#I could add more details about it if you would like

[piratecaptainscaptainpirates]

I'm just curious since I absolutely adore all your trans Ed fics, what made you read Ed as being trans? Is it more of a personal headcanon since we tend to see ourselves in fictional characters, or did you notice some tiny detail on the show that made you think so?

Oh my friend, I'm so glad you ask.

The cool thing about reading Ed as trans, I think, is that you do not even have to squint to do it. Literally you need to change exactly nothing, and this read suddenly adds a lot of nuance and additional juicy layers to his story and his journey with masculinity.

Ed's whole deal with masculinity, precisely exactly all of it, makes him feel so much like a trans guy who never outgrew the "I need to be hypermasculine so I pass" phase, fitting that read so precisely that given there are trans writers on the OFMD team I would be absolutely SHOCKED if at least some of it wasn't intentional. Every single trans guy I know has been through a version of this, where you come out and you know you're a man but you need everyone else to know, too, and so you lean very hard into masculinity to make damn sure you pass. And not just pass, but pass perfectly. Ed is forcing himself into such a heavy ideal of masculinity that it feels artificial; he needs to make sure everyone sees him as this perfect ideal of a masculine man that he cannot possibly live up to because no one could.

Certainly, parts of Ed's hyper-masculine presentation seem to be things that genuinely make him happy and bring him joy. That's important. Ed's happy to be a man, the problem is that he's trying to force himself into such a narrow idea of masculinity that it's stifling him. It's preventing him from enjoying more ""feminine"" things that he genuinely loves, because he's terrified of being seen as less of a man for it, and people like Izzy reinforce the idea that if Ed fucks up in his performance of masculinity, he's going to be in danger because of that. It's very real, and the added juiciness from reading Ed as trans adds so much to the great story that's already there, I think. There's this additional element of Ed knowing he's a man but needing to make sure everyone else could never doubt it, there's an additional perceived danger to slipping up, there's a sort of jealous admiration for guys like Stede who seem, at least on the surface, so much more comfortable with a different type of masculinity that Ed wishes he could have more of.

And on top of that, there's just a lot of other little additional things, like:

Ed making his beard his whole brand, it just screams beard dysphoria and "no one could ever claim I'm not a man because the beard is my whole THING."

Something about his relationship with his name, and how hard he has to try to get people like Izzy to call him by his name in front of others

The way Ed is dehumanized when he dares to step outside a very safe, masculine gender presentation - it's why Izzy saying "this thing you've become" when Ed is wearing a robe and painted nails hits so hard for me, I think

Okay. okay. listen. You know the scene where Ed makes CJ whip him in the balls. Listen. Ed baby. It just SCREAMS "people here don't know I'm trans and I don't know how much getting hit in the balls should ACTUALLY hurt so I'm gonna lay it on really really thick just to be safe"

There's a lot to be said about Ed and his clothing in a lot of directions, but I'm gonna leave it at how he's really figured out a safe set of clothing that works for him and consistently allows him to be read as this super masculine guy, and he's scared to step away from that. Also, I really like imagining the full-fingered gloves at the end of s1 as a way to cover up the nail polish on his fingernails until it wears off.

I think it's very sweet that Ed tends to be very private when talking about his personal and sex life with others, but a very, very easy explanation for how that got started is he just doesn't want to go around sharing personal details about his body with people!

Yeah. A trans read of Ed is so shockingly easy, fits so well, and adds so much to his journey, frankly I'm amazed it's not more common.

[crisis-starter]

Hello

I did not expect to write Odile’s moment in less than half a day.

Stars, its twice as long as Mirabelle’s and that took me 2 or 3 days to do.

Well, anyways, I hope you enjoy!

)•{+}•<>+<>•{+}•(

Odile was by the staircase in the final room, waiting to talk with Siffrin. The entire trek through the house was filled to the brim with suspicious activity. Facial expressions, behaviors… it was all strange. And with the knowledge of Wish Craft and Time Craft… she had an idea of what was happening. Bonnie was seemingly thinking about something. She had never seen the child be so quiet before. And Isabeau was looking right at her. Siffrin was chatting with Mirabelle, so she awaited them. Soon they will have to talk to her, she could feel it.

Then she felt the slight twinge of Craft. Isabeau wasn’t looking at her anymore, instead performing an odd kind of craft, if his hand was any indication. And then she heard his voice in her head:

‘M’dame Odile. Please. Whatever you are planning to do right now? At least be gentle.’

Odile copied the hand signal she saw Isabeau making before replying, “He’s trapped himself, and subsequently the entirety of Vaugarde in time! Perhaps even worse than the King! And you don’t want me to say my piece?”

‘I am not saying that you shouldn’t say something. I’m saying that, if you are, please don’t push him. He is already that close to the edge.’

Odile was silent. Skeptical. She had an idea of Isabeau’s stance, but this really couldn’t go unsaid. Siffrin was hiding something that clearly felt like common knowledge to everyone except her. And Isabeau had this… worry in his voice. Like he knew something she didn’t.

‘M’dame. I… I can’t tell you right now. Because we’re on a time limit. But I will tell you what I remember seeing once we get back. Here’s to hoping you remember what happens next.’

Isabeau cut the connection there. Odile looked at Siffrin, and realized why. The rogue had finished talking with Mirabelle. She put her hand down and returned to reading through the notes of her investigation. Siffrin approached her, a seemingly disinterested expression on his face. The two glanced at each other before Odile started talking, “Ah. Woop woop, we did it, we won, etc.”

She wanted to start soft, somewhat. So why not comment on how she feels after the fight with the King? She continued, “Urgh. Whatever. This was… quite a workout. My entire body is screaming.” Odile rolled her shoulders a little. She did feel somewhat sore, “Savior of Vaugarde, huh? That’s something to add to my list of accomplishments.”

Maybe mulling over any future plans may help a smoother transition? She didn’t know. She never said she was… good at this, “But now, I can finally go back to traveling. I’d be curious to visit more Vaugardian cities and hear what they have to say about an event like this. It’ll be weird to travel alone now, but I’ll get used to it again. Or I could just go home to Ka Bue… Hm…” Maybe she could convince the others to travel with her? Not right now, that would be too… embarrassing. Everyone here has their own life. She didn’t want them to put it aside so easily over a grown woman not wanting to leave without a proper goodbye and happy, stress-free memories to take with her.

Siffrin hid in their collar as they spoke, “To do your fake research?” There it was. Another suspicious detail. How they knew her research was fake was a bit of a mystery but she needed to say something, “…Yes. My fake research…” She probably looked a bit… frustrated there. She quickly fixed her expression, “Don’t tell anyone. I’d like to see Isabeau try to figure it out for a little longer. Very excited to hear what he comes up with next. Spoonology? Bananalogy?” Siffrin’s expression changed to that of an odd smile. A fabricated one. Concern began to blossom in her heart.

Maybe Isabeau was right.

Siffrin joked, “Bananalogy would be quite aPEELing.” Odile didn’t find it funny. But… at least fake something, “Hah… Yes.” Her face softened, “Ha… I’ll miss you, Siffrin. You’re a little strange, but you’re a good kid. Maybe try letting down your walls every once in a while, huh?” The researcher felt a smile sneak onto her face, “And come to Ka Bue anytime. Maybe we’ll meet again during your travels.” Odile really hoped so. Siffrin forced himself to smile. Wait.

