#I ever will. This thing is still updating continuously

[barbwritesstuff]

A copy/paste of a post I made on the CS forum in regards to Thicker Than:

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I’m just popping back to post a quick update about my plan/process going forward.

My current plan is to continue drafting this story as it is. Once I have first draft, then I’ll go back and fix some of the issues that have been brought up here.

Top of the list:

*Fix confusing navigation in chapters 3-4.

*Add more opportunities to interact with allies in non romantic contexts. (Perhaps in groups so people don’t worry about losing romance routes but can still spend time and get to know various characters).

*Add more choice and variation to the trial scene (plus a potential aquital for vampires loyal to the Night Court).

I hope that’s okay. I think it’ll be easier to edit once I have the whole thing more or less together. That way I’m not going back and forth quite as much and it’ll be easier to know exactly where any jumps/skips need to go.

The latter half of Chapter Ten is very romance focused. Chapter Eleven is going to be very big and busy (depending on the playthrough) and I may end up splitting it into two, but I’m not sure yet. The game is already starting to fork towards the various endings (of which there will be five with variations in each). Some will be more involved than others, but I want to try and make them all rewarding in their own way.

I know it feels like choices that were made in part two are a little redundant, but I’m hoping later chapters might change some minds.

The tribute choice is still one of the biggest in the game (and whether or not it was actually paid) and the outcomes and consequences of that will start to come out more soon.

Not all consequences will be good. Again, I hope that’s okay.

I’m also hoping it’s not too frustrating waiting a little longer for the above mentioned fixes.

Thank you everyone for your honest feedback. This game is much more complicated than my last and it’s been a steep learning curve all the way (I’m never doing timeskips ever again 😅). But, with your help, I’m hoping the final product will be a really fun. 💙

[gogandmagog]

Guys! Yesterday I had a book-shaped piece of mail, and inside of it was my copy of Children and Childhoods in L.M. Montgomery: Continuing Conversations being returned, from another very dear user here! I bring this up only because some-months-ago I promised to copy out a particular article from this book, for yet another user here, who was interested! Interested because it’s on the the subject of a Fan Favourite thing... fan fiction. And better still because some of our (basically famous) mutuals here are mentioned by name! If you’ve ever wondered if the Montgomery scholarship is reading your fan fiction... the answer is yes, they are! They totally are. More than that, they also have some thoughts to share… as well as recommendations of their faves too! This article even covers the F/F and M/M fan fiction presented by fans in LMM’s universe, and I’m personally super excited to be able to begin reading these works, as soon as I can find them all. I’ve done my best to link what I could immediately find, but some of the mentioned stories were unavailable... potentially due to changes in usernames? (That said... if anyone knows of the works indicated here, that I haven’t provided a link for, please do share!)   This article, by the way, was written recently... in 2020! It’s very current, and it covers a few stories that were still being actively updated during the pandemic. The focus of this article is less so on canon (or really just the Anne/Gilbert pairing), though, and seems to prefer demonstrating the versatility of mixing relationships (Anne and Emily, for one!) and the wider more general universe-building aspects (the entanglements of future generations/Anne’s grandchildren) that fans have been expounding on for nothing less than decades. 

Okay, here we go! xx

Continuing Stories: L.M. Montgomery and Fanfiction in the Digital Era by Balaka Basu

Fanfiction – the recreational (re)writing of texts – is a literary genre of rapidly growing significance. Abigail Derecho in her brief history of fanfiction identifies it as “a genre that has a long history of appealing to women and minorities, minorities, individuals on the cultural margins who used archontic writing as a means to express not only their narrative creativity, but their criticisms of social and political inequities as well.”

Insightfully defined by Francesca Coppa and Mary Ellen Curtin as “speculative fiction about character,” fanfiction can be even more precisely understood as fantasies about the diegetic positioning of characters in the context of various settings, communities, relationships both textual and paratextual, and eventually all manner of cultural mythologies.

Kristina Busse and Karen Hellekson describe the production of fanfiction as “part collaboration and part response to not only the source text, but also the cultural context within and outside the fannish community in which it is produced.”

They point out that the shift in the method of dissemination of fanfiction from newsletters and zines to internet archives means that “ever-younger fans who previously would not have had access to the fannish culture except through their parents can now enter the fan space effortlessly; financial resources have become less of a concern because access to a computer is the only prerequisite; and national boundaries and time zones have ceased to limit fannish interaction.”

The nature of fanfiction allows participants to cross-generational and socio-economic boundaries in an ongoing exchange of responses to a source text with which they share a fascination, developing new texts that in turn elicit their own responses. While the creation of fanfiction is evidence of an affective, loving, communal relationship with the source text, this genre of writing is still dismissed in many quarters as overly emotional, purely erotic, and even perverse, a type of amateur and immature engagement with popular texts that produces writing necessarily divorced from literary significance. Produced in staggeringly vast quantities by subcultures with complex vocabularies and traditions that can intimidate the casual reader, fanfiction is perceived by many to be more of a cultural practice than a literary genre, variously denigrated for its pornographic potential and its lack of originality. However, close examination reveals that fan writers are able to create a critical dialogue with the originating author in acts of communal storytelling that incorporate allusions and reference points to which other dedicated fan readers and writers may respond.

In this chapter, after examining how L.M. Montgomery and her writer heroine Emily themselves engage in practices now associated with fanfiction, I survey four forms of fanfiction that remove Montgomery’s novels from her seemingly idyllic and timeless island settings, contextualizing her characters and plots within history and other genres: the sequel set during the Second World War, the modern AU (alternate universe), the gap-filler, and the slash fic, all of which allow the young readers who grow up with her novels to engage in dialogue with the stories they love, a type of literary conversation that Montgomery herself models within her texts. Emily’s reading, which is active rather than passive, resembles twenty-first-century fans’ ownership of the texts they love, provoking creative responses. For instance, after reading works by Lord Tennyson, Elizabeth Barrett Browning, and Matthew Arnold, Emily writes, “Teddy lent me 3 books of poetry. One of them was Tennyson and I have learned The Bugle Song off by heart so I will always have it. One was Mrs. Browning. She is lovely. I would like to meet her. I suppose I will when I die but that may be a long time away. The other was just one poem called Sohrab and Rustum. After I went to bed I cried over it. Aunt Elizabeth said ‘what are you sniffling about?’ I wasn’t sniffling – I was weeping sore … I couldn’t go to sleep until I had thought out a different end for it – a happy one.”

The reactions Emily catalogues are those of the fan; they are viscerally felt in the body and attempt to dissolve the boundary between author and reader, producer and consumer. She inscribes Tennyson within her heart in order to possess the poem she loves; she creates a relationship between Barrett Browning and herself; and, most significantly, she interjects her own desired happy ending into Arnold’s tragic narrative, a corrective desire that is at the core of many works of fanfiction. Emily’s diaries and her story reflect Montgomery’s own experiences from childhood to adulthood as reader, writer, and reader-turned-writer discussed in the introduction to this volume. Depicting Emily as a voracious reader and a life-writer like herself, Montgomery places the child Emily’s voice in conversation with that of the narrator through Emily’s letters to her dead father in Emily of New Moon and through her diary entries in Emily Climbs and Emily’s Quest, creating a form of joint authorship that is referenced explicitly in “Salad Days,” the second chapter of Emily Climbs: “book is not going to be wholly, or even mainly, made up of extracts from Emily’s diary; but, by way of linking up matters unimportant enough for a chapter in themselves, and yet necessary for a proper understanding of her personality and environment, I am going to include some more of them. Besides, when one has material ready to hand, why not use it?”

The narrator’s willingness to use the “material” that is “ready to hand” reflects Montgomery’s and Emily’s practices, and also validates other writers’ use of the material Montgomery places at their disposal. As with many fans, Emily’s reading frequently makes itself felt within her writing.

Like Montgomery, Emily learns her trade through mimicry, from her first poem in blank verse inspired by James Thomson’s Seasons to her unwitting imitation of Kipling that is pointed out by her teacher, Mr Carpenter, in his review of her work. Like Sara Stanley of The Story Girl, whose compelling and fascinating stories are rarely if ever original, Emily is a fan of the oral traditions of her community, incorporating and building upon them in her own writing, transforming and recreating, for instance, the story of “The Woman Who Spanked the King” in Emily Climbs.

The retelling and versioning that Emily practises signal her immense admiration for the source texts she adapts, just as the creation of fanfiction does for Montgomery’s readership and fans. The possibilities inherent in versioning and adaptation are illustrated in Emily’s Quest. When Montgomery depicts Emily undertaking the reworking of someone else’s narrative, she is adapting an episode from her own experience while working for The Echo in Halifax, which she records in her journal. Montgomery, like Emily, was asked to create an ending for a serialized story, “A Royal Betrothal,” after compositors had misplaced the original text.

Like Emily, she claims that her “knowledge of royal love affairs [was] limited,” and that she was unaccustomed “to write with flippant levity of kings and queens.” Nevertheless, Montgomery manages to create a conclusion that passes muster, since “as yet nobody has guessed where the ‘seam’ comes in.” She is, however, curious about the original author’s reaction to her unauthorized adaptation, and while she never discovers this in real life, she does imagine it in her fiction when she introduces Mark Greaves, who is horrified by Emily’s new ending for the story but enchanted by its author. Neither Montgomery nor Emily engages in this sort of writing from a place of fandom; they have no previous attachment to “A Royal Betrothal,” and both are writing professionally. Nevertheless, the ability to solve the puzzle of the story and the weaving of their work into an already extant text are the very project of fanfiction: ludic narrative composition that recalls the way children play make-believe with the narratives they love, reworking and extending them. It is telling that Montgomery uses the metaphor of the “seam” to describe this particular craft. Jane Dawkins, writing about her fanfiction, which is inspired by Jane Austen, describes her fan novel Letters from Pemberley as “an old-fashioned patchwork quilt, where in place of the scraps of fabric reminding one of the favorite frocks or shirts whence they came, there is a line or a phrase or a sentence from one of [the original] books or letters stitched alongside the lesser scraps of my own manufacture.”

Montgomery’s final book, framed by the two world wars, is just such a patchwork sequel, albeit providing only brief glimpses of the characters that readers met as children and who have now grown older. When a version of the book was published in 1974 as The Road to Yesterday, these glimpses, lacking the interstitial materials, became even briefer, mirroring the more forced insertion of beloved characters that the two earlier collections, Chronicles of Avonlea and Further Chronicles of Avonlea, display. Only two of Anne’s grandchildren – Gilbert Ford and Walter Blythe – are obliquely referred to, in the story “A Commonplace Woman,” where an unpleasant young doctor reflects on both of them as potential rivals for the affection of a beautiful girl he himself hopes to pursue.

