#I hate the length

[lediz-watches]

Hazbin Hotel: Season One

Because I basically implied I was gonna do it.

I have watched the first season. If you've found my fics you know I had a lot of fun with it. So now let's talk about it for what it is... so far. Because Alastor's semifinal scene... -gestures vaguely in mild frustration-

That annoyed me more than the end of Squid Game season one, now I think about it. But let's come back to it after we talk about the show as a whole.

Because I did really love it!

So the basic story, as per the pilot, is that the Princess of Hell is sick of Heaven killing her people every year, and so dreams up a rehabilitation centre, with the idea that sinners can redeem themselves and get into Heaven. But unfortunately, Heaven has their own agenda, and has actually decided to completely wipe out every sinner instead. The first season covers six months as the princess desperately tries to prove her hotel works before the next time Heaven's exterminators arrive. Spoiler that isn't a spoiler because the trailers said so: she does not.

And the fact that's not a spoiler is ultimately the flaw of the show. In eight episodes, they couldn't afford for that to be a spoiler - it was just an inevitable fact.

The long and the short of it is that the story of Hazbin Hotel's season one should have been at least eighteen episodes. I'm not saying that as a hater - I understand that this show was a risky, expensive sell, and eight episodes would've been tough to convince anyone to produce. They did great with what they got.

The animation on this show is genuinely amazing for its style. They skip the details in weird sections, but there's movement when it matters, there's character work, there's gorgeous little DETAILS. The soundtrack is great. There's only a few songs I didn't love, and the actual voice work is amazing. This was a well produced show.

But it was too short for what it was doing.

We needed an episode for each individual character, instead of sharing each one between two. I actually didn't mind Alastor not being in half the episodes, because of his whole deal, but when he was, we should have learned more about the overlords and gotten more foreshadowing. But we just didn't have TIME. So we got these snapshots of amazing characters and I just honestly couldn't bring myself to care about them.

Like Sir Pentious. I actually loved his story, and especially his final episode, but I'm pretty sure we spent like ten minutes with him IN TOTAL, so like... who the hell cares?

And I said in my post about the pilot that the show was going to hinge on Charlie for me, and... it didn't. It really didn't. Because she's... not developed enough. I simply didn't understand her motivation - or perhaps the word is 'believe' her motivation. She's this all-loving princess... from Hell. She loves her people... and wants to kick them all out of her kingdom? Not once in this series did I genuinely see an example of Charlie LIKING Hell. She LOVES Heaven when she goes, and she SAYS she loves her people, but... frikking show it, woman.

And the annoying thing about that is that because we didn't have enough time to develop her character, I don't know if that was intentional. Because there are a couple of instances that make me think it WAS. There's a subtle sort of cruelty in Charlie that could have been very, very interesting if I could trust that it was intentional. She rakes Angel Dust over the coals without noticing, she lovingly goes along with Alastor tearing strips off her Dad's already fragile emotional state, her way of saying that Heaven is going along with her is to gleefully point out "they're at each other's throats!", she's got nastiness in her, and... yet no one mentions it. So maybe it's not supposed to be cruelty, maybe it's just the writers are kind of nasty, and maybe I'm just looking for something outside her physical form that marks her as the princess of Hell.

Instead, I was sold on Hazbin Hotel by Vaggie, of all characters. Who in the pilot, was just THERE, as far as I was concerned. But her story of redemption and being saved by her ability to love, and having to confront who she was versus who she wants to be? That was lovely. I bought that. I would have liked more time with her to see how she used that love, but it was beautiful for what it was. I enjoyed Vaggie's character.

Husk and Angel were a nice little love story, but as I said in the other post, I wasn't there for it. I respect their episode, it was technically amazing, and I am in awe of everyone involved in the creation of the Poison sequence, while Loser, Baby has joined multiple of my spotify playlists, but... yeah, that's all I have to say about them. Enjoy, fandom, I know you love them. But I don't care. Their contracts are way more interesting to me than their characters, I'm sorry.