Odile looked at Siffrin, concern fueling her entire being, “…Siffrin, is everything-“ Siffrin’s expression flashed into something akin to confusion for a second. Odile looked around. Bonnie, Mirabelle, and Isabeau were looking at her, worried. Great. She had spectators now. But… was she the main act? She sighed, hoping to brush off the added tension. She hoped that this would go smoothly. Odile asked, softly, “But really, is everything okay?” Siffrin is back to that fabricated smile, “What do you mean?”

Oh… Oh this is how things will have to go, huh. She continued, “I don’t know, Siffrin. You’ve felt off since yesterday. More withdrawn, mostly. Tell me what’s wrong.” Siffrin continued avoiding the question, “Nothing’s wrong!” This defiance… it was messing with Odile’s patience. But she was trying, “…it’s okay if you don’t want to tell me, you know. I’ll find out eventually.” She probably already did. Maybe everyone did, and she doesn’t remember. Siffrin replied, hiding in their collar again, “But I’m not hiding anything.” And that was the final straw. All attention was on them both. She was starting to get a headache. Time to lay it all out, no matter how harsh it felt.

Odile looked at Siffrin, abandoning any kind of calm or leniency, “Is that so.” She made her frustration known, “Is that so? So Time Craft has nothing to do with you?” Siffrin dropped the facade and grew shocked, “No that’s-“ Odile will not let him deny it. She continued, noticing Isabeau trying to approach. No. She needed to say her piece, “And the fact that you knew how to read that book about Wish Craft… Knew how to wish correctly, when no one else did… It doesn’t mean anything, either?”

Siffrin gave that fake smile, only more shaky, “It’s not like that, I-“ She was cornering them. No more excuses, just continue, “And the way you’re acting, doing that stupid smile like nothing’s wrong… It doesn’t mean anything, either?!?” The smile was dropped. Siffrin was looking at Odile, shaken. Silent. There’s more evidence.

She looked away slightly, still stern, “I’m not stupid, Siffrin. If I find something strange, I can do nothing except give it my full attention.” She turned her attention back to Siffrin, “And you are acting strange.” Siffrin looked stressed. Staring at her with this need to run away, but being unable to. Her headache was getting worse. She’ll deal with it later.

It was at this point she made her anger known, “There were so many signs… I did not understand them, but now I do! You’ve been acting strange since you woke up from your nap, yesterday!” She started to ramble on about more evidence that came to mind, “When we talk to you, you act out of it, almost bored… And the way you reacted to the rocks falling… We all jumped, but you just looked at them fall, calmly.” Odile rose her voice again, “And there’s so many other things, the way you reacted to so many things throughout our entire journey through the House!” The researcher faltered a little, “And, and… How every time you found the keys we needed to proceed, you didn’t seem surprised, like you knew exactly where they were. Even that key in the classroom. Almost like…” Odile looked at Siffrin for answers, “…Like you had found them before, maybe?”

Siffrin started to grow panicked, “B-but that’d be impossible, though!” Isabeau was looking at the two of them, nervous yet willing to step in. Siffrin attempted to reason. To save themselves, “How could I have known where the keys were when it’s my first time here?!?” Odile, frustrated, asked, “I don’t know, Siffrin, why don’t you enlighten me?!” Siffrin’s breathing was escalating. Odile continued, “Don’t think I believed that whole ‘I wished croissants would disappear~’ thing, too. So, if you lied about your wish… What did you wish for, then? That’s it, isn’t it?” The researcher looked at her hands, “Did something happen? To you, to us? Did we die against the King, maybe?” Odile looked up, spotting Siffrin pulling at his hair. Oh no. She only had one thing left to say, then she could try to start calming Siffrin down. It’ll be okay. She finished by asking, “Is that why you’re repeating the same events, Siffrin?” She was about to maybe ask Siffrin to calm down and relax before it happened.

Siffrin snapped back, “SHUT UP!!!”

Everyone was startled by the outburst. Odile herself was shaken. Isabeau was right. She couldn’t be a bit softer, huh? And now, Siffrin was on the edge of a breakdown. The traveler continued, breath ragged and irregular, “Even if you figure it out, Odile… It’s too late! It’s too late! It’s always too late!!!” Siffrin looked right into Odile’s eyes as they spoke, a combination of panic and rage in his eyes, “Did you have to figure it all out now, when it’s all about to end? You can’t help me, Odile!!! No one can!!!”

Isabeau was stunned, muttering a quiet, “Sif, Odile…?” Bonnie was hidden behind Mirabelle, asking, “What’s happening? Why are you yelling?” …When did they get so close? Odile’s headache was getting worse. The air started to feel strange. Her heart was pounding in her ears.

Siffrin continued, erratic, “It’s too late!!! YOU CAN’T HELP ME!!!” Odile tried to get a word in, but couldn’t. So she continued to listen to Siffrin’s pleas, “And I think, weirdly, I don’t even want you to help me?” Siffrin gave a panicked smile, “Why don’t I want you to help me?”

Odile felt her hands shaking. What… was this her fault? Was she the final straw? All she could really do was try to ask them to calm down, “Siffrin-“ But she couldn’t even do that without being cut off, “Maybe because I know that if you help me, you’ll start hating me!!!”

What?

“Because I don’t know why this is all happening, but-“

Wait.

“It must be because of me, that we’re repeating the same events!!!”

Siffrin stop. Please, you’ll hurt-

“And if you knew that, you’d hate me-“

Mirabelle cried out, “Siffrin?!” Maybe to snap him out of it. The air tasted like sugar. A taste so strong, it was horrible. A terrible omen. Siffrin continued, “And I don’t want you to hate me. So, so, so-“

And everything stopped before everyone was sent back to their places. Odile was silent. She decided… to say something, “Siffrin, please. You don’t… have to talk to me. But I will find out somehow. What’s causing you… harm.” She already knew. But maybe it was more comforting to claim ignorance. Siffrin quickly fabricated a smile before cheerfully saying, “Maybe, teehee!”

That… that felt unsettling.

Bonnie, Mirabelle, and Isabeau looked at Odile, worried. Odile herself? She wanted to sit down. She felt faint. That was so much information to take in at once.

Just how… how deep has Siffrin buried himself?

Siffrin faced her, the same chilling smile on their face. Odile stated, “Alright, well, if that was all…” Siffrin took this as his cue to leave as Isabeau straightened his act up.

Once Siffrin was gone, Odile sat down on the stairs. Her headache was gone, but she felt guilty. She just sat there silently, internalizing information.

It seemed that her spacing out helped pass by sooner, because she soon found Isabeau by her side, trying to check if she was doing okay. She could barely hear him.

Her eyes were on Siffrin. They hesitated a little before trying to talk to the Head Housemaiden. Then they approached her. They happily told Euphrasie about something. She responded happily.

Then the pressure in the air grew. Something was wrong. It didn’t take a rocket scientist to figure that out. The Head Housemaiden was dismayed. Siffrin pleaded with her.

