#Heidi Hanna

[wwwdotideasnmoredotnet]

How do stress and anxiety impact us as creative people?

How do stress and anxiety impact us as creative people?

What can we do to change our responses? In a recent article posted on his Talent Development Resources site, Dougles Eby features several professionals who address anxiety and creativity. I don’t know anyone among my creative colleagues who has not dealt with anxiety in one form or another. This post may give you some insight into the world of creative anxiety.   Heidi Hanna, PhD is the…

[comfortblr]

GET TO KNOW THE MEMBERS ▻ heidi (@claytonsdani) comfort character: hanna marin ↳"You can tell a lot about a person by their shoes."

[bikinikillarchives]

REKO MUSE was an art gallery in Olympia, WA, set up by Kathleen Hanna,Tammy Rae Carland, and Heidi Arbogast, prompted by having their artwork censored at the Evergreen State College.

"We were all trying to make feminist work that was kinda inspired by Jenny Holzer, and Barbara Kruger – and, you know, we were taking these photo classes and, when we would bring in our work, we were treated like we were crazy. I made work about sexism. […] Because my work was censored from the college, we started an art gallery in like, an old garage. And it was called Reko Muse, and it was like a feminist art space that me and my friends started."

(1,2, screenshots taken from The Punk Singer.)

on top of being a space for feminist art, spoken word, and photography, the studio also held as a venue that hosted all-ages shows; included were Nirvana, Amy Carter, The Go Team, Viva Knievel, The Melvins, and Seaweed. the studio can most famously be seen on the cover of Nirvana's 1989 debut album, Bleach, taken by Tracy Marander.

(3: Kathleen Hanna: "Flier I made in very early 90s. A benefit for the feminist art space we ran", 4.)

although the space only lasted for 3 years, it was Bikini Kill's first rehearsal space, and kathleen hanna's first shows played live. i wish i could find more information and accounts of it from the little i have :)

founded in 1991, the space has been converted to a youth center for trans and queer kids. <3

[graphicpolicy]

Copro Gallery Celebrates Hellboy’s 30th Anniversary with an Art Show Curated by Gary Deocampo

Copro Gallery Celebrates Hellboy’s 30th Anniversary with an Art Show Curated by Gary Deocampo #mikemignola #hellboy

2024 marks the 30th anniversary of one of the most influential independent comic characters in pop culture: Hellboy. Mike Mignola’s iconic character has inspired artists working in every medium for decades. To celebrate Hellboy and Mignola’s legacy, curator Gary Deocampo has assembled a group exhibition with over 40 artists paying tribute to Hellboy with paintings, drawings and sculptures. The…

[miss-conjayniality]

HER. 💖💓💞💕💘💗💝

jang hanna’s Bisexual Bob™️ in snowdrop has been constantly inundating my mind lately. she’s so goddamn gorgeous!!!!! i am in awe whenever she has screentime. look at her and try not to experience bi panic. that’s right….you cant.

im tempted to get a Bisexual Bob™️ myself. gonna go for it next week 👀🤭

[craft2eu]

 20. Intonation-Deidesheimer Kunsttage: Deidesheim vom 19. bis 28. April 2024 

[equalv]

German tv shows with lgbt* characters

I think it can be quite hard to find queer german tv shows, so I thought I‘d compile a list with the ones that I have watched so far.

✪  = queerness is centered in this show

A-Z

1899 (2022) (mlm) | Netflix | international 

Ángel (Miguel Bernardeau) 

Ramiro (José Pimentão)

Krester (Lucas Lynggaard Tønnesen)

All you need (2021-) (mlm) | ZDF | ✪

Vince (Benito Bause)

Robbie (Frédéric Brossier)

Levo (Arash Marandi)

Tom (Mads Hjulmand)

Andreas (Tom Keune)

Barbaren (2020-) (mlm) | Netflix

Marbod (Murathan Muslu)

Flavus (Daniel Donsky)

Beat (2018) (mlm) | Prime Video

Beat (Jannis Niewöhner) 

Becoming Charlie (2022-) (trans, mlm, wlw) | ZDF | ✪

Charlie (Lea Drinde)

Ronja (Sira-Anna Faal)

