#I have a lot to say about how this movie could've been better had they changed things like the characters personalities

[cannibalcreeps]

I just saw that you don't liked Maynard's character in Wrong Turn 5 either, and I have SO MUCH to say about it too. I watched the movie again and OMFG, what an insufferable and EDGY character, completely out of place, how can the kids be afraid of him? How is he going to hit SAWTOOTH???

LEAVE THEM ALONE DAMN OLD MAN DON'T TOUCH THEM DON'T EVEN LOOK AT THEM YOU ABANDONED THEM ALL THEIR LIVES AND NOW YOU WANT TO GIVE THEM ORDERS??? HOW DARE YOU

🥺👉👈

Compared to WT1 and WT2 he's a completely different character, I just dislike the portrayal of him and the boys cause they made Saw-Tooth so fucking dumb like?????? and Maynard could have been this awesome dad who is terrified of his sons because they're estranged to him, but he still wants to take them home The director and writers for the film just got our boys so completely wrong, how do we go from 'Protective big brother who will stand between them and hostile outsiders' to 'haha you asked for a hand here's a severed hand, oh no dad's hitting me' I will say it's kinda funny how he's mouthing off in the cell like 'My boys are gonna come here and get you and get me out' and in reality for the whole night they're just fucking around cause they were probably sick of being around that old messy wet fart, only going

Either way that depiction of the whole family just sucks ass, the three boys are just not themselves, they're pathetic, stupid and too cartoonily goofy and I think that's where things went downhill for Wrong Turn, some might say 4 is what made it go downhill but they're morons and don't know a good movie about brotherly interaction when it hits them in the face. It's 100% 5 where it all went to shit, 3 is also bad but not as bad as 5. I'll always be peeved about Saw-Tooth cowering away from being hit by a man barely reaching up to his chest like bro, you can backhand that wrinkly fuck through the wall! Wrong Turn 1 and 4 Saw-Tooth would body slam Maynard for just looking his way lol.

But yes fuck Wrong Turn 5 Maynard, i don't know what anyone who was making that movie was thinking, that portrayal of him sucked, doesn't fit the movies and just felt like he was trying to be the main villain star when it's meant to be the boys, like step down you old fucker you ain't even done anything throughout the whole movie other than get your ass caught, pathetic.

[sunsburns]

good luck, babe!

pairing: tashi duncan x fem!reader x patrick zweig x art donaldson

summary: patrick zwieg invites tashi duncan and art donaldson to join him at your engagement party. you think they came to celebrate you and your new chapter and put the past behind you, rebuilding lost friendships, but tashi hopes to stop you from marrying a man you never wanted.

—or: the trio crashes your engagement party

word count: 10k+ (i have a serious problem)

contains: SMUT 18+, smut with a lot of plot, post-challengers movie, fluff & comfort, angst, tashi’s pov but lowkey get's mixed up around the end, foursome, oral (fem receiving), oral (m receiving), p in v, unprotected sed (wrap it before yall tap it), homewrecking, cheating but also not cheating but also a worse third thing, three-way make out, four-way make out, dom!tashi, patrick being nasty, art being a loser, no use of y/n, situationship that lasts 13 years.

author’s note: this fic is based on this request with inspo from the greatest song on earth: good luck, babe! it was supposed to be a quick smut blurb but at this point, you all know i can’t write smut without some kind of angsty plot. everyone is super messy and there is some of the dirtiest smut i’ve written so far (it’s only going to get worse from here). this one is a roller coaster.

It didn't make sense to any of them, how you could've possibly ended up with him. 

Tashi remembered him from Stanford vividly. He came from a white-collared family, with daddy's money that bought him everything he could've ever asked for, yet he still wanted more. He played golf and polo and even dabbled with tennis but never had enough guts or skill to take it seriously. But his dad funded most of the programs and events at the school, so everyone had known him, his charm, his family, and his inability to stick to one thing even outside of sports. He clung onto a new girl every other week, a new girl wrapped around his finger only to be ultimately tossed aside like the rest of them.

"What a dick," Tashi remembered you saying once, stabbing your fork into your salad while glaring daggers at him from across the cafeteria as he bragged loudly to his fan club about how he beat you in a game of tennis. 

Which he didn't. 

You let him win. 

His parents had been paying you to coach him, paid you extra every time you let him win a set or two against you, even if it was off the record. God knows you needed the money.

"I think I'm gonna quit." You said, turning back to glance at Tashi.

"About damn time," she snickered, shaking her head. "I told you you're wasting your time with him when you could be doing something better. Like training with me."

You had rolled your eyes and poked her arm with your fork, "If I'm still trailing after him this time next week, shoot me in the head and put me out of my misery."

Almost thirteen years later, you're walking around with his ring on your finger at your engagement party. A party where your fiancé announced your upcoming retirement after a tennis career run that Tashi would’ve killed for: a six-time US Open winner; two-time gold medalist at the Olympics; and brand deals that would ensure you and the next four generations of your family lived happily under your trust fund.

Clearly, you weren't marrying him for his money.

It made Tashi anxious, because, in some way, she could see that the marriage you will have with your fiancé is far too similar to how Tashi's would have been if she and Patrick stayed together. 

Okay, maybe that was a reach.

Or maybe it's how it would've been if neither of you had gone up to Art and Patrick's hotel room that night. Or maybe it would've been Tashi's ring on your finger instead.

She couldn't shake the bitter taste in her mouth as she watched you laugh with him, your eyes lighting up in the way they always did when you were truly happy. It used to be her who made you smile like that. She remembered the late-night practices, the shared victories, and the quiet moments shared in the comfort of her dorm room. She remembered the promises you both made and dreams of dominating the tennis world together.

But she shouldn't dwell on the past, she shouldn't think about what-ifs. At least that's what Art tells her with a hand on her shoulder. Tashi glances at his hand, noting the wedding band that rests on his finger. The squeeze he gives is meant to be reassuring, but instead, it feels suffocating.

"I'll never know how he bagged her," Patrick tuts from her other side, a drink already in his hand. He holds it close to his mouth, biting the rim of the glass before taking a swig, his eyes never leaving you. His gaze is shameless, tracing the way your dress hugs your curves, how your hair shines under the chandelier lights, and the way your lips move as you speak.

"Lucky, lucky man..." Patrick shakes his head, a bitter edge to his voice.

A waiter passes by, offering hors d'oeuvres, and Patrick takes enough for the three of them for himself, setting his empty glass on the platter. As he stuffs an appetizer in his mouth, he begins to walk away, his eyes fixed on you.

"Where do you think you're going?" Art asks, his hand slipping from Tashi's shoulder.

Patrick spins around, mouth full, and shrugs. "To congratulate the future bride."

Art and Tashi stand there, watching, almost dumbfounded when they see Patrick sneak up behind you, wrapping his arms around your middle and lifting you into the air. You shriek, champagne spilling from your glass, but once you see who it is, a wide smile breaks across your face.

"Patrick!" Tashi can hear you from across the hall. Patrick lifts you again, hoisting you into the air. You wrap your arms around his shoulders as he spins you around, your laughter ringing out—a sweet melody that draws the attention of everyone nearby. "You made it!"

Tashi feels a pang of surprise. 

You and Patrick had been in closer contact than she imagined. It stings, a reminder of the distance that had grown between you after her injury, much like the distance that had grown between Art and Patrick. She never knew you had turned to Patrick for comfort. Though it made sense—Patrick was the one you invited, not her, not Art. Patrick was the one who had to ask if he could bring two guests instead of the traditional plus-one. 

But surely, you must have known that if you invited Patrick, Tashi and Art would come too, right? 

Right? 

The question churns a pit of dread in her stomach as Art starts to lead her closer to you out of courtesy.

Patrick's arms are wrapped tightly around your torso, his hand resting too low to be innocent, but you seem happy nonetheless. Happier in Patrick's arms than in the arms of your future husband. You embrace him close, the ring on your finger glimmering under the chandelier lights as you hold onto the back of his neck, your laughter finally subsiding as the spinning stops.

As Tashi and Art approach, the reality of the situation hits her harder. She's watching from the outside, a spectator to your happiness, feeling the sting of what could have been. She forces a smile; your engagement to the worst person in the world can't possibly be the thing that makes her break. Not after everything she's built since she started coaching.

Art tries to catch your eye, offering a polite smile once you let go of Patrick. "Hey."

"Hi," you say breathlessly, a bright smile across your face while Patrick swings his arm over your shoulder. You seem happy, almost relieved that Tashi and Art were here as if you doubted their attendance. "Wow, it's been so long. You guys look great."

"Thanks," Tashi finally says, the words weighing on her tongue like lead.

"You look beautiful," Art tells you, and it's rushed as if he's been trying to keep it to himself but couldn't help it once he was close enough to you.

Before you can get a word out, another arm wraps around your waist, discreetly pushing Patrick away from you to slide into your side. Patrick lets out an annoyed groan, stepping aside as your fiancé squeezes you tightly and says, "She does, doesn't she? Hey, killer."

You turn to him, about to say something, maybe greet him back, maybe introduce him to everyone. But he doesn't let you, he's leaning closer until his lips lock with yours. It takes you by surprise—you flinch at first before finally letting him kiss you properly, his hand cupping the back of your neck, pushing you as close to him as humanly possible.

Art lets out a low, awkward sigh while watching it happen before him, and Patrick rolls his eyes, stepping back in search of a waiter for another drink.

He holds onto you like you're a prize he's won. Almost as if he's been competing with everyone in the world to finally hold you and show you off. As if that's all you had to offer.

You blink, clearly embarrassed, as you clear your throat to disperse the awkward tension in the air. "These are some, uh," you stumble over your words before nodding towards Art, Tashi, and Patrick, "some old friends from college. I'm sure you remember—"

He's interrupting you again, reaching out with the hand that's not on you to shake Tashi's hand. He holds it tightly, his thumb pressing against her wedding ring. "Tashi Duncan, how could I ever forget? Still beautiful as ever."

