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yamayuandadu · 10 months

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Horned hermits and immoral immortals: an inquiry into Zanmu's background

As you might remember from my previous post covering Zanmu, I was initially unable to tell how her historical background led to ZUN choosing to make her an oni. The historical, or at least legendary, Zanmu seemed to be, for all intent and purposes, a human. That has since changed, and the matter now seems considerably more clear to me. Read on to learn more about the real monk Zanmu is based on, and to find out what she has in common with the most famous Zen master in history, Taoist immortals, and Tsuno Daishi. Even if you are not particularly interested in Zanmu, this article might still worth be checking out, seeing as the discussed primary sources are also relevant to a number of other Touhou characters, including Byakuren, Yoshika and Kasen.

As in the case of the previous Touhou article, special thanks go to @just9art, who helped me with tracking down sources advised me while I was working on this.

The historical Zanmu

Statue of Zanmu from the Sazaedo pagoda (Fukushima Travel; reproduced for educational purposes only) As already pointed out by 9 here even before my previous post about Unfinished Dream of All Living Ghost, Zanmu is based on a real monk also named Zanmu. His full name was Nichihaku Zanmu (日白残夢), and he also went by Akikaze Dōjin, but even Japanese wikipedia simply refers to him as Zanmu. ZUN basically just swapped one kanji in the name, with 日白残夢 becoming 日白残無. The character 無, which replaces original 夢 (“dream”), means “nothingness” - more on that later.The search for sources pertaining to the historical Zanmu has tragically not been very successful. In contrast with some of the stars of the previous installments, like Prince Shotoku or Matarajin, he clearly isn’t the central topic of any monographs or even just journal articles. Ultimately the main sources to fall back on are chiefly offhand mentions, blog articles and some tweets of variable trustworthiness. The only academic publication in English I was able to locate which mentions Zanmu at all is the Japanese Biographical Index from 2004, published by De Gruyter. The price of this book is frankly outrageous for what it is, so here’s the sole mention of him screencapped for your convenience:

The book referenced here is the five volume biographical dictionary Dai Nihon Jinmei Jisho from 1937. I am unable to access it, but I was nonetheless able to cobble together some information about Zanmu from other sources. Not much can be said about Zanmu’s personal life. He was a Buddhist monk (though note a legend apparently refers to him as “neither a monk nor a layperson”, a formula typically designating legendary ascetics and the like) and a notable eccentric. Both of these elements are present in the bio of his Touhou counterpart.

The Sazaedo pagoda (Fukushima Travel; reproduced for educational purposes only)

Zanmu’s tangible accomplishments seem to be tied to the temple Shoso-ji, which he apparently founded. He is enshrined in the Sazaedo pagoda near it, though this building postdates him by over 200 years. It’s located in Aizuwakamatsu in Fukushima. You can see some additional photos of his statue displayed there in this tweet. It’s a pretty famous location due to its unique double helix structure, and it has a pretty extensive article on the Japanese wikipedia. It’s also covered on multiple tourist-oriented sites in English, where more photos are available (for example here or here). There’s even a model kit representing it out there. Sazeado’s fame does not really seem to have anything to do with Zanmu, though. While many Buddhist figures ZUN used as the basis for Touhou characters in the past belonged to the “esoteric” schools (Tendai and Shingon), Zanmu was a practitioner of the much better known Zen, specifically of the Rinzai school.

The kanji mu (無 ) caligraphed by Shikō Munakata (Saint Louis Art Museum; reproduced for educational purposes only) Since the concept of “nothingness” or “emptiness” represented by the kanji 無 (mu) plays a vital role in Zen (see here or here for a more detailed treatment of this topic; it’s covered on virtually every Zen-related website possible though), and there’s even a so-called mu kōan, it strikes me as possible this is the reason behind the slightly different writing of the names of ZUN’s Zanmu, as well as the source of her ability. Granted, the dialogue in the games makes it sound like Zanmu (and by extension Hisami) just talks about nothingness as a memento mori of sorts, which is not quite what it entails in Zen. Of course, ZUN does not adapt Buddhist doctrine 1:1 (lest we forget Kasen seemingly being unaware of the basics of Mahayana in WaHH) so this point might be irrelevant.

The legendary Zanmu

The eccentric monk Ikkyū (center), as imagined by Kawanabe Kyōsai (Egenolf Gallery; reproduced for educational purposes only)

A number of legends developed around the historical Zanmu. If this blog post is to be trusted, there is a tradition according to which he was a student of arguably the most famous member of the Rinzai school, and probably one of the most famous Buddhist monks in the history of Japan in general, Ikkyū. He is remembered as the archetypal eccentric monk, and spent much of his life traveling as a vagabond due to his disagreements with Buddhist establishment and unusual personal views on matters such as celibacy. As I already said in my previous article pertaining to Zanmu, long time readers of my blog might know Ikkyū from the tale of Jigoku Dayū and art inspired by it, though since this motif only arose in the Edo period it naturally does not represent an actual episode from his very much real career.

A page from Ikkyū Gaikotsu (wikimedia commons)

In art a distinct tradition of depicting Ikkyū with skeletons developed, as seen both in the case of works showing him with his legendary student Jigoku Dayū and in the so-called Ikkyū Gaikotsu. Skeletons also played a role in Zen-inspired art in general (for more information see here). Whether this inspired ZUN to decorate Zanmu’s rock with bones is hard to determine, but it does not seem implausible. It would hardly be the deepest art history cut in the series, less arcane of a reference than the very existence of Mai and Satono or Kutaka’s pose. Obviously, it does not seem very plausible that Ikkyū ever actually met the historical Zanmu. Ikkyū passed away in 1481, and Zanmu in 1576, with his birth date currently unknown. Even if we assume he was a particularly long-lived individual and by some miracle was born while Ikkyu was still alive, it is somewhat doubtful that an elderly sick monk would be preaching Zen doctrine to an infant. However, apparently legends do provide a convenient explanation for this tradition. Purportedly Zanmu lived for an unusually long time. The figure of 139 years pops up online quite frequently, and does seem to depend on a genuine tradition, but even more fabulous claims are out there.

Kaison Hitachibō, as imagined by an unknown artist (wikimedia commons)

According to another legend, Zanmu was even older, and in fact remembered the Genpei war, which took place in the Heian period - nearly 400 years before his time. Supposedly he told many vivid tales about its famous participants, Yoshitsune and Benkei. A tradition according to which he was himself originally a legendary retainer of Yoshitsune, the warrior monk Kaison Hitachibō (常陸坊海尊) developed at some point. This has already been pointed out by others before me in relation to the Touhou version of Zanmu. From what I’ve seen, some Japanese fans in fact seem excited primarily about the prospect of Zanmu offering an opportunity to connect Touhou and works focused on the Genpei war. The tradition making Zanmu a centuries-old survivor from the Heian period must be relatively old, as his supposed immortality is already mentioned in Honchō Jinja Kō (本朝神社考; “Study of shrines”) by Razan Hayashi, who was active in the first half of the seventeenth century, mere decades after Zanmu’s death. While I found no explicit confirmation, it seems sensible to assume this legend was already in circulation while Zanmu was still alive, or at least that it developed very shortly after he passed away. Perhaps he really was invested in accounts of that period to the point he sounded as if he actually lived through it.

The choice of Kaison as Zanmu’s original name in the legend does not seem random, as there was a preexisting tradition according to which this legendary Heian figure was cursed with eternal life for betraying Yoshitsune by fleeing from the battlefield instead of remaining with his lord to die. You can read more about this here. Apparently there is a version where he instead becomes immortal to make it possible to pass down the story of the Genpei war to future generations (this is the only source I have to offer though), and there's even a well-received stage play based on it, Hitachibō Kaison (translated as "Kaison, priest of Hitachi") by Matsuyo Akimoto. Another thing worth pointing out is that Kaison was seemingly a Tendai monk from Mount Hiei, which means that even though Okina isn’t in a new game, you can still claim she’s metaphorically casting her shadow over it in some way if you squint (and that’s without going into the fact sarugami are associated with Mount Hiei). I've seen two separate sources which mention that according to a legend he trained Benkei there, and that the two did not get along because Kaison was a corrupt monk (lustful, keen on substance abuse, greedy, the usual routine). You can access them here and here,but bear in mind they're old. Zanmu’s Genpei war connection does not really seem to matter in Touhou, though, as ZUN pretty explicitly situated his version in the Sengoku period, with no mention of earlier events. Granted, if you like it, this should not prevent you from embracing the view that Zanmu is an alter ego of Kaison as your headcanon - as I said people are already doing that. It seems equally fair game as “Okina is Hata no Kawakatsu”, easily one of the most popular “historical” headcanons in the history of the franchise. According to this twitter thread, the legends about Zanmu’s longevity (or immortality) have a pretty long lifespan themseles, as they were referenced by relatively high profile modern writers, like Orikuchi Shinbou and Tatsuhiko Shibusawa.

Buddhist immortals

A word carving of a sennin, "immortal" or "hermit" (wikimedia commons)

Legends about long-lived (or outright immortal) monks, such as Zanmu or Kaison, are hardly uncommon. A work which seems to be the key to understanding their early development, and by extension possibly also the portrayal of Zanmu in Touhou, might be Honchō Shinsenden, “Records of Japanese Immortals”. This title refers to a collection of setsuwa, short stories typically meant to convey religious knowledge or morals. Its title pretty much tells you what to expect. Honchō Shinsenden is an interesting work in that while it in theory deals with Buddhism, and largely describes the individual immortals as, well, Buddhists, it ultimately reflects a Taoist tradition. There is a strong case to be made that it was an inspiration for another Touhou installment, specifically Ten Desires, already, seeing as it mentions prince Shotoku and Miyako no Yoshika and its Taoist-adjacent context has a long paper trail in scholarship, but I will not go too deep into that topic here - expect it to be covered in a separate article later on. Stories of immortals are pretty schematic, and their protagonists can be categorized as belonging to a number of archetypes. I think it’s safe to say this has a lot to do with the self-referential character of this sort of literature - compilers of new works were obviously familiar with their forerunners, and imitated them for the sake of authenticity. In China, literary accounts of the lives of immortals circulated as early as in the first century BCE, with the concept of immortals (xian, 仙, read as sen in Japanese; this term and its derivatives have various other translations too, with Touhou media generally favoring “hermit”) itself already appearing slightly earlier. It seems Shenxian Zhuan (Biographies of Spirit Immortals) by a certain Ge Xuan, certified immortals enthusiast and cinnabar-based immortality elixir connoisseur (discussing and developing immortality elixirs was a popular pastime for literati in ancient and medieval China), can in particular be considered the inspiration for the later Japanese compilation. While the concept of immortals was largely developed by Taoists, tales focused on them were already not strictly the domain of Taoism by the time they reached Japan. They were embraced in Chinese culture in general, both in strictly religious context and more broadly in art. In Japan, they came to be incorporated into Buddhist worldview, and in fact Honchō Shinsenden states that their protagonists can be understood as “living Buddhas” (ikibotoke), a designation used to refer to particularly saintly Buddhists. Their devotion to both Buddhas and other related figures, and to local kami, is stressed multiple times too.

Presumably this was the result of the influence of the Japanese Buddhist concept of hijiri (聖), a type of particularly rigorous solitary ascetic in popular imagination regarded as almost divine. Needless to say, most of you are actually familiar with the hijiri even if you never read about them, as this is the source of Byakuren’s surname and a clear influence on her character too. In Honchō Shinsenden, it is outright said that the sign 仙, normally read as sen, should be read as hijiri in this case.

A portrait of Huisi (wikimedia commons)

The notion of extending one’s lifespan was not incompatible with Buddhism, as evidenced by tales of adepts who lived for a supernaturally long period of time to show their compassion to more beings or to get closer to the coming of Maitreya. Even the founder of the Tiantai school of Buddhism (the forerunner of Japanese Tendai), Huisi, was said to meditate in hopes of extending his life to witness Maitreya. At the same time, Chinese compilations of stories about immortals do not list Buddhists among them, in contrast with Japanese ones. This might be due to the rivalry between these religions which was at times rather pronounced in Tang China, culminating in events such as emperor Wuzong's persecution of Buddhism. Let’s return to Honchō Shinsenden, though. Its original author was most likely Ōe no Masafusa, active in the second half of the eleventh century. No full copy survives, but the original contents can nonetheless be restored based on various fragmentary manuscripts. Some of the sections are preserved as quotations in other texts or in larger compilations of stories, too. I have seen claims online that the historical Zanmu is covered in some editions of the Honchō Shinsenden or works dependent on it. So far I was only able to determine with certainty that Zanmu is covered alongside the immortals from Honchō Shinsenden in at least one modern monograph (Nishi-Nihon-hen by Kōsai Chigiri; if anyone of you have access to it I’d be interested to learn what exactly it says about Zanmu) and a number of posts and articles online. However, he lived around 400 years after this work was completed, so he quite obviously does not appear in its original version, contrary to what the Touhou wiki says right now. Masafusa does not necessarily portray the immortals as pinnacles of morality, and indeed moral virtues do not seem to be a prerequisite for attaining this status in his work. It is therefore possible that despite being setsuwa, his tales of immortals were an entirely literary endeavor and were not meant to evoke piety, let alone promote the worship of described figures.

A recurring pattern which unifies all of these tales is describing immortals as eccentric. As I already noted, this is a distinct characteristic of the historical Zanmu too, and it comes up in the bio of his Touhou counterpart as well. She has “reached the absolute pinnacle of eccentricity”. It seems safe to say ZUN is aware of that pattern, then, and consciously chose to highlight this. He also stresses that Zanmu has lived through an era of marital strife, specifically through the Sengoku period. The inclusion of such episodes is another innovation typical for Japanese immortal tales, and does appear to be a feature of the tradition pertaining to Zanmu’s counterpart too, as discussed above. Horned hermits?

A modern devotional statuette of Laozi with horns, found on ebay of all places; reproduced here for educational purposes only.

There is a further possible feature of Zanmu that might be tied to Honchō Shinsenden. While there are numerous physical traits attributed to immortals in Chinese sources, Masafusa decided to only ever highlight two. One of them are unusual bones, the other - horns on the forehead. Tragically one of my favorites, square pupils (mentioned in Liexian Zhuan), is missing. Masafusa relays that an anonymous hijiri, the “Rod-Striking Immortal”, grew stumpy horns as a sign of attaining his supernatural status.This might be a stretch, but perhaps Zanmu, due to being the Touhou version of a legendary immortal, also already had horns before becoming an oni. You have to admit it would be funny.

The two horns - or rather small bumps, based on available descriptions - characteristic for some immortals were known as rijiao (日角; “sun-horn”) and yuenxuan (月懸; “moon crescent”). Such unusual physical features were already attributed to various legendary and historical rulers and sages in China in the first century CE, so this is not really a Taoist invention, but rather an adoption of beliefs widespread in China in the formative years of this religion. They also intersected with the early Buddhist tradition about the so-called “32 marks of the Buddha”, documented for example in Mahāvastu and later in Chinese Mahayana tradition which Taoist authors were familiar with. Yu the Great, the flood hero, was among the legendary figures said to possess horns in Chinese tradition. It is even sometimes believed Laozi had them when he was born, which according to Livia Kohn was meant to symbolically elevate him to the rank of such mythical figures as Fuxi.

While this is ultimately a post focused on Zanmu, I think it’s worth pointing out this belief in horned ascetics has very funny implications for Kasen. Being a “horned hermit” is not really an issue, it would appear. If anything, it adds a sense of authenticity. Clearly Kasen needs to study the classics more.

Immortals (and mortals) in hell

One last connection between Zanmu and legends about immortals is her role as an official in hell. However, this is much less directl. Early Chinese sources mention “Agents Beneath the Earth” (dixia zhu zhe 地下主者), a rank available to low class immortals choosing to serve in the land of the dead. They could be contrasted with the immortals inhabiting heaven, regarded as higher ranked than them. However, note that there are also many narratives focused on mortals becoming officials in hell - in Japan arguably the most famous case is the tale of Ono no Takamura, a historical poet from the early Heian period. In Chinese culture there are multiple examples but I think none come close to the popularity of judge Bao. It does not seem any immortals playing a similar role retain equal prominence in culture. Ultimately this paragraph is only a curiosity, and a much closer parallel to Zanmu's role in hell exists - and it’s connected to materials ZUN already referenced to booth.

Corrupt monks, oni and tengu

Ryōgen, the most famous monk turned demon, and his alter ego Tsuno Daishi (wikimedia commons)

In addition to characterizing Zanmu as eccentric, ZUN also wrote in her bio that she is a corrupt monk. As we learn, she developed a belief that the best way to reconcile the Sengoku period ethos which demanded boasting about the number of enemies killed with Buddhist precepts was to focus on spirits rather than the living, since she will basically deliver salvation to them. She ultimately “absorbed some beast-youkai spirits, thus discarding her life as a human”. This to my best knowledge does not really match any genuine tradition about the historical Zanmu, related figures or anyone else. As far as I can tell, it’s hard to find a direct parallel either in irl material or elsewhere in Touhou... at least if we stick to the details. More vaguely similar examples are not only attested, discussing them was for a time arguably the backbone of Buddhist discourse in Japan, and neatly explains why Zanmu became an oni. The idea that monks who broke Buddhist precepts in some way turned into monsters is not ZUN’s invention. It first appears in sources from the Heian period, and gained greater relevance in the Kamakura period. Particularly commonly it was asserted that members of Buddhist clergy who fail to attain nirvana turn into tengu. However, oni were an option too. Bernard Faure points out that Ryōgen, the archetypal example of a fallen monk (see here for a detailed discussion of this topic, and of his return to grace as a demon keeping other demons at bay), could be described as reborn as an oni, for example. The Shingon monk Shinzei is variously described as turning into an oni, a tengu or an onryō (vengeful spirit). Oni are also referenced in a similar context in Heike Monogatari alongside tenma, a term referring to demons obstructing enlightenment in general.

Corrupt monks turned into tengu in the Tengu Zoshi Emaki (wikimedia commons)

Typically it was believed that monks who turned into demons went to a realm variously known as makai, tengudō or madō. As you may know, normally there are three realms one should avoid reincarnating in - beasts, hungry ghosts and hell - but this was basically a bonus fourth one. Granted, this view was not recognized universally, and the alternative interpretation was that it was just a specific hell with a distinct name. At the absolute peak of this concept’s relevance, the foremost Buddhist thinkers of these times, including Nichiren, were accusing each other of being demons. Additionally, some of the past emperors, especially Sutoku and Goshirakawa, could be presented as tengu, for example in Hōgen monogatari. There was also an interest in finding gods who could keep the forces of disorder at bay. You can see echoes of these beliefs in rituals pertaining to Matarajin, which ZUN rather explicitly referenced in Aya's route in Hidden Star in Four Seasons. Typically the reason behind transformation into an oni, tengu or another vaguely similar being were earthly attachments. Alternatively, it could be pursuing gejutsu, “outside arts”, essentially teachings which fell outside of what was permitted by Buddhism. Note this does not necessarily mean anything originating in religions other than Buddhism, though, the term is more nuanced. So, for instance worship of kami or following Confucian values are perfectly fair game. A synonymous term was gedō, “heretical” way (on the use of the term “heresy” in the context of study of Buddhism see here). We can make a case for Zanmu’s bio alluding to that - she wanted to adhere to the social norms of the Sengoku period by symbolically taking in a headcount by absorbing spirits, I suppose. That’s not really a thing in any Buddhist literature, though, and I assume ZUN came up with this himself. Conclusion While this article is slightly less rigorous than my recent research ventures pertaining to Matarajin, let alone the Mesopotamian wiki operations, I hope it nonetheless sheds some additional light on Zanmu. I will admit I already liked her even before I started digging into the possible inspiration behind her, and finding out more only strengthened my enthusiasm. While there are clear parallels between Zanmu, her namesake and a variety of other characters from Japanese and Chinese literature and religions, as usual for a character made by ZUN her strength lies both in creative repurposing of these elements and in adding something new.

Postscriptum: Zanmu and Tang Sanzang?

Xuanzang, as depicted by an unknown Qing artist (wikimedia commons) While much about Zanmu’s character - her backstory as an eccentric fallen monk who became a demon, her apparent zen theme, and so on - all form a coherent whole, there is a tiny detail which does not really match anything else discussed in this article. It does not come from her dialogue or bio, but rather from Enoko’s. As we learn, she became immortal herself after eating a piece of Zanmu’s body back when the latter was still a human. Or rather, the combination of that and subsequently consuming a magical gemstone as recommended by Zanmu did it - I’m pretty sure I misread this before. As 9 pointed out to me, probably the implications are just that Enoko’s backstory is a partial reference to Perfect Memento in Strict Sense, which does state that consuming the flesh of a monk would be a particularly suitable way for an ordinary animal to turn into a youkai. Still, comparisons between this tidbit and Journey to the West have been made by others before already, so I figured it would be suitable to address them here even if they lie beyond my own argument about the inspiration behind Zanmu. In this novel, many demons want to devour its protagonist Tang Sanzang because his flesh is said to make anyone who consumes immortal. This is because he is a reincarnation of Master Golden Cicada (Jinchan zi, 金蟬子), a disciple of the Buddha invented for the sake of the story. Interestingly, Sanzang is portrayed as an adherent of Chan Buddhism, the school from which Japanese Zen is derived (note that his historical forerunner Xuanzang belonged to the Yogācāra tradition instead). Despite the vague similarities, I ultimately do not think there are particularly close parallels between Zanmu and Sanzang. For starters, Zanmu is meant to be a corrupt monk, while Sanzang is the opposite of that. Their respective characters couldn’t differ more either. Throughout the entire novel, Sanzang is a pretty poor planner, shows doubt in his own abilities, and regularly misjudges the situation. Needless to say this does not exactly offer a good parallel to Zanmu. Sure, she creates a bootleg Wukong, but Sanzang did not create Wukong, the famous primate was just assigned to him as a bodyguard. Therefore, until evidence on the contrary appears (for example in an interview) I would personally remain cautiously pessimistic regarding a possible connection here. Recommended reading

Bernard Faure, Rage and Ravage (Gods of Medieval Japan vol. 3)

Noga Ganany, Baogong as King Yama in the Literature and Religious Worship of Late-Imperial China

Zornica Kirkova, Roaming into the Beyond: Representations of Xian Immortality in Early Medieval Chinese Verse

Christoph Kleine & Livia Kohn, Daoist Immortality and Buddhist Holiness: A Study and Translation of the Honchō shinsen-den

Livia Kohn, The Looks of Laozi

James Robson, The Institution of Daoism in the Central Region (Xiangzhong) of Hunan

Haruko Wakabayashi, From Conqueror of Evil to Devil King: Ryogen and Notions of Ma in Medieval Japanese Buddhism

Idem, The Seven Tengu Scrolls. Evil and the Rhetoric of Legitimacy in Medieval Japanese Buddhism

#touhou #zanmu nippaku #nippaku zanmu

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ladamedusoif · 5 months

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Tempered in the Fire - Part Three

See the Series Masterlist for complete content warnings, historical event information, and series notes.

