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#I dream about my characters/stories
kuri-crocus · 4 months
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Good Omens is so present in my life. Like... It's even in my dreams. Last night I dreamed that Crowley and my demon OC went to save Aziraphale with the yellow (!) Bentley. The OC asked Crowley: "Wasn't your car black until yesterday?" He was simple replyed with a focused look forward: "Yeah. But the one very special person preferes her to be yellow!" 🥺
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soranker · 3 months
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tomorrow :)
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dollypopup · 2 months
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I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
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help-im-a-gay-fish · 5 months
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Before an after.
How do you create one of the worse sequels I have ever seen? Welp, Love Never Dies is probably the perfect example. I could rant for hours about that.
I think my relationship with it is the purest form of a love-hate relationship, as it's so bad it's almost funny. If anyone wants to know, shoot me an ask, and I will explain whyyyyyyy
*takes breath*
Anyway, I drew Nightmare in the Red Death Outfit from the Masquerade scene, and ohhhhhh, I love ittttt. Yet another outfit that the movie didn't do justice, seeing it on stage was fantastic!! And it's actually a reference to another book called "The Masquerade of the Red Death" and it is essentially a huge FU to everyone at the party.
I'm gonna say it againnn anyone who's a fan of the movie should listen to the 25th anniversary sound track, my poor gf has had to listen to me rambling about it lol.
Original cross jakei95
Original Dream and Nightmare by jokublog
Crossover is by me
And @zu-is-here you asked me to tag you, here you go!
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yasmeensh · 8 months
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Angsty Neanderthal teenager and his blind little sister. I gave them names but I'm too timid to share yet lol. I'm developing their story arc far more than the main character's 😳 they took over my mind ever since I thought of them existing.
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thefiresofpompeii · 1 month
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i hope ruby gets a well-that’s-alright-then-style notdeath. on the one hand it will make haters mad because oh no not another companion with an impermanent end (and i like to see haters mad) on the other it would require creativity to depict this in a new way + i love all the implications i love the dark fairytale quality of these companion exits i love my un-undead schrodinger’s women
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with the way the legend of ruby sunday is titled… legends aren’t usually told about living people. legends are stories of the bygone past, of an age long since over, fictionalised and overgrown with folklore like barnacles sticking to an abandoned shell. there is such a thing as a living legend, but they’re exceedingly rare. the unmistakeable raven’s call in the 73 yards teaser, the trailer’s cut to fifteen crying alone after promising to cherry he’d protect her daughter… the foreshadowing is clear as day…
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and yet. there’s one massive HOWEVER. ruby appears in s15: millie’s been spotted on set filming it. which leads me to believe — the doctor isn’t one to take the time travel route and revisit companions that in his future are genuinely dead. that would hurt too much, it would cause unnecessary trauma and could break the timeline. that must mean ruby stays alive in some way. ish. she’s alive and a legend and a mystery. girl-ballad girl-song girl-paradox
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here she is, fading out.
p.s.: thesis statement on moffatgirls from the tags i left on somebody else’s post about charley pollard.. well it belongs here since it’s basically the semiotic hurricane swirling around ruby at the moment :)
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#on a personal level what interests me about these characters is precisely what gets them labeled as being subject to#misogynistic writing by pop-feminist video-essayists. as an autistic girl* (*ish) however; i find female characters that#aren’t quite ‘normal people’; women who represent an idea or concept or are a puzzle to be solved or a manic pixie dream girl to be#more and in a way far more interesting than a girl-next-door-type universally relatable protagonist#they make for more nuanced stories with more symbolism and more layers of interpretation usually. why should there be realism in a#fantastical narrative? similarly i like characters that are haunting the narrative or dead before it began (big locked tomb fan if you#didn’t know) and like. not to be tvtropes but the lost lenore archetype. dead woman who spurs the hero on to recklessness or revenge.#i identify with that dead girl. the laura palmers of the world. set the story in motion without#necessarily having agency. maybe it’s something to do with my#constant background radiation of passive suicidality. in a fun whimsical way :) i would never kill myself but i don’t want to be a real#person. i want to be objectified but not necessarily in a k*nky s*xual way (that too) in a princess in a tower way#the ultimate femme fantasy innit? there’s something about it. hashtag problematic hashtag conforming to gender roles#10000 tags be upon ye#ruby sunday#millie gibson#doctor who#dw#steven moffat#clara oswald#fifteen#fifteenth doctor#twelveclara#amy pond#charley pollard#river song#donna noble#ncuti gatwa#doctor who meta#jamie.txt#haunting
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cosmicwhoreo · 1 year
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"Why do you look so frightened...?"
