#Fun home activities

[creativebooksforkids15]

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[myketheartista]

We've hit the colder months in campaign now, so I drew winter fits for Exodus and his besties since they all got to meet up ^w^ I also wanted to experiment with patterns that reflected their personalities and respective cultures/lifestyles so I had a bit of fun designing the gang

Aside from that, I wanted to include the trio's original outfits since I've had them done for some time now and never really shared them. I like seeing how my style differs from this one and their winter fits since I was focusing on realism more the second time around.

And then Exodus' fae ball outfit!! The in-between art where I was starting to alter his shapes a bit more... I really love this one since I was just taking his original outfit and spiffing it up with the dragonfly wing design :3 my boy is so handsome and cool

[sadlynotthevoid]

Dreamed about OgCale and Rok Soo being roommates besties in a modern fantasy Earth AU—

Except the whole dream was OgCale swinging and humming in the kitchen, preparing a dessert as breakfast. Then he opened Rok Soo's door and threw a pillow at him, saying "WAKE UP, BITCH. THERE'S BREAKFAST"

Then the two of them had a quiet "Rok Soo's birthday" breakfast and fed a cat while recalling how they met.

Apparently Rok Soo was sitting in a bank outside a house/apartment complex? And OgCale came and told him no one sits there because the woman living in the store above likes to water her plants too much. Cue Rok Soo getting a whole bucket of water rain over him. OgCale then got him to come over to his apartment, which was nearby, to get him dry. I don't remember what he said exactly but we know the real reason is he's kind when he doesn't have to put an act.

Anyways, Rok Soo ended up staying for the night. Later they became roommates because OgCale's cat kinda adopted him, so OgCale decided he was fine. OgCale jokes about that a lot. So does Rok Soo, just most people don't notice he's joking. He calls the cat "Milky-nim".

[sketchy-tour]

🎵When the moon hits your eye like a big pizza pie, that a Mori~ 🎶

Oc is @kawaiialeisha 's!

[bloo-the-dragon]

A small detail I like that seemed to get overlooked by a lot of people: Moon wasn't trying to keep the lights off to hurt Sun or to hurt children, he wanted to keep them off, because in his corrupted state, light was causing him PAIN! Rebooting them into Eclipse didn't JUST help Sun, we helped Moon, too! All THREE are good bots, your honor and I love them and GHDASJGhj

Yes i agree! I think in the main game it was definitely virus related (since the flashlight, the laser gun and fazcam does nothing against him) but in the DLC its gotten to the point where he has become hyper sensitive to light (either due to the virus still scrambling his brains or the damage both have sustained since or a combination of both) and so it causes him a lot of pain when exposed to it.

If we look at his two jumpscares also, the one where neither generators have been turned on he grabs Cassie and flies up in the air with her but doesn't outright display any overly violent behaviour so one could almost assume he does try to take her to naptime and maybe drops her in the process (accidently or intentionally is anyones guess)

But when one generator is turned on he is now in greater pain and aggravated so when Cassie approaches him he is far more unstable and lashes out in anger and frustration, especially when Sun also tries forcing him back in.

I do love to think Moon is not intentionally malicious/evil but with his coding scrambled by the virus and neglect and Sun actively fighting him parred with hyper sensitivity to light and both quite possibly being in a near constant state of pain i don't blame him for being so aggressive.

Rebooting him would have reset the messed up coding and helped bring Moon back to a more stable state and while i doubt it would completely fix them mentally (trauma goes brr) at least he and Sun have been brought some peace at last and made whole again. ;;v;;

[mephistopheleswasrobbed]

Ahh, I don't want it to be over! But alas, here we are, so let me tell you about all the gay moments in Peaceful Property one last time:

1

We begin the episode with Home and Peach sitting next to each other and saying sentimental things. Framed by a flamingo. Which is literally a symbol of love (because they're pink and monogamous).

Saying your meeting was destiny while looking each other in the eyes lovingly is somehow not the most romantic line in this episode. It comes pretty close, though.

2

Back in the action, Peach is extremely worried about Home, alone with his would-be murderer.

And when evil lawyer mentions the possibility of Home being dead already, Peach loses is completely. (Though, in a parallel that is funny to me, exclusively, he's again held back by two *according to themselves* oh so weak women. Just like in Kan's home when one woman was enough to completely immobilise him. I'm really not sure why Panpang is so insistent that Peach is so much stronger than her)

Peach knows that they don't have enough time to waste it on those useless cops so he sacrifices himself by confessing to a crime he didn't commit, so at least Kan and Pangpang can try to rescue Home. That's some ride or die devotion right there.

3

A found family bond so strong it single-handedly derailed these scooby doo villains' evil plots several times.

