetimes (or a knock-off you get emotionally attached to even if the weird mean girl down the street keeps making fun of it) (fuck you Christie that doll was a hero)

Advertising is everywhere. I can’t turn the TV on without ads, even on streaming services that used to brag how ad-free they were. I can’t browse social media without ads. I can’t see a movie or a show without products being “subtly” shown off.

We’re haunted by ads at every goddamn turn, we can’t even talk to an old friend from high school without them trying to sell us something.

If you think you’re making some radical grand statement by pointing out that Barbie is a toy line made by a big company that wants to sell more things... bud. We know that.

We know.

Greta Gerwig seems like she had a lot of fun with this movie, the actors had a lot of fun, the set design is fun.

No one is looking forward to Barbie because we think it’s some kind of beautiful radical anti-capitalist message just WAITING to break the world of its delusions of consumerism. God, could you imagine?

We’re looking forward to a bunch of actors dressed in pink having a lot of fun. We know the movie will make people want Barbie stuff, maybe they’ll go out and buy it, maybe they’re too broke because the world is expensive right now and we’ve got bills. But if “this movie will advertise things to you” was a dealbreaker we’d never see anything.

Because Barbie isn’t unique in this. A LOT of modern movies just want you to buy things, or admire/join the American military, etc etc. Money runs things here. Even capitalism stans know it runs everything (though they’re generally okay with it). Ads are our lives even when we use ad blockers and do our best to ignore the ones we see.

We’re seeing Barbie because it looks silly and fun, not because we’re putting it up on a pedestal expecting it to change the world. And we’re kidding and being silly when we DO act like that. Because goddammit, IT’S BARBIE. We’re acting like we acted when we played with dolls as kids, we’re PLAYING, we’re having fun. When I was a kid I absolutely pretended my Barbies could save the world and were magical and powerful. Didn’t mean she actually was.

These are toys. And we like to play. That doesn’t erase the capitalist motivations of Mattel, but it doesn’t have to mean we “support” their evils. We want to play, we want to enjoy play, even when we’re trapped in a capitalist hellscape where like 80% of our day to day fun is sold to us

[mortalityplays]

Unprintable: Artists Against Authority

I am absolutely beside myself with excitement to announce the launch of Unprintable.

Unprintable is an online free shop, where original artwork and arts resources are released into the public domain.

Everything listed here is free to use, copy and remix any way you like. You can print off hi-res artwork to decorate your apartment, or to use in your own projects. You can use the writing in your own zines, anthologies or performances. You can put it on a t-shirt. You can read it on the radio. You can paint it on a truck. It's up to you, entirely and forever.

The collection will be updated continuously, on an unfixed schedule, with contributions from a wide range of named and anonymous artists and activists. You can read the FAQ for a full rundown of what Unprintable is and why it exists, but these are the really important parts:

Can I download/print/use the work listed here? Yes. Can I use it for [X]? You can do whatever you want with it forever. But what if I want to [Y]? You can do whatever you want with it forever. Why do this? A few reasons: 1. We want a space to just share things, no strings attached. We recognise that copyright is an irrational system that was designed to protect the profit interests of publishing middlemen and IP hoarders. In fact, copyright is often weaponised against the creators it pretends to protect. As long as it exists, we are unlikely to win any other form of protection for our work, and we are profoundly limited from engaging in the kind of communal artistic and storytelling practices that were the norm around the world for thousands of years. 2. Radical art is often unprintable. Profit motives make people cautious. A lot of print-on-demand or local print shop services will refuse artwork with controversial, sensitive or political content. This is very frustrating when these themes are the focus of so much of our work (and indeed our lives). Rather than waste any more breath trying to explain why a trans artist might want to print the word ‘faggot’, we can give our work away for free. Got a printer? It’s yours. 3. It feels good. Sharing is joyful. It’s the reason we love making things in the first place. We don’t write poems because we look forward to filleting them for consumption, or layer colours so that we can sell a canvas by the ounce. We have only ever wanted to be able to support ourselves so that we can make, but that relationship is deeply dysfunctional under capitalism. We made these things, and we want you to have them. It doesn’t need to be complicated.

I'll write up some more posts introducing the launch collection soon. In the meantime...be free, enjoy, explore, have fun!

https://free.mortalityplays.com

[headspace-hotel]

I went down the internet rabbit hole trying to figure out wtf vegan cheese is made of and I found articles like this one speaking praises of new food tech startups creating vegan alternatives to cheese that Actually work like cheese in cooking so I was like huh that's neat and I looked up more stuff about 'precision fermentation' and. This is not good.