She has to force herself to smile, for your sake. "Good to see you too—"

"You know," your fiancé starts, cutting her off, "I still remember the time you told me to suck a bag of dicks 'cause I took up your court time. Best day of my life."

"Yeah," Patrick laughs. He's found another glass of champagne to sip on, and it's by his lips when he says, "who doesn't love getting cussed out by Tashi."

You wince. "Patrick—"

"No, no. He's right. It's one out of a million. I took it as a compliement," your fiancé says, glancing at Tashi again, his eyes darting up and down, lingering on her wedding ring once more before she finally pulls her hand out of his grasp. He spots the arm Tashi has been clinging to. "Art Donaldson, I'm a big fan."

Art stiffens as if taken by surprise. "Really?"

Your fiancé is nodding, and when Art glances your way for a split second, he tugs you closer. "You're incredible. Watching you play, it's like, woah! He's killin' it out there. Too bad you've retired though, would've loved to see you play longer."

There's a faint redness to Art's face when he nods. "Oh, thank you."

"I've always wondered if I'd turn out the way you did if I stuck to tennis." Then he laughs, nudging your side. "If only this one put me to work like Tashi did to you, maybe we would've competed in the US Open a few times."

You snort and shake your head, the idea of watching the two of them even standing on the court together amusing you. "You couldn't beat Art if you tried."

Your fiancé shrugs. "Maybe Patrick."

"Stop kidding yourself. You can't even beat your nephew and he's twelve."

He hums, turning so that he'll face you. He holds your waist with both hands, caressing you gently. "You sure know your way into a man's heart, baby," he says lowly before kissing you again. It's rough and messy, his tongue forcing its way into your mouth. You shriek and press your hands against his chest. He doesn't let go immediately, peeking a glance towards the trio while kissing you.

Tashi feels a knot of disgust tightening in her stomach. The audacity of him to touch you like that in front of them, as if he’s marking his territory, sets her blood boiling just a little bit. God, did no one teach this guy any kind of etiquette?

She catches Art's expression out of the corner of her eye—his jaw is clenched as he turns to look away. Patrick's lips curl in a sneer, the glass in his hand trembling slightly. He fights the urge to throw it.

Your fiancé reaches down and gropes your ass over your silky white dress before finally separating from you.

You stand there, looking flushed and embarrassed, letting him whisper something in your ear before he walks off, joining a group of men who whistle and catcall at him as he nears them. Each jeer and hoot feels like a slap to the face.

"Uh, sorry," you apologize, unable to meet their eyes as you blindly wipe at your chin to fix your lipstick. "That was... I don't know what's gotten into him. He's not usually like this. He's, uh... he's great."

Patrick scoffs, his voice dripping with sarcasm. "Yeah, real great."

Tashi can’t help but frown, her heart aching as she watches you fumble. "You can't possibly want to marry him," she wants to say, but the words get stuck in her throat. She can't bear to hear the answer, especially if it's the one she fears.

Art steps forward, his face a careful mask of neutrality. "If you’re happy," he says, but there's an edge to his tone, a challenge. The unspoken words hang heavily in the air: "Are you?"

You nod quickly, too quickly, as if trying to convince yourself as much as them. "Sure, sure. I mean, what’s not to be happy about? His family loves me. I'm retiring this year, and gonna spend more time with my family. Hopefully more time with some old friends?"

"Old friends?" Tashi repeats, the words tasting bitter on her tongue. The casual way you say it, as if years of distance and silence can be bridged with a few meetings, stings more than she cares to admit.

"Yeah, before I get busy with the baby."

"Baby?" Patrick's voice is sharp, almost disbelieving. "You’re pregnant?"

"What? No!" You quickly sputter, shaking your head. Then you pause, a thought crossing your mind and you lighten up a little bit, a hopeful smile gracing your face, "But I do want kids one day. I want three."

"Does he want kids?"

"We've talked about it, but he shuts it down all the time."

"You poor thing." Patrick puffs out, pinching your arm before reaching for your hand and leading you toward the bar. "Let's bring this conversation outside, ladies. I need a smoke. And you all need a drink stronger than his champagne."

The idea of fresh air and a strong drink is appealing. After grabbing a bottle of finely aged wine, the four of you make your way to the garden outside the grand hall. The shift from the stuffy indoor atmosphere to the cool night air is a relief. 

The moonlight casts a silvery glow over the meticulously maintained garden, illuminating the path with a soft, ethereal light. You glow in your pretty white dress, the fabric shimmering as you take a seat on a patch of grass near the rose bushes. The scent of roses mingles with the crisp night air, creating a tranquil yet poignant backdrop. You glance up at the three of them who stand there, watching you.

Tashi raises a brow as you take a long swig of the wine. She didn't remember you to be much of a drinker. 

"It's not that big of a deal," you say, passing her the bottle when she finally sits next to you. 

It's as if her movement had woken the two guys and then Art takes a seat on your other side while Patrick lies down on the grass a few feet away to light a cigarette. 

You pout, "If he doesn't want kids, then we won't have kids."

"But you want kids," Tashi reminds you, but it's more of a question as if she's wondering if that's truly what you want. Don't get her wrong, Tashi loves being a mother, she would kill anyone for Lily, but you wanting kids barely before confirming your retirement threw her off a little bit.

"Of course I do." You hiccup, reaching for the bottle again. "I'm not getting any younger. It's just... he'll come around."

"And if he doesn't?" Art asks, his voice gentle but probing.

"Can we not talk about that right now? I just want to get shitfaced and party."

"Now we're talkin'!" Patrick interjects, his grin wide as he takes a drag from his cigarette. The embers glow briefly in the dark.

"Come on, everybody gather." Patrick flicks his cigarette off to the rocky pathway and snags the bottle from Art's hands. He raises it, nodding at you with that same smirk he's had for years. Snarky, cocky, and yet endearing. "To celebrate new beginnings. Even if your future husband's a dick and can't make you cum nearly half as hard as I can. Good luck, babe."

The rest of you all make a noise of annoyance, rolling your eyes. "Seriously?"

"Shut the fuck up, Patrick," Art scoffs, though there's a faint smile tugging at his lips as you let a giggle slip out past your fake annoyance.

Patrick's smile only widens at the sound of his friends' protests. It reminds him of the good old years when his biggest worry was which shorts he'd wear to his next game. "Cheers!"

As the bottle is passed around, Tashi can't help but feel a pang of nostalgia mixed with bitterness. The comradery of the past clashes painfully with the reality of the present. Is this how things are going to be like now? Is this night a call for a truce, waving the white flag so that all of you could be friends again, now as adults, making plans for brunch and getting the kids together for birthday parties?

You take another sip from the bottle, your gaze drifting towards the moonlit sky. "To new beginnings," you repeat softly, though the hope in your voice is tinged with uncertainty.

Tashi leans back, her eyes lingering on you, a mix of longing and regret pooling in her heart. Art sits quietly beside her, lost in his thoughts, while Patrick’s laughter rings out, masking deeper sentiments beneath his forced cheerfulness. The chatter and music from the hall spill into the garden, the warm lights casting a golden glow over the scene. Patrick talks animatedly about the seasons he thinks he has left in him, and to Tashi's annoyance, you encourage him.

She shakes her head at the way Patrick's eyes light up, glancing at her with a knowing look. Despite her irritation, she can't deny the comfort of slipping back into their old dynamic.

Suddenly, Art hums thoughtfully. He has been mostly quiet, listening to the conversation with occasional quiet laughs. Now, as he puts down the empty bottle of wine, he looks at you, his eyes more alive than they have been in a long time. "I had a burger for the first time in years," he announces, a smile spreading across his face as if he is proud of it.

You gasp, perking up as you reach over to hold his hands. "How was it?"

"Amazing," Art says fondly, "like heaven inside a bun."

"You should've seen him," Tashi smirks, shoulder to shoulder with Patrick, playfully kicking Art. "He was drooling just looking at the menu."

He rolls his eyes, "I wasn't drooling." When you fall silent, he looks at you again, frowning. "You haven't had one in a while, have you?"

You shake your head, "No, I think the last time I had one was when we graduated."

Patrick scoffs, "Bullshit."

You laugh, "It's true! I've been very strict with my diet. And now that I've retired... I don't know..." You shrug, suddenly getting shy as Art starts tracing stars against the back of your hand. "There are so many options, I wouldn't know where to start."

"It doesn't have to be anything fancy," Tashi says.

"Pretty sure I saw an old diner on the way here," Patrick suggests. He stands, stretching and groaning before bending over to take Tashi's hand and help her up.

You sputter, watching them all start to stand before you. "Shut up, we're not driving, you're drunk."

"But sober enough to see how badly you want this," Patrick teases, waving a finger near your face and smirking. "You're drooling."

"No, I'm not!"

"Sure you are," Art joins in, pulling you up to your feet. He swipes a thumb at your chin, "Look right there, by your lip."

"Oh," Tashi grins, "I see it."

"Shut up, Tash, no you don't." The words fall from your lips before you can stop them. The old nickname fits too smoothly as if it hasn't been years since you've called her that. Tashi smiles, feeling like a teenager again, messing around with you. She starts to walk off, Art and Patrick following her while you stand there, dumbfounded and a little breathless from their teasing.

"Where are you going?"

"To get a burger?" Tashi shrugs, and she smirks at you, a mischievous smile that makes you wonder if any of you have ever grown up at all. "You coming or what?"

You try to be reasonable, "I can't just leave."

"We'll bring you back before anyone notices," Patrick bargains, jogging back to your side and taking your arm to lead you to the exit. "Lighten up, when was the last time you had some fun?"

You don't even look back.

You find yourself laughing, nodding as the four of you make your way out of the garden. The moonlight guides your steps, casting long shadows on the path.

The walk is a blur of laughter and shared stories, the kind of carefree joy that you haven't felt in years. Before long, you arrive at the diner. The neon lights buzz softly, casting a nostalgic glow over the parking lot. You can smell the greasy, comforting aroma of burgers and fries even before you step inside.

The few people in the diner stare, watching as what seems to be a runaway bride and three wedding guests stumble and giggle over each other, lips a little purple from the wine you've all had and ordering burgers to go.