Cross-posted to AO3. Follow my writing blog @ladameecrit and turn on notifications for updates.

Pairing: Blacksmith!Din Djarin x F! Reader

Summary: Ireland, almost a decade after the rebellion of 1798. You are an unusual woman: married, but alone; a widow, with no certainty her husband is dead. When your local blacksmith is badly injured in an accident and unable to work, you have no choice but to travel to the next forge, run by a man of few words whose uncertain origins and dark complexion make him stand out among the locals. You are immediately intrigued by this mysterious, taciturn figure - and the striking little boy he’s taken as his apprentice.

Word Count: 7.1k

Rating: Explicit; 18+ MDNI (chapter; series)

Content (chapter specific): Blacksmith!Din AU; historical setting; references to violence; references to infertility; references to spousal abandonment; strong language; period-typical misogyny; references to and non-explicit descriptions of past experiences of psychological abuse, sexual assault and non-consensual sex, and of domestic violence; abusive and derogatory language; smut; PiV sex; fingering; technical infidelity; angst.

Use of the Irish language with translations as needed.

Important A/N: In one section of this chapter, Reader recalls exactly how badly treated she was by her husband before he left. This means brief discussion of psychological, physical, and sexual abuse. I have tried to handle these issues as sensitively as possible and without gratuitous detail or description. (I am writing as a survivor of emotional abuse, and I want to express my gratitude for the vital advice and support of other incredible survivors, including of other forms of abuse experienced by Reader in this story).

Further A/N at the end of this chapter.

Taglist: @grogusmum, @insomniamamma, @yourcoolauntie, @tessa-quayle, @julesonrecord, @agentjackdaniels, @iamskyereads, @trulybetty, @pedrostories, @fuckyeahdindjarin, @katareyoudrilling, @perennialdoll247, @joeldjarin, @sunnywithachanceofjavi, @tieronecrush, @javierisms, @readingiskeepingmegoing, @rhoorl, @red-red-rogue, @survivingandenduring, @khindahra, @love-the-abyss, @fictionismyreality, @imaswellkid, @gracie7209, @lahoozaherr, @s-u-t, @its-nebuleuse, @novemberrain221, @schnarfer

(FYI taglists haven't really been working for me of late so please do follow my writing blog if you want to stay up to date!)

Réaltín snickers as you tie her up hastily outside your little cottage, adrenaline coursing through your body. It doesn’t take long to throw a few things in your leather saddle bags: some clothes, your sewing kit and a supply of fabric, the money tucked under your mattress. It’s not much, but it might be enough to get you out of here before he comes looking.

You wrap your best shawl around your shoulders and go outside to check on your little milk cow, safe in her stall. She blinks her big brown eyes at you, kind and trusting, and you rub her muzzle affectionately.

Cáit, your nearest neighbour, peers through the window when she hears Réaltín trotting up the lane. She’s waiting at the door before you’ve pulled up, sensing all is not well. You spill out your excuses.

“It’s family matters. All happened very suddenly. I can’t say more, but I’ll be back as soon as I can - will you look in on my cow, make sure she’s fed? You can have whatever milk she’ll give you, of course.”

Cáit nods, though she seems a little sceptical. “You’re sure you’re alright, a stór [sweetheart/treasure]?”

You bring the shawl around your head and mount Réaltín again. “I am. Thanks, Cáit. I’ll see you soon.”

It’s only when you’re halfway to your parents’ smallholding that you realise you can’t stay there, either. In your panic and haste you hadn’t thought it through. If Searlas wanted to find you, it would be the first place he came looking.

Dusk closes in, and slate grey clouds gather overhead. The heavens open and your tears start to fall as you bring Réaltín to a halt on a quiet lane.

Gró stirs his little bowl of vegetable and barley stew, lifting out pieces of carrot on his wooden spoon before dropping them back in the bowl and giggling at the satisfying plop they make.

His father shakes his head. “Ná bí ag súgradh le do bhéile.” [Don’t play with your meal.]

The little boy is the first to spot the horse arriving out of the darkness, pointing to the window. Din looks out cautiously, dark eyes surveying the small area outside the cottage illuminated by the candlelight coming from within.

Nothing.

The knock on the door is hesitant, and Din silently gestures to his son to stay put as he answers.

She’s soaked to the skin, red woollen shawl weighed down with rain, eyes reddened and fear written all over her face.

It is all Din can do to stop himself reaching out and pulling her close to him, to comfort and reassure her, to make sure she is alright. Instead, he simply stands back and beckons her inside.

She babbles her explanation: the errant husband returned, in the army, her worry that he would seek her out.

“I’m so sorry, Din, I… I just didn’t know where else to go.”

She’s shaking, and he doesn’t know if it’s the cold rain or her panic that’s doing it.

Before Din can speak, Gró has materialised at her side, and reaches up for her hand. His big eyes look up at her with the kind of affection Din has only ever seen the boy show to him, and at times to Peigí.

She looks from Gró to his father and back again. And then she breaks down.

“There isn’t much left, I’m afraid. But you’re welcome to it.”

Din looks from the cooking pot to you, sitting in a chair by the hearth with a blanket wrapped around your shoulders as your shawl and outer bodice dry out.

“If you’re sure?”

He nods and ladles the stew into a bowl. You accept it gratefully, realising that it had been many hours since you last ate. It is a simple meal and all the better for it, the steaming broth warming your bones and the vegetables and barley filling your empty stomach.

Din sits in the other chair and scoops Gró up into his lap. The little boy smiles in your direction as you eat, and you notice he’s wearing the little shirt you made for him. You summon up the words, speaking hesitantly.

“An mhaith leat do léine, Gró?” [Do you like your shirt, Gró?]

His enormous eyes light up and he nods enthusiastically, turning round to look up at his father and laughing delightedly at hearing you speak his language. Din ruffles his son’s fair hair and smiles at you.

“Thank you for mine, too. You didn’t have to. I’ll make sure you’re properly paid.”

You nod towards the bowl of stew. “This is payment enough. Once my things are dry I’ll get going. I’m sorry, I didn’t mean to put you out. I panicked, and -“

Gró sighs and nestles in against Din’s broad chest, trying to keep his eyes open but losing the battle against sleep. Din stands, carefully shifting the little boy in his arms and gesturing with a tilt of his head towards the loft.

“Stay.”

“I’ve already outstayed my welcome, Din, I don’t know what I was -“

“Stay.” He repeats the word, half-order, half-plea, as he stands at the foot of the makeshift wooden ladder leading up into the loft.

You nod, watching as the blacksmith expertly ascends with his son in his strong arms, a lantern in one hand. Din is wearing a sort of woollen jumper over his old shirt, and you can’t help but notice the stretch of the knitted fabric across his broad back and shoulders, the way it draws the eye to the muscles of his chest.

An unexpected wave of pleasure ripples through you. You shake your head, as if trying to rid your body of the feeling.

While Din tucks Gró in, quietly humming to him, you rinse the bowls from dinner and tidy up the main room of the cottage. There’s what looks like a settle bed against one wall, and what you presume is Din’s bed against the other, near the back window: a basic frame, simple bedclothes, a trunk at the foot of the bed.

“So you’ll stay?”

You turn to face Din, speaking in hushed tones as he descends the ladder. “I will stay for tonight.”

He looks at you, dark eyes hooded and serious. “You should stay as long as you need to. You are afraid of him, and I presume with good reason.”

“He might not even come looking for me. He’s gone so long, after all. But -“ You pause as the traumatic memories of the past swirl in your mind. “But him reappearing like this, and in uniform… He is not a good man.”

Din tilts his head and looks at you. You are grateful that he doesn’t pry further. “I can keep you safe here. He’ll never know.”

Before you can protest, he’s crossing the room and pulling out the rectangular, boxy bed frame from underneath the settle and rummaging in a small cupboard for blankets and pillows. “You can sleep here, if you’d like. Or in my bed, over there. Either way, I’ll sleep in the back store, or the forge.”

“Absolutely not. That back little room is too cold, too small. And the forge is no fit place for someone to sleep.” You help him arrange the bedding for the settle bed. “I grew up sharing a one-roomed cottage with my entire family, Din. This is no hardship at all, nothing irregular, as long as you don’t mind.”

He shakes his head and retrieves a half-burned candle from the mantle above the hearth, lighting it from the small lantern before handing you the lamp. Din leaves you to get ready for bed, taking the candle and going to change in the back store so that you have privacy. He calls out to you, checking that he can come back into the main room.

“Come ahead, Din.”

Tucked into the settle bed, you can barely make out his silhouette as he comes into the room. His solitary candle illuminates his strong profile as he gets into his own, wooden-framed bed across the room.

“Are you comfortable? Warm enough?” His voice, soft and low, carries in the quiet.

“I am. Thank you for this. I am so grateful.”

“Sleep well.”

Lights extinguished, you can hear Din shift in his bed and his breathing enter a slower, steady rhythm as sleep descends.

You lie awake in the dark, thoughts racing. So Searlas had fought for something - for his king’s shilling, no doubt, and they were only too desperate for men to fight in the wars against France. Searlas had spat bile and vitriol in ‘98 about the United Irishmen and the Defenders, the groups that had led the rebellion, blaming dangerous French ideas of liberty, equality and fraternity for poisoning people’s minds.

It made sense, now, that he’d have abandoned you to take up arms against those ideas. But you knew Searlas too well for it to be a moral crusade, or a stand taken on principle. Most likely, he’d spent the intervening five years doing as little as possible for as much reward, and probably whoring his way around Europe.

You try to push him out of your mind as you seek sleep, your brain seeking comforting thoughts and images until it settles on the recent memory of a pair of sparkling brown eyes, looking at you in the firelight.

Searlas’s hand is rough around your arm, and you know you’ll have a bruise there tomorrow. He drags you away from the fair and along the back road from the village, muttering abuse as you jog along trying to keep up with him.

“I saw you talking to him. The way you looked at him, the way you whored yourself around him. Filthy slut that you are.”

“Searlas, he’s my second cousin, I haven’t seen him in years…he’s family, I was talking to family!”

He pulls you harder to him before knocking you, deliberately, into the thorny hedgerow that runs along the dirt road.

“Watch yourself. You should be more careful of your footing. Stupid bitch.” He hauls you up and pushes you roughly along the road.

“When we get home, I’ll show you what happens when you act like a common whore in front of the whole place.”

“Searlas, please, please don’t, not again…”

“You’re a fat, useless, barren slut.” He spits the word at you. “And you’ll take your punishment from your husband.”

You have learned since the first time he “punished” you this way that crying out, or crying at all, only prolongs the agony. So you try to will your mind out of your body as your husband pulls your legs apart and pins down your arms, spitting insults as he forces himself on you.

You are not really here. You are in the back field, in springtime, with wildflowers in bloom. You are looking at the slate-grey sea, wind whipping at your face and hair. You are not really here, not really at the mercy of this cruel and violent man.

Sometimes, you try to focus on the words of the songs of liberty you know, the poems that sing of a dream of freedom.

You are not really here. You are free.

You wake with a start and for an instant you can’t remember where you are. A sickening panic thrums through your body and the sides of the settle bed feel like they’re closing in on you.

You sit up and turn your head only to be greeted by a pair of big dark eyes, staring intently at you over the edge of the bed. Gró smiles widely and begins chattering away, unaware that your addled brain is unable to keep up.

Din’s broad figure emerges from the back room, carrying a pot that he places on the metal crane over the fire, to warm its contents. He tuts when he realises that Gró is by your bed.

“Ná bac léi,” he says, somewhat sternly. “Tá sí an-tuirseach.” [Don’t disturb her, she’s very tired.]

Gró turns and reveals your head and shoulders, visible over the edge of the settle bed.

“You’re awake. I’m sorry, I hope he didn’t wake you. He’s young, he is curious.”

You shake your head and reach for your shawl, wrapping it about you. “Not at all. I… I woke by myself.”

Din beckons to his son and leads him by the hand in the direction of the door that opens onto the forge. “We’ll leave you for a bit. There’s some warm water in that pot over the hearth, if you want to wash. And a basin and rags, on the table.”

“Thank you, Din. I’ll be glad to make some breakfast once I’m dressed.”

He inclines his head towards you and carries the little boy into the forge.

While Din works and Gró helps out around the forge, you busy yourself with cleaning, mending, and preparing meals for your hosts, by way of a thank you for their kindness. The cottage is well-kept and tidy - an indicator of Din’s meticulous nature, you muse - and doesn’t require more than a little dusting and sweeping to get it ship-shape again once you’ve pushed the settle bed back under the seat.

The midday meal is simple - floury potatoes, piled high in a bowl, and served with butter, milk, and a little salt for Din. Gró eyes up the fresh pot of jam you had brought in your saddle bags, but his father’s wagging finger dissuades him as he eats his own little bowl of potatoes. Sitting at the wooden table, sharing the meal with them and listening to the chatter between father and son, you feel that familiar pang of loss, of yearning for what might have been.

You distract yourself by thinking about the evening meal.

“I can stay and make something for the supper, later,” you announce, as Din lifts his head and meets your gaze with those penetrating dark eyes. “And then I’ll leave you. I can’t abuse your hospitality any more than I already have.”

The blacksmith shakes his head as he peels another potato and dips it in the golden-white liquid in his bowl. “At least wait until you know it’s safe to return.”

You know, deep down, that it’s still too soon to know. But you also know that the smith and his son are already just about able to feed two people, let alone three.

Din turns to his son and ruffles his hair as Gró closes his eyes in delight. He whispers to him and the little boy grins before hopping off his chair and racing out to the back field, whooping and laughing to himself.

His father stands up and begins to help you clear away the empty dishes.

“You - you were unsettled in your sleep, last night.”

You keep wiping down the table. “Was I?”

You can feel Din looking at you. “You were. And this morning. You sounded upset.”

“Probably just a bad dream.”

Din sighs and hesitates before asking the obvious question. “Was it about him?”

“It was.”

Tension crackles in the turf-scented air of the cottage. For an instant you think about telling him everything: every fist, every bruise, every torn garment, every time your husband used and violated you in spite of your protests.

The image of Din wrapping you up in his strong, protective embrace floats into your mind, unbidden.

He breathes deeply. “He hurt you.”

“He did.” You finally look at the blacksmith, whose soft, compassionate expression comes as a surprise. “I felt more of his fist than his lips, I suppose you might say. But that was better than -”

You inhale sharply, summoning as much courage as you can bear. It is difficult to know how Din will react. But there’s something in your gut that tells you he can be trusted, unquestioningly.

“It was better than the alternative. When he…forced himself. On…on me.”

You stare down at the floor and feel heat rising in your cheeks. You have never told another soul about this, and are unsure why you’ve unexpectedly chosen this stoic man to be the first to know.

The silence hangs heavy between you, broken only by the sounds of your breathing and the crackle of the hearth.

When he eventually speaks, Din chooses his words carefully. “You have to stay out of reach of a man like that. If you could even call him a man.”

He picks up his leather apron and the grey fabric he uses to cover his nose and mouth while he works, and opens the door into the forge, pausing for a moment as he looks back at you.

“Stay. Please. Until you know you’re safe from harm.”

You wake before him the next morning, stealing out of the settle bed to dress in the back room, before quietly putting on water to boil for breakfast and freshening up. There is still some milk in its heavy, lidded container and you pour it into an earthenware jug before setting it on the table.

You hear a stirring from the other side of the room as Din lifts his head from the pillow and yawns, somewhat startled at the sight of you. You bite back a giggle at his skew-whiff bed head, the wavy brown strands sticking up this way and that as his eyes adjust to the light.

He smiles and shakes his head when he realises you’ve prepared breakfast.

“You didn’t have to do that.”

“I was awake, and I wanted to. I have to find some way to return your hospitality, after all.”

Din discreetly reaches for the pair of breeches folded neatly near the end of the bed, and you instinctively turn away as he slips them on before getting out of bed and climbing the ladder to the room above, where Gró is already happily babbling away to himself.

The blacksmith and his son head to the forge after eating, after you refused their offers of help with clearing up after the meal. As you wash the dishes in a stoneware basin, using some of the leftover hot water, you find yourself slipping, once again, into a fantasy of this being your life: this happy, safe domesticity, away from harm and mistreatment.

The memory of the soft smile that had appeared on Din’s face that morning, when he saw you preparing their meal, enters your mind. You close your eyes, a rush of warmth and something like desire coursing through you.

“No.”

His eyes, now, warm and kind and so inviting as they looked at you. The glimpse of tanned skin under his nightshirt.

“No. It cannot be. No.”

You open your eyes and delve deeper into the tepid water, scrubbing the plates and mugs clean and resolving to leave today - just as soon as you could be certain no danger awaited you at home.

At mid-morning, the sudden sound of a woman’s voice inside the cottage is almost enough to make you drop the bundle of clothes you’re carrying inside from the washing line.

She’s small, with an unruly mop of wild auburn curls, and a demeanour that indicates her wiles and toughness.

Peigí. It seems strange to see her here, away from her yard full of half-mended carts and spares.

She doesn’t spot you at first, too busy hauling in a milk can and a couple of baskets filled with random packages wrapped in brown paper. Food, you guessed.

“Only me, lads! Came by with milk and a few bits and pieces I have going spare after calling into the village, I know a growing little chap who’ll eat them right up, so he will. D’you know they changed the coterie of redcoat bastards at the barracks, Din? And one of them’s a local lad, fecked off and left his wife there a few years ago and now he’s back and he’s going mad looking for her and -"

The woman finally looks up and sees you standing near the hearth.

“Oh. Oh, lord bless us and save us!”

“Hello, Peigí. I’m sorry, did I give you a fright?”

She rounds the table to get a closer look at you. “God almighty, girleen, it is you!” She pauses and takes a step back, concern written on her expressive face. “Did… did you know about, er, him? Reappearing, that is?”

You nod. “That’s why I’m here. And by the sounds of it, that was the right thing to do.”

She turns her head quickly towards the door that leads to the forge, as if half-considering whether to summon Din to find out what, exactly, the wife of the prodigal soldier is doing lying low in his house.

“You’re not… ye aren’t… you and himself, are you…”

It’s pretty clear what Peigí is thinking, and you can’t exactly blame her. An anxious wave crashes through you, as you realise that your choice of hideout may well lead the community at large to suspect impropriety - on your part, of course.

“No. And if anyone else suggests that, kindly correct them on my behalf.” You put the bundle of clothes on the table and fold your arms. “I had nowhere else to go that he wouldn’t suspect. I came here in a panic. Din and Gró took me in and fed me.”

Peigí lifts the baskets onto the table, a sympathetic expression on her face. “Well, your instincts were right. Your husband - not that he should really claim the title, given how long he’s been gone - has been out to your smallholding looking for you, and to your parents’ place, and he’s been asking around for you.”

She takes a few of the packages out and arranges them into little piles. “Look, I don’t know your business but I’m guessing you have a good reason not to want to see him again, for being so frightened that you’d flee your own home. So you can trust me, I won’t say a word.” The earnestness of her expression and the kindness in her eyes tells you that she means it.

“Thank you, Peigí. I’d intended to go home later today, I can’t outstay my welcome, but…”

“But I’d give it another little while,” she finishes. “Until he decides you’re not worth the bother.”

The door from the forge opens and Din’s broad silhouette appears, face still covered with the grey cloth. “Peigí?”

“The one and same, Din. Brought you and that lovely little lad some bits and pieces. Now, where’s my darling boy?”

On cue, Gró tears in from the forge, little bare feet racing across the flagstone floor to greet Peigí with a tight hug as she sweeps him up into her arms. He immediately starts chattering away to her, pointing from his shirt to you excitedly.

“Well, aren’t you a lucky little chap, having new friends to make you clothes and everything!” She swivels around to face Din, his son playing with Peigí’s curls. “You don’t need to explain why she’s here, the poor girl. And she should stay put, in my opinion. Provided that’s alright with her hosts, of course.”

“What have you heard?” Din’s voice is cautious.

“Only that he’s been sniffing around the place and asking questions. Nobody knows she’s out here, though.” She ruffles Gró’s mop of fair hair. “You know me, Din, I know everyone and I hear everything. And I’ll be out here quick as anything, the minute I know it’s alright for her to go home. That alright with you, girleen?”

“If it’s alright with Din.”

His dark eyes meet yours. “It’s fine with us. We will keep you safe.”

Peigí looks from you to Din and back again, eyes narrowed and one eyebrow arched, before setting Gró back down on the ground.

“Right so, I’ll be off. See you next week, Din - if not before.”

You keep telling yourself that you’ll soon be able to go home. But, with every day that passes over the course of the next week without a visit from Peigí, a new, more uncomfortable feeling grows inside you.

I don’t want to leave here.

You settle into a comforting, reassuring routine: a little housekeeping and cooking, mending and sewing, playing with Gró, occasionally helping Din with checking the list of items left for repair. Gró alerts you if anyone comes down the lane to the forge, giving you time to scramble up the ladder to the attic and hide. It’s not that you expect Searlas himself - more that you fear he’ll find out if anyone from the locality spots you in the cottage.

You notice Din smiling more, these last few days. Sometimes, you catch him looking at you, eyes kind and warm. And he, in turn, has caught you looking at him.

By night, you sit by the fire together for a little while: you with your mending or knitting, talking, sometimes - and more you than him - but sometimes simply being in a companionable silence that doesn’t demand interruption.

This evening, he descends the ladder from Gró’s sleeping attic, candlestick in hand, and sets the light back on the mantel. The flickering flame throws shadows here and there, the brighter light of the fire illuminating Din’s profile against the whitewashed walls.

He joins you, sitting in one of the sugán chairs in front of the fire. He silently watches you, taking in your nimble fingers as you darn a pair of socks by firelight.

“You have a nice voice,” you say quietly, not even looking up from your work.

“I…” He seems a little taken aback. “Are you making fun of me?”

You look up, surprised and a little hurt that he’d think that of you. “Of course not! I heard you singing to the little lad and it was nice. It’s a compliment, Din.”

He looks sullenly into the fire. You reach over to pat his arm, to offer a little more reassurance and kindness, but he pulls away suddenly as if your fingertips were aflame. You jerk back your hand just as quickly. Had you broken some sort of rule?

“I’m sorry, Din, I didn’t mean to - I meant no harm.” You cast your eyes down again towards the stockings.

“It’s only that I’m not used to it.”

You look up quizzically. “Not used to compliments?”

