#I dont like confrontation...

[minas-linkverse]

At a risk of being controversial: I really dont enjoy the fanon trope of making Hylia a villain. I dont claim people who do that are evil or sexist, there's obivous writing potential there and people are allowed to explore it. I personally however find it uncomfortable, and I want to speak out in case someone else feels the same and would be relieved to not be alone.

Hylia as a character is a ...fairly new addition to franchise. We first learn of her in skyward sword, a game that's story aims to explain the reincarnation cycle's excistence.

I think due to that, and how in botw we see the first canon story that potrays the cycle as bad, its easy for new and old fans to point at hylia and go: I dont trust this. (It doesnt help Hylia is connected to vague christian imaginary and people have their own issues with religion.)

Again I dont blame people for this, some fans are new, some are coping with religious trauma, and some just wanna explore the cool concept that is reincarnating heroes.

However, my discomfort comes from a few facts in this matter that I want to put out there for people to consider.

My first issue is that Hylia is not the person who started the issue. We know the evil force that is Demise existed before the cycle, and for some reason or another Hylia nor the other goddesses could not stop him. Hylia made her plan in order to seal demise away for good, and it didnt work. It just didn't work.

It doesnt matter if demise cursed the reincarnation thing or if Hylia decided it'd repeat forever. The fact is that theres a malicious unquestionably evil force that a goddess tried to stop and failed.

You can dislike her plan all you want, but hindsight is 20/20 and all that—

Okay, breather, I am passionate about this but I know my opinion isnt the objective fact. Maybe Hylia could stop this cycle and try something else, maybe she is inhuman in mind and spirit and doesnt comprehend the horrors she has caused. We don't know and you can fill these blanks as you see fit.

But uhm, this does bring me to my second opinion, which might be harder to take seriously it you're disagreeing with this post already.

I think there's sexism around how fans treat Zelda and Hylia, not helped at all by Nintendo's own actions.

I see people be put off by skyward sword Zelda, perhaps writing her unemphatic and clueless of Link's battles to find her. So much so that we ignore the fact she too was ripped from home, told she has to be someone else, and forced to drag her best friend along so the world wouldnt end. She is a victim too, but why do we forget this?

In my opinion it's partly due to the bad writing of women Nintendo keeps doing. Zelda is written so... perfect. Nintendo refuses to aknowledge her flaws as a person and instead is like look how pretty she is, she apologises and Link forgives her, so you should too! ...When, if you dont do so, it feels like you're being manipulated or dismissed whenever she is on screen.

An issue that repeats with Hylia as well. With many Zeldas in many games.

To react to that tonal dissonance with writing Zelda/Hylia as evil is... normal, I think. I don't blame people for feeling that way.

But,, That seems unfair to me. A female character with potential to be complex and good was failed by the writers, and now we as fans continue from that point with making her even worse.

I dont dislike fans who do this, you're just participating in fandom the way you see fit, but I cant enjoy it, it makes me upset. These women are not evil, Link isn't the only character being hurt deeply, and if you could please consider female characters beyond how they hurt ya boy, I'd be so relieved.

...

I'll repeat what I said at the start, I dont claim people who do this are evil or sexist. People are having fun in fandom, and ngl demise sucks as a villain and Hylia is way more interesting to explore.

I just... I think its worth asking yourself why her. Why you don't or do like Zelda. Engaging in things you love with an analytic eye is genuinely good for you and the media you're enjoying.

This in no means is meant to come off as an attack, Im just requesting we look at another angle of things, maybe just to say we did.

I uh, thanks for reading.

[raebonnz]

a gf doodle from my lunch break yesterday while i actually work on a rendered drawing of him ^_^

[apinchofsanity]

Dr Strange 2: What if when you have a dream it's actually just what your multiversal self is experiencing at that time?

Me, who has a lot of trauma dreams: I fucking hope not.

