Explore Tumblr blogs with no restrictions, modern design and the best experience.
Fun Fact
Kazakhstan’s Minister of Communications and Informatics has blocked the Tumblr site because it contained 60 sites of terrorism, extremism, and pornography in 2015.
you might be wondering “is my dear friend tumblr user girlfriendsofthegalaxy still unemployed?” the answer is yes. take this cat off my hands please i don’t think he’s causing the unemployment but he certainly isn’t helping
listening
via Wendy @dying-suffering-french-stalkers, Huoy Meas' ប្រគល់ក្ដីស្នេហ៍មកខ្ញុំវិញ. figuring out what this incredibly zippy Cambodian rock song is named and what it's about was really difficult bc spotify is a bane upon this earth and won't let you fucking copy-paste and OCR was not working on the Khmer script. i ended up listening to the first couple seconds of each of her songs on apple music, and finally figured out this roughly translates to Give Me Back My Love and is about begging a fuckboy for closure.
youtube
via the spotify discover weekly, Night Club's Pretty Girls Do Ugly Things. all Night Club's songs sound the same so if you like one, great news! i had this song on for a full gregorian hour bc, i am only a tiny bit ashamed to say, i was storyboarding a The Man With No Name fancam to this. i think it would go pretty hard.
Smoke you like a cigarette
Choke you like a lariat
Fatalistic tourniquet
Do you want more?
-
reading
thank you mackintosh.
i did not Adore any of these comics from the library. i sort of enjoyed Night of the Ghoul, a one-volume TPB by Scott Snyder and Francesco Francavilla. i think ive blogged about this before but every once in a while i'll get a bee in my bonnet to read some horror comics even though i am a giant baby about horror movies.
Night of the Ghoul is about how you can't save your dad from PTSD but also about a lost horror film and also about the extremely dad behavior of tracking down every scrap of info about an auteur. there's also a monster.
the subtle art changes from present day to the remains of the film to the non-film flashbacks are well done, imo. the cover screams mignola but the inside pages are really fun pulp nonsense. i love a piece of genre writing that rolls around and delights in being a piece of genre writing.
im doing my level best not to get sucked into tiktok but i DO love watching this lady revive antique nail polish and look for dupes for shades from like the 20s. she found an almost exact dupe for a shade produced during wwii which is crazy insane to me!!!
-
watching
The Asphalt Jungle (1950, dir. Huston), it's a very painterly heist noir. i even like Sterling Hayden in one of the more prominent roles, even though i think he generally has the appeal of undercooked dough.
much like Fritz Lang's M, it presents the criminal element of the city as its own class with its own reputation and reference systems. it got in some trouble with the censors for having a VERY clearly laid out heist plan and execution. it's also got the babiest Marilyn Monroe in one of her earliest roles
this was such a gloriously messy movie. everyone is such a fucking mess. this woman only known as Doll is heartbreakingly, head over heels in love with Sterling Hayden's character. she's a little flighty and bumbling and silly, but determined! they're constantly orbiting the gravitational weight of her desire for this man and desire for a real life with this man. and that's just one subplot! she has maybe five minutes total screentime! she should have gotten a supporting actress oscar!!! everyone acted their fucking hearts out and it was so much fun to watch!
-
playing
monument valley is in the netflix games library this month (i don't actually know what their liscencing agreements would even look like, they and the studios they worked with were very tightlipped about that when they were rolling this out three years ago) but i assume it's going to be on the service for a while. i have never played this game, which makes me feel a little bit like a bad gamer. you can tell it's ten years old from some of the color and texture choices, but WOW did literally everyone take inspiration from this game.
this is the platonic ideal of a phone game. i get why everyone went insane about it and there was a brief boom of geometry-based puzzle mobile games. it is MUCH much harder now to get people to pay money to play a game that has a planned endpoint and planned number of levels, so netflix is a good home for it.
i was often frustrated but always delighted. the level below involves making something happening that made me genuinely gasp out loud in glee. well worth the annoyance of downloading the netflix app and scrolling through the poorly labeled and poorly sorted carousel of games.
great retrospective, a bit about how you need to have tiny teams go off and just kind of fuck around and bring weird stuff back, and a lot about how they actually designed the levels
The end result had a pixel-perfect axonometric aesthetic that not only went hard on its references to Dutch master artist and printmaker Maurits Cornelis Escher, but also dug deep into classic video game design, going right back to early arcade machines and 8-bit titles. Each of the ten levels is like a piece of fine furniture, built with invisible dovetail joints and inlaid with marquetry, stuffed with secret compartments and little design flourishes. Gray cites the world of theatre and stage design, as well as graphics, as important keystones in the way the levels were constructed. ‘Ken would always talk about flower arranging, and how you frame a silhouette of a level on the screen,’ he says.
