#HER AUTONOMY AND HER PERSPECTIVE.

[boypussydilf]

ALLOWED? ALLOWED? ALLOWED? ALLOWED? ALLOWED? SIMON YOU COULD NOT HAVE PREVENTED BETTY FROM DOING WHAT SHE WANTED WITH ANYTHING SHORT OF PHYSICAL RESTRAINT. ALLOWED. ALLOWED. ALLOWED. ALLOWED, LIKE SHE NEEDED SOMEONE TO CONTROL HER. ALLOWED, LIKE SOMEONE ELSE SHOULD HAVE MADE CHOICES FOR HER. ALLOWED. ALLOWED.

I get it. I get it. I get that this is just a thing people say, this is just a way people phrase this kind of idea. They even state outright that this isn’t really Simon’s fault. They have Betty talking about how she made choices. And yet. And yet. And yet.

Allowed! Allowed! Allowed! They convey this information to us through a choose-your-own-adventure game where Simon makes all the choices! They say he could have noticed this… thing that he never once noticed until it was clearly spelled out to him. He could have offered to go with Betty - Like she was simply not capable of speaking up for herself? Like it was completely out of the question for her to ever say “I’d actually rather do my own thing” (like we haven’t seen her many, many, many times charging ahead with her own plans and ideas no matter what people say to her)? Like the only way she could ever have made choices more focused on herself is if Simon made them for her.

I don’t think this is even actually what the writers meant to say. But the way they do all this leaves such a bad taste in my mouth regardless.

[kittlesandbugs]

Mustacheless Ortega is about Ortega reclaiming his past appearance because the sad bitter person that looked back at him in the mirror like his father has faded before the euphoria of having his best friend (and/or old flame) back from the dead. It's about realizing that joy outweighs sorrow when you let it. It's about embracing past comforts instead of wallowing in old pains. It is prompted by Sidestep's stupid jokes. It is realized through Ortega's own reflections on himself, his past, and his own hope in the future.

[commsroom]

Hi, you’ve probably already addressed this at some point and I’ve simply missed it, but what’s your thoughts on Hera’s ending? (Particularly, how Pryce just removes the ‘I can’t do this, I’m not good enough’ line, and she stops glitching?) Personally it always felt rather… bad, honestly, given the whole “they could’ve made me better, they made me me” thing, if that makes sense?

hi! first: that absolutely makes sense, and i'm also very sensitive to anything that seems to "fix" disability or trauma, so i understand where you're coming from. that was not personally my takeaway about hera in the finale; i'll try to explain why:

pryce didn't remove that loop from hera's head. i don't think she could have - even if it's technically possible for her to do (and she is capable of a lot more than maxwell), she just had her mind wiped and wouldn't have access to that information, and even if she did retain it on an instinctual level, that would require allowing pryce access to the most vulnerable parts of hera's mind. and she would never allow that. there's a reason pryce is still a prisoner.

hera speaks to pryce not for reconciliation, but for reclamation. she's lived her whole life in fear of what pryce (and people like pryce) can do to her, with every aspect of who she is and what she does controlled and dictated by anyone with power over her. the finale opens with pryce telling her life's story from her perspective - at once self-mythologizing and self-victimizing - and, the final time we ever hear from or about pryce, hera is about to tell her own story. we never find out what was actually said, or how pryce reacted, because it doesn't matter. hera gets to take control of her own narrative. hera gets to confront her abuser, and feel in control and safe from harm.

it's worth keeping in mind that hera doesn't glitch consistently. that's one of the things i think also makes it a useful comparison to chronic illness. when, why, and how much hera glitches was an intentionally crafted part of the sound design. it happens more often, and more intensely, when she's stressed out, overwhelmed, or upset.

and, with that in mind... the ending leaves the characters on a generally positive note, because it's the end of the show and that's the feeling it wants to leave you with: that everything will be more or less okay, in the end. but it isn't the end of their lives. once they get back to earth, a lot of things are going to be very difficult for hera. even in the final scene, she says she's not ready to go back, but "when has that ever stopped us before?" when she's able to honestly say she's good, i don't think that means she's good forever. just, in that moment, that's a crucial step in her healing process, and i hope in the future she'll have a lot more moments that feel like that one.

