#How did this just become me ranting about the characters- this was supposed to be me ranting about the ones I simp for- not all of them XDD

[britneyshakespeare]

gingers are black in the jonas la universe

[billygoat26]

Hahahaaaaa I missed people on the simp list- (me realizing this as I fangirl over moon knight peeps)

[dunmeshistash]

How do you feel about Milsiril? Like what do you think of her interactions between the canaries, her goals, her intentions and morality? I keep seeing people with mixed feelings about her, some saying she's just toxic or morally grey or doing bad but with good intentions or that she's just a mentally ill and literally so much more, also with the comic about Otta calling Milsiril love for her children/Kabru as just love for a pet, I always saw people take it at face value and say yes, Milsiril did love them more as pets instead of children, did she take up raising/adopting non-elf children because she felt like none of them could ridicule her like the elves did because they didn't know what an elf was supposed to be like (and also because they were children) or did she inherently view them as less? I mean the canaries and I'm pretty sure almost all of the cast in dungeon meshi have some sort perspective on different races especially because how they were taught about them, i just think it was interesting to finally see someone interpret it as Otta just misinterpreting Milsiril, I'm just really interested in her, i think shes neat, sorry for the rant!

Ooh, well to preface this, I hadn't really realized Milsiril was such a controversial character before my last post, I kinda live under a rock. She's really not a character I had given much thought besides what I wrote there before it, but I can do my best to express what I have thought since, with sources for it. I'm not sure what order to go thru so I'll just go by manga appearances and then extras, this will probably be quite a long post

This is the first time she shows up in the manga (ch55) Kabru is wondering about what future they might have if the elves take them into custody because of the ancient magic, he thinks about Milsiril as a get out of jail card, and mentions "There's a chance they would make us become permanent resident of the elven lands." with the image of Milsiril holding him. I don't think that means she would be the one to not let them leave, since this would probably be an legal issue, and the fact Milsiril lives away from other Elves. It does set up that Milsiril is quite overprotective tho, with Kabru's reaction to her teary hug. (rest is under a cut)

The next time she shows up is in ch61 right after Kabru falls down the dungeon along with Mithrun, he faints and has this flashback

She's being her overbearing self treating Kabru's small injury as if its something you need to be in bed for, hand feeding him like he's a toddler, and when he insists he wants to learn how to fight and be strong like her, she hugs him revealing to us for the first time her arm scars, she's cleary in distress too, so you wonder "what has happened to her?"

It continues in the next pages, as she tells him to stay there, where it's safe and there's cake, and describes the bad things he might encounter. Until he tells her he will go with or without her help

Honestly this is a Kabru we don't see often, this is the version of him that is usually in thought bubbles, he's blowing out in frustation over being smothered and demanding straight up what he wants, instead of trying to manipulate Milsiril, very blunt for him. Milsiril seems to flip a switch into battle mode, when she decides to train him for real.

I really thought this was funny, the visual of these cuddly toys and this Mom that was being so soft just a second ago completely flipping into something menacing is very amusing to me. She says "I'll give you an exhaustive, thorough training in how to use a sword... until you finally decide that you're ready to give up." although it sounds cruel, it seems she really trained him as best she could to make sure he would survive the dungeon. If he couldn't take the training with her there was no way he would be able to take on the dungeon, but he could, so much so that he managed to make her let him go. I can see this being seen as her trying to prevent him from going but to me it seems more like some tough love from a traumatized war veteran in this case.

The last thoughts he has is admitting his Mom was right, "Not only were there plenty of traps, monsters, and malice... but there were times when I felt so hungry and cold that I couldn't stand it."

And he concludes with "I never once thought that I wanted to go back there. That room where I could eat all the cake that I wanted..." While I can understand the interpretation that he means he would rather go thru all this than go back, perhaps cause he hated it there, I think it's rather a statement to how committed he is to defeating the dungeon, the visuals show him in rubble vs him in a soft big bed, the rough reality he fought to be able to face and the comfyness of what his life could be. Plus is mirroring exactly what Milsiril said to him. Admitting she was right about the bad things but that he won't give up for the safe easy life he had.

After that visuals of Milsiril are used while Kabru tries to sus out Mithrun but she shows up again in Mithrun's backstory.

Here she's straight up called Gloomy, which wasn't really the version of her we saw so far, gotta remember this is also how Mithrun saw her and that she was called gloomy as a way of bullying. Kabru mostly cuts off her part in the story until the end, when she's the one to find Mithrun after he was eaten by the demon

She doesn't really care much for Mithrun as we see in some extras, and she was ready to mercy kill him, but she is also the one to spare his life. This could be seen as her thinking he can still be of use, and it's how it sounds with how Kabru tells the story, but I do think this was also a merciful act, Mithrun was in rehabilitation for 20 years after being saved, by the time he was actually useful for anything Milsiril had already left the canaries and adopted Kabru.

Now for extras... About Mithrun/The Canaries, Milsiril was cleary someone that hated the people around her. This is her extra in the Adventurer's Bible

Milsiril seems to be the type that hates "popular kids" so to say, her description says she was bullied by other elves for being so introverted so I believe she holds a grudge against people like Mithrun that seem to have succeeded where she failed. But realizing he was a twisted person like her seemed to make her feel more sympathetic towards him, that's why I think she really did act with mercy when she saves Mithrun, he's now someone she sees as similar to her, she sees he also suffered like her

Her decription also mentions she left the canaries specifically because she was disgusted with how the Utaya situation was dealt with. Yet it seems like she came back to help Mithrun with his rehabilitation once she quits.

There's an interpretation to be made that she did this only to get "revenge" on the demon since she just saw the destruction of Utaya, and that she's using him. On the other hand maybe she wants to help him find a motivation to live, she's no longer a canary and she has time to actually help him now. I don't know which one is the truth but it's not obviously something self-serving if you ask me. Especially in the context that right before this scene Milsiril admits she wishes they could have talked before.

My interpretation of her relationship with the canaries and other elves is that she's someone depressed that was mistreat for her 'quirky' side, the dolls are clearly one of the ways she used to cope with anxiety/depression but it only caused her to be bullied by her own kin, she's the daughter of an important family and it's shown in other extras, including one about Mithrun, that nobles often send out the kids they don't want around to become canaries. It's an easy way to get rid of someone undesirable and I think it was the case for Milsiril. (Pattadol even assumes her parents love her less than her sisters for sending her to join the canaries).

No wonder than that now that she's finally free from the canaries she chose to seek her own happiness away from the society she felt she could never fit into, she clearly likes to take care of children too, I think it's mean to assume she only likes them because she feels superior to them when there's no indication that this is the case.

And I don't think it's a coincidence she's so overprotective of Kabru after Utaya, it's literally the tragedy that was the breaking point for her, and he's a surviving small child from that tragedy, Milsiril cares about Kabru and wanted him to have a comfortable safe life after everything he went thru...

This ended up getting way too long so I'll make second part tomorrow about the rest of the extras and Kabru, and some other things I've seen said about Milsiril, but to answer the questions...

I don't think she treats her children as pets, Otta is just salty she was called out for dating like Leo Dicaprio.

Every single dungeon meshi character can be called morally grey because they all have flaws that in our world can be considered unforgivable, but they don't live in our world. To me Milsiril is doing her best in the context she lives in.

Who even is neurotypical in dungeon meshi, Milsiril is yet another flavour of a neurodivergent traumatized character among so many.

I believe she thought of the other canaries, especially Mithrun, as the same type of people that were cruel to her, probably because some of them really were, but that she generalized it to the point she thinks of all of them as bad by default. You can only get hurt so many times before you assume everyone will hurt you.

Part 2

[a-staphaios]

Oliver Fog - The Representation of Trade Unions Post-War

When most people talk about Oliver Fog, it’s never through an analytical lens. He is mostly used for the sake of shipping and sibling headcanons. And if his backstory is ever addressed, it’s normally taken wrong. Oliver isn’t a character who just hates work. In fact it could be argued that he is a microcosm of trade union representatives in his time period.

First I must discuss the importance of trade unions on Oliver’s character especially of 1953. I say 1953 because Oliver mentions that he has not worked overtime for 211 days in his anecdote. Trade unions at the time were much more powerful than they were today, and had much heavy tight links to the UK Labour Party, which was undoubtably much more left wing than it is today. The leader of Labour at the time was Clement Attlee who, while no longer Prime Minister, was one of the most influential socialists in UK history and helped to set up the NHS. I bring this up due to Attlee’s influence on the country and left wing politics as a whole, and as a civil servant, Oliver would have been aware of him.

Let’s now take a look at Arsenal. Oliver says he was a fan of them as a child since they were a popular team, but for that we must look at Arsenal’s history to find out how old Oliver would have been. Seeing how Oliver turns 15 in 1952, he would have been born in 1937, just before the outbreak of WW2. Highbury Stadium was build in 1939 and the Football League was suspended for the duration of the wartime period, meaning that it was impossible for Oliver to have seen them at a young age. The earliest he could have seen the team by walking out on his own was at the age of 10. At this point in his life, Oliver would have lived through the death, devastation and brutality of a wartime period and how it left Britain bankrupt. 

Arsenal’s red colour palette is also telling due to it being his favourite team - red is a colour that politically means left wing ideologies, and in the UK is a reference to the Labour Party, as well as its anthem The Red Flag, a socialist song about the labour movement. It’s possible that the fact Oliver’s favourite team being Arsenal was picked especially for this comparison, but at the same time it might just be me leaning in too far.

Oliver has a persistent want of an eight hour work day in reference to the social movement prevalent after the Industrial Revolution, where working hours were long and children were exploited for labour. While the UK to this day doesn’t have an eight hour limit to the work day, there have been major strides, and it was first accomplished in 1889 by the founders of the modern day GMB union. The fact Oliver specifically becomes part of this social movement is telling of his feelings about rights. There’s also his hatred of overtime, which adds onto this.

Oliver’s rant to A Knight could also be alternatively read as a rant on a predatory structure or system.

I’m not even supposed to be here! I’m just a boy, but because of your dreamed-up notions of purpose and responsibility, I was forced to become a Fogwalker. I never wanted to walk amongst the fog. I’m terrified of it… I just want to… I just want to stay alive.

Oliver is without hope at the beginning of his anecdote, lost in not knowing why he so readily took up the position of the Fogwalker. By the end of it he’s become aware of his true beliefs.

The Fogwalker is one who steps into the fog and brings light to others. Fundamentally, it’s a joke like any other, mundane as tightening screws or scooping manure. But that’s not all it is. My father once walked through the fog to bring me hope. On that day, he did the same. “This is my responsibility, and it is our responsibility.” […] On that day in 1952, he also brought hope to the people of London. The hope of survival.

Personally there are a few hints that Oliver falls along left wing ideology such as socialism. This could be especially true of his beliefs in social activism of his attitudes towards labour rights. Let’s take a look at his new garment. 

Version 1.8’s location is Russia, presumably in the 1910s before the Russian Revolution that would later set up the groundworks for the Soviet Union, so already the fact the garment comes out in this version specifically is telling. This garment set as a whole is called ‘Constructivism in Concept’. Constructivism is a theory where people acquire knowledge through experience and conversations, not through just seeing things, which could be reflective of Oliver’s anecdote. The garment itself is ‘See You At The Workers Club’. Workers’ clubs were something set up in the USSR and was a place for workers and their families to relax and also a place for propaganda. It was also sponsored by trade unions. I had to use Google Translate for the writing on the sheet metal, and the text reads, roughly, “let’s protect the eight hour working day”.