Once you have your food, you all find yourselves sitting on the curb of the diner's parking lot, the warm night air wrapping around you like a comforting blanket. Patrick hands out the burgers, his eyes twinkling with a mischievous light as he makes a show of presenting yours to you. "First bite in... how many years?"

"Too many," You take the burger with a chuckle, unwrapping it and taking a bite. "Oh my God," you mumble around your mouthful, "this is amazing."

Tashi watches you, a soft smile playing on her lips. "Told you."

Art takes a bite of his own burger, nodding in agreement. "There's nothing like it."

You shake your head, going in for more, "This is the greatest thing I've put in my mouth."

Patrick, already halfway through his, lets out a loud laugh, "Yeah, I bet."

The parking lot felt like a little bubble of the past, untouched by the years that had separated you. It was strange how easy it was to fall back into the rhythm of your old friendships, how natural it felt to banter and laugh as if no time had passed at all.

Tashi rolls her eyes, though you don't even seem phased by Patrick's joke. "I can't even get mad," you say, swallowing, "I feel like I'm eighteen again."

"Tell me about it," Art agrees. Then he pauses for a beat, chewing on her burger a little slower before turning to you. "You know, this reminds me of that time... when, you know."

"Oh," You snort and nod, scrunching up your face at the memory. "Yeah. It kinda does."

"What?" Patrick looks between the two of you, raising his brow in interest. "What time?"

"It was a long time ago," you tell him.

"Like back in Stanford," Art explains, and then he points between Tashi and Patrick with his burger, "when you two were still a thing."

Tashi sits up straight now, her full attention on you and Art. "Oh, really?"

"It was that time Patrick came for a surprise visit in the middle of our girls' night," you say, nodding your head at her, hoping she'd catch up with the memory. "And you kicked me out of your dorm so you and Patrick could... you know."

Tashi nods. "Have some alone time." She finishes for you.

She remembers that night well: you were both nestled in the haven of her dorm room, the soft glow of the television casting gentle shadows on the walls as the movie played on. You were curled up under her covers, your bodies intertwined, legs tangled together in a comforting knot. The world outside ceased to exist in those moments, leaving just the two of you in your little cocoon of comfort.

Tashi can still feel the sensation of your fingers running through her hair, the tender, rhythmic motion soothing her in a way nothing else could. The warmth of your touch lingered on her scalp, your fingers traced lazy patterns, and she remembered the way her body instinctively relaxed into yours.

But then came the knock on the door, and she felt her heart jump at her throat as she swung her legs out from under the covers and padded softly to the door.

When she opened the door, there stood Patrick, his presence almost surreal. He was holding a bouquet of carefully picked-out flowers, their vibrant colours contrasting sharply with the dim light of the hallway. His smirk was both nervous and charming

"You kicked her out?" Patrick gasps, and Tashi gives him a blank stare. He's acting as if he wasn't even there, as if he didn't stand by her desk while watching her scramble to clean up the mess the two of you made in her dorm and shove you out the door before locking it.

Patrick shrugs, that stupid smirk painted on his lips again before he finishes his burger. "Would've let you stay if it were up to me," he tells you, "The more, the merrier."

"No way," you poke your tongue at the inside of your cheek. "She wanted you all for herself."

"Please, I would've been too distracted with you to even give him my time of day," Tashi admits. "I did you a favor, Patrick. Saved you from blue balls."

He holds a hand to his heart. "I'm so honored."

"But anyway," you start, "while I was walking back to my dorm I bumped into Art, who got stood up on a date."

Patrick blinks, turning to Art. "You got stood up?"

"Was it that girl from marketing?" Tashi asks.

Art's cheeks start to turn red, the flush growing from his neck and up to his ears at the attention. "Yeah, she, uh, she bailed on me last minute."

"I remember you telling me the date went well," Patrick says. "That you guys went out late, bought takeout... you made out in your car," Then, to fuck with him, he adds, "You came in your pants 'cause she kissed your neck. Remember?"

"And that did happen," Art confesses begrudgingly, glaring at Patrick while Tashi laughs. "It’s just... it wasn't with her..."

"It... it was me," you admit.

Tashi wishes she could say she's surprised, but it's nearly impossible because anyone who knew you back in college knew very well about the big crush you harboured for a certain blonde. She knew the way you swooned after him, even if you never tried to admit it because it was too embarrassing.

"Wait, so," Tashi starts, poking at your side and drawing a nervous giggle from you. It makes her smile. "Is Art that guy you told me about, with the puppy eyes and pretty smile?"

"Okay," you puff out, blushing, "I did not say puppy eyes."

"You think I have puppy eyes?" Art asks you, his gaze softening.

When you take a few seconds too long to answer, Patrick claps his hands together and swings his arm over yours and Art's shoulders, pulling the two of you closer to him. "Aw," he teasingly coos at the two of you getting all flustered, "you think he has puppy eyes."

"It was so long ago," you say, running your hands over the soft fabric of your dress. "I don't even remember."

"I'm so sure you don't," Patrick hums, a knowing look in his eyes before he presses a sloppy kiss against your cheek.

You groan, shoving your hand in his face to push him off before you stumble to stand on your feet again, wiping your cheek from his spit. "You're disgusting," you huff, but there's no real bite in your words because there's a faint smile threatening to appear at the corners of your lips. 

You stand there for a beat or two, brushing off your dress and feeling the weight of the night settling in. You stare down at the three of them sitting on the curb, the neon lights of the diner buzzing behind you. You can see the hall where your engagement party is from where you stand; you almost don't want to go back.

"Okay," you tuck your lower lip between your teeth as you hesitate, "this... this has been fun."

"Don't leave yet," Tashi says while Art's smile drops, his face falling in disappointment.

"Yeah," Patrick rushes to stand, reaching for you, "the party was just getting started."

"I really have to get back," you step away. "If anyone finds out I left, I'll hear about it for days. This has been great. Like, seriously, I don't think I've ever laughed this hard since before..." You trail off, your tongue getting tied as you glance at Tashi, then at her knee, covered by the length of her dark purple dress. You clear your throat. "Well, uh, I better go. But thank you again, for the beer and the burgers and the memories. I hope you guys can make it to the wedding."

You start to walk away before they can say anything. Like, on purpose, as if you know that if they tried to make you stay and ditch your party, you would. You would cave to their defences.

The sound of your heels is deafening. Tashi watches you go, she watches how you wrap your arms around yourself, and it all feels too similar to how she watched you go all those years ago and never chased after you. 

"Don’t marry him," Tashi stands from the curb. She's shaky on her feet, taking long strides to walk past Patrick and hoping to catch up to you. She sees you freeze in your steps, barely out of the parking lot. You turn to look at her quickly, face falling in shock at her demand.

"What?" Your voice is quiet, hoping that your ears are betraying you.

Tashi slows down once she is close enough, the distance between you is almost nothing but the gap feels like miles. The red and blue lights from the neon sign blend into a deep purple against your skin, casting an ethereal glow that makes this moment feel suspended in time. She watches your face, sees the way your brows knit together, the flicker of anger and confusion in your eyes.

Her heart is pounding, the blood rushing in her ears almost drowning out her voice. But she forces herself to speak, her voice low and urgent. "Don’t marry him," she says again, each word feeling like it's being ripped from her chest. Her resolve, which had held firm all these years, finally crumbles.

Getting Patrick back into her life had been one of the most complicated, tangled pains she had ever undertaken. The late-night calls, the awkward meetings, the painstakingly slow rebuilding of trust between herself and Art. 

None of it had been easy.

Yet, even with Patrick back, there had always been something missing—a void that only you could fill.

She looks into your eyes, her gaze unwavering, despite the tears welling up. "Please," she pleads, her voice breaking. "Please, don't marry him." The words hang heavy in the air, a desperate plea that carries years of longing and regret. She knows that having you back won't make up for the lost time, and won't magically fix all the mistakes and missed opportunities. But she can at least try, can at least fight for the chance to make things right.

"Tashi, you can't possibly be asking me to—"

"It’s not worth it," she tells you anyway, her voice trembling with the weight of unspoken truths. She knows it’s a risk, a gamble she's taking by laying her heart bare, but she can’t hold back any longer. The years of resentment, of silent longing, bubble to the surface, fueled by the sight of you with someone else's ring on your finger. It's a bitter pill to swallow, the realization that she resented you not for leaving, but for never coming back. 

Why didn't you come back?

Tashi's words hang heavy in the air, a desperate plea born from years of unspoken desires and regrets. "Both of you want different things anyway. You don't love him," she continues, her voice raw with emotion, "it's not gonna last. One day you're gonna wake up in the middle of the night and realize I'm right. You'd hate to admit it, but I will be right. I am right. He doesn't deserve you. He's no good for you."

You scoff, "And you are?"

"You said it yourself," she presses on, her voice barely above a whisper, "You've never laughed the way you do with us. And you kept in touch with Patrick, so that's gotta mean something." It's a feeble attempt to grasp at straws. "Marrying him will just be another excuse, another stupid reason. I thought you were better than that."

Then she remembers that night before you left for London, back in 2012. It's like a distant memory now, a flicker of what could have been. The air was thick with anticipation, the tension palpable as you stood on the precipice of something new. She remembers the way your eyes met hers after your exchange with Art at the hotel bar, a brief greeting with an old friend, both of you at the peaks of your careers. It is a silent exchange of longing and regret. For a moment, it felt like time stood still, like the world was holding its breath, waiting to see what would happen next.

She remembers the smell of your perfume, the bitterness of the drink you were having and how she could taste it when she kissed you; tongue running over your teeth, nails clawing at skin, hair tangled between fingers, hot breaths and unkept promises and false apologies and a night of regret.

And then the morning came, and with it, you had to leave. And she never stopped you.

"Tashi… I can't just throw this all away for you. For any of you. You were the one who told me to leave."

"I know."

"Because you know everything, right? Because you know he's not good for me, you know it all."

"I know you."

"No, you don’t," you say, your voice tinged with hurt. "Not anymore.”