However, the full novel, The Blythes Are Quoted, published in 2009 and comprised of short stories about the people in Glen St Mary and over the harbour, is interspersed with poetry by both a young Walter and an adult Anne. The poems are cut with tiny slices of dialogue that suggest the continuing lives of fans’ favourite characters and how they might have developed. In “‘Dragged at Anne’s Chariot Wheels’: L.M. Montgomery and the Sequels to Anne of Green Gables,” Carole Gerson notes the mixture of feelings from pleasure to frustration that Montgomery records in her journals as she prepares to write her first sequel.

While Montgomery wrote the first installments of her various series out of inspiration, she was certainly aware of what her market desired from subsequent installments. She often regretted the necessity of marrying off her characters, but was aware that her fans demanded this conventional outcome for the characters they had come to love; these traditionally romantic endings, when not offered by Montgomery herself at the instigation of her publishers, are regularly deployed by contemporary fanfiction authors building on the source texts.

Indeed, long before the original structure of The Blythes Are Quoted was revealed to readers in Benjamin Lefebvre’s afterword, fanfiction writers were spinning off lengthy narratives that included a third generation of young Blythes, Fords, and Merediths dealing with the onslaught of the Second World War. While earlier installments in the Anne series – such as Anne of Green Gables and Anne’s House of Dreams – depict the deaths of Matthew, Anne and Gilbert’s first daughter (Joyce), and Captain Jim, Walter’s death in Rilla of Ingleside is somehow more striking. Unlike Matthew and Captain Jim, he has not yet had time to grow old; unlike Joyce, readers have had opportunities to get to know him as a child in Rainbow Valley and as he grows into young adulthood in Rilla of Ingleside. His death is unnatural and, therefore, all the more horrifying. These two aspects of Rilla of Ingleside – the evocation of history by a nostalgic fictional world that is still tied to real time and the use of high drama, tragedy, and romance – provide fanfiction authors with a model they can use to appeal to the emotions of those readers who are immersed in the next generation of Montgomery characters.

The Second World War, then, provides an entry point into the series for fanfiction authors, who can deploy real history coupled with beloved characters to create a tale that feels absolutely authentic. One example of this is a short story, “The Pen and the Sword,” written in 2007 by MarnaNightingale. Here, mimicking the style of Dorothy L. Sayers’s The Wimsey Papers (a series of Spectator articles published between 1939 and 1940, which interestingly also continue the story of First World War–era characters during the Second World War), MarnaNightingale employs epistolary excerpts and newspaper articles to tell the story of a family going through the horrors of war for a second time. Grounding her fragmented story – like The Blythes Are Quoted, a mixture of genres – in the accounts of novelist Mollie Panter-Downes (1939) and war correspondents Ernie Pyle (1940) and Ross Munro of the Canadian Press (1941), whose articles are attributed to Kenneth Ford, she offers a story that, like Rilla of Ingleside, is anchored to the historical moment, while also nostalgically focusing on the character development that comes from Gilbert Ford’s death, Rilla’s and Faith’s reactions to the war, and the lives of their children. Here war also serves as an opportunity for new experiences, particularly for women and children: Rilla takes a factory job as a machinist, liking it better than working in Carter Flagg’s store; one of Anne’s grandchildren, Susan, plans to be a doctor; and Faith, who worked as a Voluntary Aid Detachment nurse in the First World War, mentions how she can sympathize. As well, the daily tidbits that flavour the pages of Rilla of Ingleside are there: one article, attributed to Anne, includes the recipe for Susan Baker’s war bread, reminding readers of the problems of wartime rationing, even in the Americas. Real life events – like the Canadian forces trying (and failing) to make a beachhead at Dieppe – arouse the passions of the reader. Unlike Austen – who also famously wrote of three or four families in a country town, but kept the Napoleonic wars firmly in the shadows – Montgomery brings the passions and high drama of the world stage into the sleepy villages of Prince Edward Island, which inspire fanfiction spinoffs.

The long novel Cecilia of Red Apple Farm, by a fan author who posts under the pseudonym ruby gillis, also directly reworks passages and scenes from the whole range of Anne books, set in the late-nineteenth century, to The Blythes Are Quoted, set in the early years of the Second World War, to highlight the similarity between her new generation of characters and their ancestors. Cecilia is the daughter of Una Meredith and Shirley Blythe (characters often married off in fanfiction). Like MarnaNightingale, ruby gillis provides period flavouring in the styles of dresses and behaviour and in references to 1940s popular films and songs. Simultaneously, this setting offers new opportunities to her female character: Cecilia wants to be a doctor, and rather than staying in Canada, she joins up to be a nurse in England. She has a series of romances – one with Sid Gardiner (before he marries May Binnie), and one with her cousin Blythe Meredith, who is this generation’s poet – before finally ending up with Marshall Douglas (the son of Mary Vance). Just as Anne initially refuses Gilbert Blythe in favour of Roy Gardner’s resemblance to her ideal man in Anne of the Island, ruby gillis’s Cecilia is fooled by the allure of Sid and Blythe as Roy Gardner–like romantic heroes into believing that she does not truly love her fun, practical, “Gilbert-esque” friend. Published in 2004, Cecilia of Red Apple Farm further illustrates the opportunities presented by reusing and reworking a body of texts through its incorporation of Montgomery’s poem “I Wish You” as the work of Blythe Meredith. Montgomery includes this poem and attributes it to Anne in The Blythes Are Quoted, although ruby gillis could not have known this when writing. The repetition of names and circumstances might seem derivative, but for readers who have read and reread the original books so many times, the extension of the story world is prized, even if – perhaps even because of – its callbacks to the original text. Due to the tendency of fans to fixate on “the good bits” in a reread, these parts can be taken for the whole.

Austen fanfiction demonstrates this aptly. Indeed, Helen Fielding’s second Bridget Jones novel, Bridget Jones and the Edge of Reason (1999), illustrates just such a reading of Pride and Prejudice: she shows Bridget, a fan, watching the scene from the 1995 mini-series in which Darcy, dripping in a wet see-through shirt, exits the lake, and then rewinding and rewatching the scene multiple times. How many times might a similar fan reread Walter’s letter from Courcelette? This repeated reviewing of selected portions can replace the amplitude of the original novel. With this delimited focus, narrative is no longer seen as a progression, but as a single moment of pleasure, sustained as long as possible. Reading the Second World War as a repetitive sequel to the First World War further highlights this possibility.

Even Montgomery seems to do so, as demonstrated in The Blythes Are Quoted, with its new generation of characters confusingly named after the old: Walter, Jem, Rilla, Di, Anne, and Gilbert. A variation on Marah Gubar’s kinship model, this kind of continuation highlights the blurred boundaries between child and adult characters who are literally related to one another and whose adventures mimic one another.

In a third example of fanfiction set during the Second World War, Weeping May Tarry, a long novel by ElouiseBates, Meggie, the heroine, is Shirley’s daughter (and also, surprisingly, Paul Irving’s granddaughter). In this story, which like Cecilia of Red Apple Farm is an installment of a longer series, Meggie is sent off to a conservatory of music to study singing, aptly combining the traditions of the nostalgic boarding-school novel with “Girl’s Own” wartime fiction. Following the tradition of Magic for Marigold, which explicitly suggests in its second chapter that the Murrays of Blair Water and the Lesleys of Cloud of Spruce exist in the same universe, @e-louise-bates (like many other fanfiction authors, including ruby gillis) suggests that all of Montgomery’s characters exist in a single universe: Meggie partners briefly with the grandson of Sara Stanley (The Story Girl and The Golden Road) and is close friends with Jane Stuart (Jane of Lantern Hill).

Going even further, @e-louise-bates introduces the grandchildren of the What Katy Did series as friends for Meggie and includes Betsy from Dorothy Canfield Fisher’s Understood Betsy as Bruce Meredith’s wife, creating a world where all the characters of early-twentieth-century girls’ fiction seem to have truly lived, where their descendants must cope with victory gardens and dances with soldiers at the Exhibition Grounds, and where kisses are much more commonplace than they once were.

These particular continuers of Montgomery are also desirous of membership in the community of her fans, seeing their literary endeavours as productive of approval from a fellow readership. Likewise, the novels are notable for their sociality – they seem to offer the reader not only a fantasy friendship with the characters themselves but also the very real society of fellow readers of the works. Thus, these fan authors attempt to diversify their stories so that they represent contemporary beliefs regarding multiculturalism; ruby gillis, for instance, introduces into the family by way of marriage a French girl who has had to flee the Nazis due to being Jewish, a situation Montgomery and her contemporaries might have had some difficulty accepting, considering early-twentieth-century attitudes toward interreligious marriage and Montgomery’s othering of the German-Jewish peddler who sells Anne green hair dye.

The Second World War thus offers writers of Montgomery fanfiction the loom on which to weave new, more diverse stories, even as The Blythes Are Quoted, which also traces the characters’ reactions to this new war, demonstrates how these readers-turned-writers followed Montgomery’s own trajectory, not knowing that they were doing so. On the subject of fanfiction, young-adult author Patricia C. Wrede writes: “The thing that fascinates me about fanfiction, though, is the way that it models the decision tree that writers go through (whether consciously or unconsciously) to get to their final product. For those of us who do this part mostly unconsciously, it can be interesting and instructing to see the multitude of alternate paths that a story could have taken, all laid out more-or-less neatly in different authors’ fanfics [… taking a slightly different fork in the road] resulting in the plot veering in a completely new direction. Friends become enemies; enemies become friends; goals and objectives and results shift and change.” Within these pieces of fanfiction, then, fan writers are able to follow these decision trees with subsequent generations of characters as well.

Another avenue of access occurs when fan authors transpose historical narratives into the contemporary moment. Perhaps the best-known example of this modern alternate universe [AU] conversion is the television program Sherlock, which takes Arthur Conan Doyle’s Victorian detective into the twenty-first century. While new cultural contexts appear, the essence of character is meant to be retained. Just as Sherlock uses text messages and blogs to substitute for telegraphs and handwritten journals, fans of Montgomery reimagine the relationships between her characters as if they were taking place online.

For instance, “Work in Progress” (2012) by verity postulates a friendship between Montgomery’s most famous heroines, Anne and Emily. In this piece of fanfiction, Emily circumvents Aunt Elizabeth’s injunction against fiction during her time at Shrewsbury High by becoming a blogger who is restricted to the “truth.” The story’s online summary, a part of which reads “Anne rolls her eyes. ‘Is your aunt really going to know if you cheat on your nonfiction with some hot prose on the side?’” shows how the story preserves the character qualities that Montgomery laid out, complete with references to the Murray pride and Anne’s orphanhood. Mr Carpenter’s admonitions are spelled out at the beginning of the story:

“Emily Byrd Starr has a sticky note on her desktop. It reads:

ITALICS

CAPITALS

!!!!!

“just”

“really”

CTRL+F!

It is almost like having Mr Carpenter in the room with her.”

Verity creates humour through the juxtaposition of contemporary social media and allusions to Montgomery’s source text. Another story by verity detailing Rilla’s romance with Ken Ford and her friendship with Una Meredith, “Rilla of Toronto,” takes place mainly through instant messages. In this story, Rilla reflects on her life from eighteen to twenty-five, tracing a continuum from her child self to her new adulthood, underscored by verity’s translation of Montgomery’s work into contemporary millennial language.