It’s easy to interpret Oliver as a microcosm through what he does and what he says. As a whole, he is a complex individual, a traumatised overworked teenager.

[hamletshoeratio]

didnt she also say something nasty about the queen when one of her kids had just died

Yeah here's part 2 of this

The way she talked about the death of Queen Charlotte's granddaughter; Princess Charlotte, who was historically only twenty-one when she died in childbirth. The Lady Whistledown commentary in QC is just outright cruel, it's clear Queen Charlotte in the off-season (QC present day timeline being set in the Winter/Early spring break between season 2 & 3) becomes Penelope's biggest target in the aftermath of her fallout with Eloise. There's no other way to describe it.

Ngl the above is really disturbing to me. She's angry at Eloise, has lost access to info from the Bridgertons because of her falling out with Eloise, and she's angry at the Queen for getting angry at Penelope's own words as LW, and trying to discover LW as a result. And so she spends the off-season insulting and attacking a grieving Queen Charlotte. I mean that's one way for a flower to bloom I guess...

Theo, one of the only working class characters in the show, nearly lost his job because of lady whistledown and may have lost it in the aftermath of the season.

A lot of her general commentary as Lady Whistledown isn't clever or witty; it's just outright cruel.

The way she talks about the Bridgerton family, a family that trusts and cares for her, is horrible. Particularly, the way she wrote about Daphne in season 1.

Betraying Eloise's trust for two entire seasons because it didn't start with the Theo situation. She listened to Eloise's frustrations about Daphne and then used LW to attack and belittle Daphne. Speaking as a sibling, I will rant about my sisters until kingdom come to my friends but the minute a so-called friend starts publicly attacking my sister, it's over. I would not be in control of my actions. Like over the course of two seasons, she's attacked and nearly destroyed the reputations of Eloise's eldest sister, two of her brothers, her first love, and the entire family as a result. Judging by the Bridgertons were born to shine line in the trailer, I doubt Francesca will make it through the season unscathed.

She hasn't felt real remorse. Despite nearly causing Marina's death (as she tried to miscarry in the aftermath of LW revealing her pregnancy), she ends season 1 smirking about being LW. Hasn't written or contacted Marina to see how she has been since, got jealous Colin went to see her and still probably hasn't written or visited her. Not to mention her "I least did something. All you did is talk" speech at the end of season 2 to Eloise. A speech that wasn't even accurate as Eloise had been to meetings, listened to speeches and debates, debated with Theo, shared and read and discussed different political leaflets with Theo, Eloise had grown intellectually from the beginning to the end of the season. It's because of Penelope that that came to an end.

Outside of rescuing Daphne from her betrothel to Berbrooke in s1, what good has her work as LW actually done? It's ruined far more lives than it's helped, and intervened countless times when it didn't have authority to. Many secrets weren't Penelope's to tell.

I could honestly keep going but I genuinely don't know how she's supposed to get redeemed in eight episodes because the character we have at the minute in no way deserves a happy ending. LW didn't really matter in the books as it wasn't as active a plot point as it is in the show. By expanding the LW concept to give Penelope a more complex arc, they've unwittingly robbed her of what made people like her book counterpart and as a result created a villain that they have no intention of trying to redeem, because they don't believe she needs to be redeemed.

[sirjuggles]

Things My Partner Knows About The Locked Tomb Through Osmosis

I am an unrepentant and annoying TLT fanboy, to the point where my partner has sworn to never read the books on principle (for this I respect them). However, given that I never shut up about these miserable books, they have picked up quite a bit of knowledge about them purely through my rants. With that in mind, I asked them to describe to me everything they think they know about The Locked Tomb (notes in italics are mine)

There are characters named Gideon, Nona, and… something like… Pacifica Sales Bonecruncher of the West? I'm pretty sure this is supposed to be Harrow's full name and title.

It's a scifi-fantasy world in a necromancy space realm 

There's… 10 kingdoms that are all part of an Empire? Or maybe houses? But they're part of a monarchy? 

The ruling classes of each of the realms gets summoned by God because they want to play a Hunger Games thing to find their… new God child? 

It's not a God child like he's gonna adopt them… it's like rebirthing them into a new god? They will also become God? 

Each one of the realms has a special quirk about them, something that's their specialty. Like, one realm are accountants. Shockingly accurate.

Gideon and Pacifica’s realm are like cool goth themed? More goth than the others. Extra-goth.

Oh there's a person named… Electra? They have long blonde hair and kickin curves and they're really hot? Everyone likes them? I'm pretty sure this is a conflation of Alecto and Corona as seen through reblogged fanart.

Personal philosophy aside rant: The whole necromancy-as-center of-an-empire thing… I find it kinda rude? I don't like the idea of people and their remains being used as a resource/tool. Like, I don't like using people as interchangeable cogs in a machine under someone else's control, both in life or in death. It doesn't seem consensual or respectful. In death your obligations should be released. 

I think Gideon has a big hero’s death while trying to save Pacifica, and then their… souls mingle? And then after that Pacific has Gideon-flavored intrusive thoughts? And I'm not sure if it actually is Gideon or just, like… the same as if you stare at the sun and get the after image burnt into your cornea. This isn't wrong, but I'm almost certain part of this is actually my ramblings about Baru Cormorant leaking through.

Is reincarnation or resurrection a thing? I feel like it should be in a necromancy setting. 

DIRECT QUOTE: “Is there a Jesus allegory in here? I feel like there is. Wait... Is Gideon Jesus?” Folks, upon hearing these words casually spoken out loud by someone with no knowledge of context, I straight up left my body.

God is just a chill dude. He's just a guy making pancakes, and occasionally he'll go “How's that whole Hunger Games thing going? You want a snack? I'm just gonna be over here.”

God was wanted by aliens or something? There's something bigger going on with entropy or heat death or the Discworld auditors and it's a problem for God and that's why he's doing the whole Hunger Games thing. 

I think God used to be not a God and that's why he's such a chill dude. And then there was a problem and everything was dying so he did something and necromancied everything and that's why he's God now and also why things are so weird? 

One of the groups from the houses was two annoying siblings who split from the party and died really quickly. 

Gideon is big and bulky and has short red hair. 

[ellievickstar]

Is this Love?

A/N: So I wanted to do an an enemies to lovers and I thought: What better character to start with then Cardan Greenbriar. I really hope this is okay I know that @aroseinvelaris love the cruel prince so this is for you love <3

Summary: The king is the most infuriating person alive. But every time he looks at you, you feel your skin burn and your heart skips a beat. You hate the way he makes you feel alive, but you especially hate his obnoxiousness and horrible addiction to partying. However, after a night of drinking and reveling, what will you do when the King of Elfhame seeks you out?

Request: N/A

Pairing: Cardan Greenbriar x noble faerie!reader

Warnings: !!!Disclaimer!!!This does not follow the actual storyline, I’m kinda just winging it since it’s been some time since I’ve read the books and also I wanna get comfortable with the character first!!! Enemies to lovers, a bit toxic, intoxication, physical contact, being held against ones will

~*~*~*~*~

You wanted to kill him. “What. Did. You. Say.” You asked again, glaring at the King you were supposed to respect. You curled your fingers into a fist as they dug crescents into your palms. The king lazily smirked at your frustration, the papers you had given him falling out of his hand onto the floor.

“Your idea is dismal at best. It lacks any intellectual reasoning at it is also by far one of the worst that your family has ever presented me. You may be the representing noble, but honestly this presentation is just sad and pathetic,” You gaped, rolling your eyes as you snatched the papers from the ground, storming out of the room. That asshole. How dare he!? How dare he insult your ideas like that, knowing that you and your father had worked hard on those proposals together. How dare he insult your intelligence when he can barely even go a day without becoming intoxicated and doing something stupid at those parties he holds!

Fury bubbled within you as you stormed to your home. Waving your hands in the air as you ranted and raved about the King, you mumbled strings of curses and insults to yourself. That- That arsehole. That empty headed, intoxicated, narcissistic, egoistic, think-skulled arsehole. Start praying that he becomes sober because one more word out of that mouth will get him killed, either by your hands or some pissed-off royal from another far away powerful land.

Slamming the papers onto the table of your office, you sighed heavily, collapsing onto the armchair behind you. Being one of Elfhame's few females that is a representing noble for her family was far from easy. Especially when that lazy dumbass king that sat on his ass and drank all day already had prejudices against you since you were both children. You might have to reconsider killing him because, well, why not? Cardan Greenbriar is one of the most incompetent people in the entire kingdom and he still dared to insult YOUR intelligence. A scholar, the same lady who literally saved him from being murdered at the coronation. The absolute audacity!

You growled impatiently as you ran your hands through your hair. Sure, you might not be the oldest noble, but he hadn't even spared you a thought before tossing your ideas down the drain. What was so terrible about giving free education to poorer families in Elfhame? Was he so narrow-minded, so spoiled, so entitled, that he didn't realise that there are still fae out there suffering!?

"I guess it's back to the drawing board huh!?" You whipped your head around to your father. He smiled at you, crows feet appearing at the corners of his eyes, his hair white, his skin sunken and wrinkled. Human. Your father was human. Your mother had been the fae one, though she died at birth. However, you never felt her absence as your father had never let you doubt for one moment that you were absolutely loved. You softened at the sight of your father. He was old, weak. Definitely not things that were valued by the fae. And if it hadn’t been for your fae heritage and your father’s deep-rooted connections, you could be living a very different life.

“I’ll worry about that, you just rest, Pa,” Prompting your father gently to go to bed. He nodded, pride shining in his eyes, as he walked out humming a simple tune. Your heart broke at the thought of living a life after he dies, but it was inevitable. You had to figure this out on your own. Lest, Mr. I-hate-everything, would be breathing down your neck.

Sighing, you turned to your desk, riddled with stacks if loose papers and books. You had to figure something out, present something, you promised yourself. You would not let the king trample your idea of a better Elfhame.

~*~*~*~*~

You were…..so tired. Well that was one way to put it. How did some humans do this their whole lives? You had pulled an all-nighter to rewrite the reports that the King wanted and you couldn’t believe how truly exhausted you were. When you heard from your father that some humans do this from the time they are in middle school, you wanted to faint. You could barely hold it together as you changed clothes into a formal gown.

Regardless, it was done. Thankfully, you were finally done with the piles of work that you had delayed for so long. If you were lucky, the King would give you a day off. Trudging to the Palace of Elfhame, you let out a sigh as you smoothed down your skirts once more. Approaching the doors, you flinched when you heard laughter and the cacophony of a party from the inside.

“When will someone finally have a vendetta against me and murder me in my sleep,” You mumbled as you pushed open the doors, faltering slightly as you noticed the insane amount of people dancing and laughing under the influence. At the centre of it all, Cardan lazed on his throne, grinning as he held a goblet of what you guessed was a mixture of his favourite alcohols.

You were about to turn around and leave, however Cardan spotted you and promptly called out your name above the loud and jarring music. Realising that he was probably drunk and wouldn’t remember this anyways, you continued walking, huffing to yourself when you heard footsteps following you. Cardan’s footsteps.

“Wait! Would you listen to your King and just wait!?” You ignored him, despite your efforts, he still caught up to you, stepping in front of you to block your path. He reeked of alcohol, and….was that substances?