She crouched down to Siffrin’s level, cupping the rogue’s cheeks with her hands. She made sure she was close to Siffrin as tears streamed down her face. Siffrin was stunned. He couldn’t move. The world grew darker. Something was happening. Something was oh so horribly wrong.

A lightless shade almost appeared to engulf everything. For a split second, Odile saw something. Hundreds of silhouettes. They all looked just like Siffrin. All looking at Euphrasie. And then…

She awoke and stumbled back, nearly crashing into the shelf behind her. Her heart was pounding. So she attempted to calm down. Then she heard someone enter the shop.

Isabeau was trying to catch his breath at the entrance. He looked at Odile, worried, “Are you alright, M’dame?” Odile just looked at him, shocked. Her hands were shaking again. Isabeau sighed, “So… you remember, hm?”

)•{+}•<>+<>•{+}•(

This was VERY fun to write.

So… those are the 4 “loop awakenings”.

I’ll compile them all in chronological order and post it to AO3 (which was the original plan but I felt like you folks would like it).

I hope you have a good day/night! Until next time!

[jessieren]

Here In America

I managed to go and see Here In America last night and, as promised, here's my (fairly brief) review. If you're going to see it and don't want to know anything in advance then don't read any further - although I've tried hard not to include any spoilers.

Firstly the theatre is tiny... and I mean really really tiny! When they said in the promo video 'you're going to be up close and personal with the audience' they weren't kidding. The stage area is incredibly tight and all the audience are within a few feet of the actors.

The scale of the theatre really gives the sense that you're 'in the room' with what's happening and adds to the sense of tension as the play builds. It also means that you can see the actors every expression and movement and they don't need to project/act up in the same way as you would in a large normal layout theatre. My personal view is that this suited Shaun's more minimal nuanced acting style really well - it was almost like acting for the camera.

The play is just under 90 minutes and is intense, quite complex, and dialogue heavy but the pacing is incredible and the 90 minutes disappeared in a flash. Shaun is on stage for pretty much all of that time and much of the dialogue and interaction happens between Kazan and Miller. The set, props and lighting are very minimal but work well and support the interactions (the scrabble scene near the beginning is great and sets the play up really well).

All four actors are absolutely brilliant but Shaun and Michael Aloni's performances are truly stunning. Shaun really does hold the entire piece together but without overwhelming or detracting from any of the other performances. Whilst it is intense there are some small moments of comedy and Shaun, in particular, plays those really well.

I enjoy plays with small casts as I think you get far more from the relationships and interactions and this is an absolute case in point. The details and nuance of the way the characters interact build a picture of their relationships that support and help move the play along and I think also build a genuine sense of empathy with the conflicts at the heart of the play. I went into it with a clear view of what/who I thought was right and wrong but the script and performances really made me reconsider my views throughout - and I'm still questioning how I feel about it 24 hours later.

Whilst Shaun doesn't look like Kazan (Aloni truly becomes Miller in an uncanny way, and similarly Jasmine is compelling as Monroe - not an easy ask), he is really convincing and plays him with a charm and charisma that gives a fully rounded view of him as a man and the choices he made, where it could have been easy to play him as a more two dimensional 'bad guy'.

I absolutely loved it and really hope it gets the praise and attention it deserves. Its one of the best pieces of theatre I've seen - and I go to a lot!

I'd highly recommend getting to see it - or paying to stream when its available.

Just as a side note: The play covers a lot of ground and refers to quite a lot of detail of Miller and Kazan's lives in particular. My personal view is that you get more from it if you already know the overall chronology of what happened in that period and also understand the basics of Kazan and Miller. I'm sure its still very watchable without the background but personally I felt I got a lot more from it from knowing something about the key characters, events and timeline.

[paeliae-occasionally]

hi pae pae!!!

what is your process of designing your maps? and how do you approach lore? how does that brilliant mind of your work to create such fascinating history and complex worldbuilding?

je would like to know the trade secrets pretty pls

p.s. how far along are you on xaeren? if it’s not far enough, im afraid i’m going to have to start protesting soon… 😔

p.p.s. before you say school is taking up your time—understandable. have a great day. keep being brilliant. i just really want more xaeren content.

p.p.p.s. in my head, i imagine xaeren as so mighty fine that there’s an occult in some middle school of a suburban neighborhood with an old classroom turned into a shrine for his feral fangirls to host club meetings simping over him

that’s it’s. that’s all the pspspsppsss i have. miss you! have a great day! cheerios!

Hello Naveena! Lots of questions! We will go through them one at a time.

What is your process of designing your maps?

So with maps I will start by just noting down the history and current function of the city which gives me an idea of style and layout e.g. all of the cities that were part of the Laith’Edrels have lots of circular designs whereas a modern altic city may have more typical alleyways and rectangular buildings Next I plot in the districts of the city, like where the upper class live, where the high streets are etc. I also add any key buildings at this time, like a plot relevant church or a mages tower. Lastly I go back in and draw boxes and house shapes for 2 hours.

How do you approach lore?

A lot of my lore is just a set of stories where I look at a place on the map, or a group of people and go ‘what could have happened here?’ The bigger worldbuilding points like the dissolution came from me wanting to have magical decay from fewer more powerful beings to more less powerful beings, so I needed gods. However it always frustrates me when there are canonically gods in a world who just sit back and ignore the world crashing and burning as one frustrated hero has to fix the problem, so I made a reason for them to be gone

History and worldbuilding

Honestly a lot of my history writing was based off of the large amounts of real life history I read in my free time. Studying how cities and empires develop then putting my own spin on them because magic would change some things. Worldbuilding comes from my maps really. I will label different cultures on the map then come up with myths and legends for that culture, magic specific to them or their ancestors, wars and internal conflict. Then that spirals into pages of notes on the socioeconomic background for Onkairel. It is lots of fun.

���would like to know the trade secrets” she says after writing a whole book with detailed political lore and plenty of depth to the world.

You know the secrets. You also know the secrets to actually writing the book too.

So about Xaeren…

I will be writing the scene where he meets Kell soon so I will tag you in it when I do, but you are right about the school work :( so it may take a little while.

“an occult in some middle school of a suburban neighborhood with an old classroom turned into a shrine for his feral fangirls to host club meetings simping over him”

So you say that jokingly… No, to be fair he isn’t known for his an appearance but he is quite well known in Zairel as an assassin and member of house Hiresias. He is terrifying and intriguing to many because of his unique magic that Lysandri can’t explain so I would not be surprised if there was discussion of him in the lower ranks of Lysandri and Hiresias.

I will write some Xaeren soon. Have a lovely day <3

[dullgecko]

Fabian’s gonna freak the F out when Sklonda shows them Riz baby pics “What do you mean the ball was ever an actual infant!”

He then explains about how he thought goblins were born fully formed or grown like plants or something (sorry I can’t remember what u said exactly in the ask) and Sklonda seriously and with actual concern ask Fabian if he knows where babies come from and if his parents ever gave him ‘the talk’.

Also I was thinking about baby goblins being irresistibly cute and how not a lot of people having seen them; while as their instincts told them to sklonda and pok did keep Riz mostly safely hidden away as a baby but there were times they had to for whatever reason take him out and Riz even then was a curious little guy constantly poking his head out to see the world out of whatever bundle he was in unlike most shy goblin kits.