A third type of fanfiction narrative, the gap-filler, focuses on and expands the implications of the source texts. Moira Walley-Beckett’s Netflix/CBC series Anne with an “E,” as Laura Robinson shows in chapter 12 of this volume, is somewhat fanfictional in and of itself: as Robinson points out, the show fills gaps by bringing to the fore the darker currents that have always been beneath the seemingly untroubled waters of Anne of Green Gables, including Anne’s potential post-traumatic stress disorder from the disturbing life she led before coming to Green Gables. This kind of versioning and adaptation tacitly permits fan authors to feel that their versions are just as valid as those produced by professionals. Gap-fillers frequently expand on romantic pairings and in fandom are often referred to by portmanteaux of characters’ names that perpetuate some inside joke or work as puns. “Shirbert” – a moniker for Anne and Gilbert – is the latter, and demonstrates how fans posting on sites like Archive of Our Own (Ao3), Fanfiction.net, and Wattpad (this last generally populated by younger fans) develop their own language to identify their stories within the community for which they write.

One such story, “You caught me staring, but I caught you staring back,” by Anuka, clearly inspired more by the television series than the novels, begins with an author’s note that reads, “I decided to write some fluff for these two, because I need more Shirbert moments, and season 2 is so far away. I added gifs to make it more vivid.” Here, the romance between Anne and Gilbert as depicted by Montgomery and Walley-Beckett is not sufficient for the reader-turned-writer. Anuka wants the gaps in the narrative to be more fully explored than they are on either page or screen and to be made more “vivid” by the inclusion of images that help make the story come alive.

Similarly, “Rilla Blythe’s Wedding: A Not Entirely Comprehensive Account” by Scylla also fills a gap: Rilla and Ken’s wedding day, a scene that Montgomery leaves to the reader’s imagination at the end of Rilla of Ingleside. Modelled upon other accounts of weddings within Montgomery’s fiction, the story also suggests that accounts of Walter’s death have been gravely exaggerated, as he makes a stunning appearance at his sister’s wedding. In order to align her work with Montgomery’s novel, Scylla ensures that Little Dog Monday’s awareness of Walter’s death remains, but makes it only a technicality, writing, “His heart had stopped for a full ten seconds – long enough for his Captain to feel for his empty pulse and for Dog Monday to be jolted with the fullness of his death. Little dogs, after all, can only have tender dogs’ hearts. Grief to Dog Monday was an all-consuming thing, and when Walter’s heart began to beat once more, he was deaf to its spark of joy.” After meeting with his eldest sister, Joyce, in heaven – which is, as he had always hoped, Rainbow Valley, Walter is returned to life so that he may write of peace as well as war (as he did when he was a boy), marry Una, and repair the broken hearts of readers who did not want to lose him.

While heterosexual pairings are the most prevalent in Montgomery fandom, there is room for queer imaginings as well.

This very popular genre of fanfiction, known as “slash,” is generally defined as stories that centre on samesex romances between characters, particularly between men. Montgomery slash fiction usually stars Walter Blythe.

One slash story, “but i don’t know who you are” by @freyafrida, imagines a bisexual Walter. Told in an enduringly popular sub-genre of fanfiction often referred to as Five Things Plus One (which involves a series of thematically linked but not necessarily chronological scenes), the story is summarized by @freyafrida as “Five people Walter thought he wanted, and one person he didn’t notice until it was too late.”

This last person is original to Montgomery’s text: Una, whose apparently unreturned attraction to Walter is woven through Rilla of Ingleside. The other five potential partners are all alluded to as Walter’s close friends, beginning in childhood with Alice Parker from Anne of Ingleside and Pat Brewster from The Blythes Are Quoted and then carrying on through adolescence and young adulthood with Faith Meredith, Ken Ford, and finally Paul Irving from Anne of Avonlea. While his feelings for Faith and Ken are clearly unrequited, Alice, Pat, and Paul all express their own desire for Walter. The inclusion of the famous poet and Walter’s “model” uncle, Paul Irving, in particular, particular, illustrates how traits of sensitivity and aesthetic appreciation that challenge traditional ideas about masculinity are frequently interpreted as queer by fan readers and writers.

In another slash fiction, cero_ate’s “The Moving Finger Writes, and Having Writ Moves On,” Walter discovers his homosexuality while fighting in Europe:

He wrote half truths and lies once more, when he wrote his Rilla that he could not form poems of the depths of the war. For who could write his sister of the phallic love he had found? He had found his reason in a tow-headed American boy. He meant so much more to Walter than mere friendship could explain. He wanted to write, as sweethearts write, of the tempest of joy in the darkest night. But how would they understand? How would they even try to understand he sought not the Dark Lady of Shakespeare but the youth, fair and Wilde? When he was presented with Una’s faithful heart, he spurned it. When his tow-headed darling presented his own, Walter took it, greedy for him. His grecian style love, the boy who’s [sic] eyes danced, even in the darkest of days. He would do anything to keep him safe. But he could not present him to his family, for their scorn or pity. War had broken him, but made him as well.

While male/male pairings are generally the most popular stories in fandoms, Montgomery’s novels, peopled as they are by communities of girls and women, require that readers who want to queer the text must explore what is called femslash (that is, slash fiction featuring two female characters).

Such relationships have been explored within the academic setting. For instance, Laura Robinson remarks in “Bosom Friends: Lesbian Desire and the Anne Books,” that the relationship between Anne and Diana uses “the language that readers associate with adult romantic love rather than girlhood affections,” even as it is expressed through the heterosexual paradigm of marriage.

One fanfiction author, ArcticLava21, makes it clear that such fan written stories are not speculation but instead address key issues of representation. The author’s note to ArcticLava21’s short Anne/Diana story, “Nature,” reads, “Hello everybody! Hope your [sic] having a wonderful day. Before anyone yells at me for ‘sexualizing platonic friendships’ please note that this is for all those queer kids who grew up pretending. Pretending that he ended up with him instead of her, or desperately wanted representation. Are we good? <3 Enjoy yourselves lovely people.” The intended audience of the story, “queer kids who grew up,” again establishes the transgenerational kinship between Montgomery’s child and adult fans.

All fan fiction, shared on the Internet, exist in dialogue not just with Montgomery’s fiction but with the author herself, and between the fans who read the novels as children and adolescents and the adults that these readers become.

Whether fan writers extend the narrative or fill gaps, transpose chronology or to queer the text, these pieces of fanfiction allow fans not only to insert themselves into the narrative, but also simultaneously to revivify the original novels, published a century ago. In performing interventions to the text, Montgomery’s young fans grow up to reply to the discussions that she began long ago in the pages of her journals and stories, ensuring that all three – author, reader, and text – are continually reborn into a conversation that will never end.

[prolibytherium]

This 1,336,866 word The Beatles fanfiction is my white whale

[thefirstknife]

Peeked at twitter again unfortunately, and apparently people are mad that this week's seasonal story update was shorter? Literally it's a season that launches with the expansion. Every single one of those was smaller and lighter on the content.

Personally, I am enjoying that this season's storyline isn't too demanding. Clearly I love when we get a lot of lore, and we still get the usual initial dialogues, a lot of new weekly mission dialogues, ending dialogues and radio message + 2 lore pages. I have so much shit to do with Lightfall AND the exotic mission launched today which added so much new stuff to do so I was super glad that I was done with the weekly story in like 20 minutes.

Obviously the story was shorter due to the exotic mission launching alongside it. This seasonal story is also shorter in general, with only 6 weeks (6 lore pages to earn) which I am honestly relieved about because there's so much Lightfall content that I'm barely catching up with and there's the pinnacle grind that's kicking my ass because I don't want to die in every activity because an enemy looked at me. I get so overwhelmed with content when an expansion launches and there's also seasonal content. Sometimes I wish we got no season with the expansion.

So many people want things to slow down a little because we simply do not have time to grind 24/7, but then there's strange people who want a weekly update to require 6 hours of investement I guess. And of course everything in those 6 hours has to be brand new content, never before seen. If I see a single blade of grass that has been used as texture before, then Bungie is lazy. Obviously. /s

The only legitimate problem with this setup is for people who didn't get the expansion and only have the season. Their season is then not the exact same quantity as others. But it's never those people that make these complaints.

[n7punk]

i want a neopets nostalgia website you can't log into, it just always looks like you're logged in to the original site circa late 2000s and the main purpose of the fansite is just to recreate the feeling of going onto neopets to do your dailies as a kid. you can click around the world map, and take something from the omelet even though you don't have an account and thus an inventory, and you can spin the wheels, and you can go look in the shops even though you cant really buy anything, and you can go play the old flash games because they've been converted somehow, and maybe there's even a fabricated issue of the neopian times you can check. like it's all very simplified and obviously entire sections of the site like the battle dome would be missing, but you can Get That Feeling again just by poking around. no accounts, so no logging in needed and no large server space or cybersecurity required for the host (not that the real neopets ever had the latter), i just want to click on little secrets on the world map and play the hannah trilogy or ice cream factory or caves & corridors again

[unproduciblesmackdown]

fascinating lens on taylor's goings on in s6 there re: Romance. epic win that they have rian turn them down but i'm also really not sure why they did. oh you know, rian who's always defined by being so prudent [montage of actually pretty much everything seemingly defining rian has been pretty anti prudent] like ok w/e

but we start out with taylor Particularly Unmotivated By Work and instead watching a The Bachelor beach proposal which involves extasis through this Reality(tm) pastiche of romance. i am assuming. wherein the journey Ends with this transcendent all-consuming joy upon the realization of said Romance for one contestant. then when their somehow still bestie mafee (relevant tangents about how all taylor's relationships seem to involve their having an approach where they have low standards like "well but i guess this is all i can get / expect" including that they can't even necessarily expect shit they like/enjoy/are at all supported by, while readily accepting whatever blame/reproach from others) is like "gee but are you really happy" they're apparently inspired to pursue happiness by pursuing romance. which they seem to consider is possible only through rian, intriguing here when the entire basis of their dynamic seems to be [trapped in work hell together] like boy we have nothing outside our jobs? i sure hope we can be Everything to each other then :) and how it's even more baffling that rian is completely unbaffled by this development when you might operate on some assumptions like "you should have ever seemed to enjoy any interactions you've ever had" to consider choosing more vulnerability and more time / effort spent on this relationship, and "you also don't need to have Found Fault with someone / otherwise have some grievances or dislike of them to not want to date them" especially if rian's apparent sense of responsibility for taylor's theoretical negative feelings about rejection supposedly doesn't involve thinking about any power dynamics, she just feels the need to repeatedly reassure them she'd actually Love to date or have sex but she's just so set on not dating through work, b/c of the complications, that she's never considered not having casual sex with bosses and also never mentioned this stance to turn down winston nor done anything but revel in how he might feel about even being rejected as a conversational partner. too prudent to mention it. certainly also a relevant matter that it Need Not Be Explained to anyone that winston for one is excluded as a potential Romantic partner for pretty much everyone i guess. whilest as this potential mirror to taylor, he's not only considering specifically rian w/"we're similar; let's hang out; i'd like to have sex maybe even" (though winston's sexuality, like his communicative capacities, is also simply Not Allowed) but also seems to be like "i guess this is all i can get / expect" or hanging on for a long time to the possibility of Otherwise at his own expense or taking blame / whatever pretty egregious treatment like. taylor being willing to talk to wendy still is akin to winston still being willing to talk to rian. though maybe that's changed by the end of s6; it'd be very warranted after the pretty make or break [rian & winston Share An Interest; hang out outside work about it] moment there and also after Everything Else on its own, just like how it'd be very warranted if taylor expecting Nothing Better from wendy could turn into their hardly being willing to interact

anyways, sure is fortunate for taylor (or is it???) that Work becomes more enriching for them suddenly, and through someone with whom they have this promising personal dynamic with, a Peer with whom, in fact, they do both seem to find reward in interacting with each other / want and choose to do so, imagine, while [reiterating for emphasis]: they are both finding reward in interacting and feeling Complementary rather than only seeing exactly themself in each other, while having this respect for each other and flexibility and knowing they don't Have to work together, and may not always be doing so.

