Passing as a trans man is a nuanced and complex topic, but one thing I have been noticing as somebody who is a cis-passing (white) trans man is the way I'm treated when there is conflict.
I've noticed that in conflict, people are almost meek around me, willing for me to try working with them up until a woman is involved. When a woman (or, really, anybody who the other party assumes is one) is part of the conflict, they direct all their anger and rage to them. It's fucking insane the way a woman is treated when there is conflict, even if it isn't her fucking fault. These people are fundamental cowards for seeing my manhood as the only reason they can't be openly hostile to me, but it reveals a lot about how a misogynist thinks on an almost primal level.
I'm watching the women and people around me I care about being torn apart by people, and that's unacceptable. I can't sit around to watch it, and I don't want to do that. I need other people to perhaps read this and remember to not stand by if there is something that you can tangibly do to help, even if it's to lend a listening ear or let the person vent.
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If you have the time, I would like to hear your thoughts on the parallels between itadori and suguru pretty pls😌🎤
omg i would love to. it’s honestly one of my fav parallels in jjk. i think it sometimes gets overlooked bc itadori is more jovial/fun/light color schemed like gojo and fushiguro is more serious/dark color schemed like getou BUT. just listen!!
to begin this parallel, we can start with the most obvious one in my mind. and that’s the fact that itadori and getou both ingest curses. they quite literally eat them. they’ve both talked about their taste—how gross they are. getou remarks that no one knows the taste of a curse. but now itadori does.
my next parallel between them is more in terms of their story arc. both of them have very strong morals; morals which their counterparts (gojo and fushigro) sort of scoff at in the beginning. itadori and getou both believe that people need to be protected. and those who are stronger, should work to protect them. NOW….getou’s do change. but let’s look at the moment that forever changes him; it’s strikingly similar to a moment itadori has, too.
the moment riko dies for getou is incredibly similar to how junpei dies for itadori; in the sense that, here was this person they had worked to protect and save, here was this friend who they wanted in their life, and all their ideals they had placed in them, being torn very gruesomely away. this is also a pivotal moment for every wide-eyed sorcerer. they must deal with death. and the death of those closest to them.
morally, this is where their paths diverge. but we certainly see itadori begin to spiral the way getou also had to spiral when faced with the constant death and loss of other sorcerers. specifically i’ll show these next two panels to depict that;
same position. same idea is being conveyed for both. lost, traumatized, uncertain of the morals they once held; where did it get them? where did it get others? for both, many ended up dead.
now the other parallels i’ll draw…one of which is almost an exact replica of the other, is the way in which their bodies are not fully their own anymore. kenjaku inhabits getou completely and uses his body to do things he would not have done. similarly, sukuna does the same to itadori. and there are moments where getou and itadori have tried to fight back against the one controlling them;
that parallel is the one that really did it for me. oh it’s so poetic in the most wretched way. i love it.
beyond that, both itadori and getou are not from prominent families in the sorcerer world. there is little expectation placed upon them in this regard. also, they both get entangled in the politics of the higher ups and both are ordered to be hunted and executed at a point in their story.
now i could also bring in gojo and fushiguro, too, which would also highlight the parallels between them. both are from prominent sorcerer families and have a lot of expectations placed upon an extremely powerful inherited cursed technique. both grew up in the sorcerer world. getou and itadori juxtapose them in which they have to learn how brutal this world is. in fact, they serve to remind gojo and fushiguro that the world doesn’t have to be the way it’s always been.
now, of course, morally, itadori is not like getou. and their parallels are not exact nor should they be!
itadori (and fushiguro) serve to try and end the cycles that getou (and gojo) were trapped in.
in my mind, the parallel here was always one of hope; itadori is supposed to do what getou failed to do. narratively, he has been set up to end the cycle.
at least, he had been. i’ll stop here before i start cursing out akutami and his absolute assassination of itadori’s character in more recent arcs and chapters. but really truly the getou/itadori parallel is a favorite of mine, much like the gojo/fushiguro parallel. i think this is where jjk’s writing is at some of its strongest.
thank you for asking!! i hope you enjoyed my lil analysis/presentation!
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Asagiri loves writing partnerships but one I constantly think about even if not relevant in any way to the main storyline is that one detective in Gaiden and his deceased partner.