BLOOD WARNING Also me questioning the Dreams update thingy for oyster because I'm me-
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Okay look, while I myself do like sum good ol' added angst material; I don't really know why she even stole and (maybe) murdered her "friend" in the context the nanny gave. I mean- I get it in the lore-sense to specify how she apparently got "cursed", but that just didn't feel right to me. Because it conflicts with this flavor text in a trivia screen. "Old sailors say that when a mermaid loses her pearl, she will be cursed to descend into the lightless abyss." Soooooooo.... Originally I thought because since she gave her pearl to moron Oyster Senior, she was slowly becoming more and more corrupt along with the growing greed of dumbass. But. she was still putting on a brave and happy front. Because love right? Until eventually Oyster just ran off and completely and literally threw her to the deep end... And THAT'S how she got cursed and bitter. And it seemed to be going the way I figured... More or less, the naivete and growing greed was a new one but eh, I'm flexible. But then the whole petty theft thing happened suddenly and just... Why is it when she steals from her buddy does she THEN get cursed? Is that one different from the first one? does she have two? Is the Nanny's story add-libbed? WHY DID SHE EVEN STEAL FROM THEM IN THE FIRST PLACE, WHAT WAS HER GOAL THERE???
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lazy30 · 23 days
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I can’t decided— help—
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yuriiofthevalley · 1 month
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i feel like an english lit major every time i make what i believe to be an astute observation about a character
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kurozu501 · 2 months
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wait why is this actually the best written event arknights has ever done and why am i crying
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randomminty · 10 months
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I wanted to draw misakis funny shirt so so so badly but i couldnt draw her hat for the life of me :,,,,(
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coockie8 · 2 months
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i once had an anti tell me to stop sexualizing their trauma on a story i wrote that was a word for word retelling of my own actual trauma but with names changed and its been 2 years and i still cant stop thinking about that
Ah, yeah... Unfortunately a non-insignificant number of antishippers seem to genuinely believe they own the concept of trauma, so any story they read that they believe to be portrayed in a romanticized or sexualized light therefore must be romanticizing/sexualizing their trauma specifically.
I couldn't tell you the amount of times I've gotten the "stop sexualizing my trauma!!!!!!" or adjacent comments from antishippers that universally garner a response that basically boils down to
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Like, bitch! I'm talking about my trauma! I literally did not even know you existed until you fucking commented!
#proship#proshipper#anti bs#just anti things#glad to know antis assuming every story about trauma must be about them specifically seems to be a universal proshipper experience lol#like *how* am I sexualizing *your* trauma when I literally do not even know who you are?#like if you hadn't commented I would've gone my entire life not knowing you even exist#if I had omnipotence like that I certainly would not be using that power to sexualize the trauma of some random fucking stranger! lol#you think my petty ass would be doing *that* instead of the infinitely more infuriating thing of spoiling every show you love at any chance#jokes aside though like seriously get fucking real#I hate to burst your main character syndrome bubble but nobody fucking cares about you#not in the ''nobody loves you and you'll die alone'' sense#but in the ''you are just Some Guy™ and the 8 billion other people on the planet have their own problems to worry about'' sense#if someone is writing about trauma maybe take your self-centred goggles off for 5 fucking seconds#and maybe you'll realise that it is 1000000% more likely this random stranger is writing about *their* trauma#and *not* the trauma of a person whose entire existence they are not even aware of#I do believe the tiktok trend of referring to strangers as ''NPCs'' has at least contributed to this epidemic of main character syndrome#people you don't know are *not* ''NPCs'' you fucking robot!#they are human beings just like you with lives and dreams and loved ones#you just don't know them#sorry but I genuinely think I'd go to jail for murder if I ever heard someone refer to me as an ''NPC'' out in public#'cause genuinely who the fuck do you think you are!?
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anotherfanaccount · 2 months
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That bandage is holding on the sanity of the Fandom.
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Godddd I adore Dreamies so much but it still shocks me that they're grown up....me being barely older than them but still. Why are you all still not the chewing gum kids.
This comeback looks sooooo good already.
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scalproie · 2 months
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really wish people would realize that every single character endings in t8 isnt canon
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claitea · 1 year
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luigi time!
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Sharing my favourite panels from Our Dreams at Dusk bc why not, honestly?
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