but most to the point it sure is something that the season starts off with taylor being dissatisfied with their work situation and responding by not being at work and instead watching people be overjoyed about their (also, relevantly, Peak Normal Correct Cishet) romance, though they don't outright claim to straightforwardly enjoy this. then they Do outright claim to us repeatedly, if ever begrudgingly, that everything rian does is worthy &/or sympathetic (and totally comprehensible and consistent so as to believably retain any sense of Character....) while every time they interact, it's a business meeting and one or both of them is unhappy about some part of it. but then once taylor's asked to think about their happiness Beyond Work they apparently are simply motivated to go ask someone out, and it may as well be rian For Lack Of A Better Option really, but then there's the wrench of "for some reason rian is unsurprised and not at all put off by this, or even just somewhat confused" and "for some reason rian's like 'sorry but no. fr im soooo sorry'" with these perspectives of [happiness Outside Work = romance] and [someone deemed Objectively Worthy = you'd of course at least consider romance, or else you must think actually they're Unworthy in some way, or have some more general Reason you'd reject others categorically in just the same way] (rian rejecting winston for unworthiness so much that she doesn't even need to bother actually telling him as much; rejecting taylor for [i don't date through work] with followups to reassure them it's Not the unworthiness) (that on and off paper winston & taylor have no reason to not be kissing but i think we can assume that won't happen, b/c billions itself may also assume we understand that [winston is unworthy] is just true. &/or that anyone Worthy understands as much)

so hoping that taylor has Some kind of enriching lasting relationship with philip, truly, which was the hopes for winston and rian but the updated hope is his enriching lasting disengagement with rian, f

[kimmkitsuragi]

little devil in my head is whispering me to play civ 6......... mustn't think

[prisonpodcast]

My house on the dreblr bedrock realm is so cute I’m gonna copy it exactly but instead make it out of oak on my new world

[peachypinkygloss]

places i know — jjk

i know places - lykke li, les matins - angèle

ᥫ᭡ summary: in which jungkook's heart beats for you, but he prefers to dismiss his feelings and to blame himself for getting hurt.

ᥫ᭡ genre: friends with benefits, university au, angst, smut.

ᥫ᭡ word count: 3.7k

ᥫ᭡ warnings: alcohol consumption, long and messy hair jk 🫶🏻, he's introverted & she's extroverted, opposites attract type of shit, unreciprocated love, unprotected sex, unprotected oral sex, praising, blowjob, clit stimulation.

a.n.: yeah so... i came up with this last minute. begging for feedback again 🙏🏻 because your girl is paranoid and thinks everything she writes is shit 🥹 (to be confirmed or denied, idk) i won't update for a while, pls take care of yourselves, guys. kisses x

The way between his last course of the day — his class situated in block E, literally the farthest part of the university, still not renovated since the creation of the school — and his car is familiar, repetitive.

It doesn't bother Jungkook, though. Not all that much, at least. It's part of his daily life and he prefers things to be consistent, always predictable. He likes having a routine, something he can rely on — something secured, a feeling of certainty.

And the way to his car is all that. Expect for one detail in his life that is almost too unpredictable, even more than the rain. He simply can't tell when it's about to happen because if he were to predict it, he'd have to let down all his little habits.

He'd have to set the notifications of his phone on, remove 'night time' mode in case he ever receives an unexpected text from an unpredictable person. Have to ask questions more often, questions that are direct and that the answers don't leave him overthinking all night, turning sides back and forth in his bed.

Have to stop putting on his headphones while exiting the university building to hear your steps on the wet cement, rushing to him from behind, already grinning to yourself, knowing he doesn't suspect your presence.

A few repeated taps on his back makes him tense his shoulders, and makes him turn his head back to see who's after him. You may be sudden, but he always knows it's you. You're the only person in his life that would message him at 3 a.m., proposing to meet up and then canceling at the last minute to only interpellate him on his way back home.

He's a bit sour about this, but he won't tell you.

It's your silly escapades that fill most of his days and nights, though. It's that little giggle that leaves your lips before saying 'let's go to the movie theatre' without knowing what films are playing, just because it's funnier like that, because it's unexpected. It creates unforgettable memories, develops stronger feelings.

He reaches for his phone in the pocket of his hoodie, pressing pause, slipping his headphones off and letting them hang around his neck. There's a smile on your lips, one he remembers kissing more than once, both drunk and sober. Most of the time drunk.

"You're ready?" A toothy smile, one of the best, the only one he always wants to see, always misses.

Again, nothing has been prepared, but being unplanned is your habit. Maybe a fear of being chained to a routine, something Jungkook is attached too, though it doesn't matter.

There's something about you, about your wild nature that has him obsessed over you. Opposites attract, but he doesn't feel like your opposite, he feels like he's complementary to you. Like a puzzle piece. Like partners.

He continues his way to his car as you follow him to it, stepping backwards to keep facing him, sometimes turning around, feeling the wind passing through your hair.

Jungkook looks ahead, only glancing at you when he feels your insistent gaze on him. He can't ignore you. Not because you take a lot of space, but because he wants to answer you, wants to hear what you have to say and he knows he's going to regret later for not questioning you.

"I didn't know when you were coming," he opts for, choosing something lighter than what he has on his heart, a feeling he's not sure he wants to acknowledge himself; when are you going to stop playing with me?

"Tuh-tuh-tuh." You stop in front of him, forcing him to halt his walk as well. "Don't ask me when," you say, raising your eyebrows and tilting your head to the side. "Ask me why, ask me where."

Jungkook chuckles, the proud lopsided smile on your face amusing him. How easy it is for you to deviate from the conversation, avoid something you don't want to give an answer to. Something you don't want to touch on. Almost too easy-peasy.

He doesn't catch onto it yet again, leaving the lead to you, letting you use your impeccable charm on him.

"Where?" He sighs.

"That's the best part!" You cheer, "Okay, you know that place I talked to you about?"

"Yeah," he confirms, a bit unsure, but memories and words of yours are fast at coming back into his mind. "Your secret spot?"

He cuts his question there because what you said isn't something he really wants to say out loud — wanna show you that place, feels majestic, you'll like it. Wanna kiss you under that big, big tree, sit on your lap, cuddle you, ride your cock.

It was cheeky when you said it, but he was giggling along with you, sparkling eyes looking into each other, vodka rolling on your tongues.

You were beautiful that night in your blue dress, fitting well with the colour of your hair and skin, making your eyes pop out more. And so are you now, wearing a cute top with that long skirt, Doc Martens at your feet.

That night, you were sexy. A wet dream, an erotic fantasy. Today, you're cute and casual, looking like the girlfriend he wished he had.

"Yup," you nod your head, "My secret spot," you repeat, smiling softly.

He doesn't respond with anything so it's silent for a short moment, the breeze making your hair twirl around your head. He tells himself, right now, that the world is yours. It's as if you were controlling everything; the wind, the weather, his heart.

"Come on, Kook," you insist, "I'm gonna tell you where to go."

The moon is shining brightly from where he is. Away from the city, from all the flashing lights and the roaring of cars. It's peacefully quiet. He likes it.

You're also on your back, looking at the night sky and the clouds. Pointing at one star, saying it's someone's puppy. You hope it's resting in peace, he tells you of course, don't worry. You smile, again. He loves it.

You pick out a flower; it's purple, maybe rather violet. A really soft violet.

You turn on your side, leaning on your elbow, staring at Jungkook — a smirk tugging at your lips. You extend your arm to wipe some of his hair away from his face, tucking the stem of the flower behind his ear. He doesn't stop you and closes his eyes as your fingers brush over his skin.

You replace his bangs, Jungkook's eyelids fluttering as you do so and for the first time, very first time, he's the one who destabilizes you.

"You're beautiful," he whispers, looking at you, noticing how your eyes instantly glance up at him when the compliment slips past his lips. Maybe it's the way you slightly raise your eyebrows, no sight of a smile on your face, rather a look of surprise, a look of 'nobody's words make my stomach twist as much as yours do'.

For you, it's the way that you know he means it, really thought about it before, told himself hundreds of times in his head. Fuck, this girl's beauty is unbelievable.

The grass underneath you is starting to feel cold. The sun is gone and you cruelly miss its light on your skin, heating you up as well as Jungkook's arms around you do, too.

"You, too," you say back. No 'thank you', but he'll go with that. He guesses it felt too intimate and he understands that. Well, he tries to, at least.

He brings a hand up to the back of your neck, the tip of his fingers feel cold against your skin, a shiver running up your spine and making the hair on your arms stand up. He pulls you down and presses his lips down on yours.

It's not hot, it's not messy or sloppy. It's warm, passionate and coordinated. God, he's so cheesy.

He's fucking in love.

You break the kiss, grinning when he looks at you with wide, sparkling eyes. You lift up the right sleeve of his hoodie over his forearm, revealing the couple of tattoos decorating his skin, a bit dispersed and distanced from each other. Jungkook's told you about his desire of filling up his sleeve and colouring some of his tattoos as well.

You point to an empty spot, raising your gaze up to him while saying, "I see a lily there. A tiger lily."

He looks down to his arm, then up to you. "Do you?" He questions.

"Yes," you bob your head, whispering softly. "Bright and orange," you add on, tracing the form of the flower on his arm. He watches your finger brush his skin delicately with a lot of care. "With the petals open."

"It'd be really pretty," he approves, his words making you smile.

You then take his hand in yours and bring his arm up, passing it around your shoulders. He says nothing when you lay your face down on his chest. He only tilts his head downward, smiling back at you.

Your breathing is calm and regular, sometimes letting out a heavier exhale. You trust him, he realizes, and it makes his heart swell, hurts him a little because this isn't enough of a reason.

