#Free Technical Analysis

[mochiri]

Makoto and Sousuke as parallel characters: Who do we swim for?

As Haru and Rin's best friends, Makoto and Sousuke are the two who are meant to understand Haru and Rin on a different level than anyone else. The entire theme of free! is what are our ambitions and what drive us? But Makoto and Sousuke are the parallel characters to rin and haru's counterparts.

Makoto's whole thing in starting days is he realized that his whole reason for swimming is haru. And he goes through this whole gay panic about it. The directors have said that makoto is the only character in free to like Haru just for Haru, not because of his swimming. After all, Makoto was the one who encouraged Haru to join the swim club and eventually meet Rin. Kickstarting the whole relay stuff in the first place.

In both s1 and s2 Rin and Haru motivate and inspire each other's swimming like no other. While Makoto is Haru's usual comfort, Rin is meant to be the person who's able to push Haru's boundaries and reach to his highest potential. And in this way, Makoto is jealous of their relationship because of how much swimming and haru mean to him.

Meanwhile sousuke thought that he swam for himself because you're alone in the water. Sousuke doesn't realize at first the importance of friendship in swimming, but does have a type of regret in his heart that shows he's jealous how he wasn't part of the friends who help saved Rin. As Rin and swimming is important to him as haru and swimming is to makoto.

Makoto being jealous of Rin and Sousuke being jealous of Haru. Both want to be the person that motives them. But the two do accept that rin and haru are the ones who help each other out of slumps. After all, makoto and sousuke just care about haru and rin's wellbeing over everything. They love how their best friends inspire people around them and themselves to achieve higher. They admire rin and haru to the highest degree, thus their fierce loyalty and support. And quietly accepting it while being by their best friends' side in case they ever do need them.

The two both self sacrifice their own feelings for rin and haru's feelings. Sousuke refused to tell rin about his shoulder injury at first, makoto didn't know how to tell haru about going to school in tokyo. as they were both worried about hurting rin or haru's feelings.

One parallel that hurt my heart is Makoto and Sousuke's metaphors about how the world changes and so do we. Haru is so used makoto always being there, his usual comfort. But the fireworks scene makoto reminds haru that things do change when he reveals that he's going to school in tokyo. even when we don't want things to change.

Haru: Unchanging sea. Unchanging sky. Unchanging nothing...

Makoto: Even if they don't look different, both the sea and sky do change. And so do we. Haru? Listen... (End credits of Free! Eternal Summer ep. 10)

Makoto's quote represents the internal struggle with change. While Haru at this point in the series is resistant to finding a dream related to swimming. Makoto seems to accept change and wants Haru to see that change isn't necessarily bad - it's natural.

Sousuke: The seasons change, and so do our feelings.

Rin: It's still too soon to get to the finish line, Sousuke. (End credits of Free! Timeless Medley: The Bond)

Meanwhile, Sousuke's quote acknowledges time moving forward. As the seasons shift, so do people's circumstances and aspirations. He's come to terms with his limitations, and it's something he's come to accept. While Rin responds with determination. Rin sees change as ongoing and a journey rather than an ending.

Makoto and Sousuke tend to quietly hide their emotions (until it all spills out lol), are self sacrificing, observant, and constantly looking out for others. Which is why toward the end of the series, I'm really happy they start to look for each other for support. Especially things related to Rin and Haru. They acknowledge early on in their hang outs that they're feeling similarly.

which is why it's so important noting that they start watching some of rin and haru's competitions together alone. They start to emotionally support each other during times of high anxiety/nervousness/worry for rin and haru. And it's good they have each other and not just silently being worried about rin and haru by themselves (which they do for like 75% of the rest of the series anyways!!)

I mostly just wanted to point out here how many parallels makoto and sousuke have. As I was rewatching the entire series, the coach tachibana episode is paralleled with a coach!sousuke moment. So technically that episode is a soumako coaching episode...

and it's really sweet because they build up coach!sousuke for a bit but I do think it works better than he ends up getting to swim with Rin and join the competitive world again even though the poor guy had to go through hell and back for it.