4

Pangpang (seen here cosplaying as a ghost pizza) knows that in true romance fashion, Peach must be the one to save Home. (And because we've already established that physical strength can't be the reason, I'm choosing to believe it's the strength of his love for Home that's giving him the advantage.)

So Peach arrives just in time (there's that destiny, that soulmate timing) to prevent Somkid from stabbing Home. And I've previously talked a lot about how much Home has changed because of Peach, but let's take a second to appreciate how much Peach has changed because of Home. He went from hiding behind his little sister at the sight of a ghost, to jumping without hesitation at an armed murderer to save Home.

And once Somkid has been distracted, Home's first priority is, as they always do when there's danger, to go check on and help up Peach.

And then he just keeps holding him while Somkid is busy coming to the realisation that all the evil shit he did was meaningless.

5

There is no way Mr. Real Estate Heir doesn't know how to tie a tie. This is an excuse to share some comfort before the funeral and it is as understandable as it is boyfriend-coded.

6

There's been a lot of Home/Peach doing something the other had previously done, and here's one more:

Just like Home before, Peach also notices immediately when something seems off with Home and wastes no time to go to him and see if he needs to offer help or comfort.

7

And what is the problem? It's, of course, the impending separation that has Home moping over an electric stove cooker thing.

But well, after almost watching Home die, again, Peach has realised he doesn't want to leave. Because even if Home goes back to the US, at least he'll be around the memories they've made together. So Peach decides to stay.

And despite the excuse he comes up with about dialect speaking ghosts, we, and Home, know the real reason.

The "I love you and I don't want to leave you" might be unspoken but Home hears it anyway.

And Home has also finally figured it out.

So he's not leaving either.

And Peach might be a little obtuse about it at first

But Home's real dream has always been to have a family. And he knows he's finally found his. Grandpa knows he's finally found his.

So Home makes it clear to Peach.

And Peach gets it this time.

(Of course, then they immediately have to make a joke out of it because those two might actually be allergic to seriously talking about their feelings for each other. But the message has been recieved, anyway)

8

Their absolutely perfect timing can only be explained by soulmate shenanigans. (also look at him smile)

9

Even the universe is trying to tell them to embrace the gay. With their Cok Long bar turned Cok Long restaurant.

10

The dialogue from the beginning plays again, over shots of their family meal. And with the expression of destiny, the camera focuses in on them. Because while "family" is for all five of them, their "destiny" is just between the two of them. And they look so soft and happy in its glow.

And they look at each other when they laugh, and we leave them to their truly happy ending.

(And maybe one day in the future they will be able to plainly say "I love you" to each other without having to hide it behind five jokes and three metaphors, but until then, they know the truth of it anyway.)

Lesbian Corner

Kan has come to seriously trust and believe in Pangpang. And Pangpang, who felt like a useless burden at the beginning of the show, is made better by it.

And in reverse, Kan, who's been completely serious and focussed on revenge for the last decade, who'd had trouble letting loose and making connections with others even before her father's not-completely-but-in-effect-death, has found in Pangpang someone who can not only make her smile, but make her make jokes to make others smile.

Just like Home and Peach, these two also complement each other. They make up for each others shortcomings and both grow into happier, more well-rounded people through each other.

And with that it's over. Except not quite because I've still got some extra that didn't fit here.

[kadextra]

I miss her (quesadilla island)

[gingermintpepper]

For the longest time, the quintessential song describing Apollo's wrath and consequent murder of Coronis for me was Marah in the Mainsail's 'Your Work isn't Done'.

It's dark. It's seething. Its image of Fate pushing the scorned speaker to complete his foul, terrible work of killing the man who stole his lover away from him is particularly powerful and it's always evoked this gruesomely tragic evolution of a glassy eyed Apollo stumbling through the streets, weak-legged and trembling from the betrayal growning more and more wrathful 'til he can think of no other course than to aim his bow and shoot. The price of betraying his trust is death and Coronis betrayed so much more than just his trust by taking Ischys as her lover.

The song itself captures that sensation of building wrath so well too. From the lonely guitar and vocals at the beginning which evoke this lonely, stripped back but distant grief to the way the singer is practically screaming his refrain of "Your work here isn't done" by the end, accompanied by the full blasting of instruments and an omnious chorus at his side, everything about this song is centered around building stakes, building realisations, building tensions and it creates this feeling of the speaker growing closer and closer with each new verse and chorus that adds to his anger.

There's also the absolute treasure trove of lyrics that work so well for specifically this tale. A brief overview of some of my favourites include;

- There's a crow overhead singing "Oh, Death is my friend."

- And though you think your time has come, the wheels of Fate have spun. Death has declared your work here isn't done.