Enough of a reason to acknowledge his feelings — acknowledge how fucking boring his life is without you and how he wants to spend each moment with you.

But he can't ask that from you, can't demand you to reciprocate his feelings. So he only hopes and wishes, hurting when he's not around you. Goes back to his routine that he so wants to give up on just to be with you, a wild soul who dreams of liberty.

"You didn't tell me why."

You giggle, not because you find it funny, but because you're happy he remembered and cares enough to ask you. Of course he cares, it's you.

"Why I brought you here?" You say while rising up from his chest, connecting your eyes to his.

"Yeah," he confirms with a short nod of his head.

"You're the only one I told about," you answer, "And I don't think there's anybody else I want to share this moment with," you tell him in a soft tone, one that you solely use to say the truth. "I just knew you'd like this place as much as I do, and I want you to come here whenever you feel like it. It's our spot."

'What's mine is yours'.

It can be platonic, it can be friendly, but fuck, there's nothing platonic in the way that you look at him with stars in your eyes, wanting to give him to the world just because it'd feel like the right thing.

You seem so serene while telling him this, and Jungkook can't ignore the 'what if's' that are forming in his head. What if we come here daily until the snow comes and covers the grass? What if we carve our initials on that tree?

What if this secret means more to him than it means to you?

And then it hurts again.

He loves you.

Loves you in a way nobody else ever will because what he has, what he feels, is unique. Everybody's feelings are different, that's why you'll never find someone like Jungkook, that's why if you want him, you need to claim him.

But you probably never will. It's not your kind, not something you're willing to do. 'Don't want to sacrifice what we have', you once said. 'Girlfriend, boyfriend — what does it mean?' you responded when Jungkook jokingly called you "the perfect girlfriend" with too much alcohol in his blood.

Fucking ruined the mood. Why so fucking mean... when he knows you, knows the best parts of you that are down to earth, lovely and sweet, so many qualities in one single person.

But you're entitled to your stupid values.

And he continues to love you as he asks where to go now and you answer all too pouty that you want to go home, his home.

You insist on having vodka, knowing where he hides it, the top cabinet where you can't reach. Have to beg him with puppy eyes to let you have a glass. A tiny glass.

He tells you that you sure as hell gonna have a tiny one. You smile, thanking him. He drinks with you because there's no way he's letting you break his heart absolutely sober.

He loves you maybe more — well aware that he's going to regret it — when your sloppy tongues meet in a heated kiss, impatient hands slipping under each other's clothes.

He grabs a tit, earning a moan, you take a fist full of hair, eliciting a groan. The way to his bedroom feels far, far away, but he knows you're going to reach it, you have to.

Your body is one of the few things Jungkook's familiar with. He knows the way to your pussy, knows where to hit and touch. Knows also the way to your heart, just there in your rib cage, under your sternum.

He fucking knows, but you won't let him and so he keeps his hands away from that part of your body.

The sheets are just an excuse for being his for the night.

Just for the night, leaving before the sun rises.

Whatever.

He moans as he lets you engulf his cock in your mouth, flat on your stomach between his thighs, one leg bent at the knee. He knows to be patient, not push you to do something you don't want to, but it's hard, really hard when your mouth feels like literal heaven.

His head keeps rolling back on his shoulders, hitting the headboard behind him, raising it back up to watch your lips slide smoothly over his length. His fists clench on either side of his body, mouth ajar to let out heavy breaths that you can hear from where you are.

There are times he doesn't really hold himself back, times where the bed isn't just an excuse anymore, but tonight, he feels a bit restricted. He doesn't quite know why, even though the answer's right in front of him. But Jungkook prefers hiding his head in the sand.

"Ah, fuck," he says breathlessly already, frowning as he concentrates on the feeling of your tongue on his cock, sucking him like you fucking mean it. "Baby..."

Another moan, elongated and whiney, a clear indication that you have an impact on him. You affect him — oh, you do so much.

Hesitantly, he grips your hair, not too tight, not pulling, just clenching his fist around it. It's enough to show you that he isn't indifferent to your touch. You know that, but you tend to forget it, tend to go see someone different, searching for something you'll never find in anyone else than Jungkook.

He whimpers as your nose touches his pubic hair, the tip of his cock reaching the back of your throat. He fucking shakes, fucking whines while you swallow around him, sucking the soul out of him.

You're greedy; you take everything, you don't share. Ask for more, come back over and over again. But you take, you don't give. Don't even pay back.

Do you realize it? Would be debatable. Jungkook's heart isn't strong enough to have that conversation, though.

You moan around his cock, a response to his little whines, happy you can procure him this kind of pleasure. You bob your head over his length, making a mess, saliva spilling at the corners of your mouth.

You cup his balls and Jungkook reacts instantly. "Oh, yeah- yeah, like that," he approves, hooded eyes staring at the way his member appears and disappears between your lips as you bounce your head up and down.

If he doesn't stop you, he'll cum very soon, and that's not something that he wants. Not in your mouth, not anywhere. He knows the moment he cums is the moment you also leave.

So there's some tenderness in his voice when he instructs you to come lay beside him, your back to his chest. He thinks this is his favourite position, at least with you. Fucking you is the only way he can get that close to you. He can forget about cuddles, but you'll let him fuck you in spoon because sure, it's a great position. Warm and sensual.

"You feel so good- oh, god," he shakily says under his breath, his lips beside your ear. He's completely nestled inside you, his soft breath caressing your neck — a kiss is given to your shoulder, another to your jaw.

When he starts to move, it's slow and steady, but his moans tells you how it takes a lot out of him to not move faster, not ruin your pussy, not fuck you totally dumb on his bed the way he always does so good when he has way too much alcohol in his system.

He lifts up your thigh, making a bit more space for him, his other hand sneaking between your legs to reach your throbbing clit. His dark bangs fall into his eyes, some strands sticking to his sweaty forehead.

You whine when his middle finger finds your bud of nerves, drawing atrociously slow circles on it, adding just the right pressure to make you want more, beg for more.

"Do you feel me, baby? Feel my cock in your tight little pussy?" He hums in your ear, turning you crazy from the husky tone of his voice. You flutter your eyes as you turn your head, glancing at Jungkook's face, his own eyes not knowing where to look — your lonely lips, your perky nipples, his hard dick stretching out your hole.

"Yeah, feel you so deep in me, Kook," you reply back, and fuck do you really feel him.

It's like your first time, still feeling him days after your encounter. He's big, that's a fact, but he knows how to use it, and you got to experience it. You're lucky you're the only girl he wants to be inside of.

He groans when you clench and unclench around him, his cock completely covered in your wetness, sliding in you so smoothly, nothing restraining him at all — apart from his own intrusive thoughts.

He shifts his hand higher on your thigh, parting your legs wider from each other, now beginning to rock his hips against your ass. His head taps over your sweet spot repeatedly and you let him know by moaning out loud, babbling littles 'right here, Kook. Fuck, right here'.

You reach behind you to pass your fingers through Jungkook's soft black hair, his pink lips smooching the side of your throat, cherishing your skin in warm kisses. You place your other hand on top of his that is operating between your legs, doing quick circle motions over your puffy clit.

He drives his engorged cock in your wet pussy back and forth, totally out of breath, but refusing to stop, at least not until he has you spasming around his girth. You arch your back, frowning your brows as you feel the knot at the pit of your stomach tighten.

"Shit, you close, baby? I feel you sucking me in like crazy," he chuckles, a bit too lost in his own lust, loving how he feels so connected to you right now. You seriously can't be closer to each other than that.

You nod, and he says that he is, too. You whimper, almost feeling him in your guts, cock entering and exiting your quivering hole at a rapid pace that rips your breath out of your lungs.

"Gonna make you feel good," he promises. "Cum around me, sweetheart. Fucking cream my cock," Jungkook encourages and it doesn't take you much more to reach your high, thigh shaking in his hold.

And when it hits you, it hits you hard. You cry out his name, a sound he never wants to forget, limbs shaking from the intensity of your orgasm. Your velvety walls close around him tightly just the way he loves it, just the way it makes him come closer to the edge as well.

His hips jerk up, his skin slapping against your ass. "Ah, fuck, yeah," he rasps out, wetting his dried lips, "Good job, shit... Gonna cum," he praises and warns you at the same time, your orgasm being the cause of his own.

Jungkook steadies his hips and he fills you up, emptying himself inside your cunt. He shoots his hot cum in you in long, thick ropes, cock twitching. You moan with him, liking the familiar sensation of his release painting your walls white.

"Christ," he chokes out, laying his damp forehead on your shoulders, his chest heaving up and down rapidly.

When he pulls out, you immediately turn around to face him. You don't say much, just the usual to not make it awkward. He appreciates it, won't admit he wants to chat till 3 a.m., though.

The next morning is somewhat gentle, but it has a bitter taste. Your side of the bed is empty, the only remaining trace of your body being your perfume. And the soiled sheets underneath him.

He would have liked that all of this was only a dream, but no, it was yesterday. His eyes are puffy from the night of sleep he had, or maybe from tears.

He wonders where you are, when exactly you left. He misses the touch of your hands on his back, your fingers passing through his hair.

Those are the kind of mornings he hates. The awful and aching truth eventually coming back to him because he forgot the night before when he was with you.

And then the cycle repeats.

He goes back to class, puts his headphones back on, and turns on night mode. Clears his mind off of you — well, he tries to. He goes back to the places he knows, avoiding you religiously until he can't say no anymore.

.

.

.

[lyralit]

ᴛɪᴘꜱ ꜰᴏʀ ᴡʀɪᴛᴇʀꜱ [ꜰʀᴏᴍ ᴀ ᴡʀɪᴛᴇʀ]

don't let your skill in writing deter you. publishers look for the storyline, not always excellent writing. many of the greatest books came from mediocre writers—and also excellent and terrible ones.

keep writing even when it sucks. you don't know how to write this battle scene yet? skip ahead. write [battle scene here] and continue. in the end, you'll still have a book—and you can fill in the blanks later.

find your motivation. whether it's constantly updating That One Friend or posting your progress, motivation is key.

write everything down. everything. you had the perfect plot appear to you in a dream? scribble down everything you can remember as so as you can. I like to keep cue cards on my nightstand just in case.

play with words. titles, sentences, whatever. a lot of it will probably change either way, so this is the perfect opportunity to try out a new turn of phrase—or move along on one you're not quite sure clicks yet.

explain why, don't tell me. if something is the most beautiful thing a character's ever laid eyes on, describe it—don't just say "it's beautiful".

ask for critique. you will always be partial to your writing. getting others to read it will almost always provide feedback to help you write even better.

stick to the book—until they snap. write a character who is disciplined, courteous, and kind. make every interaction to reinforce the reader's view as such. but when they're left alone, when their closest friend betrays them, when the world falls to their feet...make them finally break.

magic. has. limits. there is no "infinite well" for everyone to draw from, nor "infinite spells" that have been discovered. magic has a price. magic has a limit. it takes a toll on the user—otherwise why can't they simply snap their fingers and make everything go their way?

read, read, read. reading is the source of inspiration.

first drafts suck. and that's putting it gently. ignoring all the typos, unfinished sentences, and blatant breaking of each and every grammar rules, there's still a lot of terrible. the point of drafts is to progress and make it better: it's the sketch beneath an oil painting. it's okay to say it's not great—but that won't mean the ideas and inspiration are not there. first drafts suck, and that's how you get better.

write every day. get into the habit—one sentence more, or one hundred pages, both will train you to improve.

more is the key to improvement. more writing, more reading, more feedback, and you can only get better. writing is a skill, not a talent, and it's something that grows with you.

follow the rules but also scrap them completely. as barbossa wisely says in PotC, "the code is more what you'd call 'guidelines' than actual rules". none of this is by the book, as ironic as that may be.

write for yourself. I cannot stress this enough. if what you do is not something you enjoy, it will only get harder. push yourself, but know your limits. know when you need to take a break, and when you need to try again. write for yourself, and you will put out your best work.

