#I don't know what I'm doing T^T

[seven-thewanderer]

Dang. Website be hard.

[koiihpon]

Don’t wait up…

colored this panel from @thegunnsara's Back to the Past comic (part 6) :]

the bottom panel was so striking when I first saw it that I just needed to color it heheh sorry it took a while to finish ><

orig under cut vvvv

[puppetmaster13u]

Prompt 115

“Seriously old man?” the rumbling voice nearly caused Tim to jump, his eyes darting away from where Ras was sitting, the Al Ghul almost seeming to perk. It was kind of hard to miss the man… teen… being? It was kind of hard to miss the owner of the voice what with how their hair looked like it was on fire. 

They motioned around at well, everything, crimson eyes looking exasperated. “Really?” They were definitely motioning towards him, interrupting Ras when he opened his mouth to talk. “No, I don’t want to hear it, I swear- Did he kidnap you?” That was definitely aimed at him. 

“N-no?” Tim was feeling slightly unbalanced and may be on hour sixty without sleep at this point, if the hour long nap was counted. “I need help finding my not-dad who's lost in time.” 

The being let out a strangled noise that Tim could nearly swear was almost another one, but couldn’t vocalize his slurred thoughts as the dude muttered something, motioning around as though he was tempted to strangle something or someone. 

Ras cleared his throat, looking almost awkward which was how Tim knew he had to be dreaming or drugged. Probably drugged. “Jordan, how good to see you, it’s been so long-”

“Can it Pops,” the being-named-Jordan scoffed, finger pointing towards the Demon’s Head. “Moms still pissed and isn’t coming back any time soon with you still pulling this shit.” 

Tim felt his brain stall, process for a moment, then process some more over what he just heard before his mouth ran before it could catch up. “Ras is married???” 

[elviraaxen]

I'm probably not the first to admit this but goddamn was I a narcissistic prick when I wasn't on stimulants

[grxceful-ly]

peter bringing mayday with him to do spider stuff because yeah, he had things to live for before--but now he has a child and he is going to raise this child and be there for her and maybe if she’s there, strapped to his chest, he’ll be more careful. he’ll consider his life almost as precious as hers. maybe bringing mayday to work is a precaution. 

[retributory]

gx is so crazy how do you explain to someone with a surface-level understanding of what yugioh is that the series after dm features a hermaphroditic dragon-demon card spirit fusing their soul with the main character, who also has apparently been continually reincarnating for 100s of years with the card spirit's primary goal being to protect him, and when they embrace to fuse he says they shall never part again because they will forever and always from that point on be one jointed soul and body, and also he commits a borderline genocide against the card spirit race (???) and straight up kills some of his friends (they get better), and also there's a character who got his leg broken during an archeological dig and they replaced the broken bone with a dinosaur bone (???) and now he's like part dino and has fucking dino dna (?????????) and they send him to space as his dinosona to destroy a satellite that is about to destroy the earth (????????????), and also one of the teachers in the school (seto kaiba's duel school for dueling) is a homunculus and when he dies his soul (???) gets eaten by his cat and for the rest of the series he is living (?) inside of the cat's body, and also on top of all that theres a cool rival character as expected of a show targeted towards young boys who looks cool but in actuality he's lame as hell like he canonically stinks like shit cause he doesn't wash his clothes and he joins a cult and they get him out of the cult by reminding him that his real personality is being a rancid little stinky smelly bastard loser and no one likes him and he spends the entire series getting completely dunked on and also his main archetype is these things:

and then you have to concede that at the end of the day it is still an anime for a children's card game designed to sell the cards so if you ever try to explain the impact this had on your developing mind at 7 years old you'll sound sick

[arttsuka]

mer mccoy and mer kirk find it difficult to get around out of water, so spock gets them a pair of skateboards

I don't think Bones knows how to use his. Jim learns fast tho.

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[cathodic-clairvoyant]

Oh hi there transfem discussing her experience in the trans community i just had a quick question about your post

What does tme mean?

Oh okay i see i understand, thank you.

What does transmisogyny mean?

Ah I see, I get it.

What's a trans woman?

Oof scary. One last question.

What's a woman?

Thank you for being my own personal google (not like you had anything better to do right?) and derailing the point of your post for my own personal education. I will now add nothing of value to this post in return. Bye bye!