[the-valiant-valkyrie]

me and my whimsical coworker who keeps daydreaming about me being hypnotized and at the complete mercy of anyone who requests anything of me like the good little drones he's so obsessed with

[nevada-got-screwed-over]

Actually I don’t think I’ll ever forgive how Wash’s disability and subsequent ‘cure’ was handled.

[imaginarypasta]

i’ve been trying to get through hoh for literally like a week now but it’s so hard bc the way my fave nico is treated is absolutely ABYSMAL and i know it only gets worse

[fancyhalloran]

Ok the thing about the moral dilemma at the end of the last of us is that like you can like grow fungi from like pretty small samples? Like the emotional effect of playing through it was devastating in the moment but it makes no sense that Ellie would need to die. Like yeah it might take a little brain surgery but you can just cut off a little piece and grow it on a meat substrate.

[kennabeth]

I'm so invested in the folcharts as a couple when resa's talking then mo immediately lies to and excludes her for no reason. she's the only reason your dumb ass is even alive and you haven't treated her like an adult and your partner in months fuck is wrong with you

and then he tells her he doesn't care if she goes back home without him lmfao men ain't shit

[lillybean730]

im always having to tell my family members to stop whatever they're doing bc it's making my dog upset. like please get out of her face it's scaring her can't you tell? but they can't bc they never bothered to learn how to read a dog's body language. i don't understand not wanting to know how to communicate with the animals that you care for...

[boxingcleverrr]

Popular Hades & Persephone "retellings" are, rightly, getting dunked on all over the socials right now and, as a Pagan who has an altar to the Queen, I could not be happier. But also, I feel like a lot of people miss WHY they're bad - aside from just plain bad writing and lazy tropes. Which are, yeah, also REALLY bad.

Pretty much all retellings try to wave away, or excuse, or twist the whole kidnapping bit. And I actually do have sympathy and understanding for why, when speaking from a modern perspective.

But honestly...you gotta get over it. There are other stories to play fix-it with, not this one.

The Abduction is The Thing.

Were I a little more sober I could bring up chapter and verse of the Hymn to Demeter but frankly, if you know even the middle school mythology curriculum version of the story, you SHOULD know the themes. The story of Persephone was one mothers and daughters in the ancient world held dear, because it was a reality: you will, one day, be swept away from your home to go cleave to a man you most likely know nothing about. You will miss your mother, but chances are very good that he will be a good husband, once you get to know him, certainly better than Zeus or Ares, and he will make you a queen of his home.

Leaving home to marry was often scary, and violent (look up the history of the tradition of Bridesmaids, if you don't already know it - they were originally decoys on the marriage road). Centuries later we'd have tales like Beauty & The Beast serving the same function: comfort, hope, you are leaving your safe loving home to figure life out with a (often older, powerful) stranger. Your trauma over this sudden ending of your childhood made manifest in a Beast, or a God of The Underworld.

It's wonderful that we don't NEED stories like this anymore to comfort us (here, at least, in this culture). But if you try to force them into modern vernacular it just will not work, not really, because you're gutting out the whole point just to have a more tidy romantic male hero.

I have read MANY very good ...novelizations? fanfic(? however you would frame them, but they're certainly not "retellings"), etc. that simply take advantage of the blank spaces in the myth, and there are many!

It's not explicit that sexual assault happens - "The Rape of Persephone" as a title was coined in much earlier eras, when the word was just as often used to simply refer to abduction.

"She was starving!" the gods didn't need to eat. So it's easy to read her eating the Pom seeds as a deliberate choice on her part. Like, shit, people, scholars have written whole papers on the symbolism of this moment, between marriage rites and even yeah, Seph choosing both worlds with her husband's knowing consent.

And that, I think, is the real heart of the thing. People want an utterly mundane, spelled-out story here, as opposed to what it really is, has always been, just like any other myth or religious parable: IT'S A METAPHOOOOOOR.

They don't need to be destined, or meet at a goddamned BALL and then CONSPIRE to fake her kidnapping, or shit, I once saw one where Hades got MIND CONTROLLED by Zeus?! Jesus.

Persephone was yoinked into the Underworld against her will.

That's how it went.

I don't mean this in a "stay out of my belief system!" way, shit I'm a white American chick with delusions of witchery. I mean this in a "stop stressing yourself out trying to make things palatable" way:

This is a very real, very precious myth to many people, BECAUSE for at least that one event, Persephone had no autonomy, BECAUSE for thousands of years most women had no autonomy. Erasing that, sanitizing the fact that a girl is ripped out of the spring, from her mother's arms, is erasing the thing that gave comfort to women for centuries. And people can and should still find power and healing in it now!