“Are you high!? And drunk!? It’s not even a weekend Cardan!” You yelled in his face. If he was both of those things he wouldn’t remember this anyways, so might as well get it off your chest. “You are so infuriating, you are not responsible, you barely make right judgments without your advisors, you are always a little bit drunk. You are not fit to be King. Let’s not even mention the fact that you always look down on me for being half-human! I hope yo-,” You couldn’t finish your sentence as you kept trying to shove Cardan, because as you tried to continue screaming at him, he caught your wrist and pulled you in roughly, meeting your with a kiss.

~*~*~*~*~

A/N: I don’t know about this….but eh. No harm no foul in trying. Honestly, I don’t think this is the worst fic I have ever written. So- I hope you had fun reading this. I had a little fun writing this. See you next time <3

(ALSO THANK YOU GUYS SO MUCH FOR 400 FOLLOWERS)

tag list: none for this character yet

[bibibbon]

MHA chapter 420 rant

New chapter new rant it's become somewhat of a thing at this point 😭

So hori's out here deflating any stakes or tension as always. I personally hated what happend last chapter with Izuku losing both his arms but I did wish for hori to continue on the path he chose instead of completely reversing it with some bs in this chapter. Heck I don't understand how Eri even had enough energy to heal his arms considering it was stated chapters before that she couldn't and shouldn't help Izuku it wasn't her fight and neither should she be forced to watch what's going on but here we are.

Heroes are hypocrites when it comes to Eri and she deserves better. Oh Eri the ever so lasting plot device. As someone that likes Eri's character and wished for her trauma and what she went through to be explored this is just bs and shows that the heroes are incompetent hypocrites at their jobs for allowing Eri to mutilate herself (the same thing overhaul did to himself) so she can be useful to these people who she views as her saviours?!?!?! Let's not even tall about the fact that ECTOPLASM stated that he helped her with that and allowed her to do that like?!?!? You're an adult who is supposed to be supervising the child and you almost failed to stop her from running away into the battlefield but allowed her to do that to herself. Let's also talk about how aizawa horribly failed as a guardian like its clearly stated in the chapter that she did want she did because she was inspired by aizawa and how he cut his leg off so she mimicked him so she can be helpful?!?! Aizawa isn't angry, worried or disappointed but shocked and that's it nothing else he doesn't even reprimand her like seriously 😑.

Present mic and kurogiri deserves better. We still don't know where present mic is but he deserves better than this I still hate how his feelings aren't acknowledged in this bs and he is just there pushed to the side as support. Kurogiri is a mix at this point they seem to realise that oh oboro is dead he ain't coming back but kurogiri is acting on memories that haven't died and to be honest Iam sick of hori drawing the same memory panel over and over we should just get new content show us them play fighting or doing something that friends do idk 🤷‍♀️

Wasted potential aizawa at this point. I lasted made a post about aizawas wasted potential but dam does it really show and basically at this point hori reduced all the characters involved in the kurogiri situation to just that and it's sad like we could of had more and we should of. Aizawa was doomed from the start as he was hori's mouthpiece which sucks

Iam not a fan of everyone coming in to fight AFO. I already hate the fact that AFO is back but having everyone who hasn't had a big moment or can still fight yet come into the fight is horrible. Iam ok with having a few characters come in but having some endgame avengers type of thing is horrible especially because class 1A and izuku aren't shown to have a strong bond a lot of the time it's one of the reasons why the vigilante arc fails and why a lot of other moments concerning class 1A and izuku fail.

Iam a fan of the civilians trying to help however they can but no inko?!?!!?!!. I loved that we got the page of civilians genuinely wanting to help Izuku and offering their shirts to stop the bleeding also even though we don't get much from the all might guy I genuinely loved the development he has gone through. Sadly, I was expecting to see inko in this chapter and considering we had a whole page dedicated to the civilians it's sad that we didn't get any update on inko as she was probably there watching what happend to her son

Eri's dream. I loved that Eri's dream is something way outside of heroics and it's something that doesn't involve her quirk at all. It makes me remember of izuku holding her hand and telling her that he supports her dream. I wonder if Eri and jirou hang out often or anything considering that jirou is Eri's inspiration or if present mic also inspired Eri. it's sad that Eri's character is never truly explored considering what happend to her this chapter and the double standards that are with both heroes and villains.

ALSO MONOMA YOU DESERVE BETTER YALL TELLING ME THAT DENKI ALREADY QUIRK EXHAUSTED IS OUT HERE FIGHTING BUT MONOMA CANT FOR SOME REASON IS VILE

[confused-disaster32]

Hi! So you can call this a rant or a vent or whatever I don't rlly care - I just wanted to put some of my opinions out there bc it is eating me inside out to keep my opinions on Alastor's sexuality and all of the discourse about him being shipped to myself.

Also i'd like to state that I'm writing this as someone who is aroace but has no actual wish to be in a romantic relationship and actually struggles to so much as picture what that's be like for myself. I would also like to state how I'm not speaking for the whole community and others will have different opinions to myself.

Firstly - aroace is a spectrum (as someone who is on the aroace spectrum btw) and I completely agree with ppl who say that it is a spectrum and shipping has always existed and you can't rlly stop an entire fandom. My only problem is when ppl completely ignore that he is aroace while doing this, bc to me it seems like there's so much potential to having him have to go through those types of emotions and to write him off as if he's completely allo not only can make some people feel unseen but also just isn't as fun.

Also I kind of believe that he'd possibly date someone for the entertainment - like even if he didn't exactly feel romantic attraction maybe he'd be willing to be around someone closely bc he might like the reactions he'd be getting. (example: he might've stayed in a relationship with Vox maybe not out of pure attraction but if he found out that affection could make the TV short-circuit? He'd be interested)

Adding to that, I personally do not actually ship him with anyone romantically due to his character + the fact that I am projecting my own distaste for romance on him but you do you ig.

Also, on the note of nsfw around him - sometimes you cannot stop a fandom, rule 34 exists and some people who are asexual sometimes may want to have sex and all of that stuff. Personally I think he'd probably be sex-repulsed due to the fact that he canonically has issues with being touched.

ALSO, i personally think that way too many people are brushing over the idea of putting Alastor in a QPR - like that would literally be so awesome.

Alastor x Rosie? Cute af (to me Rosie gives of aro vibes too, but more romance - favourable) like they're already besties and honestly I think that Rosie would defo help him figure out about his identity considering that he's quite obviously not all that sure about slang and stuff.

Vox x Alastor - It has the potential to be SO FUCKING FUN like, you get to experiment with how they feel for each other, maybe what Alastor's got going on bc he died before being aroace was rlly a thing and he'd be confused about how he felt about Vox for sure.

Lucifer x Alastor - I quite like it, ik that Lucifer is supposed to be with Lillith but she did take an extremely long hiatus on her family up in heaven so i think it's okay. Plus the idea of them bonding and becoming close due to Charlie is wonderful.

Even angel and Alastor - maybe after Val Angel doesn't want a super sexual relationship - maybe he's not all that interested in something purely romantic either and though I love huskerdust this would still be pretty cool.

Really all I'm saying is; be considerate. Incorporate the fact that Alastor is Aroace, even if you do ship him - in or out of QPRs - and ofc sometimes writing someone who is part of a group ur not in is difficult (coming from someone who often struggles in writing especially when it comes to romance) but taking a crack at it might actually turn out to be rlly cool.

But please don't ignore his aroace-ness, there's not a huge amount of aroace characters out there and acting like someone isn't can be annoying for ppl who want to find rep around their identity, esp if they haven't seen much before (I can relate and he was one of the first aroace characters I was introduced to after I found out what it meant).

So yeah, that's my piece.

[urtheoneiwant]

Buckle Bunny of Sorts │ Rhett Abbott

Genre: SMUT with some fluff

Summary: From the insistence of a friend, you spend a night out on the town. But you run into your long time crush, Rhett Abbott, and he has something to tell you.

Warnings: SMUT! 18+ ONLY! P in v, oral sex (female receiving), small spit kink, dirty talk, degradation, praise, kinda dom!Rhett and sub!reader, use of term 'buckle bunny', pining, revealing feelings, unprotected sex, pull-out method (be smart! don't use pull-out method as a form of birth control irl), messy sex, pet names (bunny, baby), a smidge of sexism from the towns people? Written as a fem!reader. Just nasty, nasty filth.

Word Count: 5.6k

A/N: My first smut! Please be kind, I'm still very new to writing and especially smut. But I loved Outer Range and I saw someone post about wanting to be Rhett's buckle bunny and couldn't get this out of my head. I didn't want country girl (as I call her) to be an actually buckle bunny since they are sort of frowned upon (but I say you do you). So this is the idea I came up with instead. It took me forever to write this, but I'm pretty proud of it. In conclusion, I love Lewis Pullman and the characters he plays. Go watch Outer Range if you like Lewis, he's amazing in it and it is such a great show! Now I have to go bathe in holy water :) Oh and feel free to send in any request or thoughts you have about Top Gun or other characters. There is a list on my page of the main fandoms I'm into, but you can send whatever you want it and I've might have seen/read it. And you can always reach out to me for whatever (rants, ideas, links to articles about be we're obsessed with) Thanks for the support!

SMUT BELOW CUT. 18+ ONLY. MINORS DO NOT INTERACT.

(GIF is not mine)

Admittedly, you felt a bit stupid. In your head, this seemed like a good idea, but as the idea becomes a reality you mentally kick yourself for it. 

You’ve grown up in Amelia county your entire life. And in a place like this, people tend to stick to their roots, inner circle, and cliques. That being said, you knew just about everyone in your town, and definitely knew every boy your age. The problem was that they knew you too. Growing up you were definitely an outcast. Spending all your free time working to help pay the bills didn’t give you many chances to make friends. You were boring, safe. You knew it. You weren’t anything to write home about. At least that’s what you told yourself. 

Last week you sat with the one friend you managed to make throughout your time in school, Sadie, and spilled these thoughts to her.

“That’s bullshit honey, and you know it.” Leave it to Sadie to soften the blow. “I’m sorry, but you are beautiful, any guy would be lucky to have you. But you spend all your time holed up at work or with me. These guys haven’t got a proper look at you since you hit puberty, no wonder they don’t seem interested.” She lectured.

“Well, what am I supposed to do about that? Get all dolled up for a night on the town? Look around, it’d be ridiculous” You replied.

“Come on, let me take you out. Just throw on some daisy dukes, a risky top, and some nice boots. It’ll be fun. And I’ll personally beat the shit out of anyone who has anything bad to say. Please, please, please…” And you knew that when Sadie was like this, you had no choice but to give in. So you agreed, one night out. 

And that’s how you found yourself in your apartment letting Sadie pick out your outfit. She refused to tell you where you both were going, claiming that she didn’t want you to “get scared off.” And after opening the door wearing a pair of worn-out jeans and mud-covered boots, Sadie pushed her way inside to make you change.

She rifled through your dresser before holding up the tiniest pair of shorts you own. “No way, those are from high school. I don't even think they’ll fit. Plus it’s late out, why would I want to wear shorts?” You tried to reason with her, you really did. 

“They may not fit you like they did in high school, but that’s the point, honey. Just trust me this once. Everyone is going to be all over you.” She replied, and handed you the shorts. As you began to wiggle them up she quietly added “Oh, and Rhett’s going to be there.”

You froze in place, glaring at your friend. “WHAT? Oh my god. Oh my god. I can’t believe you.” Rhett fucking Abbott. The cowboy that you had been crushing on since middle school. Ever since the day he saw you walking home late after babysitting for a little cash and offered, no insisted, on walking you home. He was a few years ahead of you and happened to be friends with your older brother. Anytime he would come round your house to see your brother you would find yourself with your ear pressed to your door, trying to catch any of the words he was saying. Your eyes always seemed to wander outside your window to see if he was out back throwing a ball around with your brother. Once you even caught a glimpse of him shirtless after coming over to help your mom with some yard work.