- There's a girl on my heart safe ashore in her lover's arms

There's just such a vivid image to be drawn here - of Apollo's emotions being swallowed by his rage, of his resolve to end everything the more he bears witness to Coronis' brazen affair. There's even a strong female voice in the first two verses which seem to egg the speaker on in his spiral - a perfect opening to include Artemis who wishes for her brother to hunt that which brought him such pain alongside her. An Artemis who reinforces just what Coronis has done, an Artemis who does not want her brother to repress his anger after such grave an insult just because love was once there.

To me, it was perfect. Apollo's killing of Coronis was a crime of passion, an execution he sometimes cannot even bring himself to commit according to who is telling the tale. It's a wretched situation, harrowing, suffocating and cruel but if not by Apollo's hands, Coronis would simply die by another's. She cannot live after what she has done. The gods simply would not allow it.

AND THEN MY BIAS WAS COMPLETELY WRECKED BY LORD HURON.

Now, let it be known, I am a huge Lord Huron fan. Strange Trails is perhaps the most Apollo-coded album I've ever heard and songs like Yawning Grave and The Balancer's Eye capture such a visceral, gorgeous portrait of cosmic grief and anger that they haven't really left my brain since I first listened to them. Still, 'Setting Sun' from their Lonesome Dream album completely flew under my radar. Maybe it's because the commercial version is so much snappier than the Alive from Whispering Pines recording, maybe it's because I just hadn't listened to Lord Huron's discography in a while but my god. My god.

This song has it all; a quiet menace in its music, a strong male singer who sounds only barely restrained, an absolute HOST of lyrics that are so wonderfully perfect for the scenario -- after getting over how wonderful the song itself is, I immediately dethroned Your Work isn't Done because ultimately, 'Setting Sun' has something in abundance that 'Your Work isn't Done' minimised in order to focus on the wrath driving the song forward.

And that's love.

Setting Sun is so powerful because it's not just a revenge ballad - it's a dirge, a breakup song, a lament, a regret manifesto. So many times during the song, the speaker wonders when his lover stopped loving him. He recounts intimate moments and wonders if his lover was thinking of the other man when she was enjoying herself, wonders if anything she'd said was even real. And I love that so, so much.

Ultimately, Apollo adored Coronis. As inevitable as her death was, he regretted every second of it. No matter how angry, no matter how betrayed, no matter how intensely he was shamed, he still loved her. He weeps for her when she dies, he screams and grieves and cries when he's faced with her corpse. In some tales, no matter the cocktail of emotion driving him, he simply cannot bring himself to kill her. He'd rather cry in Artemis' arms and take his anger out on his own servant than hurt her. His own father has to dispatch Ischys since Apollo can't even bring himself to hurt that which Coronis once loved. Of course, in this case, Apollo's going to kill someone but the point is, it's not a decision of pure anger so much as its this complicated, horrible mix of resolve and lost love.

And my god does Setting Sun capture this conflict, passion, grief and love so well. UGH, I'm vibrating just thinking about it -- there are so many points where I hear its lyrics and can vividly picture Apollo, jaw clenched looking Coronis in her eyes and quietly confronting her.

Coronis, returning home at twilight after spending the day with Ischys to Apollo stringing his bow, "Oh? Is he ready to die for you baby? No, but you know I would."

Coronis lying to him about who she's spent her time with and Apollo's soft, near pained, "Does it hurt when you lie to me? If you asked, I would set you free."

I even really love the image of a Coronis who runs away from Apollo upon realising what will soon happen, not to escape his arrows but to warn Ischys who does not know what will happen. Of Apollo getting into his stance, taking aim at them and gathering his strength as the final refrains rings out "I know I'll never reclaim your love and that's as hard as it gets, so I'll be taking a life when the sun sets."

Other favourite lines of mine include;

- Oh, is he ready to die for you baby, now that the deed is done?

- Tell me when did I lose your love? Was it him you were thinking of?

- And I could never betray your love, you had me heart and soul. You might never have known it girl, but I was all yours.

And ultimately, I just like this conflicted portrait of premeditated murder much more than the crime of passion 'Your Work isn't Done' paints. Crimes of passion - especially when Apollo is concerned - are tragic in their own right, but in Coronis' case, I think I prefer it so much more when there's no way for Apollo's action to be misconstrued for anything other than what it is, especially since he goes on to cut Asclepius from his mother's corpse then carry on with building her funeral pyre. I think there's something so much more impacting about Apollo being unable to hide away from Coronis' blood on his hands and him having to raise Asclepius with those selfsame hands.

Love of the mortal does not supercede the responsibility of the divine. If Coronis' sentence no matter what is death, who better to lead her gently to the knife than he who still loves her?