[ruporas]

soft (and some bittersweet)

[on-leatheredwings]

the fanon im attaching to is that nome. bruce is a good dad--

(people gasp in shock and horror)

... who is deeply flawed and troubled <3 (read: he is as good as you can be when you adopt child soldiers)

remember when bruce started cursing out dick and called him a r[slur], and how we all just pretend that didnt happen b/c it was ass writing. yeah thats how i view abusive bruce, like its just bad writing to me so no i don't see it as real or canon

theres a reason wfa is so popular and it's bc we are tired of a miserable ass bruce 😭 while i think wfa is also not canon (b/c it literally isn't), girl i prefer reading it over some of this other shit

[likeprongstostars]

i kind of wanted to stay silent about this but my eye is twitching. i urge all my friends mutuals and followers to look carefully into what they are reblogging when it comes AI generated "art". i know that sometimes its hard to notice but in other cases it becomes quite obvious

[ooctlt]

I really like this blog most of the time, but sometimes you take reasonable earnest asks that are trying to be thoughtful, and are such a dick about it.

Like if it's the characters being dicks, fine. But you could say something in the tags or post to indicate you're not just viciously mocking someone for trying to engage.

I still haven't submitted an ask since seeing your response that led to comments along the lines of "anon should go die in a hole" for asking, pretty reasonably, why harrow would want to stay with people she didn't seem to like or want to be around or interact with.

(i know, because she does like them and does want them around but doesn't know how to show it) but it's an ASK blog. How do we hear that from her unless someone ASKS

i understand it might be surprising and a bit hurtful to see an ask answered with the characters being mean/flippant, and for that i do apologize that it wasnt made clear that it would be a common thing in this blog. id like to issue the disclaimer: there is always the possibility that the characters here will not take your question well. they might answer rudely, and instigating behavior is not only encouraged but expected on both ends. this does not reflect my personal opinions as the artist; there are over 250 asks even after i constantly compile duplicates, and i will answer the asks that i personally like.

i will assume you are referencing the two most recent posts where gideon acts rudely and i repost an old panel: for the former i thought anon was really sweet for being so heartfelt and encouraging, but gideon isnt the kind of person who needs to be told shes brave for doing that by a stranger. it was a simple act of survival. and harrow is still very much in the passive deprogramming phase. the latter response was meant to kickstart (spoilers) what i will call the "dicks last resort" arc, where i clean out the inbox and share more simple, low effort, but potentially rude responses*. this is because i have roughly drawn almost daily for 87 days straight, and would like to recuperate without being burnt out because i love this blog and i love art.

this leads me to my next point: some of these answers will be curt and short and rude, because they are easy to draw. if i only prioritized the "good" asks or to make certain ask responses kinder, or longer, it wouldnt be a daily blog. it would be a monthly blog where 5 asks get answered among 100s. i didnt anticipate people asking about harrows piercings, and i considered shutting it down by just having harrow say she likes them etc. but i did want to give more insight into harrows character even if she wouldnt say so herself, and that took roughly 3 full unemployed nights. if i treated every ask in good faith the same way i wouldnt have time for anything else, because they take more effort and have to be seriously considered for the future. i can retcon their favorite ice cream or play off griddlehark fighting - it takes more to keep track of a narrative about people talking Around their issues

* by rude responses i mean "this will affect the 679ers negatively, much like making your sim 🧑‍🤝‍🧑➖➖ someone" there are a few asks planned to hurt in the same way one drafts a bad end in a visual novel, and this type of interaction is encouraged. of course if you dont want them to get worse dont send asks telling gideon she should flirt with MILFs (you cant send this ask now i already said it), but i encourage the banter.

TL;DR this is the "characters think you are weird for personal questions" blog. i am sorry i didnt warn of the ask-response banter, because i also enjoy drawing these characters being dicks. i do like when aggravation and conflict leads to character development. "how do we get earnest answers unless someone asks" sometimes you will never explicitly get that from them, and thats what the dead ends are for: to let you know to try something else and read between the lines

[coffeehelly]

i think in like 5-10 years post-canon kusuke is gonna be super chill and well-adjusted. he strikes me as the type of guy who seems really cool but then will casually mention some absolutely unhinged shit he did as a teenager

[transmasccofee]

au where Saiki has to fight a much worse version of him but a different kind of worse than light novel Saiki