He meets your eyes and huffs a laugh. “Well, that’s true too. But I mean I am not used to being touched. At least, not by anyone other than my boy.” He looks away again. “I’m the one who should be sorry.”

“Let’s call it evens, then, will we?” You yawn softly and let the darning rest in your lap. “I think it might be time for bed.”

You go through the evening routine established with quiet ease over the past few days: packing away your darning while Din smothers the fire and pulls out the box-like bed frame of the settle bed for you, setting out the few meagre cups and plates for breakfast on the sturdy wooden table while he retrieves pillow and blankets for your bed.

“There might just be enough jam for Gró to have for breakfast,” you tell him, peering into the bottom of the last jar you’d given them. Din stands beside you at the table and smiles.

“He makes light work of it, I’m afraid.”

You shrug and place the jar on the table, resting your hands lightly on the edge. “I’m glad. It’s nice to make a child so happy in this world.”

For a moment, there’s no sound except the occasional crackle of the candles and the rain beating its steady rhythm against the walls and windows of the little cottage.

Din rests his own broad, calloused hands on the table. With trembling fingers, he places his right hand gently on the back of your left.

He doesn’t look directly at you, instead stealing the odd glance as he tries to gauge your reaction. You turn your hand over so that your palm is touching his, letting your fingers intertwine with his long, thick digits as you softly squeeze his hand and turn to look at him.

His hands are still shaking a little, but his impossibly dark eyes are warm and wanting as they look intently into yours.

He moves a step closer. He brings the back of your hand to his lips. You exhale a little, a breath tinged with pleasure and surprise, and your fingers seek out the rough stubble on his jaw. He lets go of your hand, gently, and traces his fingertips across your cheek with surprising delicateness.

His kiss is a little awkward, at first, as if he’s afraid you might disappear entirely as soon as your lips meet. When you lean in and reciprocate, though, he responds in kind: strong arms pulling you close as he kisses you hungrily, moaning into your mouth as you wrap your arms around him.

And then it’s over.

He breaks away, breathing shaky, body almost trembling, face turned away from you.

“No. We can’t. You’re… you’re married, it’s not the way to - I’m sorry. I shouldn’t have laid a finger on you.”

You walk quickly to the settle bed, keeping your back turned to Din. “I’ll go in the morning. I’ve exploited your kindness for far too long as it is.”

His own bed creaks a little as Din sits on it and sighs. “You won’t be safe. I can protect you, here.”

“I’m a married woman, Din, remember?” You fling a pillow down onto the straw-filled mattress in frustration. “So I shouldn’t need you to protect me. And I’d obviously only be a temptation. A harlot.”

You pick up your nightshirt and shawl and cross to the door that leads to the tiny back room, so that you can change for bed. You keep your face turned away and your eyes trained on the flagstone floor. That way, at least, he won’t see your tears.

“The thing is, Din,” you say quietly, as you pause in front of the simple wooden door, “over the last few days - in all the time I’ve known you, indeed - you’ve been more husband to me than he ever was, in the ways that really mattered.”

“Mo chuisle.” [My darling]

His voice, soft but pleading, cuts through the stillness like a prayer. When you turn to face him, he’s standing by the side of his bed, big dark eyes threatening tears of his own, beautiful hands twisting and rubbing nervously together. You’ve never seen him like this.

“Say it again.” You move towards him, shawl wrapped around your upper body.

“Mo chuisle.” He takes your hand and you instinctively move closer, leaning in to feel the warmth of his broad chest. Slowly, cautiously, Din’s strong arms reach around your body to hold you to him.

You stay like that for a few moments, listening to his heart beating, learning the notes of his scent: fire and metal. His large hand caresses the back of your head, his lips find your cheek with soft, lingering kisses.

“Let me keep you safe, mo chuisle. Here, with us.”

You look into his dark eyes, mapping the laughter lines around them and the contours of his nose, his mouth, his strong jaw.

When you first met Din, you weren’t sure if he was a handsome man or a striking one. You were wrong on both counts.

He was a beautiful one.

He holds your gaze for a few seconds, before your lips meet his again. Slow caresses give way to more urgent, hungry kisses, your hands holding Din’s face as he holds you tight, feeling the softness and contours of your body under the layers of wool and cotton in your garments.

You stay like that for a little while, lips and tongues blissfully moving together and hands roaming over each other’s body, exploring these strange and enticing new territories.

Din trembles under your gentle touches, the feeling of someone else’s tender caresses almost overwhelming after so long alone. For the first time in your life, you know what it is to be held and cherished with care as he holds you, seeks out your softness and your warmth, presses his lips experimentally to the fragile skin of your neck and décolletage, and sighs with pleasure.

His mouth moves gradually lower, and you loosen the neck of your blouse and undo your light wool bodice to grant him greater access. Those long, thick fingers, marked and calloused by his trade, trace the line of your breasts under your short linen stays.

“Oh.” He exhales the word, closing his eyes as his fingertips press lightly into the soft flesh.

“Din…”

Din’s dark eyes flick open and meet yours, his sadness palpable. “I’m sorry, mo chuisle, I’ll stop.”

You murmur a silent prayer that he won’t think less of you for what you say next.

“Din…don’t stop. I - I want to. I want you. I want you to have me. Please.”

He flushes and looks away, still holding you close.

You speak softly but firmly. “I know that’s very forward of me, Din, but…” You run your fingers idly through his hair and he leans into your touch. “Why did you turn away?”

“Because I’ll be a disappointment to you.” His eyes meet yours again, dark and sad.

“It has been a…long time.” He looks embarrassed, colour flushing his cheeks. “I…I’ve lain with, well…once or twice…but I…It wasn’t like this. It wasn’t -”

“If you don’t want to, you know that’s perfectly fine.”

“I want to. I want you.” He pulls you tight to him once more, and brings his hand to your breasts, gently kneading the flesh and slipping a fingertip here and there under your light stays as he sucks your neck and pulls your bodice open all the more.

“I won’t hurt you, my darling,” he murmurs.

“Oh, Din, I know. You never could. Let me undress for you, a stór, hmmm?”

Din looks on as you discard your bodice and your skirts, followed by your woollen stockings. You undo your short stays, leaving you as naked as you’ve ever been in front of another human being for a very long time: just your pale, light shift, undone over the décolletage and stopping just at mid-calf, the outline of your body entirely evident in the simple, thin undergarment.

His dark eyes appraise you, mouth slightly open. The width and curve of your hips. The thickness of your thighs. The little protruding pooch of your belly. The line of your shoulders. The gorgeous weight of your heavy bosom.

“Oh, mo Dhia.” [My god]

Din hastily takes off his knitted pullover and undoes his breeches and stockings, and soon he, like you, is standing barefoot on the flagstone floor, dressed in just the creamy-coloured linen of his undershirt. He closes the short distance between you, caresses your cheek with one hand and reaches for the other, holding it gently.

“Please take me to bed, Din.”

It’s strange, at first, to nestle beside him in his bed, to smile at each other and giggle quietly as you map each other’s bodies with roving fingers, curious lips, and wandering eyes.

You are no virgin. But this has some of the sweetness and curiosity of a first time, or at least how you had once hoped a first time would be. On your wedding night, Searlas took your virginity and shattered your romantic delusions, adding insult to injury by checking the sheets to see if you’d bled.

It’s different tonight, here in the blacksmith’s bed. You are both a little awkward, a bit hesitant from your years alone, the time spent seeking a kind of release in your own hands, the years that passed without as much as a loving touch from someone else.

The feel of another now, at last, sets you trembling. Din’s breath hitches when you caress him through the thin linen of his undershirt, and when you reach under his shirt and wrap your fingers around his cock he moans so loudly that you have to put a hand over his mouth, for fear of waking the little boy soundly asleep on the floor above.

You stroke him for a little while, hand still gently pressed over his lips to stem the flow of grunts and moans that threaten to spill out.

“I’ll stay quiet if I’m kissing you, mo chuisle,” he whispers against your hand.

You smile and move your palm away, and Din swiftly finds your mouth again as his hands grope your breasts. It’s exquisite torment - the sheer pleasure of his strong, broad hands being on you, his soft, warm mouth meeting yours, while the ache between your legs grows more and more insistent.

You take his hand and gently guide it under your chemise and between your folds. Din’s eyes widen.

“Ever touched a woman here?”

He shakes his head.

“Would you like me to teach you?”

A slow, entranced nod of agreement.

You bring his long, thick pointer and middle fingers to the sensitive little nub you’ve learned to massage when you needed release in your years alone, guiding Din’s motions as you teach him what you like. What you need.

He’s a quick learner, enraptured by the little whines his fingers start to pull out of you and the way your hips buck in response to the careful touch of his hand. He reaches for your breasts with his free hand, fondling them with endearingly clumsy enthusiasm while he continues to finger you.

“You’re wet,” he grunts into the side of your neck, fingers now tracing around your entrance as he explores you for the first time.

“For you,” you whisper, close to coming. “Because I want you to have me.”

Din’s kiss tips you over the edge and you whine against his broad chest as pleasure courses through your body. He looks astonished.

“Good?”

“So good, Din,” and you return his kiss, still stroking his cock. “You learn fast, a stór.”

His eyes are dark with desire and want as he plays with the hem of your chemise, hitching it up over your thighs.

“Can I have you, mo chuisle?” His voice is hushed, reverent, almost; his face open and genuine as he gazes into your eyes.

You nod and sit up, casting off your shift before helping him out of his shirt. Your fingers trace over the marks and scars on his body, lips pressing lightly to them, to the strong, beautiful muscles of his arms and torso, to the side of his neck.

With his pointer finger, Din draws soft lines and circles down your breasts and around your nipples, before gently bringing his warm, plush lips to each one in turn. Strong arms wrap around you and ease you down onto your back as his mouth continues to explore your body. He strokes his cock and moans softly as your hips buck up towards him, marvelling at the way you are responding to his touch.

He is a beautiful sight, nestled between your legs: broad body above yours, hands and lips exploring you, eyes blown completely dark with desire, and hard cock pressing against your core. You wrap your arms around his neck and pull him down for a long, deep kiss.

There is no moment of doubt in your mind, no worry about how this lovemaking is “wrong”, by virtue of the legal status that still binds you to a man who never held up his end of the bargain, nor had any intention of doing so.

Nothing in your life, you realise as you reach down to help guide Din inside you, has ever felt so right.

He takes you slowly, gently, biting his lip as he sinks into you and bottoms out with a groan he desperately tries to suppress as he adjusts to the feel of your wet, warm pussy.

He opens his eyes and caresses your cheek, smiling softly. “Mo cailín álainn. [My lovely girl.] Is this - do you like this?”

The feeling of his heavy cock pressing, filling, stretching you so beautifully is a revelation, a far cry from the pain and abuse that characterised your previous experiences. Suddenly, you understand why other young couples you’d known had been so desperate to go to bed together.

“It’s just perfect, a stór. And for you, is this - does it feel good for you?”

Din breathes your name and closes his eyes for a moment. “So very, very good, mo chuisle.” With a gentle kiss, he begins to move his hips as you whine softly at the gorgeous sensation. He moves slowly, at first, his sheer pleasure as he drags his cock in and out of you written all over his face and in every pant and whispered gasp of your name that issues from his soft lips.

Your knees hitch instinctively, your body acting on your innate need to take him even deeper inside of you. Din’s broad, calloused right hand finds its way to your hip, making you cry out as his fingers sink into the soft flesh, while his left eagerly gropes and massages your tits.

“That’s it, darling,” you purr into his ear, urging him on as he starts to fuck you harder and faster. “Yes - yes, Din, there - that’s…oh, god…” His eyes widen as he watches your head rolling back in ecstasy. He buries his face against the velvet skin of your neck, kissing and licking and nipping you until you’re stifling your moans against his dark, wavy locks.

“My good, good girl,” he whispers, moving his lips to your tits and muffling his grunts and groans against your body as his rhythm starts to stutter and falter. He’s close. “Where, love?”

“Inside me,” you hiss, “finish inside me.”

He comes hard, moaning into his pillow as he spills his release deep within you. You trail your fingers through Din’s damp, mussed-up hair and kiss the side of his head, over and over, until he pulls out and flops back beside you.

You turn to face him, chuckling softly at how wrecked he looks. “You’re very good at that, you know. Not bad for a man who thought he was going to disappoint me.”

Din grins, wraps an arm around you, and pulls you in for a long, slow kiss.

Dawn reaches its gentle rays into the little cottage and finds two lovers still tangled together, naked beneath the blankets.

Din wakes you with kisses: to your lips, your forehead, your cheeks, your neck. You nuzzle against him, still basking in the warm glow created the night before.

There’s a certain sadness in his kind eyes. Regret?

“What is it, Din?”

He looks at you, reluctant. “I just wish you were mine, mo chuisle.”

In that instant the warm glow is gone, replaced by stark cold. He’s right. You’re not really his. You can’t be.

But, says a little voice inside you, you are. What else are you, if not his?

You kiss his cheek and reach for his hand. “I am yours, Din. Don’t you remember what I said last night? I’m yours - and you are mine - in all the ways that truly matter.”

Further A/N: With thanks to @agentjackdaniels for her astute observation a long time back about the similarity between mo chuisle and mesh'la!

A settle bed was a common piece of furniture in eighteenth and nineteenth-century Ireland. Essentially, it was a kind of high-backed bench with a deep base that could be pulled out to act as a spare bed. A sugán chair is a traditional Irish form of domestic chair with a woven straw seat and wooden frame.

#tempered in the fire fic #din djarin au #blacksmith!din djarin #blacksmith!din djarin x f!reader #din djarin fanfiction #historical AU #the mandalorian AU #the mandalorian fanfiction #pedro pascal character fanfiction #pedrostories

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narcoticwriter · 11 months

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Primogems & How They Predicted the Most Devastating Plot Twist of the Game

This item may be the bane of every F2P player's existence and the whale's minor inconvenience to acquire, but I believe that in terms of lore and what the future of the story holds, it can possibly be one of the most blatant warning flags in the game.

Before I go into this specifically, I would like to show you where this post is coming from in earnest.

The one on the left was the beta version of the primogem icon and I have the current one adjacent to it as a comparison.

This? This right here? This is just a slap to the face, a true insult, dare I say a gauntlet thrown on the ground in front of me.

You don't know me if you think I'm going to take that shit, so of course, I'm picking it up and I'll have my pistols. Tell me where and when because I'll be there with receipts.

Not only will I argue that the beta design was quite pointed and intentional with how often this specific shape shows up with characters, lore, and the game at large, I will blatantly declare that it is the key to figuring out where this story is going to end.

If you've been here before, you know what to expect from this, and if you're new? Strap in with some snacks and a healthy appetite for questioning the lore because on this blog, we go ham or we go home.

What is a Primogem Anyway?

According to the wiki, the description of a primogem is as such:

"A primordial crystalline gem that's beyond the mundane world. Shines with the condensed hopes and dreams of universes that once were."

The information here is already intriguing in the sense that the words 'hopes' and 'dreams' are used in relation to their appearance as well as the word 'primordial', which roughly means 'from the beginning of time'.

So with that, we have to ask ourselves one question: how do you even get something like that in the first place?

How Do You Acquire Primogems?

Before I go into this, the ways that I am providing are (in my opinion) the only canonical ways that make sense to acquire primogems at all as they have lore, in-game quotes, and things that point to what I believe will tie into primogems either through other topics or their uses.

Genesis Crystals

To start off, the description of a Genesis Crystal is as follows:

"An energy crystal from the very origin of the universe. Formed from within nothingness out of pure potential and hope, it contains enough energy to create a newborn star."

If one looks at the definition of a primogem, one can see that this Genesis Crystal is used to make primogems. This is evident by the in-game application of the '1:1 Ratio' conversion of Genesis Crystals to Primogems.

It should also be of note that the distinct shape of the crystal is defined as the 'triquetra'. This symbol has a relation to infinity and interconnectedness, which is interesting as the crystal is used as a source to create a condensed byproduct in primogems, something decidedly 'star shaped'. So with that, you also have to ask how one could acquire such a thing in the first place.

The Blessing of the Welkin Moon - New Moon

Please note that this is not in reference to the product that you can buy in the game, but instead, the new moon variant that one can get in web events. This, however, doesn't mean that the lore is not inclusive of the said products either.

I have an ask that went into some more detail about this in a more speculative nature, but for the sake of this, I will put the description of this object below:

"A ritual prayer, recited on the rising of the first new moon, to ask for the moon's blessing in the form of wealth and good fortune. For your purposes, the new moon you shall pray to is the first-ever new moon in Teyvat, since it's the first one you've seen here."

So, with this, we can assume that:

There is a 'prayer' one must make to acquire both primogems and Genesis Crystals

The moon plays a significant role in this process as the said object only last 30 days (roughly the same length as the moon cycle)

Something else of note that I would like to point out is that the new moon is when the cycle starts specifically. Over these 30 days, one can acquire a total of 2,700 primogems and 300 Genesis Crystals, the same as the standard Blessing of the Welkin Moon you can buy.

This image of The Welkin Moon shows a few symbols that we've already seen, such as the primogems themselves as well as the triquetra, so we can firmly establish that this is indeed a valid way of getting these things. But in relation to the moon cycles and lore that incorporates that as well, one must stumble into places you wouldn't typically expect to find those or primogems at all.

Spiral Abyss - Moment of Syzygy

Primogems? In my Sprial Abyss? It's more likely than you think.

The Spiral Abyss is split into two distinct sections, the Abyss Corridor (Floors 1-8) and the Abyss Spire (Floors 9-12) and as such, I'm only going to go over The Abyss Spire in-depth as they replenish their primogems every cycle (15 days).

A physical description of the Spiral Abyss states plainly:

"A grand underground corridor which leads to an unknown spiral constructed by a great empire that has long gone. What treasures await deep in the palace, and what monsters lurk in the shadow..."

"Surrounded by mysteries, the inverse tower is now known as- Spiral Abyss."

With this description, I believe that this 'great empire' is not Khaenri'ah, but something affiliated with the 'Lunar Palace', something that existed and fell into ruination long before the game is set.

With this context in mind, one can see why the snippet called 'Moment of Syzygy' would say:

"The cycles of the moon elucidate the turning points of fate, and as the gears turn at the beginning and middle of the month, the treasures hidden at the end of the spire shows itself."

From Moment of Syzygy, one acquires 600 primogems per cycle of the Abyss, so given the presence of 'treasure' and the heavy emphasis on the moon, one can assume that you would absolutely find primogems even in such a place and if you don't think so, there is proof.

For example, the word 'syzygy' is defined as 'a conjunction or opposition, especially of the moon with the sun'. This is another term for an eclipse, a phenomenon that also includes three celestial bodies (the moon, the sun, and the earth).

Another example of this is something called 'Blessing of the Abyssal Moon'. These come in distinct phases (every 15 days) and are labeled as the 'Waxing Phase' and 'Waning Phase' respectively, granting boons to any characters fighting in the Spiral Abyss, this imagery is further emphasized by the accompanying images of the Corridor and the Spire respectively:

Further on, this Abyssal Moon seems to be a variant of the 'Blessing of the Welkin Moon' as the word 'welkin' means 'the sky or heaven'. So now we have the Heavenly Moon and the Abyssal Moon, two direct opposites in terms of definition and distinct as to what is granted as a blessing.

So yes, you could acquire primogems here with some difficulty. There is, however, another way to do so, though this one might be the most interesting one of all.

Batte Pass - Gnostic Chorus

Please note that I am only referencing the 'Gnostic Chorus' in the teaser trailer and not the purchasable one in the game, although like I've said before, the content in each can be inclusive to each other.

I had some back and forth in my mind concerning the addition of the Gnostic Chorus in this classification, but after looking at the provided dialogue from Venti, I believe it has its place as where one could acquire primogems. The said dialogue is as such below:

"Once, there was a glorious kingdom established among the heavens. From that kingdom came a crowned heir, tasked with seeking out the Genesis Pearl from the Kingdom of Darkness."

"The first crowned heir began her journey of seeking the pearl. But she was deceived, and the memory of her noble origins faded. She now believed that she was the queen of the Kingdom of Darkness."

"But take heart, a second crowned heir had already taken up the path where the first had stumbled. This is the story of your journey, of your tale to be told."

Immediately, one can clock the term 'Genesis Pearl' and can relate that to 'Genesis Crystal', which we have already defined as something essential to how one can acquire primogems as well as going into what it is in its core.

There is also the imagery of the star-like things on top of the city in the heavens and this mountain specifically, which also lends credence to the presence of stars.

This 'Kingdom of Darkness', however, is up for some debate, as it could be Khaneri'ah, the Spiral Abyss, the Abyss itself, Teyvat itself, or something that we haven't come across yet, so I don't have anything conclusive to say about this particular matter.

From the Gnostic Chorus, you can get 680 primogems per pass acquired. As to why I chose to include this boils down to the fact that the story being told in the dialogue is the Traveler's. The story at large can easily be applied to the Traveler as the way the canonical story goes is that Aether is the one to pick up the task. While there are many theorists that think this isn't the case, for the purposes of this and how this will relate later, I will stick with this view.

Why Does All of This Matter?

To summarize what we've gone over, you can get primogems from

Genesis Crystals

The Blessing of the Welkin Moon (New Moon)

Spiral Abyss (Moment of Syzygy)

Battle Pass (Gnostic Chorus)

And the reasons why you can get them from there specifically is because:

A tie to the essences present at the beginning of the universe and frequently emphasized to be from beyond Teyvat

The frequent allusions to the moon and its cycles

The presence of hopes and dreams as material as opposed to abstract ideas

Symbols and lore that coincide with the topics already established

So in this sense, Primogems are not to be understated in any way as they can all be canonically acquired from this.

However, one thing that I haven't gone over until now is what one can do with Primogems after they've got them.

What to do With Primogems?

A primogem's uses are described and laid as such:

Replenish Resin

Unlock levels of the Battle Pass

Acquire Fates (Wishes)

While at first, this may seem like a system in which the game itself operates, the lore that I've also provided points to more of what to expect in the future as well as how the main character (Traveler) interacts with Teyvat at large as there are certain objects only primogems can make:

Original Resin

Acquiant Fates

Intertwined Fates

All of these things have importance to the lore due to how they influence the world around them and how they are used, the original resin being one that brings many things into question.

Original Resin

The uses of original resin are for ley line outcrops, domains, normal bosses, and weekly bosses. However, I will only really be focusing on ley line outcroppings as they are related to the ley lines themselves.

The description provided for original resin is as stated:

"It is said that the roots of all the Irminsul trees and blossoms in the world are intertwined at the deepest, most hidden place in the earth, and that the pattern the root system makes defines the Ley Lines of the world."