Needless to say, your crush on Rhett didn’t get any better. In high school, you went out of your way to see him in the halls, or to accidentally run into him on your way home from work. You even went as far as to offer to tutor him in algebra, a class you yourself were failing. He wasn’t too keen on getting your help once your brother told him about that. 

Now, Rhett had grown up and you had too. You would see him from time to time at the bar you worked at, always polite and asking about your family. And even now, you couldn’t help the butterflies that erupted whenever he was around. Some crushes just don’t go away. 

“You’ve been into him since 8th grade! I can’t believe you haven’t made a move yet. It’s time to put your big girl panties on and do something. Hell, screw someone else for all I care. All I know is that if I have to watch you make puppy dog eyes at Rhett from across a room one more time, I’m going to lose my mind.” Sadie said. But that was the problem. No matter how many guys you went out with, or screwed, you always came back to Rhett. Honestly, you could see why it was so exhausting for your friend to watch all the time, it was a bit pathetic being a grown woman with a crush from middle school. 

Deciding to listen to your friend and do something about your pining over him, you buttoned up your shorts and turned to look in the mirror. Sadie was right, they don’t fit as they did in high school. Where they used to be a bit loose on you, they now held on to every curve you had. Damn, when did you get an ass? Swallowing your nerves, you shoved your feet into your white boots that only appeared on special occasions. To top it off, you threw on an old flannel opting to tie it up and undo the top couple of buttons to let a bit of your cleavage spill out. 

“Now, that is hot. He’s going to be drooling over you, just wait” Sadie hyped you up. She reached up and messed your hair up just a bit, giving it a wind-swept look before ushering you out to her truck. 

------------------------------------------------------------------------------

After driving for a half hour, Sadie pulled into a dirt parking lot. You saw lights flashing, and heard cheering coming from the stadium seats. She took you to a fucking rodeo. Dressed in booty shorts. 

“This is a joke. I look like a goddamn buckle bunny for christ's sake.” You curse out to her. She has the audacity to simply smirk back and says,

“Bout time you start acting like one.” And with that, she was out of the car and walking towards the show. With no other option but to sit and stew in the truck all night, you reluctantly hop out too. You curse under your breath and begin to tell Sadie that this is the last time you go anywhere with her without knowing before what she had planned. 

Walking into the crowd, you felt your throat dry. You could feel people staring and you swore you heard a whisper that said “Is that Bruce’s daughter, Y/N?”. Suddenly, you became very interested in kicking the gravel under your boots. 

Sadie did her best to reassure you, grabbing your hand and weaving you to a back lot. The crowd was sparse back here, and it looked like most of the guys hanging around were bull riders getting ready. “I don’t think we should be back here,” you said into Sadie’s ear and moved to pull your hand out of her grasp. But before you could she whipped you back around.

“This is it Y/N. Scout out which one of these boys you’re going to be riding tonight” She said with a wink. You let your eyes briefly scan the group. None of them noticed you two seeing as you were tucked a ways away. You made out a few familiar faces but you had no desire to talk to, let alone seduce, any of these guys. As you opened your mouth to inform your friend of this, your eyes caught something. Not something, but someone.

Standing slightly turned away from you and chatting with some other rider, you saw Rhett. Maybe it was because you only got to see him in dim-lit bars nowadays, but you swore he somehow was more attractive than you remembered. 

He wore a blue flannel with the sleeves rolled up, allowing you to see the veins run down his arms. You got a flash of the tattoo on his forearm, the one you imagined so often at night when thinking of him. He had his chaps on, the fringe down the sides fluttering ever so slightly in the wind. His signature black hat was perched on his head. At that moment, you swear you could’ve died. 

You didn’t realize how long you had been staring until Sadie gave you a nudge. “Close your mouth or you’ll attract flies,” she said. It was then you noticed that you in fact had been standing there with your jaw on the floor admiring this man. Your eyes stayed locked on his figure as you gave him a once-over. God, he was gorgeous. Even with the layers of clothes he had on you could tell how lean and strong he was.

As your gaze made your way back up to his face, you were now looking right into his bright blue eyes. Fuck. Fuck, fuck, fuck. He caught you. He fully caught you drooling over him. And just when it couldn’t get any worse, the fucker had a smirk plastered on his face and sent a wink your way. You averted your eyes and pretended you weren’t there, feeling a hot blush creep up your neck. But just when things couldn’t get any worse, you heard Sadie yell out, “Hey there Rhett”.

You silently prayed to the gods above that he wouldn’t walk over to you two, but it fell on deaf ears as you heard the crunch of gravel grow louder. Next thing you know he’s standing right smack in front of you. “Hi there Sadie, how’s your ma?” he asked, his southern drawl heavy.

“She’s well, thanks for asking. You know Y/N right? You were friends with her brother growing up” Sadie tried to segue. You forced yourself to bring your eyes up to meet his. 

“Well of course I do, how could I forget a face as pretty as that?” Your eyes snapped to meet his. No way, there was no way Rhett Abbott was flirting with you. He was just being nice, that’s all.

“Oh um, hi. Good to see you.” You muttered out, full of nerves. Sadie cleared her throat and you thought back to her earlier lecture. Maybe it was finally time for you to get out there. Stop playing it so safe all the time. Stop feeling so sorry for yourself. So with some more confidence mustered you blurted out “I hope you do good tonight. I’m sure you will.”

Without missing a beat he responded, “Oh now that I know you’re here I definitely will. Always ride better when I know a gorgeous girl like you is watching.” His words sent heat blooming between your thighs. Fully committing to the act you took a step toward him and leaned up onto your toes to whisper in his ear.

“Well if you win, we’ll have to celebrate. Why don’t you come to find me after you finish up? Let me give you a victory prize.” You did your best to put on the most sultry voice you had. And despite the confidence you were exuding, you were scared shitless deep down. As soon as the words left your mouth, you were off. You swayed your hips a bit as you went to find a seat, knowing that he would be looking.

You didn’t dare look back until you reached the arena seats. Sadie guided you to sit down amongst the crowd, all waiting for the show to begin. And just as she opened her mouth to ask you what happened you whisper out “I think I’m going to be sick.”

“Oh come on, I’m sure it wasn’t that bad at all.” She whispered trying to not draw any attention.

“Oh no. It was bad. Very very very bad. Can’t show my face around here again bad. Have to leave the country bad.” You felt bile rise up in your throat. You turn to your friend and recount to her what you had just told the man of your dreams. It was like word vomit, you couldn’t stop freaking out and rambling. 

“Y/N. STOP. Take a breath. The worst case he says no, he leaves once he’s done tonight. At least you know you tried. But you’re forgetting that he could be just as into you. And from the way he was talking it sounds like he is. So it’s going to be fine. He’s fine, you’re fine. All we can do is sit and try to enjoy the show.” Sadie reasoned with you. And you knew she was right. So you sat there, ass freezing from the cool metal bleachers. The more you thought about her words, the more you were able to calm yourself down. What’s done is done, and you rather be rejected than never know. 

The soothing mindset you were in came crashing down the second Rhett’s name rang out. He was heading out for his final ride of the night. You felt your mind go blank and body numb as you focused on the arena in front of you. Honestly, you knew very little about bull riding but the way his muscles strained and body twisted was enough to keep you interested. Timed seemed to slow as you stared at him squeezing his hips to stay on the bucking bull.  

After what felt like minutes of him being tossed around, you gasped as he was uprooted from his saddle. You knew that was bound to happen with any bull riding venture, but it still startled you to see him thrown about like that. He was yanked up and led out of the arena until the bull was wrangled. When he walked back out, your tension eased seeing he was unharmed. 

You locked eyes on the scoreboard and nearly fell out of your chair when you saw his score. He won, holy shit he won. You were on your feet in an instant, screaming your head off. You felt a rush of pride for him, knowing how much his bull riding meant to him. Sadie jumped with you, and you were sure you were the loudest there. 

After yelling for much too long to be appropriate, Sadie gave your arm a tug. “Come on” and you, still being in a blissed-out state, let her take you back to where you first ran into Rhett that night. You looked around in the dark, eyes wide anticipating what would happen next.  A chill ran up your spine as you thought about your earlier promise to Rhett if he won. Startled out of your thoughts, you heard the sound of whooping and cheers from some men around you. Cranking your neck around you spotted him.

He was caked in dirt and his sleeves were hastily pushed up, hat askew on his head that was tilted back with a wide grin. Your mouth ran dry as butterflies erupted inside you. His eyes began to scan the small crowd of people before landing on you. Burning with embarrassment and admittedly desire, you shifted your eyes elsewhere. But soon enough, you heard that all too familiar voice. “Hey there ladies.” 

“Hey Rhett, congrats on the big win. Y/N and I were cheering you on” Sadie said. 

“Oh, I bet y’all were. Hey Y/N, can I talk to you real quick?” Rhett turned and asked you.

With a nod of your head, he gently took your hand and pulled you under a nearby tree. Still too shy to make eye contact, he brushed his hand under your jaw and turned you to look into his blue eyes. “You know I don’t expect anything. If you want to act like nothing happened earl-”

“No” you rush out. “No, I mean I want to. If you do.” Talking to just him and him alone felt so much easier. You felt your confidence grow back and expectantly looked at him.

“Well darlin’ I would want nothing more. You want to go back to your place for a bit?” He questioned, still being gentle with you as to give you an out if you changed your mind.

“Yes please,” you murmur. You felt as though you were floating when he wrapped a strong arm around your waist and led you back over to Sadie. 

“Hey Sadie, you alright if I take Y/N home? Just figure it would be nice for us to catch up.” 

“Oh, sure! By all means, go ‘catch up’” Sadie had the cockiest smirk plastered on her face, and while you wanted to be mad at her for it you also know she was the whole reason you were going home with Rhett Abbott tonight.

Walking out to the parking lot, Rhett keeps his arm firmly around your midsection till you arrive at his truck. He opens the passenger door for you before walking around and getting in himself. The roar of the engine coming to life jolts you forward a bit, remembering that you were in fact about to go home and get railed by the hottest cowboy you’ve ever seen. 

“What are you thinking about Bunny?” Rhett can tell you were getting lost in thought.

“What did you call me?” Surprised by the nickname and the way it made you clench your thighs even tighter. 

“Bunny. You look like a buckle bunny in that getup. But it’s cute, I like it on you.” He answered honestly. On any other occasion, you would’ve been pissed that someone thought of you as a buckle bunny. You grew up on a ranch in rural Wyoming, you were the farthest thing from a buckle bunny possible. But the way Rhett talked about you made you melt. 

“Oh yeah. Blame Sadie. Wanted me to get myself out there more I guess.” You replied chewing on your bottom lip.

“Well, it was definitely nice to see you outside of the bar you work at. I’ve been wanting to talk to you for the longest time but I felt weird bothering you at work.” You whipped your head around at the confession.

Staring at his side profile as he continued to drive, “That’s nice of you to say, but it’s okay you don’t have to lie.” You didn’t believe it. That a man like Rhett would be interested in talking to someone like you. 

“I’m not lying. I’ve always kinda liked you. But I guess I just never acted on them. And I know we’re on our way to your place so I can rail the shit outta ya, but I’m not just interested in sex from you. Let me take you out one night? It took me long enough to make a move on you, don’t make me wait any longer.” He said with the utmost sincerity. You were stunned. Shocked. All this time you two idiots both liked each other, and it was a rodeo and a plotting friend to finally make you realize it. 