[covetyou]

sleepless

ao3 ⋆ main masterlist

pairing: Joel Miller x f!reader rating: Explicit (18+ only!) warnings: unprotected PIV, creampie, fingering, cumplay, pet names (baby, sweetheart, darlin���), mild praise kink, very mild dubcon (sleepy reader), bratty reader, no use of Y/N. word count: 3.5k summary: It’s been days since you last got anything resembling decent sleep. You’re exhausted, but more than that, you’re angry. Every little thing is pissing you off, and you just want to be left the fuck alone. Joel, ever the gentleman, has a solution to your sleeplessness, and your bad mood.

A/N: This was an out of body experience and I don’t know how it happened. Seriously, I stood up out of bed and wondered what the fuck I’d done. I haven’t written a single thing in an entire year (and that was for a funeral), and I have never written smut and don't know what I'm doing. So. Enjoy?

This one is for all of us who get really grouchy when tired. Or hungry. Or if the phase of the moon just isn't right. I see you honeybuns, and so does Joel.

follow @covetedfics and turn notifications on for updates on future work

terrible graphics by me

“What's got your panties in a bunch?”

You were in a shit mood. It was a shitty day, and you were in a shit mood and Joel was not helping.

“Nothing.” You huff out. Totally believable.

Joel runs his tongue over his teeth, eying you. “Okay… You need to go make yourself come or somethin’?”

You slam your mug on the counter, hot tea sloshing over the edges with the force. ”No Joel, I don't need to fucking come.”

It was true. You didn’t. What you needed was to be left the fuck alone with your bad mood and misplaced rage. What you needed even more was to get some goddamn sleep.

“Right.”

“Just fuck off, Joel.” You say. And he does.

An hour later and you still haven’t left the kitchen. You haven’t seen Joel again either - he knew better than to bother you when you were like this. He’d just piss you off more, which hardly seemed fair when he wasn’t the one to piss you off to begin with. You were the one to piss yourself off to begin with. You’d barely gotten more than a full night's sleep across 4 whole days, you were tired as hell, and the sleeplessness-induced irritation was starting to seep into every part of your day. You didn’t want to inflict your bad mood on anyone, but you would if it came to it, just to be left the fuck alone in peace and quiet.

Slamming doors as you tidy away the things you'd used that day, you continue to stomp around the kitchen. It was your mess. You'd used the coffee pot. You'd used a mug, a spoon, a plate. But it still pissed you the fuck off and you were trying to conceal the blind rage that was flowing through you.

You slam yet another door, putting a plate away - why did you use a fucking plate instead of eating over the sink - and suddenly your front is crushed against the counter, a warm, solid mass pushed against your back and strong arms boxing you in either side. Joel. You could hit him. You could fucking hit him. But you don't.

“Fuck off, Joel.” You say through gritted teeth, gripping the counter in front of you.

“When did you last sleep?” He growls in your ear. You feel his warm breath ghost the side of your face. How the fuck did he know. As if it wasn’t obvious.

You don’t answer, and he nudges a shoulder forward, momentarily pushing you more firmly against the counter to get you talking.

“At night.”

Scrubbing a hand over his face, he sighs. “Which night, smartass.”

You’d taken the opportunity given by the movement of his arm to slip out from where he’d pinned you. You were not in the mood to play this game.

“I don't know.” You sneer at him as you fold your arms over your chest. It may have been childish, but you didn’t care.

“Yeah you do.”

“I said I don’t -”

“Yes. You fuckin’ do.” He was stern now, pointing a finger at you, daring you to be a smartass one more time. “Because I know it sure as fuck weren't last night.”

Busted. “The night before.” Looking away, you busy yourself with folding a dish towel.

“Really.” It’s not a question. Joel cocks an eyebrow at you with a twist of his head.

Shrugging your shoulders, you mumble back to him. “Couple hours.”

“And the night before that?”

“Didn't know you were the fucking Spanish inquisition.”

He cocks an eyebrow. Again.

“A couple fucking hours, Joel. Now fuck off and leave me alone or I swear I'll -”

He grabs you as you’re about to slap the dish towel onto the counter in anger and pulls you forward into his chest. His nose is practically touching yours and his eyes are impossibly dark.

“Shower. Now.” He means it, but you resist, trying to pull from his arms. You're pissed off. Now is not the time for him to be telling you what to do.

“No, I-”

“Get in the fucking shower.”

You can feel your top lip preparing to curl itself into a snarl. 

Instead, you turn on your heel and head for the shower.

You’re still damp, wrapped in nothing but a towel, when you exit the bathroom.

“You done?”

Joel is stood there at the foot of the bed, his t-shirt already discarded somewhere in the room. His belt is unbuckled and he’s beginning to unbutton his jeans and pull down the fly. You can’t help but stare. The sleep-deprived rage that’s flowed through you all day feels an awful lot like arousal when your brain is too muddled to know which way is up. And when you’re looking at Joel. Especially when you’re looking at Joel. 

You gawk at the hard planes of his body. Broad shoulders, muscle built from years of working on construction sites, and a softness around the edges given to him by the comforts you know he loves so much.

It’s only 6pm. You were now more tired than angry, some of your anger washed away in the shower, somewhere between scrubbing your body and rinsing conditioner from your hair. 

You float toward the dresser and open a drawer, planning on readying yourself for bed - you suspect that’s the plan anyway. “Shower and bed” is your usual routine, after all. You distantly register that he’s talking again, but the words don’t compute until he’s twisting your head toward him with a firm finger on your chin.

“No panties. Get on the bed.” He cocks his head toward the plush bed in the middle of the room. You don’t move. “Get on the fucking bed.”

Dropping your towel, you move to the bed. You’re compliant. So tired you’ve given up. So tired, the rage can’t take hold in the same way any more. So tired, you’d do just about anything to get a few hours sleep. The fight in you has all but fucked off. For now.

Your limbs feel like lead as you pull yourself onto the comforter and fall back somewhere toward the center of the mattress. You’re too tired for grace right now. You just need to sleep. If only you could fucking sleep.

There’s a rustle of discarded jeans, and a moment later, the mattress is shifting under Joel’s weight and the heat of him radiates up you as he shifts his body on top of yours. At some point your knees were knocked apart and his own had settled between them, but you don’t remember exactly how. All you're focused on is the heat of him. 

A large hand ghosts over your hip, down the soft swell of your thigh and between your legs. He starts stroking gently at the soft skin of your inner thighs. Moving up, and up, and up, he switches sides just before meeting the apex of your legs and moves to give your other thigh attention.

You don’t know if you’ve been breathing, but you’re not dead yet so you must have remembered at some point. All you know is you’re somehow sensitive and numb in equal measure - feeling everything so harshly, but so distantly.

Soft kisses are being pressed to you - your neck, jaw, temples, chest. Up and down, just like his hands. The movement of him could send you off, but the heat above of him is burning through you too much for you to be lulled to sleep.

Swapping from side to side, he caresses your soft flesh until he’s so impossibly close to your center yet not close enough to be touching. A soft sweep of his hand over your cunt, and you’re pulled from your daze with a jolt.

“Joel, I said I don't want to come.” You try to be firm, gripping his arm and lightly tugging, but you don’t want to be. You do want to come. You’re tired, you didn’t want it before, and you’re being stubborn because fuck you always are, but now that he’s here - now that he’s there - you want it.

“I ain't makin’ you come. I'm gettin’ this pussy wet so I can fuck it.” He says it so matter of factly you could headbutt him.

Instead, your mouth falls into an o-shape and you stare at him. Your grip on his arm weakens, partly with your resolve, and partly with exhaustion.

“I -”

“Shut up.”

“But I -”

The firm fingers that were caressing your thighs so softly a moment ago are suddenly gripping your chin hard, and your eyes snap directly to his. “I said shut the fuck up.” He lands a gentle peck on your lips before releasing you, trailing his hand back down the contours of your body. His nose brushes up and down the side of your neck and jaw, occasional soft kisses being pressed to the sensitive skin there as he breathes you in. 

You are floating.

His fingers meet your folds again, relentlessly teasing and stroking the softness of your labia, a flare of something coursing through you that stokes a fire no longer built of rage, but arousal.

Joel looks down the stretch of your body as he feels at your entrance, parting you with two fingers. Teasing, he swirls his finger tip just outside of you, collecting the veritable oil slick you'd generated in the last few minutes of his careful teasing.

“There we go. We got there, huh?” He almost sounds condescending and you want to slap off the smug look you know is on his face.

“Now. Here's what we're gonna do.” He murmurs into your ear as he still teases around your cunt, dipping a little further in but never down to a knuckle. 

“You're goin’ to shut the fuck up and take what I give you. Then you're goin’ to go the fuck to sleep whether you like it or not.” 

He pulls his finger from your cunt, and before you have a chance to protest the loss of sensation or his instruction, he’s slipping the slicked finger between your lips. Your brain stutters to a halt and all you can do is gently suckle on his digit, tasting the sweetness of your own pussy.

“That taste good?” He strokes your hair, your face, and a soft whine escapes you. “Yeah I know it does baby.”

He brushes your hair back as he takes his finger from your mouth and puts it into his own, tasting the remnants of you. You stare at him, dumb from sleep, dumb from the wetness you know must be dripping out of you. 

“I know.” He coos as he sits back on his haunches. His heat is so far away now, and you almost whine again until you feel him notch at your entrance. Your eyes widen. “I know.” He pushes in the weeping tip of his cock - you don’t know how long he’s been hard but you can feel it- and slides in with a gentle thrust. Rocking his hips, you take more and more of him until he slides home and pushes his hips until they’re flush with yours. 

You are so impossibly full, stretched without much warning, and your mind so deliciously blank that breathing has to become a conscious effort.

He pulls out slightly, giving you room to breathe, before pushing back in, deeper than before. “That's it. You take it. You're getting your medicine now, huh? I'm goin’ to come in this pussy and you're goin’ to go the fuck to sleep. Ain't ya? Huh? Answer me sweetheart.”

Practically going cross-eyed with the effort, you look him in the eyes. “Mhm.”