It is also necessary to define Ley Lines and the respective outcroppings (also called Blossoms), which are:

"A mysterious network that links the whole world together, within which flow the elements..."

"A flower blossom known as "Revelation" which grows from the Ley Lines in response to someone's desire for battle. Perhaps the treasures within it can help one recall the perils that they have experienced once before..."

"A flower blossom known as "Wealth" which grows from the Ley Lines in response to someone's desires. Perhaps the treasures within it can satisfy a person's monetary desires, for now..."

So to clarify, the original resin would naturally be a part of these as well as the outcroppings and as such, I do find it quite interesting that a certain number of primogems can replenish the Traveler's supply of it at any time it's acquired. This is important because the implication suggests that in theory, the Traveler can do this whenever they'd like.

This original resin can also be used to make something called condensed resin, which is described as:

"Crystal filled with immense energy. The silver-white Irminsul trees and blossoms are connected to ley lines that have become blocked over time. The energy contained in tree resin can purify the obstructing substance."

This implies that with enough of this resin, one could purify (enhance the bounty from the ley line blossom) any unnatural thing that could be obstructing the ley lines, something that primogems could expedite quite speedily in decent amounts. This, however, is nothing compared to what comes next.

Fates

There are no words that can describe how absolutely broken this is in terms of lore and implication, but I can give it a shot.

In short, wishes are the gacha system in the game, but as I've broken down the lore for every item in the game that I have here, it's only natural that acquaint fates and intertwined fates will have some lore of their own as well.

So to start off, the acquaint fates are used on the permanent standard banner. There's a brief description provided here:

"A seed that lights up the night. No matter the distance apart, guided by the stone's glimmer, the fated will meet under the stars."

This likely indicates that this certain type of fate is meant for the standard characters on the banner which will come regardless of the time that passes.

However, one must also take into consideration that the design of the acquaint fate was different from the CBT yet again.

As a result of this, I can no longer believe that the triquetra design is simply a coincidence. Primogems are naturally going to be used to make acquaint fates in this instance as the Genesis Crystals have this motif of infinite interconnectedness and primogems are a part of that cycle.

The intertwined fate lends credence to this statement as its description state:

"A fateful stone that connects dreams. Its glimmers can entwine fates and connect dreams, just as how its glimmer links stars into the shapes of a heart's desires."

This is painful to me. As if it could not be more obvious than this. We get it. Crystals = Primogems as Triquetra = Infinity. I suppose it had to be changed for that reason, then.

So this description is obviously calling people out every time they pull for the character they want, but a fateful stone that connects dreams? At this point, I'm being handed the motifs and themes within the story without even having to work that hard for them.

As I've stated before, dreams are described within the crystals and the primogems and as such, they are going to have to do with the intertwined fates. However, I will also make the point that this is the first time that it has blatantly said anything about the stars. As the primogem is meant to resemble that shape a bit, the connection is also there.

It is also interesting that the act of using these is typically described as wishes, so in the sense that primogems are described as condensed hopes and dreams, that isn't as far from the truth as one would think.

Byproducts

Speaking of stars, the byproducts of using these fates manifest in objects called masterless starglitter and masterless stardust. These are the remnants of fates and are described as such within the wiki except a point of note would be that they are referred to as a 'surplus of destiny'. This likely refers to the characters and objects acquired.

The descriptions are also more akin to off-hand comments such as 'perhaps it can create new destinies when in large enough quantities' or 'perhaps it can light up other corners of the universe.'

It should be noted that these objects can be used to buy more fates, but it takes a somewhat substantial amount to do so. Depending on which characters are acquired, you can get a decent amount of these, which can be used to buy things from 'Paimon's Bargains', which segues almost perfectly into this final section.

The Bottom Line (+ My Theory)

After taking into consideration everything I have gone over in the eight hours I have hyperfixated on this theory of mine, I have one conclusion and one conclusion only. This starts with a question. A small one, a seemingly innocent one. One that you wouldn't usually pay attention to but with all of this? You have to now.

Why is Paimon, of all people, able to convert starglitter and stardust into fates?

Well, I believe it is because of what has been established over and over again in the entirety of this post. Take a moment to look at her for a second or two.

What do you see? Is it familiar? With all that you know now, does it strike a chord within you?

It should, as Paimon is the only character in the game to have both the four-pointed star and the triquetra on their person and character design, and if the 'genesis crystal=primogem' ratio is to be made manifest within the speculation, this means that this little person may be unaware that they are a segment of the universe itself.

People have been saying that Paimon is the Unknown God. People have been saying that Paimon is the final boss of the game. People have been saying that Paimon will betray the Traveler in the end.

Well, I believe that every single one of them is wrong.

Ladies and gentlemen of the viewing party, I submit to you that Paimon is none of those things at all. I submit to you that such petty labels and titles mean absolutely nothing to her in the grand scheme of things. I submit to you that she is simply above them all.

We can discuss Teyvat, Celestia, the Abyss all we want but if this information brought forward is right and primogems really are the established way in which it can manipulate the world for our dearest Traveler and his flying companion? Then who are we to stand against it?

I, Narky, submit to you, the reader, that Paimon is, without a shadow of a doubt, the First Descender.

Do I think that I'm reaching a little bit? Maybe. But does the evidence lie? No, I don't think it does.

To clarify further, no I do not think that the Unknown God and the First Descender are the same people nor do I think that they are on the best of terms. So with that in mind, the theory will make a bit more sense.

Final Notes + Commentary

I've been scouring the internet and the wiki for over eight hours now, so I think I'll end this here.

So . . . what do you think? Will this entire theory be retconned in a future update? Will people much more observant than I pick it to pieces? Am I simply off my rocker and not medicated enough? Pick your poison! As I've said before, we go ham or we go home and I'm sitting in my house.

I would like to thank the Genshin Impact Wiki for having all of this stuff available to scrutinize and read to enable me to do this. All images and quotes I use are from there. I would also like to thank @scalpel-mom-mori for sending me an ask about Khaenri'ahn lore, as this is what got me started on this.

Leave your thoughts, questions, and commentary if you'd like. I'll get to them when I get to them.

Thanks for taking the time to read all of this and maybehaps you took something from it that you can utilize somehow.

Until next time, I see you when I see you.

#narky thinks #going ham #genshin impact #genshin analysis #genshin lore #genshin theory #genshin worldbuilding #AKA: i saw ONE thing and suddenly i'm in the wiki trenches fighting for my life

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marzipanandminutiae · 2 months

Note

The post about "we need feminism because there's a men's rights movement in LGBT" is from radfems. "Baeddelations" has a pinned post about being a baeddel, "men's rights" in this context pretty much means trans men speaking about being trans men. (I'm not denying issues in the community but I know you've wanted it pointing out when you've missed dogwhistles before, and the post is all very thinly veilled references.)

I did some looking into this, because I was not familiar with the term "baeddel."For anyone else who didn't know: It's an Old English word generally meaning "effeminate or castrated man" as far as I can tell, and some transfem people adopted it primarily back in the 2010s (although some still use it, like the user in question). Baeddels in the modern sense claim to focus on transmisogyny and trans women's issues...but as you say, some can lapse into prejudice against trans men. To the point where, while it doesn't seem like they ALL hold that view, it has become one of the most prominent things about the movement. Kind of like radfems and transphobia. The poster in question seemed, when I looked through their blog, to come down in the middle- there were some comments that raised my eyebrows, but not as extreme as things I saw on other blogs.

I went back and forth about what to do re: the post in question, though. Because I don't want to be associated with hatred of trans men, since. You know. I don't hate trans men. However, I do feel that the modern left, and even the LGBT community, believes misogyny has been fixed and refuses to examine the undercurrents thereof that women in these circles still struggle with.

(Trans men can be misogynistic. NB people can be misogynistic. Anyone can be misogynistic, and the community letting misogynistic people off the hook because they're not cis men, or the expectation thereof, is a real issue that I have witnessed/experienced IRL. Shoutout to the trans guy who insisted I let him do everything for me out in public, and got mad when I didn't want to, because it "made him feel more masculine" so I should apparently just shut up and act helpless, for example.)

(There's also been a lot of "not all men" going around in response to women expressing frustration with the bullshit we face for our gender, which is like. Come on. I thought we all figured out in the 2010s that no-one sensible is talking about LITERALLY all men; we just shouldn't be expected to water down our anger to make men comfortable. Tacking "but what about trans men?" onto that doesn't negate the entire rest of the conversation.)

I disagree that the post is "all thinly veiled references" because it looks like most people reblogging it are like me- folks who aren't familiar with that term but feel that there's a still a misogyny issue in progressive and queer spaces. However, because of the association with a specific movement I am not part of and largely disagree with an apparent key point of, I will be deleting it.

Do not mistake this for me recanting my personal sentiments on the matter. There is a misogyny problem in my community, because the misogyny problem in broader society remains. Trans men and NB people are not exempt from being misogynistic. This needs to be talked about, and it is deeply frustrating to me as a queer woman.

Do I even have to say "this is not for t*rfs?" Well, just in case, it is Not. Fuck off.

#ask #anon #long post #misogyny #feminism

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osaka-lilac · 4 months

Note

Asking you to kindly elaborate on the strollonso football au:

hello raapija my beloved, i would love to elaborate <3

for those out of the loop, refer to my tags on this post!

warning: i am an american with a incredibly basic understanding of footy ("soccer"). there is a reason the actual talk of any gameplay is basic and limited

fernando is this new guy to Lawrence Stroll's footy team right. (because in every universe, lawrence has to own a Team.) i can imagine he's some draft pick from spain for a new striker or something like that. possibly some trade, maybe a mid-season exchange (they do that in american football but idk if they do that in footy) those who know specifics of positions in footy please let me know your thoughts on what position fernando would play

lance: couldn't give two shits about footy. he's seen maybe once in a blue moon on the sidelines tagging along, and he's known for being visibly bored or on his phone during matches. (he has the Pout Blast 3000 for this.)

the reputation he receives from fans is much like the perceived impressions he gets irl: some spoiled kid who shouldn't be there. he's more into hockey than any match his dad's team could ever play.

now when fernando shows up its like a fucking slap to the face. like. "holy fuck i didn't think they could be this hot" type beat.

for the first time, lance shows up to a team practice with his father, not just a match. but he's really not there for the team: he is enamored by fernando. his speed. he's a sly yet devilishly handsome fucker with this wicked grin when he knows he's tricked his opponent yet again, and lance is obsessed.

not only does he start going to way more matches. he also starts showing visible interest and gets invested. and he gets loud. the mumbles online about his "spoiled reputation" turn to joy. he becomes a meme of the team for a few weeks after a clip of him getting frustrated after a poorly-called card is given to fernando ends up going viral.

and maybe this entire time, fernando has been watching this young boy from afar. he totally believes he can't be with his literal manager's young son and jeopardize his spot on the team and a shot at glory. and maybe he believes that lance initially isn't interested. but maybe when he sees lance become more invested in the team, he figures he might have a chance. he just can't figure out why lance has become so invested in what was, quite frankly, a very short amount of time.

so maybe fernando's on the side for a while in a practice. lance is there, but he seems distant. not in the game. not really watching the drills by the other players with much enthusiasm. and fernando's a smart man. and he puts some pieces together in his brain. and makes a move.

he comes up to lance and asks to talk with him once practice is done. when all the other players are gone. in the locker room. of course lance agrees

flash forward a bit. n lance is like. hanging out by the exit outside of the locker room. he counts all the players. and when there's only one left. he goes inside. finds fernando sitting on one of the benches, still in his kit.

they get to talking. what lance does outside of being at games, (i can imagine him being a student but i don't have the will to kin assign him a major right now), what his favorite hockey team is (habs. of course) and of course, the loaded question:

"lancito, what's gotten you so interested in the team now?"

of course, lance doesn't really respond to this, kinda dances around the question. he gets flustered. he doesn't want to be found out. what if he sees right through him, what if he already knows, what if he tells his dad??

fernando leans in slightly, and slides his hand over lance's hip. he cups his chin softly, and slowly turns lance's head to look at fernando straight on.

"be honest, niñito."

and when has lance ever been anything but honest.

#and then they FUCK NASTY ABOUT IT IN THE LOCKER ROOM #strollonso #thank you so so much raapija i have been vibrating to write something lately #asks #answered #my fics #(in a way. just tagging it that so i dont lose it in the swarm of posts)

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sonkitty · 3 months

Text

Crowley S2 Hair Post #4 Redone

(For reference: The Sideburns Scheme)

Crowley, Good Omens 2, Episode 1, The Arrival, The Perfect Entrance Trick

The entrance is part of the coffee shop scene, but it is so special, I am giving it its own post.

Sideburns Check

This show has treated us to something. Crowley does a full spin so that we can get a really good look at the hair from multiple angles. It's not that close up but still good. Thank you show and Crowley!

The sideburns are short. They are the intended shortness after driving. In turn, they are the shortest they have been up to this point in the present day storyline.

Short sideburns happen around human spaces most of the time, at this point in the story.

...

Brighter Red Streak Check

It's easy to think the brighter red streak is not there because of its position. The above image is brightened and more saturated with white rectangles to indicate where I see the streak.

I often find the streak above the center of his left eye and going up from his forehead. Here, the streak actually starts from his part on the top.

...

Hairstyle Changes

In both the Bentley and here, the top hair flared upward. Just outside the coffee shop, the flare has shifted further to his right instead of straight upward and lining up with his nose as it did in the Bentley. There is no extra saturation streak on the right side of his forehead.

Earthly Objects: The Perfect Entrance Trick

(For reference: Earthly Objects)

We have arrived at our first Threshold Trick!

This part is going to be very detailed because of pockets and thresholds.

Here are some GIFs to start us off:

This sequence is The Perfect Entrance Trick. Way, way back before I thought there might be an Earthly Objects game and was just exploring the sideburns, trying to figure them out, I remarked on my appreciation for the camera work and music for this segment. I always compliment those parts because they are so good. They contribute beautifully to the idea here.

While setting aside the Sideburns Scheme and trying to figure out Earthly Objects, I made a "Bonus Round" part of my main post because this sequence had me so amazed. It looked like threshold-only touches and avoiding earthly object touches, but I couldn't be sure due to some specific questionable things I will explore further down eventually. Nonetheless, it sure seemed to me like Crowley knows how to play the game as an expert, so if he is aiming for threshold-only touches, there must be something to his methods that gets the job done. These Threshold Tricks might even be special supernatural bonus points he's earning in the game.

My understanding of the game at this point in time is like so: In this sequence, they are threshold-only touches, but how are they threshold-only touches with this game's mechanics? That's what an audience player is supposed to figure out in the puzzle.

The Perfect Entrance Trick is actually the third Threshold Trick I found without realizing it because I did not have the words, "Threshold Tricks" for myself then. It felt like the first one I found when I was trying to understand Earthly Objects. I had already found The Bigger Thresholds Trick and The Door Trick without realizing they were Threshold Tricks too. I didn't have names for them then. I just knew there was something special about sideburns and thresholds so caught onto those parts. It took something more than weeks to put these ideas together because I spent a lot of time just thinking and making pictures while readying myself for making posts about sideburns.

Before we go over this particular sequence in more detail, here's something I think the game is putting forth as a challenge. The Pocket Trick is a hidden giant with a giant impact on many things. While I am at a point that I do not think I will ever solve The Pocket Trick to my satisfaction, I believe a significant one of its hidden messages is, "Pay attention to the pockets."

As stated in my main post for The Sideburns Scheme, pockets are a big, little thing in GO2. They are easy to miss and to dismiss. One should also pay attention to doors and windows, but because the pockets are so easy to overlook—even more than windows, it's a good idea to mind that message on pockets specifically all the same. Between doors, windows, and pockets, pockets are the hardest to see and to understand.

In Earthly Objects, a pocket can be a hole created by a character's body between their own self, part of the screen, part of an earthly object, or even part of a threshold. A pocket can be two or more characters surrounding something or someone on the screen in the framing. A pocket can be a character surrounded by things in the framing. A pocket can be the actual literal pockets characters can have on their clothing. That includes the ones we understand are actual pockets and even little holes the clothing can make on itself. Pockets are everywhere, but making sense of them for how they count, when they count, and what they count for, is another story. It is overwhelming—as if "think outside the pocket" wasn't hard enough in The Pocket Trick to begin with!

I think chances are good that pockets are somehow related to every Threshold Trick, and a big part of this challenge I do not expect to pass is to figure out how. That means I won't ever fully solve every Threshold Trick. So, I will pay attention to the pockets, tell you about the pockets, and admit freely, once again, my understanding of them is limited.

Okay, so here's the sequence in more detailed text form with paying attention to the pockets. It is very quick and heavily based on movement. Parts are also blurry. I won't swear everything below is correct because to play, I mainly have to guess based on clues.

With the car on screen before it is parked, I can find multiple different humans using pockets. However, one in particular catches my interest because he put his left hand in a pocket near where Crowley will park, and I recognize this human:

That guy shows up three different times in episode 6 during The Door Trick and The Door Catch. He is responsible or the Purple in the Rainbow Connection on Aziraphale's part.

Nonetheless, Crowley parks the car. The camera work is doing amazing things by going under the car, then around a wheel, focusing in on the shoes of the nearby humans before Crowley himself starts.

The door to the car opens, and Crowley touches the edge of the sidewalk with only one shoe. The heel is touching nothing behind it. The front tip is avoiding the rest of the sidewalk. That is the Single. The edge of the sidewalk is one threshold, and it was touched by only one shoe.

The camera pans up.

Crowley touches two different thresholds with his right hand. They are the window frame and the door panel for the door to his car. The fingertips avoid the window pane. That is the Double.

One of the tie strands becomes visible, including a clasp and a tassel. That's a thumb and thumb joint of one of the Tied Hands. Crowley's left hand moves forward such that the tie strand is visually in front of that hand. The left hand is important because it's the one that's going to do the Triple part of this Threshold Trick. I don't know the watch's role in pocket mechanics. It generally likes to be seen and seems to also watch things, like it's some kind of "lookout," but something more too.

Getting back to the left hand's movement with the tie strand, at the exact frame that thing happened, I can find a human visually behind Crowley's right elbow using a pants pocket with their left hand. They are wearing a white shirt over a darker one.

This part is a clue that this tie strand is going to be tied to the left hand and that it is the longer tie strand when both are seen together shortly.

Instead of moving ahead to get to what is going to be the Triple, Crowley has his back to the camera. He takes some steps and moves his arms around. I don't have it in me to log every pocket they make and close and what they might frame, but they do such things.

A light briefly pops out in one of the trees trying to communicate something, and I'm going with saying it's a little overhead light for Crowley since it's above his ear and to the left of his head.

There is a nearby car with red rear lights. These types of lights are often used to alert about a color switch in the Rainbow Connection when they light up a bit more. So, the main thing I see it to be an alert for is that pocket user already mentioned and knowing what we'll see soon for switching without an active Rainbow Connection. The pocket user is even pocketed briefly between these red lights. In fact, that overhead light mentioned above lights up at the start of when this human starts to pass the first of the two red rear lights. If those red lights mean anything else, I don't know what it would be.

When that human pocket user that was visually behind Crowley is finally completely off-screen, Crowley's left hand and the watch also go off-screen.

Crowley spins.

As he spins, both tie strands become visible. The longer tie strand is on Crowley's right. That means it is mirrored for now. The left hand becomes visible again too. During the spin, the tie strands switch. The longer tie strand becomes aligned with Crowley's left side. Generally, these things have a special mirror that flips through a Rainbow Connection Reflection, or whatever that Connection allows, in the Pocket Chain of The Pocket Trick. However, The Pocket Trick hasn't started yet, and this Trick is not linked to the Pocket Chain.

Well, without the initiating power of The Pocket Trick or a Rainbow Connection, it looks like a little spin switch is allowed this time.

The belt—which is Crowley's Belt Head—also became visible, and Crowley has his mouth open during this spin. The vest tips are surrounding the Belt Head to have it pocketed between them. Additionally, the longer tassel tip just so happens to brush along the belt during the switch. There is even another self-made pocket of hair like there was for the newspaper door. With the movement, the vest tips and their pocket over the belt shift further towards Crowley's left as well.

The left hand and the watch hide behind Crowley's jacket. This action is part of closing pockets between Crowley's torso and both arms.

Crowley finally starts moving toward the door.

The right arm opens a pocket between his torso again, this time by itself instead of with the left arm.

The left arm forms a pocket between Crowley and the main part of the jacket.

The pocket between the right arm and jacket closes.

Soon after, the pocket between the left and jacket closes.

Then the left arm hides behind Crowley. In the blurred movement, that longer tie strand connected to the left hand pushes off the vest temporarily and becomes visible in the air. This action creates yet another temporary pocket.

In motion, all of these pockets amount to looking like pocket-to-pocket passes in the animated GIF shown further below.

Once the tie strand has presumably returned to where it belongs, the left arm is finally ready to make its move on the incoming threshold.

Crowley's left arm reaches out for the door panel. There is a lock that is extremely hard to see in the blurred movement, but it is there above the push plate. Crowley's palm of his left hand covers it completely. He pushes the door on the lock instead of the push plate.

Some video frames reach a nice, stronger clarity. Here is the one that strikes my own interest most:

There are three digits touching the door panel. That's what makes this part the Triple. The index finger and middle finger are touching the front. Most of the thumb is touching the side. However, the ever so vital and important thumb tip is on the edge of where the door panel meets the window pane. Edges are thresholds, and pocket trickery loves edges.

The reflection of Crowley's left hand has pocketed the lock on the other side within the palm that is covering the covered lock. In other words, the palm has the locks covered.

The Tied Hands are making this acceptable because of their link to reflections. Plus, all those words I just had to write out because word play is a key mechanic for pocket trickery.

And there's more!

With the palm being busy with the locks, the thumb tip touches its own reflection while doing its edge touching. All of the digits, the real ones and the reflected ones are pocketing the door panel and its reflection because of their framing. Any issues with that window pane have been neutralized. There is a small bit of Crowley's right sunglasses lens past the door frame but not much.

The watch takes over in the next video frame to keep everything in order because that real covered lock becomes slightly visible. The watch's reflective surface lights up to say that everything's still as it should be. Parts of Crowley's face—and more of the sunglasses themselves—visually passed through the door frame at the same time that real lock became slightly visible, so this threshold has been effectively tricked. We must recall the Belt Head had a role to play in the matter.

The Perfect Entrance Trick is the easy one! But the pockets have increased its difficulty immensely.

Something that is missing in this first Threshold Trick is a rainbow. Four of the others have one. The Sunglasses Trick does not, but it does have a notable white light reflected on the watch in its last touch. Rainbows can take shape through refraction in white light. The lighting on the watch here is not as white as what appears in The Sunglasses Trick. It has a tinge of yellow.