Fill in the blanks the story leaves in whatever manner seems fit to you, there's plenty of room, but. Come the fuck on.

[perpetual-ash]

↑ i am constantly thinking abt this reply because it is deeply reflective of the general attitude i see displayed toward palamedes, and camilla too, wherein people seem to assume that they are inherently more rational and comparatively unbiased as a whole when compared to everyone else. they are treated as if they are comparatively free from the same confines of thinking that affect other characters; they are characterised as a shining example of a truly equal necromancer-cavalier bond, of loyalty and love, and are treated as if they are perfect geniuses who can do no wrong—an attitude i feel very much inclines people to romanticise their devotion & treat paul's birth as a victorious thing.

@dve i feel summarised this phenomena the best: "i think cam and palamedes are nowhere near as revolutionary as a chunk of the fandom would like for them to be". i'd even go as far as to say that, in their role as foils to gideon and harrow, they are meant to showcase just how damaging the necro-cavalier dichotomy is to the individuals involved. i've spoke on this before but the bond is explicitly modelled on the example of john & alecto—which is already not ideal—and was built on a foundation of deception, with john hiding the fact the lyctoral process did not necessarily have to end with the death of the cavalier: the sacrifice of the cavalier is baked into it, because the history of cavaliership is indelibly tied into the avoidable deaths of the first cavaliers.

the equality ascribed to their bond is based on their seeming inversion of the exploitative nature of the necro-cav bond—compared to silas' siphoning colum, it seems improbable to say that they are anything but true equals who break away from the model, revolutionary in nature. they are devoted to each other, endlessly loyal! to the point camilla will violate the wishes and autonomy of palamedes in the name of her devotion.

camilla frames the fact she cannot sustain both of their souls in her body as her being weak, as opposed to being a product of the reality maintaining two souls in a single body the way they are doing is extraordinarily difficult and unnatural, doing herself a disservice in the process, because in her eyes she is failing in her duty to him.

his presence in her body is killing them both, and she frames this as [their] choice, but then wants pyrrha to lie to him about the fact it's killing her: meaning his choice would be based on her exploiting his absence in this moment, on a deception.

they can't keep this up forever, it is killing them both, but camilla's devotion to him means she won't accept that and doesn't want to give him reason to vacate her body. she wants pyrrha to lie—even though it's killing him too!—because she doesn't want to let him choose to let her live at the cost of his own life.

her death is avoidable but her role and her duty is to die for him, to sacrifice, to hold the sword for her necromancer. she won't let him, the necromancer, choose the cavalier's life because it is intended to be used by him—a soul to be eaten. she won't let him choose, violates his wishes and autonomy in the name of her devotion to him; i personally don't think equality in a relationship is based around denying the other their autonomy and lying to them, do you? and in this moment, camilla is treating herself as expendable, their inevitable death as inconsequential because it prolongs palamedes for as long as possible.

palamedes, conversely, has a very interesting perspective on lyctorhood:

he presumes that the original lyctors, the first necromancers and their cavaliers, sought to merge themselves from the start and that they achieved this incompletely. he posits the existence of true lyctorhood; palamedes views two becoming one, one being two, as something admirable, a truth not yet seen—grand instead of petty.

we also see somebody else who expresses a similiar belief in a perfected lyctorhood, one of the original lyctors, mercymorn the first:

the original lyctors did not seek out to merge with their cavalier, their other half in necro-cav terms, and only did so as a result of a lie, the idea of a one-way energy transfer. from mercymorn's perspective true lyctorhood is a process that preserves the cavalier; from palamedes' perspective true lyctorhood is a process that merges the cavalier and necromancer to form something new, the truest response to the call of "one flesh, one end" yet seen. palamedes' conception of lyctorhood is removed from the original context of lyctorhood's formation, and is shaped heavily by the ideals of the society he and cam were raised in.

If the cavalier and the necromancer do not take "one flesh, one end" as a maxim for their passion for each other, their bond is nonexistent. They must each take the other as their ideal. […] Their love is the love that fears only for the other: the love of service on both sides. Some have tried to characterise this relationship as the cavalier's obedience to the necromancer, but the necromancer must be in turn obedient to the needs of the cavalier without being asked or prompted: theirs is arguably the heavier burden. — Tamsyn Muir, A Sermon on Cavaliers and Necromancers

suffice to say, i do not think paul is a defiance of the empire's ideals, so much as a perfected expression of them; paul is the embodiment of the love of service on both ends, the product of a mutual death. their choice to die as two to become one was exactly in line with what a necromancer and a cavalier are intended to do.