“I would like that. A lot.” You smile up at him as you pull into the parking lot of your apartment complex. 

Cutting off the engine, Rhett runs around to open your car door. Always a gentleman. You laced your fingers with his as you tug him upstairs to your place. You feel him placing teasing kisses on your neck and jaw when he can reach you. You giggle, moving even faster to get up the 3 flights of stairs. 

When you reach the door of your apartment, you fumble around looking for your keys in your purse. When you manage to grab them, you pull them out with shaking hands cursing as they fall to the ground. Before you could bend down to retrieve them, Rhett already has them scooped up. He chuckles softly before resting his hand on your shoulder and rubbing your arm soothingly. 

“You don’t need to be nervous Bunny. But I want to ask you again, are you okay with this?” He asks kindly, eyes soft and hands warm.

“More than okay.” And you pull him down by his shirt to crash your lips onto his. It was messy and desperate. Teeth clashed and tongues battled for dominance. You slid your hands up Rhett’s neck and into the curls at the back of his head tugging softly. His one arm wrapped around you and pulled you impossibly closer to his body. You recognize the faint jingle of keys through your fuzzy headspace and realize he was unlocking your front door with his tongue down your throat. 

The door soon swung open and Rhett began to push your intertwined bodies inside. Stumbling in, you hear a door slam behind you before he has you pushed against a wall. His leg came in between yours, knee and thigh pressing up into your core. You let out a whine into the kiss, the feeling of him making you even wetter. In fact, you were sure you were absolutely drenched. 

Seemingly reading your mind, Rhett broke the kiss to ask, “How wet are you Bunny? How wet does the idea of my cock have you? Bet you were sitting in those stands all night just soaking wet.” You merely moan in response, your brain not working fast enough to form actual words. Rhett brings his lips to your neck biting and sucking hickies into your smooth skin. You run your hands down his back to the hem of his shirt. Too impatient to unbutton his top, he leans back and pulls it over his head. 

You knew Rhett was strong. After years of working at the ranch and bull riding, you expected him to be pretty muscular. But the actual sight of his abs, sharp and all edges, makes your mouth water. You tentatively place a hand on his toned chest. God, it looked like his body was made of chiseled marble. Under your hand, you feel his warmth radiating and the steady beat of his heart. When you force yourself to pull your eyes up to his, he says “Your turn.”

He places his hands on the bottom of your shirt, eyes silently asking if he could take it off. Your hands reach down and cover his, urging him to swiftly remove your top. His eyes immediately move to your breast, covered in the white lace of your bra (if you could even call the small scrap of fabric that). You hear a faint groan come from him before he ducks his head down. Placing open mouth kisses along the top of your tits, he brings his right hand up to palm your breast and roll your nipple. His mouth goes lower and latches onto the other nipple through the lace of your bra. 

Your fingers tangle into his hair, pulling him closer to you. It’s not enough. You’ll never have enough of him. Soft moans tumble past your lips and Rhett takes this a cue to keep going. Eventually he pulls off and uses a hand to unclasp your bra as it falls to the ground. Getting a full view of your tits, Rhett brings both his hands to them and gives them one last squeeze before kissing your lips once again. Getting frustrated and wanting, no needing, more you drag your hand to his ripped figure. Your fingers trailed down the wide expanse of his chest and trace down his happy trail until you reach the waistband of his jeans. Popping the button and pulling down the zipper, Rhett helps you by tugging his jeans down as fast as he can. He kicks them off, leaving him in his tight boxer briefs. A tent is growing in them and you let out a gulp at the size of him. 

“Don't be scared honey, I’ll stretch you real good before I fill you up” his voice fills the air. Excited at the idea, you grab his arm and drag him farther into your apartment and to your bedroom. You pull him in front of you and push him down on the bed causing him to look up at you. Reaching to your shorts, you nearly rip down your legs ready for him to touch you. Before you can pull your panties down, Rhett reaches out to them. He rubs his calloused hands over your hips and yanks you so you have no option but to straddle his figure. “Bunny, with panties like that I don’t think I could stand you not wearing them as I fuck you.”

You whimper at his words alone and he lets out a chuckle. He runs hands up your back and suddenly you are flipped over onto your back, Rhett now looming over you. Scooting down the bed, Rhett's face lands between your legs throwing them over his shoulders. He moans when he sees the wet spot that seems to be growing on your panties, landing wet kisses on your inner thighs. You think how could someone make a sound so beautiful. But you are quickly pulled from this as he tugs your pink panties to the side and takes in the full view of you. His eyes darken and he rasps out “Holy shit baby, you are so goddamn hot. I might come in my fucking boxers,” and he subtly grinds his hips into the mattress in attempt to get some much needed friction. Opening your mouth to make some teasing comment, you instead let out a cry as Rhett licks a bold stripe up your pussy. He lands on your clit, tongue moving in figure eights over top. For the second time that night, you find yourself pulling Rhett by his hair closer to you. He then alternates between lightly fucking his tongue into your dripping hole and brutally attacking your clit. The duality of pleasure causes your eyes to roll to the back of your head.

Rhett places the tip of his finger at your entrance, sliding it up and down through your folds first to get it slicked up. He breaches your entrance and your toes curl as he slides knuckle deep. “Fuck, oh my god Rhett please please, keep going,” pathetic pleas fall from you. You feel him adjust his thick digit in you until he finds that spongy spot that has your back arching. “Right there- right fucking there.” Any other night you would be embarrassed that someone has you so close to coming with one finger, but right now you could care less, only able to focus on the increasing burn in your stomach. 

You can practically feel Rhett smirk against you as he eases a second finger into you, again going directly to that sweet spot inside you. He begins to thrust his fingers in and out of you, still using his mouth to suckle your clit. You are screaming in pleasure, babbles of “please” and “don’t stop” leaving your mouth. The coil inside of you is close to snapping. You are so close, so unbelievably blissed out. “I’m gonna cum Rhett. I’m so close” you speak out in warning. 

But just as close to the edge as you were, all the pleasure you felt was quickly ripped from you as Rhett removed himself from you. You glare down, sweat dripping down your forehead. “What? Why did you stop?” you croak out, voice already strained from your screaming. 

“Oh Bunny. I want the first time you cum to be on my cock.” Rhett responds and leans up to place a hot kiss on your mouth. You deepen the kiss, wanting more of him. You can taste yourself on his mouth and soon he pulls back to say “You like that dirty girl? Like the taste of your sweet pussy? You should, it’s the best pussy I’ve ever got my mouth on.” You feel yourself clench at his dirty talk, managing to turn you on even more. You whimper and try to buck your hips up to encourage him to do something, do anything. Instead he just laughs, “Oh you are so desperate Bunny. Need me to fuck your tight pussy, make you cum so hard you can only yell out my name. Don’t worry Bunny, I’ve got you.” As he speaks he wiggles himself out of his boxers, hard cock slapping his tanned abs. 

He props himself onto his forearms and brings a hand to his mouth. Your eyes widen as he spits into his hand and reaches down to pump himself a few times. Noticing your reaction he looks at you. “Open your mouth” and you obey, sticking your tongue out for good measure. You feel something wet hit your mouth before you process that he just spit into it. Rhett Abbott just spit in your mouth. And you swallowed, savoring the taste of him. “Good Bunny” he says into your ear. 

“Rhett. Fuck me.” You whine out. Now it’s his turn to moan, finally sheathing his cock into your cunt. You gasp at the stretch and he waits a few moments for you to adjust. After a second you whimper out “Move please.” And Rhett doesn’t need to be asked twice, pulling nearly all the way out before slamming back inside you. The force of his thrusts push you up the bed despite Rhett’s bruising grip on your hips. 

“You feel so good baby. Squeezing me so tight. Best fucking pussy.” he praises and you clench around him. “Oh baby, you love when I talk dirty. When I tell you how amazing this cunt is. Going to make it mine, never letting anyone else near my pussy again.” You are pathetically whining and thrashing. Your nails are raking down his back, surely leaving welts in their wake. He clashes his lips onto yours and picks up his pace. The brutal fucking makes you feel like you’re floating. He licks into your mouth as you let out a steady set of moans and cries. 

Just when you think things can’t get any better, Rhett snakes his hand down to rub tight circles into your clit. Paired with his cock repeatedly hitting the sweet spot inside you, you know the knot in your tummy is starting to unravel. 

“Rhett” you whine, “Rhett, I’m so close.”

“Come on baby, make a mess on my dick. Wanna feel you cum” He responds. 

Clamping down on him, you are brought even closer to the edge. Eyes tightly shut, you turn your head to the side and let out a moan louder than you thought was possible. No one had ever made you feel this good before. You couldn’t even believe that it was the man you had been crushing on for years that was in your bed, in your pussy. And with that reminder of who it was that was fucking you better than you’ve been fucked before, you saw white behind your eyelids. As you reached your peak, heat spreading all the way through you, you couldn’t help but yell out, “Cum Rhett, let me make you feel good. Wanna be good for you, only for you.” 

Unable to resist your fucked out babbles, Rhett ruts into you. Once he knows you’ve finished riding out your orgasm he pulls out from you. Furiously fisitng his cock, he groans out reaching his own release. White ropes of his seed spurt out and land across your tits and you mewl out at the warm, sticky substance coating you. Teasingly, to bring two fingers down to swipe through his release and bring them up to your mouth. You suck on the cum from your fingers, loudly moaning at the salty taste. Both panting hard, Rhett adjusts your panties back, flops over and lays next to you. “Shit y/n. That was amazing. Was it good for you?” And you blink hard through your fuzzy mind searching for a response.

“So good. The best, I think you succeed. Definitely ruined anyone else for me.” Rhett laughs at that. Abruptly, you are filled with a new feeling. It’s warm, cozy. You blush and you realize just how much you have fallen for this cowboy next to you. 

You get lost in the idea that this is the start of something real between you two. No longer will you have to pine for him from afar. He likes you, he wants to be with you. You are consumed by him, forever connected you think. No matter what, he’ll always be there. He’s not leaving. And it’s that thought that brings you so much happiness and lets your body relax completely. 

A wet towel between the valley of your breasts pulls you from the daydream. Rhett has at some point gotten up and found something to clean you two with. You melt, heart softening at how kind and caring he was being. God, you were so lucky. 

The two of you cuddle up and spend the next hour talking about random things. Your favorite movies, what your go to karaoke song is, what you plan to do in the future. And it is easy, it’s the easiest thing you’ve ever done. And when your eyelids become heavy, you find yourself slipping into a peaceful sleep listening to the beat of Rhett’s heart. 

[like-a-bantha]

Lost/Loss

Summary: Everything changed after Eriadu. Hunter becomes withdrawn, and you can't help but worry about him. You do what you can to show him you're there for him.

Pairing: Hunter/GN Reader (No Y/N, no descriptions of reader's appearance)

Rating: T

Warnings: Angst, mentions of major character death

Word Count: 1.7k

AO3 | Masterlist

One week of radio silence. Our contact was supposed to get back to us five days ago with intel on Hemlock and his captives. Instead, we’ve sat around on Pabu tensely awaiting a holocall that we’re beginning to lose hope in receiving.

Phee was kind enough to offer us room in her home, and free reign of her holotable, to act as a sort of base. It’s been quieter since we were last gathered around this table. The usual boisterous laughter and interrupted rants replaced with worried silence broken every so often by a sea breeze that no longer carries the joyous sound of Omega and Lyana playing just outside. That mission, Hemlock, the Empire, took so much from us; it’s taken an incredible amount of effort from Hunter, Wrecker, and I to not allow these forces working against us to take our hope on top of it all.