Tashi huffs, shaking her head before she reaches out, cupping your cheeks gently in her hands. Her lips hover over yours for a moment, a silent plea hanging in the air between you. She waits, her heart pounding in her chest, for you to make a move—to kiss her, to push her away, anything.

You gaze into her eyes, tears glistening in the dim light, before finally closing the distance between you. The kiss is tender, and bittersweet, a culmination of years of unspoken longing and regret. It's a brief moment of solace amid chaos.

Your hands dig into the nape of her neck, where the short ends of her dyed hair tickle the skin of your wrist. The heat of your engagement ring nearly burns her, the edge of the diamond scraping against her skin.

When you pull away, breathless, Tashi fears this will be the last time she will see you. 

"Tashi, this doesn’t change anything," you say, your voice trembling.

"It changes everything," she whispers, her fingers tracing the line of your jaw. "You know it does."

But you step back, breaking the contact, the distance between you growing with each passing moment. "I have to go," you murmur, the weight of the decision heavy on your shoulders. "I need to think."

As you walk away, Tashi watches you go, her heart heavy with uncertainty. She clings to the memory of that fleeting moment, a glimmer of hope in the darkness. 

Back in the hotel room, an uneasy silence settles among the trio. Tashi steps out of the shower, her mind a whirlpool of conflicting emotions. The press of your lips still lingers on her own, a persistent buzz that crawls under her skin. 

As she rubs lotion into her arms, she takes her time, methodically moving over each inch of her skin as if she could somehow rub away the confusion and yearning. She finishes her skincare routine, staring at herself in the mirror, almost meeting the eyes of the eighteen-year-old girl who had her whole life ahead of her. It's a constant chant in her head not to dwell in the past. 

She has to focus—she needs to find a way to pull Patrick Zweig out of the top 200 ranks and get him qualified for the US Open by the time the next season starts.

Speaking of the devil, when Tashi steps out of the bathroom, she finds Patrick lounging on the loveseat by the open window. Naturally, his shirt has found itself a home on the floor, and a cigarette dangles from his lips.

He perks up when she walks out, sitting up to greet her, "Don't beat yourself up."

Tashi rolls her eyes and climbs into the bed, letting herself sink into the soft comforter. "Shut the fuck up, Patrick. And put that shit out."

"I'm just saying," he shrugs, taking one last drag before flicking the cigarette out the window, grinning when he hears Tashi scoff. "She's a stubborn little shit," he says as the hotel door clicks open and Art walks in. Patrick hums, "Probably only marrying him to piss us off anyway. Been trying to talk her out of it for months. Never listens."

"She might listen to Tashi," Art says, turning to his wife with a hint of optimism in his voice. "Lily's asleep, by the way."

"Right, because my word is stronger than both of yours," Tashi retorts, pulling the blanket over her legs.

Art and Patrick glance at each other before nodding, "Yes."

"Well, yeah."

They all sit in silence for a while, each lost in their own little bubble. The hotel room is quiet except for the faint hum of the air conditioner and the occasional rustle of the bedspread. 

Art joins Tashi on the bed, absently flipping through the channels on the television, the remote clicking softly in his hand. Beside him, Tashi pretends to read a book, her eyes scanning the same sentence over and over again without really absorbing the words. Meanwhile, Patrick rummages through the mini fridge, the sound of bottles clinking and wrappers crinkling breaking the stillness.

A quiet knock on the door makes the three of them freeze, their heads snapping up in unison. They exchange hesitant glances, each wondering if they imagined it. Then three raps against the wood sound again, more insistent this time. Patrick scrambles to the door, Art and Tashi close behind him, their curiosity piqued and their hearts pounding.

Patrick swings the door open, and there you are, a sight for sore eyes. You're still in the same dress, though one of the straps has fallen off your shoulder, and your makeup is smudged around your eyes. You hold your phone close, dropping it from your ear.

"I tried calling," you say, turning your phone so they can see Patrick's contact, a simple 'pat' with a cute tennis ball emoji next to his nickname. "You never answered."

"My phone died." He shrugs.

You let your hand fall to your front, where your fingers pull on each other nervously. Tashi can't help but notice the lack of a ring on your finger all of a sudden. She raises her brows at you, a knowing look flashing across her face before she tells you, "Something's changed."

You roll your eyes and step into the room, sliding between Art and Patrick easily. "A lot has changed." You walk until you reach the middle of the room. 

It's a big hotel room, not nearly as big as the ones Art and Tashi are used to staying in, but big and luxurious nonetheless. You fit in perfectly with your white gown and styled hair, a vision of elegance even in your dishevelled state.

You turn, facing the three of them again. "I hope whatever offer you guys were hinting at earlier still stands... I don't exactly have anywhere else to stay, unless I want to hear my mother telling me how she was right the entire night."

Tashi smirks. "You know I'm about to tell you the same thing too, right?" She closes the space between the two of you, tucking a fallen strand of hair behind your ear. Her nails brush against your jaw in a feather-light touch until her fingers pause below your lips.

"Yeah, I know."

You don't seem too upset about it. Instead, you're grinning, letting Tashi push her thumb between your lips. The gesture is intimate, charged with unspoken emotion. You're standing face-to-face when she says, "I told you so."

She leads you to sit on the bed, and you let her, nearly tripping over your heels before you land on the soft duvets. Tashi leans down, her nose brushing against yours, and you swallow your heart racing.

"You were right," you murmur. It's hard to maintain eye contact when your skin is buzzing with heat and when there's so much going on in the depths of her eyes that it dizzies you. "I hate it, though."

Her nose is cold against yours, a sharp contrast to the warmth of her breath. You let your eyes fall shut as she slowly traces patterns under your chin, pressing her thumb harder into your mouth before pulling it out. She catches the side of your face with it, making a mess with your spit.

She smiles, "I know you do."

Instinctively, and embarrassingly, there's a shiver rolling down your spine.

Tashi releases a small chuckle, and then, after a final moment, her lips fill in the small gap between you both. You sink into it immediately, heart rejoicing as her lips, warm and smooth, explore your own.

It's a little fumbly, nervous and making you tremble under her hands. Tashi loves every second of it. Her fingers grip your face tighter, mouth pressing to yours with more hunger as you wind your fingers into her hair and sigh. Between gasped breaths and soft sounds of enjoyment, she slips her tongue along your lower lip, and so you open your mouth a little wider.

Tashi ends up straddling you, making out like you're both teenagers again, putting on a show for Art and Patrick. The exhilarating butterflies twirling in your stomach match the memories, too. 

You moan softly as she pulls away from your mouth, her attention shifting to your neck. As you watch Patrick and Art make their way to sit next to you on the bed, the bed dipping, you tilt your head to the side and open up your throat to Tashi. You whimper as you feel her lips drag over your exposed skin. She nibbles and sucks until she finds the sensitive part that makes you cry out.

"Fuck," you whimper. You tug on her air-dried curls, coaxing her back up to your lips so you can enjoy the feeling of her mouth on yours. Tashi sighs, and you can feel her smiling into it while beckoning Art and Patrick to join in.

Their lips are on you in a split second, with Art pressing soft, ticklish kisses against your collarbone, and Patrick sliding his tongue from your shoulder to the back of your ear. He's moaning at the taste of you, sucking a bruise under your jaw while digging his hand into the back of your hair. 

He slowly starts to bring his sloppy kisses to your mouth, lips brushing against Tashi's and your own before she draws back. You whine, pouting as you watch her take a few steps away before making herself comfortable in the cushioned seats by a small dining table. You can't pout for too long, because now Patrick is kissing you, tugging softly at your hair until your back arches.

His tongue presses against yours, pressing as far back as he can reach, swallowing your every moan and whimper. You bring your hand up to scratch at his beard, then run your nails over his scalp. This is when Art starts to get a little bolder by running his hands up and down your thighs, pulling and pulling the long skirt of your dress until he reaches the end of it and he can touch your skin and take off your heels, tossing them aside somewhere.

Patrick traps your lower lip between his teeth, watching it bounce back into its place as he leans back just the slightest bit. You break apart with a whimper. Your half-lidded eyes meet his, then flick down to the trail of spit strung between your glistening lips. He stares at you, cheeks a little red as he smirks, "I've missed this. Missed you."

You smile, breathless as Art's hand makes its way up higher and higher and closer to your heat, his mouth is relentless with its attack at your neck. He grinds his crotch against the side of your leg and you cradle the back of his head with your other hand.

"You saw me last week, Patrick."

"Last week?" Art pulls away. His lips are parted, eyes a little dazed but focused enough to stare between you and Patrick in confusion. Tashi smirks from where she sits and shifts in her place.

"We're not all perfect, Art." You groan, rolling your eyes as Patrick laughs, reaching over you to start pulling down Art's pants who shifts in his place to let him. Once they're off, he looks at you, and it's embarrassing how fast you tangle together, melding together into a pathetic heap on the bed for Tashi and Patrick to see. 

Your lips move in tandem, his soft, pouty lips slitting against yours with ease as you lead his hands to your chest and shove them under your dress.

Art squeezes and fondles your breasts over your bra, his hips jerking against your leg again, almost desperate as his boner presses against the fabric of your dress as it has fallen down again.

Tashi startles you as she settles behind, one knee on the bed while her other long leg steadies her on the carpeted floor below. You let her tilt you backward, parting you from Art and she draws you into an upside-down kiss. The salacious kiss leaves your legs parting for the two men beside you. 

Patrick makes quick work of taking that damn dress off of you and you sputter out a pathetic moan when Art's soft hands tease your hardening nipples once Patrick gets half of it off.

Your dress eventually falls into a heap on the floor in front of the bed, you’d matched with it a white paired set underneath. 

"No fucking way," You peek one eye open slightly to see Patrick scowling while Art runs his hands everywhere he can reach, across your stomach, your thighs, under your boobs, down your back. 

Patrick tilts his head and groans, "I can't believe you wore this shit for him."

Your hand cups Tashi's jaw to deepen the kiss as you both ignore Patrick, only Art snorting out a laugh as he tugs his shirt over his head. 