Well, Earthly Objects is a game with puzzles—and some silly puzzles at that, so I'm going to say that this Threshold Trick is excused because the Rainbow Connection within The Pocket Trick has not started yet. The Rainbow Connection starts in episode 2. In fact, the way it goes is that The Pocket Trick gets its official rainbow first. It and the other Threshold Tricks finish in episode 6. In episode 6 is where all of the other rainbows appear for the other Threshold Tricks.

The Perfect Entrance Trick is the only one that both starts and finishes in the first episode. It is the first of three Simple tricks. The Simple tricks are the ones that start and finish in the same episode.

Another way I like to play this game is that these Threshold Tricks are based on simple ideas even though they get so complicated—especially once pockets are known to be so important. I call these simple ideas "core concepts" because these things are indeed conceptual. While I don't like word play as much as The Pocket Trick does, I do like it some. So, let's toss some alliteration in here too.

My best guess for this one's core concept is, "Make a Perfect Entrance while making an entrance." The idea is also to introduce the Threshold Tricks. Each one is required to have a primary Single, a primary Double, and a primary Triple. A single is 1. A double is 2. A triple is 3. Add up 1, 2, and 3, and you get the number 6. That equation of 1 + 2 + 3 is what makes the number 6 a perfect number.

A standard set in Earthly Objects is 3 points. A Threshold Trick has a minimum of 6 points for its theoretical bonus rewards and must be done in this special format.

I had to look that up that part on "perfect" because that was the word I wanted to use to describe The Sunglasses Trick when I put those pieces together. I am familiar with the Tekken franchise due to a past stronger obsession with Devil Jin. In Tekken, a PERFECT is when a player wins a round without taking any damage.

So, once I grasped that 6 is a perfect number, for me, it was like "Oh! That's what the first one is! It has a name! It's a Perfect Entrance!" I had described it as a "beautiful entrance" in my Bonus Round section. Again, that took something more than weeks to figure out.

Also, David Tennant is perfect for the role of Crowley. I love this actor-character combination so much.

...

When Crowley enters and sits down, Aziraphale is sitting down, but there is no actual visible back of a chair for Aziraphale. I am reminded of Crowley's remark in episode 5 of "Looking where the furniture isn't." In one of my posts on Earthly Objects, I note this type of thing as a mysterious vendetta Aziraphale has with chairs. A lot of times, the back of one cannot be seen for Aziraphale. When he's in the bookshop and a back of a chair can be seen, his back will still not touch the back of the chair.

...

Story Commentary

Setting aside the threshold trickery at play in Earthly Objects, Crowley's open mouth could also be interpreted as him using his snake demon senses to find Aziraphale's precise location.

After the Threshold Trick itself is done, Crowley's body is briefly fully obscured, and suddenly the door's moving for him without his hands doing anything. The left hand that was on it is gone. He may as well be using telekinesis on the thing.

Crowley continues onward until he passes Aziraphale on Aziraphale's right. Aziraphale himself glances to his own left first, as that's generally where Crowley is expected for him. This movement also allows Crowley's body to be obscured briefly. He could even mouth something to Aziraphale without us seeing it.

The red on the back of the collar on Crowley's jacket is briefly visible before Crowley himself finally sits down and says, "Right, what's the problem?"

The car transformed a little. There's an extra part of a window frame on the window pane that wasn't there before.

...

Muriel

(For reference: Bookend Buddies - Crowley and Muriel (Part 2))

Muriel's first scene preceded this one. That makes their first scene the front bookend to the first Threshold Trick. Their last scene will act as the back bookend to the last Threshold Trick (The Window Trick).

In turn, Crowley's first Threshold Trick is the back bookend to Muriel's first scene.

...

That's it for this post. Way back when I started to track these things, I did have a tendency to update even these posts, so that could happen again, just FYI.

...

Main post:

The Sideburns Scheme

...

Past version of this post:

Post #4 (entering the coffee shop)

#crowley #good omens 2 #good omens #good omens s2 #david tennant #good omens season 2 #good omens meta #good omens crowley #crowley good omens #crowley s2 hair project #crowley sideburns

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cupcakeslushie · 8 months

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Okay. I've been tip-toeing around this AU for a while now, but I just got caught up, and now I think I have a (decent) grasp on what's going on. So I wanna go over everything I know so far to see if I'm right or wrong on anything. Don't know if you'd be willing to correct me or not. Either way, I hope my mistakes can help you understand what to clarify to other fans like me. But, I also have some questions. You probably won't be able to answer most of them, but it's at least worth a shot.

First, where's Venus? Like, why is she not in your comics that are (sort of) separate frome the canon now story. The ones that skip to the future way after all the turtles reunite. Did she die? Did she escape? Is it because she wasn't introduced yet when you made those comics?

Two, why do you keep on making references to the future timeline? I know you're planning on possibly making your own stuff leading up to the events of the movie. It just gives me a jumpscare when I see certain...imagery in those comics. I guess you're hinting at what your version of the future apocalypse would look like, but it just hurts to see. Specifically in the comic explaining both the events and aftermath of the movie and the bad future timeline. It's starting to really confuse my brain as to where this story is headed. What's meant to be the main focus? The Hamto's reuniting? The aftermath? Or the future?

Third, did you make all those min-comics before you started the actual AU? Or did you do them during?

Fourth, are any of those mini-comics relevant to the actual story now? Or have you changed your mind on a few things? It's just that everything is so all over the place, I don't really know whether to trust if they're accurate. I know most of them are just there for funzies, but the longer ones concern me. I guess I'm just not used to the storyteller doing sequel, start, prequel, start, sequel, prequel, prequel, sequel, and then end. Or maybe it's just me, and I'm sleep deprived.

My little observation speech is gonna take a while for me to get out in your asks because when I get theoretical, my speech gets long, and my proper English goes down the drain. So I'll be back. I appreciate your work very much. Despite the pain it causes me, it's still amazing.

I’ll try my best to clear up what confusion I can!

1. As far as Venus. The answer is kind of a mix of, I was still figuring out her design and backstory while coming out with some of those early comics, and then, once I had that down, I wanted the boys to grow strong bonds as a main cast. That’s why a lot of the side characters are only making small appearances in the Sep!AU Life stories, as those are mainly for the boys reconnecting. (Usagi shows up the most because I love him and am totally biased towards him).

This maybe hasn’t been stated outright, but I wasn’t really expecting so many ppl to like Vee as much as they do, and now im trying not to spoil too much of her story. It’ll unfortunately just take us a while to get to the meat of it. Since the boys reconnecting takes up a lot of the early s1s2 story, Im trying to follow the familiar Rise blueprint of Draxum, Shredder, Krang, and then in s3 we’ll have crazy fun new stories with the extra characters.

Ive also decided to take this little nugget from one of the Q&As, and use it for Venus instead of Jennika. It was a much needed bit of inspiration to explain why Venus sorta disappears for a while and will go through some major physical changes (not yet revealed) before the family can figure out a way to reach her.

2. I’m not sure if you mean jump scared in a bad/triggering or neutral way, but if you need me to tag anything on those posts please let me know!

The glimpses of the future timeline, are being scattered throughout wherever they parallel the present story in little ways, but that’s only for now. As we get closer to the movie plot, bigger chunks of the future will be revealed, because the future versions of the boys will have a larger role to play in the present timeline. So we will need more backstory than what the canon got. And also I just enjoy drawing my future versions so sometimes I don’t think too hard on a reason. I just like throwing them at ppl with no warning or reason.

When s2 ends, I plan on collecting all the future related stuff that’s been released, and recapping it for easier reading. Right now, it’s just little sprinkles of foreshadowing to give ppl an idea that, ‘oh crap. The doomed timeline is a bummer’. In my mind, I guess i thought it’d be kinda like a fun scavenger hunt for clues, but maybe ppl don’t like that 😅

3. All of the side-stories were written as the main comic was/is being released. A lot of them resulted from asks that just spawned the need to expand on certain ideas, or a desire to give all the turtles their time to shine.

For instance, when I was doing Donnie’s section of the main comic, it was a good few months where we hardly saw anyone but him and Venus. I wanted to just mix it up, and give Raph some love with his ‘Raph Time’ short. When Leo was front and center in the main, we hardly saw the others, so Mikey and Donnie got their little ‘Secrets’ short (and it was also I fun thank you for EW making it so far in the tmnt sep competition).

4. Anything that has been reworked/revised or just plain dropped should have an ‘Edit’ note because yes—I have gone back and changed some things, but more so from the asks i got in the early days, and some movie idea drafts.

All the short comics done in the last year, especially the ones that are listed in my pinned post, are canon and fall somewhere in the timeline. They’re like supplemental reading though—extra meat to give the world and the characters more personality. They do have particular backstory plot and important info in them, but nothing that shouldn’t eventually be re-visited/repeated in the main story.

um I hope that cleared up some things! I know it’s kind of a crazy amount of lore. I’ve tried my best to organize it in the pinned post, huge timeline, and search bar tags, but I know it’s getting harder and harder for newer ppl to jump in as it just get bigger. Thanks for reading regardless!

#rottmnt #tmnt #ask slushie #separated au #rise of the tmnt #rise of the teenage mutant ninja turtles #rottmnt separated au #sep!au infodump #ew au #Empyrean Weeping Au

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eliyips · 8 months

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HOW DO YOU MAKE X SO FRIENDSHAPED?!

But also genuinely curious about the design translation from the actual skins to your interpretations due to the small but mighty details added in

Infodump as hard as you want!

If i ever pass up an opportunity to talk about my X design, it will be because I am either dead, or dying!!! neither are true at time of posting, so here you go! I will be going over my ENTIRE design process for Xisuma, starting with my initial design:

My initial design for Xisuma wasn't anything special, in my opinion. Most of what I included was directly ripped from the classic Doomslayer. Though, the face scars were inherited from fanon, of course. :) The changes that I did make were in service of having things make more sense for Xisuma. Namely, the belt buckle, and the fabric covering the arms...

The belt buckle is simple - bullets didn't really make sense as a design motif, all considered - but the fabric is more complicated. I have a couple different ideas about why Xisuma wears the suit, but I haven't settled one way or the other on some of the specifics, so forgive me if I'm a bit vague. Ultimately, It is just my impression that X is not comfortable having his body visible more than it needs to be, whether that be for health-related reasons or for personal/emotional reasons. I don't intend to ever draw Xisuma with his helmet off, because of that. To me, it feels like a violation of boundaries. To be perfectly clear though, that's just for me - more power to other artists who draw him without the helmet/armor! :)

By the time I was full-on fixated on Xisuma, I realized I was unsatisfied with this first pass at his design. Mainly, in regards to the helmet. So I did more work on it!

I feel like my re-design process for the helmet is a good example of the importance of using reference. :) I did a lot of unsatisfactory sketches before pulling up pictures of real helmets, at which point I feel like I settled on something I was happy with very quickly.

Specifically, I referenced motocross helmets! My choice of reference was mostly driven by my passing interest in sports equipment design, though motocross helmets are similarly bulky and have the same distinct mouthpiece as X's helmet, so I think it was a good choice. I also feel like the pixels at the top of Xisuma's skin can be pretty easily read as the brim of a helmet, so it works out!

Other than the motocross helmet influence, I also made the choice to add tubing to the sides and back of the helmet. This rolls with my headcanons about the purpose of the helmet, connecting to air tanks on his back! I also think it helps to distinguish him from the doomslayer, in addition to the new helmet shape.

The only other changes I made were to the helmet's palette, added a few additional grey tones for contrast, and the positioning of his scars. I decided I wanted them to be a little off-center, leaning towards his left eye. I'm pretty inconsistent with how I draw the scars though, lol, so it changed again by the next time I drew him.

At this point my design is mostly settled for him, and I don't expect it to change very significantly any time soon. I don't have much else to say about it, but I listed the other iterative changes I made to the design above! I figure I will continue making small tweaks to his design every time I draw him :)

That said... I have yet to answer your initial question! So I will answer it now:

"HOW DO YOU MAKE X SO FRIENDSHAPED?!"

My answer is that it's (almost) all in the eyes!!! I have already talked pretty extensively about Xisuma's eyes. So I won't dwell for too long! In short, human facial recognition is very closely tied to the eyes. The ability to see the eyes of a character clearly affords you a lot of flexibility when it comes to making a design seem approachable, or "friend-shaped." I painted over a screenshot of doomguy to illustrate my point!

My drawings tend towards being a little cutesy, of course, so that helps :) but you can see that the bright, saturated color, big distinct eyes, and less harsh expression all contribute to making him seem like he is less of a threat, despite this literally just being the doomslayer.

Another thing that helps is, again, related to the style I draw in. My art is very "clean" looking, not gritty. I use a lot of soft shape language and don't texture things too heavily. With Xisuma specifically, I also make no effort to make him seem intimidating. I use very neutral angles when drawing him, I don't frame him in a way that makes him seem intimidating or imposing, I don't pose him too confidently or angrily. Because he's not that kind of guy! Though it would be an interesting challenge to try and make him look as intimidating as possible :) I certainly think he could be quite scary, if he wanted to be. Just a matter of what I'm trying to convey.

... I think that's all I have to say for now! Once again, blown away by all the nice things people have to say about my Xisuma design and my art. Everyone here has been so kind and encouraging, and I really appreciate that. Thanks for giving me the opportunity to yell about Xisuma! If you have follow up questions, by all means, I am ready to answer :)

#hermitcraft #hermitblr #xisumavoid #xisuma #character design #askeliyips #if you also can see the helmet brim on xisuma's skin please let me know #could be a mirage #mcyt

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nkgrimmie · 1 month

Text

The different species of sticks

★ when I say classification, I am referring to whether or not a stick has powers. If they have powers, then they're powered. If not, they're unpowered.

first, a few things that apply to all sticks, no matter the species and classification (with exceptions)

They all come in different colors (of the visible spectrum), shapes, and sizes (the sizes near the two ends of the spectrums are very rare though. they're most often seen as myths or creatures in stories)

They all use code. Without code, their bodies would be little more than limp ragdoll husks, not even a mind to inhabit them. To interact with a stick's code is usually either medical or extremely intimate. It's basically their DNA. The code that enables personality is similar to complex AI, but can also hold in specific commands for the stick to follow.

They can pause their animations! (originally that was just a headcanon, but with the EP 34 AVG reaction, it was confirmed)

Their blood is very often neon versions of their main color, with the exception of black and white cause... y'know. Can't really make those neon. For black and white sticks, their blood is often one of their secondary colors then.

They (typically) have unguligrade legs! The proportions depend on the species though. The legs of websticks are typically more like "technically unguligrade but proportionally more similar to plantigrade", while the legs of usersticks and most ursticks follow more of a traditional "anthro unguligrade" shape.

They don't have primary sex characteristics, and gender is either assigned or chosen, or neither. Most sticks (other than some ursticks and all usersticks) can still reproduce fine though, as long as the parents have the same coding language. If parents of different coding languages try to conceive, it won't happen. It just won't.

chompers!! unless specified otherwise, they have sharp teeth :3.

and now, getting into the actual meat of the post.

Websticks

The most common type, these guys are just your average sticks. Well, not actually average, they can have powers and stuff. Websticks are just sticks that were born or created by other stick figures on the web. Most are born, though. The only real way you can tell if a stick is a webstick or not is if their code shows a creator or not. If there's no creator mentioned or if the creator listed is another stick, then they're a webstick.

One of their most notable traits is their poor movement and color-based eyesight. If you blend in with the surroundings and you're completely still, there's a good chance a webstick just wouldn't see you.

Their hooves are defined and cloven, you can clearly tell that there is a line between skin/fuzz and hard... stuff. They're rarely powered, unless the parents/creator specifically planned for them to have powers. The reason behind that is because not only are some powers recessive, but also since most powered sticks are ursticks, a lot just aren't able to reproduce, ending in fewer powered websticks than to be expected. Powered websticks still very much so exist though! They're just often a lot weaker than powered ursticks.

Ursticks

The most diverse type, you never really know what to expect with these. The name is actually somewhat deceiving, as it applies to both the first sticks and also sticks drawn by humans. They share the name because the first sticks were also drawn by humans, and some sticks are... still drawn by humans to this day. The original ursticks have all died by now, but that doesn't mean that they didn't leave a mark. They're the reason websticks exist, after all. The pioneer species.

Modern ursticks (the only ones I'll be talking about) are characterized by their better than average vision, their dull and undefined hooves, their quiet footfalls, and... their code saying they were made by a human? (Wow really?) They're just so diverse that there's not really much of a way to tell. Plus, so many of them don't even have powers, so they're functionally no different from websticks other than having been drawn instead of born or created.

They're naturally better at doing computer stuff than websticks are, since they live more often on a desktop or a screen than in the Outernet. Sometimes they're powered, sometimes they're not, it just depends on what their creator had in mind for them.

Usersticks

The most otherworldly type, these shouldn't even be able to exist at all. Basically what stick!Alan and stick!DJ are (if I even use stick!DJ, that is). They're often characterized by their height, their long and thin spade-tipped (more so cursor-tipped) tails, their better than average eyesight (they have the same eyesight they did when they were human), and their code also for some reason saying that they were made by a human. They can have markings (typically black or white but can be different colors), but it's kind of rare. Surprisingly, they do have code that seems intelligible, but there's an odd amount of code that makes completely no sense. It doesn't get in the way of their bodies functioning somehow, it's just there. A remnant of what they once were, both metamorphic and evolutionary, perhaps?

They share the same hoof type as ursticks, but their legs are often longer due to their exaggerated height. They're also always powered, but they often don't know how to use them and sometimes don't even realize they have them.

A lot of sticks view them as gods far beyond taking a mortal form, others view them as abominations, horrific unions of god and stick possessed by the eldritch creature that fathered them, or just as really weird sticks. Some don't even think they actually exist.

They're an incredibly rare phenomenon, and only can form upon specific circumstances. Such as passing out on a VR headset while your computer just so happens to be inhabited by a stick that's kind of part of you. Oh boy.

also, here's a visual! Colors are random (don't mind the lack of arms haha)

*This is the most common appearance of websticks in Stickcity. They can look very different, the main thing that remains uniform in appearance is the legs.

**This is just one example of the appearance of an urstick, due to them being so diverse. Like the shown webstick, the main uniform body part are the legs.

just a few more things I'd like to mention;

there's two main languages, sticksign and stickspeech (im still working on the name for the second one). most sticks know both

Stick figure bodies are similar to virtual machines, allowing them to get viruses and the such without immediately infecting any devices they may be on.

Color gang and the hollowheads are all ursticks. (did i even need to say the hollowheads were?)

Purple, MT, Gold, Navy, and Orchid are all websticks.

Usersticks are vaguely cat-like, while websticks and ursticks are a mix between cat-like and goat-like.

Usersticks don't usually remember what happens between the transition from human to stick, but when they do remember, they don't like it.

okay that's all! thank you for reading ^^ i put a lot of work into this

#stick doesn't look like a real word anymore #help #stick!alan #stick alan #(i tagged him because i talked about his specific species)#ava #animator vs animation #alan becker #my stuff

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here2bbtstrash · 2 years

Text

look down on me like that - 8 (explicit)

genre: slow burn enemies to lovers hatefucking coworkers au, smut (w some eventual angst that is no longer eventual 👀)

pairing: yoongi x reader

summary: your asshole coworker min yoongi has made it his personal mission to ruin your life.

word count: *deep breath in* 15.3k

contains: explicit sexual content and discussion of some dark themes .....yyyyyep 🤐 includes past-tense discussions of the d3ath of a parent (reader's) and su1c1dal ideation (yoongi's) so please tread carefully loves 💜 some references to alcohol per usual, and plenty of confusing feelings and piss-poor communication..... i'll leave the rest as a surprise 👀 but here are your smut-specific warnings: kissing (‼️), nipple play, clit stim, a single pussy slap lol, fingering, cunnilingus, squirting (🤭), unprotected sex and pulling out (💀), orgasm denial of sorts, but it's cool bc reader has multiple orgasms, ok byeeeee~

A/N: welp..... i'm off to enter witness protection in case you all decide you hate this chapter 💀 not really but heuhjkghkfjgdsf dear god am i nervous to post this lmfao. hope you're ready for some ~answers to questions~ and a whole lotta callbacks to earlier chapters idk why i shoved them all in ch8 specifically but here you go. the scene at yoongi's apartment was one of the very first things i dreamt up in regards to this story and it's nuts to me that we're all the way here now 💜 hope you're ready for a little more insight into these two! also baby goth fans don't come for me..... i promise we'll get a better resolution there..... reader and yoongi just have to survive LA first 😩

an eternal thank you to @haliiimede and @monimonimoon for being wonderful betas, and to @nabiolive for the dead parent sensitivity read lmfao I LOVE Y'ALL

read on AO3!

chapter seven | masterlist | chapter nine

~*~

In the morning, you wake up well before your alarm with an inexplicable uneasy feeling in the pit of your stomach. When it’s clear sleep is a lost cause, you decide to just get up, and you move through your routine slowly. Everything feels distant, not quite real, like it’s happening to someone else.

On the bus ride to the office, you let your eyes drop closed and try desperately not to replay the events of last night back. You should feel bad about the sex on the conference room table, and you do, a little. But your mind is stuck somewhere else.

Rain streaking down Yoongi’s windshield. The silence as he drove, disturbed only by the low rumble of his voice. The way he’d looked at you, and the heavy pause that hung in the air between you, for just a moment, until you’d fumbled open the door of his car and had practically ran back to the safety of your apartment. And his story— he’d told you something personal, with no malice or hidden agenda that you can manage to find, no matter how much you search for one. Something from when he was just a kid, growing up in Daegu.

You’re embarrassed to admit that it never even occurred to you that Min Yoongi might be a person with a past and a hometown and stories to tell. As long as you’ve known him, he’s always just felt like… a menace. A life-ruiner. An inescapable force.

The thoughts follow you as you step off the bus and make your way into the building and onto the elevator. You can’t figure it out. Yoongi could’ve easily left you to suffer in the rain, but instead he did something nice for you, without asking for anything in return. He’d related to you. He’d let you in, barely, but it’s something.

And you have no idea what to make of it.

Polite small talk with Jungkook as you unlock the front doors is a decent distraction, but you wonder if he can tell that you’re not all the way there today. You set your bag on your desk, then circle around to take a seat, only half-listening as he continues to talk.

“Did you stay late last night?”

You swear your heart stops beating. “What?”

He shrugs, like it’s an obvious question. “There’s the big overseas thing today. I’m sure you had a bunch of stuff to prep. Hopefully it wasn’t too late of a night?”

“No.” The word comes out harsher than you mean it to. You’re not quite sure why your body is suddenly doing emotional alchemy, taking your fear of being caught and somehow turning it into anger. “It wasn’t,” you say firmly.