Goblins are normally notwell liked by other species so sklonda and pok were pretty sure a baby goblin would receive the same treatment.

To their surprise it was the opposite problem, everyone found baby Riz adorable and often overstepped boundaries and personal space, treating him more like an exotic pet than an actual baby.

This all accumulates one day day when a complete stranger goes to grab and hold Riz but before they can either/both sklonda and pok are hissing and growling calling the person a number goblin swear words as they’ve backed up a safe distance away while shielding an overwhelmed stressed out Riz.

Honestly it’s lucky the stranger was noticed before they could actually touch Riz, otherwise they would have learnt from personal experience how much damage a goblins teeth and claws can actually do.

Xx

"What the fuck, he was an actual infant at some point? I thought they were grown like plants." Fabian muttered, squinting his eye at the array of pictures Sklonda had pulled from the photo album. The statement earning an amused snort from Fig who was also sitting at the table perusing the stack, occasionally snapping photos of the cuter ones to add to her personal collection. The rest of their party had left to go procure some lunch, given that they seemed to be staying there for the whole day while Riz tried to sleep off his fever.

He'd picked one of the photos up to look at it closer, flipping it over to see the date on the back since Riz was clearly eating birthday cake in the photo and making a mental note of it for later. Riz tended to be very cagey with personal details about himself so all they'd managed to work out so far was the month of his birthday, now they could actually nail down a specific day.

He jumped slightly when Sklonda put a concerned hand on his arm after the comment, lowering her voice and patting it in a way that was entirely too sincere for his likeing.

"Aw honey, did.... has no one told you were babies come from? I mean, I know your mom is a bit uhhhh-" She waved a hand near her head to indicate the general vagueness that Halarial tended to exist in "-but i thought you would have found out by now. If you have any questions just let me know okay?"

Fabian sputtered, face going red as he sat up straighter in his chair. "What? No of course I know where babies come from. Evidently not goblin babies but you know... the rest."

He waved his hand towards the window before pushing his chair back and standing, heading over to his schoolbag to dig out a book he'd clearly borrowed from the library. "I asked Riz and he said he was never an infant, and i mean the book corroborated his story so i believed him."

Fabian flipped through a few pages, finding one titled GOBLIN in all capital letters and placing it down on the table. "See, there. It says so right there."

Fig leaned across the table to read what Fabian was pointing at, wincing and lifting up the book so she could read the title on the front page. "Dude this is a monster encyclopedia.... from like, fifty years ago."

"Well, i mean, i couldnt find anything else talking about goblin children. This is the only thing that even mentioned them." Fabian floundered, going even redder when Sklonda laughed as she read through the wildly incorrect information before shutting the book and handing it back.

"Oh honey no. They're made like any other baby, more or less, our anatomy is a little different than humanoids but its still the same process. If you're that curious i'm sure i have a pamphlet around here somewhere." Sklonda had to wipe a tear from her eye from laughing so hard "Though I can understand the confusion. You've probably never even seen a kit before. They're so small we try to keep them indoors or hidden out of sight in public because a random seagull could snatch them up. Or people. Gods Riz was so cute as a toddler people were constantly trying to pick him up."

"I mean we still pick him up all the time." Fig snickered, Fabian having sat back down in his chair with a huff and crossed his arms over his chest to pout.

"Yes I'm aware. It was worse when he was little though. Despite my efforts to keep him hidden he just wanted to run around and look at everything." She dug through the album, finding a picture of Riz perched on top of one of the wooden horses on a spring down at the local park. Pok hovering nervously behind him with his hands outstretched just in case he fell.

"We also used to take him to the library a lot but got banned when one of the other parents in the reading room tried to pick Riz up. Pok made a bit of a mess of the floor when he grabbed their wrist to stop them and we got banned."

[bee-devilling]

Oooh, that's so cool! Been a while since I listened to Ride the Cyclone. What's the fic about? And how much angst are we talking about? I am a sucker for angsty fics sometimes, whether or not I'm in the fandom.

The fic is set in an Everyone Lives AU (well, except Karnak and Virgil I guess. They're still very dead) but it goes into some detail as to how everyone is left after the accident. It ranges from temporary disabilities like broken bones, permanent disabilities like amputated limbs, and also not accident-related permanent disabilities, because when your body is under immense stress sometimes you discover shit you didn't realise you struggled with before.

But most of what I've written has been little bits and pieces after these events, some of which include:

All of the choir members learning ASL to communicate better with Ricky (unbeknownst to him, at least for the first while). Some members were fluent already (Specifically Constance. Noel would also sort of be in this category, but the second anyone tries to fingerspell something longer than 3 letters, he gives up.), some knew bits of it, like "please", "thank you", "yes" and "no", etc. and some were complete beginners. But they realised after the accident that Ricky has a lot to say, even if it wasn't verbally, and they wanted to bridge that gap. The first thing Ocean's signs to Ricky is a genuine, heartfelt apology for the way she's treated him.

Everyone is just A Little Off after the accident. Nothing big, no major health risks or nothing, and also I haven't quite decided what's happening to who. But one of them is just incredibly twitchy, and it's entirely uncontrollable. Another has levels of brain fog that is really starting to affect their studies. Another has heart palpitations, which took several incidents for them to realise they're not dying, this is just a thing that happens to them now. Not entirely the "came back wrong" trope, they're all basically the same people, but their bodies just didn't quite catch up to being reanimated.

Talia passing away. I feel a little horrible writing it, but I wanted to give her character a bit more respect than what most of the fandom gives her (which is just removing her in the quickest way possible to make room for Nischa) and I feel like letting Mischa grieve is a kinder way to remove her from the story. Also I haven't written the actual chapter in which this occurs yet, but I've written the 3 page letter (could be more, it's not 100% done) Talia sends Mischa to apologise for not telling him about her illness sooner.

Ocean dealing with hEDS after the accident (cos we love giving characters similar disabilities to me), because why not have her learn to stop spreading herself too thin by making a physical barrier in her way to stop her from pushing herself.

Mother-son bonding between Noel and his mom. Because yes, this is the woman who told her son to "dial it back" on his queerness but at the end of the day, it's 2009 in the middle of Bumfuck Nowhere, and I just feel that she wants her son to be safe above all else. Parents go about things the wrong way, but it doesn't make them inherently evil or abusive. Give her some understanding, some empathy.

Some of them just being a little queer. Or a lot queer. Noel fucking around with his gender expression, wearing dresses and makeup (though maybe not as risqué as the Monique Gibeau outfit), Ricky and Penny using each other to test out new pronouns, also I read a fic (I'll tag the writer if I can find it again) where Penny/Jane uses the name PJ and I wanna steal that idea so bad, I love it. Ocean cutting her hair short and wearing the "boys'" St. Cassian uniform (Butch Ocean is not a want, it's a need)

Anyway this is all I can remember right now, I'm sure there's more I could add. Thanks for the ask :D

[murkymurgoo]

So… Yeah.

