#I do enjoy this job

[hiddenbysuccubi]

Me, fretting because I talked to HR about Stuff: .... Me, subsequently getting to go home on the earlier bus from now on and never having to worry about my coworkers not doing any of their shit and not having to do it for them ever again: !!!! My manager and I both sharing stories about being in management and having workers coming in drunk or on drugs on us: alfjdoihhaoihgoi My manager giving me a bottle of the homebrew beer he and his wife made: what is reality.

[thepictoblr]

Woke up last night, barely remember writing this, went straight back to sleep

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[dangans-ur-ronpas]

happy pride month

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[ruushes]

was going through old art and remembered i had a phase of trying to paint my weird dreams, this one kind of rules actually?

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with

[tetsuskei]

faves who fuck the sadness out of you and won’t stop until you’re crying solely from pleasure and the love you have for them

[skunkes]

[toxooz]

workin man (orc)

[ohitslen]

Living together.

The snail video if you are interested :)

[nicolajpg]

Dragon Age: The Veilguard + tumblr text posts

[stevebabey]

this is pure stupid hell crack that took more time than it should’ve to finish BUT i’m ready 2 release it from my drafts <3 this is actually technically written partially w @corrodedcoughin in mind bcos i think u will mighty enjoy it! for cockney eddie!

It comes with the territory, the accents.

Drama kid or dungeon-master, either one could be credited with contributing heavily to his affinity for all of Eddie’s little voices.

There was the deep, low raspy one reserved for trolls in campaigns — and a nasally high one he used for goblins to pair. Wise wizards giving out crucial advice sometimes had a strong Scottish drawl to their words. And Dwarfs? Always English.

So, yeah, Eddie has a couple different accents in his different repertoire. Pulls them out as he needs — a regal tone when referring to Hawkin’s very own royalty or a buried Southern twang used when he’s in trouble with Wayne. The most common is a shoddy Cockney accent for when any conversation dips too far towards awkward or boring.

It's why it's not so surprising anymore when they just... slip out sometimes.

He's learned more now, when specifically not to do it (Mrs. Donnell had not found his plea for a re-sit, in a heavy Irish accent, endearing in the slightest). But with friends who know Eddie, they know the accents come along too.

Steve fucking loves them.

The first time one had taken over his voice, some New Yorker twang to carry a joke, Steve had laughed so hard he’d snorted. And god, had Eddie lit up at the noise— loved knowing that, deep down Steve Harrington had a delicious wonderful ugly laugh that he only showed to people he trusted.

Basically, it’s hardly news to Steve then, all of Eddie’s little voices.

But well, even Eddie didn’t expect… okay, the truth is he never expected to be in this situation at all.

It’s a Wednesday evening when it happens. Steve is over round the trailer like he is every Wednesday, keeping Eddie company while Wayne is out on the double night shift.

It originally had started out as ensuring wounds were checked and dressed properly — considering half of them had scaled up his back, where Eddie couldn’t reach — for the both of them. Then, when technically Eddie could manage the worst of his words, Steve was still coming around. Dustin’s insistence, he’d said.

Then it was… because Eddie asked Steve to come around, to stay a little longer.

So, Steve Harrington is in his kitchen and it’s a Wednesday ritual that they have together and that’s not even the weird part of the evening.

(And somehow, neither is the fact that Steve is, as of a few months ago, his boyfriend.)

Steve’s cooking. Something simmers low on the scarlet glowing hob, bubbling quietly and releasing aromas of spices that percolate into the Autumn evening air.

Eddie feels his stomach growl in its own twist of hunger as he follows his nose. With one hand still scrubbing a towel against his wet hair, he ambles down the hall, fresh out the shower, ready for love — be it the form of food or, he thinks giddily, kisses.

Steve’s not watching the food as Eddie enters, his eyes fixed somewhere across the room. There’s a crease between his eyebrows, an indication of his deep thought.

Eddie grins, approaching without any attempt of being sneaky, (Steve’s as good as comatose when he’s distracted as he’d found) and jabs his boyfriend’s calf with his toe.

“Thinking mighty hard there, Stevie. That’s dangerous.”

Steve jolts, snapping out of his thoughts. He straightens up automatically, then seems to recall the company he’s keeping, and relaxes back down.

He scowls affectionately at Eddie’s barefoot, still jabbing into his leg, and reaches out to flick it with his finger.

“Dickhead.”

Eddie’s faster. He dances away and laughs at the instinctual pout that forms on Steve’s lips.

“What ponders thy mind, hm?” Eddie drawls, a lilt of a Regency style accent in his voice. He sinks into one of the kitchen chairs and drops his task. The towel hangs over his neck, his damp curls resting against it.