Anyways all this to say that... soumako would/do understand each other on a completely different level are parallel characters reflecting the lengths we would go for our friends, the deep significance of warmth and companionship, and the quiet yet essential need to find those we can lean on—even when we convince ourselves we don’t need anyone.

If you'd like, read how makoto and sousuke are emotionally interdependent on each other in another post where i talk about them for a long time...

Also read here how makoto and sousuke's identity with swimming evolves outside of their relationship with haru and rin

[gumm1defloor]

Vox can understand Velvette just fine. They don't necessarily need to get along all the time, but they have a mutually beneficial contract that guarantees her support in the most efficient way possible, just how they both like it, short and strict and to the point. Vox does not understand Valentino. It drives him unimaginably, disgustingly insane. He knows how to handle him, make no mistake. Valentino is a never-ending powerhouse that wrangles out content from his employees like there's no tomorrow. He's proven himself to be Vox's most lucrative investment yet. He is resourceful, well-connected and most importantly predictable enough to rein in. Because he listens to you, because he needs you.

He is also, undeniably, out of his goddamn mind. Yet you've already invested too much in the corporate empire you've built together and there is no point turning back now that you have him so close to your side. It's OK however! He couldn't possibly be stupid enough to throw away the best partnership deal he's ever had just for the sake of something petty cause -oh, wait - he genuinely might just be that stupid and you never would've guessed because he's so cocksure of his bullshit that 80% of the time it ends up working in his favor anyway.

Fuck his life indeed. The kicker for this of course is that Valentino, genuinely does believe he has struck gold with Vox. Valentino is a clingy, possessive, immature, perverted, sadistic, egotistical man-child with severe rage issues and poor impulse control. No he is not aware of this at all. No he does not know why nobody is able to tolerate him and why every single person he gets close to hates his guts with every inch of their burning rotting souls. All he knows is that hell has now given him a flat faced prince in shining liquid crystal armour, riding on a cash filled horse with promises of power and luxury, who's practically handing him success on a silver platter. Doesn't mean that Val trusts him, doesn't mean he doesn't enjoy seeing him lose his shit. But at the end of the day vox has his back, and as long as Val keeps calling for him, he'll eventually turn up and make everything better. Cause hey if Vox hasn't left him yet for this long he must be doing something right. Right?

[anoant-haikyuu-dump]

got bored, nekoma ship wheel + sexuality hcs (explanations under cut along with empty templates in case anyone wants them)

FUKUTORA TIER

This is self-explainatory. They're basically 90% of my account. If you go to the fukutora tag its just me talking to myself because no one else has posted in it since 2022

LOVE

Kuroken - I have specific opinions on Kuroken because I'm a fan of unrequited Kenhina in highschool. Don't get me wrong, I still like how most of the fandom portrays them, but I much prefer them getting together after the timeskip when everyone's settled into their new jobs. I also really like it queerplatonic, as much or even more than romantic.

Inushiba- Idk man they're just silly, no deeper reasoning. Funny guys doing funny things with a cute height difference

LIKE

Kuroyaku/Levyaku - Honestly I like these two about equally, i think they're both shitpost-able and that's my top priority for a ship. My gf likes Levyaku so i lean towards them but i've seen some good Kuroyaku art too so i can be won over. I'm a firm believer that Kuroo and Yaku were each other's first kiss

Fukutoraken - I think Kenma being a serial third-wheel is infinitely funnier but i dont mind it, as long as fukutora aren't separated i'm chilling. Kenma getting dragged along despite not being part of the relationship is my ideal for them tho, also i think Kenma being Tora's unwilling wingman/the recipient of his sexuality crisis rambles is hillarious

Anything else i'm neutral on or haven't heard of

[mythicalmagical-monkeyman]

S2E20: The Nerds and the Doom Domes

aka a quick run down about why it had to be Cooper to tell Mateo what he did

Ok so the lines:

Mateo: "[The Dream Realms] They're in the wrong places! This isn't right." Cooper: "But it's great- I mean look at it! It doesn't have to be exactly the same as it was before. I learned a lot of new stuff, I'm better!" Mateo: "But how do we know it'll be better?" Cooper: "We don't. We can hope for the best-"

Why are these lines so important? Why am I saying it had to be Cooper? Why am I making a whole post about said few lines-?