Patrick slots himself between your open legs, stopping just a breath short of your aching cunt to nip teasingly at your soft inner thigh before dragging his mouth up to your neck again. He revels in the moans he's able to draw from you as he finally comes to caress your face. 

You pull away from Tashi and gasp in a breath. "Kiss me, Pat," You bite your lip, feeling your heart race as he eyes you up so openly. 

"Beg me," He counters with a quirked brow, challenging you. 

Your nose crinkles, "I'm not doing that."

"I'm not kissing you, then."

"Shut up and kiss her, Patrick," Tashi groans, attached to Art. She holds his face the same way she did with you, pulling him closer and letting the man crawl to her. But she's glaring at Patrick with venom behind it you know she can’t mean when she's trembling under Art's gentle touch as he slips off her silky nightgown.

"Come here," You beckon Patrick closer with a fiendish look in your half-lidded eyes.

"Yes, ma'am." Patrick nods, dazed as he obliges. "Anything you want, beautiful," His voice slightly slurs as the space between you diminishes once again. "I'll do anything for you," His husky voice drapes around your name like velvet as it's whispered against your plush lips.

Your hands easily find themselves tangled in Patrick's curly hair and tug him to your lips with aching want. You dive in immediately, lips meshing against and, eventually, catching against his chapped lips. 

A moan escapes from your throat and he uses it as an opportunity to slip his tongue into your mouth. From there, it's another flurry of saliva, tongue and entirely too much white-hot pressure building below. 

When you break for a breath, a string of saliva stretches between each of your red, puffy lips. Patrick groans at the sight and pulls you in for a slower, raw kiss that leaves you slick and trembling for more. When you pull apart again, Patrick plants a sweet kiss on Art's mouth before focusing back solely on you, his hand slowly approaching your white thong.

When he starts to rub, you moan into his mouth and start trailing your hand to his crotch, palming his dick. Patrick reciprocates easily and tugs at your lower lip with an impish look in his eyes. 

Lips attack your neck again, pulling you higher up on the bed. You hear pants and clothes being shed from every angle around you before you're surrounded again, hands everywhere.

While Art pulls Patrick into a kiss, Tashi cups your face again and draws you into a gentle one as you settle between her legs, your back to her chest. You rest your head on Tashi's shoulder as you heave out another breath, her hands travelling from your navel to tracing shapes on your clit, over your wet panties, spreading your legs apart with her own. 

"Please, Tash," you whimper as her fingers curl around the edge of the fabric and tug so it strains against your leaking cunt perfectly. She then decides to skim a whisper of her touch against your pulsing ache. 

You gape as Patrick wraps his hand around Art's dick, stoking it, and he lets out the prettiest little whine. Patrick slowly works his way down Art's body, running his tongue between each curve of his muscles, collecting the sweat that's been building on his skin before wrapping his mouth around him, taking all of it in one insatiable bob of his head.

Tashi's nails tickle lightly up your stomach, then in the valley between your breasts and then back down again. It has you spiralling, arching your back as she presses a kiss at your neck.

"You're being so good," she coos into your ear. Your name is only a breath out of her mouth, and she's edging your clit with a gentle roughness that could only come from a woman of her calibre. Tashi pulls your panties aside and flicks and flits about your dripping cunt like she already knows how to make you come undone.

It makes you tremble. You'd sworn up and down earlier about how Tashi didn't know you anymore, and here she is, proving to you that she still does, that she knows every curve and divot of your body, that she still knows what makes you whimper and twitch.

Your hand quickly reaches behind you, between the heat of your back and her body and finds her clit and you try to emulate how she's making you weak. Each quiet gasp you earn from her has you moaning back tenfold under her saccharine trance and she quickly starts pumping two fingers into you.

One particular flick of Tashi's thumb on your clit coupled with her lips gliding against and sucking your own in a wanton kiss sends you over the edge. You moan and cum, back arching as you relentlessly force Tashi's hand against your cunt, searching for more delicious friction. 

She takes you all, and lets you ride it all out on her fingers while swallowing every moan you let out in a lewd, wet kiss. Art and Patrick moan appreciatively at the two of you, then focus back on each other.

Before you're able to come down from your high, Art's shoving his come down Patrick's greedy throat. He swallows it all, pulling off Art's red-tipped cock with a vulgar pop that creates a trail of saliva in its wake. 

Patrick smiles down at you and leans closer, and you think he's about to kiss you but then he swerves and kisses Tashi instead, who removes her hand from your cunt and slowly works it up his thigh until she cups his balls and gives them a gentle squeeze. He moans into her mouth, winking at you amid his impromptu make-out session you were tempted to join.

You shimmy back and turn on your stomach, positioning yourself between Tashi's long tanned legs. "Can I eat you out?" You ask while kissing up her leg, and you want to hear how much she needs you. You bite at your bottom lip as you nuzzle into her juicy cunt. "Tashi?" You look up at her from where your face is pressed against her. Her sweet smell makes you sigh as you tease your tongue with her hip bone. "Please, Tash, let me taste you." 

"Yeah, go for it," Comes her breathless plea.

You finally pull her lips apart, revelling in how she squirms against your hold on her hips. 

You're on your knees, trapped arching between Tashi's long legs when you hear Art clear his throat. You give one long lick up Tashi's twitching cunt before turning around with her slick dribbling down onto your chin to where Art has sidled up behind you.

Art crawls closer to you, "Can I touch you, beautiful?" He tilts your chin up as he awaits your answer. 

When you nod, he easily descends upon your lips, placing a sure hand behind your head as he deepens the kiss into something absolutely filthy. As soon as you break apart, he kisses your shoulder, then down your spine.

Tashi guides you back to her. You allow her nails to tangle in your locks as she forces your head back down against her arching hips.

"Shit," Patrick huffs, rough hands reaching for the globes of your ass while Art's smoother ones trail up your spread, inner thighs. Tashi tugs at his dick a little harder, which has him panting against her lips.

Tashi gasps as you flick at her clit then quickly move to tease her entrance with the tip of your tongue. You flatten your tongue, dragging it across her length and repeat the motion until she whines for you to stop. 

You slurp the combination of drool and slick as you pull away with a pussy-drunk smile. She meets it with a panting, dazed one and removes her hand from your hair to push her own out of her eyes while Patrick sucks at her neck.

"Ah!" You startle forward into Tashi's tits as Art finally breeches your entrance with his index finger. 

"Eat our girl out, Art," Tashi motions for Art to lie down under your spread form to get a better angle. You can't deny that the new nickname drives you a little crazy. "Show her she's ours."

Art's soft hands draw another moan out of you as they assuredly grip your hips to keep you in place while he unleashes teasing licks against your pussy.

Tashi draws you back to her. You'd know that look anywhere—she's ready to cum.

"I want you," Her breath hitches around your name while your tongue steals the rest of her coherent words until she's a withering mess under your touch. 

Her pornstar-worthy moans ring out across the room like a beautiful symphony. Tashi's wanton noises coupled with the wet whines you're unleashing against her folds until the two of you create the lewdest duet this hotel's ever heard. 

She arches against the bedframe as she tells you her near release, tugging at your hair as she draws closer and closer to the edge.

Panting, she draws you against her lips for a sloppy, uncoordinated kiss. 

"Fuck, Tashi," You groan against her plump lips, feeling your own impending orgasm drawing near. "You're so fucking hot, I-"

She cuts off your rambling with another wet kiss. Her tongue flicks out to tease yours before sucking it into her mouth with a lewd slurp. Your hand works alongside hers to leave her shaking and whimpering against your lips as she comes undone by your hand. You smack her cunt lightly, eating the groan she feeds into your open mouth as she rides it out.

Tashi eats your moans as they echo against your messy tangling of lips and tongues.

Art's fingers start to pick up a pace as Patrick, feeling left out, starts thrusting his throbbing cock in the middle of your sapphic kiss with Tashi. You eye the two with half-lidded eyes as you share Patrick's cock with her. After only a few moments in your mouth, Patrick pulls out and releases across Tashi's and your expectant tongues.

"So fucking good to me," Patrick pants as he splatters the last of his come across your faces with a shaky groan. "Best fucking orgasm ever, swear it," He says as he encases his lips around yours, swapping his cum between your mouths before moving to Tashi to do the same.

Art moves out from under you, offering your knees relief as he lays you back against Tashi's stomach to fuck into you.

It's a slow and cruel pace, only made crueller by how Patrick and Tashi touch you like they already know where you want to be touched. Each brunette takes a side, Patrick sucking your tit into his mouth while Tashi's mouth draws you in for a kiss. Her nails tickle at your other erect nipples until you're arching off of her and into Art's thrusts, making him whimper.

"Just like that," Art whines your name. "You're so fucking tight."

It's when Patrick and Tashi move their attention down to your clit that you know you're fucked. Patrick spreads your folds with two fingers, watching as intensely as Art does as his cock disappears in and out of your hole.

"He could've never made you feel like this, right?" Tashi rasps. "He has no strategy, no real game. Just a fucking waste of space. Could never make you feel this good, this loved."

You don't need her to say his name, you know what she means. You're panting, shaking your head against her shoulder. "Never."

"Told ya," Patrick laughs into your skin. "Make her cum, Art. C'mon, man." 

"Fuck- please," You whimper, nodding. "I need to come, baby-" Without warning, you arch off of Tashi. Neither she nor Patrick stops their jerks against your clit as you gasp, eyes rolling back in your head with the thrum of a second wave creeping up on you with a steady building heat. Waves of pleasure roll over you as the tantalizing sensations become too much. You come loudly, arching pathetically off the bed as you desperately reach for Art, to hold him.

You're wriggling in Tashi and Patrick's arms as Art pulls out and releases across your expanding and retracting stomach as you pant out the remnants of your orgasm. 

"Shit," He moans, and his voice sends waves of aftershock across your body while his steady hands draw you against his naked chest for a toe-curling kiss.

You'd never been happier to have invited Patrick Zweig to your engagement party.