Steve seems to jolt again at that, his shoulders rising for a moment. He spins, picking up the wooden spoon beside the stove to swirl the contents of their dinner around. Eddie admires him, broad shoulders and long back, ripe for his taking. Silently, he sighs dreamily on the inside.

“Just… what movie we’re gonna watch tonight.” Steve says unconvincingly. “I’m not doing another re-watch of the Fly.” He adds lamely, an attempt at his usual bitch.

Eddie lets him have it. With one final squeeze of the towel, trying to wring out all the droplets in his hair, Eddie abandons it on the chair as he stands. He waltzes forward, into Steve’s space, and hooks his chin over the other's shoulder.

“You know, that’s what you said last time.”

Steve side-eyes him, his eyes narrowing into a minuscule glare; bitch personified. Eddie grins. Then bats his eyelashes.

It makes Steve laugh, shrugging Eddie’s weight off politely as he gives their dinner another stir. There’s still this tenseness to his frame. Though, maybe it's one Eddie can only notice because he’s paying such close attention.

“Alrightttttt,” He pretends to relent dramatically, his hands coming up to give Steve’s shoulders a quick squeeze. “I’ll let you pick the movie tonight.”

He drops his hands back to his sides, smarmy grin already plastered on as Steve turns to face him, the wooden spoon placed down on the bench.

“Oh, you’ll let me, will you?” He gives this incredulous look, even if there is this playfulness toying at the corners at his lips.

“Uh huh,” Eddie affirms with a severe nod, then begins counting on his fingers as he lists off. “No badgering, wailing, complaining, of any sorts I—“

Suddenly, Steve’s reaching out, his deft hands reaching out to snag the waistband of Eddie’s pyjama pants. It supposed to be a smooth move he’s used countless times before; fingers looped through belt loops to pull a girl in for a kiss. It usually works like a charm.

Except, there’s no belt loops— and when Steve tucks his fingers beneath the waistband and tugs him forward, Eddie shrieks.

“Fucking christ, Steve!” He bats Steve’s hands back without thinking. Steve holds them up defensively.

“Sorry! I was just—”

“What are you doing sticking your hands in my pants?!”

“It was a move!” Steve insists, voice a little whiney. “God, you’re dramatic- I was trying to pull you closer, numb-nuts.”

“Oooh,” Eddie switches up in an instant, hands shooting out to grab Steve’s own. He pulls them forward and settles them on his own waist, shuffling in closer like he hadn’t just shrieked a minute earlier. “Continue.”

Steve chuckles, delight peeking through on his face. His hands, large and slender, curl around the skin of Eddie’s waist and Christ, he’s still not used to that. Eddie’s too focused on repressing his shiver to see the shadow of nervousness cross Steve’s face.

“I was actually thinkin’ about,” Steve starts lowly, eyes skirting off Eddie’s face, over his shoulder. His fingers tighten their grip. “How—”

He sucks in a breath, like drawing in courage, and meets Eddie’s gaze. “About how much I love you.”

There’s the smallest tremble to his voice, giving away the immense emotion behind the words.

And here’s the situation that Eddie never expected to be in, ever. His breath catches, his eyes widen — his heartstrings tangle and knot themselves as he soaks in Steve’s admittance. Love, love, love — he loves me.

His lips part, a raspy noise escaping as he tries to compute, tries to think of anything to say because the longer he stays silent, the more crushed Steve’s expression becomes. And then—

“Well, I luv ya too.”

The words fall out, thick in that godawful Cockney accent.

Steve's face doesn't change but Eddie's does, contorting in an amalgamation of pure cringe and panic as embarrassment crawls beneath his skin. He slaps his hand over his own mouth as if it can take back his awful reply to being told he's loved by Steve.

"I—" He starts, speaking through his fingers, except it still comes out in a funny accent. Eddie squeaks, his grip over his mouth tightening, brown eyes wide in his panic. Oh God, never in stupid silly life has his accents come back to bite him in the ass so magnificently.

"I'm so sorry," Eddie whispers-yells in his regular voice, finally dragging his hands off his face sluggishly. "Jesus H Christ, I didn't— that wasn't making fun of you, I— oh god, you know that happens when I'm nervous sometimes. Shit. Shit, I'm so sorry, Steve."

Steve hasn't moved, his hands still resting on the small of Eddie's waist. His expression is guarded, nothing betrayed. His dark eyes scan across Eddie's face and just before he speaks, the smallest glimmer of amusement glitters across his face.

"Well," Steve begins, heaving a faux large sigh. His hands squeeze comfortingly at Eddie's waist again. Eddie who is still frozen, still cursing himself internally, still echoing around the apparently true fact that Steve loves him— well, maybe not anymore with how awfully Eddie responded.