[lucalicatteart]

Poll adventure (paventure? lol) Day 8: !!NOTE: this is different from the past polls - rather than choosing a story action, you're picking supplies to craft a little makeshift boat (EX: wood will be the main platform, so there should likely be the most of it, however, if there were 100% votes for branches and 0% votes for rope, then it'd just be a pile of wood held together by nothing - keep them balanced reasonably, etc.))

(✦ see past poll results + further information HERE (link) ✦)

The winning option of yesterday's poll was that the adventurer should get around the barrier by crafting a little boat to take a river detour….

~

Finally crawling out of his hiding spot in the brambles, he meticulously brushes the leaves from his clothes and composes himself, now fully focused on his generic traveler's map of the area... After checking it about 500 times just to make sure he isn't confused, he determines that going down the nearby river would likely still get him where he's trying to go, and hopefully be much less treacherous than wandering through haunted forests or confronting the stern gaze of the barrier guards..

It only takes about 10 minutes of following a narrower rocky path off the main road to reach a nice shaded spot of land next to a small river. He kneels in the grass, eagerly rummaging through his backpack for supplies, in addition to whatever he can scavenge from the edge of the woods. The rush of excitement slowly dissipates however, once he realizes that he.. actually.. might not know how to make a raft as well as he thought... Surely it's quite straightforward, no? Just.. make it look like it does in picture books?? There are no rules, as long as it floats, it works! Probably anyone could build one on intuition alone! ... maybe...???

.. Once again sinking into a cloud of anxiety, he slumps over, staring at the pile of materials with teary eyes, doubtful what to even do next.... How should he build the raft? Help him by using the poll to choose the appropriate amounts of materials (determined by final % of votes in that category)!

[backpackofposts]

Similar to how the Minecraft cave spider is slightly smaller than the average spider model, I think glow squids should have a smaller model than the normal squid

[woolydemon]

the way my nitw obsessed teen self obsessively edited nitw wiki pages to the point that u can see I'm one of the top contributors for several pages even still to this day

[neverendingford]

.

[esleep]

i actually do kinda like delivering groceries on the side because it gives me such a unique cross-section of the community. i never know whose groceries im shopping for until i finish the delivery and see them/their home and it's like it adds more detail to the picture of who they are. the baby supplies going to the apartment that i know for a fact is one bedroom (they'll be moving soon - i bet they're apartment hunting, i hope they find a place). the new cat litter box, bowl, and kitten food going to the house covered in "i <3 my dog" paraphernalia (a kitten definitely showed up on the porch recently and made itself at home). the fairly healthy boring grocery order that includes an incongruous tub of candy-filled ice cream going to the home of an elderly woman with toddler toys in the yard (it's clearly for her grandkids, whom she sees often).

shopping for someone else's groceries is a fairly intimate thing. i've bought condoms and pregnancy tests, allergy medicine and nyquil, baby benadryl and teething gel, a huge pile of veggies paired with an equally huge pile of junk food, tampons and shampoo and closet organizers and ant traps and deodorizing shoe inserts and a million other little things that tell a million different stories in their endless combinations. one time someone had me buy one single green bean. i messaged them to confirm that's actually what they wanted, and they said yes - neither of them liked green beans very much, but they had a baby they were introducing to solid foods, and they wanted to let him try one to see if he liked them. another time i had someone request 50 fresh roma tomatoes - not for a restaurant, but for a person in an apartment. the kitchen behind them smelled like basil and garlic when they opened the door. another time i brought groceries to three elderly blind women who share a house. that was one of the few times i have ever broken my rule and gone inside a place i've delivered to, because they asked if i could place the grocery bags in a specific location in the kitchen for them to work on unloading and there was no way i was going to refuse helping.

i gripe about the poor tippers, but people can also be incredibly kind. one time i took shelter from a sudden vicious hailstorm inside an older lady's home in a trailer park, while i was in the middle of delivering her groceries. we both huddled just inside the door, watching in shock as golf-ball-sized hail swept through for about five minutes and then disappeared. she handed me an extra $10 bill on my way out the door.

when covid was at its deadliest, people would leave extra (often lysol-scented) cash tips and thank-you notes for me taped to the door or partially under the mat. i especially loved the clearly kid-drawn thank you notes with marker renderings of blobby people in masks, or trees, or rainbows. in summer of 2020 i delivered to a nice older couple who lived outside of town in the hills, and they insisted i take a huge double handful of extra disposable gloves and masks to wear while shopping - those were hard to find in stores at the time, but they wanted me to have some of their supply and wouldn't take no for an answer.

anyway. all this to say people are mostly good, or at least trying to be, despite my complaints.

[ambrosiagourmet]

I want to talk about why I think this is the one of the most important Falin panels:

So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.

In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.

At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.

And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.

Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.

If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.

We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:

So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.

Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."

So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.

However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.

Isn't that the same thing?

No, no it very much is not.

Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:

Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.

But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.

If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.

Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.

Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.

Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.

We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.

And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.

So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.

It doesn't seem like Falin has ever confronted any of it directly.

And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:

Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.

And this is something Falin embraces, too. She comes back to life, after all.

We see her choose to come back to life.

And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:

Do you want to eat more?

There is a double meaning in the Winged Lion's final words on the next page.

When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.

But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.

And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.

It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.

[physalian]

How to Make Your Writing Less Stiff Part 3

Crazy how one impulsive post has quickly outshined every other post I have made on this blog. Anyway here’s more to consider. Once again, I am recirculating tried-and-true writing advice that shouldn’t have to compromise your author voice and isn’t always applicable when the narrative demands otherwise.

Part 1

Part 2

1. Eliminating to-be verbs (passive voice)

Am/is/are/was/were are another type of filler that doesn’t add anything to your sentences.

There were fireworks in the sky tonight. /// Fireworks glittered in the sky tonight.

My cat was chirping at the lights on the ceiling. /// My cat chirped at the lights on the ceiling.

She was standing /// She stood

He was running /// He ran

Also applicable in present tense, of which I’ve been stuck writing lately.

There are two fish-net goals on either end of the improvised field. /// Two fish-net goals mark either end of the improvised field.

For once, it’s a cloudless night. /// For once, the stars shine clear.

Sometimes the sentence needs a little finagling to remove the bad verb and sometimes you can let a couple remain if it sounds better with the cadence or syntax. Generally, they’re not necessary and you won’t realize how strange it looks until you go back and delete them (it also helps shave off your word count).

Sometimes the to-be verb is necessary. You're writing in past-tense and must convey that.

He was running out of time does not have the same meaning as He ran out of time, and are not interchangeable. You'd have to change the entire sentence to something probably a lot wordier to escape the 'was'. To-be verbs are not the end of the world.

2. Putting character descriptors in the wrong place

I made a post already about motivated exposition, specifically about character descriptions and the mirror trope, saying character details in the wrong place can look odd and screw with the flow of the paragraph, especially if you throw in too many.

She ties her long, curly, brown tresses up in a messy bun. /// She ties her curls up in a messy brown bun. (bonus alliteration too)

Generally, I see this most often with hair, a terrible rule of threes. Eyes less so, but eyes have their own issue. Eye color gets repeated at an exhausting frequency. Whatever you have in your manuscript, you could probably delete 30-40% of the reminders that the love interest has baby blues and readers would be happy, especially if you use the same metaphor over and over again, like gemstones.