"One flesh" is the underpinning of our whole Empire [...] One end is one empire. — Tamsyn Muir, A Sermon on Cavaliers and Necromancers

[seawing-vibes]

Decided to fill out a template from @/falling-skyzz I feel normal about . The dragons ! List of characters & design & dynamic thoughts under the cut <3

Also If anyone else fills out thus template feel free to send me the post,, I would love to see other people filling this out!!! I love templates !!

Secretkeeper & Moon • I understand theres a lot of reasonable hate for Secretkeeper but!!! I find her & moon to be a very fascinating pair! To make a long ass thought short, I think Secretkeeper is the embodiment of “product of her environment & deeply traumatize & projecting”. I think she genuinely really loves moon but obviously expresses that through being “”protective””. But I think shes genuinely a character with a capacity for change & realizing the autonomy Moon has over her own powers. Also from the perspective of Moon I think her arc around her relationship with her mom could be really interesting, especially as Secretkeepers authority becomes challenged in Moons life & she has to confront the bullshit her mother has put her through. Overall very very interesting pair I think about them a lot.

Design Note: Secretkeeper is duller in color than Moon & has less stars due to lack of moon light on the island! Also the scales around her mouth are almost completely black, making her mouth barely visible, giving her the name “Secretkeeper” as she “has no mouth to tell others secrets.”

Tsunami & Starflight • Just one of my fav siblings! This specific illustration is from the Arena Scene in Dragonet Prophesy! I really really love Tsu & Starflights dynamic of looking up to eachother & their development together just. So neat!

Design Note: Starflight has very few constellation marks in this illustration as he hasnt spent much time under moonlight quite yet!

Shark & Abalone • One of my more out-there ships! I based this on the thought that Shark was once close with Abalone (cough. Husbands.) and that relates to why he was willing to give Tortoise a lunch-break from watching the eggs. He already saw someone close to him die from being overworked to watch the clutch, he didn’t want to watch another dragon die from his sisters selfishness. I could write an essay on these two I swear

Deisgn Note: Shark is based on a tiger shark & abalone is based on real abalones! hes one of my fav designs here

Six-Claws & Ostrich • He’s just a sweet dad! the little we see of him he seems to really love her & vice-versa <3 they’re just neat

Design Note: Six-Claws is based on a king cobra & is a specific sub-“species” of hooded Sandwings ! Burn found his hood mutation & six-claws super interesting

Tamarin & Pike • My fav background friendship! They’re just fun. I like Pike just chillin out around Tamarin & describing flower colors to her to the best of his ability (she just likes to hear him ramble about a shared interest)

Design Notes: I updated how I draw Tamarins eyes to properly resemble a blind-born dragon ! Also Pike’s deisgn got some yellow in it and I really like it <3

Whiteout & Thoughtful • I just think they’re neat!! They just seem like a sweet pair love them

Design Note: none really! Just experimenting with a rando Thoughtful design that I tossed together for my “ships tier list”

Tsunami • Its just her :) my fav dragon <3!!! I definitely dont think she upholds the “princess” title once she gets older, her only link to the throne is by Coral insisting monthly visits but Tsu otherwise wouldn’t be any interesting in royal life I would imagine

Design Note: Shes caught a waaururrghh something im going bonkers I cant remember what fish that is and my reference photo seems to have dissipated into the cosmos

Anemone • I LOVE HER. SO MUCH ! Anemone haters BACK OFF!!!! Her relationship to her powers is so fucked man. Something you’d think would give her power & control is just a key by which others use to manipulate and abuse her like . Man :( shes literally never had any autonomy over her own identity & intermingled her powers into her identity So Much only for that aspect of herself to also be revealed to be a facade for someone else’s desires like. GUH I love her so much I hope shes having a good day I dont care what anyone says she deserves to be a brat and I support her for it

Design Note: none really! The stars in her talons are just metaphorical though

Snowflake & Snowfox • THE OGS!!!!!! MY FAVORITE PROBLEMATIC LESBIANS <3 Ahhh remember in the early days when they were considered the #1 most problematic ship because they were gay and also evil. I love the evil lesbians so much they’re so shitty sorry Darkstalker Snowfox should’ve been queen I would’ve loved to see that go down it’d be so silly

Design Notes: Snowfox is based on an arctic fox shedding into their summer coat!! I know its p . Away from canon descriptors of her but it was sm fun to illustrate so shhh <3 Snowflake is just grey & blueish per-canon but shes sooo fun. love her.