“Good. There's a good girl. Just take it and then you'll sleep. You been needin’ this. Too damn pissy for your own good to be able to ask for what you need.”

He’s fucking into you so deep, so gently that you can do nothing but quietly gasp with each rock of his hips into yours.

“Once you get some come in your pussy that'll send you right to sleep.” He’s right. You know he’s right and it’s all you want. You need it, but words are lost to you so you nod your head softly, before letting out a deep moan. He’s pushed himself even deeper and he’s holding there for a moment before releasing. He repeats the action a few times, and your moans get higher and higher pitched.

“I'm goin’ to get it nice and deep, just how you like it. This is where you need it, ain't it?” He pushes low on your stomach. He’s always been big, but like this he feels even bigger. You let out a whine. If you had the energy to sustain your rage and be fucked, you'd be furious at your own pathetic noises, but you were so past any of it.

“Yeah.” Too sleepy and too cockdumb, it’s the first word you’ve been able to utter for what feels like an hour.

“Oh, baby, I know, you're so tired.” He tuts and picks up the pace of his movements, his solid length slowly drawing out of your messy cunt before punching back in.

Maybe if you were even more tired, the smooth, rhythmic movement of his hips slapping against yours would let you drift off to sleep, but it has the opposite effect. You can’t possibly sleep now. You need him, you need more. He’s everywhere but not everywhere enough and your arousal pools and drips down from your needy hole, down the crevasse of your ass and onto the bed below. 

Words are gone again, so you whine, high pitched and needy.

“You're taking your medicine so good baby. So good.” His words shoot right fucking through you. You could come. Oh fuck, you want to come. But you don’t know the words anymore - you don’t know any words.

So you whine again.

“Oh, it's okay, it's okay.” He shushes you, kissing your temple. “I know what you need.”

He doesn't tease. He simply brushes a hand down between your legs, never breaking the rhythm of his cock thrusting in and out of your dripping cunt. He splays his fingers around your pussy for a second, feeling his length as it slides in and out of you, collecting your wetness in the process.

Those same fingers trail up and find their place on your neglected clit, circling lightly.

He searches your face, waiting for the connection of his fingertips with your clit to register in your eyes. There it is.

“That's it, huh? That right there.” He adds a firmer pressure to his fingertips as he swirls them around your slicked clit. Your eyes have glossed over and you let out a keening whine at his ministrations, your pussy already twitching around him. 

“Thank you. Thank you.” It’s barely a whisper, but it’s words, so you’ll take it.

“Oh now she's polite, huh. Gettin’ what she needs and suddenly she remembers her manners.” He teases. Asshole.

He was so good at this. All of it. He knew the exact buttons to push, the exact way to get you wet, the words to say, the way to be. If you wanted it hard he'd give it hard, if you wanted it gentle he'd give it gentle. And this, some delicious no-man's land in-between where his movements were gentle but his words were somewhat harsh, was sending you over the edge.

The rhythm of his fingers and cock is so in sync, so perfect, that you feel your whole body begin to quake as the beginning of your orgasm flares through you.

“Oh that's it, you fucking come. You come. Didn't even know you needed it huh. Don't even know your own pussy like I do, baby. You needed all this. Needed my cock in you, feelin’ so good, needed to come around me.”

Your walls flutter around his rock solid length, gripping him, and your legs clench, trying to snap shut but unable with the press of his body between your thighs. Your orgasm washes over you, briefly blinding you and you feel Joel’s fingers and thrusts speed up, fucking you through it and rocking you back and forth as your mouth opens in a silent scream. 

One ragged intake of breath later and you go limp against the mattress. Joel stills, removing his fingers from your oversensitive clit, stroking at your arm and making you twitch.

He nuzzles his nose into you and gives a deep press into you with his hips. You gasp and open your eyes. His face is softer now - no condescending wrinkle of his raised brows, no smirk.

“You gonna play stupid next time? Huh?” He softly traces a finger over your chin and mouth.

“No.” You try not to pout at him, you really do. You’re not sure you succeed.

“You gonna ask for what you need when you need it?” His finger moves to trace over your nose, your forehead.

You nod, soaking in the feeling of his hands, acutely aware of his cock still impaling you so deeply. “Mm.”

“Good. Good girl.” He mumbles into your mouth, kissing you, licking at the seam of your lips.

With a sudden movement he pulls out and snaps his hips forward, swallowing your gasp with his mouth.

You’re fucked out and exhausted, but he’s not finished.

“You're gonna take this come now.” He practically whispers it, and you want to scream with how it reignites every nerve ending in your body to his touch. “I'm gonna come in this pussy and then we're getting those panties on you.” His head ticks over to the dresser, where the drawer still lies open from earlier. Oh. You’d forgotten about that.

“Then, you're goin’ the fuck to sleep.”

“Mm.” You nod weakly. You'll do anything. Anything he says.

“We'll deal with the messy panties when you wake up, sweetheart. See how much of a mess I make in you.” 

His movements barely speed up, barely get harder, but you know he's close. He’s been close for a while - he likes it when you fight but he likes it when you’re feeble too. 

"Yeah. Ohhhh - fuck - yeah." He doesn't stop moving, fucking you in the same steady rhythm as he empties himself deep into your cunt, thick ropes of come filling you and making you feel even more impossibly warm and wet as it leaks out of you already, still stuffed full of Joel's cock.

"Fuck. There we go.” He says with a sigh, stroking your shoulder and kissing your neck. “There we go baby.”

His cock twitches as it starts to soften, but he holds it, and his come, inside of you for a moment until it’s an impossible task.

You’re delirious from the orgasm, from the constant rhythm of Joel’s fucking setting a metronome up in your body, and from so little sleep.

A deep kiss is pressed to your lips, you try to catch it and return the pressure, but your reflexes are so slow that he’s away and sliding out of you before you can even register what’s happening. Another stroke of your shoulder and his weight is suddenly off of you completely.

You could float away without him there to tether you down.

Distantly, you hear the slide of a drawer in the dresser. You're dozing when he slides one foot then another into the legs of your panties, before pulling them up your legs to your knees. Fingertips ghost up your legs, and meet at your dripping core. He looks at the mess made of your pussy, clicks his tongue, and he fingers some of the escaped come back into you with two thick fingers.

“Up.” His voice gruff with post-orgasm relaxation and his fingers still gently moving inside of you. You lift your hips, probably barely, but it's the most you can give right now. Joel shimmies them up the rest of the way with one hand, and pulls his fingers from inside you once they're settled in place.

He rubs the soaked seat of your clean panties. "We'll keep that right there, right where you need it.”

"Mm." You nod, barely seeing him now through the haze of your sleepiness and that post-fuck haze. He was right. You did need it. He was always right.

Another soft kiss is pressed to your temple, and you feel a soft caress across your arms, shoulders, neck, face. 

Just as you register the cold you feel without him on top of you, you feel the weight of a soft blanket fall over you. Your eyes are impossibly heavy now, but you realize you haven’t been seeing anything for a while anyway. You almost don’t recall ever being angry - your frustration from the day flipped into arousal so quickly, and melted away with the waning of your orgasm.

“Sleep.” His voice is so deep and so inviting. Your body so relaxed and ready to give in to him, give in to sleep.

You’d been chasing sleep for weeks, only for it to evade you. Being given dregs of what your body would let you have. But this time, for the first time in weeks, you don’t let your eyes fall closed, you close them. You don’t let sleep take you, you take hold of it. 

“Sweet dreams, darlin’.” And you’re gone.

follow @covetedfics and turn notifications on for updates on future work

[paper-mario-wiki]

Hi, sorry if this is a weird question, but do you ever feel lonely in tf2? I've been playing for a few months now and while it's mostly been fun I always get this dreadful feeling when the match ends and everybody leaves. I also haven't made any friends which makes me sad. Have you made friends and if yes, how?

that feeling of loneliness has existed in the heart of every TF2 player since the Meat Your Match update.

it is difficult to meet people in casual unless you're an active participant in chat, or somebody else goes out of their way to interact with you specifically.

i find it really enjoyable to type in chat (even with the chance that 40% of the time i do it's spammed by bigoted jerks), and at the beginning of most of my games i start by sending "hi everyone! im googoo. lets all have fun together ok?" and more often than i get called annoying or cringe, im met with people saying "hi googoo!" and "gl hf!" (good luck have fun), which feels nice.

be ready to up and leave games if things become TOO heinous (what constitutes "too heinous" is up to your own discretion), but also dont be afraid to stick it out and talk with some of the other weirdos who play this 17 year old game.

sometimes, talking with people who are dickheads can be fruitful too.

one time, i was playing in casual and i met a stereotypical edgelord toxic tf2 player. they were typing shitty things in chat and had a bigoted name on one of their weapons. i called them out, and said "that's a weird way to act, most people will find it odd". as a result, they were teasing me and calling me names during the game, but i still played along side them. after a while, when they noticed that i was still being a helpful teammate to them and letting them take health packs/extinguishing them/protecting them, they were like "why are you helping me after i was a dick to you" in voice, but i ignored them. from then on they werent verbally abusive anymore.

the game continued, and they were speaking more in voice chat, specifically to me mostly, but i never responded. and after a while they said disappointedly "did googoo mute me?" and i said "no i didnt mute you." and he said "why do you still help me? even after ive been an asshole" and i said something along the lines of "i want to be a team player, and you are a part of my team. i dont want to be vindictive, because i dont think that's right. it wouldnt be helpful. i just wish you were a kinder person" and they said "oh. ok" in a really sad way.

after the game they left this comment on my steam profile.

and a few weeks later, they deleted it without another word.

the point of this story is that even as unapproachable as people seem, and as unapproachable as they will make themselves, every person playing has some degree of rationality and understanding, and they want to be a part of the normal social world too. some of them just dont really know how to.

[maraczeks]

friends s1 thread pt 1

[kpop]

K-Pop Spotlight: DAY6

Come one, come all to a K-Pop Spotlight that is sure to dazzle and delight ’til the final curtain. This week, all eyes are on DAY6 following the release of their eighth mini-album, Fourever, and brand new title track, "Welcome to the Show." We caught up with the band to discuss their goals as they approach their 10th anniversary and their ever-growing connection to their fans through their music. Check out our full interview below!

Tracks like “Welcome to the Show,” “The Power of Love,” and “Get The Hell Out” seem to have very different themes. Can you tell us a little about how these songs relate to each other and what aspects make this album cohesive?

SUNGJIN: As we pursue the idea of being a 'band that sings every moment,' it seems like our albums, including the recent one, prioritize diversity in songs and situations rather than unity. Consequently, our albums contain various genres and narratives. However, there seems to be a commonality in most songs, depicting situations that everyone has either gone through or might experience.

Young K: First and foremost, I would say this album is a compilation of the best songs we could create. There's definitely a theme of love running through it. "Welcome to the Show," "The Power of Love," and "Get The Hell Out" all talk about the concept of love.