He rolled his bright, emerald eyes. /// He rolled his eyes, a vibrant green in the lamplight.

To me, one reads like you want to get the character description out as fast as possible, so the hand of the author comes in to wave and stop the story to give you the details. Fixing it, my way or another way, stands out less as exposition, which is what character descriptions boil down to—something the audience needs to know to appreciate and/or understand the story.

3. Lacking flow between sentences

Much like sentences that are all about the same length with little variety in syntax, sentences that follow each other like a grocery list or instruction manual instead of a proper narrative are difficult to find gripping.

Jack gets out a stock pot from the cupboard. He fills it with the tap and sets it on the stove. Then, he grabs russet potatoes and butter from the fridge. He leaves the butter out to soften, and sets the pot to boil. He then adds salt to the water.

From the cupboard, Jack drags a hefty stockpot. He fills it with the tap, adds salt to taste, and sets it on the stove.

Russet potatoes or yukon gold? Jack drums his fingers on the fridge door in thought. Russet—that’s what the recipe calls for. He tosses the bag on the counter and the butter beside it to soften.

This is just one version of a possible edit to the first paragraph, not the end-all, be-all perfect reconstruction. It’s not just about having transitions, like ‘then’, it’s about how one sentence flows into the next, and you can accomplish better flow in many different ways.

4. Getting too specific with movement.

I don’t see this super often, but when it happens, it tends to be pretty bad. I think it happens because writers feel the need to overcompensate and over-clarify on what’s happening. Remember: The more specific you get, the more your readers are going to wonder what’s so important about these details. This is fiction, so every detail matters.

A ridiculous example:

Jack walks over to his closet. He kneels down at the shoe rack and tugs his running shoes free. He walks back to his desk chair, sits down, and ties the laces.

Unless tying his shoes is a monumental achievement for this character, all readers would need is:

Jack shoves on his running shoes.

*quick note: Do not add "down" after the following: Kneels, stoops, crouches, squats. The "down" is already implied in the verb.

This also happens with multiple movements in succession.

Beth enters the room and steps on her shoelace, nearly causing her to trip. She kneels and ties her shoes. She stands upright and keeps moving.

Or

Beth walks in and nearly trips over her shoelace. She sighs, reties it, and keeps moving.

Even then, unless Beth is a chronically clumsy character or this near-trip is a side effect of her being late or tired (i.e. meaningful), tripping over a shoelace is kind of boring if it does nothing for her character. Miles Morales’ untied shoelaces are thematically part of his story.

Sometimes, over-describing a character’s movement is meant to show how nervous they are—overthinking everything they’re doing, second-guessing themselves ad nauseam. Or they’re autistic coded and this is how this character normally thinks as deeply methodical. Or, you’re trying to emphasize some mundanity about their life and doing it on purpose.

If you’re not writing something where the extra details service the character or the story at large, consider trimming it.

—

These are *suggestions* and writing is highly subjective. Hope this helps!

[salemlunaa]

VOID STATE: LAZINESS IS A DISEASE, GET WELL SOON 🧸

get your ass up and get your dream life

*mild tough love because some of you need this*

so alot of people go on about how they procrastinate the void and shifting to their new reality because of fear. but alot of you do not want or care to admit that , you’re just too fucking lazy. And to that i say seriously?? You know that you can have ANYTHING, absolutely ANYTHING and EVERYTHING you dream of, with just a trip to the void state and yet you hold it off. “I’ll do it tonight” you say, even though the most groundbreaking thing you have done today was scrolling through your phone on this app and others (which is time that could have been spent tapping in). You torture yourself scrolling through tiktok and instagram, looking at others from afar with jealousy wishing you had their lives. You add posts into your favourites telling yourself “i’ll have that life someday”, “i’ll have that body soon”, “when i shift i’ll be as pretty as her” (when you could literally have all that and better RIGHT NOW) You insert yourself in different narratives, shows and groups you wish you were apart of, when you could literally shift to a reality where you are there.

you don’t have to look at them with jealousy

you dont have to get upset about your shitty life

you don’t have to imagine

you don’t have to want for anything

you don’t have to yearn, long, desire

it can be yours, if i’m honest you should be more excited about this, scripting anything you could ever possibly dream of, even the little details, and they could be YOURS. you should start being so much more excited about this, about your dream life, like seriously. And that excitement about having everything should motivate you to tap in. Instead your lazy ass has adopted a loser mentality, doing absolutely nothing all day telling yourself you’ll “try at night” and when you don’t get in you repeat the cycle. You abandon responsibilities telling yourself it doesn’t matter because “youre gonna shift anyways”, and you don’t even put in the actual effort. It’s a very dangerous cycle to go down and you can go from moving round that cycle once to doing it 30 times and before you know it you’ve spent a month in this rut.

you don’t have to wait until the night and you know that so don’t give me bullshit. Take those limiting beliefs away and do it at any time of day when you get the chance.

Do you know how lucky you are to even have the access to learn about this shit. There are probably so many people much more disciplined than you, that would do so much with this information, who don’t even have access to the internet or any outside resources to even reach this sort of information and you’re fucking wasting your days lurking on this app. doing what? And it’s sad because, this community is so small meaning you are here for a reason my love, all that shit you went through and didn’t deserve, you looked at it all and knew there was more out there for you, knew that you were deserving of more. And i’ll be dammed if your lazy ass ruins it for yourself.

You have overcomplicated the void so much to the point where you’re scared to “fail” and “let yourself down” so you put it off and say you’ll “do it later”. Now remember, you cannot fail the void, you cannot fail something that is inside you, something that IS you. What you fail to do is stand firm in the fact that you’re a god and can do anything, everything is easy for you so get off your ass and go shift.

i just HAD to 🤭 @smellofemale

you deserve everything, and you CAN, in fact, have it all. JUST DO IT 🥥💋

[snowballseal]

How they react to you feeling insecure (LaDS)

Summary: How the Love and Deepspace boys react to you feeling insecure about various things. Includes Rafayel, Sylus, Zayne, and Xavier. Lots of fluff.

Word Count: they're all around 1000 roughly

Note: Warnings of different kinds of insecurity, ranging from physical to mental. I'm not sure of how well the Xavier one turned out, he's harder for me to write, but I couldn't leave him out!!! Anyways, hope yall enjoy!

Rafayel

His ended up being a lot longer, so it's posted separately.

here

--

Sylus

Being partners with Sylus is a…daunting position to be in.

You always considered yourself a fairly average person, more focused on who you are than what you look like. It’s not that you don’t like the way you look - you do - and you don’t like comparing yourself to anyone, but you don’t plan on being a model anytime soon. And there’s nothing wrong with that.

Then you met Sylus, a man who looks like he was carved from the marble of ancient architecture. He could stand in a room of masterpieces and people would still look at him instead of the art. And since you’re by his side now, that means they’re also looking at you.

Being stared down by wanderers in one thing. Being stared down by the most powerful and prevalent members of the N109 Zone? You hate to admit that it gets to you. In fact, it gets so under your skin, that even when you’re dressed in the most extravagant dresses and decadent jewelry, you can’t help but feel…insecure.