Mirko (Antonije Stankovic)

Blutige Anfänger (2020-) (mlm) | ZDF, YT

Michael Kelting (Werner Daehn)

Dr. Claas Steinebach (Martin Bretschneider)

Bruno Pérez (Martin Peñaloza Cecconi)

Phillip Schneider (Eric Cordes)

Charité (2017-) (wlw, mlm) | Netflix

Schwester Therese (Klara Deutschmann)

Otto Marquardt (Jannik Schümann)

Martin Schelling (Jacob Matschenz)

Dark (2017-2020) (wlw, mlm, trans) | Netflix

Peter Doppler (Stephan Kampwirth)

Bennie Wöller (Anton Rubtsov)

Doris Tiedemann (Tamar Pelzig/Luise Heyer)

Agnes Nielsen (Helena Pieske/Antje Trauer)

Deutschland 83/86/89 (2015-2020) (wlw, mlm) | Prime Video

Alex Edel (Ludwig Trepte)

Prof. Tobias Tischbier (Alexander Beyer)

Lenora Rauch (Maria Schrader)

Rose Seithathi (Florence Kasumba)

Dogs of Berlin (2018) (mlm) | Netflix

Erol Birkan (Fahri Yardim)

Guido Mack (Sebastian Achilles)

Dr. Klein (2014-2019) (mlm) | Netflix

Patrick Keller (Leander Lichti)

Kaan Gül (Karim Günes)

DRUCK (2018-) (wlw, mlm, trans) | YT | ✪

Fatou Jallow (Sira-Anna Faal)

Matteo Florenzi (Michelangelo Fortuzzi)

Zoe Machwitz (Madeleine Wagenitz)

Kieu My Vu (Nhung Hong)

Isi Inci (Eren M. Güvercin)

David Schreibner (Lukas von Horbatschewsky)

Yara Aimsakul (Elena Plyphalin Siepe)

Hans Brecht (Florian Appelius)

Eldorado KaDeWe – Jetzt ist unsere Zeit (2021-) (wlw) | ARD

Heidi Kron (Valerie Stoll)

Fritzi Jandorf (Lia von Blarer)

How to Sell Drugs Online (Fast) (2019-) (wlw) | Netflix

Fritzi (Leonie Wesselow)

Gerda (Luna Baptiste Schaller)

Kitz (2021) (mlm) | Netflix

Kosh Ziervogel (Zoran Pingel)

Hans Gassner (Ben Felipe)

Ku‘damm 56/59/63 (2016-2021) (mlm) | ZDF

Wolfgang von Boost (August Wittgenstein)

Hans Liebknecht (Andreas Pietschmann)

Der Kroatien Krimi/Split Homicide (2016-) (wlw) | ARD

Stascha Novak (Jasmin Gerat)

Loving Her (2021) (wlw) | ZDF | ✪

Hanna (Banafshe Hourmazdi)

Holly (Bineta Hansen)

Franzi (Lena Klenke)

Lara (Emma Drogunova)

Josephine (Karin Hanczewski)

Anouk (Larissa Sirah Herden)

Sarah (Soma Pysall)

Mord mit Aussicht (2018-2022) (wlw) | Netflix

Bärbel Schmied (Meike Droste)

Neumatt (2021-) (mlm) - Switzerland | Netflix

Michi Wyss (Julian Koechlin)

Joel Bachmann (Benito Bause)

Polizeiruf 110 (1971-) (queer/gnc) | ARD

Frankfurt/Świecko

Vincent Ross (Andre Kaczmarczyk)

SOKO Leipzig (2001-) (mlm) | ZDF

Moritz Brenner ( Johannes Hendrik Langer )

Tatort (1970-) (mlm, wlw) | ARD

Berlin

Robert Karow (Mark Waschke)

Hamburg

Julia Grosz (Franziska Weisz)

Saarbrücken

Esther Baumann (Brigitte Urhausen)

Wien

Meret Schande (Christina Scherrer)

Vorstadtweiber (2015-) (mlm) – Austria

Georg Schneider (Jürgen Maurer)

Joachim Schnitzler (Phillip Hochmair)

WIR (2021-) (wlw) | ZDF

Annika Baer (Eva Maria Jost)

Helena Kwiatkowski (Katharina Nesytowa)

Wendland (2023-) (wlw) | ZDF

Kira Engelmann (Paula Kalenberg)

Birthe (?)