[mechazushi]

Fortitude Privilege {Staring Yu/Na and Base Inspector} (A short story)

After everything had settled down, they let Kafka do what-the-fuck-ever. That also includes snuggling on his boyfriend at anytime during work hours.

Vice Captain Hoshina was the first to leave the training room when Iharu passed by with a new recruit. He was showing her around the expansive base when he was presented with an opportunity to have a down to earth meet-and-greet with the base's second in command.

"Hey! Vice Cap! Good timing. Yunna, this is our Vice Captain Hoshina. Vice-Cap, this is Yunna. She's a transfer from Division Seven." Iharu took the lead on the introductions while the two of them were exchanging salutes. They all began trading questions with each other, busy distracting themselves with platitudes to not notice another person turning a corner and coming up behind Hoshina. A tall, burly, and clearly tired individual shambled up behind the vice captain and slumped over his shoulder unceremoniously, almost knocking him over.

"Oof, Kafka! Is everything okay?" Hoshina said calmly at the intruder. The man he called Kafka just wrapped his arms lopsidedly around Hoshina's left shoulder as he dug his face into the crook of his neck on the right.

" 'M fine. Drained" He mumbled incoherently, sacrificing vowels in his state of exhaustion. He nuzzled his nose affectionately in the curve of Hoshina's neck and took a noticeable whiff. "New cologne's nice."

Yunna, the new recruit, became visibly flushed as she continued to stare on. Iharu was already completely desensitized to this and just continued his conversation with the Vice Captain. Noticing the state of shock on the newcomer, Iharu took a second to explain what was happening.

"This is Kafka Hibino. He's the Captain's and Vice Captain's boyfriend. Everyone has learned to just let him get away with this bullshit." Iharu smiled cheekily at Yunna after he had finished.

"What am I supposed to do when he's like this? Tell him 'No'?" Hoshina said as he crossed his arms. He felt the rumbling of deep throated laughter coming from the man on his shoulder.

"Conveniently leaving out the fact that I'm also a kaiju." Kafka said as he lifted his head a little just to speak clearly. Yunna made a small squeak of surprise as the revelation made all the pieces click into place.

Down the hallway behind Iharu, everyone could hear another person aggressively shouting as they came down their direction.

"Aw, shit." Hoshina whispered under his breath.

"Who's that?" Iharu questioned as he turned around to look.

"Base Inspector. Probably looking for me to bitch about something inane." Hoshina continued. Iharu took that as a sign to whisk the new person off to a different location, sensing a need to disappear before he got themselves caught in possible corporate crossfire. Hoshina prepped his best Resting Bitch Face as the lanky inspector approached viciously.

"Afternoon, Inspector." Hoshina said in a deadpan manner. He took a longer look at the man coming toward him and noticed he recognized none of the man's features.

'Hmm. I wonder if he's new?' Hoshina thought. His hopes were raised a little, thinking that this possibly new base inspector wouldn't have the same stick up his ass like the last two did.

"Vice Captain Hoshina. Just the person I was looking for." The inspector called out. He opened his mouth to begin what was most certainly about to be a mindless rant concerning some slighted offence over some breach in paperwork or protocol, but quickly shut it when he noticed Kafka making no move to acknowledge his presence.

"Well, I was going to bring up your continued disregard to execute less leniency toward how officers structure their reports, but now it seems I should take over instilling basic officer conduct as well." The Base Inspector straightened his square framed glasses and leveled the most demeaning glare at the tired, hairy, lump that had made its place on Hoshina's shoulder.

"Oh, lay off. He said he's tired." Hoshina countered. He was beginning to wonder if a mightier-than-thou attitude was a requirement to being an inspector.

"Lethargy is no excuse for blatant indifference to higher authority." The stringy looking man sniffed haughtily. A threatening, rolling, and loud inhuman growl emanated from Kafka, still not looking up from his place at Hoshina's side. Hoshina chuckled as he ruffled his hair while he talked to him.

"Mind being a dear and head up to Mina's office for a bit? The only adult in the room needs to discipline this child, apparently." Hoshina spoke in hushed tones, sounding incredibly loving into Kafka's ear. Only a more disappointed growling whimper was heard in response.