Niffty, the little darling. I love her. I love what she did. But she's comic relief and that's it. I have no further feelings about her. I am actually okay with that, as long as that's all the show wants me to feel about her.

But then... Alastor.

Oh, Alastor. You fucked up sacrifice to Heaven, Hell, and Fandom.

I mean, obviously I love him. Amir Talai is amazing, Alastor's design choices are fascinating, and the titbits of legitimate character we get from him, verbal or not (THOSE STITCHES) are sweet ambrosia, but... But.

I wouldn't mind if Alastor wasn't actually important. If he was just there to provide world building - if his whole deal was just sitting in the radio tower to introduce and close off each episode like the Greek Chorus, occasionally descending to connect the characters with people outside the Hotel, I would be very happy.

I would also be happy if he was actually a main character, working either for or against Charlie. I loved his scenes with Vaggie, and Charlie, and his duet with Lucifer was amazing, BUT.

He's NOT. EITHER. OF THESE THINGS.

As of episode eight, I'm not even convinced Alastor is actually a character! At this point I wonder if Alastor isn't actually a mask that Eve, of all people, is WEARING, and the man we think we've been getting to know sold himself to her to protect someone he cared about and hasn't been sentient since the day he died. GOD I hope that's just a crackpot theory borne of frustration because I AM FRUSTRATED with the hints and bits and pieces. And THAT is how I left the series as a whole. Frustrated.

Because just as the show IS amazing despite its pacing, Alastor IS a great character. I love Chaotic Neutral chaos goblins that save the universe because they're one of the idiots that live there. But by episode eight, I wanted some kind of closure. By the end of that episode, I wanted to be sure of whether I was rooting for Alastor to knock Hell out from under Lucifer's depressed feet, or for Charlie to save him from himself.

And like I said, right now, I'm no longer even sure he's REAL. And if all this just turns out to be Charlie's legitimately good intentions against Eve's revenge scheme... That's... egh.

That's less interesting to me. That's not a story of choice and redemption, that's just yet another love conquers all story and guys, I grew up on Sailor Moon too, but... can we try a new one?

Give me Charlie being confronted with her own motivations, and learning how to actually LEAD. Not just... repeat Vaggie's story of fighting for the people she loves on a grander scale.

(Oh god... I just realised how much that would cheapen Vaggie's story. Oh god, please don't do that!)

There's a theory that I saw that I'm a little in love with, about Alastor actually having been sold to Heaven AND Hell by his mother and father respectively, and that his arc is legitimately about him trying desperately to free himself from both. And THAT is an interesting story, and an interesting way for Charlie to grow, as she has to learn to realise that sometimes you get put in crappy situations and you can dig, and fight, and struggle, and all it does is drag you down deeper. Recovering from THAT is rehabilitation.

And that's the story I want at this point.

And I just don't think we're gonna get it in another eight episodes. Not when the Huskerdust nation must be appeased and Lilith's whole story needs to play out, and...

But. Whatever. I did love this series, and I will be watching it again, and if they release the soundtrack on CD I will be buying it, and if the show gets a DVD release I'll be buying that too.

But yeah. It was not long enough to be deep enough, and I end it frustrated.

...I'm gonna go listen to the soundtrack again.

[elitisim]

so, i hit 1k sometime in the beginning of June ✨🥳. Which means my incessant yapping about absolutely nothing on every post I make and multiple months-long unannounced hiatuses didn't scare all of you off yet, so thanks for that y'all.

No, but for real tho, I genuinely want to express my gratitude to each and every one of you for putting up with me and all my BS, so my 1k+ gift exclusively consists of hairs requested by YOU!  Which is totally about giving back to the community that has supported me and NOT just an excuse to dump all the requests that have been sitting here piling up for months.

there are only 7 hairs in the preview image but a bunch of these are from sets, so all-in-all you're getting 17 female hairs!

INFORMATION:

None of this is my original work! All mesh credit goes to @sheabuttyr, @ebonixsims, @daylifesims, @simstrouble!