And then Steve opens his mouth and the most appalling attempt at some accent comes out. It makes his words all garbled and Steve's pink in the face, obviously embarrassed but trying to commit to some shoddy Scottish when he says, "Aye, that's al'right."

Eddie stares at him. Steve stares back.

The moment of silence is broken as laughter seizes him, a guffaw bursting from his lips and holy fuck, Eddie loves him so much. Steve laughs too, the two of them relaxing and sinking into one another. Eddie's hands, previously fluttering and unsure, find their natural place curled in underneath Steve's jaw and when he leans in, he's fighting off his laughter. His grin is unbearably wide, cheeks aching.

Steve's got this shine in his eye, his hands sliding further around to pull Eddie in closer, his pink lips quirked in delight. Eddie practically purrs, so close to kissing him but not quite closing the gap.

"Yep," He says, eyes bright as they bounce over Steve's face to drink in his boyfriend's love-soaked expression. He loves him. Steve loves him. Eddie sounds as lovesick as he feels when he whispers, "It's decided. I think you're it for me, Stevie-baby."

He presses forward, lets his mouth find their home in the curve of Steve's lips. It's warm like nothing he's ever felt before, softened by their gooey-grins of love. It's an in love kiss.

"Even if you're terrible at accents." He murmurs against Steve's mouth.

"Shut up."

Steve hisses, but he’s still grinning. The dinner bubbles behind them, still cooking away behind them. "Like I'm ever going to let you live that down."

Eddie finds he doesn't really mind all that much — God forbid his boyfriend ever remind him they're in love.

"Shut up," He still says, then sticks out his tongue, like he's ten years old. "You love me."

"I do." Steve admits easily, his fingertips dancing along the small of Eddie's back. Eddie has to tuck his bottom lip behind his teeth to restrain his wild grin.

"And I love you." He says, properly this time, jabbing his finger into Steve's chest — so there's no absolutely mistaking it.

[cowboy-robooty]

based on when i said "I dont really like dumbasses. i think being smart is one the things I desire most in people" and then was forced to realize almost everyone im super close to has a room temperature iq

[deoidesign]

For my birthday... read my webcomic! It's literally free! (Unless you want books. Those are not free)

It's beautiful, it's gentle, it's funny, they're canonically t4t and gay... And it's about time traveling vampires solving supernatural mysteries!

I've spent thousands of hours writing and drawing it, and it's really good! I'm not biased!

It's on hiatus right now and coming back in 2 months, so it's the perfect time to get caught up

[ew-selfish-art]

Dp x Dc AU: Tucker gets hired by the JL to work on the Watchtower’s cybersecurity... He might have a few friends visit. 

Batman looked over the application for visitors presented to him by Dr. Foley, who was nervously wringing his hands but seemed excited to talk about his two close associates, and it appeared that everything was in order for the pair to be allotted a short visitation time slot. 

The paperwork was established by Batman himself after all, needing a way to permit non-members (His Children) to visit him at his office in the watchtower. Looking over Dr. Foley’s application, the invites to Dr. D. Fenton and Dr. S. Manson seemed to be somewhat warranted.

Dr. Fenton is a well known astrophysicist and Dr. Foley had been upping the security to reflect more complex physics models as the ‘lock’ mechanism for access to Watchtower servers. Dr. Manson was a more controversial figure in social justice but a biochemist to rival Dr. Pamela Isley, not to mention she was someone Bruce Wayne had met a number of times and not completely hated (though he was sure she hated him and everyone else in the gala). She was a fan favorite guest by his children and a great advocate for animal and human rights. 

Batman approves the application, allowing their visitation for a few hours at a time once a week until the completion of Dr. Foley’s project. 

He doesn’t hear much from it, nor from Dr. Foley, but things start to come down the rumor grapevine that the two guests were more than they seemed. Red Robin was the first to comment on it to him, and as practical and efficient Tim could be, there was a look of chaos in his smile as he discussed the two additional PhDs. He was stingy on details and that always meant something bad for Bruce’s mental health. A few others asked a few questions as to who exactly the pair were visiting, and Cyborg commented that they weren’t really doing too much to assist Dr. Foley. 

Batman decides to intervene and meet these two for himself when he hears Constantine complain (not that the man wasn’t always complaining about something) about the two new magic users being way too OP for normal humans. 

This is how the JL gets to become allied with Ghost King Phantom and Thorn (not Poison Ivy pt.2 as Robin insisted). Turns out they weren’t sure if the JL could be trusted with interdimensional politics, so Tucker spent the last two years gaining their trust to let Danny and Sam up here to ‘check the place out’ before they committed to becoming members. 

Batman doesn’t even get to raise alarms at the espionage of it all because Red Robin has already programed their new badges and welcomed them on with open arms and a project to take down the LOA’s Lazarus Pits “safely”.