Well ok, first we have to understand that the narrative basically likes to play this game of tug-o-war with Cooper, it's constantly doing this; Mateo or Logan, his family or his friends, what he wants or what someone else wants of him, to stay the same and be perfect or change, etc.

That last one is actually pretty important because most other decisions and challenges he's faced with in the show can fit under it; ie. does he keep doing what he's been doing and listen to his family or does he change and go against that and do something else? Does he stay friends with Mateo and nothing changes or does he become friends with Logan and change, well, everything, basically? (Because Logan is actually a decently huge plot mover in season one and technically you could say he wouldn't even be a part of the group if not for Cooper but- I'm not going to get into that here).

Point is, throughout the entire show thus far Cooper has been tied to change, not only in the ways mentioned above but in other things too; like how his capture by the Night Hunter in episode one kind of sets everything off, because suddenly Izzie and Mateo have a stake in this their friend is in danger, so it goes from fun in the dream world to -> save our friend and start figuring everything out. Furthermore he even has a whole sub plot in season two about how the loss of his memories changed him and how else he changed his way of doing/thinking of things to make up for said lost memories. And honestly that's just the tip of the iceberg, I could go on-

But anyway.

So Cooper = Change in this, or at least the idea of change and the choice whether or not to accept change or go against it.

Sound familiar? As in maybe there's another character, or two, that really struggles to accept change-?

And I might make a post about this because it's really fascinating to me but I am in fact talking about Mateo!

Throughout the series Mateo's aversion to change is constantly popping up, and I guess you could really equate change to loss in some of these: but in S1E4 he doesn't want to go through the Dream Forge due to the idea of loosing Z-Blob. In part one of season two Mateo is constantly struggling with not only the fact that things changed and he lost Z-Blob to the point where everything he dream crafts is almost some subconscious attempt to recreate/get Z back but he also struggles immensely with the whole Jasmin situation because to some degree you can clearly tell he doesn't want the dynamic in his family to change, (I mean just look at how he reacted to the idea that Jasmin and Izzie were changing how they went about celebrating José's birthday-)

"Jasmin's changing everything!"

Mateo very clearly struggles with the idea of change because if anything he probably ends up equating change to loss. Every time some big change has happened in his life he has lost something; his mom, Cooper, Z-Blob, which is no doubt related to why he seemed so bugged by the placement of the dream realms being changed. To him it probably looks something like "Positions of dream realms changed -> change = bad because it leads to loss -> this is wrong, something will go wrong!"

Thus that brings us the line: "They're in the wrong places! This isn't right."

With all this being said though, Mateo hating change and Cooper, in a way representing, the idea/choice that leads to change it all starts to add up.

Cooper was, from what we've seen, the first change that Mateo had to face that went right, Cooper came back and while their friendship had changed if anything it was for the better. In the grand scheme of things Cooper was probably what eventually led Logan to stop bullying Mateo. And if Cooper hadn't lost Mateo's comic in S1E13 who's to say Mateo ever would have gotten that semblance of courage from Mrs. Castillo to share his comic with people-? (albeit this one was a bit indirect on Cooper's part lol)

Cooper inspired small, good, changes in Mateo's life which have honestly seemed to snowball pretty well for Mateo. But at the same time Cooper also had to learn how to deal with his own problems with change and practically his whole life being flipped upside down thanks to his lost memories.