Set contains 17 hairs for for Teen ➤ Elder Females

due to how the meshes where made the Poloma Passion Twists and Monae Beads don't have root/tip controls so they’re only 2 channels the rest are 4 like normal.

credits, preview pictures, links to originals, poly counts and individual download links for every hair is under the cut.

polycounts are ALL over the place. Lowest hair is +10k, Highest one is +32k. Please reference the list under the cut before downloading!

Files comes in two flavors: Merged and Unmerged

Both types contain the exact same type of stuff (package file and preview images) except version one is one big merged file and the version has individual files.

[DOWNLOAD MERGED]

[DOWNLOAD UNMERGED]

[PICK AND CHOOSE]

Tagging list: @pis3update, @naturalhair-sims3, @xto3conversionsfinds, @kpccfinds

@simstrouble Adeline Braids//22.2k poly// requested by @paigeywaigeyy

[DOWNLOAD]

@sheabuttyr: London Locs // 16.2k Poly //requested by @thesirensims

[DOWNLOAD]

@daylifesims: Honey Sun Clover Dreadlocks v1// 10.8K Poly //requested by anon

[DOWNLOAD]

@daylifesims: Honey Sun Clover Dreadlocks v2// 10.9K Poly // Under hats // fully recolorable// 1 channel// requested by anon

[DOWNLOAD]

@ebonixsims: Monae Beadset V1//32.7K Poly! // Under hats // Recolorable beads 4 channels//no tips or root controls due to mesh//requested by anon

[DOWNLOAD]

@ebonixsims: Monae Beadset V2//30.5K Poly! // Under hats // Recolorable// 4 channels//no tips or root controls due to mesh//requested by anon

[DOWNLOAD]

@daylifesims :Honey Sun Alfalfa Braids v1// 10.1K Poly // Under hats // fully recolorable// 1 channel// requested by anon

[DOWNLOAD]

@daylifesims :Honey Sun Alfalfa Braids v2// 10.1K Poly // Under hats // fully recolorable// 1 channel// requested by anon

[DOWNLOAD]

@sheabuttyr: Daija Dreads V1 // 28.6k Poly //requested by anon.

[DOWNLOAD]

@sheabuttyr: Daija Dreads V2 // 30.8k Poly! //requested by anon

[DOWNLOAD]

@sheabuttyr: Paloma Passion Twist V1// 25k Poly//requested by @paigeywaigeyy

[DOWNLOAD]

@sheabuttyr:Paloma Passion Twist V2// 25k Poly//requested by @paigeywaigeyy

[DOWNLOAD]

@sheabuttyr:Paloma Passion Twist V3// 25k Poly//requested by @paigeywaigeyy

[DOWNLOAD]

@sheabuttyr:Paloma Passion Twist V4// 25k Poly//requested by @paigeywaigeyy

[DOWNLOAD]

@sheabuttyr:Paloma Passion Twist V5// 25kPoly //requested by @paigeywaigeyy

[DOWNLOAD]

@sheabuttyr:Paloma Passion Twist V6// 25kPoly //requested by @paigeywaigeyy

[DOWNLOAD]

@sheabuttyr:Paloma Passion Twist V7// 25kPoly //requested by @paigeywaigeyy

[DOWNLOAD]

@sheabuttyr:Paloma Passion Twist V8/ /25kPoly //requested by @paigeywaigeyy

[DOWNLOAD]

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[poorly-drawn-mdzs]

The Quest Continues...

(part 1- part 2)

[disgruntled-lifeform]

On the left we have yak and on the right baby alpaca and together they become the softest most annoying thing I've ever spun

[hoshiina]

SOUSHIROU. 01  “i wouldn’t marry myself either” hoshina soushirou

Perhaps he had misheard you.

"What did you say?" he asked, wanting to hear what you said again.

"I'd marry you with paper rings," you said, absolutely certain.

It was definitely not the response he expected when he expressed his worries— his understanding of how you may feel.

"But," he started to say when you cut him off.