Basically these new biotech companies are pressuring governments to let them build a ton of new factories and pushing for governments to pay for them or to provide tax breaks and subsidies, and the factories are gonna cost hundreds of millions of dollars and require energy sources. Like, these things will have to be expensive and HUGE

I feel like I've just uncovered the tip of the "lab grown meat" iceberg. There are a bajillion of these companies (the one mentioned in the first article a $750 MILLION tech startup) that are trying to create "animal-free" animal products using biotech and want to build large factories to do it on a large scale

I'm trying to use google to find out about the energy requirements of such facilities and everything is really vague and hand-wavey about it like this article that's like "weeeeeell electricity can be produced using renewables" but it does take a lot of electricity, sugars, and human labor. Most of the claims about its sustainability appear to assume that we switch over to renewable electricity sources and/or use processes that don't fully exist yet.

I finally tracked down the source of some of the more radical claims about precision fermentation, and it comes from a think tank RethinkX that released a report claiming that the livestock industry will collapse by 2030, and be replaced by a system they're calling...

Food-as-Software, in which individual molecules engineered by scientists are uploaded to databases – molecular cookbooks that food engineers anywhere in the world can use to design products in the same way that software developers design apps.

I'm finding it hard to be excited about this for some odd reason

Where's the evidence for lower environmental impacts. That's literally what we're here for.

There will be an increase in the amount of electricity used in the new food system as the production facilities that underpin it rely on electricity to operate.

well that doesn't sound good.

This will, however, be offset by reductions in energy use elsewhere along the value chain. For example, since modern meat and dairy products will be produced in a sterile environment where the risk of contamination by pathogens is low, the need for refrigeration in storage and retail will decrease significantly.

Oh, so it will be better for the Earth because...we won't need to refrigerate. ????????

Oh Lord Jesus give me some numerical values.

Modern foods will be about 10 times more efficient than a cow at converting feed into end products because a cow needs energy via feed to maintain and build its body over time. Less feed consumed means less land required to grow it, which means less water is used and less waste is produced. The savings are dramatic – more than 10-25 times less feedstock, 10 times less water, five times less energy and 100 times less land.

There is nothing else in this report that I can find that provides evidence for a lower carbon footprint. Supposedly, an egg white protein produced through a similar process has been found to reduce environmental impacts, but mostly everything seems very speculative.

And crucially none of these estimations are taking into account the enormous cost and resource investment of constructing large factories that use this technology in the first place (existing use is mostly for pharmaceutical purposes)

It seems like there are more tech startups attempting to use this technology to create food than individual scientific papers investigating whether it's a good idea. Seriously, Google Scholar and JSTOR have almost nothing. The tech of the sort that RethinkX is describing barely exists.

Apparently Liberation Labs is planning to build the first large-scale precision fermentation facility in Richmond, Indiana come 2024 because of the presence of "a workforce experienced in manufacturing"

And I just looked up Richmond, Indiana and apparently, as of RIGHT NOW, the town is in the aftermath of a huge fire at a plastics recycling plant and is full of toxic debris containing asbestos and the air is full of toxic VOCs and hydrogen cyanide. ???????????? So that's how having a robust industrial sector is working out for them so far.

[ballistic-goat]

This is the first design I made - feel free to use in all your radical feminism activism needs ;) There are high quality and CMYK versions in the drive linked on my profile. Let me know if you like it or use it, I'd love to see it. See ya soon ~

[onelittlespiral]

FML: Sealed

The plan was simple, if time consuming. Rent some apartments out, and wait. Of course, there were some preparation required. First, buy an old apartment building, something not too expensive and not too flashy. Make some small changes to the central air system and temperature control. Bring the whole thing up to code and install a beautiful, in building gym. Hire a team of savvy young women to help manage the apartments. Then, carefully and selectively rent out the one bed, one bath apartments to single, young men who showed promise. Some were just graduated 20-somethings, with a bright future ahead in STEM careers. Some were trust fund kids moving to the city for the first time, drawn to the quickly gentrifying downtown. Some were just personal pet projects that I wanted to see grow into their potential. Like this fellow:

I wanted to see what would happen on a bit more of a bear-ish body type. We set him up in Unit 514. Or this bro:

He was already pretty close to what we wanted our final results to look like. But I wanted to see how much we could push him. Unit 112, low and close to the gym. Good eye candy for some of the twinks we set up on the sixth floor. After about 3 months, every unit in the building had been filled, all eight floors. It was the first of June, around 4 a.m. when we had verified all residents were home. The overnight receptionist was sent home early for the day as upstairs, all door locks were remotely engaged, power was cut, and the new air conditioners kicked in. All subjects were sealed in their experiment chambers.