Okay thats all here are the individual illustrations now !!!!! Because why not !!! If these aren’t transparent its all over

[commsroom]

Happy belated birthday! Just wanted to hop in again saying I love your posts about Wolf 359. They’re all so good.

I’m on a relisten again and am at the end of season 3. And I’m thinking about how fascinating it is that Hera remembered the Thanksgiving with her at the table physically. And in a post if yours I read recently or you posted recently you talked about Hera getting a human body and I think that scene kinda hints at maybe wanting to be physically there? Idk.

If you’re up for it you can share your thoughts on this. I just wanted to wish you a happy birthday and leave you with some of my Wolf 359 thoughts.

Sending you good vibes over the internet.

thank you; you're always so sweet!! 💙

we're absolutely on the same wavelength here, too!! that scene in particular is a big reason why i feel like hera would want a body - what it says about her self-perception, sense of physicality (even without experience to contextualize it), and... as a result, that she experiences physical loneliness. and, notably, that all of those things are subconscious framing in what she misremembers. i've posted about that scene before here, and in my... way too long essay about hera here, which i'll try to paraphrase a bit. and in other places, too, probably! i think about it a lot.

so: i think there's a big difference between existing differently (which can be isolating in itself, but... through lack of understanding) and feeling like she's always being kept away from the others - somewhere else, physically. she clearly conceptualizes herself in that space as within the hephaestus, separate from it and the systems she runs, the same as everyone else. that's the difference between "other people need to change their attitudes" and... well, other people still need to change their attitudes, but there is also something fundamental about her circumstances that she's unhappy with and needs to change.

(and, obviously, like... because you know i see hera as a trans woman, i think some of the parallels you could make to medical transition are pretty clear in that framing, too.)

minkowski says “you weren’t here with us [...] we were over here, and you were over there” but minkowski would never actually say that - from her perspective, hera was as there with them as she's ever been. but if hera doesn't feel that way - if - like the sound design suggests - she's always hearing their voices the way they hear hers... if she's always felt that she's somewhere else... then it's hard for me to imagine there's a way to resolve that without giving her the autonomy to physically interact with the others, to be seen the way she sees herself - and that's something i think is really highlighted in the finale, too.

[daybrightsims]

Alright, they've lived in my brain too long; Time to air out my thoughts about the polyamory in BG3

To give a little context: I am currently ethically non-monogamous with my primary partner of almost 7 years. I am not a monolith of thought when it comes to polyamory/ENM/open relationships. These are my own personal thoughts and feelings. I've also completed the game with Astarion and Halsin romanced. Spoilers ahead, read at your own risk.

TL;DR - I don't share the current opinion of whether or not Astarion is okay with Tav pursuing Halsin and the discourse around his agency and choices in the relationship are bumming me out and frustrating me.

I am getting increasingly frustrated about the conversation about Astarion being polyamorous/okay with Tav being with Halsin in the game, primarily because I think a lot of the "think pieces" are coming from 1) monogamous people who have only ever been monogamous, 2) monogamous people who have been burned/cheated on/forced into polyamory by a partner (I feel for ya'll, that wasn't okay), 3) people who are very VERY protective of Astarion, and 4) people who are blatantly uncomfortable with polyamory. My goal is not to invalidate anyone's experiences, but to share an alternate perspective.

I do think that Astarion is not only okay, but happy with Tav dating Halsin. I glean this from how he responds to being poly with ANY OTHER companion. If you ask him to share with literally anyone else, he will say no and give his reason.

Gale: He doesn’t want to be in a love triangle (which with Gale, it would be).

Lae’zel: He’s uncomfortable and Lae’zel would kill him (also true).

Wyll: He knows Wyll is old fashioned and monogamous.

Karlach: He knows Karlach’s feelings for you are strong and he doesn’t want to stand in the way of that (he even says he’d be cool with an arrangement but knows Karlach will need all of your affection based on what she’s been through).