"But I would," you said. "Perhaps you think of my love as something so... grand? Something you don't seem to deserve?"

Hoshina stayed silent. While he had never thought it through, that was exactly how he felt. He could have everything in the world and he'd still feel too little for your love.

"I don't know. I'd love to know what you see in me, Soushirou. But I love you. My love is for you and you alone," you said. "I fear that's all there is to it. It's probably not as valuable as you expect... but it's all yours."

Oh, how wrong you were. That was precisely why it was so valuable. It was your love. Love from you. And here you were, telling him it was all for him. He didn't know how to react— he didn't know how to express such a grand happiness that washed over him.

"I'd do anything for you," he said, avoiding eye contact, and you gasped a little, but it surprised him too. He wasn't one to say such a line.

"But you wouldn't have to," you said. "Just tell me you love me every once in a while and I'm yours forever."

He turned to look up at you, eyes wide in slight disbelief almost, but the look on your face washed his worries away. Finally, a chuckle.

"I love you so much, you don't even know."

i was thinking about it and this is most likely inspo this fic by @/kazumist. been on the back of my head since yesterday absolutely gorgeous fic.

[becca-e-barnes]

Thinking so much about clingy, mutually possessive, filthy sex and how much I just need that rn

The kind of sex where you and Bucky just can't feel close enough to each other. You physically can't get any closer than you are, his thick cock buried so deep inside you but you still need more of him. He has nothing left to give you and you're glad because if he was any longer, you wouldn't be able to take the rest.

You're panting against his neck, whining out your frustration each time he slides home into your warm, wet body. His own groans are low, rumbling from his throat and hanging in the humid air of the bedroom you share.

"You know I can't fucking resist you. I can't." Bucky moans, grasping one of your wrists, guiding it between your bodies, encouraging you to play with yourself while he fucks you.

"I can't say no to you. Fuck, I'm yours." You hardly hear what he's saying over the obscene, wet sounds of your body accommodating his.

Your fingertips rub against your slick clit and the sensation is almost too much. "You're mine." You whine against his neck, using your free hand to claw at his back, driving him impossibly closer to you.

There's something reassuring about the feeling of his skin on yours. It's hot and sweaty but it's so comforting being naked with him, enjoying the pleasure of each others' bodies. You don't feel vulnerable communicating your pleasure to him; you feel understood.

"I am." He groans, eyes fluttering shut, lost in the way your body clings to him. "All yours. And you're mine, aren't you? My good girl."

It's a relentless build up, each stroke taking you a little further than the last and at some point, the band just has to snap.

"I am." You whine, barely able to manage any more words than that.

"You feel like Heaven. You were made for me. This warm, tight little pussy fits me perfectly." His body still isn't close enough to you, not that there's any way you could physically feel more of him.

"You take me so well, you know that? You take every drop of cum and you still beg me for more. Fuckin' love it." Just the very mention of Bucky pumping his release into you makes your walls flutter, dreaming of the feeling of his thick load shooting into you.

"I can't last like this." You hear him mutter and you're almost glad because you're not far off either. "Can't last when I can see that pretty face." His eyes meet yours and he pulls you in for a kiss that stifles your moans for a few seconds.

"Bucky, please." You groan when he pulls back, rubbing yourself just a little too quickly now that you've gotten desperate.

"Go on sweetheart, let me feel you cum for me." It only takes a few more strokes for your high to take over, pleasure rippling through you in a way that leaves your legs shaking.

You almost miss the start of Bucky's release, given how distracted you are by your own but the unmistakable throbbing of him inside you tells you he's reached his own peak if his moans didn't give it away.

[biggest-gaudiest-patronuses]

last of us tv adaption decided to make a Gay Romance For The Ages out of a Gay Pettiness Subplot and i respect that sm 💘but PLEASE recognize both r valid

[missmeinyourbones]

SUNA + THE FIRST TIME HE SAYS I LOVE YOU

send in a character + trope for a blurb

...

you should've been asleep. you're always asleep before him, so why would this time be any different?

suna knows the drill like the back of his hand by now. you fight off your inevitable slumber as hard as you can, trying to stay awake for no good reason until you eventually ignore his annoyances and succumb to sleep.

tonight shouldn’t have been any different.