Queer Eye Germany (2022) (mlm, nblm, trans) | Netflix

Avi Jakobs

Leni Bolt

Ayan Yuruk

Jan-Henrik Scheper-Stutke

Aljosha Muttardi

Notes: I may have forgotten to add some characters, because for most of the shows it has been some time since I last watched them. Please let me know if you want me to add a character or even show:)

[henrykathman]

The Amateur's Guide to Snufkin: Melody of Moominvalley

In this video, I return to the world of Moominvalley to analyze the hotly anticipated game Snufkin: Melody of Moominvalley and its relationship with the original Moomin stories, Tove Jansson, and the philosophies it connects with.

Special Thanks to Kiki from Transparency for looking at the script. You can follow her Moomin Stuff at @marsmombestmom

Disclosure: My copy of the game was provided to me by Hyper Games and Raw Fury. While I think objectivity is overrated, the opinions in this video have not been influenced by the developers and are a reflection of my own thoughts on this game and the Moomins.

Work Cited Page

Bletchly, Rachael. “How Moomin Author Built a Brand Worth £700m and Why Brits Still Love Them.” The Mirror, Reach PLC, 4 Jan. 2021, www.mirror.co.uk/news/world-news/how-moomin-creator-built-brand-23260983. Accessed 15 Mar. 2024.

Dymel-Trzebiatowska, Hanna. “Moomins Take the Floor. Finnish Trolls in Contemporary Mass Social (Media) Events.” Children’s Literature in Education, Aug. 2022, pp. 1–16. EBSCOhost, https://doi.org/10.1007/s10583-022-09497-6 Link

Ellis, Rowan. “Why Is Cottagecore so Gay?” Rowan Ellis, YouTube, 30 July 2020, youtu.be/5odKiL7jRW0.

Kramer, Ash. “Philosophical Materialism: Vital Materialism.” Philosophical Materialism: A Study of Early Modern Literature and Contemporary Theory, The Alliance for Networking Visual Culture, scalar.usc.edu/works/material_philosophy/vital-materialism#:~:text=Frequently gendered female, vital materialism. Accessed 15 Mar. 2024.

Meereboer, Arwen Dagmar. "Moomins and Complicity with Matter: Tove Jansson’s Moominpappa at Sea as an Intervention in Vibrant Matter: A Political Ecology of Things by Jane Bennett." SATS 23.1 (2022): 17-32. https://www.doria.fi/bitstream/handle/10024/180011/meereboer_arwen.pdf?sequence=2

O’Connell, Joe. “The Melancholy Promise of Heidi, Girl of the Alps.” Beyond Ghibli, YouTube, 20 Sept. 2018, youtu.be/_DFPoZN-FoI. Accessed 15 Mar. 2024.

O’Luanaigh, Robin. “Co-Opting Cottagecore: Pastoral Aesthetics in Reactionary and Extremist Movements.” Global Network on Extremism and Technology, The International Centre for the Study of Radicalisation, 19 May 2023, gnet-research.org/2023/05/19/co-opting-cottagecore-pastoral-aesthetics-in-reactionary-and-extremist-movements/.

Peter Marten. “Moomin Characters Ltd Keeps a National Treasure in the Family.” This Is Finland, the Finland Promotion Board , Apr. 2010, finland.fi/business-innovation/moomin-characters-ltd-keeps-a-national-treasure-in-the-family. Accessed 15 Mar. 2024.

Samson, Anna. “How the Moomins Became an Anti-Fascist Symbol.” Huck Magazine, TCO London, 22 Sept. 2021, www.huckmag.com/article/how-the-moomins-became-an-anti-fascist-symbol.