-
making
update on the Phantom Menace fabric: pinked the raw edges and threw it in the laundry again with a very large quantity of vinegar. 50% poly was too high for it to really do anything, which is interesting. it didn’t lessen the seam edge effects either, which is a little annoying bc the seams were so gigantic and that’s a good chunk of fabric to lose. i am going to buy a camp shirt pattern at some point when i have money again but for now it goes in The Box
also! thrifted a pack of o-rings for jars for a dollar and finally put my grains etc in my pretty jars. they’re going to live in the pantry but today they live out on the countertop
rip benson thepassenger, you would have loved david cronenberg's crash. good thing you were alive to see it. too bad you weren't alive long enough to stare at your twink co-worker/hostage for 98 minutes straight while you forced him to watch it with you.
I loove the android robin au it's really one of the most interesting au I have seen in a while.
I am always happy to see new post abt it
Also making my favourite characters go through hell and then receiving comfort from their people is like the best thing ever for me so every time I see a whump!Robin post I like automatically
People loving android!Robin makes me so happy anansnssndsnsns she's curious and excitable and full of wonder and the world keeps punishing her for simply being alive. Sometimes it's too painful even for me, big whump lover 😭😭 though seriously, there is not enough Robin whump, and while all the characters in the show are very whumpeable, hurting my little blorbo Robin feels special because... she's just so deeply lonely. She's lonely and she thinks she deserves to be because of something wrong with her (pulling this interpretation from Surviving Hawkins lore which is canon to me 😭). That was a big idea I had when I first came up with android!Robin... that there is something wrong with her. Broken. In this AU she's literally broken in a lot of way (battery and memory problems, weak joints in her lower half, etc), but that's all within the range of normal robot problems. The real issue with her is that she's sentient. It terrifies people because it really brings out the existencial horror of... well, existing. It terrifies Robin most of all. She is the problem. She is what's wrong with her. She shouldn't exist.
But at the same time, she loves being alive so much! She doesn't understand it and doesn't know how it happened, but it happened, and now she's real and wants to experience life and the world and know people like human beings do. So it's her constant battle to become human despite humans having hurt her so much in the past... only for Nancy to already see her as human. Just one made of metal and plastic, but human nonetheless. She's the first person to see her that way and maybe everyone else thinks she's crazy, but Nancy is used to that. She's so sure of this, though, of Robin's self-awareness. She trusts her so blindly. She doesn't even need proof. And not only does she believe her, but she defends her humanity in front of her friends and family so ardently, fighting so hard for Robin to be aknowledged by everyone else as human. Fighting so hard to give her a home and family for the first time in her life.
Nancy has it bad for Robin, really. She's just so in love, even if everyone else thinks she's crazy for falling in love with a machine (no one thinks she is, though, because they all know Robin, and once you know Robin, it's impossible not to love her).
I thought that maybe watching various Les Misérables adaptations would be boring but I actually find it really interesting because each version does its own thing. They pick different things to focus on, different places to start and finish at, they interpret the characters differently, but sometimes some scenes are the same across the adaptations despite being different from the novel, and it's just fascinating to watch, you know.
Thanks to Star Trek, I'm already pretty much: every series, every version of the character are their own thing (which is especially true for TOS and SNW, and I want SNW to do their own thing without being restricted by TOS), and I see book adaptations the same way. There is a book characterization, which is one thing, but then there are many others and they're not worse or better. They're a part of their own universe and sometimes you vibe with them and sometimes you don't.