Jungkook makes a face, like he knows he’s touched a nerve but can’t figure out why. “Okay. That’s good.”

You don’t respond— you just try to control your breathing, try to will your heart to quit racing as you start up your laptop and pretend to suddenly be engrossed in it.

“Well,” he tries again after a moment’s pause. “I guess I’ll see you at the presentation thing.”

“Okay,” you answer, your voice a little softer this time, but you’re still too scared to look away from your screen. When you do eventually work up the courage, he’s already gone.

Before you even have the chance to glance back down, like some universal joke at your expense, the front door of the office is pushed open, and Yoongi steps through. Annoyed as you are, you can only be grateful that his entrance didn’t overlap with Jungkook’s question. You probably would have died of embarrassment on the spot.

Yoongi’s usual dark sunglasses are nowhere to be found today, and he’s in nice clothes for the presentation, a button-down and dress pants, his hair styled. He does still have a death grip on a large iced coffee, but that’s to be expected, especially given the fact that he’s in a lot earlier than is typical for him.

It’s only when his eyes snap over to you for the briefest of seconds that you see the dark shadows sunken deep beneath them, weighing heavy on his face.

Yoongi’s gaze moves back to the hallway in front of him as quickly as it alighted on you. You open your mouth before you even understand why you’re doing it.

“Yoongi?”

He stops dead in his tracks and blinks at you a few times, clearly tired, clearly not expecting the interruption. “Yeah?”

“Did you sleep at all last night?”

His mouth pulls into a flat line as he shakes his head. “Nerves. It’s why I don’t do stuff like this. Unless forced.”

You nod, unsure of what to say— or why you even asked. “Oh. Well, uh. Good luck.”

Yoongi lifts his coffee in a parting gesture, then disappears toward his lab without another word.

You try to focus on your work, to shove the interaction to the back of your mind with everything else you’re avoiding, but the screen seems to blur in front of you, until you finally push back from your desk with an exasperated sigh. The emails can wait.

Maybe, you consider, it would be good to stretch your legs. You can head into the presentation room early to set up before everyone arrives, and make sure everything is working for the several hours of agenda lined up for the morning.

Setting your shoulders back, you grab your things and make your way down the hallway. The thought feels like a good idea until you push the door open and encounter a severe case of deja vu.

Yoongi glances up from his laptop at the front of the room, blearily rubbing at one eye with the heel of his hand. “Is it time already?”

You hover in the threshold, unsure. “Uh— I mean, not quite. I’m early. I can go, if you want.”

He shrugs, busying himself with something on his computer screen. “You’ll have to hear it anyway. Can I just run through it one more time?”

You take a few tentative steps forward, dropping your bag and laptop on the table, right where you sat to watch him the night before. The energy in the room feels entirely different now, and your stomach is twisted into knots that you can’t manage to breathe deep enough to untangle.

“Yeah, fine.” You pause, unable to help yourself. “Just… don’t expect the same treatment as last night.”

Yoongi huffs a dark laugh. “I wasn’t.”

Taking a seat at the table, you set about your admin duties and try to ignore the way Yoongi mumbles over his presentation as he taps through his slides at the front of the room. There’s only so much you can do without bothering him, and you fly through those tasks all-too quickly. You drag your bottom lip between your teeth as you glance back up at Yoongi, and then you inhale to steady yourself before you speak.

“Can you turn on the mic?”

His head snaps up, caught off guard. “Hmm?”

“I need to make sure the mic is working.” Yoongi’s gaze flits to the podium’s built in-microphone, then back to you as he presses the switch to turn it on. “Say something into it,” you instruct. “It doesn’t matter what.”

Yoongi’s eyes move back to the microphone, and it’s like you can see the delay in his brain from lack of sleep. You don’t know what you were expecting— maybe a half-assed ‘check, check’, at worst some sexual or smart-ass remark. Instead, he leans in far closer than is necessary, until his mouth is nearly touching the microphone as he whispers into it.

“Sugaaaaa.”

The live demo of the notorious producer tag that intros all of his tracks is so ridiculous, so unexpected, that you can’t help it. You burst out laughing, clapping a hand over your mouth a few seconds too late. “What the fuck was that?!” The question is only muffled slightly by your palm.

Yoongi’s head drops forward, his dark hair falling in his face, and you can see his shoulders shaking with laughter, too. “Sorry,” he manages with a gasp for breath, tilting back up to speak into the microphone, which you can now actually tell is working properly. “I’m so fucking tired, I think I’m going insane.”

You uncover your mouth as you shake your head in disbelief.

The sudden loud buzz of your phone against the conference room table makes you jump, and you quickly reach for it, for fear it might be an emergency text from your boss that needs immediate attention. Your eyes widen in surprise when you see it’s actually from Jungkook.

Presentation thing? Wanna sit together?

You read the words again and again, and a strange feeling rises up in your chest that you can’t quite name. As you stare down at your phone, you hear the distinct sound of Yoongi’s laptop shutting, and then his voice, no longer amplified by the microphone when he mutters to himself, “Fuck it. It’s as good as it’s gonna get.”

Feeling suddenly overwhelmed, you glance up at Yoongi again, then back down at the text. With a final hard swallow, you turn your phone on silent and flip it over on the table, leaving Jungkook’s question unanswered.

The time is close enough now that you get to your feet to prop open the presentation room door, and then your colleagues quickly start to file into the space, filling in the seats around the large U-shaped arrangement of tables. It’s everything you can do to keep your expression neutral as your brain unhelpfully reminds you that Yoongi fucked you on one of these tables last night.

You try to manage something close to a smile when your boss enters with the team from the American office in tow, and you proceed to exchange pleasantries with them and fake laugh at their jokes when he introduces you.

As you’re listening diplomatically to one of them drone on about the flight to Seoul, you spot Jungkook slip in the door out of the corner of your eye, and it takes extra effort to keep the smile plastered on your face. The seats on either side of yours have long since been taken, and you glance over to see his eyes sweep the room before he moves to take an open spot at the far end.

You watch unabashedly now as he leans back in his chair, tilting to one side to pull his phone out of his pocket, and you can only pray he’s watching TikToks with the sound off rather than checking for a text that’s never coming.

When your manager repeats a question meant for you, your attention snaps back to the group. Sure your smile is nearly a grimace now, you apologize and blame the distraction on needing more coffee, which is enough to earn you a polite chuckle.

Eventually the room takes their seats as your manager moves to the front to start the presentation. You stay focused on copying down minutes as various speakers go through the company’s financials for the previous four quarters, the roadmap for the coming years, and a summary of top-level talent that the label has signed or directly worked with.

The discussion of talent leads smoothly into a quick review of achievements and nominations, and then Yoongi steps to the front of the room.

As he launches in, you can’t get over the stark difference between the Yoongi you’re used to and the one standing behind the podium in front of you. The man with the easy, confident, cocky demeanor is nowhere to be found, replaced with someone who barely looks up from his slides and speaks at a rushed pace, like he’s trying to get the words out as fast as possible. You bite down firmly on your bottom lip and try not to react at all.

He’s nearly halfway done now, and just as you’re thinking he might make it through the whole thing unscathed, Yoongi stumbles slightly over his words. It’s not a lot, a little slip-up that the rest of the room probably didn’t even notice, but you see a momentary flash of panic in his dark eyes. And then those eyes snap up to meet yours, and your stomach drops.

The memory of the two of you in this room, the thought of what you’d be doing to him if you were alone again, the way you could so easily make his voice shake and his knees threaten to buckle with just your mouth— it’s all too much.

You can’t help yourself as the smile you’ve been desperately trying to hide starts to spread across your face, equal parts supportive and indecent.

There’s a beat of silence, not long enough for anyone to think anything of it, and then Yoongi drops your gaze as quickly as he found it. He squints back down at his computer screen, and though he leans away from the microphone, you don’t miss the unmistakable sound of him clearing his throat.

“Excuse me,” he murmurs, and then he picks up where he left off, managing to get back on track without further issue.

You desperately try to ignore the warm flush of heat that creeps up your neck as Yoongi goes through the rest of his slides.

Time seems to speed by in a rush after his presentation, and you barely manage to keep up with the barrage of content. You’re more than grateful when your manager inevitably wraps up the session, reminding everyone to head to a nearby restaurant for a team lunch immediately following.

As the room begins to empty, you take your time finishing up the notes and firing them off to the broader audience. When you finally close your laptop and look up, you realize nearly everyone has left now, though as fate would have it, Yoongi has also lagged behind. He’s standing hunched over the conference room table as he types something into his own laptop.

You try not to overthink it as you hug your computer to your chest and take a few steps toward him. “Yoongi?”

He hums a response, and when he glances up at you, the bags under his eyes are just as prominent as before.

“Are you, uh— coming to lunch?”

He rolls his eyes, like the question is ridiculous. “I can’t. I’m drowning in shit I put off for the last two days.”

His words make you take a step back, and you immediately feel stupid for asking. Why do you even care what he does? “Right. Got it.”

You don’t wait around for him to say anything else, you just shove your laptop into your purse and pull the strap over your shoulder as you head for the exit.

Largely preoccupied with getting away from Yoongi, you don’t pay much attention to your surroundings as you slip out of the room, and you only get a few steps down the hall before a voice behind you nearly makes you jump out of your skin. “There you are.”

“Jesus!” you gasp, whipping around to find Jungkook leaning up against the glass wall of the conference room, his arms crossed over his chest. “You fucking scared me, Baby Goth.”

“Sorry.” He gives a shy smile, nose scrunching slightly like he’s embarrassed. “I wasn’t gonna let you ditch me again. Lunch?”

You do your best to match his smile. “Let’s go. I’m starving.”

The two of you meet up with the rest of the team at a restaurant well out of your price range, and Jungkook babbles freely as he stuffs his face, seemingly unbothered by how little you have to say in return. The chatter of so many people at the long table is a white noise that you can’t focus on any part of, and Jungkook’s usual comforting presence feels overwhelming today, nearly stifling. You push food back and forth on your plate but barely eat, your stomach uneasy for reasons you don’t want to dwell on.

“Min Suga seemed like he didn’t even want to be up there.” The mention of Yoongi’s pseudonym is enough to snap you out of your haze.

“Huh?” You glance up at Jungkook, your eyes widening slightly, and you force yourself to eat another bite of pasta as he continues.

“I don’t know, he went through it so fast. Guess it makes sense. He hates anything that drags him out of his lab, right?”

You aimlessly twirl your fork against your plate, around and around. When you first started this job, you would have agreed with Jungkook without a second thought. Laughed about it, even. Now you’re not so sure. You don’t want to add to this growing sense of friction, the weird energy in the air, but the words come out anyway.

“He was nervous, Jungkook.”

When you meet his gaze again, Jungkook looks confused, and you instantly regret saying anything at all.

“What, did he tell you that?”

You nod as you take another bite of food to avoid having to explain yourself.

Jungkook’s eyes drift down to the table between you, distant, his brow furrowed like he’s suddenly doing some complex mental math. “When?”

“Last night,” you murmur through your mouthful. “We both worked late. I helped him practice a little.” The explanation was meant to make the situation sound less incriminating, but somehow you feel like it only makes it worse. You hope Jungkook can’t tell how warm your face is starting to get.

When he finally speaks, his voice is low, his gaze still not meeting yours. “I thought you said you didn’t stay late. When I asked you this morning.”

A rush of adrenaline hits your bloodstream so hard it makes you dizzy. “I—I didn’t. It wasn’t that late. Like an hour max. Didn’t seem worth mentioning.” You set your fork down, quickly hiding your hands in your lap so Jungkook can’t see the way they’ve started to tremble.

His only response is a slow nod, and then he goes quiet in a way that’s rare for him. It feels like an eternity of sitting and eating in silence before either of you says another word.

The conversation eventually picks back up again, and when it does, you try to tell yourself you’re just imagining that it’s slightly more stilted than before.

As you and Jungkook trail after the rest of your coworkers on the walk back to the office, you trade a few more polite questions about work-related projects, and then you fall quiet again, seemingly out of things to say. It’s a few stretches of city blocks, and then you see Jungkook’s head tip up, and he outright sniffs the air.

You can’t help but laugh a little, mostly because he looks like a dog, and then you smell it too. The unmistakable aroma coming from the street cart up ahead. You smile softly to yourself as you both slow to pass it, ogling rice cakes and fish cakes simmering in a pan of spicy sauce.

“God,” Jungkook groans appreciatively. “I would absolutely destroy some tteokbokki right now if I didn’t think I’d literally explode.”

“This is what happens when you help yourself to thirds every time you eat,” you chide him with a giggle, and the two of you nod to the vendor before you continue on toward the office. You only take a few more steps before you falter, and Jungkook turns back when he notices you’ve stopped.

“What’s up? Did you want to get some?”

You don’t know what makes you lie. “Uh, no. I, uh— I just realized, I think I left my scarf back at the restaurant. I’m gonna run back, but don’t worry about waiting for me. You’ve got work stuff.”

Jungkook shrugs, like it’s not a big deal. “It’s cool, I can go with you.”

“No, that’s okay,” you say, firmly enough to make it very obvious you don’t want company. Maybe a little too firm, because Jungkook blinks, like he’s taken aback. Your stomach twists with a feeling that you imagine must be similar to having just kicked a puppy.

“Oh. Alright, well. I’ll see you later, then.” He pauses for a moment, tongue pressed to the inside of his cheek, and then he turns on his heel and keeps walking in the direction of the office. You worry your bottom lip between your teeth as you watch Jungkook’s retreating form until he disappears down the city block.

You try not to overthink the interaction as you retrace your steps to the cart, then head back to the office with a takeout bag gripped in one hand. Thankfully you don’t have to fumble for another lie of an excuse, because you don’t run into Jungkook or anyone else in your straight shot from the entrance to the door of Yoongi’s lab. Quick as you can, you punch in the lock code, then push the handle down and slip inside.

It takes you a minute to process what you’re seeing as you shut the door behind you. Yoongi’s arms are folded on the desk in front of him, and he’s slumped forward, head buried in the crook of his elbow. For a brief moment your heart drops, and then you take a tentative step closer and realize there’s no shake or shudder to his shoulders, only the smooth rise and fall of deep, steady breathing.

He’s asleep.

You close the remaining distance until you can reach out and gently place a hand on his back. “Yoongi?”

He inhales sharply, and you quickly pull your hand away like you’ve just been burned. Tilting his head to one side, he cracks an eye open, mumbling something that sounds like a question but is otherwise fully incoherent.

“You fell asleep,” you say dumbly, and Yoongi slowly sits up with a grunt, his eyes squinting, clearly readjusting to the room around him. He leans back to stretch, and several places in his back and shoulders crack impressively loudly.

“Fuck,” he sighs, voice strained, one hand rubbing at the back of his neck. “Why are you in here?”

“I brought you lunch,” you murmur, lifting the takeout bag for him to witness. He frowns at it, then up at you, like he can’t quite figure out what’s happening.

“Thanks,” he eventually manages. “You can just leave it. I’m nowhere near done with all my—”

You cut him off before he can finish. “Go home, Yoongi.”

The look of slack-jawed confusion on his face is enough to nearly make you laugh. “What?”

“I said go home.”

His brow furrows. “You’re not my boss.”

“I’m not saying it as your boss,” you sigh. “But you need to eat, and sleep. This isn’t healthy.”

Yoongi huffs a little, exasperated. “That’s easy for you to say, but I have so much stupid admin stuff to get caught up on.” He gestures halfheartedly to a massive to-do list pulled up on his monitor, one he’s barely a quarter of the way through.

Suppressing the urge to roll your eyes, you hum, feigning thought. “If only you had someone who could help with that. Some kind of… Admin Bitch.”

The comment must catch him off-guard, because he outright laughs. “You know, I still haven’t changed your contact name.”

You quirk an eyebrow. “Then you should go before I question why I’m being nice to you. I’ll leave a note for tomorrow with anything I can’t figure out for myself. Assuming you trust my ability to do my job.” As if to indicate that you are no longer open to discussing the subject, you shove the takeout bag into Yoongi’s chest, and he wraps both arms around it, still looking entirely dazed.

But to your surprise, he doesn’t fight you, just slowly rolls his desk chair back and gets to his feet. You watch carefully as he shifts the bag of food to one arm, then grabs his work bag and slings it over his shoulder. “I, uh— thanks.”

You wave a hand as if to tell him not to mention it, and then you plop down into his chair and get to work, barely phased by the sound of the door clicking shut when he leaves.

~*~

As you settle in at your desk the next morning, it dawns on you how close the Grammys have started to loom, made abundantly clear by the overwhelming amount of prep you find yourself launched into. You don’t think you look up from your screen once, not even bothering to greet coworkers as they push through the doors, until the muted tap of something being placed on your desk startles you.

You see the cup of coffee first, and when you glance up expecting a pair of Baby Star Candy eyes, you instead find Yoongi hovering at the edge of your desk, like he’s not sure what he’s doing there. You make zero attempts to hide your total shock at whatever the fuck is going on in this moment.

He looks— good. Fresh-faced, like he managed to actually get some sleep, a little less gaunt. Even his expression seems weirdly pleasant, something you might mistake for happiness if you thought that he was capable of such an emotion.

There’s a crinkling sound, and when he gently sets a small wax paper pastry bag on your desk next to the coffee, you’re sure that you’ve overslept your alarm and are in the depths of a wild, ridiculous dream. It’s the only way any of this can be happening.

You blink up at him as you hesitantly reach for the bag, like you’re scared it might bite you.

“It’s maple,” he says as you slowly pick it up and investigate the contents. It’s still warm. “I asked for the most disgustingly sweet thing they had.”

Too overwhelmed, you set the pastry bag back down wordlessly. As you do, it’s only now that your eyes focus on the letters “AB” sketched in black marker on the side of the coffee cup, where a barista would typically write your name.

Yoongi’s eyes must be watching yours carefully, because he huffs a laugh as he sees realization dawn over your face. “Making them actually write Admin Bitch seemed a bit much.”

You can’t manage to find a laugh to match his, can only sit there, shell-shocked. When you look up again, he’s already walking backwards in the direction of his lab, but his eyes are still on you. “I’d tell you not to tell anyone, but I don’t think they’d believe you even if you did.”

And just like that, he’s gone again.

You remain unconvinced that both of his gifts aren’t secretly poisoned, but your desperate need for a fresh hit of caffeine overwhelms any other emotion. Carefully, you lift the cup to your lips and take a sip— it’s not scalding, but still perfectly hot, and your eyes widen as the flavor hits your tongue.

Two cream, three sugar. Exactly how you like it.

Before you’ve even had time to swallow, Jungkook is suddenly rounding the corner from the opposite direction, and you have to make a conscious effort not to choke.

He slows to a stop, and you watch him take in the coffee cup clutched between your hands like a lifeline. “Hey! You seriously snuck out for coffee without me?” His tone is mock-hurt, but you can’t help wondering whether it’s entirely put on.

Your gaze drops back down to the cup. “Sorry, JK. Someone else picked this up for me.”

Jungkook doesn’t pry into your vague statement, but a sinking feeling in your stomach tells you that maybe he doesn’t have to.

~*~

It’s Saturday night by the time your schedule aligns with Jimin’s for a night out, and given that it’s the last time you’ll see him before you leave for Los Angeles, you manage to guilt him into driving. The bar you choose is a shitty dive nowhere near your office, where you’re certain you won’t have to worry about any accidental encounters.

Or any encounters at all, as it turns out. The place is dead.

“I think we’re single-handedly keeping them open tonight,” Jimin murmurs with a grimace as you grab a pair of stools.

The bartender pours you each two shots and two beers, then returns to their side work at the far end of the bar in an apparent attempt to give the two of you some privacy.

It’s only once you’ve had your first shot and are halfway through the accompanying beer that you’re able to speak the words aloud: “I had sex in the office again.”

Jimin glances up at the ceiling, as if asking for strength, and you recount the full story mostly to the wood grain in front of you, unable to look your best friend in the face while you catch him up on everything.

When you fill in the final details, Jimin nearly spits his drink out. “Suga really hatefucked you on a conference table?! I need to go buy some lottery tickets.” He throws back his second shot, and there’s a smug smile on his face as he swallows it down. “God, I love being psychic.”

You shove an elbow into his ribs. “Listen. I don’t know what’s fucking happening anymore, Mochi. Sometimes he’s insufferable but now sometimes we apparently mildly tolerate and are even nice to each other. Like, coffee and a pastry nice.” You smack your hand on the bar for emphasis as you repeat the words. “Coffee. And. A. Pastry.”

“So,” Jimin clasps his hands together as he surveys you. There’s a look on his face like he’s clearly expecting you to draw some conclusion from all of this, but it seems to have entirely escaped you. “What have we learned?”

You drop your head down on the bar with a resounding thud. “We’ve learned that Min Yoongi is ruining my life.”

“I’m sorry, what?”

Voice muffled slightly, you groan. “Don’t make me say it louder.”

“No, what did you just say?” You lift your head up to look at him, and his expression is deadly serious, his eyes sharp and focused. “Min Yoongi? I know Min Yoongi.”

You give him the same look right back. “You what?”

“We were trainees together. I— wait, Min Yoongi is Suga the producer? Really?!” He scrambles for his phone and you just sit there, dumbfounded.

“How are you only now telling me that you know him?”

Jimin glances up, incredulous. “Um, hi, because you literally never fucking told me Suga is Min Yoongi?”

You roll your eyes. “Please, surely I have said his name to you at least once.”

It’s Jimin’s turn to smack the bar, and he does so loudly. “Run those tapes back, ma’am! We have always called him Suga.”

“You’re telling me you’ve never even Googled him?!”

He makes a face like the mere suggestion is ridiculous. “I am an adult, with a job and a very needy boyfriend. Your chaos already monopolizes too much of my time.”

The search on his phone loads, and you watch Jimin tap and scroll slowly, mouth dropping open in disbelief. “Min Yoongi is Suga. Wow. I think I need a minute.”

Jimin’s earlier words finally catch up to you, and you finish the last of your first beer before you dare ask the question. “Yoongi was really a trainee?”

“He was,” Jimin confirms, gaze still locked on his phone. “Obviously he didn’t debut either. He left a few months before I did. I always wondered what happened to him.”

“What was he like?” Your voice comes out soft, a little unsure.

His eyes widen, staring off unfocused as he searches through his memory. “I mean, we weren’t super close, he’s a few years older than me. But it doesn’t sound like that much has changed if I think about what you’ve told me. He was quiet, not too personable. Worked hard. Didn’t really seem that close to anybody. I think maybe he had a difficult home life?”