"hey," a finger prods against your cheek, testing the waters.

when a groan bubbles from your throat but your eyes remain closed, suna knows you’re at the ‘barely hanging on to consciousness’ stage of your sleep schedule. he uses a hand to gently squeeze your cheeks together.

“stop.”

it comes out slightly muffled by your squished lips. he huffs a laugh through his nose, “what?"

you groan into the pillow, escaping his loose grasp.

"go to sleep," he whispers, and though you can’t see him, you can practically hear the menacing grin on his face through his tease.

if your eyes were open, you’d roll them. "i’m trying to."

and it’s routine, comforting to the two of you. suna waits there in the dark, like he always does, until your breathing evens out and replicates the deep inhales of when he knows you’re out for good.

he brings his finger back up to your face, but this time, instead of poking your cheek with the incentive of aggravating you, he runs it softly across your cheekbone and then down your jawline with purpose. he’s sure to notice how your eyelids don’t flicker at the sudden touch, how your breathing never hitches with his lingering fingers.

you’re asleep by his side. and just like that, vulnerability oozes from suna’s core.

so he mans up in the most pathetic way possible and presses a kiss to your head. between the space of skin and lips comes a muffled whisper that he’s been dying to say for ages now, but hasn’t quite found the courage to say clearly. 

"i love you."

it’s quiet for a moment, not a sound filling the room beside the air conditioner rattling in the window. and while suna plans to continue caressing your face, he freezes when he feels the smile growing beneath his fingertips. 

you open a single eye groggily, voice raspy when you perk up with a teasing, "what'd you say?"

"nothing," he responds quickly, trying his best to defuse the situation while simultaneously not making a big deal out of it. "you're hallucinating, go back to sleep."

"i was sleeping,” you continue to press, “but i heard something weird."

suna grimaces at your choice of vocabulary before grounding himself in your light tone. you’re not angry or upset, at least not enough for him to hear it in your voice. so he slowly eases himself back onto his pillow. 

"if you heard something, which you definitely didn't," he enunciates, "i don't think it was something weird."

"well if wasn't weird, then what was it?"

through the darkness of the bedroom, he can just barely make out your hopeful eyes, and he can imagine the giddy smile on your pretty face, so he exhales and swallows his pride.

"true," he admits, before hissing out in defeat, "and fucking embarrassing."

your laughter warms the bed and suna feels like he’s floating.

"true and embarrassing," you repeat through sleepy giggles, "just how i like 'em,"

his face is flushed as it hides in his pillow. "are you done making fun of me yet?"

he hears you shuffle in closer before he feels your breath on his arm.

"i will be if you say it again now that i'm awake," you barter.

"technically you were awake the first time i said it."

"rintaro," you whine, and when he doesn't give in so easily, you elaborate. "now that you know that i'm awake."

a bit more confident in his conviction, he brings his hand up once more to find your cheek. 

"i said i love you," he whispers, "like an idiot."

your laughter returns, and when you wrap your arms around his torso and press your nose in the crook of his neck, he can practically feel it warming his bones.

you place a kiss to his neck with a sigh of victory, "that's what i thought.”

a few minutes eventually pass in his hold, and suna would say you have to be asleep now, but he’s learned his lesson the hard way and isn’t one to make the same mistake twice.

and he’s glad because right before he drifts off himself, he feels your head rise from his chest and a gentle kiss placed on his chapped lips.

"i love you, too,” you press into his mouth like a secret, “idiot."

[hiseyeisonthesparrow]

Neurodivergent LDS culture is wearing the same exact outfit to church every week for 9 months straight

[b100ming]

Can't wait for Ghostflower to become canon in BTSV so all the toxic haters will stop saying sh!t to shippers.