Echo and Rex referred us to this contact not long ago, someone who they’d worked closely with during the war, someone they trust. I commed Echo. Hunter advised against it, said it wasn’t worth it, that all we could do now was wait. I snuck out to the Marauder to use the long distance com anyways. Of course, the conversation was brief, and he has as much information as we do. Sit tight. Waiting game. All that.

“How’re they holding up?” His voice low, even with the volume adjusted to its highest setting. He’d mentioned returning to Coruscant last time we spoke, it must be the middle of the night there. We always did have terrible sleeping schedules.

“Not well, but I mean…” I trail off, we both know the reason, we both hold some foolish hope that not saying it will make it less true, “They miss you.”

“But you don’t?” There’s that sass, that glint of normalcy I’ve both craved and feared these past two months.

A laugh escapes me as if on instinct, it sounds foreign, “Nah, thought I’d never shake you. So clingy.”

“You’re one to talk, you do realize it’s 0100 here?”

This, our shared brand of humor and sarcasm, too, feels so distant to me now. Slowly, it comes back to me, “Oh, I’m so sorry, did I wake you up? Were you sleeping?” 

“Like a baby.” His warm chuckle crackles through the com speaker, and mine through his. The silence that follows is warm, easing his way into broaching the question, “I take it he’s distancing himself again?”

I sigh, a deep sigh only brought about by reality, “I get it, I really do — and, honestly as bad as it sounds, I wish I didn’t because this kriffing hurts — but withdrawing like this, I don’t know why he can’t see it’s only making the feeling worse.”

“Have you told him that?”

“‘Course. He just says something about how we can’t give up and stares at the holotable. I don’t want to give up, I can’t give up, I just hate seeing him like this.” 

Echo hums, but just as he begins to respond, static and unintelligible voices play loudly through the speaker. “I’m sorry, I’ve gotta go. Good luck.”

I nod, wiping at my misty eyes as I reach for the switch to end the transmission, “Be safe. Talk soon.”

Silence. Mournful, somber silence echoes through the lonely hull of the once lively ship. Everywhere my gaze falls sits a piece of their history, our history; one of Tech’s unfinished projects, a drawing of the ship Omega had called extra credit, Echo’s favorite brand of instant caf. Unable to withstand the weight of these memories, I decide to take my leave and the silence follows me back to the cottage.

I return to a rare sight: an empty house. No Wrecker sitting at the kitchen counter disassembling and reassembling explosives. No Phee asking him to take it outside. No Hunter hovering over the holotable awaiting a call. No com to tell me to hurry back, mustn’t have been an emergency.

I make my way over to the holotable, fingertips gliding across its rounded edge as I approach Hunter’s usual seat. When I pull out the chair, I’m met with a sight that would normally make me laugh. His shredded scarf that he’s grown so attached to, destroyed on our last mission to gather intel, along with his prized bandana that appears to have shrunken in the wash. The best I can muster is a bemused huff, taking the bundle of abused fabric into my arms as I sit. Suddenly, I’m struck with an idea. It could be a very stupid idea, of course, but a very good idea doesn’t always equate to a very smart idea. It’s a perspective thing and seeing as the only perspective available at the moment is my own, I figure I may as well get to it before more perspectives show up.

After careful work, I neatly fold remaining fabric and stash it in my pack with my tools; as the designated mender of the group, I know firsthand there is no such thing as too many fabric patches. Returning to the table, finished product tucked delicately in my vest pocket, approaching voices grow louder and louder.

“I’m telling you, it looks good! Stop fussing, leave it… yeah, like that,” Phee’s voice nears the door, and I’m sure I hear Hunter grumbling about something. The door whooshes open and my eyes widen with surprise. When I meet Phee’s gaze, she seems to silently plead for backup, “You’re back! What do you think?”

She gestures to an unamused Hunter, visibly fighting the urge to fidget with the hat he’s wearing. It doesn’t look bad on him, very few things would, but he doesn’t exactly look comfortable. Unwilling to hold the spotlight any longer, he grabs the floppy brim and removes it from his head, tossing the garment onto the table as he takes the seat next to me. Unable to help myself, I lean forward with a smile and run a hand through his slightly disheveled hair.

“That bad, huh?” Phee sighs, Wrecker following closely behind as she heads for the kitchen.

“I liked it,” The glee still empty from his voice, even at something that would’ve garnered one of his trademark laughs a few months ago.

“Me, too, big guy.” Phee sets a crate of groceries on the countertop. Wrecker’s taken to cooking. Though he’s been much quieter these days, Wrecker seems like himself again when he’s preparing a meal.

Hunter’s gaze is locked on the table, silences between us were never tense like this. When he speaks, he doesn’t look at me. “How’s Echo.”

It isn’t a question, more of a remark, maybe even an I told you so if I really read into it. I answer it like a question anyway, “Good, but no word from the contact.”

He hums. The silence that follows deems the told you so unnecessary.

I reach into my vest pocket. Now’s as good a time as any. “I made you something.”

He hums again, gaze flicking away from the table for half a second in question. Right now, that’s probably the best I’ll get. I place an open palm on the table before him. After a moment's hesitation he rests his hand atop mine, palm up, and I look to his eyes as I delicately drape a band of maroon fabric with thin gold stripes across his fingers.

Hunter’s expression is unreadable, regarding the gift silently. I bite my tongue, attempting to hold in any preemptive apologies in fear that I may have overstepped. My flat expression shifts only when I see his eyes begin to well up, before the first sorry can push past the floodgates he turns to me with the faintest smile. A smile I haven’t seen in too long. His grip tightens around the bandana as he rushes to pull me into a tight hug. Instantly, my arms wrap around him, tears forming in my own eyes. “I love it,” his voice low, he places a kiss on my temple, “thank you.”

“I’m sorry I can’t do more.” My voice comes out a whisper, all of the words I hold back seem louder. “We’re going to get them back, Hunter.”

“Not without a fight.” He says grimly, holding me tighter, as if he’ll lose me the second he lets go.

“I know,” I pull back to look into his eyes, my hand coming up to cup his tattooed cheek, “but we fight as a team. We can’t keep bottling all of this up, we need to take care of each other, ourselves.”

Hunter rests his forehead against mine as he sighs, “You’re right.”

“I know. How’re you feeling?” He shuts his eyes as my thumb gently ghosts back and forth over his cheekbone.

He thinks for a moment before releasing me, opening his palm to look at the bandana in his hand. “Lost,” he turns the garment over, examining the back, “Loss. I couldn’t protect them. You, Wrecker, Phee, you’re all I’ve got now and I’m afraid I won’t be able to protect you either.”

“Tech protected us. Omega, too. I think it’s cruel to put that duty solely on yourself, Hunter. It’s an impossible weight to carry on your own,” A tear falls from my eye, quickly sliding down my cheek before landing on my pant leg, “please, let me carry some.”

“Giving it away doesn’t sound easy, either.” His own tears threaten to spill over, I hope I never get used to the subtle, somber shake in his voice, “But I’d like to try.”

When he looks up with a sad, weary smile, I can’t help but lean forward and place a small kiss to his lips. I begin to withdraw, but Hunter’s palm cups my cheek and pulls me back in for a longer, gentler and tearful kiss. This time, the silence that follows is peaceful as he rests his forehead against mine once more.

His loose hair falls around his face and I accidentally pull a few strands into my mouth as I inhale. He chuckles a bit as I pull away, a sound I’ve missed dearly. I can’t help but let out a small laugh of my own, reaching up to once again run a hand through his curls, “It’s gotten so long.”

Hunter smiles, turning the bandana over once more before presenting it to me, “Do the honors?”

With a smile and a nod, I take the cloth from his grasp, delicately wrapping the fabric around his head and tying a single knot.

“It’s perfect,” He places a soft kiss to my knuckles, taking my hand in his, “thank you.”

The holotable chirps. Incoming transmission.

A/N: Someone pointed out Hunter's hair looks longer, plus the new bandana, I just had to get this out of my system. Thank you so much for reading, I hope you enjoyed! Let me know what you think, comments mean the world to me! <3

[racefortheironthrone]

With how much focus she has received since the beginning of the Krakoa era, what are your thoughts on Storm ? And do you agree on the perception that she's becoming something of a Mary Sue?

I’m going to start with a mini-rant about the Mary Sue.

To the extent that there is any validity to the term at all, it is solely and exclusively within the realm of fanfiction. A Mary Sue is an OC (original character) whose supposed annoying omni-competence is really secondary to the main problem with the character, which is that they warp the narrative away from the main characters of the source material - Kirk and Spock or Picard and Data stop doing things that drive the plot, and instead just stand around asking "where's Poochie?"

Outside of fanfiction and in the realm of the media that gives rise to fanfiction, a prominent character who is incredibly talented and powerful and who makes the plot center around them is called a fucking protagonist - so no, Rey isn’t a Mary Sue, Carol Danvers isn’t a Mary Sue, Katniss Everdeen isn't a Mary Sue - none of them are Mary Sues and anyone who claims otherwise is showing that they have deep-seated Issues with female protagonists in their fiction.

Is Storm a Mary Sue?

Even if we weren't talking about the most prominent black woman character in fiction, I would consider this question pretty damn offensive, both because no one would ever ask this question about a male character and - in a franchise packed to the gills with hyper-powerful women who make the plots revolve around them and who even get the complementary Love Triangle - no one sends me asks about any of those (white) women.

But to answer your question: no, Storm is not a Mary Sue - she's the main character of the X-Men.

See, when Chris Claremont took over X-Men in 1975, he did so with a brand-new cast of characters, the so-called "All-New, All-Different X-Men." In no small part because they were far more diverse and more colorful than the O5 (suburban WASPs one and all), most of these characters would become break-out stars and the core of the X-Men from that day to this.

However, Claremont didn't vibe with all of the All-New X-Men equally: he had Sunfire quit the team (repeatedly), he killed off Thunderbird for shock value (a death that has only been reversed this last year), he would have killed off Wolverine if John Byrne hadn't stopped him (Claremont would later turn around on Logan once he worked out his voice), etc.

But one character that he vibed with right from the beginning was Ororo Monroe. From the very beginning, Claremont's Storm is the most powerful of the All-New X-Men, both in terms of her powers and in terms of her personality, being the only person who can face down Logan. At the same time, she's complicated by her struggles with crippling claustrophobia caused by the Suez Crisis-induced trauma of her childhood.

After a few years, Claremont tired of the African Nature Goddess routine and had Storm experience an almost total transformation that nonetheless was completely grounded in her character. Feeling overly limited by the total emotional control required of her powers, Ororo undergoes a subtextual lesbian awakening in Tokyo's underground punk scene and emerges out the other side a free spirit, leader of the X-Men, and Queen of the Morlocks.

In his most audacious move in LifeDeath I and II, Claremont had Storm lose her powers thanks to Forge's anti-mutant tech - and then defeat Cyclops in a duel for command of the X-Men without her powers - and then regain her powers in an epic cycle that saw the X-Men die and be reborn as outlaw heroes in the Australian Outback.

In sum, Storm was clearly Claremont's favorite character and, as a result had the most interesting character journey over his 16-year run on X-Men.

Storm in Krakoa

And then Storm basically lay fallow for almost thirty years. In no small part due to the pioneering work done by Claremont with this character, later writers were frankly too intimidated to touch the character and so starting in the 90s, Storm was increasingly sidelined in the comics in favor of the characters that were commercially "hot" at the time - Wolverine and Gambit, especially.