"You could beg for more cuddles if she's in there." Hoshina sang quietly as he nosed Kafka's hair. The slacked-spined man lifted his head to stare disapprovingly at the unwanted interloper before planting a smooch to his Vice Captain's cheek and walked away, radiating an irritated aura all the way down the hall. The two that were left followed his path and waited for him to turn around a corner before continuing the discussion.

"You do know that having a relationship between a higher authority figure and an officer is prohibited, correct?" The inspector said as he turned back to face Hoshina.

"You know that man has a fortitude rating, correct?" Hoshina snarked.

"Don't you mean an aptitude rating?" The inspector returned wearily.

"No, fortitude." Hoshina reiterated firmly as he stepped closer into the inspector's personal space, " Ya'know, because he's a kaiju and all." The inspector tried not to express it, but he seemed taken aback. first from the clear hostility, then from realizing what Hoshina meant.

The inspector's lips flapped open and closed for a moment before letting slip a small, simple "oh."

"Were you not made aware that we had such a person within our ranks?" Hoshina asked poignantly.

"I was made very aware of such personnel." The inspector said as he adjusted his glasses again, "What I wasn't made aware of was how much leniency he seems to be permitted to have because of such an obscenely paltry standing." The inspector spoke with baseless higher authority, attempting to recover from finding himself on the back step. Hoshina could feel his lips being stretched thin over his teeth as he felt the need to use them to rip the throat out of this obstinate and unwarranted trespasser.

"Then you should have also been made aware of how that man had not only saved the lives of millions, but also saved the planet six times over consecutively." While being shorter than the inspector, Hoshina did a fine job of making it seem like he was towering over the other man.

" As... notable... as those achievements are, it shouldn't take away the fact that a relationship between an officer and a Vice Captain is unconducive to to the workplace since it could be used to unjustly gather sway in one's ranking." The base inspector held his position in the conversation, but was forced to slink down in height as he cowered under Hoshina's invasive presence.

"Ohh, trust me. The higher ups have made it very clear that he's already achieved the highest ranking they'll allow him, and that's being an exploitable weapon." Wrath tinged the edges of his words as he managed to climb higher over the base inspector.

"There is nothing in this world that he hasn't earned by not working his ass off for. So excuse me for thinking that the least he's owed is the right to express some fuckin' PDA." Hoshina could feel the tips of his lips curl into an unfriendly smile with an uncanny amount of teeth showing.

"If you really want to drag rank over this and piss off a man who's capable of leveling all of Western Japan for no decent reason, be my guest. If you have nothing drastically important to talk about, like something that's impeding the health and wellness of my officers, then I bid you farewell and hope your day is as wonderful as you are." Hoshina reclined back onto his heels and crisply marched away from the inspector, who still wasn't recovered from the invasion of personal space and was stuck being slant backwards, even as Hoshina moved out of eyesight.

Minutes later, Hoshina had found himself in Mina's office. Hoping to join in on Kafka's sudden bout of needed physical closure, he slipped past the threshold and quietly dumped his gym bag next to the door. Taking up most of the center of the room in front of the desk, was Mina, sandwiched between Bakko and Kafka. Reclined against the tiger formed monster, Mina looked silently overjoyed to have an asleep Kafka nestled between her legs as he rested his head on her stomach. Laying tilted on his side, the left portion of his face was buried in Mina's clothes while his arms had dug a hold around her midsection, framing his head. A low vibration hung in the air, getting louder as Hoshina snuck over.

"Need me to pry him off?" Hoshina lovingly muttered into Mina's forehead as he planted a small smooch as well.

"Later. Now, I need you to grab my phone!" Mina tried to contain her excitement as quietly as she could while gently brushing her free hand through Kafka's hair, the other being trapped under his heavy shoulder.

"Yes, he looks adorable, doesn't he?" Hoshina playfully rolled his eyes as he made moves to stand up.

"Well, yes, but you can't tell me you can't hear this?" Mina's smile was wide as she looked up at Hoshina. He took a second to listen as he processed the low rumble in the room.

"Is... is that not Bakko purring?" Hoshina questioned.

"No, he's awake!" Mina harshly whispered in joy as she jabbed her finger behind her, "This is all him!" She pointed her finger again at Kafka, emphasizing her revelation.