Love you Ghostflower Fandom! You are real ones

[non-un-topo]

Trying to kick my art block by doing the opposite of an easy drawing

[sweetmapple]

Mostly Hiring manager, but HR manager and PR manager too

[mamawasatesttube]

“You haven’t laughed in a long time, and I guess I was staring ‘cause I forgot how that looked like.” with timkon maybe :) the sillies

The Batcave is draftier than Tim remembers it being.

He’s gotten used to his setup in his apartment building’s basement, and it’s a couple of degrees warmer over there. Probably because of the giant computer sans an entire cave to heat up.

Oh, well. That’s what capes are for. Particularly the ones made of blankets. And also thick, fuzzy socks. And fluffy pajamas stolen from Dick’s drawer (it’s not like he’s touched it in ages, since he’s off in New York, but Tim still hopes he’ll notice the theft and be indignant about it eventually).

Cold water drips from his hair onto the back of his neck, and he shivers. Scowls at the keyboard in front of him. He took such a nice, hot shower immediately after Kon got him back—getting tossed into the harbor in midwinter sucks—but the draftiness down here doesn’t care.

“Thanks for the tea, Alfred,” Kon says, somewhere behind him. “Are you sure you don’t want me to get the dishes? I really don’t mind—“

“Certainly not, young Mister Kent.” Alfred sounds almost fond. Kon’s got Ma Kent’s country manners drilled into his head; Tim has to admit it’s pretty cute. “You are a guest in this house. It would hardly be proper. Besides which, you’ve already helped me plenty by ensuring I don’t need to dig any bullets out of Master Timothy tonight.”

Tim resents that. He wasn’t in any danger of getting shot—okay, no more than usual, anyways. He was a lot more in danger from the guys who managed to chain a cinder block to his ankle and then threw him off a boat. However, since he’s a paragon of maturity and not an insufferable pedant, he elects to finish typing up his stupid mission summary while it’s still fresh in his mind, instead of arguing.

And then, the strangest thing happens:

Alfred squawks.

There’s a clatter of porcelain and a whoosh of air, and Tim whips around just in time to see Kon, holding Alfred’s tea tray in one hand, catch Krypto by the cape with the other.

“Dude!” Kon scolds. Krypto’s tail wags a mile a minute. “You can’t just do that outside the house! What is wrong with you? Oh, man, Mr. Alfred, I’m so sorry, he’s never done that to anyone but Pa before—”

…What did Krypto do?

Alfred scrubs the back of his neck with a daintily-folded pocket handkerchief, his face is filled with disgust. He examines the handkerchief, mustache quivering with indignance, and then sighs. “I do hope this is just regular slobber and not some sort of super-related variant."

Krypto barks once, excited, and prances in a circle around Kon’s hips, wrapping his cape around Kon until Kon sighs and lets go.

Tim—

Tim wheezes.

Krypto just silently snuck up and licked the back of Alfred’s neck?! And—and he used to do that to Pa Kent? Does he just have a thing for licking old guys on the neck or something? Or is he replacing one old guy with another, now that Pa’s dead? And he’s so pleased with himself now, sitting back on his haunches in midair like he expects a treat!

Tim laughs so hard his stomach hurts. Every time he thinks he’s gotten ahold of himself again, his mind just flashes back to the look of utter revulsion on Alfred’s face, and he loses it all over again.

By the time he catches his breath, Alfred has vanished, tray and all. He’s probably upstairs muttering derogatory things about dogs. Kon and Krypto, however, are still here; Krypto’s inspecting the crumbs on the floor where Alfred nearly dropped the tea tray, and Kon…

Kon is staring, the tenderest smile Tim has ever seen on his lips.

Oh. Um. Tim’s cheeks heat. “…What?” he huffs, folding his arms over his chest. “That was funny, okay!”

“Oh, yeah, no, I’m not disputing that,” Kon says absently. He’s still looking at Tim with that soft, adoring smile. “You just, uh… you haven’t laughed in a long time, and I guess I was staring ‘cause I forgot how that looked like.”