[drvcxrys]

under the call you will find my plotting call/starter call. i'm going to cap at three each starter so i don't get crazy but feel free to ask whatever you prefer there, i'm always happy to open and plot with all of you (: i'm only putting the jobs on the people that are not aware that things have changed in dc but those that are aware well, obviously they don't really have like a job so they are going to just go with the flow there until they figure it out.

aware that things have changed in dc.

adora (0/3)

alice cullen (0/3)

annabeth chase (0/3)

betty cooper (0/3)

bree tanner (0/3)

choi nam ra (0/3)

claudia (0/3)

daphne bridgerton (0/3)

hanna marin (0/3)

hope mikaelson (0/3)

jean grey, (0/3)

jill roberts (0/3)

kagome higurashi (0/3)

lissa dragomir (0/3)

loona (0/3)

mal faery (0/3)

malia tate (0/3)

nancy wheeler (0/3)

niffty (0/3)

rapunzel corona (0/3)

rhaena targaryen (0/3)

samantha carpenter (0/3)

tohru honda (0/3)

violet parr (0/3)

wanda maximoff (0/3)

win wanichakarnjonkul (0/3)

unaware that things have changed in dc:

alicent hightower (0/3) job: innkeeper

anna of arendelle (0/3) job: astrologer

annie cresta (0/3) job: herbalist.

beverly marsh (0/3) job: dressmaker

bianca di angelo (0/3) job: painter

buffy summers (0/3) job: noblewoman

caroline forbes (0/3) job: thespian

daenerys targaryen (0/3) job: noblewoman

emma swan (0/3) job: noblewoman

ginny miller (0/3) job: hatmaker

heidi volturi (0/3) job: harlot

isabelle lightwood (0/3) job: blacksmith

jessica riley (0/3) job: noblewoman

katara (0/3) job: nurse

lila pitts (0/3) job: assassin

lucy gray baird (0/3) job: artist

mary stuart (0/3) job: noblewoman

myrcella baratheon (0/3) job: noblewoman

rapunzel corona (0/3) job: dressmaker

usagi tsukino (0/3) job: baker

wednesday addams (0/3) job: unemployed, interesting in dark magic.

yelena belova (0/3) job: assassin

[zpl1nt3r3d-b0n3-zhardz]

h names

holly

holleus

holen

hospein

honey

honeycomb

honeysuckle

hera

heran

harp

harpy

hex

hexen

hexus

hyve

hybrid

hope

Hickory

hiccup

historia

historian

heric

helix

helia

helvix

hanako

hiro

hirosh

hadest

Haddon

hitio

heinous

harper

hassle

hemio

helios

harner

helsh

hellhound

havier

heo

hizk

hypno

Hadley

heaven

hanna

Heather

hazel

henrick

heath

heidy

hareen

hansel

harleo

holt

haze

hymer

hiatus

[the-mourning-sun]

Name moodboard masterlist --> in alphabetical order

♡ Abby Byrd ♡ Abel ♡ Aelin ♡ Aislinn ♡ Amber ♡ Amrapali ♡ Andrea ♡ Andromeda ♡ Anna ♡ Anya ♡ Arie ♡ Audrey ♡ Augusta ♡ Babette ♡ Barakah ♡ Batoul ♡ Berna ♡ Ceili ♡ Charlie ♡ Ciel ♡ Diana ♡ Eileen ♡ Eirian ♡ Eleni ♡ Elizabeth ♡ Estefanía ♡ Eva ♡ Eve ♡ Evie ♡ Giorgia ♡ Gracie ♡ Hanna ♡ Hazel Grace ♡ Heidi ♡ Inaya ♡ Izzy ♡ Ivan ♡ Josette ♡ Julia ♡ Jumana ♡ Kelly ♡ Larissa ♡ Loreta ♡ Luka ♡ Manahil ♡ Maze ♡ Mónica ♡ Naomi ♡ Nilė ♡ Nikita ♡ Parker ♡ Pearl ♡ Priyadarshini ♡ Renèe ♡ Rosella ♡ Sarah Echo ♡ Setra ♡ Shaun ♡ Sebastian ♡ Selena ♡ Toby ♡ Uzay ♡ Vero ♡ Victoria ♡ Viridian ♡ Wardah ♡ Xavier

Requests currently paused as I work through the existing ones ♡

[vintage1981]

Celebrating Ingrid Pitt

Ingrid Pitt (born Ingoushka Petrov; 21 November 1937 – 23 November 2010) was a Polish-British actress and writer best known for her work in horror films of the 1970s.