Twisting in front of the mirror, you eye every detail of the dress Sylus bought you. It’s perfect, of course. The man has an annoying knack for getting you the most beautiful things and knowing exactly what fits you. The color compliments your hair and it’s comfortable to boot.

Still. You can’t help but feel like a kid trying to fit in at the adults table, wearing your mother’s heels even though they don’t fit. A bit ridiculous.

“Do you not like it?” Sylus appears behind you, dressed in a matching, lavish suit. 

You jump a little, eyes flicking up to meet his in the mirror. His eyes burn into you, reading the hesitation on your face as you curl your arms around your stomach. There’s no fiery retort or witty comment like usual. You just look back at your dress, the tips of your ears tinging pink.

A frown pulls at Sylus’ lips, his voice softening, “What’s wrong?”

“...Do you really think people believe us? That we’re together?” You ask quietly, shuffling your weight back and forth. “That I’m a good match for you?”

You’re keenly aware that you’ve never had a conversation like this with Sylus. For the most part your relationship has been filled with teasing and playful bickering. It’s always light. Or about work. This is new, and while you trust him more than anything, you hate not knowing how he will react.

Sylus hums, low and thoughtful, as he curls his arms around you, “Does it matter to you what others think?”

You let out a sigh, leaning back into his touch thankfully. You want to say no. You want to keep up the air of confidence, but that quiet voice of doubt keeps worming its way through your thoughts.

“I just…I feel like I’m not what people expect. And…” you try to explain, hesitating. Sylus presses a kiss to your shoulder, offering a hum of encouragement. Taking a deep breath, you add, “It bothers me. It feels like I’m being forced into the spotlight but I’m not meant to be there. Like I don’t fit.”

“Hmm, so you feel like an odd duckling.” You give him a small jab, and Sylus chuckles. “My apologies. I think you misunderstand the attention though.” He pulls you closer. You shiver as his lips trace along the crook of your shoulder, pressing delicate kisses up the side of your neck, until he can murmur lowly into your ear, “You’re too humble, kitten. When you walk into a room, all eyes turn to you, not out of judgment, but out of jealousy. Afterall, you’ve tamed the leader of Onychinus. Even if you walked in with your uniform, they’d look at you the same. And I get the pleasure of walking around with the most powerful-” He presses his lips to your jaw. “-beautiful-” His lips trace against your cheek. “-woman of Linkon City. Don’t let the attention of those lesser than you make you doubt, otherwise I might have to find another way to show them just how well we fit together.”

Sylus’ eyes catch yours in the mirror again. They’re dark, like coals surrounded by flickering cinders. So intense you can almost feel the flames licking along your skin. There’s not a doubt in your mind that he’s being genuine. And that sets your heart racing. Along with the way he holds you so close, equal parts possessive and reverent. Like worship.

“Your devotion might scare some people, Sylus,” you whisper, glancing sideways at him.

He flashes a dangerous smile, “Does it scare you?”

You cast one final glance at your reflections before turning around in his hold and curling your arms around his neck. Sylus raises a challenging brow.

“I’m not. I like how you stand up for me, even when it’s against my own insecurities.” You draw him down, pressing a kiss to that carnal smile. Sylus softens immediately, cupping your jaw to draw you into a deeper kiss. The warmth that simmers in each and every touch leaves you a little breathless when you pull away. Pressing against his chest before he can drag you in again, you make sure to say one last thing, “Thank you, Sylus. I’ll make sure to remember all of that…especially the part about you being wrapped around my finger.”

“Hmm, such a cruel mistress, indeed.”

“And you love me.”

A chuckle rumbles through his chest, “Yes, I do. So, will you accompany me to this auction now?”

---

Zayne

“Are you sure it’s okay that I’m going?” You ask, voice wavering with nerves as you straighten Zayne’s tie for him.

“Isn’t it natural to bring one’s partner to these kinds of events?” He tilts his head, brow perked ever so slightly.

You nod, but can’t seem to erase the frown on your lips.

A week ago, Zayne had asked if you would accompany him to his medical school’s class reunion banquet. He had been asked to give a special word, given the reputation he had developed in his time at Akso Hospital, not to mention winning the Starcatcher Award for his work.

At first, you were ecstatic to have an opportunity to learn more about his old life. He has such a thing about living in the present, you hardly get to hear any stories about his time in med school, or when he was doing rotations at the hospital. You were eager to meet the people who he used to spend time with and hopefully catch a few stories you could tease him with later.

But as the night drew closer, you started actually thinking about all the people you would be around, all of whom graduated from the same medical program Zayne did. You can only imagine how smart they all are. And how you’ll get lost the moment any medical jargon comes up. 

The more you think about it, the more nerves you feel buzzing under your skin. You know you’re not the smartest, not compared to Zayne at least. He’s a genius, after all, and could probably outsmart most anyone. You’ve always been better at the physical stuff. That’s what makes you such a good pair. 

It’s not like you can impress everyone by whipping your gun out and fighting, though. All you’ll have are your words, and you’re not particularly good with those…

You blink when a large hand suddenly circles your wrist. Glancing up, you find Zayne looking down at you, brows furrowed ever so slightly.

“While I appreciate your attention to detail, I believe you’ve been straightening my tie for five minutes now.” Heat creeps up your neck. You hadn’t even realized you had been lost in thought. Zayne’s eyes narrow inquisitively.  “What are you thinking about that has your mind so preoccupied?” 

His thumb brushes casually along the inside of your wrist, not so subtly checking your pulse. A strangely endearing habit of his when he’s worried about you. You let out a long sigh and hide your face against his chest, feeling the heat bleed across your cheeks.

How are you supposed to tell him that you’re insecure about how smart all his friends must be?

Zayne doesn’t push right away. He knows you’ll explain when you want to, and if you don’t, then he knows you’re not ready to. It was an unspoken rule between you, something you started with him because you noticed he likes to think his words out. It felt natural to offer you the same when you struggle to express yourself. Like now.

Ultimately, you figure it’s better to just be straightforward. That’s how he would do it, and it’s better than dancing around the subject.

“I guess I’m nervous because I feel like I’m going to be the dumbest person in the room tonight,” you mutter against his coat. Your fingers tap out an anxious beat against his abdomen. “It’s silly and I know it shouldn’t matter, but I just don’t want to make you look bad.”

Zayne remains quiet for a long minute. Your fingers move a little quicker, matching the stuttering rhythm of your heart. His hand slides up, gently trapping them against his body.

“Sorry,” you mumble.

“Physical tics are a common result of anxiety,” he hums dismissively, thumb smoothing over your knuckles. “As is your rapid heart rate. This truly bothers you.”

“Of course it does,” you sigh, a bit exasperated, ”You’ve worked hard to get where you are, Zayne. I love you so much, and I respect your work more than anything. I don’t, I don’t want to say something stupid and have it reflect on you badly.”

The doctor clicks his tongue, “First, I would prefer if you stop using that language to describe yourself.”

Your heart falters when his cool fingers touch your cheek, drawing your face up to his. He looks upset, but not exactly at you, the sharp line of his jaw contrasting with the softness of his eyes. Like it pains him that you think this way. Which it does.