It's like fanfics. Every person will write the characters differently and never in the same way as they are in the source material because each of us is focusing on and elevating different character traits and ignoring other traits. And sometimes what works in a book might not work on screen so they need to arrive to the same ending in different ways that can still be compelling.
in 2023 i am done giving a shit if people think the things i like are emmbarassing or cringe whatever im just straight up killing them etc so now my only reason to not listen to matilda is beucase ik itll make me violently sob
last song: according to my phone Spotify it was 'Los Angeles' by St. Vincent, but according to my iPad it was 'Gotsa Get Paid' by Rico Nasty. I don't remember what I was listing to music on last so, one of those!
last movie: I legitimately do not remember what the last movie I watched was, maybe OP: Red? Paprika?Either that or something on SBS late at night.
currently watching: I really don't watch a lot on the teevee lately but, I am watching the L word as the episodes come out with my housemates tho, so I hope that counts.
currently reading: Haikyuu!!, Monster, and I will be reading Tender is the flesh shortly.
currently craving: a nice summer salad, with like pieces of citrus in it.
perhaps the title track can go to kleinsen applications lmao though another candidate or two, i could & would listen to any songs on the album again, And the whole thing in a row....like any powerful [this has the narrative elements] ballad it can apply to many things & can also be giving [former official fwb unofficially in love on an indefinite hiatus w/o adequate resolution] tayston, just like [lack of resolution Just Canon] kleinsen lmao. and focusing on the space motifs?? perfect when i’m doing that w/tayston one moment ago. and i am also simply doing my part in going “did you see there’s more crj music? enjoy a song” when back when party for one released i was like partway through the first viewing like hang on i’m weeping for joy, very literally. and in true form as per usual every shot here is various genders of the week
"Waterloo" is a song by Swedish pop group ABBA, with music composed by Benny Andersson and Björn Ulvaeus and lyrics written by Stikkan Anderson. It is first single of the group's second studio album of the same name, and their first under the Atlantic label in the US. This was also the first single to be credited to the group performing under the name ABBA. The title and lyrics reference the 1815 Battle of Waterloo, and use it as a metaphor for a romantic relationship.
In 1974, "Waterloo" represented Sweden in the 19th edition of the Eurovision Song Contest held in Brighton, winning the contest and beginning ABBA's path to worldwide fame. The song differed from the standard "dramatic ballad" tradition at the contest by its flavour and rhythm, as well as by its performance. ABBA gave the audience something that had rarely been seen before in Eurovision: flashy costumes (including silver platform boots), a catchy uptempo song and simple choreography. It was the first winning entry in a language other than that of their home country; prior to 1973, all Eurovision singers had been required to sing in their country's native tongue, a restriction that was lifted briefly for the contests between 1973 and 1976 (thus allowing "Waterloo" to be sung in English), then reinstated before ultimately being removed again in 1999. Watch the performance in Swedish here. Sveriges Radio released a promo video for "Waterloo" that was directed by film director Lasse Hallström, whose first notable English-language film success was What's Eating Gilbert Grape in 1993. ABBA recorded the German and French versions of "Waterloo" in March and April 1974; the French version was adapted by Alain Boublil, who would later go on to co-write the 1980 musical Les Misérables.
The song shot to number 1 in the UK and stayed there for two weeks, becoming the first of the band's nine UK number 1's, and the 16th biggest selling single of the year in the UK. It also topped the charts in Belgium, Denmark, Finland, West Germany, Ireland, Norway, and Switzerland, while reaching the Top 3 in Austria, France, the Netherlands, Spain, and Sweden. Unlike other Eurovision-winning tunes, the song's appeal transcended Europe: "Waterloo" also topped the charts in South Africa, and reached the Top 10 in Australia, Canada, New Zealand, Rhodesia, and the US (peaking at number 6, their third-highest-charting US hit after number 1 "Dancing Queen" and number 3 "Take a Chance on Me"). In 2005, at Eurovision fiftieth anniversary competition Congratulations: 50 Years of the Eurovision Song Contest, "Waterloo" was chosen as the best song in the contest's history.
"Waterloo" is featured in the encore of the musical Mamma Mia!. The song does not have a context or a meaning. It is just performed as a musical number in which members of the audience are encouraged to get up off their seats and sing, dance and clap along. The song is performed by the cast over the closing credits of the film Mamma Mia!, but is not featured on the official soundtrack. It is also performed as part of the story in the sequel, Mamma Mia! Here We Go Again, by Hugh Skinner and Lily James.