Ingoushka Petrov was born in Warsaw, Poland, one of two daughters of a father of German Jewish descent and a Polish Jewish mother. During World War II, she and her mother were imprisoned in Stutthof concentration camp in Sztutowo, Free City of Danzig (present-day Nowy Dwór Gdański County, Pomeranian Voivodeship, Poland) but escaped. In Berlin, in the 1950s, Ingoushka married an American soldier, Laud Roland Pitt Jr., and moved to California. After her marriage failed she returned to Europe, but after a small role in a film, she took the shortened stage name "Ingrid Pitt", keeping her former husband's surname, and headed to Hollywood, where she worked as a waitress while trying to make a career in films.

In the early 1960s, Pitt was a member of the prestigious Berliner Ensemble, under the guidance of Bertolt Brecht's widow Helene Weigel. In 1965, she made her film debut in Doctor Zhivago, playing a minor role. In 1968, she co-starred in the low-budget science-fiction film The Omegans, and in the same year, played British spy Heidi Schmidt in Where Eagles Dare opposite Richard Burton and Clint Eastwood.

Her work with Hammer Film Productions elevated her to cult figure status. She starred as Carmilla/Mircalla in The Vampire Lovers (1970), based on Joseph Sheridan Le Fanu's novella Carmilla, and played the title role in Countess Dracula (1971), based on the legends about Countess Elizabeth Báthory. Pitt also appeared in the Amicus horror anthology film The House That Dripped Blood (1971) and had a small part in The Wicker Man (1973).

During the 1980s, Pitt returned to mainstream films and television. Her role as Fraulein Baum in the 1981 BBC Playhouse Unity, who is denounced as a Jew by Unity Mitford (Lesley-Anne Down), was uncomfortably close to her real-life experiences. Her popularity with horror film buffs had her in demand for guest appearances at horror conventions and film festivals. Other films in which Pitt has appeared outside the horror genre are: Who Dares Wins (1982) (or The Final Option), Wild Geese II (1985) and Hanna's War (1988). Generally cast as a villainess, her characters often died horribly at the end of the final reel. "Being the anti-hero is great – they are always roles you can get your teeth into."

In the 1980s she also reinvented herself as a writer. Her first book, after a number of ill-fated tracts on the plight of Native Americans, was the 1980 novel, Cuckoo Run, a spy story about mistaken identity. "I took it to Cubby Broccoli. It was about a woman called Nina Dalton who is pursued across South America in the mistaken belief that she is a spy. Cubby said it was a female Bond. He was being very kind."

In 1999, her autobiography, Life's a Scream (Heinemann) was published, and she was short-listed for the for her own reading of extracts from the audio book.

The autobiography detailed the harrowing experiences of her early life—in a Nazi concentration camp, her search through Europe in Red Cross refugee camps for her father, and her escape from East Berlin, one step ahead of the Volkspolizei. "I always had a big mouth and used to go on about the political schooling interrupting my quest for thespian glory. I used to think like that. Not good in a police state."

Pitt died in a south London hospital on 23 November 2010, a few days after collapsing, and two days after her 73rd birthday, from congestive heart failure.

Seven months before she died, Pitt finished narration for Ingrid Pitt: Beyond the Forest (2011), an animated short film on her experience in the Holocaust, a project that had been in the works for five years. Character design and storyboards were created by two-time Academy Award-nominated filmmaker Bill Plympton. The film is directed by Kevin Sean Michaels; co-produced and co-written by Jud Newborn, Holocaust expert and author, "Sophie Scholl and the White Rose"; and drawn by 10-year-old animator, Perry Chen.