In the 2000s, the most significant thing to happen to Storm was her marriage to T'challa. While I think Reggie Hudlin had mostly good intentions with this decision - he wanted to create a black power couple at Marvel and thus put together Marvel's most prominent black man and black woman into a relationship - the result was to make Storm a supporting character in Black Panther comics, rather than a main character in X-Men comics.

I would argue that it is only recently with the advent of Al Ewing as a major writer in the X-office with S.W.O.R.D, X-Men Red, and Storm and the Brotherhood of Mutants that we've gotten a writer who's not afraid to write Storm as she deserves to be written - as the most powerful of the X-Men, the Regent of Arrako and the Voice of Sol, the standard-bearer of Magneto's legacy, and a woman trying to balance the demands of two planets and her own desires.

[saintsenara]

12, 14, 16, and 22 for Snape asks please

I am most interested in your view of Lily as a character. To me, she never really seemed to live up to the hype I see? Like, I get the point that she's supposed to be Harry's mother and is supposed to be seen as the one who can't do any harm because of the sacrifice and all that. But I don't know whether JK purposely or intentionally put, like, the worst flashbacks to portray her as angelic(?). If I remember correctly, she wasn't even talked about as much as James by Remus or Sirius, they had to add things about her in the movies.

I can't ever see Lily as a good friend to Severus. To others, maybe, but I feel like it was different with Severus. More like a complicated one that was give-and-take, including Severus. Severus, an abused poor boy from Cokeworth, who knew about the wizarding world and Lily, a girl brought up in a happy family, who knew nothing about the wizarding world. Severus was able to get a friend while Lily gained knowledge of the wizarding world. But the one thing that cements this view of mine is the line where it says that Lily looks as if she was about to smile when Severus was being flipped over. Plus, I don't care if anyone says that she tried to defend him, but girl couldn't even use her wand or take points off as Prefect?? Girl was literally making a show, or whatever you want to call it.

Sorry about the rant, but I'm all for a good friend Lily in fics but when people say she was like that in canon? Maybe at times, but not when it mattered. I'd love to hear your opinion though.

thank you for the ask, @be-at-peace05!

[snape ask game here]

12. if you had to choose a golden trio era student to be snape's friend, who would it be and why?

while i don’t subscribe to the idea that he’s his godson, snape’s affection for draco malfoy does seem to be completely sincere. malfoy is also possessed of the sort of intellectual curiosity which snape obviously values (for example, how he figures out how to repair the vanishing cabinet - it’s genuinely impressive, and the fact that this is what he might be doing is certainly something which doesn’t occur to anyone in the order) and, while there’s no doubt that snape probably has as little interest in hearing him whine about everything as lucius does, i can see them having some genuinely fulfilling chats about potions. after all, malfoy gets an outstanding at owl, he must be good at the subject and he does seem to be interested in it.

14. what do you think is snape's favourite potion to prepare?

veritaserum. you just know he was chuckling to himself the whole time he was whipping that fake batch up for umbridge.

16. were you ever a snater? how and when did you become a snover?

i’m also extremely theatrical and fond of chemistry, so snape was always my boy.

i’m also capable of understanding the genre conventions which govern children’s literature and which require him to act as he does, so even when he was being a cock to various children we were chill.

22. do you think that lily was a good friend to snape?

well… this is the big one.

and the answer is no - but.

i always think it’s worth, before discussing lily, doing some quick acknowledgement of her narrative role in the story, which is a major contributing factor to why she feels a bit of a flop in person compared to the way she’s built up by other characters.

lily’s characterisation in canon is primarily hamstrung by two things. the first, as you note, is that her sacrificial role within the story requires a certain degree of perfection - not least because the harry potter series borrows heavily from the genre conventions of christian literature. lily is the analogy for the virgin mary - as we see when her purity of spirit succeeds in inflicting the first defeat on the satan-coded voldemort which will then be fulfilled by harry-as-the-resurrected-christ in the final stages of deathly hallows. obviously, a marian symbol is denied the complexity of other women - and that’s without even getting into the fact that the series has an extremely limited view of what ‘good’ motherhood is.

the second issue is that the text needs to keep lily’s centrality to the mystery hidden for as long as possible, not least because it needs to obscure snape’s true loyalties - and the role lily played in triggering them - until the very end of the seven-book series. this is the reason why sirius and lupin only speak about her once (after harry sees snape’s worst memory - and, even then, they’re mostly talking about james) and why harry’s self-conception is rooted entirely in his father - or in characters like sirius who are stand-ins for james - until half-blood prince, when the narrative begins to suggest that his mother is much more important than harry has previously given her credit for.

[the best way to illustrate this is to note that harry doesn’t give a shit in order of the phoenix that snape calls his mother a mudblood. his primary concern is that his father was a bully and that sirius aided and abetted him - when he thinks about lily, his concern is only that she doesn’t seem to like james, and his worry that his father forced her into a relationship. he doesn’t raise the fact that snape called lily a mudblood with sirius and lupin, and he doesn’t mention it to anyone else. but he cares - viscerally - about the slur at the end of half-blood prince, once the narrative is explicitly trying to convince the reader that snape is an unambiguous villain.]

these narrative necessities are a heavy burden for the canonical lily - and so i think she deserves some grace when it comes to how we analyse her behaviour in the snapshots of her as a real person we get in canon.

because of course she’s not perfect. why should she be? teenage girls are allowed to be less than flawless people - even towards their best friends.

[as an aside here, i think we have to be very careful - in our reading and our writing - not to replicate the contempt that jkr has for women who don’t fit her narrow view of ideal female behaviour. jkr loathes bitchy, girly, flighty, butch, rude, vapid, ugly women - just look at anything she’s ever said about pansy parkinson - and she tends to write her heroines - ginny and hermione chief among them - as that perfect not-like-other-girls storm of exactly pretty and clever and popular and brave enough to be worthy, but not so pretty as to be vain or clever as to be haughty or popular as to be slutty or brave as to be villainous. lily gets this treatment - and i think this drives the tendency of readers who dislike the way she behaves in canon to be hyper-critical of her characterisation. but the issue with this is that it’s also confining ‘good’ women to narrow boxes - while, all too often, allowing male characters a complexity their female counterparts are not permitted.]

which is to say: no, lily isn’t a good friend to snape. but he’s not a good friend to her either.

the issue that the two of them have is that they each relate to the other as though the other is the version of them that they’ve constructed in their head. they never take each other as they actually are.

it’s clear in canon that lily never moves beyond seeing snape as the child - devoted only to her - whose role was to teach her about the wonderful world of magic, and who acted primarily as a tool of her own self-actualisation. this is the reason why she can’t understand why snape is so concerned about fitting in at hogwarts - above all, why he wants to be friends with mulciber and avery - or why she never realises that he wants to be reassured of her affection for him versus the marauders, or why she doesn’t take what happens to him at the marauders’ hands seriously until she is made a part of it by james, or why she doesn’t understand snape’s relationship to his own social class and its role within slytherin. she simply doesn’t conceive of him as someone who exists for himself or who has a life of his own - he exists for her.

and snape thinks the same - he sees himself as the person who gave lily the wizarding world and, therefore, as the person who gets to dictate how she understands it. this is the reason why he can’t understand why she pushes back on his defence of mulciber’s use of dark magic (since he - in a very voldemort-ish move - clearly thinks that applying boundaries to what magic can and should be studied is gatekeeping), or why she doesn’t agree with him that the death eaters will help him, or why she’s upset when he’s rude to petunia, or why she leans into the performance of class expected from muggleborns (sucking up to slughorn, taking her pureblood husband’s name) in a time of increasing sectarian tension. she exists for him.

this assessment obviously makes them both sound incredibly cruel, but actually this is the way that childhood friendships often go. it’s very easy to see how the fact of being the only two magical children in cokeworth was validating for both snape and lily, and how this formed a tie between them which was very fierce but very brittle - which was never going to do anything other than shatter as they grew older, especially as they became aware of things like social structure, political affiliation, and sexual desire. it’s cruel of lily to laugh at snape’s poverty - absolutely - but it’s also the way that lots of teenagers who haven’t entirely grappled with their own relationship to society behave, and it’s also true that acting up in front of a boy you fancy is a time-honoured tradition which can also cause you to be quite cruel. lily isn’t nice by any means when snape is being attacked by james and sirius, but she doesn’t have to be. she just has to be human.

there are two final points which i think it’s worth being aware of:

the first is that snape evidently stands out as one of the few visibly working-class students in the castle [so much so that i have a meta in my drafts about whether or not hogwarts is a selective school] and the fact that he is obviously targeted for his poverty is cruel, and i understand why it makes many fans want to defend him - particularly given the fandom’s fondness for glorifying aristocracy and wealth.

but lily is also an other in wizarding society. i think it’s often not taken as seriously as it should be by snape fans just how terrified she must have been for her own safety, particularly from the later 1970s onwards, when all the evidence of canon is that voldemort is about to win. the wizarding world is set up to exclude her just as much as it is snape, and while we can and should be critical how her response to his poverty is unfair, we have to do the same for his outright refusal to acknowledge that she is subjected to discrimination on the basis of her blood status.

the second is that we don’t actually know if lily was a prefect - she was head girl, but james managed to become head boy without having been one. the person we do know was a prefect was remus lupin. if we’re criticising anyone for failing to intervene, it should be him.

[jaxplosion]

Been binging Courage the Cowardly Dog lately and have noticed some actual amazing writing in it so I’m gonna rant.

So starting off- courage. S4 Ep13 actually provides a lot of info about his backstory which i find really interesting. We learn that he HAD biological parents but after an accident he caused they were stolen from him and sent away. I honestly think this explains A LOT about why Courage is the way he is. The interesting thing is that this Eps second half is a whole bit about him feeling the need to be "perfect" due to a comment Eustice made (more on him later). Genuinely I don't think that that pairing was an accident at all. I think Courage feels at fault for his parents, which explains his constant anxiety and need to be "perfect".

Courage absolutely SPIRALS in this ep after Eustice says he can't do anything right- hallucinations, night terrors, and genuine crying which we don't see that often (usually he just looks sad). Which makes perfect sense because he's convinced himself that his parents demise was all his fault. He's constantly crying for help by putting his life on the line to make up for what he believes he did. His need to protect others his constant self doubt... it just all makes sense. (We also see him growl in this episode which personally i think is interesting because he NEVER does that with anyone else despite how many evil people he's encountered, so clearly he has a lot of genuine pent up emotion) I also possibly believe that his dialect is supposed to represent him going nonverbal. He CAN talk but the only time we really see him do it is when he's with Muriel, who he feels the most safe around, and in the "perfect" episode when told to speak his words become more and more incomprehensible the more stressed he gets. Just food for thought.

In another ep Eustice visits his mother which honestly... even though it was meant to be satirical holy shit its lore filled.

Ok so Eustice is a POS, it's not a secret he's a jerk and i despise him. However...he actually has reasoning behind his actions. (WHAT???? I know) We see a lot of parallels between him and his mom. Basically.. he treats courage the way his mom treats him. That, along with the hunting episode where we see his older brother basically spit on him and his passions, i mean cmon..this man is an actually decently fleshed out character. A textbook example of family trauma and how it effects you even as an old man, and how it can effect your kids by making them internalize everything.

The fact that a cartoon show from the 90s about a screaming dog was able to accurately and respectfully portray family and childhood trauma is just so.. bizarre to me. I honestly don't even know if they knew what they were doing but damn.