Your stomach drops a little as Jimin pauses, choosing his words. “Like I guess his parents weren’t very supportive. So I think he felt like he had a lot to prove, and had really high standards for himself. But he obviously loved music. Makes sense that he ended up a producer. It’s like me and dance, right?” He picks up his beer with a shrug, staring thoughtfully down at the amber liquid. “Man. Those years were tough.”

As Jimin takes a sip of his drink and then continues on about his trainee days, your head starts to spin. You throw back your second shot in hopes that it might help.

You wish you could go back and unlearn this information, unsay the name Min Yoongi. Because you don’t want to think about him. You don’t want to know that Min Yoongi gets nervous about public speaking, that he likes his coffee iced, that he can’t say no to street cart tteokbokki, that he used to be a trainee, that he worked an unpaid job in Daegu, that he had a disapproving family and never felt good enough and maybe still doesn’t.

Min Yoongi was so simple when you first met him, back when he was a two-dimensional character, the antagonist of your TV show life, your enemy. But now he’s none of those things. He’s a real, flawed, complicated person, and your feelings for him are confusing and overwhelming. And you deeply do not want to think about your feelings. You don’t want to examine them, don’t want to hold them up to the light for fear of what you might find. It occurs to you in this moment that you don’t want to think about anything at all.

With a sigh, you scoot your chair back from the bar, then get to your feet.

“What are you doing?” Jimin interrupts himself to ask as you dig your phone out of your purse.

You’re doing the only thing that makes sense. “I’m gonna go fuck him,” you say, resigned, and then you make your way out the front door of the bar as you pull up Yoongi’s contact in your phone.

It’s only as the line starts to ring that you realize you don’t exactly have a location in mind. Sex in a bar bathroom is an experience you have no desire to repeat, and the thought of Yoongi seeing your shithole apartment makes your drinks threaten a return appearance.

You’re starting to consider that maybe you should just hang up and forget the idea entirely when Yoongi’s voice startles you.

“Uh, hi?”

“Hi.”

There’s a pause as you realize you didn’t actually plan how to have this conversation, and then you and Yoongi speak in tandem.

“I was just wondering—”

“Is there a reason you—”

“Shut up,” you snap, agitated by your own awkwardness. “What are you doing right now?”

Yoongi laughs darkly into the phone. “I’m sorry, is this a booty call?”

“Answer the question, asshole.”

There’s a slight shifting sound, like he’s making himself comfortable. “Nothing. Drinking.”

“Great, same here.”

Another pause, and you swear you can hear Yoongi slow blinking, can see the stupid smirk on his face when you close your eyes. “Would you like to come over, then?”

“Yes,” you answer, trying to sound more confident than you feel, and then you falter slightly. You’re not about to ask Jimin to drive you— you don’t trust him enough to stay in the car and behave, not when he’s been drinking. “Uh, are you by any chance near a bus stop?”

Yoongi doesn’t even try to suppress his snort of laughter. “I’m not. But I can send a car.”

“You don’t have to do that,” you say quickly, trying to think. “I can figure something—”

“Please,” Yoongi cuts you off. “If you’re really calling me begging to get fucked, the least I can do is provide the transportation. Just send me your location.”

“Fine,” you concede, and your voice comes out harsh. “But to be clear, I am not begging.”

He hums a low note, like he’s thinking it over. “Not yet,” he ultimately responds. “See you soon.”

You swallow hard as the call disconnects.

The time it takes for the car to arrive is just enough for you to slip back inside and finish your beer, and Jimin’s eyes narrow with frustration when you’re unable to explain yourself.

“Didn’t you just complain that this man was ruining your life?”

“Yes,” you retort. “And then I thought it over, and I decided that’s my job.” Your phone buzzes with the notification that the car is outside, and you quickly swig the last of your drink. “Bye.”

Jimin’s face twists like he’s holding further commentary back, which you didn’t think he was capable of doing without combusting. “Alright, babygirl,” he finally sighs, defeated. “Call me if you need saving.”

“I always do,” you deadpan as you lean in to press a kiss to his cheek.

~*~

Yoongi doesn’t say anything when he opens the door for you, just nods his head to the interior of his apartment to gesture you inside, letting the door swing wider so you can step past him. He shuts it again as you slip your heels off, and it takes you a second to adjust to your true height difference, the fact that you have to look a little further up to meet his gaze now.

“Want a drink?” is his delayed greeting, and you shrug.

“Yeah, okay. Just whatever you’re having.”

Without another word, he turns and heads down the hallway, and you follow after him, taking in your surroundings as you move further inside. It’s only now that it occurs to you how rich he must be. His place is identical to any one of the swanky, million-dollar Hannam apartments of which you’ve spent thousands of hours watching YouTube tours. You try to keep your expression neutral as you follow him into the living room, but it’s hard not to be impressed.

Yoongi crosses the room to a mini-bar, built into the far wall and softly backlit with inset LEDs. You pull your bottom lip into your mouth as you hover nervously for a second, then finally choose to drop down onto the large, L-shaped couch, setting your purse on the floor next to you.

“Thoughts—” When Yoongi’s voice breaks the silence, you start a little, not expecting it. “—on single malt whiskey?” He turns over his shoulder, and you shrug back at him.

“Never met one I didn’t like.”

The corner of his mouth pulls up, just barely. “Alright.” You watch as he grabs a dark green bottle off the shelf, coating the bottom of a glass with the amber liquid inside, then just barely topping up what must be his own drink. He crosses back to the couch, hands you yours, then drops down a respectable distance away from you with a sigh of effort.

The atmosphere is certainly different from what you’d expected, and Yoongi must be able to tell you’re a little on edge, not sure what to do or why you thought coming here was a good idea.

He glances over at you as he swirls the contents of his glass. “Not feeling up for much small talk tonight. Sorry.”

“That’s fine,” you say quickly. “We don’t have to talk.”

As soon as the words leave your mouth, you grit your teeth in anticipation of the smug smile, the cocky smirk at your unintended double meaning, but it never comes. Yoongi stays just as he is, slouched forward, his eyes unfocused, like he’s got a thousand thoughts running through his mind at once.

You turn sideways on the couch so you can look over the back of it and out of the large picture window behind you, where the city is alive in a blur of light and color, bracketed by the dark swath of the Han River.

Yoongi’s whiskey is strong but smooth, tastes like the bottle probably cost more than the entire bar-tab you and Jimin rang up tonight, and you sip it slowly. The thought of your best friend sparks something in your mind— you find yourself speaking again in spite of your previous statement.

“I just found out that you know my best friend. Park Jimin.”

At this, Yoongi looks up, clearly stunned. “No shit?” You nod, taking another pull from your drink, and he shakes his head. “I haven’t heard that name in years. How is he?”

“He’s good,” you murmur, the sharp taste of alcohol lingering on the back of your tongue. “He’s really good. He actually just performed in the concert I took Jungkook to.”

Yoongi pauses, glass halfway to his lips. “What group is he in? For someone in the industry I am atrocious at keeping up with this shit.”

“Oh, he’s not, he’s just a back-up dancer now. He never debuted.”

Yoongi nods slowly. “Well. Makes two of us.”

Your chest starts to tighten a little— you’re weirdly nervous to talk to him about this. It feels like uncharted territory. “I can’t believe you were a trainee.”

He leans back, resting his free arm over the back of the couch, fingers tapping idly. “I can’t either, most days. It was a long time ago. Feels like it happened to somebody else.”

Torn between deep curiosity and not wanting to pry, you stare down at the liquid swirling in your glass and leave it up to Yoongi. To your surprise, he keeps talking.

“So what did Jimin tell you about me?”

The unexpected question makes you laugh a little. “Uh… I don’t know. Said you sound like you’re still the same as you were back then. Keeping to yourself and working a lot.”

You don’t know if you should repeat everything, but the liquor loosens your tongue. “He said your parents weren’t very supportive.”

You glance up to see Yoongi shake his head, matter-of-fact. “They were not. So you can imagine how well they took it when I quit.” Your heart sinks at the thought. “Probably put a chip on my shoulder, if I want to be introspective about it. Explains the workaholic tendencies, maybe.”

He takes a longer sip of his drink this time, chasing his swallow with a grimace as he stares at the floor. “It’s funny. I always feel like I have to do better, even now. I get obsessed with work because it’s better than being depressed. And most of the time it feels like there’s nothing else to do anyway. I just work myself to death because it’s my only reason to stay alive.”

Your stomach drops sharply, and you can’t help but look over at him as he continues, feeling thoroughly unprepared for this sudden insight into the inner workings of Min Yoongi.

“It doesn’t even matter what milestones I hit, the fame, the fortune, whatever. I’m going to the fucking Grammys next week and it still doesn’t feel good enough.” His eyes flicker up to find yours, and his voice is quieter now. “Even if I win, I know it won’t. How sad is that?”

“You sound like my dad,” you mutter into your glass, and then your gaze snaps back to Yoongi as you realize what you’ve just said.

He looks as surprised as you feel, and you steady yourself as you take a swig of your drink and swallow it down. Fuck it. If he can overshare, so can you. “Work always came first, before family, before everything. And you know what happened? He dropped dead in his office before he even turned fifty. They said it was probably stress.”

There’s a flash of something in Yoongi’s eyes, but he doesn’t try to interrupt you.

“It makes me so mad,” you say, and you will yourself not to get emotional, your grip on your drink tightening slightly. “Because he worked so fucking hard thinking that once he got to a certain place, he’d be happy. Just a little more, then he could relax. But he never got there. He worked non-stop his whole life and then he fucking died. That’s it.

“And you know what’s really fucked up?” You don’t wait for Yoongi to respond— you can’t stop it all from coming out now, like a tap turned on high.

“People say grief makes you resilient, that it makes you stronger, or kinder, that we go through these things and they’re hard but you learn from them and grow or whatever the fuck. And I don’t feel like any of that shit is true for me. My dad died, and I just got worse.” A self-deprecating laugh flutters out around your words. “I’m selfish. I’m lazy. I make terrible choices. I deeply cannot fucking stand myself, if I’m honest with you. Jimin is like the one friend I still keep in touch with who knew me when my dad was alive, because everyone else just… didn’t know what to do with me. And I don’t blame them.

“And it makes me feel like such a fucking asshole, because he died, and I’m sitting here complaining about me. It’s like I don’t even miss him as much as I just miss… the way things used to be. The person I used to be.” You let yourself take a breath, but the final thought, the part you don’t usually say out loud, slips out with it. “It’s like she died, too.”

There’s a long pause that feels like an eternity, and you realize your heart is racing in your chest. You lean back against the couch with a sigh of frustration, too embarrassed at your own word vomit to do anything but stare at the stupidly high ceiling. You’re so wrapped up in the rush of saying it all— it’s been a while since you’ve gone this deep with anyone— that it takes you a second to notice that Yoongi is laughing softly.

“Wow. And here I thought you were just a slacker.”

The words make you glance over at him. You haven’t divulged these feelings to many people, but nearly everyone you’ve told has responded the same: awkward apologies, shitty words of affirmation you didn’t ask for, waxing poetic bullshit lies about how you’re not a bad person. A road paved with good intentions, things meant to console you that only make you want to scream.

But Yoongi gives you none of that. He just nods, like he understands.

“Well,” you counter, trying not to let the shock read on your face. “I thought you were just an asshole.”

“Oh, don’t get me wrong. I am an asshole. I’ll own that.” He smirks into his glass as he takes another sip of his drink. “Do you want to know something?”

“What?”

He suddenly pauses, like he’s not sure how to word it, like he maybe regrets asking the question at all. You don’t think you’ve ever seen him so hesitant before. “You have to not make a big deal about it.”

“Okay,” you say simply. You’re willing to return the favor.

“The night I left the studio door unlocked, and there was the break-in,” Yoongi starts, his thumb fiddling with the ring on his index finger. Something twists in your stomach, an intuition you can’t explain that makes it immediately clear to you what he’s about to say. “I wasn’t thinking about locking up that night because I... was planning to kill myself.”

It’s like all the air is sucked out of the room, and you will yourself not to react, gripping your glass until your knuckles blanch. Your eyes drop to the floor as you try to process the weight of his words.

“But you didn’t,” you reply dumbly.

“No, I didn’t. I walked up and down the bridge over the river for a long time. Probably an hour, maybe more, I don’t know.” You look up to the window again, tracing the inkblot snake of the river in the distance.

“I thought about it, and then I decided to go home. I thought that maybe I could give it just one more day and see what happened. And then when I got to work the next day, I was in such deep shit about the break-in, I felt like everyone would blame themselves if I did it after that. Like they’d think they were too hard on me.” He laughs bitterly to himself. “Like I’m not always the one who is hardest on myself.”

“Yoongi,” you breathe. “I don’t know what to say.”

He shrugs. “You don’t have to say anything. It just feels nice to tell someone.”

There’s a heavy silence between you, and heat rushes to your face as the words leave your mouth before you can stop them. “I’m glad you didn’t do it.”

He glances over at you, brows pinched together like he doesn’t believe you. “You hate me.”

“I do not!” The insistence in your voice surprises even you. In an attempt to ground yourself, you press your palm to the side of your drink and try to focus on the feeling, the cool surface against your flushed skin. “I mean, I definitely did. But now, I don’t know. Would I really be wasting my Saturday night here if I hated you?”

Yoongi pauses with his glass halfway to his mouth, and you can see him fighting to keep a smile off his face. “Look at me, you came over here to fuck and I turned it into a therapy session. Christ.”

With a final shake of his head, he downs the last of his drink in one swallow. “You want a tour?”

You follow Yoongi as he takes a winding path through the various rooms of his apartment, and you continue to sip at your drink, barely processing any of what he shows you. Your mind is still spinning from the conversation, and that paired with the cotton fuzz of strong liquor makes everything feel muted and far away.

As anticipated, the tour ends in his bedroom, which matches the rest of the place: sleek, minimally decorated, and bathed in the soft glow of inset strip lighting that runs the length of the ceiling.

When Yoongi sets his empty glass down on the dresser, you mirror him, then watch as he steps in to close the distance between you. As your eyes search his, you realize you’re once again caught between conflicting versions of Min Yoongi, still trying to reconcile the one you thought you knew with the person who just spilled his guts all over the living room floor. It feels impossible to hold the two of them together in your mind.

Up close, his smirk seems to soften. “You’re a lot shorter without those heels.”

Before you even understand what you’re doing, or why, you take his face in your hands and kiss him. It’s only a split second, your lips barely brushing over his, and then you quickly pull away, struck by the reality of what you’ve just done.

“Shit,” you breathe, dropping your hands and taking a step back. You stumble slightly as a hot wave of shame rushes up in your chest. “Sorry, I just—”

You don’t get to finish the thought, because Yoongi’s touch is sliding over the curve of your waist, and then he’s dragging you back toward him until his mouth finds yours again. The taste of whiskey lingers on his soft lips as they move against yours— you can’t help but whimper a little at how hungrily he kisses you. Like he’s wanted to do it for a long time.

The idea overwhelms you, and you pull away from him again, your lips still ghosting over his. “Yoongi.” You try your best to sound firm when you say his name, pressing one hand against his chest as you look up at him. “This… can’t mean anything.”

You can feel the heat of his breath when he laughs softly. “It doesn’t have to. I’ve been trying to tell you that.”

Too desperate for his mouth to want to argue, you decide to let him win. “Okay,” you sigh. Your hand is already tangled in his long, dark hair by the time his lips meet yours again.

“Get on the bed,” Yoongi murmurs between kisses, and you do as he says.

Moving backwards, you crawl up toward the pillows while Yoongi crosses the room to hit a panel on the wall, dimming the soft lights overhead until they’re barely there. He comes back to join you, strong hands wordlessly guiding you to lay down beneath him.

It’s weird to not be rushing through this: to feel like you can take your time as he kisses you again, as you lick into his mouth to roll your tongue over his, as one of his hands starts to creep under your skirt to gently rub up and down the length of your thigh.

The motions of his hand push the fabric higher and higher, until it’s as far up as it can go, and he leans back, clearly not satisfied.

“Can I take this off?” he asks, and you nod, sitting up to help as he pulls your dress up over your head.

It occurs to you a beat too late that you’ve never been this naked in front of him before, and your heartbeat flutters. “You too,” you murmur, pinching gently at the hem of Yoongi’s t-shirt, and he smirks as he reaches one hand between his shoulder blades to tug it off entirely.

You take him in as he drops the shirt to his bedroom floor: he’s broad-shouldered in a way you’ve never noticed under all his baggy clothes, with firm definition in the muscles of his chest and arms, and there’s a flush of warm glow to his pale skin.

As you blink up at Yoongi, more than dazed, you realize his eyes are roaming over your body, too. “Fuck,” he swears under his breath, and you resist the sudden urge to hide from his surveying gaze. “You have great tits.”

You’re not sure what you were expecting, but it wasn’t that, and the surprise of it makes you laugh.

“Just for that, I’ll let you see them,” you say, unable to keep the teasing edge out of your voice as you lean forward to reach behind your back. Your hands shake a little more than you’d like as you fumble to undo your bra and toss it off the side of the bed to join everything else.

Your nipples stiffen quickly in the cool air of his room, and when you lay back again, Yoongi covers your body with his, the movement paired with a groan that’s nearly a growl. You can’t hold back your own soft sounds as his lips and tongue move down your neck, and it occurs to you now that there’s so much that the two of you have never done before. So many steps you skipped.

Like the way Yoongi cups one of your breasts in his hand, rolling his thumb over your nipple to earn a louder whine from you. “Shit,” you gasp as he does it again, his mouth still trailing kisses between the valley of your breasts.

“God,” Yoongi hisses against your skin. “You drive me fuckin’ crazy.”

With his thumb continuing to work at one nipple, he takes the other into his mouth, and you can feel the way your arousal is starting to soak through your panties as he sucks firmly at the stiff peak. You arch up into him, and then he’s shifting to roll your nipple between his teeth and tug, and you can’t help it— you flinch and yelp beneath him, overwhelmed.

He quickly pulls his mouth off of you, eyes flashing up to find yours. “Sensitive?”

You nod, face flushing, embarrassed. “A little bit of teeth is okay. Too much hurts.”

“Okay,” Yoongi answers softly. He licks up the underside of your breast to pull the bud of it back into his mouth, and the swirl of his tongue there soothes like an apology. When he just barely grazes his teeth across the sensitive peak, it’s enough to make you keen, your eyes rolling back as they flutter closed.

“Oh, fuck, just like that.”

With a wet noise, he pulls off to switch sides, repeating the firm suction, the drag of his tongue, the slightest brush of teeth. His fingers pinch gently at your other nipple, made slick with his spit, and he keeps working you lazily, unhurried, until your body writhes underneath his.

“Yoongi—” You try to catch your breath, and you run a hand through his hair to pull his mouth off of you. His jaw is still dropped open slightly when he meets your gaze. “Touch me.”

His lips pull into a smug smile. “Told you you’d beg.”

Your grip on his hair tightens in response. “Not begging. Ordering.”

Yoongi tuts gently, like he’s disappointed. “I don’t follow orders, sweetheart.”

As much as his teasing irritates you, a twin smile to his spreads across your face. “I’ll kill you,” you murmur, releasing your grip as he shifts back onto his knees.

It gets harder to focus on your bloodlust when his palms run over the curve of your hips, then press between your legs to part your thighs. “Don’t threaten me with a good time,” he deadpans as his fingers slip under the waistband of your panties and he starts to drag the lace down your legs.

“That’s fucking dark,” you can’t help but laugh as you kick your underwear the rest of the way off.

Yoongi licks his lips, clearly distracted, and you spread yourself wider for him. “This pussy,” he grunts hoarsely, like he’s talking to himself more than you. “Gets so puffy when you want it. All tight inside, too.” He unexpectedly slaps the whole of his hand over your center, and you gasp, your hips jolting up.

You don’t even have time to respond before he’s pressing a finger into you, your cunt squeezing tight enough to reward him with an audible noise as he fucks it in and out. “Fuck,” you groan.

“You get this wet just from having your tits played with, huh?”

The thorough analysis makes you huff a laugh, because he’s not wrong, and it stutters into a moan when his thumb gently starts to circle your clit.

“God,” you manage to choke out, “you’re fucking chatty tonight.”

Yoongi smirks, and you’re not sure why until he speaks again, his voice now pinched in a clear imitation as he withdraws his hand. “I’m sorry, is there somewhere you’d rather I put my mouth?”

Your jaw drops in disbelief as he repeats your own stupid tease from weeks ago back to you. “I’ve changed my mind,” you snap, sitting up a little, and Yoongi glances at you, already in the midst of settling between your spread thighs. “I do still hate you.”

“That’s fine,” he says with a shrug, and then he leans in to lick a thick, wet stripe up your slit. His mouth is immediately dizzying, and you drop your head back against the pillow, overwhelmed.

It’s another thing you’ve never done before, at least not with Min Yoongi. As he repeats the motion over and over, lazy long strokes where he drags his tongue from your entrance all the way up to circle your clit, you mentally kick yourself for every missed chance, every opportunity to have his mouth that you didn’t take.

“What the fuck,” you breathe.

Yoongi just barely pulls off of you, close enough that a string of your arousal is still joined to his lower lip when he speaks. “You’re not the only one with good head game here.”

He dives in again like he’s determined to immediately prove his point, and you shove your legs open wider as he sucks your clit into his mouth.

As much as you’d like to bruise his ego, it’s impossible to keep yourself from moaning when he pairs the firm suction with the press of his index finger back into your tight heat. As wet as he’s made you, he’s easily able to slide a second in beside it now, and your nails scratch helplessly over the sheets beneath you.

“Yoongi,” you gasp as he curls his digits to beckon inside you, stroking over your front wall and easily finding the spot that makes you gush. He does it again and again, like a button press, working up more and more arousal until you’re dripping down his wrist.

Even the way he hums against your pussy sounds like a smirk, but you’re too far gone to care. Yoongi starts to flick his tongue steadily over your clit, matching the rhythm of his fingers pumping into your g-spot, and you can feel the pressure in your core building, a band pulled tight enough to snap.

Your hips buck up toward his mouth in an overwhelmed reflex, and Yoongi’s free hand is immediately there like he was expecting it. His palm presses firmly to your lower abdomen to hold you down and keep you there, and even that feels good too, renders you entirely helpless to his mouth and his hands as he takes you apart.

“Fuck,” you moan, loud and unabashed now. “Fuck, yes, I’m—”

The feeling overtakes you before you can get another word out, and you nearly sob as your orgasm rips through you, your whole body straining hard against Yoongi’s strong hand as he pins you to the bed. The extra pressure on your core pushes a rush of fluid out of your cunt, enough to soak the sheets beneath you as your muscles contract around Yoongi’s fingers.

“Oh my god,” he doesn’t even pull away to groan, and the low vibration of the words against your throbbing clit makes your thighs tremble.