[comfortblr]

ashley benson as hanna marin in pretty little liars

[sunset-bridge]

Persona but in mexico sounds so cool, u should give everyone names

RIGHT????!! ok i actually did this for p4 they were

Yu- yoel

yosuke- josé

chie- cristi

yukiko- yarely

rise- regina

kanji -kevin (lol)

naoto -nando

teddie - teodoro (prob still called Ted or Teddy as a nickname)

OK but i should do it for p5 hehehehe uhm here goes

well sergio is my p5 protags name already but. i guess for the other name i like, akira..

akira- maybe ángel?

ryuji - raúl

ann- well. maybe shed still be ann, or i guess she could be ana. depends if shes still from somewhere else

yusuke- yulian ? not very common spelling but i like it

mona- well he could be still morgana tbh id be a strange name for a guy but i think it kinda already is lol...

makoto- maría or maribel she has those vibes

futaba- fátima

haru- hmm.. heidi, hanna, hilda? i think heidi or hanna fit her vibes better

goro- jorge... its just right ... akechi would be...andrés or aguilar...

i should draw something about this lololol. thanks for enabling me anon

[kylesvariouslistsandstuff]

Animation Face-Offs

I find it amusing that the first real major animated movie box office show-off is occurring some 35 years after the one that arguably started it all...

November 18, 1988... Walt Disney Feature Animation's celebrity-loaded modern musical OLIVER & COMPANY from first-time director George Scribner, and Universal's release of the Steven Spielberg/George Lucas-produced ex-Disney director Don Bluth adventure THE LAND BEFORE TIME...

This wasn't the first time two animated pictures opened next to each other.

In fall 1982, Hanna-Barbera's HEIDI'S SONG opened opposite a Looney Tunes clipshow anthology movie called 1001 RABBIT TALES. Combined, they made $5m at the domestic box office... Not great times to open an animated feature that wasn't Disney, and not that their distributors probably even cared at the time anyways.

Sometimes, there are around two animated features a month. It's not uncommon for two studios to share. Off the top of my head, you had - in November 2010 - MEGAMIND at the beginning of the month, and TANGLED before Thanksgiving. In the early summer of 2013, MONSTERS UNIVERSITY only opened about a few weeks before DESPICABLE ME 2. TROLLS and MOANA shared November 2016. Again, just random examples off the top of my head.

But usually, they're spaced out... TROLLS BAND TOGETHER and WISH are five days apart...

TROLLS 3 is projected to take in around $20-25m this weekend, which is significantly less than what TROLLS took in back in 2016, but still alright for this kind of movie. WISH is set to out-open it, with over $50m for the 5-day Thanksgiving weekend stretch. For a $200m-costing movie, it's going to need all the legs in the world to get by. TROLLS 3 will need to pull some good weight too to more than double its much more modest $95m budget. (Wild to think that $95m seems *low*... There was a time when a DreamWorks/PDI movie cost $75m... And for a good while, roughly $135m!)

I'm curious to see how each film affects one another. Families aren't made of money, and there's gotta be a kind of adult pull to really make big bucks, and I'm not sure if either of these films have that. Plus you have stuff like WONKA right around the corner... Thankfully no Marvel, Star Wars, or Avatar movie to counter with. Although, PUSS IN BOOTS Dos last year, woooooow. That cat held his own against the blue cat aliens.

But yeah, if you think about it... This is a rare head-to-head race.

One could argue we saw this in late winter of 2021 when Warner Bros. released their live-action TOM & JERRY, and then Disney Animation had RAYA AND THE LAST DRAGON out a week later. But that was before vaccines got out for all age groups (they were distributed to the elderly first, I - who was 28 at the time - couldn't get my first shot until April.), and the films had simultaneous streaming debuts, so I don't really count that. Plus, Cinemark theaters refused to show RAYA over a disagreement on who got most of the earnings. (That would've been my return trip to the movies after a year-long hiatus, my return ended up being A QUIET PLACE: PART II two months later.)

It's funny how TROLLS 3 is Universal and WISH is Disney... Just like how LAND BEFORE TIME was Universal, and OLIVER was Disney.

The Disney-Universal race was successful for both. OLIVER took home $53m domestically (the $71m figure you often see comes from the film's 1996 re-release), LAND BEFORE TIME took home $48m. Worldwide is up the air, because Disney never released OLIVER's numbers, Universal reported that LAND made around $84m. Winner is unknown, but it was always assumed to be LAND. Maybe because dinosaurs are more Universal than a modern-day New York comedy? Who knows!