Shadowheart: He would be cool IF Shadowheart had more experience and ya’ll were together longer. But he knows Shadowheart is fragile in her current state.

Minthara: He REALLY doesn’t like this idea and will dump you immediately.

I did also see that ***SPOILER*** they updated or are updating some of the spawn Astarion language to have issues with your affair with Mizora should you pursue it, and it requires a persuasion/deception role to keep you two together.

Up to this point in your relationship with Astarion, he has become more comfortable voicing his opinions and concerns with you. He is learning to value his autonomy and his non-physical relationships. He will tell you when he doesn’t want to do something. In fact, he’ll break up with you over pushing his boundaries. He is fine with you pursuing the Drow twins and fine with you sleeping with Haarlep, even comforts you when Haarlep uses your form. So when he says he is okay with you pursuing Halsin, he means it. Yes, he voices his insecurity with you that you may be pursuing Halsin because you and he haven’t had sex in a while. But he acknowledges that Halsin has experience in this arrangement and doesn’t pose a threat to your relationship. Plus, if you kiss Halsin in front of him, he’ll say “don’t mind me, I’m just enjoying the show.”

To me, the idea that this is the ONE thing that Astarion doesn't have agency over in an arc of showing he can speak up for himself is you sleeping with Halsin is an idea that takes more agency from Astarion. He is a grown man. A 240 YEAR OLD man. That trauma he's endured does not mean he needs to be babied or coddled because he can't make his own choices. I think that's an unfair assumption to put on him that Halsin and Tav being together is the ONLY thing he can't enforce his boundaries on.

If he didn't want you to be with Halsin, he would say no like every other monogamous character in the game.

If you want a good example of someone saying yes just because they want to keep you, look at Karlach. You can tell she is HEARTBROKEN when you ask her, but she says “I don’t want to lose you”. That is not an enthusiastic participant in a polyamorous relationship. Astarion says “yeah, go for it! Just give me some reassurance”. Polyamory is not immune to insecurity. I've asked for reassurance in my own relationships and so has my primary partner. That’s not unenthusiastic. That’s realistic as shit. If you ask him about the relationship after you finish his questline, he doesn’t need reassurance because you’re having sex again. That’s also super realistic.

Am I sensitive to this as someone who practices ENM? Almost certainly. It's hard to see a lifestyle I live be villainized and claimed to be "forced" onto characters. I was actually really excited that I could pursue both Astarion and Halsin, and that Halsin places so much importance on consent and not misleading your partner. And it sucks SOO much to see one of my favorite characters be reduced to "oh, he's only doing it because he's afraid to lose Tav." It makes me almost feel bad for liking the interactions between them and enjoying to option. Do I think people mean to make me or other poly people feel bad? No.

But it does.

Headcanons are headcanons. I get it. People are absolutely allowed to interpret the poly aspect of BG3 how they want to. People are allowed to feel uncomfy with how it's portrayed and not pursue it. But it still bums a queer ENM Astarion and Halsin lover out.

Now excuse me whilst I live out my Astarion x Halsin x Tav polycule fantasies in the form of fanfiction.

[tathracyn]

If there's only a single lesson I take away from Baldur's Gate 3, from a Dungeon Master perspective, it's that you shouldn't be afraid to mix science fiction in with your fantasy. Like, even just looking at the initial descriptions of the core party members, you have:

A woman forcibly converted into a cyborg by a militant war-queen and forced to serve as a frontline soldier in the largest war of the setting, who needs constant maintenance on her cybernetics to stay alive.

A man who accidentally subsumed a fission reactor and now constantly has to feed it fuel or else it'll go into meltdown and take out the entire region.

A ranking soldier serving an interstellar empire, who was a POW of her people's sworn enemy and given an implant that will gradually override her physical and mental autonomy until she's assimilated into her enemy's ranks.

A well-meaning mercenary-for-hire who learned his skills under contract with a powerful overlord, who is now bound by that contract to serve her lest his abilities and even his very body be forfeited.

A covert operative of a shadowy intelligence organization who regularly has her memories wiped before being sent out on highly classified missions, for the (alleged) sake of operational security.

These are hard sci-fi character types, even though they use devils and magic instead of CEOs and circuitry, and it barely registers on my immersion.

If an officially produced DnD game set in one of the most conventionally fantasy settings of the franchise can include this level of science fantasy, fans' own campaigns can go absolutely wild with it!