[ofmdee]

i've been seeing my gifs get reposted on twitter lately, and i'm p sure people are getting them off of my tumblr, so i wanted to make a post and say please don't do that, i have a twitter account & an entire directory of things i've posted, you can easily rt or qrt them from there!

i'd rather people didn't repost my stuff at all, but if you do, at least acknowledge that you got it from me? gif making isn't simple, and gifs don't just appear out of nowhere, someone had to take time out of their day to make them. and the entire process of making them, and making them look GOOD, takes work!

and yes it's a labor of love, but seeing other people benefit from your labor kinda sucks?

a gif before/after editing, for example!!

i know i'm not saying anything that hasn't been said before, but this has been bothering me so. here we are!!

pls don't repost gifs!!!!

reblog/retweet the heck out of them, by all means! it's easier than making your own post, anyway!! 😉

okay, got that out of my system, i hope. carry on!

[luck-of-the-drawings]

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever

[findafight]

Kinda want to write a one-sided ronance post S4 au (within a fix it obvs) where the older teens start actually hanging out and Stobin (eventually + Vickie)confuse literally everyone. They greet each other with cheek kisses, call each other babe (or "Stevie Baby". Listen. Robin calls him bud or buddy or bub or bubba or babe and it's like why so many B's?? Argyle is vibing with it though and joins the bud train) and one time at two in the morning had a coordinated ramble about the names of the cats they will eventually get. (Sassafras, moonshine, and Garborator)

Nancy and Steve haven't really talked about anything, other than Steve saying "hey. I'm sorry if whatever I said weirded you out. I was definitely a bit delirious and Robin and Eddie AND Dustin were all making comments about winning you back or whatever which is stupid, you made it clear where you stood with me. Which wasn't with me. That's fine. and like. Okay yeah when we were together I'd daydream about you being beside me in the motorhome but thats-- it was a daydream. I was sort of thinking I was gonna die and. I wanted to share a little dream that made me happy. And then got everything confused in my head and made it weird and I'm sorry. what I'm trying to say is I'm sorry for being weird and making things uncomfortable. I'm over you. I loved you then, and you were my first real love, and maybe if things were different I could love you like that again but. But neither of us want that or the same things out of life. And we'd crash and burn again. Plus you and Jonathan are together which is a non-starter. Cannot believe I forgot that when it was happening. Jesus. So. Yeah. Sorry for being not a great friend and hitting on you in the Upside Down." And Nancy had nodded and told him not to worry about it. He had been sort of bleeding out and planning on going back into the upside down. They could both be normal about it.

Sometimes Nancy and Robin try to have "girl time" at Nancy's suggestion because they're the only girls in the older group (sometimes. But Robin is not going to let that slip out) but it's awkward without a buffer. Robin is too nervous and rambles and Nancy is too annoyed by it. But they do get on well in group settings, and Steve and Argyle are actually the keenest to smooth over any awkwardness.

Robin laughs more with the group, and grins at Steve and smirks at Eddie and has a sharp tongue Nancy can admire. She's more comfortable with Steve around, insisting he sit beside her or on the ground in front of her so she can play with his hair. (And Nancy is shocked the first time she sees it, because Steve was notoriously protective of his "best feature", but she'd asked and he'd hummed quietly as she takes her fingers through his hair and put tiny, lopsided braids in it.) It's nice to see Robin less jumpy, and wonders what it would take to see more of the side of her Nancy only sees when Steve's around. She just wants to get closer to Robin. Wants a friend.

And somehow, beyond Nancy's notice, Steve and Robin's friend Vickie slowly joins the group. She wasn't involved at all in the spring, but has been hanging around Family Video and a movie night or two often enough that when she settles more permanently in the group it isn't a very big surprise. Eddie and Argyle welcome her in with open arms, Jonathan is only his normal amount of weary of new people, and obviously Robin and Steve are excited for their friends to be friends.