Perhaps greatly inspired by that double-whammy of animated hits, MGM/United Artists wanted to try that for themselves. Don Bluth split with Spielberg and Lucas due to creative disagreements during production of both LAND BEFORE TIME and his other Spielberg collab AN AMERICAN TAIL, and set up ALL DOGS GO TO HEAVEN with the lion. MGM/UA released ALL DOGS the same day as THE LITTLE MERMAID...

Bluth's movie got left to sink by the Ron Clements and John Musker-directed musical sleeper hit... It wasn't even close. $27m domestic vs. $84m domestic, and in addition that, MERMAID's worldwide figures put it at roughly $183m. (Again, in 1989-90, without the 1997 re-release counted.) ALL DOG's worldwide total is unknown.

This didn't entirely scare distributors away from trying again.

The fall of 1990 was originally set to see another Bluth vs. Disney face-off. If plans had held, MGM-Pathe would've released Bluth's ROCK-A-DOODLE on the same day as Disney's sequel THE RESCUERS DOWN UNDER. MGM-Pathe ran into financial and legal problems, putting Bluth's film in limbo for a bit...

Instead, Warner Bros. went toe to toe with Disney, releasing an animated feature that wasn't a Looney Tunes clipshow: THE NUTCRACKER PRINCE... Suffice to say, it barely scrounged up $1m domestically, and Disney's sequel had troubles of its own, stalling at $29m domestically, $47m worldwide.

Two films fled from the autumn of 1991, as BEAUTY AND THE BEAST looked to not be a repeat of RESCUERS DOWN UNDER, but a repeat of LITTLE MERMAID and OLIVER's successes... 20th Century Fox - who had FERNGULLY: THE LAST RAINFOREST - and The Samuel Goldwyn Company - who picked up ROCK-A-DOODLE - chickened, literally in the latter's case...

Only Universal had the guts to take on the beast... By releasing AN AMERICAN TAIL: FIEVEL GOES WEST the same day. The Don Bluth-less sequel made only $22m domestically, while BEAUTY AND THE BEAST made... $145m in North America alone, and blew up with $331m around the world...

After FERNGULLY and ROCK-A-DOODLE wisely fled from BEAUTY AND THE BEAST, they duked it out in April 1992. DOODLE opened the first weekend of the month, with FERNGULLY following. FERNGULLY won with $24m domestically, DOODLE struggled with $11m. (It's worth noting that DOODLE first came out in the UK in August of 1991.)

Universal initially thought they'd have WE'RE BACK! A DINOSAUR'S STORY ready to compete with ALADDIN, but they likely realized that that was not a great idea... WE'RE BACK! opened over a full year after ALADDIN and still flopped hard. It opened nearby BATMAN: MASK OF THE PHANTASM, which also made a paltry amount.

From there on out, things were typically spaced out. Sometimes the smaller efforts opened close to each other.

And now here we are, Thanksgiving week of 2023... We have trolls vs. wishing stars. Universal vs. Disney. It'll be fun to watch, but I hope the two film crews of both get to put food on their tables once more.

[miss-conjayniality]

new layout era.

i recently finished watching snowdrop and WHEWW!!!! what an ending…..

anyways, expect me to post a lot more about this iconic bisexual-coded duo - lee gangmu and jang hanna. my latest hyperfixation.

I ADORE their chemistry together. also LOVE their character arcs! every time either one of them appear on screen, I am on the edge of my chair. theyre so badass and always came in clutch no matter how tough or dangerous the situation is.

and can I just be honest here!?!??? GOD both of them are soooo goddamn HOT. they seriously triggered my bisexual panic so much. FINEEEE AFFFFFF! AGGHHGGGGG GODDDD i am CONVINCED the snowdrop writers wrote gangmu and hanna as a gift to the bisexual community. there’s no way to slap the delusion outta me at this rate…………………🤪 I mean…..LOOK AT THEM!!!!! I’m in love. theyre extremely irresistible. the more i look at them, the more mesmerized i get.

hope it gets renewed for a second season and we get to see more of them🥹

TW NSFW:

pls wreck me. i would HAPPILY accept a threesome or polygamous relationship with these two fine humans…..sorry. SOMEONE had to say it!!!!