The Australian film Muriel's Wedding (1994), features "Waterloo" in a pivotal scene in which lead Toni Collette bonds with the character played by Rachel Griffiths. The film's soundtrack, featuring five ABBA tracks, is widely regarded as having helped to fuel the revival of popular interest in ABBA's music in the mid-1990s. "Waterloo" features prominently in the 2015 science-fiction film The Martian. The song plays as the film's lead, played by Matt Damon, works to ready his launch vehicle for a last-chance escape from Mars. In "Mother Simpson", the eighth episode of the seventh season of The Simpsons, Mr. Burns plays "Ride of the Valkyries" from a tank about to storm the Simpson home, but the song is cut-off and "Waterloo" is played, to which Smithers apologizes, advising he "must have accidentally taped over that".
"Waterloo" received a total of 89% yes votes!
youtube
(the video is posted by ABBA's own account, not Eurovision's = safe to watch)
summary: you do the ‘call your boyfriend your husband and get his reaction’ trend.
warnings: none! short and sweet. mostly dialogue. it's just cute!
You were scrolling through Tiktok as Nico watched whatever film he needed to for their upcoming game when you got the idea. The trend had appeared a few times on your for you page already, and the thought popped into your head each time, but you were always at work and by the time you got home, you’d forgotten about it. It was harmless and simple, but it was also cute and fun.
You turned your phone off and left it on the coffee table as you approached Nico from behind, wrapping your arms around his front as you leaned on him. He lifted one of his hands to rub the skin of your arm as he turned towards you and gave you a lazy smile. You delicately pressed your lips to his own for a fleeting moment before you pulled away.
“Can we go to that coffee shop down the street,” You ask, your lips turning upwards, “They got a few new drinks I want to try with you!”
Nico couldn’t help but chuckle as he watched your face light up with excitement, but he was quick to agree. The two of you are on your way to the local shop down the road after Nico had paused his game and the both of you slipped on your shoes. He always let you pick the music when you were riding in the car with him, but you always slipped in songs you noticed he’d been listening to recently and it always made him smile. When you had gotten the drinks, one for each of you, you sat back in the car and tried to set your phone up to film.
“What are you doing,” Nico shakes his head as your phone falls for the third time. He picks it up from his floor board and manages to balance it on his dashboard with the help of a half-drunk water bottle.
“Videoing,” You playfully roll your eyes, “I’m going to post it for this trend that I saw!”
“Okay, schatzi,” He laughs before he relaxes in his seat, watching as you reach for your phone to press the red record button.
“Okay, so my husband and I are going to be trying these new drinks from a little coffee shop in the city,” You begin, doing your best to keep your focus on the screen and your face neutral, but the way the word flows so naturally off your tongue makes you blush.
The use of the word ‘husband’ catches Nico off guard, but he quickly recovers and he can’t stop the smile from forming on his face. He’s only looking at you as you continue talking for a little bit, his eyes wide and adoration. He doesn’t care if it was a simple slip of the tongue, it makes warmth spread in his chest all the same when the word tumbled from your lips.
“First we have the cinnamon bun frappe, so my husband is going to try it and let us know what he thinks,” You grin as you take the cup from its holder and turn to Nico, “It’s not what he usually gets because he thinks it’s too sweet, but he’s going to try it for us right?”
He has a flustered look on his face, his cheeks red and eyes crinkled as he takes the drink from your hands, “Yeah, of course I am.”
He glances away from you and takes a small drink from the straw, his features slightly scrunching from the sweetness of the drink. He lets his gaze flicker over to you and he does his best to look like he enjoyed the sugary drink you mistook for a coffee, but he failed miserably. You giggled as you watched him forcefully swallow the small sip he had taken before looking back at your phone.
“Okay, so that one is not husband approved,” You point out as you let out a small laugh, listening to the way Nico shuffles in his seat so his body is angled towards you.
“Are you saying that on purpose,” He asks, raising his brows when you catch his eye.
“Saying what,” You feign confusion, slightly tilting your head as you bite back a smile of your own.
“Husband,” He smugly smiles as he leans over the center console, “I’m not complaining. I love it actually.”
You watch as he gets closer to you, your body instinctively leaning towards his own like he was your own gravitational pull. His eyes briefly flicker down to your lips as the two of you wait for the other to diminish the small distance between you. You let out a sigh as he reaches a hand over to cup the back of your head, his thumb massaging your scalp.
“Do you really,” You whisper, nudging his nose with your own as you ghost your lips over his.
“Yeah, I really do. Can’t wait until it’s reality one day.”