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[chuwenjie]

Spider-Man: Across the Spiderverse comes out later today so I wanted to write a post reflecting on my journey and experience working on this movie. So many people have supported me through this and I am so thankful to each and every one of you!

Text version of this post under the cut:

Spiderman: Across the Spiderverse comes out tonight. It feels really weird to be typing that out right now. I worked on the movie as a visdev artist for the last 2.5 years, from 2020 to 2023. Long post incoming.

There are a lot of reasons why I'd consider this film to be one of the most ambitious animated films to ever be made. As artists, we were asked to push ourselves far beyond our comfort zones and do things that had never been done before in animation.

Every time we reached a point where most people would say "this must possibly be as creative and weird as it gets," our entire team of artists and animators would smash right through the ceiling. The driving direction for the visuals of the film was to push the limits of every single frame; to challenge audience expectations and make something truly original.

The best thing about this film was that there wasn't a single boring day working on this movie. The hardest thing about this film was also that there wasn't a single boring day working on this movie.

There were times while working on this where the imposter syndrome hit me hard. This was my first big movie, and what a hell of a first movie to get thrust into.

I came in only a few years out of school with absolutely no idea what the hell I was doing. I constantly feared that someone had made a mistake in bringing me onto this film, and I was going to let everyone down. There was a solid chunk of those 2.5 years where I wasn't sure if animation was the right path for me.

If there's anything I could tell my past self it would be this: there are so many people who love you and believe in you. There will be a time when you get to stand on the other side of it, look back on everything and see how far you came.

I'm still working on self-acceptance every day (it will be a lifelong struggle, I'm sure), but I'm glad I didn't give up on myself. I'm proud of myself and my contributions to this film, and I'm certain that this movie will continue to change and shape the animation landscape just as the first one did. That's truly a special feeling to have been a part of. I am so incredibly grateful to every single person who helped me along this journey.

Here come the thanks:

To the ENTIRE visdev & art crew- it's been an honor getting to work alongside each and every one of you. My jaw is literally still on the floor from seeing your incredible talent day after day.

I want to thank Tiffany and Felicia especially for being there for me through tough times- I admire and respect you both so much as artists, and even better than that, my life is greatly enriched for being able to call you my friends.

Thank you Patrick and Dean for taking chances on me, teaching me so much about art and what I'm capable of, and encouraging me along the way. To Aymeric, your art is one of the reasons I initially became interested in animation and you have been one of the kindest & most empathetic mentors I could ever have asked for.

I want to thank my wonderful parents for believing in me always and raising me into the person I am today: everything I do in life is to make you proud. To my brother Andrew who is perpetually awake at 3 AM when I need someone to talk to- thank you for always picking up the phone and making me laugh.

And finally to my partner Luke for making me grilled cheeses on all of the difficult days, for never getting sick of me even when all I would ever talk about was work, and for patiently and steadfastly loving me throughout this entire thing. I don't think I could've done it without you.

Starting tomorrow I will begin posting and sharing some of the art I made for this movie; I'm looking forward to sharing some of my personal favorites with you. I hope each and every one of you enjoys Spiderman: Across the Spiderverse when it hits theaters later today!

[riddlerosehearts]

thinking about how people who watch the emperor's new groove and somehow come out of it shipping pacha and kuzco, or thinking yzma only became evil when kuzco fired her and that she would've been a better ruler than him, are both so wrong in so many different ways and are also missing one of the things that i absolutely love about the movie. which is that, the way i see it, pacha and yzma are counterparts. as parental figures to kuzco.

like, just to get this out of the way first, yzma was a dismissive asshole to a peasant whose family was starving. and yeah, if kuzco had been in her place he definitely would've also done that, which... is why she would not be a better ruler than him. she'd just be the same because they're both horrible people in the exact same ways. her reaction to being fired is to plot murder, and as soon as his funeral is over she sets everyone to work on replacing paintings of kuzco with paintings of herself and covering the palace with imagery that makes it clear that it's all about her now. i'm not even sure why this is a discussion tbh.

and also, kuzco is literally a teenager. he's barely 18 years old. source: in the movie, yzma says at his funeral that kuzco was "taken from us so tragically on the very eve of his eighteenth birthday." she also claims in the movie to have "practically raised" him, to which kronk replies "yeah, you'd think he would've turned out better". and sure, she could be exaggerating, but what evidence do we have that she is? we learn absolutely nothing of his parents, who are never mentioned even once in the movie, or of anyone else who could've raised him, and she's his advisor who for some reason sees no problem with attending to royal duties in his place. most likely because she's his regent. also, i'm not exactly a fan of the sequel tv series "the emperor's new school" but it does have something that backs up my point: kuzco is revealed to be an orphan and just before his father went and got lost at sea, he asked yzma (who was also his advisor) to take care of kuzco if anything happened to him. so, yeah, the writers who worked on the series clearly thought that yzma genuinely did raise kuzco, and nothing in the movie contradicts this.

and i find the idea of her being his only parental figure for pretty much his whole childhood incredibly interesting because, and this also goes back into why she wouldn't be a better ruler than him--she mirrors him as a reflection of what would've become of him if he'd never met pacha. they're both incredibly arrogant, power-hungry, selfish, and cruel, with a tendency to blame their problems on everyone but themselves. yzma was even originally going to have her own reprise of kuzco's theme song "perfect world", which i really wish had been kept:

[ID: Lyrics that read:

I'Il be the sovereign queen of the nation And the chicest chick in creation I'm the cat with all the cream and ooh-la-la This deadly concentration Will put an end to my frustration Now this perfect world begins and ends with moi

What's my name? Yzma, Yzma, Yzma Yzma (what's my name?) Yzma, Yzma (What'd you say?) Yzma (Ha ha ha ha ha ha ha ha ha!) Yzma. End ID]

(this song can be fully heard in "the sweatbox", the documentary about the making of the movie, and is also on youtube btw)

anyway, i'm sure yzma would not exactly have been the most nurturing or hands-on guardian, especially given that she and kuzco don't exactly treat each other like family. but it makes a lot of sense to think that her behavior influened kuzco's throughout the years. and for the entire movie, she remains determined to kill him. when he tries to reason with her and admits that he should've been nicer, she says the same thing to him that he originally said when he fired her. she never grows or changes and in the end, she hurts the one person who was willing to stand by her (and even then, kronk had never fully been on board with her plan) and he ends up trying to crush her with a chandelier. kuzco on the other hand is able to realize the error of his ways, come to regret who he was in the past, and start taking steps toward being a better person. his theme song gets a reprise where it's changed from a song about one person being the center of the world to a Power Of Friendship song. why? because, as i've already mentioned, he has pacha.

pacha, who similarly to both yzma and kuzco is in a position of authority as the leader of the village but unlike either of them is gentle and humble. who isn't afraid to stand up to kuzco and be honest with him even though he's the emperor, who agrees to take him back to the palace but has no obligation to be so helpful, kind, and caring toward him--and just about every reason not to be--and still chooses to be anyway. pacha who is 45 years old (also stated in the sweatbox documentary) and can see that kuzco is practically still a kid, not a single day over 18, who has time to grow and change. pacha, who already has a wife and two kids with another on the way, but practically treats kuzco like one of his own. who acknowledges that if kuzco dies all his problems will be gone and then still worries about him and goes out of his way to rescue him after he wanders into the jungle. who sees kuzco shivering at night and covers him with his poncho, who carries him when he's genuinely too weak to keep walking, who refuses to give up on him even after repeatedly being betrayed by him because he believes there's good in everyone.

also, while yzma ends up repeating kuzco's harsh words of dismissal as she tells him of her plans to kill him, kuzco had previously repeated pacha's words that "nobody's that heartless" after he saved pacha's life. and as the movie progresses kuzco and pacha's relationship becomes more and more equal and is constantly contrasted by moments of yzma being cruel and unappreciative of kronk's kindness. a good example of this is how kronk is constantly being forced to carry yzma everywhere on his back while yzma literally walks all over him and steps on his hands when she gets down, whereas when pacha briefly carries kuzco after the latter collapses he tells him he'll have to walk the rest of the way later and kuzco doesn't even protest.

idk if i'm even explaining well what i'm trying to say here. but basically, if yzma actually raised kuzco and contributed to his current behavior, then she and pacha both are figures who guided him and helped him grow. only yzma helped him become the tyrant that he was at the start of the movie, who was selfish and callous and saw everyone else as beneath him. whereas pacha helped him see the value in being selfless and considerate of others. and in the end, yzma is stuck as a cat and nobody is concerned about her. kronk has found a new job that makes him genuinely happy, while kuzco has decided to build a hut on the hill next to pacha's and effectively joined his family. in the sweatbox documentary it's even mentioned that chicha and the kids were at risk of being removed from the film, but it was decided that they needed to be there because having just pacha as a single guy who lived alone wasn't interesting enough--kuzco needed to go from having basically an empty world where he had nobody to being able to come together with pacha's whole family. and i just think that's incredibly satisfying and beautiful. it also leads up to one of the few things i really do enjoy about the emperor's new school, which is the fact that during the show kuzco moves in with pacha and chicha and pretty explicitly thinks of them as basically his parents while he's like a son to them.

idk. i feel like my mind went in a million different directions while i was writing all this. but i guess i just think that for all of the praise the emperor's new groove gets for its comedy and for how hilarious yzma and kronk in particular are as a duo, the movie also has a lot of genuine heart that gets overlooked. kuzco's character growth and his unique dynamic with pacha is, for me, really what elevates the movie from just a funny movie that i like to one of my favorite disney movies. and i wish more people appreciated that aspect of it and saw it as a found family story in the same way that treasure planet, brother bear, and lilo and stitch are all found family stories.