But it just doesn't sit right with Nancy. She can't pinpoint why, it just doesn't. When she sees Robin and Vickie giggling together, or having some back and forth banter that seems to feed into both of them smiling, or Steve throwing his arm over her shoulder, or Vickie leaning into Robin's space as they talk. She always sits beside Robin, Steve on the other, with Eddie beside him. It's usually a tight fit for whatever couch they're on, but the four seem happy as clams to not have any personal space. Once Argyle decided to lay across all their laps, and they just...let him. Finangled themselves so everyone was mostly comfortable.

Nancy figures she is uncomfortable with it because she hasn't ever had a close friend since Barb, and was possibly hoping she could be close to Robin along those lines. So seeing her so close with the others and mildly uncomfortable around her hurt, and seeing her and Steve incorporate someone unversed in the Upside Down into their little trauma club also hurt. Because what did Vickie have that Nancy didn't? That made Steve and Robin and now Eddie stick to her like glue? That made them want her there when she didn't know anything about what they'd been through and could probably never understand?

What made Vickie Summers so special that she's taken what should have been Nancy's place beside her friends? Because that's what really bothered her. It wasn't that Vickie didn't know, it's that Nancy felt she took her place. That Nancy wanted to be where Vickie was, and she didn't know how to ask for it. Asking, trying to talk about how Steve and Robin had bonded so well after Starcourt while she ignored them and then how they bonded with and absorbed Eddie halfway into their bizarre dynamic after vecna, would feel too much like begging or admitting that she isn't quite sure how to make friends.

Nancy is jealous. Jealous that she isn't friends like Vickie and Eddie and Steve and Robin are. That she isn't the one making Robin smile and giggle so cutely. So. She tries harder. Tries to be the friend that Robin and Eddie and even Steve deserve. She tries not to be annoyed by Robin rambling (it really isn't that bad, just. Not relevant. She likes heading Robin's voice, but thinks she could really work on having a filter.), or the way Steve always asks clarifying questions when he should really have known better, or Eddie talking half in different character voices. She thinks it's getting better, her relationship with them. But, still, Vickie is always there, glued to Robin's side almost as much as Steve is, and that always annoys Nancy. Niggles at her brain, that she doesn't deserve to be there because she didn't know what Robin had lived through and fought. Nancy did.

Eventually, Nancy figures out that she wants more from Robin. Doesn't want to be a friend she smiles at occasionally, wants to be the reason she smiles all the time. And that's terrifying. Because Nancy had never considered liking girls, never thought liking girls was a thing she could do. It was something other women did, not Nancy. She liked boys and always had, but. But maybe she always liked girls...too. maybe it wasn't something she that was one or the other. Being different in a town like Hawkins puts a target on your back, being queer in a town like Hawkins even moreso.

She's leaving Hawkins in the fall. But she thinks she wants someone to come home to. She wants Robin to come home to. Robin and Steve seem to be okay with it, from what she can glean of some veiled comments they've made that she's only caught now she's looking for them. They've made some remarks around the kids that make it seem like they'd be safe to come to, no matter what. And sometimes, some of the comments Robin makes about actresses seem a little...well. admiring.

They probably, hopefully, wouldn't hate her for this. And now Nancy and Robin have a friendship, she thinks she can. It's early July, and Nancy is going to ask Robin out.

She gets her alone, bites her lip, and asks Robin in no uncertain terms to go out on a date with her. Robin stares, mouth agape.

"oh," she says.

Nancy smiles, a little. "Yeah. So. What do you say?"

Robin blinks, and takes a shuddering breath. "Oh my god. I. Nancy I'm really flattered but I'm no-i dont- uhg. I'm dating someone." she groans, rubbing her hands over her face.

And oh. Nancy read the situation wrong "oh. Steve. It's fine! You don't like girls, thats--thats totally fine! Id just, um. That is,-"

Robin waves her hands. "No, no! I'm not dating Steve! You clocked me correctly. Definitely gay! Don't worry about that! Hah."

Something in Nancy twists. "Oh?"

"yeah. Yep. Not only am I a lesbian in a small town, I'm a lesbian in a small town that somehow also has a girlfriend." Robin says the word dreamily. Like she still can't believe it. Nancy's brain fills with static. She was too late. Too caught up with how she missed so many chances in the past, that she missed her chance now.