What.

Tim opens his mouth. Closes it again. Looks away, face burning. “Oh, come on. I’m sure I’ve laughed recently. Pretty sure I laughed after you fished me out of the harbor.”

“Yeah, but that was all, like, sarcastic and ‘ooh, look, I’m making jokes because I nearly just drowned in the smelliest harbor on the planet’, not ‘cuz anything was actually funny.”

Kon closes the distance between them and rests a hand fondly atop Tim’s head. His smile fades, slightly, and his hand slides down to cup Tim’s chin, tipping his face up. Blushing or not, Tim meets his gaze and holds it steadily, raising an eyebrow.

Kon just tilts his head ever so slightly, the same way Krypto does. He looks a little contemplative. That’s new; he never used to be nearly this introspective before. Dying and getting resurrected probably does something to a guy’s psyche, Tim supposes, but he wouldn’t know.

And then Kon asks, “Rob… Have you actuallylaughed at anything since I died?”

He may as well have just sucker-punched Tim in the gut. All the breath whooshes right out of Tim’s lungs. “I… I’m sure I have. I must have,” he says, and frowns. He can’t really think of anything that made him feel particularly light in the past year and then some, but… just because he can’t remember doesn’t mean it didn’t happen. Statistically, he had to have laughed properly at something, right?

Kon lets go of his chin to ruffle his hair. “Man,” he says, and sighs, dropping onto an invisible chair at Tim’s side. He’s close enough that their thighs press together; Kon’s a solid line of warmth against Tim’s body. He tosses his feet up onto an invisible footrest and folds his arms behind his head, leaning back. “You nearly done with whatever you needed to do here?”

“Nearly,” Tim says, glancing at the screen. “I think that’s enough details for anyone trying to pick up the smuggling case to use, if they wanna do something before I get to it, I guess.” Though he doubts anyone will. They’ve got their own cases to work on. He’ll get the weapons smugglers next time; they got lucky this time, that’s all.

“Cool.” Kon glances over to Krypto. Tim follows his gaze; Krypto’s inspecting the dinosaur now, floating up near one of its eyes. “Krypto, be careful with that!”

Krypto wags his tail in acknowledgment.

“I hope he doesn’t try to eat it,” Kon sighs. “He got ahold of a T-Rex bone this one time we went back in time—long story, it was that thing with Lori’s mom I called you about a few weeks back. But I just hope Krypto didn’t, like, acquire a taste for ‘em.”

Tim snorts. He hits save, then lets his head fall against Kon’s shoulder. “Would be kinda funny if he did, though.”

Kon snorts, too, draping his arm around Tim’s shoulders. Even through his sweatshirt and the thin blanket he’s using as a cape, Kon’s warmth radiates gently against his skin. The weight of his arm is… nice.

“Would be kinda funny,” Kon agrees, sighing fondly. “Anyways, you done with that thing?”

“Yeah.” Tim hums. “If you wanna go back to my place, we could do that, or if you’re busy, that’s chill, so…”

“Oh, actually, I’m kidnapping you,” Kon says breezily, and just like that, the familiar net of his TTK wraps around Tim’s body and scoops him up. “I’ve decided you need to laugh at something dumb some more, so we’re gonna go back to the farm and watch this one really weird anime about the composers that Bart showed me last week. Krypto! Come!”

What. “I didn’t even pack anything. Do I get a say in this?” Tim asks. Kon’s already heading for the exit with him in his arms, so he gets the feeling that he’s already got his answer, but still.

“No.” Kon grins. “Didn’t you hear me? I said this is a kidnapping. You’re already in PJs, and you can just borrow something to wear tomorrow. We got spare toiletries at the house. So it’s chill.”

Tim rolls his eyes. But, as they emerge outside under the starry night sky, he finds that he doesn’t really mind.

[mothielad]

Epic artists: Odysseus’s hair and beard get longer as the odyssey goes on since he doesn’t have access to hair cutting tools!

Eurylochus:

[wispforever]

exalt