Both of them have been affected by change, in both good and bad ways, their entire relationship has changed but while Mateo views change as bad Cooper figured out that it wasn't all bad, that there is good in it and that maybe it, maybe they aren't the exact same as they were before but in spite of all that they're better now.

Anyone could have told Mateo this, if anything Izzie has tried, but, really, Cooper is the one that's going to help Mateo realize that change isn't always bad. That change is ok, because Cooper changed, their friendship changed, but they're both still there.

[afterthelambs]

"Silco didn't create Jinx, you did" lives in my mind rent free because throughout season 1, Vi has been convincing herself that Silco is the obstacle preventing her from getting Powder back. She's traumatized and guilt-ridden. When Vi is traumatized, she simplifies things as a response. She has to believe that getting her sister back is that simple. But when Silco is finally dead, Powder doesn't come back to her. In fact Silco's death is what solidifies Jinx's decision to be Jinx (the complete Jinx aka Jinx + Powder, not the broken version of her that she tried to erase Powder from).

And that's likely why Vi switches on her so quickly. By the time season 2 starts she's fully on board with Piltover wanting to kill Jinx and when she confronts her in ep.3 she says Powder is dead and they're not sisters anymore. Which is wild considering just a few days ago she was reassuring her that they'll always be sisters.

I think Vi meant all of it. At the time she really did want Caitlyn and the enforcers to kill Jinx. But that's because she's still just as traumatized and guilt-ridden as she was before. She can't deal with the fact that Jinx herself is the real reason she can never get Powder back. And as I said, Vi simplifies things as a trauma response. However if they had actually succeeded in killing Jinx, I think Vi would live in regret and self-hatred forever. What someone wants when they're traumatized and hurt is not what they want forever, and Vi does love her sister.

[destiel-wings]

watching Angel (the series), I feel like is really interesting, specifically in s3 cause I think in some ways it was good but they did Cordelia SO dirty. I feel like there were some aspects where I was like yeah that was totally written by a man e.g. when Angel gives her a necklace after being away cause of Buffy’s death and she’s like it brings out my boobs 🙄.

I feel like there are some scenes that are kinda ironic considering how Joss treated Charisma like when Cordelia was doing that commercial? Like was that a dig at Joss? But also that’s 90s early 2000s writing as well.

Oh, yeah, absolutely.

I don't know if you're watching the show for the first time or not, so I won't give you direct spoilers, but what they did to Cordelia gets so much worse in season 4.

There is one storyline specifically that happens that season that we as a fandom collectively pretend never happened.

And I actually like season 4 (i love the way that it's built, the plot twists, the epic tones of the main villain coming, the way that some characters develop and the main theme/metaphor that relates to the big bad of the season), but what they did to Cordelia will always be one of the greatest faults of the show. And now that all the rumors about Joss are out, we know why that happened too. 😔 That's when Charisma was pregnant and Joss threatened to fire her. And he did.

I mean, I can see the casual misogyny you're mentioning in the first three seasons as partly being due to the 90s/early 2000s writing (definitely a factor), and partly as a sad realistic depiction of what real actresses in the business like Cordelia (or generally women everywhere) had to endure at the time, when they couldn't even speak up. And i think there's a distinction to be made here, because there's two types of misogyny (or any other problematic behavior) that can be shown in media.

The scene where Cordelia is posing in a bikini and the photographer is a complete jerk for example is a harsh depiction of what society used to be (and still is), and so, in my opinion deserves to be in the show, because stuff like that is a slap in the face that should outrage us. Shows nowadays are excessively tiptoeing around real life issues. And i don't think it's helping anyone. I think we should be able to see stuff like that in fiction so we can say "this is horrible. It shouldn't happen in real life," and hopefully we can learn from it and get better as a society. In this sense, it's useful misogyny, because it exists to outrage the viewer and sensitize them to the issue. And there's tons of other examples of this in the show (I'm thinking about Lilah's storyline for example).