Anyways if you made it to the end yay!! Have a cute Courage gif

[ask2pame]

regarding your rant on frances design: TELL ME ABOUT IT. tbh i think all the designs peaked with beautiful world, and everything after that was just...discount budget versions of whoever theyre supposed to be. the beautiful world designs are GORGEOUS on their own, but compared to world stars? theres no contest. some designs i do like, like england looks nice, if not a little too polished, and portugal is really cute, but everyone else just got twinkified and butchered. and i love a twink! i do! but they look like they could be swapped out with my little pony designs and it wouldnt make a difference. france to me will always be a blonde with a ponytail, a little unkempt, with chest hair and stubble and flamboyantly manly with a touch of tragedy. thats france to me. not whatever waif they cooked up in the more recent series

// ok ok i can't tell if u mean like ''oOOOh tell me about it' as a phrase or u actually are inviting me to tell you about it but i'm going to take it as permission to ramble <3 but im putting it under the cut so i dont spam

okok so UR SO RIGHT i think the new designs are so OFF... like it kinda lost the plot. the characters are all weirdly polished?

ok im just gonna run down the characters i have a lot of thoughts about CUZ my god

ENGLAND!!! its gotta be beautiful world

cuz the early seasons england gets his crankiness on point but this design fits just how cranky and posh(?) he is, like he dresses like an old man and wears outdated 'punk' fashion, he drinks tea like an old lady.. it fits hes cute and expressive.

this england isLOSING hair where did his EYEBROWS GO!!!! thats HIS WHOLE FUCKING CHARACTER but also i really dislike the change from him going from a dirty blond to a bleach blond... doesnt work...

i want my man to look like he has a nicotine addiction, rugged and smug as shit. i think they leaned too hard on the 'tsundere' trope for him cuz hes not puffy cheeks with pouty lips hes an old man with a laundry list of war crimes

-

ROMANO

ok. this one is a little hard cuz romano is good in ever season but he has these little minor changes that drive me CRAZY but my favorite will always be the earlier seasons

this ver of romano was a NASTY bitch he just showed up to be an asshole and i love it so much , i love his hair being dark brown with brown eyes ok , at the minimum his design fit his voice...

for beautiful world i think hes cute but i really don't ? like his eyes being green? like i dont know it just never felt right to me:( i like him having brown eyes

and later his design leans into the prev but when u look at him u don't see that one guy who REALLY doesn't wanna be here hes . too soft?

and the newer romano does have the bad attitude but now he's suffering from the 'progressively becoming a ginger' syndrome that a lot of hws characters have now

-

RUSSIA

my pick for him is all over the place bc i think his new design is SO FUCKING CUTE like i wanna bite him and crocodile death roll him but i think he is SUFFERING from cuteness.... hes so . soft?

earlier seasons of russia showed up just to say some morbid shit and be brutal as fuck but he could also lean into being cute, thats his whole gimmick, cute but scary. his current design is cute with no threat.

i think beautiful world had that balance between cute and scary, he was cute and say mean shit like before and was ready to throw down any time america showed up, thats his whole deal. and you know at the bare minimum he's supposed to be fucking BIG and world stars makes him look like a fucking twink

-

SPAIN

beautiful world was WORKING to make spain look good, he was ugly . he was boring. and then he walked in with a new tan and a warm hair color and the cutest smile (tho its hard to find pics of spain in these seasons cuz hes younger in a lot of them) and then it's just

what the hell happened here. i feel like im going insane but did his skin tone get ashy? like it looks more grey. and i know saying spain is 'tan' is generous but what the fuck happened. why did all his colors dull, why is his hair so . boring. where did the body mass go, where did the attitude go... world stars spain is very 'head empty' and not in a good way ....

-

CHINA

one of the most overlooked characters but i love him

i think my favorite ver of him is still his original cuz i preferred him with dark brown hair and dark brown eyes and he's side part... it was so cute... and they swapped it for a middle part .... </3

like he was so cute ;; plus i preferred him as this kinda irritable older know it all character, like he was groaning and huffing and did NOT want to be there. but then he kind of got? infantalized(?) i think they wanted him to be cute but idk if china is considered one of the ancient nations by its own rules, then can we tone down the :333 factor on him a bit

like just comparing but this might be me raise hands at hima for this characterization. what did you do to my boy

like do u see it. am i crazy

-

these bitches

these 4 just suffer from success in their OG and the beautiful world just made them way better (except i miss italy's darker hair </3) and then they just got handed bad animation in world stars

ok thats all i have time for rn BUT YEAH

[bennie-jerry]

My Beef with Miguel O'Hara - A Spiderverse Rant

If you've read the title of this, you already know who I'm gonna be crapping on.

I know some of y'all are gonna flame me in the comments, but I do not care. Now, if you’re willing to bring up counterpoints about a FICTIONAL topic in a respectful manner, I’ll listen no problem because I don't mind being wrong (and I actually HOPE I'm wrong about this since I WAS excited about watching Miguel in action because there was so much hype around him). But if you take me having beef with a fictional character as me having beef with YOU, then I politely ask you to spare your mental health and drink some hot chocolate under a blanket after you click away from this post, thank you. 

Now back to the topic.

Most of us Spider-Man fans have seen the movie, "Across the Spider-Verse" at some point (and if you haven't, what are you doing? Go watch it, it's on Netflix). Excluding everything that makes it a masterpiece aside, there's one character in the movie who really grinds my gears. Not in terms of how they’re written, but more so just how they are as a person in general. 

Miguel O'Freaking'Hara. 

I do not like Miguel. I feel pity for him, but I do not like him. I do like him as a character, though. I feel like he definitely adds to the story and makes it interesting. I genuinely feel like ATSV would’ve been really boring if he wasn’t part of it. But I do not like him as a person. 

Miguel doesn't JUST have a stick up his butt, he has the whole TREE.

I couldn't care less about the fact this dude looks like a handsome statue because of the stuff he was doing to Miles. I think y’all forgot that this dude THREW A TABLE AT A MINOR UPON FIRST MEETING HIM and then has the nerve to throw away the food Miles got for him like it's trash. If that’s already not a red flag, I don’t know what is.

I don’t care if it was just ‘frustration.’ Miguel's 27 years old, he should know better. Unless Miles was attacking him in the beginning (which he wasn’t), there’s no reason he should’ve done that. But oh…I have much more beef with this dude than just a table. 

I understand that his supposed role and whatnot in the Spiderverse is that he has to keep canon events going. He has to get rid of 'anomalies.’ Unfortunately, Miles Morales (from Earth-1610) is an anomaly because he was never supposed to be the Spider-Man of his universe. So, what does Miguel do? He tries to obliterate the guy.

…Ex–freaking-scuse me?

"Oh, but Miguel tried to talk to Miles about everything!" 

Yeah. And he did it in the worst way possible. Miguel had absolutely no empathy towards the whole situation, then has the gall to wonder why Miles is running off and not listening to him. No dip, Sherlock. I'm pretty sure if you harshly told any normal person that someone they loved deeply was going to die and that they couldn't save them without any hint of compassion, they'd go against what you said and try to find a way to save them, bro. 

Miguel's whole schmo is that Miles becoming Spider-Man was bad because it created Spot and Spot's creating a bunch of problems. As a result, Miguel also tells Miles that saving his dad is not allowed. Here's where I have a problem with that logic. If Miles being Spider-Man is an anomaly in the first place, why NOT save Jeff as a way to prevent more anomalies from HAPPENING? If anything, Miles losing his dad would've just been another canon event for him to continue BEING Spider-Man, even though he wasn't supposed to be. Legit, this dude’s logic irritates the pee out of me.

Miguel's approach to the problem is also hypocritical considering that he lost his own wife and daughter in the universe he belonged to, then invaded ANOTHER UNIVERSE he didn't belong to, which honestly in my opinion makes Miguel look even worse to me. I'm willing to bet that Miguel’s alternate daughter could’ve been that universe’s spider hero, but because THIS vampire edge lord stepped into a universe that was NOT his, it prevented the canon event of the classic “Dead Guardian trope,” leading to that universe’s evaporation.

Another thing that irks me about the whole thing is that MILES IS LIKE 15-16 YEARS OLD. So as far as I'm concerned, O'Hara is trying to eliminate a KID. Even though he knows what it's like to lose a KID. No wonder the multiverse prevented him from being a father—he’s violent, unstable, and completely short-sighted. He’s out here chokeslamming a teenager and calling THEM the mistake. Just because you went through grief and trauma with your own children, it isn't an excuse to take the breath of another child. 

(Y'know, considering the events of Multiverse of Madness, I'm kinda seeing a pattern here--)

Miguel, for some reason, refuses to have a smidge of sensitivity for what Miles is going through. Heck, even Gwen and Peter Parker had more empathy for Miles despite them not telling him he wasn't supposed to be Spider-Man because they actually cared about his feelings TO SOME DEGREE.

I hate Miguel’s whole “You’re a mistake!” speech because Miles didn't create the spider. Miles didn't summon the spider. Miles didn’t choose to get bit. He didn’t find it on his own terms. Miles didn't choose to create Spot—the one who’s actually causing them problems. Someone ELSE brought the spider there. Someone ELSE took away a universe’s Spider-Man. Miles is just trying to deal with what he’s been given. So if Miguel wants to go after ANYONE for ‘anomalies’ in terms of Miles’ universe, he needs to track down the person who put something where it didn’t belong.

For crying out loud, he told the boy that HE was a mistake. It’d be one thing if he said “You being Spider-Man was a mistake” or something. But no. He says that Miles IS the mistake.

During that whole speech, it sounds like Miguel is trying to tell Miles that everything is HIS fault as if Miles had a choice in being bit. As if Miles even had a choice in the fact that a radioactive spider from an alternate universe chose to bite him. 

There were so many other ways Miguel could've handled the issue and he didn’t do that. I don’t care what his so-called intentions could/would be because it really put a disgusting taste in my mouth. 

I still have no respect for the fact that he hypocritically and previously invaded another reality where he was dead so he could be with his family--and here's what I mean by that.

Yes, I understand--Miguel's life on his original earth was freaking sad. He lost his wife and daughter. That's obviously a very tragic thing to go through. But it’s the fact that he's cracking down on Miles so badly despite Miguel LITERALLY being the one to pull a Kingpin vexes me. Miles had ALWAYS belonged to his universe. Miguel’s only in the dump he’s in because he was trespassing.

Don't get me wrong, I feel pity but I absolutely cannot stand the audacity of this man to go after a kid who got bit IN HIS OWN UNIVERSE even though Miguel was the one who contributed to some multiversal disaster in the Spider-verse. You could try to say, "Oh, it's because he doesn't want to make the same mistake again and shatter the Spider-verse or something!" While I could understand that, it’s still not a good reason for Miguel to do and say the stuff he did. I thought at the bare minimum, he'd be at least able to RELATE to Miles considering that he also lost people he cared about.

End conclusion: 

Miguel is vexing to me–but I don’t hate the way he’s written. If anything, I think if he wasn’t written this way, the ASTV movie would be very different. Whether that’d be for the better or the worse, I’m willing to bet most of this storyline wouldn’t even exist were Miguel not like this. So even though Miguel absolutely grinds my gears with his mindset and who he is as a character—I’m not mad at his writers. And I honestly feel like that’s just a showmanship of how great the writing for the Spider-Verse movies is. Good writing is when you’re mad at characters for the decisions THEY make, and not at the WRITERS for having them make those decisions. 

I’m out.