Slowly but surely, a thick fog billowed from each bedroom’s vents. It was a thick, sticky vapor, smelling like sandalwood and cool like peppermint. Subjects’ rooms were soon filled as they began breathing it in deeply. Some began to toss in their sleep, subconsciously fighting the mist, while others just huffed away and began the absorption process. One fellow on the second floor managed to toss himself awake, but was quickly sedated by an extra pump of vaporized melatonin added to his room.

As the men all settled down and opened up, the mist began absorbing into their bodies through any gap available: mouth, nose, pores, cocks, and asses. Within thirty minutes, the last of the gas has been administered, and all subjects were once more peacefully at rest. Bodies began twitching and pulsing as faint moans emitted from some of the smaller men’s mouths. The experiment had began.

The first to wake up in the morning was a subject in apartment 211. His transformation was among the more subtle. The lanky guy had put on a few pounds of muscle as his beard thickened and some hair grew in. He immediately began to sense something was off, as he felt his body and now bushy beard. He tried to check his phone. Dead. He gets up and tries to walk out into the apartment. Locked. A look of confusion sets in as he sits and tries to think of what to try next. That is when it catches him. With the power out and the sun rising, temperatures were rising. And as he began to sweat, he began to smell:

The gasses that seeped in last night were slowly beginning to seep back out, causing more radical changes. But this second exposure is different. It is coming from inside him, and carries his unique pheromones with it. This gas is heroin to him, designed to addict his body to its presence and slowly bring out the best in him. And as the smell fills his nostrils for a second time, he is fighting the urge to give in. Give into himself and what he is becoming. He knows that the smell is rancid, musky and earthy with notes of spice that burn his nostrils. But it is a lost cause. As he huffs away at his own funk, he glides his free hand down his chest, feeling thick, matted hair and slick abs. He takes a moment to feel his muscles twitching and stretching as his skin becomes sensitive to the touch. He wraps his sweaty, calloused hand around his cock, and begins to pump.

Once he begins to pleasure himself, there is very minimal risk of a reversal. The changes are rapid and extensive his body grows to match the smell that now saturates the air around him. Muscles swell, bones crack and reshape, feet stretch, and his eyes roll in the back of his head as he starts to drool. The fog settling into his brain leaves no room for inhibitions as he starts to self worships his pit, devouring his own sweat. Our scanners also begin to detect deterioration in brain activity. The pleasure center is growing, eating into non-essential regions like memory and comprehension. No part of the original subject is left unchanged as he continues to evolve into a sweaty, smelly, hairy beast of a man. And as he reaches climax, he lets out a deep roar as all inhibitions about his new form are shot out the swollen mushroom tip of his cock. He rolls his foreskin back up and shoves his filthy cock into a pair of sweatpants.

He stares at his body, flexing and feeling up his muscles. Experiment 211 has been a success, able to turn a scrawny nerd into a horny, sweaty, smelly gym bro with an insatiable need to fuck. Now we just need to test how powerful his sperm and scent are. He hears a click as his chamber is unlocked. We pulse the lights in the room with a code his mind will understand. He now knows his mission is to go over to Apartment 212 and begin round two of testing…

It is a bit later in the morning now and subjects all around are beginning to wake up and face their new reality. Through our camera network we watch as their transformations are slowly taking place, as muscle, fat, and fur are packed on and a cloud of musk begins to cloud the room.

And slowly as men finish their first rounds, their chambers are unsealed. They begin to wander and find their neighbors, mixing musks to help each other grow and change even more.

The experiment will run sealed off from the general public, at least until new subjects are needed to collect additional data points. Interested parties are encouraged to apply now to our waitlist. Otherwise, we expect to host an open house next month, with all subjects free to leave the complex and continue experimenting as they see fit. I can already tell that our friend we started with in Unit 514 will be popular.

Thank you for your time today. We expect to see you again very soon.