What goes into creating titles for DAY6 songs and albums, especially those that don’t come directly from your lyrics? Do you find it hard to condense the intentions and themes of a song into a title?

Young K: While there have been cases like that, all the songs on this album came from the lyrics. Sometimes, when choosing a title, we select the one that best describes the song—other times, we choose to give it a twist or make it more intriguing.

WONPIL: Naming songs involves a lot of deliberation. We often contemplate which title will catch the eye and capture the song's essence. Usually, we try to take it from a verse in the chorus. This can be a challenging part of the songwriting process.

Is there a creative project you’ve always wanted to work on but haven’t gotten the chance/found the time?

SUNGJIN: I'm very curious, and have a principle of "trying to experience as much as possible." There are so many things I want to try musically and personally, especially among the things I know but haven't tried yet.

DOWOON: I hope we can have a song that we can collaborate on with My Day, like a choir.

What does your work/studio setup look like? Where do you feel the most creatively inspired?

DOWOON: We try to keep the studio as tidy as possible and make it comfortable for practice sessions.

WONPIL: When working on songs, we talk a lot. We get inspiration from little conversations, joking around, sharing stories, and listening to music from various eras regardless of genre while giving opinions. We also try to build emotional connections with the songs. There’s a lot of communication going on. The songwriting process takes place in the studio of our long-time collaborator, composer Hong Jisang, with whom we've been working together since our debut.

How do you want to evolve as a musician/producer?

Young K: I want to be eagerly anticipated and awaited as an artist. Without those who wait for us, we wouldn't release or even step onto the stage. So I’m always thankful for My Day.

WONPIL: My biggest goal is to make good music for My Day and the public, so I think I'll continue to ponder. When working on songs, I pour my sincerity into them. I constantly strive to express this sincerity musically, fully capturing the emotions I want to convey. I hope to create songs that can still be listened to even after 10 or 20 years.

Design your own Tumblr blog: choose an aesthetic, a blog name, and would you be a frequent poster or lurker?

SUNGJIN: I think I’ll use it to catch up on friends' updates. For the blog name, THUMB BLUR sounds good to me. I might end up being a lurker who never posts.

DOWOON: Maybe a blog for plants? I think I'll post it like a diary.

Want more DAY6? Check out their new mini album Fourever and the music video for the title track “Welcome to the Show,” both out now!

[delulustateofmind]

Marriage-Life (One-shot)

A/n: Thank you all for all the love on the Between Worlds series! I promise an update next week. This is just something I thought about while on my walk with my dog :) SUPER FLUFFY!

**Also, it is unedited so fair warning, like a rough draft!**

Word Count: 1.8K

Summary: Collections of domestic life with Azriel, married/mated for fifty years. 

Warnings: Fluff & crack at times, drinking, some intimate moments. Pet names (Sweetness, My Love, Baby)

Azriel the spymaster was your mate, the most handsome man you’ve ever laid eyes on. Balancing life with a spymaster was no easy feat. Azriel’s frequent absence on risky missions tested the boundaries of your marriage at times. Yet, amidst the challenges, you found solace in the ways he made up for his prolonged departures.

Like sleepless nights in bed after a long mission…

As you settled in settled into bed, with Azriel lying on your chest, his breathing growing heavy as his eyes were closing. A question tugged at your lips. “Would you…’ you began, hesitating for a moment. ‘Yes, I would love you if you were a worm,’ Azriel hummed, his warm breath grazing your skin.

“Love me if I was a snail” You finished, feeling Azriel’s smirk form against your chest. He gave a soft nip on your breast. A deep sigh escaped his lips as he opened his eyes to look up at you. The hazel eyes looked up at you with amusement you could see his smirk turn smug. 

“Oh sweetness, that changes things” he drawled as he sat up a little, pushing himself up to see your face. You bit your lip trying not to giggle as he continued. 

“I mean, are you a normal snail? Like could I tell you apart from all of the other little snails?” Azriel began, his deep voice filled with a teasing tone. His hand roaming your bonds, fingers caressing your curves. 

You stifle a laugh as his fingers find ticklish spots, “I would be a cute snail, one that you could distinguish from the others”

“A very cute snail…but the fact remains. You would still be a snail” Azriel hummed as he ran his fingers across your curves again. His gaze goes down to your body and back to your lips and then your eyes with a playful grin. A grin that only you ever saw. “I would feel so guilty if I stepped on you by mistake. Can’t have that, can we?” 

Giving him a playful pout, you look at him innocently. “Are you saying…that you wouldn’t love me if I was a snail?” you whisper to him in a soft gaze, as you notice his movements. Azriel grinned again, pushing himself onto his elbows against you as he moved closer to you. His wings continued to drape across the both of you. 

“What I’m saying is I would always have to worry about stepping on you if you were a snail. Which would make being married to you quite the headache.” His hand once rested on the curve of your waist, moved its way to your collarbone then your jawline, and finally to your chin. Tilting your head as he brings himself closer to whisper on your lips. “How about you stay fae my love, maybe in another universe we could be snails together. But this one, I would love to be fae with you.” A gentle kiss was planted on your lips, which led to you both having a very sleepless night. 

****

Azriel never really had much of a sweet tooth, in fact, he typically stayed away from sweets until he met you. When you both got married, you would try out a new cafe once a month, sometimes going to the same one if their seasonal menu changed. 

“Let’s get ice cream today, it’s starting to get so warm out.” You whined as you slipped on a sundress. Azriel in the middle of brushing his teeth as he shrugged and gave the confirming nod. 

One of the best things about Azriel was that he always tried to match your outfits. If you wore a blue ribbon in your hair, he would wear a blue button-up shirt. If you wore a floral sundress, he would find a shirt that matched one of the colors. Today wearing a blue floral sundress, he opted for a light blue button-down and khaki slacks. One of which, he never owned any colorful clothing or anything other than his leathers and a few formal outfits until you two met.

Once you were both ready, Azriel took you on a flight down to the Palace of Hoof and Leaf. A district is known for its food. Once landed, you both walked hand in hand. Shadows trailing the both of you as you walked. Azriel’s huge hand compared to yours as he guided you to a cafe. 

“Feyre mentioned this place the other day” he began as he guided you through the busy streets. His wings were tightly tucked in. “I guess they make the ice cream look cute, like little bears and pigs” he gave you a warm smile as you trailed next to him, giving him a confirming squeeze with your hand. 

The streets were packed today, the market was selling spices, the smell of delicious food filled the air, and merchants trying to gather attention as people walked past. It wasn't until after a few blocks away, that you noticed a cute pastel pink building that had “Ice Cream” written in a beautiful cursive font on the window. You moved your hand from his, moving it towards his bicep as you both walked to the front doors. When you grasped his muscle, he flexed. The pastel-pink building exuded a quaint charm, its exterior adorned with delicate floral motifs that seemed to dance in the sunlight. Inside, the decor was equally inviting, with plush cushions and paintings on flowers on the walls. Along with cute stuffed animals on shelves around the parlor. A beautiful fae girl led you both to a table and placed a menu in front of you both. Azreil looked at you. “Order anything you want. I will just share with you”

The menu was filled with a tempting array of ice cream parfaits, each more enticing than the last. Ranging from little animal-themed ones to flower ones  You ended up ordering the panda, and right when you ordered you noticed there was a drink menu that showed an adorable foam cat latte. You order it as well obviously. Azriel smirks as he looks at you with a smile. People in the ice cream parlor glanced over. A smile from the threatening looks of the spymaster was quite rare. 

You both talked about what other errands you both needed to run, a market trip was due. Luckily Azriel won’t have a mission for a while but will be training with the Valkyrie and having to go to Hewn City soon. As you both talked, you very impatiently waited for the dessert, Azriel held your hand across the table. He was rubbing his finger across the top of your hand. 

“I appreciate you” He whispered so softly that you almost didn’t catch it. You give him a warm smile “I appreciate you too and everything you do.”

After what seemed like forever! 

The ice cream and latte finally arrived, you looked at the ice cream with a pout and looked at him. 

“I don’t think I can eat it, it’s too cute” you pout as you look down at the panda ice cream staring up at you. Azriel had already taken the latte and was about to sip it. As he raised a brow.

“Shall I eat it for you” he teased, flashing a playful grin as he took a sip of the cute cat latte. Something about this intimidating creature sipping a cute cat latte caused your heart to flutter. A blush made its way across your face, even after fifty years of marriage, he still makes you have butterflies in your tummy. You reluctantly used your tiny spoon that was given to you, to poke the face of the little panda ice cream ball on top. Tasting the ice cream, it was a cookies and cream flavor. So cute and so delicious. Azriel teased you by claiming you’re murdering him. You would flash him a playful glare which would cause him to laugh. It was moments like these, that you enjoyed being married to him. 

*** 

Drunken nights, meant drunken mates. 

Azriel arrived at Rita’s to find his mate giggling drunk next to Feyre who was being led away by Rhysand. Azriel’s mate however was still sipping on her drink as he walked over. 

“Sorry, I have a mate,” you slurred, raising a hand to Azriel’s face as he approached.

“Oh, do you? Is he handsome?” He teased in a low voice, taking a seat next to you. His wing brushing against your shoulder. 

“The most handsome man in the whole world, let me tell you if he caught you right now, you would be catching his hands” You drawled with a drunken grin as you sipped the rest of your cocktail. 

Azriel covered his mouth covering a laugh, “Is that so? So he’s like super powerful.” He teased, his tone holding amusement. One of his shadows trailing around your arm. 

You notice it and giggle, “Yeah, my mate has these little shadow things too” You point at the shadow and show it to him. He laughs a bit harder and leans closer to you. You almost immediately recognize him. 

“Hello! My mate!” You giggle as you lean your head on his shoulder. His arm slipped around your waist. “When did you get here, there was such a strange man here” you giggle as he holds you close, placing his chin on top of your head. 

“Just now, how about we head home? Hm?” He hums as he plays with a strand of your hair, leaning back a little to slide a hand under your chin to tilt your face to his to see your drunken smile with a red flush on your cheeks. 

“Can we walk a little?” You smile up at him as you slur a little.

“Can you even walk?” He teases in a low tone, “If you can then sure” 

He pays the tab and walks with you out. A hand firmly on your waist to stop you from stumbling when you both walk the streets of Velaris. If anyone even looks at you stumble they’re met with the glare of the spymaster. You notice a pigeon leaving his arms and make your toward it. 

Tears stream down your face. 

Oh fuc- Azriel almost thought you were about to throw up but here you are giving the pigeons coins while crying. 

“Baby please, he’s homeless” You give Azriel a longing look as big alligator tears stream down your face. 

“The pigeon?” Azreil covers his mouth from laughing, there’s no way his mate is crying about a bird on the street. This is one of her more normal moments. 

“Yes, and he’s so poor. I mean he had no pockets!” you slurred as your voice cracked feeling so bad for the poor pigeon.

“I’m sure he’s fine love, please leave the pigeon alone,” he says quietly as he pulls you up. Perhaps, winnowing home would be for the best.