“Those words don’t suit you. I wouldn’t allow another to call you them, so why would I allow you to?” He asserts, the corner of his lips twitching with distaste. “I don’t want to hear them again, do you understand?”

“Okay.” A thread of warmth curls around your heart when Zayne nods approvingly. His protectiveness really knows no bounds.

“Second, I do not agree with your diagnosis.” 

Your brow furrows a little. What? What does he mean, he disagrees? He’s literally surrounded by geniuses, you can’t match up to any of them if they’re anything like him. 

Seeing you start to overthink, Zayne shakes his head and gently pinches your cheek. You jolt back a little. The corners of his eyes crinkle, making you pout.

“Meanie,” you grumble, “Fine, explain your reasoning, Doctor Zayne.”

“It’s simple. Intelligence is made up of more than just academic knowledge, which, I assume, is what you are thinking of when you make such comments.” You nod. He’s not wrong about that, you guess. “Intelligence also includes the knowledge of how to use one’s strengths to achieve the best outcome. It is true that for some, this means using academic reasoning. However, it also includes those who develop the skills and discipline to maintain their bodies and fight for those who can’t, like…”

He pauses and gives you an expectant look.

“...me,” you finish slowly.

“Yes,” he hums, stroking the redness of your cheek, “I believe, under these standards, you are far more intelligent than most of the people you will meet tonight, darling. Though there is no comparison in the first place.”

His words sink in slowly but surely, filling in the cracks of your doubt. If you didn’t know better, you’d say he probably has some kind of healing magic, because you can already feel the burden of your insecurities melting away.

Leave it to Zayne to know exactly what to say, but in the most complex sounding way.

“You always know how to make me feel better, huh?” You ask, finally cracking that smile he loves.

“I am simply telling you the truth.” Zayne leans down, pressing a lingering kiss to your forehead. “There is not a lifetime in which my reputation will be more important than you. I would gladly throw it all away if it meant reminding you of that.”

You snort, “Don’t do that, please. I can only imagine the fit Doctor Greyson would throw. He’d be so mad at me.”

“I can handle Doctor Greyson, in the same way I can handle everyone tonight.” He slips his fingers between yours, bringing your hand up to kiss your knuckles. You wiggle your fingers  happily and Zayne can’t help but grin to himself. “If at any point you find yourself uncomfortable, just stay by my side and I will act as your distraction. Though, I’m sure they will all love you, just as I do.”

“...Thank you, Zayne.”

“Of course, my jasmine.”

---

Xavier

Working with Xavier is a blessing, as much as it is a curse. You couldn’t ask for a better partner. Someone who you know will always have your back, who can handle himself completely, who is probably the most talented hunter you’ve ever met in your entire life. He’s undeniably amazing.

On the flip side of that, though, you often fall into the trap of thinking about how he deserves better. Wondering if, maybe, the only reason he chose to stay with you was because of the aether core in your heart. If that’s also the reason you’re in a relationship now…

And some days, these thoughts win out over the rest. Like today.

“What’s wrong?”

You blink, eyes flickering up from the bowl of ramen in front of you. Early on, you had started a tradition of eating a meal together after a successful mission, to just enjoy the peace of your home and each other. But today, you weren’t feeling that hungry, just…tired.

Xavier tilts his head, concern furrowing his brow - he noticed your mood start to shift days before, but didn’t want to push since you didn’t seem to notice it yourself. Now, though, it’s too obvious for him to ignore.

“I’m fine,” you sigh, flicking your chopsticks back and forth to watch the noodles swirl around in the broth, a small frown capturing your lips. It’s a horribly obvious lie.

“Is it something I did?” His voice isn’t accusatory or upset. It’s just a rational question to help him figure out what’s wrong. Still, you feel guilt tug at your chest, and you set the chopsticks down with another sigh.

You don’t want him to think that. You’d never blame Xavier for something like this. That would be like asking him to be a worse person, which is stupid. It’s just you. Your problem. Dragging him into it will only make you feel worse.

“No, Xavier, you didn’t do anything, promise. I’m not upset…with you.” 

“But you are upset.”

Chancing a glance up at him proves a bad idea, making it all that more difficult to keep your thoughts quiet. Behind his normal sleepy expression, worry gleams in the deep blue of his eyes, unyielding and undeniably calm, like waves lapping gently at the beach. 

The sight makes your heart ache and the words are tumbling out of your mouth before you can stop them, “Do you think I’m actually a suitable partner for you?”

Surprise flickers across the hunter’s face. Of all the things he was expecting you to say, that wasn’t even on the list. He doesn’t laugh though, or take your question lightly.

“Do you mean, as a hunting partner? Or as a romantic partner?”

You shift uncomfortably, eyes falling back to your ramen, “I don’t know. Both, I guess?”

He hums softly. You try to ignore the nerves fluttering in your chest as Xavier gets up, watching him out of the corner of your eye as he circles the table to stand next to you. The hunter drips his head, catching your gaze.

“May I see your hand?”

A small frown pulls at your lips, not exactly sure where he’s going with this, but you offer him your hand anyways. Xavier takes your wrist, touch featherlight, and moves it so your hand is held up flat, facing him. Your brow furrows.

“Xav-”

“Look.” 

Pursing your lips, you let out a little huff. He really hates giving direct answers, doesn’t he? Still, you’re in no place to really judge him, or expect anything for that matter. He’s always been a bit of a mystery to you.

You watch as Xavier places his hand against yours. His palm is warm and you can feel the calluses from who knows how many years of hunting. Your hand looks tiny in comparison, his pale, delicate fingers long enough to curl over your own a little. The sight makes your heart squeeze, fondness competing with the feeling of being so…small.

“They’re pretty different,” Xavier hums, voice still calm, his own eyes fixed on your hands. “Your fingers are always cold, and your hands are small. You have a scar here.” His free hand grazes the side of your palm, along your pinky. “And here” He traces another along your knuckle. Your breath falters at the tenderness behind his touch, like you’re delicate porcelain. “Mine are in different places. Yours are skilled at weaving silk balls and mine can…open jars.”

You snort. Xavier’s eyes dart up to yours, sparkling with humor, a brow raised. You try to smother your laughter, rather ineffectively, and motion for him to continue.

“They’re different, but-” His fingers spread apart, and you mimic him instinctually, only for his fingers to slot between yours in one fluid motion. You inhale softly, laughter dying in your throat. It’s like two puzzle pieces fitting together, a perfect embrace that washes over you with a comforting warmth.

Xavier watches you, keenly aware of the way you squeeze his hand tightly, desperately, like you’re worried it might disappear. He gives yours a tender squeeze in return, thumb brushing over your knuckle.

“I think they’re a suitable match. Don’t you?”

God, how could you go without this man? The worries that have been pricking at the back of your mind all week seem to melt away. It leaves you with that warmth, the kind that only comes from Xavier, that he offers you over and over again.

You give his hand another squeeze, finally smiling, “Yah. I do…Thanks, Xavier.”

The hunter leans down, pressing a sweet kiss to your forehead. You can feel his lips brush against your skin as he murmurs, “Let me know if you ever feel this way again, angel. I’ll be more than glad to remind you.”

“I will.”

---

This was really fun to write!!! I really hope you guys like it! There are so many freaking tags on this puppy.