But Robin keeps talking. "And, like. Even if I didn't, I don't think it would have worked between us anyways. Too different, y'know?"

"what?"

Robin gestures with her hands between them. "Well, like. I like being your friend. But, I mean, I wouldn't date you?"

"why not?"

Blinking, Robin tilts her head. "Because of Steve?"

Something bubbles hot in Nancy. "What the fuck does Steve have to do with wether or not we would date?"

"Nancy. Steve's my best friend." As though that explains anything.

"yes? And?"

Robin looks uncomfortable, shifting sideways. "listen, Nancy. You're a good friend. And I've just rejected you. Maybe we should just. Ah. Leave this? I'm really sorry. I'll give you some space, just find me when you're ready?"

"no. What do you mean that we couldn't date because Steve is your best friend? Why would that have any effect on how you date?"

"it doesn't! Not really! Just. Nancy, you broke his heart. His soft, squishy heart! You kinda sorta cheated on him-details very unclear-and then just. Moved on. Pretended like nothing happened. I couldn't do that to Steve. Dating a friend's ex is a bad move. Dating an ex that broke a friend's heart is just cruel." She sighs. Looks sad. As though she isn't the one rejecting Nancy and tearing her apart for how a relationship ended almost two years ago. What did that matter, now? "You're my friend, Nancy. I like you! But even if Steve has moved on, forgiven and forgotten, and if things were a bit different given his full support for us dating if that's what I wanted, I think I'll always remember how he-- how much it hurt him."

"oh"

"I'm. Nancy I'm really sorry. I know how scary it is to put yourself out there, especially like this. It's not fair. I'm just sorry. But. It was true. Steve's the most important person to me. I couldn't ever hurt him. Not like that. Not even if he said he was fine with it."

Nancy stands and walks away. She doesn't cry until she locks her bedroom door.

[hella1975]

it's been pointed out on here before that a lot of terf arguments are actually rooted in sexist idealology that feminists fought and died to unnormalise decades ago and that's its own kettle of fish but one thing i also find very frustrating about this so called 'radical' feminism is that it's so... defeatist? like the moment you categorically label an entire section of society as Bad and Inherently Evil then there's also the implication that nothing can be done about it, and it completely takes all accountability away. saying all men are evil is just another way of saying boys will be boys. he raped her because he's a man. he hit her because he's a man. he didn't listen because he's a man - it's almost offensively oversimplified. there's no point trying to fix this issue in society because men are just Like That, okay! so now what? it's not like they're going anywhere, so you just accept that 50% of the population are evil and will forever treat you terribly and there's nothing to be done about it bc they're biologically predisposed to it? like is that fr the argument here? you're soooo radical for that

[haunted-xander]

Ryne and Gaia are like. Such good parallels and foils to each other it makes me just a little insane.

Like Ryne is sweet and caring and she always wants to help others and make them feel better even to the detriment of herself because she has seen and known suffering and doesn't want others to have to live like that too. If she can make someones life better, even if just a little bit, then she will. But she also puts everyone elses well-being and feelings so far above her own that she often ends up trying to help in a way that doesn't actually solve anything because it still ends up with someone hurt (such as trying to properly fuse with Minfilia knowing it might end up with herself disappearing). She's not a doormat, but she does have some people-pleasing tendencies.

Gaia, however, is the exact opposite. She's prickly and sarcastic and thinks of herself and her needs first and foremost, everyone else is secondary. It's not that she's cold or uncaring, she doesn't ignore people's problems, she just doesn't see them as her business most of the time (A product of being raised in Eulemore most likely). She doesn't consider the long-term outcome of what she does or says, she lives solely in the present and the future is a problem for when it happens.

These opposite traits also play into each other. Ryne inspires Gaia to care more about others and Gaia inspires Ryne to prioritize herself more. Gaia makes Ryne live more on the moment without thinking solely of what the future will bring, and Ryne makes Gaia think more on what her life will be going forward and to actually consider what she does and says and how that affects things. They feed into each others good traits (Ryne's caring nature and Gaia's sense of self) while also helping them deal with the bad traits (Ryne's people-pleasing and Gaia's aloofness).