And then there's the pointless misogyny. Lines like "it brings out my boobs!" or other examples that i can't think of right now that won't really teach you anything if not make you cringe thinking "a woman would never say something like that", or "this is a disservice to the character for no valid reason" (like what they did to Cordy in season 4). That type of misogyny outrages us, but for different reasons, because it's gratuitous and completely unnecessary, and should be rightfully cut out.

Unfortunately the show does both. It is the product of its time, and that needs to be taken into consideration. In the end, I think the good it did outweighs the bad, and it managed to tell stories that are still strong and powerful today because it never shied away from speaking about human weakness and visceral struggles in a way that's raw. And people can relate to that (generally speaking).

And you're right, it is ironic, Joss became a feminist icon for creating Buffy, a show where strong (and yet human, flawed, imperfect) characters always stole the scene (with a few male characters exceptions)-- and then he created Angel. A different show, more adult, darker, with some noir touches, and a male lead. And I think, the vibe being so different and more focused on a male lead like Angel (who represents an anti-hero version of the knight in shining armor, which is, per se, an anti-feminist trope) the slope was slippery and so some misogyny slipped through. I'm not saying that misogyny was inherent to the basis of this show but... it kinda was. One could even say that Angel is the anti-Buffy (literally, one show being about a frisky young female lead who is a hero pledged to rid the world from evil vampires, and the other one being about a brooding 200+ year old male lead that is a former(?) evil vampire always ready to save a damsel in distress). The cool thing though, is the show itself is aware of that, and brings it out at text level (for example with Spike mocking Angel for it, in one of the very first episodes of season 1). So what I'm saying is... it's complicated. It's a show that uses its female characters to cater to its male characters' arcs sometimes. But it's also a show that gives us great female characters. Strong, powerful, intelligent, human, unapologetic. There's the good and the bad.

Back to Joss Whedon, personally, I can see him putting a lot of his own personal struggles into the show. Like, the theme of Angel season 5 is literally about the heroes trying not to get corrupted by the power, and that's kind of what Joss did. Guess he wasn't as good and righteous as most of his characters in the end.

[hideyseek]

ok. extreeeeeemely tentatively. first chapter of 我朝你奔跑的距离 | the distance that i run to you (aka beiran ep15 coda fic) ...... arriving december 31st

[br1ghtestlight]

its so beautiful that i sucessfully curated a following of 50% object show fans and 50% bobs burgers fans bcuz now whenever i post about osc stuff all my bobs burgers followers are confused and when i post about bobs burgers all my osc mutuals are confused. its like a beautiful ecosystem where nobody likes my posts and they all follow me anyway <3

[blorbocedes]

Lewis got 5 sec penalty in the race and the FIA also add 2 points penalty to his license but as far as the news goes for now, Mercedes didn't seem to appeal the decision. And Toto said they won't appeal for the 5 sec penalty because it's just little points. I'm new to F1 but i thought that Toto would at least appeal the 2 points to the license, that seems a bit harsh? Or no? Any thoughts, please.

toto is a study in austrian genetics research how one can grow to 8ft without having a spine 🤷‍♀️

[rawliverandgoronspice]

Or the reason you’re overthinking it is because you’re just trying to find a reason to be mad at the game when you could use that energy at something else to make you happy instead of nitpicking at it.

I suggest you block my account and go have fun with the game unfettered by my takes, you have my Blanket Permission! I'm just a rando with a tumblr blog. Worry about your own happiness first.

[apieinvestavimapaprastai]

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[pencildragons]

just remembered the time i went insane and wrote 4000 words of literary analysis about r+g.a.d. in six days so i went and found my trusty excel table that i used to sort my 12 most important themes and .

what the fuck was wrong with me . this went down to row 96 . i had 4000 words worth of quotes at this point. the 4k literary analysis i ended up with was CONDENSED . this was a theatre assignment

[forex368]

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