[kiwanopie]

Physical Therapy

boyfriend!kiyoomi part V!! smut smut smut but also fluff and a little bit of dom!reader. mommy is used (1) once but not by kiyoomi. minors do not interact.

Your voice comes out airily. A little frayed, a little frustrated.

“Thank god for HIPAA laws because I swear,” You run your fingers through Kiyoomi’s hair. “These mothers wouldn’t know autonomy if I smacked them in the back of the head with it.”

“Mhm.”

“I mean, one of my clients’ mother’s been mass emailing all week trying to get me to hint to her ‘troubled son’ that his panic attacks have been putting a “massive strain” on her recently-“

“Hm…”

“Like no wonder these kids have such a hard time opening up at home, their - ah - parents have a skewed understanding of what real priorities are!”

“Hm- Mhm.”

You scoff. God, he loves it when you get all psychiatric but there’s like no blood flowing to his head right now. “I swear, It’s like some of these parents drop their kids off at my office and expect me to program them into becoming… hm… be-…coming their ideal child…! My best guess is half of these adults should consider - fuck - seeking out a therapist themsel- ohh my god…”

Your hips drunkenly rock into his face from where he’s got your hips all but pinned against him. Rough fingers gripping so tightly into your work skirt that they audibly creak against the fabric, and if not for the running volleyball game playing on half volume behind you, you’re certain that the room would be filled with the sodden sounds of his sloppy tongue; digging you out while you complain about your workload this week. Kiyoomi was already springing into action the moment he saw you slump your way out of his genkan and straight to the ice cream stash in the kitchen. So quick on your heels that he could barely bother to pause the game he was re-watching.

Call it a love language. After last month when he moped his way into your humble flat to complain to you about some contract changes with his current sponsor. Something about more media interaction, that and he was gonna have to DIY a few ads for them on his social media. He could barely get a few words out before you were nuzzling your nose against his zipper. Lovingly rubbing up his thighs as you insisted he got all his frustrations out.

“A-All my frustrations out? You want me to…?”

You guide his hand until he’s grazing the short hairs on the top of your neck. “Be as rough with me as you need, baby. I’m here for you.”

Kiyoomi’s moans are muffled by the squish of your thighs. Who’s getting more out of this? He couldn’t say. But if the way his eyes roll when your fingers dig into his scalp should say anything, he might be safe calling it 50/50.

Your lips part as one of his free hands pull at your blouse until the buttons are popping, roughly palming your tits through your bra as you whine against him. “It’s a… good thing I took this pediatric job. If not for a - godd, oh fuck - difference in perspective.”

Kiyoomi answers you with a sound that’s more of a groan than a dutiful hum. Raising his hips like it’ll give him more friction where he wants it, but like the godsend you are you reach behind yourself to rub him through his sweats.

“‘Least I know… that if we had kids I’d be a half decent mother…”

You must feel the way his cock needily twitches under your palm at the sound of that because your voice evens in a way that makes him goosebump. “You like that, huh? Oh don’t tell me Omi’s really been dying to make me a mommy?”

The vibrations of his broken groan makes your thighs tighten over his ears.

“Ah - You wanna fuck me full? Fill me up till I’m brain dead?”

His tongue rolls over your clit with just enough force to have your voice pitching. He tilts his chin up just to make sure it’s his tongue you're clamping around when you start to cum.

Although with what you all but hiss next, grabbing a rough hold of his scalp and pressing his head back like he’s just a warm mouth to fuck. “- Or, would you just be satisfied with blowing your load into my hand, you fucking slut.”

Kiyoomi cums so hard he thinks he may have gone deaf.

Because he barely hears the pathetic whimpers he lets out in your spasming cunt as he starts to hump into your hand like a dog. Lilted voice breaking off into a gravelly groan, so cum-drunk that he keeps at it even as his seed wets a dark spot in sweatpants. For a moment, he can’t even register the sound of your broken - clearly overstimulated mewls.

Kiyoomi reluctantly lets you go when you finally climb off of him.

“You okay?”

“Mhm.”

You giggle a little before pecking him on his wet mouth.

Kiyoomi’s a little sluggish in his attempt to scoot his large body to the side to make room for you to lay comfortably beside him. Pressing his back into the head of the couch even as the springs quietly creak, but any room you don’t have to be completely sunken into the sofa he makes up for by using his arm to belt you against him.

He sighs.

“Move in with me.”

“Hm?”

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