[kakusu-shipping]

What's more cringe then a Gen 1 Pokemon S/I?

Season 1 Digimon Self Insert time, baybeee!!

[murderballadeer]

would it be terribly immature to make my friends go bowling with me to celebrate my 22nd birthday

[ratwithhands]

Since I finished the manga a few days back, I wanted to revisit my two demon slayer OCs I made last year. Here's Yoshi and Syougo ^^

Syougo and Yoshiaki are childhood friends who both ended joining the Demon Slayer corps after being separated earlier in life. Yoshi spent his years training under his retired slayer father before passing the final examination, while Syougo ended up having to figure his own methods out after his first teacher made it so he couldn't use a true breathing technique again.

As an overview of the techniques they use:

Field Breathing is a technique Yoshi's father came up with over his career in the corps. When he retired, he continued to polish the forms and taught them to Yoshi. Both the name and the forms it utilizes are based on the flora around the rice fields he was raised and later retired to. The technique emphasizes speed, flexibility, and applying pressure to the opponent as much as possible. It's fluidity and aggressiveness leads Yoshi to be quick in handling threats since he pushes opponents around

Spirit Breathing (or if you're using archaic kanji, Vengeful Spirit Breathing) is a breathing technique Syougo made as a way to regulate his body and state of mind after losing the lung capacity to use Total Concentration or other methods. It's based around his base breathing rate so he doesn't overexert himself, which means to an extent he is always using it. In combat it's intended to psych out opponents and help highlight their weak points. Since it's mostly a distraction/intimidation technique, Syougo uses a secondary weapon to get the jump on opponents when they're not focused.

For some bonus design notes, here's some details for how they dress:

Yoshiaki's samue is based on what he'd wear when working at the rice fields with his family. The light green colour comes from being dyed with wisteria leaves, a precaution his mother took hoping it would protect him

Having nostalgia from weaving baskets with his mom when he was younger, Yoshi tends to use dry reeds for securing things. He ties his hair with it, decorates his equipment with it, and though his legs aren't visible, he ties reeds in a crossed pattern over his kyahan

The brown cotton sageo and tsuba he uses are handed down from his father. The scar on his cheek is also there for the same reason, his father had one and Yoshi decided to cut his cheek to look cool and match 💀

Syougo's haori has kogin-zashi embroidery across the sleeves and shoulders. He sewed it himself in between his training as a way to decompress and slow down. His kyahan have a matching stripe across the front

Syougo's tsuba was gifted to him by his current mentor who thought he would enjoy the oblique patterning to match his outerwear. His current mentor also requested a nichirin style tanto for him to use for his secondary fighting technique

The ragged look of Syougo's hair comes from him prioritizing training over all else, even appearance. The only instance where he will fully comb and dress his hair is for important meetings and ceremonies. He does maintain the part of his hair though, modelled after his mentor's (much shorter) hair. This is one doodle with clean hair

I'd write more about their character but this is getting long as it is 💀

I have a piece with Syougo that I'm going to put up soon, and at my sister's request I'll try doing a matching one for Yoshi

Hope you guys like these fellas ^^ I'll see you later

[normalbroadcast]

this show is awesome. btw

tbh there honestly aren't that many little snippets i can post without spoiling the twist of whichever episode they're from (even this one is pushing it a little), but trust the humour is consistently very good. i would even go so far as to call it charming

it also somehow continues to surprise me every time! and i would never want to take that experience away from a new listener<3 each individual catastrophe you face is as individual as it is, well, catastrophic. you really do just have to come along on the journey itself, & chances are if you think you know where it's going, um. you really don't.

no subtitles on the clip this time but transcript is under the cut:

There does not appear to be any imminent threat. For now. And anyway, realistically relaxation is just a bonus today. I also have to keep you alive. For all I know, if you die in a guided meditation you die in real life! That doesn't sound right, but we just dont know. There haven't been studies on this. (getting more upset) I don't think it's unreasonable for us to at least entertain the possibility!

[royaielfroot]

it means a lot to me that irving is that coworker who gets wasted 2 beers in at the office party and cries about feeling lonely

[robinsnest2111]

wanted to use my day off to go watch Conclave at the movie theater again but ugh.... i feel so sick and weak... idk if I could even survive the trip there, let alone sit still for 2 hours and take in every breathtaking detail without missing anything or passing out from the pain and exhaustion :^(

[pettyprocrastination]

Adventures in battling social anxiety by forcing myself to do new things: went to a swing dancing class

[sew-much-to-do]

DIY Seashell Candles

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sew-much-to-do: a visual collection of sewing tutorials/patterns, knitting, diy, crafts, recipes, etc.