(heavy spoilers for Gaiden if you care move along)
Because that man is basically introduced talking about how Kyougoku is responsible for the death of his partner and he wants revenge for it. Oh, classic Asagiri move, of course the guy had a partner, I chuckle, shake my head, move on.
Then turns out that partner was a woman, who the detective learned was 3 months pregnant after she died. Oh, that one's new. Was this partner a work partner alone? was she his life partner too? The detective is saying all these facts while looking at his now ungloved hands, as though seeing the blood on them, and with vengeance in his voice. I'm thinking about how every other partnership Asagiri ever wrote was presented as platonic (ambiguity points to rimlaine) and what it could mean in this particular case.
AND THEN final twist at the end, the detective himself was the one who killed his partner. Yes he did it because of Kyougoku, but like many bsd villains, Kyougoku was the kind of villain who never dipped his own hands in blood and got other people to do the bad things in his stead, only "helping" those who were already willing to commit atrocities. That detective decided he wanted to kill and then it ended being his partner. THAT'S ALSO NEW.
Asagiri has written so many partnerships and pair ups and the key theme is always trust. Trust being built, trust being gained, trust already established, trust based on circumstances, trust that was one-sided, trust being lost. But the closest thing to a real betrayal we have are Verlaine shooting Rimbaud because Rimbaud didn't understand Verlaine's desires and fears because Verlaine wouldn't share them, and Fukuzawa and Mori's short and fragile team up falling apart over Yosano.
THIS GUY THOUGH just got up one morning and decided murder was a fun new idea! and killed his freaking partner that may or may not have been his pregnant wife he wasn't aware was pregnant!! Asagiri!!! what the fuck!!!!!!!
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Looks like Someone stole her mommy’s phone to circumvent my IP block lol. You need some attention, Domina? You getting bored under your bridge? Get used to it, because now this IP is blocked too.
Still, I have to laugh, because once again you are utilizing big words to try and intimidate me, but because you’re about as literate as a rock at the bottom of the Marianas Trench, you’re doing it wrong. Female chauvinism is an entirely different beast from plain chauvinism (also called MALE chauvinism, for reasons that should be clear to you). Next time, just cut out the word ‘female’ and call me a misogynistic sow again - we both know that’s what you wanted to call me in the first place.
Also, it’s amazing how someone who’s trying to accuse ME of misogyny just referred to two prominent female characters as objects that were readily interchangeable, with their only impact on the story being their effects on their male love interests. This is tragicfantasy-girl, folks! Voice of downtrodden women EVERYWHERE!
I love it, you completely disregard Padmé’s and Satine’s feelings on this matter. As much as I may joke about how Obi-Wan is the objectively more attractive man, I sincerely doubt Padmé would be more than passingly interested in dating him - Natalie Portman specifically said that Padmé liked Anakin because he helped her escape from her adult life into a romantic fantasy she hadn’t had the opportunity to indulge during her short childhood. Obi-Wan was not in the business of escapism, so she never really thought of him as more than a friend or a coworker.
And Satine? Satine would have ripped Anakin a new asshole, let’s be honest. She would have started gently, hinting strongly that she still thought of him as a child, wearing the dowdiest clothes in her wardrobe, maintaining a minimum distance between them, setting up a cover story as a brother and sister traveling rather than a married couple. Then, she would have firmly denied his advances, tried to set him up with her younger sister (and her nephew, when that fell through), had him sit and watch her do paperwork all day, and when he broke out the amateur-night Shakespeare monologue, she’d haul out the big guns and say “oh, Obi-Wan used to say the same things to me when we were young.” And, when she heard that he committed the war crime of collective punishment by killing Tusken Children for the crimes of their parents, she’d have reported him to the Council immediately upon seeing them, middle of a battle or no. Anatine as a concept is DOA.
But don’t let that stop you! If you really want to write that fanfic, you go on right ahead, Domina! I know you’re probably blonde in real life because you have this weird fixation on blonde female characters that makes you take any slight against them too personally! Why don’t you turn that energy into writing the Anatine fic nobody except you has ever asked for? Project your rancid personality on Satine and bone Anakin in effigy as much as you want! It’s what fanfic was MADE for!
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