Their pasts are good paralells too. Ryne was isolated and lonely until Thancred took her away but even then, he was distant and emotionally neglectful, so she ended up lonely in an entirely different way. Gaia had a family and caretakers that she wasn't particularly close to, but after the 'Fairy' started talking to her they got even further away until she couldn't even remember them, and the 'Fairy' was the closest thing she had to a friend even though it was what isolated her to begin with. Ryne had constant companionship but no support, and Gaia had 'support' but no companionship.

Even just. Regarding the whole identities thing they are just. Perfect. Ryne has lived with Minfilia's shadow on her shoulder her entire life and never got to learn who she actually is. She thought that she had to become Minfilia for her life to be worth anything, that it's the only way her existance is justified. The person closest to both her and Minfilia(Thancred) indicated(in her mind at least) that he wanted Minfilia to be here in Ryne's stead(which wasn't really the case but she didn't know that). The only way to get her out of that shadow was to remove her from the identity of Minfilia, hence why her new name is so important(as well as the hair and eyes being her natural colors instead of Minfilia's all too recognizable ones).

But Gaia didn't even know about Mitron or Loghrif until Eden. She had the 'Fairy', but to her it was just some voice in her head which was nice enough to her. To her, Loghrif is just some lady Mitron loved, she has no real connection to her. She has a connection to Mitron, both as the 'Fairy' and as remnant feelings from Loghrif, but none to Loghrif herself(aside from the obvious reincarnation stuff). Gaia has always been her name. It may have been Loghrif's originally, but she is so far removed from that identity that even for all of Mitron's effort to 'return' her to Loghrif, it'd never work. Loghrif is Gaia, but Gaia is not Loghrif. Simple as that.

Eden's story works so well because Ryne and Gaia are opposites in that specific way that compliments each other, rather than pits them against each other.

[lena-in-a-red-dress]

Many many ideas ago, I had an idea I started writing but never posted, and now I have no idea where I was planning to take it, but BASICALLY.

Before Kara's confession of her identity, but after Lex tells Lena the truth, Lena is still in the processing period where she's trying to work out how she feels about it, besides the overwhelming hurt.

When she's abducted for several days, Lena's not totally concerned. Now knowing who Kara is, Lena knows she's going to be Supergirl. It's only a matter of when.

Even so, several days being bound to a chair would wear down anyone. She's been treated relatively well, all things considered, but that doesn't mean she isn't exhausted, and generally just done by the time Supergirl shows up and frees her.

Kara, of course, is beside herself with worry, and frets over Lena. Are you harmed, did they hurt you, do you need medical attention...

"I'm fine," Lena says curtly.

But Kara doesn't let up, and Lena just snaps.

"Please, Kara, just take me home."

Supergirl finally relents, and it kills Lena when her arms open to bring her close, as though flying her home were the most natural thing in the world.

Then it clicks.

Supergirl's freezes for the faintest of heartbeats, before her eyes go wide with horror. But as she opens her mouth to speak, Lena just can't.

"Please. I'm tired. I just want to go home."

Lena can see the conflict in Kara's eyes, mingling with the same heartbreak that Lena's been struggling with for months.

Because that's the true cruelty of Lex's reveal, isn't it, Lena muses.

It's not just that he revealed Kara for a fraud-- it's that he stole Kara's chance to confess it herself.

Something that could have been so precious, so intimate, gone with a snap of his fingers.

In the end, Kara silently gathers Lena up and delivers her to the balcony of Lena's apartment. Only then, once Lena is safely out of her arms and standing on her own two feet does Kara try again to speak.

"Lena, I--"

The snick of Lena's balcony door sliding shut behind her mutes whatever Kara is about to say. Lena moves towards the bathroom, ready for a long shower.

She shuts the living room lights off behind her, and doesn't give the balcony so much as a second glance.

[cringefail-clown]

I think you should make Gamzee the manager but no one knows thats his role until one day Calliope mentions it and they're like "wait what? We have a manager?" because he tends to just be in the back taking care of the pastries/food

that is terrible i love it im doing it