[golden-moony]

king of my heart | pt. 4

part 1 | part 2 | part 3 | part 4

------------------------------------------------------

yourusername

liked by maxverstappen1, carlossainz55, landonorris, and 74,922 others!

yourusername life lately 💌

user1 swiftie, romcom lover and f1 fan... she's really one of us🩷

user2 and that's why she's the girlies' bestie

user3 QUEEN WE MISSED U SO MUCH

user4 as pretty as always 😍

user5 i'm probably reaching here but posting THAT movie feels like a statement's being made 👀

user6 right?? after all the drama she goes and posts that movie title and i just don't know how to feel user7 user6 thank god she just posted the title cause if she'd posted the "you can't lose something you never had" line, i would've lost my mind 😥 user8 or maybe yn just likes the movie??? user9 user8 THIS!! people act like there's a secret meaning to everything and i'm tired of that crap

user10 i'm a simple girl: i see yn and taylor swift in the same post, i like

user11 so what happened? were you starting to lose relevance and decided to come back?😂😂

user12 she needs to pay the bills somehow 😂 user13 girlie came back to keep playing the victim lol user14 y'all need to get a life asap.

user15 YOU DROP THIS QUEEN 👑

carmenmmundt gorgeous woman 😍

yourusername you are💗 user16 OMG MY FAV GIRLS INTERACTING user17 carmen please please please stay away from this problematic woman😕

user18 soooo are we gonna talk about lando liking the post or what

user19 girl i can't do this again user20 can't believe lando is back again with this bitch😒 user21 user20 wtf??? it's just a like omfg chill.

user22 yn please don't leave us again 🥺

📞 calling Pato

[yn; normal] [pato; cursive]

"Hi-"

"I'm not gonna lie, you are either very brave or very stupid for calling me right after the videos of your little date with Lando are going viral. Did you get tired of hiding your relationship?"

"...Guess I deserve that."

"[sights] What do you want, yn?"

"I swear I won't take up much of your time. I just want to talk... well, apologize, actually. I'd prefer to do it face to face rather than over the phone but I know that right now I'm probably the last person you wanna see. At least this way, if you don't wanna keep listening to me, you can just end the call."

"Well, I'm very tempted to end the call right now."

"Pato, I-"

"However, I'm also very curious about what you have to say."

"So...?"

"So I'll give you a chance to talk. But I promise you yn, if I hear any lame excuses, I will hang up and block you. Are we clear?"

"Hundred percent clear."

"Then talk."

"Well... first of all, I'm sorry. I'm really, really sorry. I promise it was never my intention to hurt you, even if I ended up doing it anyway. I should've told you from the beginning the kind of relationship I had with Lando and I should've been honest with you, especially when my feelings towards you changed to something deeper. I kno-"

"Hold on. What?"

"What do you mean what?"

"What did you just say?"

"That I'm sorry I lied to yo-"

"No, no. The part about your feelings."

"Oh. Well... you heard me. And I don't know why you sound so surprised. I mean, what happened between me and Lando in Spain was a stupid and terrible decision I made, and I should've known better cause my feelings for you were getting stronger."

"Then why did you sleep with him?"

"I... [sights]. I've thought about it a lot in the last few weeks, you know? I was trying to put all the blame on Lando when in the end I was the one who took the initiative. We were just going to talk to end that situationship once and for all, and then I kissed him. And instead of stopping him when he was going for more, I just let it happen cause in my head it was a form of goodbye. Clearly I ended up feeling guilty but the damage was done. And when I could've made things right by telling you the truth about what happened, I didn't. I was embarrassed, but mostly scared of losing the best man I've ever known... but that ended up happening anyway, and I'm to blame for that."

"..."

"Pato?"

"Did you love him?"

"No. We started out as friends and one day I realized I was attracted to him, one night one thing led to another and we became friends with benefits ever since. He didn't want a relationship at that time and neither did I. But in the last few months that changed for me. I wanted a partner, a committed relationship. Lando wasn't that and I was tired of being just a "casual thing". So no. I liked him, but I never loved him."

"So what was that date night about?"

"Just us being adults and having a real and necessary conversation. I had things to apologize for and so did he. I think Lando and I finally found common ground and are ready to move forward... not with each other, just to be clear. Just friends and nothing else."

"For real this time?"

"For real this time. My priorities and my heart are elsewhere."

"Oh, really? Where?"

"I could tell you or I could show you. To be honest, and if you let me, I'd rather show you. You know, actions speak louder than words."

"Yeah, I've heard that. You have any idea?"

"It depends. What are you doing on Friday?"

pacers

liked by elbaoward, tyresehaliburton, arrowmclaren, and 43,942 others!

pacers We had some motorsport representation in the house tonight!

user1 ynpato being hard launched (again?) by the pacers was not on my bingo card but i appreciate it🫶

user2 this is so random and i love it!! user3 the pacers earned my respect after this 🫡 user4 pacers stonks after this hard launch📈📈📈

user5 YNPATO BASKETBALL DATE? WE WON FR

user6 this is like straight out of a movie 😻 user7 THEY'RE SO ROMCOM CODED

user8 NOOO PATO NOT HER AGAIN 😫😫

user9 right? my week has been ruined. user10 keep cryin' haters 😘

indycar Hi yn and pato!! 👋

user11 basket date a few days after her post? she's an icon AND the mastermind fr 💅

user12 context?? user13 user12 her last ig post included a pic of "how to lose a guy in 10 days" and some people were speculating it could mean something, now yn goes with pato to a basketball game just like in the movie 😂 user14 SHE MANIFESTED IT AS THE QUEEN SHE IS🙌

user15 real question is: yourusername did Pato get you a soda?

patriciooward of course i did! 🙄 yourusername not only that but he also got his head in the game😏🏀 user16 I'M LIVING FOR THIS REFERENCES

user17 they make such a beautiful couple omg🥹

user18 are y'all forgetting she was in a date with lando just a few days ago????

user19 she belongs to the streets fr user20 the day y'all understand yn can be friends with lando or anyone is when you'll finally grow up.

user21 not related but she always slays with her outfits🔥

user22 fashion icon for real 🤩 user23 i want her wardrobe so bad😩

user24 YNPATO CONFIRMED 🚀🚀🚀

user25 i just wanna know if pato can fight 🤺

user26 i wanna be her so badly 😩

user27 same girl, same

yourusername posted to their story!

yourusername

liked by arrowmclaren, oscarpiastri, frosenqvist, and 79,889 others!

yourusername And all at once, you are the one I have been waiting for. King of my heart, body and soul 🧡

user1 MOM AND DAD ARE THRIVING 😍

user2 and we love to see it! user3 this is their world and we're just living in it

user4 yn is stronger than me cause if Pato looked at me like in the second pic... 😳😳

user5 IKR??? I'M DEAD user6 i was not ready for that, i'm currently on the floor user7 i meaaaan she's dating him, she already won in life

user8 THE CAPTION???? omg they're so cute🥹

user9 YNPATO AND TAYLOR GANG WE WON

user10 relationship goals for real ❤️‍🔥

user11 tired of being a spectator, I WANT WHAT THEY HAVE😭

landonorris if you three weren't that cute i'd try to steal Norbi from you

patriciooward back off, Norris 🤺 landonorris watch out, O'Ward 🤺 yourusername oh hell no mclaren arrowmclaren may i have permission to ground these kids? mclaren you may proceed 😉 patriciooward WHAT landonorris THE BETRAYAL user12 i used to pray for interactions like these 😭😭 user13 user12 we've come so far 😭 user14 WAAAAR IS OOOOVER

user15 yn's living her best life and i'm so happy for her 🤧

elbaoward I don't appreciate being left out of the photo, but I love you lovebirds anyway 💘

yourusername imma post a dump of just beautiful pics of you😘 love u elbaoward i'll be waiting then ☺️ patriciooward i also want a photo dump🥺 yourusername no 😚 user16 i want to belong to this family so bad, do you need a nanny for Norbi or anything?

user17 atp I'm just waiting for the engagement announcement

user18 same but i don't think i'll survive it user19 CAN U IMAGINE? OMG

user20 tag yourself i'm Norbi in the last pic

patriciooward te amo, preciosa ❤️

yourusername love u more, handsome 🥰 user21 AND I LOVE YOU BOTH

taglist: @drunkinthemiddleoftheday @evie-119 @evans-dejong @minkyungseokie @noneofyourfbusinessworld @bernelflo @eiaaasamantha @ijustgomessitupx @honethatty12 @daemyratwst @f1fan65 @littlexscarletxwitch @sheslikeacurse @charlottejpg @lichterfee @callsignwidow @phantomxoxo @stinkyjax @rubywingsracing @willowpains @urfavsgf @biitch-with-wifi @lightdragonrayne @illicitverstappen @herebereblogs @tvdtw4ever @nataliambc @norwayxo

author's note: AND THAT'S A WRAP! Thank you so much for giving this story a chance💖 To my Lando girlies, don't be mad! He was a jerk in this story but I'll post another one where he gets the love he actually deserves. And to my Pato girlies, stay tuned! I plan to post more stories with him cause it's what our lovely man deserves. And if you want me to write about some other driver, feel free to send me a request! I'll see what I can do🧡 See y'all soon!

[remcycl333]

DISMISSING THE 3D

in the loass community, "ignoring" the 3D is a very common phrase, but i find that this often leads to confusion and stress. i think that a much better phrase for it is "dismissing the 3D."

your inner man responds to feelings. your inner man doesn't have eyes; it cannot see your 3D. and your thoughts (dominant or not) do not manifest. your inner man doesn't care what your conscious mind is thinking: it cares about your state.

your 3D is a manifestation of your previous state. your 3D doesn't look the way it does right now because of any thoughts you've had, it looks that way because it is reflecting your dwelling state. so how do you change your 3D? by changing your dwelling state.

you don't need to ignore your 3D, you need to dismiss it.

an example i'm going to use is one i've been getting a lot of questions about: you're living in your parents house in the 3D, but you're manifesting moving into your own place. how do you ignore the 3D?

you wake up in your old bed every day, in your old bedroom. you go to your old bathroom and take a shower in your old shower. you go to your old kitchen and do your old dishes and eat your old food. your parents talk to you and tell you you need to clean your old house. you sit down for family dinner at your old dining room table and talk about the things you did in your old house that day. then you sit down with your parents on your old couch and watch a movie on your old tv before going to sleep in your old bed in your old bedroom.

how are you supposed to ignore the 3D when you are constantly witnessing it? how are you supposed to not think about your current 3D when you are constantly dealing with it?

because you don't need to ignore your 3D, you need to dismiss it.

as i mentioned earlier, your subconscious is blind. your thoughts don't manifest. neither of these things are going to effect your manifestation. the only thing that will effect your manifestation is your state.