There’s a wet smack of his lips and tongue as he finally relents, the pace of his fingers slowing as he continues to work you through the aftershocks. You desperately try to remember how to breathe as you start to come down.

Yoongi is a fucking sight when he leans back to look up at you: long hair falling in his face, eyes dark with lust, lips and chin slick with your arousal. “Did you seriously just squirt?”

It’s been a long time since anyone has managed to make it happen, and you suddenly feel overwhelmed in a different way. Still recovering, you can barely get the words out. “Shut up.”

“What the fuck do you mean, ‘shut up’? It was hot,” Yoongi grunts, and you’re at least grateful that you don’t have to have the ‘it’s not pee’ conversation right now. He ducks his head down again as he withdraws his fingers, and his tongue drags up the crux of your thighs to chase a few stray droplets. You squirm, oversensitive, your legs nearly snapping shut around his neck, and he takes the cue to back off with a soft laugh.

You’re too spent to fight it when he starts to manhandle you a little, palms slipping under your ass to drag you further down the bed until your hips are flush with his, then encouraging your knees to pull up toward your chest. “Think you can do that on my cock?”

The question sparks something in your core, the first lick of a freshly lit flame, and you prop yourself up on your forearms to better meet his gaze. “Make me.”

Yoongi’s appreciative smile is nearly a snarl, and he shifts lower on the bed to quickly strip out of his pants and boxers. You watch as he starts to crawl back up your body, anticipation tightening in your core, and then a flash of realization crosses his face and he freezes.

“Fuck,” he swears, and your stomach drops.

“What’s wrong?”

“I forgot I’m out of condoms.” Your eyes widen as his gaze meets yours. “Do you have any?”

You shake your head. “Not with me.”

A muscle in his jaw works as he exhales a resigned sigh, and you reach out, one hand finding his bicep to stop him before he leaves. You want it too much, bad idea or not. “Just… fuck me anyway.”

His expression goes deadly serious, and there’s a long moment before he responds. “You’re sure?”

You swallow hard as you nod, your eyes searching his. “Just pull out, okay?” You hate yourself for saying the final word before it even leaves your lips. “Please.”

“Okay,” Yoongi repeats back to you, and his hands press to your thighs again to encourage your knees up as he positions himself between your legs. There’s a feeling humming in the space between your bodies, like the reality of the situation has settled over the both of you. The reckless abandon of the previous moment is gone, replaced with something slower, more hesitant. Heavier.

With your eyes fixed on his face, you feel it first: the weight and warmth of his cock grinding over your slit, sliding easily with how soaked you are. You look down to see it for yourself, flushed dark and hard enough to leak precum, trailing a glossy sheen over your folds as Yoongi guides it against you, one hand gripped firmly to the base. He teases the head of his dick over your clit and keeps it there, and you’re still sensitive enough to whimper at the feeling.

“Please,” you repeat, and he’s too focused to be smug about it. He just nods as he drags his cock back down to your entrance, then braces one hand against your thigh and starts to push in.

You exhale softly at the welcome stretch, familiar made new at the lack of anything between you. You can feel it all: the thick swell of the head of his cock as he eases you open, how he throbs gently as your walls squeeze around him, so tight that you can even feel the prominent veins that trace down his shaft.

You’re still wet and getting wetter from the way he fills you up entirely, your arousal drenching the length of him when he bottoms out with an audible slick sound. His cock twitches, buried to the hilt, and even that barely-there motion is enough to coax a breathy moan from you.

“Shit,” Yoongi laughs softly, and the tinge of humility to his voice makes you glance up at him again. “Not gonna be able to go that fast. Feels too good.”

“It’s okay,” you murmur. “Just…”

The words won’t come. It would mean too much to say what you want, and this isn’t supposed to mean anything at all.

So you don’t say them: you just hook your arms over his shoulders and pull his mouth down to yours. “Just fuck me,” you murmur against his lips. He grunts a low note of appreciation as he kisses you, as he starts to drag his cock out of you just to fuck it back in again.

It’s shallow, it’s slow, it’s nothing like what you’re used to with Yoongi, but it’s good. Good enough to make your kisses sloppy when you trade open-mouthed breaths, good enough to make you tilt your head and slide the flat of your tongue over Yoongi’s unabashedly, like an earned reward.

He pushes your knees up a little more, thrusting deeper this time, and the new angle drags the head of his cock right over your g-spot. You whine at the heavy weight of him, the shudder that ripples through you in response, and he stays there, stroking steadily to rub that spot again and again until your eyes roll back in your head.

“Oh my god, Yoongi,” you gasp into his mouth.

“Shit,” he groans shakily, reaching one hand up to brush his hair out of his eyes. A few dark strands stick to the sheen of sweat on his forehead. “Squeezing me so fucking tight.”

Your arousal coils hot and fast inside of you as he keeps thrusting, and you have to break away from kissing him to tip your head back on the pillow and moan. “Fuck, please don’t stop, I’m—”

It feels like the final second before your climax when Yoongi pulls out, sitting back on his knees between your spread legs with a low groan. The sudden loss of his cock makes your walls clench at nothing, and you whine, petulant. “Yoongi!”

“Sorry,” he mutters, breathless. “Almost came.” You glance up to see him squeezing at the base of his cock with one hand, his chest heaving with effort. Your hips tilt up toward him, jealous.

“I miss your cock,” you whine, fucked close enough to be shameless.

“You’ll get it,” he retorts, and then you feel three of his fingers press in to fill the space he left behind inside of you. “Want to make you come again first.”

You keen as he starts to pump them, wrist angled just right to meet your g-spot each time. “Oh fuck, Yoongi.” The arousal in your core aches as he fucks you open on his fingers, and you can hear how wet you are in the soaked squelch of your needy pussy, can feel it leaking down your thighs.

His thumb brushes over your clit with every upstroke of his hand, and it makes you gasp, your moans starting to pitch higher. “Harder, baby, please, I’m so close.”

Too lost in the feeling, you barely notice when Yoongi laughs a little, but he does as you ask, and the way he pounds into you is just enough to work you over the edge. Waves of pleasure rip through your body as you come for a second time, squirting a little on his sheets again, your thighs shaking violently.

“That’s it, there you go, fuck,” Yoongi groans appreciatively at the sight.

You’ve just barely made it past your peak, still shuddering all over, when Yoongi withdraws his fingers to shove his cock back in again, and you keen.

He thrusts like a man close to his own end, fast and hard, his breath coming in ragged pants of effort and pleasure. Your pussy pulses around him, squeezing like a vice, so swollen with sensitivity that it really does feel like he’s splitting you open every time he fucks into you.

You moan unabashedly now and cling to him all over, legs bracketing his snapping hips, nails of one hand digging into his shoulder, the other hand tangled in his hair. Your cunt throbs and gushes around him as he strokes, and it still feels like you’re coming: you can’t tell if it’s an intensely drawn-out second orgasm or if the hot stretch of his cock worked you seamlessly into a third.

When he finally pulls out, you drop back against the bed with an exhausted groan, every inch of you fucked into oblivion. You can barely focus your eyes to watch as Yoongi shoves his hips up to straddle yours, one hand working his cock until his release overtakes him.

He flattens both palms to the mattress as he starts to come, groaning softly and rocking his hips so that his cock grinds against your stomach. The head of his dick twitches visibly, leaking pulse after pulse of sticky gloss over your skin, and he smears his cock through it as he ruts against you. He keeps going, rolling his hips and rubbing the mess across your stomach until he’s thoroughly spent, until you’re both flushed and sticky all over.

“Holy fucking shit,” is all he can manage when he finally collapses down on the bed next to you.

You glance over at him and nod, trying to imply without speaking that the feeling is mutual. He meets your gaze, and you lay like that for several long minutes of silence as your breathing slows, eyes fixed on each other as your heartbeats race through the comedown.

It’s hard to believe that any part of tonight has been real, and you can’t help but wonder if he’s thinking the same thing.

As the post-orgasm glow starts to settle, exhaustion hits you like a train. You groan, breaking the prolonged eye contact to throw an arm over your face, blocking out Yoongi’s bedroom with the crook of your elbow.

You’re not expecting it when he softly says your name, and something in your gut tells you that whatever’s coming isn’t good. You will yourself not to look back again, to stay as still as a statue when you answer him. “Hmm?”

“You know Jungkook is in love with you, right?”

The plan to not move goes out the window at his words. Your pulse spikes, and you drop your arm to look at him, your face twisted in confusion. “What?!”

Yoongi studies your expression for a second, then makes a small hum of surprise. “Interesting. I figured you were just trying to let him down easy.”

“I— what?”

“You really didn’t know?” He scoffs, and his tone is enough to instantly make you set your jaw. “It’s pretty obvious. It’s funny, I guess he’s sort of inadvertently responsible for all of this.”

That takes a second to sink in, and you blink. “How?”

Yoongi stares up at the ceiling, seemingly nonplussed. “Well, when he asked me for the code to my office, I figured he wanted to take you in there and fuck you.”

Hot blood rushes to your chest, and you sit up a little. “You talked to Jungkook about fucking me?”

“No.” Yoongi blinks. “This was before anything happened. I haven’t told him anything. It was just clear he liked you, even back then, because I have eyes. So I was trying to do him a favor. He’s a good kid.”

You squint, still trying to catch up. “Why would Jungkook fuck me in your office?”

He shrugs. “I don’t know, it’s the only door that locks. Sometimes you get desperate.” You swallow the immediate urge to argue when your brain unhelpfully reminds you that you have in fact fucked Yoongi at the office. Twice.

“But you know, I figured he’d wine you, dine you, all that romantic crap first. I’m sure he’s a very respectable sex on the third date kind of guy.” That all-too-familiar smirk is back when he glances over at you again. “I guess neither of us realized who we were dealing with.”

You open and close your mouth a few times before you can remember how to speak. “I’m not having this conversation with you. Particularly not with your cum still on my stomach.”

Yoongi nods toward the en-suite. “There’s towels in there. Or you can shower if you want.”

Your head spins as you silently slip out of his bed, and you shut the bathroom door firmly behind you, wishing you could leave that entire conversation on the other side of it. Maybe his fancy shower will get hot enough to blast all the thoughts out of your brain, you reason, and it only takes a bit of fumbling with the knobs before you figure it out.

The water pressure is so much better than what you’re used to that you groan a little when you step under the spray. You turn in a semicircle, letting it beat down on your neck and shoulders as you close your eyes, willing the tension to melt out of your body. You really are exhausted, practically asleep on your feet, despite the way your mind is still racing.

You don’t know why you came here tonight. You don’t know what you thought would happen. You don’t know what makes you keep coming back to Yoongi, over and over, like a moth to a flame, like the definition of insanity. You don’t know why he opened up to you tonight, or why you decided to do the same— or what the fuck compelled him to say that Jungkook is in love with you. You don’t know if things are supposed to stay the same after tonight, or if they will be irrevocably different, and you don’t know which you’d even want.

You have no idea what you want, actually. Another drink would be nice.

The sound of the shower door opening startles you, pulling you up from your thought spiral, and your eyes snap open to see Yoongi shutting the door behind him. Without a word, he steps in to crowd you under the water, and you hate the way your heartbeat flutters when he’s close to you.

“What are you—” you try to ask, but you don’t get to finish the sentence before his hand cups your jaw and his mouth finds yours.

His kiss blots everything else from your brain, and in this moment, you’re grateful for it. You lean into him, letting him in deeper when his tongue traces your bottom lip, whimpering softly as his other hand presses to the small of your back to pull you closer.

You don’t know what he wants, either. Why he came in here. But you have a guess.

“Yoongi,” you murmur against his lips. “I can’t again. I’m so tired.”

“It’s okay,” he answers softly, and then his mouth drags you back in like a riptide.

You don’t know how long you stay there like that, kissing him under the steam and the spray, but you’re breathless when you finally pull away to look up at him. Water droplets are twined through his long, dark hair, collecting delicately on his eyelashes, trailing down his neck and over the muscles of his chest.

“You can sleep here tonight, if you want,” Yoongi offers, and before you can even process the words, he’s stepping back to push the shower door open behind him, and then he’s gone.

With the glass fogged over completely from the heat of the water, and the white noise of the fan overhead, you have no concept of when he leaves the bathroom, or what else he might be doing. You just know you feel entirely alone.

After scrubbing yourself thoroughly with a washcloth that you lather in Yoongi’s soap, you emerge from the shower, grabbing a towel from the linen cabinet to wrap up in. It’s weird to smell like him, sandalwood and musk, somehow both comforting and alienating.

When you nudge open the door to his room again, it’s empty, and the inset lighting has been turned off entirely, the room bathed only in the glow of the bedside lamp that’s been switched on.

He’s left out one of his t-shirts for you, and you recognize it as one you’ve seen him in often at work. You remember Googling the label once out of curiosity and nearly passing out at your desk when you saw the three hundred dollar price tag. You pull it on over your head, then return to the bathroom to hang your towel up.

As you slip back into the bedroom, you can’t help but wonder where Yoongi’s disappeared off to, but you’re too exhausted to go looking for him.

Though you figure he’ll be in eventually, your heart still sinks a little as you pull back the covers and crawl into his bed. It feels so much bigger when you’re the only one in it. You decide to leave the lamp on, then turn over to press your cheek to the pillow, and the waves of sleep almost immediately pull you under.

You’re still alone when you wake up in the morning, the other side of the bed entirely undisturbed.

Blinking slowly, it takes you a moment to remember where you are, and then the night comes back to you piece by piece. The lamp on the nightstand is still on when you sit up and swing your legs over the edge of the bed.

Yawning and rubbing sleep from your eyes, you push open Yoongi’s bedroom door and pad down the hallway, trying to make sense of things. You have to retrace your steps all the way back to the living room before you find him, curled up on his side on the couch with one arm tucked under his head, still sleeping soundly.

He looks smaller like this. More vulnerable, maybe.

You wonder if you should’ve asked him to join you in his bed, and you wonder why he didn’t. Worrying your bottom lip between your teeth, you decide to let him rest.

You move through his apartment aimlessly, like a patron in a museum. Something cracks open inside of you as you allow yourself to take in his place undisturbed, and with it, what could be. The idea that a night spent here could feel normal. The two of you in the clearly well-used kitchen, how you might sit on the counter with a glass of wine while he cooks dinner. Talking about your days, about the past and the future. Sharing a life. Fucking and showering and falling asleep in his bed, tangled up together.

For something so close, it feels impossibly far away in the harsh light of morning. It feels like something meant for a much better person than you.

When you make it all the way back to his room, you peel your borrowed shirt off and drape it across his bed like you found it. You retrieve your clothes from last night off the floor and pull them back on.

Thankfully Yoongi chose to fall asleep on the far side of the couch, so when you re-enter the living room, you’re easily able to grab your purse where you set it down the night before without waking him. You slip your heels on in his entryway, then open the front door and shut it as quietly as you can behind you.

You fish your phone out of your bag and scroll until you find Jimin’s contact, then press it to your ear as the line starts to ring.

~*~

You don’t hear from Yoongi at all on Sunday, and you barely see him at work the next few days. You don’t know why it surprises you. It makes sense. You said that night had to mean nothing, you left in the morning without another word, and it’s not like you’ve made any effort to reach out since.

But nevertheless, hurt feelings sit heavy in the pit of your stomach, stinging like salt in an open wound. You’re angry that Yoongi seems to be acting like nothing even happened. You’re annoyed that you have to spend an entire weekend alone with him in Los Angeles. And you’re pissed off that you have so much fucking work to do in preparation for a trip that’s all about him.

You keep your head down and just try to fucking survive. You stay silent in your meetings unless directly asked a question. You type furiously at your desk, forever behind on emails and late on promised deliverables.

The week passes by in a blur, and it doesn’t even occur to you what day it is until you find Jungkook waiting for you at your desk when you return from an afternoon meeting.

“Hi, Jungkook.” You try to say it gently, to not take your frustrations out on someone who didn’t even do anything. While you’ve made polite small talk all week, things certainly haven’t felt normal, and you can’t tell if he senses it too, or if you’re just letting Yoongi’s cryptic words plant imaginary strange vibes in your head.

To his credit, Jungkook seems unfazed. “It’s the last day before your trip!” he says brightly, and your eyes widen as you realize he’s right. “What’s the rest of your day look like?”

You take a seat at your desk and pull up your calendar to check, and he circles around to look with you. “That was thankfully my last meeting,” you respond. “Just getting back to my never-ending to-do list now.”

“Or…” Jungkook prompts, and you glance up to see him leaning forward to rest his elbows on the back of your desk chair, his chin propped cutely in his hands. “You could not do that.”

You blink up at him. “And what would I be doing instead?”

“I was thinking, it’s been a while since we’ve had a walking meeting. Plus it’s actually nice out. So you should take a break.”

Glancing back at your to-do list sends a fresh wave of dread through you, and then you snap your laptop shut with a resigned sigh. “You’re right. Let’s go.”

Not only could you use the break, but you want things with Jungkook to feel normal again, even if the weirdness is only in your head. Maybe this is what you need.

Down in the lobby, Jungkook holds the door for you, and when you step outside, you realize he’s right. It’s one of those clear-sky early spring days, warm enough out that it feels like the world is starting over, like everything is coming back to life. You can’t help but feel like you could use a fresh start, too.

Though you expect to be led somewhere with food, Jungkook takes a different route instead, and you follow him a few blocks over to the entrance of a nearby park. You end up side by side on a paved pedestrian path, the length of which is lined with trees that have only just begun to bud.

It’s quiet, save for the distant noise of the city, the rustle of nature, and the rush of the occasional cyclist whizzing past. You walk slowly as you chat about nothing of importance: work, music, his dogs.

Jungkook glances over at you during a moment’s pause, with a look on his face like there’s a question he’s been waiting to ask. “So how are you feeling about your trip?”

You can’t quite manage to keep your expression neutral, your eyes rolling like a reflex. “Whatever. I just want to get it over with.”

“Ah.” Jungkook nods, and you can see he’s biting back some reaction. “For some reason I thought you might be excited.”

“What do you mean?”

He just shrugs. “I don’t know. You’ve been… different lately. About Suga. I thought maybe something was going on.” An uneasy feeling starts to wash over you.

“Nothing is going on with me and Yoongi,” you say, far too quickly. Jungkook glances at you, his brows pinched together slightly as if he’s unsure what to believe.

“Okay,” he says simply. You hope that’s the end of it, but then he keeps going. “That’s good. I’m glad I don’t have to tell you to raise your standards.”

Heat rushes into your face, caught somewhere between shame and anger. “Um, what does that mean?”

You grit your teeth when he just shrugs again. “I don’t know. He was such a jerk to you, and then suddenly it’s like you guys are hanging out and getting close and stuff—”

“We are not close,” you interject, and you hate how unsteady your voice sounds when you say it.

“Good,” Jungkook responds. “Because I thought maybe you might be, and it didn’t make any sense to me.”

Overwhelmed by his words, you come to a standstill on the pavement, and he makes it a few steps further before he realizes. As he turns back to face you, the words rush out before you can stop them. “I mean, I don’t see how it’s any of your business either way.”

Jungkook’s brow furrows again. “It’s my business because I care about you. He made you so miserable when you first started, so I don’t see how you could just forget about that and be into him, especially when you could…” He trails off and looks down, unwilling to finish the sentence.

“When I could what?” Another fucking shrug, and you can feel the rage inside you simmering now, threatening to boil over. Yoongi’s question comes back to haunt you— you know Jungkook is in love with you, right?— and the pieces start to slot together in front of you.

“When I could be into you?” you press him, taking an accusatory step closer. “Is that what you want to say?”

His gaze flits up to the trees above you, like he’s willing to look anywhere but your face. “No. I don’t know.”

The birdsong in the air has suddenly started to sound a lot more like screaming, and you have to suppress the urge to do the same. Instead, your voice comes out low and deadly serious. “You and I are friends, Jungkook. Just friends.”

“I know we are,” he says softly.

“Do you?” you snap back, vicious now. “Because it sounds to me like you’re jealous.”

“I’m not jealous,” he responds automatically, in the same tone, and you scoff.

“Look me in my face and say it.” You take another step toward him, and his eyes meet yours. He’s silent long enough for you to understand the truth, and all at once, you feel like a fucking idiot.

“Let me make this clear to you,” you hiss. “I am perfectly capable of taking care of myself and making my own decisions. And I do not have to explain or justify them to anyone, including you, because you are not my fucking boyfriend.”

When you spit the final word, Jungkook flinches like you’ve slapped him, but you can’t stop now. You’re so angry, it feels like it’s eating you alive. “When I want your opinion, as my friend, I’ll ask for it. Understood?”

You’ve never seen him look at you the way he does now, his eyes dark, his face twisted into a near grimace. There’s a long pause, and his voice is stilted when he finally speaks. “Yeah. Sorry I brought it up.”

The two of you walk back to the office in total silence, and Jungkook doesn’t try to talk to you again.

~*~

It’s early enough to still be pitch black outside when Jimin pulls up to the curb of your terminal at Incheon Airport.

“Thanks again for driving.” You yawn around the words as you reach down to unbuckle your seatbelt. When Jimin suddenly pulls you in for a hug, you groan at the affection, but he pays it no mind, dotting kisses over your hair that make you squirm.

“Love you, have fun. And be a slut!”

You roll your eyes as you manage to peel him off of you. “Bye, Baby Mochi.”

Slipping on a face mask, you push the door of his car open and climb out of the passenger seat. You swing open the trunk to grab your suitcase, then slam it shut again and step up onto the curb.

Making your way into the terminal, you dig your phone out of your bag to double-check the text from Yoongi, and then you glance up at the sign overhead to confirm you’re right where he said he’d be.

It takes a second for you to realize the person walking in your direction is Min Yoongi. The black baseball cap pulled low over his eyes is certainly not a bad look, but when paired with his black face mask, it makes him almost impossible to identify, or get a good read on. Rolling your suitcase ahead of you, you move toward him, and the two of you meet in the middle.

You wore sneakers today, so he still seems tall.

“Hi,” you say simply, a thousand different emotions swirling in your gut. You do your best to ignore them all.

Yoongi hums a wordless grunt back in response, then turns to face the already bustling security line. You mirror him, and for a moment the two of you just stay like that, like you’re standing firmly in the present and unsure of what might be waiting on the other side.

He gives a tired sigh. “Ready?” You’re surprised to learn he can speak this early in the morning.

“I guess so,” you answer.

Perfectly in sync, you both push your bags forward, stepping carefully toward a weekend that feels impossible to imagine.

chapter seven | masterlist | chapter nine

#yoongi smut #yoongi angst #yoongi x reader #bts fanfic #bts x reader #look down on me like that

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