Hoshina made a quiet, deep throated cackle as he comically tiptoed around her desk to grab the phone and pull up the camera. He managed to settle onto the floor and shimmy his way under Mina's free arm as he held the camera close to Kafka's face. They got at least a good minute of audio, starring his purrs before Hoshina decided to end it there, not wanting to push their luck.

"It's a shame he can't purr all the time. Instead of the sleep talking, I mean." Mina commented as Hoshina made himself more comfortable in their embrace on the floor.

"We wouldn't be able to get out of bed in the morning if he did." Hoshina muttered sleepily as he finally stopped shifting when he found a good spot to settle into. Mina brushed his hair for a second while she returned the forehead kiss from earlier before relaxing into the warm and heavy pile she had unintentionally made for herself.

@iceclew

I hate to ask this from ya, but... Have you seen this yet? If you didn't have an opinion one way or another, that's fine. Just wanted to ask.

[shu-of-the-wind]

APPARENTLY TONY GILROY READ STAR WARS FANFICTION TO GET A FEEL FOR THE UNIVERSE AND NOW I'M SITTING HERE SWEATING LIKE A PIG BECAUSE SOMEONE POINTED OUT TO ME HE COULD HAVE READ FLOATING SINKING AND I'M HAVING A PANIC ATTACK ACTUALLY

[trentcrimminallybeautiful]

i think the diamond dogs should play improv games just bc it would amuse me, an ex theater kid, specifically

[djappleblush]

There's not enough Joel Miller fanfics on the internet and it's so fvcking annoying I need more protective angsty angry nervous shy tender gentle dominant capable daddy Joel Miller in my life 😭😭😭😭😭😭😭

[sehtoast]

kripke's just jealous i put homelander in a loving healthy relationship with my trans man oc and can't cope

[anewp0tat0]

the majority voted for me to not photoshop and just work on the valentines day art to be posted later in the month. and yea I will do that. but I already started photoshoping regardless. so happy belated birthday Grelle!!

I was originally making William into Sebster, plus Nardo's face shape worked a lot more for William than it did for Sebs, and could I have just imported a whole new face in there? yea, but it would have taken longer, may not have looked great... plus I accepted that in the end, I do afterall headcanon Bassy to be Grelle's side toy while Will is her main. so she would want this.

[iwanttobepersephone]

Rant about Harry Potter and JK Rowling, stick with me here

Ok, so, I hate JK Rowling. I feel like that's a given, right? Like, she's a transphobic homophobic bigot who hides behind feminism and routinely denies massive parts of the holocaust, and I despise her in ways that I don't think words can even express. I can't stand her, but y'know what I also can't stand?

When someone implies that my mother, who is one of the most supportive people I know, and a massive part of the founding, organization, and actions of a local group made specifically to fight Moms for Liberty and school boards in our area trying to harm trans and queer people, is transphobic because she likes Harry Potter

Wanna know why my mom likes Harry Potter? Because when she discovered the series at 12 years old, she quite literally lived in a cupboard under the stairs and was in an abusive household. The magic of the wizarding world or whatever was her escape, it's the reason she's still alive, and by extension, the reason I was ever alive.

But, sometimes, not even often, when I try to express even the most minimal amount of appreciation of that, someone says to me "but isn't JK Rowling transphobic? Why would you support someone like that? Are you transphobic?"

Which pisses me off beyond belief, as one might imagine

In this situation, "separate the art from the artist" isn't exactly a good phrase to use, given the fact that the goblins or whatever run the bank are Jewish stereotypes and the house elves generally being happy to work under their masters being a straight rip from the whole happy slave myth, and those are very very important things to recognize and understand, among others

I feel like it's a lot closer to "separate the hundreds if not thousands of lives she's helped from the hundreds if not thousands of lives she's ruined", or even better, understand that the good she's indirectly done for people makes all the bad that much more horrid

My mother is the closest thing to a hero in this entire world and I will not stand to hear one more person accuse her of being transphobic purely because she thinks fondly of a book series that saved her life. I will not stand for people saying she's just as bad as a holocaust denier because she owns every book in the series. I will not stand for anyone going entirely against their point of not judging a group as if it's monolithic by saying all Harry Potter fans are bad people, including my mother. And, once again, it's not often at all that this happens, but it happens and I'm pissed about it and needed to rant

Anyways rant over JK Rowling sucks don't believe a single thing she says and don't support her unless you wanna support someone actively trying to make the existence of queer people illegal