THE INNER MAN

let's take a little detour to talk about the inner man (i promise it's relevant)

what is the inner man? it's YOU. it's who you identify as, and it's who you are in your imagination. so when you imagine something, you are giving whatever you imagine to your inner man. your inner man is experiencing your 4D.

your outer man is the YOU who is experiencing your 3D. your outer man lives in your outer world, and your inner man lives in your inner world. however, there is no separation between your inner man and your outer man.

as Neville says, "where I shall go in imagination, I shall go in the flesh as well." you must give your inner man your desire first in your inner world, and then your outer world will follow. you cannot skip step one.

this is what i like to do: i give myself my manifestation in my imagination. still using the above example, we'll simply say "there. my inner man lives in my desired apartment right now."

now my inner man is living in my desired apartment. i made a little post about how i like to view my inner man as a little, doll-like version of myself inside of me, but it is not actually separate from you. my favorite way of dismissing the 3D and shifting myself back to my desired state when something in my 3D shakes me is by reminding myself that my inner man already is/has what i want to be/have.

so, still using the same example, if i were to feel myself slip out of my desired state while manifesting my dream apartment--say that i was dwelling in the fact that in my 3D, i have to do chores at my parent(s) house--i'd remind myself that my inner man is already living in my dream apartment/house and that nothing i see or do in my 3D can change that.

there is a difference between dealing with your 3D and identifying with your 3D. in the example i just gave, i could've allowed my actions in the 3D--doing chores--tell me that my desire was never going to manifest because my 3D was showing me the opposite. i could've let myself dwell in the state of lack. instead, we recognized the 3D for what it is: a reflection of our previous dwelling state.

there's this comment i read on the Neville Godard subreddit that I really loved. it said: "the best advice i can give you is stop worrying about what your subconscious is going to think of what you're doing."

your assumptions manifest. what you do in your 3D is completely irrelevant unless you identify with it. your subconscious is not gonna see you doing chores at your parent's house and think that that means you don't live in your desired apartment/house. your subconscious mind doesn't have it's own opinions or ideas on what things in your 3D mean.

for example, say you wash your face and do your skincare every night, yet you are still dwelling in the state of having bad skin. which is going to manifest? your state, every single time. it's why that skincare product that everyone under the sun said helped clear their skin didn't work for you: you assumed it wouldn't.

if you negatively react to your 3D, that is an indicator you fell out of the state of the wish fulfilled. shift back to it, and then continue taking care of business. you're going to notice your 3D no matter what you do. your only job is to dismiss it, because you know it's not your true reality.

keep reminding yourself that your inner man already has your desire, and you're just chilling in your current 3D--no matter how opposite of the 4D it appears--until it catches up. your 3D is not permanent. you don't have to accept it as true.

the goal isn’t to ignore your 3D, it’s to let it pass without worrying about it.

an analogy that i read that i really liked was this: say you're in a disagreement with someone. they keep telling you that a song is sung by a specific artist, but you know for a FACT that it's actually sung by someone else. no matter what, they won't believe that you're right, and they're actually trying to convince YOU that THEY'RE right. but this is literally your favorite song, you know for a FACT who it's sung by, and it's not the person that they're saying. do you let them convince you that you're wrong, or do you stand firm in your belief?

that's how you should act in regards to your 3D. you know that you have your desire in your 4D. i mean, it's YOUR imagination and YOU'RE in control of it! you can have whatever you want in your own imagination! so are you gonna let your 3D tell you that you don't have your desire in your imagination? or are you gonna stand firm in the belief that you have your desire in your 4D?

that's all you need to do. you don't need to believe that you have your desire in your 3D, you just need to believe that you have your desire in your imagination. and you can control your imagination, so this should be super easy. give your desire to you inner man, and as long as you stay faithful to the fact that your inner man has your desire, your 3D will reflect this.

[blossomthepinkbunny]

Vivzepop will always be the biggest issue with her own show if she doesn't change. And i'm not saying that because I desperately want to shit on her but rather because it's so clear that her attitude is what made Hazbin Hotel be so dissapointing after the long wait. The pilot released four years ago and Viv had these characters for much longer than that. One could assume that with this much time on her hands she would have a concise plan for how a series of her story would play out (I can imagine that having an own show is a dream for lots of creative people out there). And I get that that plan might get screwed up by a shorter episode count then expected, but she should be the one who knows her story best and who should know what stuff could also be cut out. The first season of Hazbin Hotel is so incredibly overstuffed with characters and plot that it completely looses the main premise the show was originally pitched with (the idea of a hotel were sinners are redeemed. As it is now the hotel is really not important at all). People have talked endlessly about how Viv can't handle criticism and it really sucks because criticism is one of the best ways to improve your writing, drawings, music etc. Without criticism you won't refine the thing you're working on in a meaningful way. Of course it feels bad when you put something out there you wanted to share and then people critique it, but that's part of pretty much every creative journey, or atleast it should be and Vivzepop shouldn't get a pass from this just because she doesn't like it. And there are great shows, movies or books that are rarely or almost never criticised. But the artists behind these works probably went trough years of honing what they do by being criticised for the stuff they put out. And I don't want to say that Vivzepop didn't work hard to make Hazbin Hotel, but it is hard to claim that she improves in her craft, when everytime someone says they don't like her show she throws a hissy fit. She wants the same reactions that these other amazing pieces of media get without ever listening to criticism. Which she sees as a personal attack rather than a tool that could help her to achieve the same level of writing prowess the creators behind media like that have. She believes she is already on the same level as them, just because she basically shuts anyone out who disagrees with her. There's this clip at the end of a Drew Gooden Video which I think sums up the situation with Viv pretty good (the Video is called "Leaving the YouTube Bubble"). He is talking about Lily Singh and her talk show but I feel like a lot of the stuff he says about handling criticism applies to Vivzepop as well.

(you might have to turn up the audio).

Unprofessional behaviour like that might be excusable when the creator is pretty young or they are interacting with publicity for the first time really. But neither of that applies to Viv. And Hazbin Hotel isn't just an indie animation pilot on youtube anymore. It's now a fully realized show created with a pretty prominent studio on a major streaming network and it should be held to the same standards as other shows or movies alike (not saying indie animation or animation on youtube doesn't have a standard but with more budget and support, there's obviously going to be different expectations for the show now). There have been issues in Helluva Boss and the Hazbin Hotel pilot ever since their release which could've been handled with more time and the new show. But Vivzepop shows time and time again that she isn't willing to listen to people who criticise her, which could actually lead to her show getting better. I don't like Viv or her work a lot. I think she is incredibly unprofessional and she has done her fair share of questionable or problematic stuff, which often leads to issues in her shows. There have been some characters I like, some songs or scenes that were pretty well done, very cool animation and an actually interesting premise on paper in HH and HB. There are things that make me come back to these shows to watch the next episode. And i'm obviously passionate enough about these shows to make whole posts about what I think was done badly and what could be changed. But for the aspects of HH or HB I enjoy, there are soo many more problems I have with it. Problems that won't go away unless Viv stops seeing every criticism as a personal attack. Because if Vivzepop doesn't stop acting like her writing is some unreachable stuff that needs no changes I don't really see a point in assuming that these shows will ever get better.

[rogueddie]

There's something... off about Steve. Eddie can't quite put his finger on it, but he started noticing it a long time ago. Long before they actually met. Back at the tail end of his King Steve days.

He'd gotten glimpses, like he was seeing behind a mask. The way Steve usual smirk and swagger would drop, just for a moment. But he didn't look upset about losing friends... he looked haunted. Something so empty and lost about him. The moment would be over as fast as Eddie saw it, the whole King Steve persona slipping back on just as easily as it slipped off.

The look on Steves face stuck with him though. There was something so unsettling about it. Something so wrong. Because Steve was the spoilt, rich, popular kid. He had distant parents, everyone knows that, but... Eddie didn't want to think about what could've shaken up Steve Harrington so much, what could leave him looking so traumatized. He doesn't want to know.

But, of course, Eddie never got so lucky.

He's surprised, yet not at all, when he finds out that Steve has been dealing with the alternate dimension bullshit for years. It makes so many little things make sense. Makes the sudden loss of social status, the complete 180 in his attitude, seem reasonable.

And that should've been it. As nice as it was, saving the world with Steve Harrington, Eddie understands how things are. Even with his reputation shredded, hanging out with the town freak- now town 'we still think he's a murderer no matter how much they clear his name' level freak- is far, far below Steve.

But Steve keeps seeking him out. He keeps knocking on the trailer door. Ringing him up. Turning up to D&D sessions early so he can talk his way into coming back to hang out with Eddie.

Sometimes the King Steve mask makes a return, more often a mutation of it. But, for some reason, there's no masks on when it's just the two of them. Steve is freely and openly weird. He admits to things that Eddie knows he wouldn't usually share without pressure. But he shares them with Eddie.

Eddie asks him. But Steve just... smiles. Changes the subject with such ease that it isn't until later that Eddie even realizes that he never answered. He's kind of impressed.

Eddie learns to love it. He's got such deep insights into Steves psyche now that he can read him better than Robin can. He makes a point of correcting Robin too, enjoying the confusion and frustration he causes. Especially with how often she jokingly threatens him for stealing her soulmate.

And he is. It takes him a while to realize that he is... but he is. He's essentially stealing Steve.

He doesn't like groups. Not a lot. He likes having quiet moments with a couple people, he likes spending alone time with people, and it's no different with Steve. He likes knowing that he definitely has all of the attention and that the other person has all of his.

So maybe he feels a little possessive over their alone time, over the way Steve is so open with him specifically. With him exclusively. But it's not getting in the way of anything, it's not a problem.

Until, one day, Eddie notices Steve slipping away behind a mask. It's not the usual King Steve or variant. That throws Eddie off. It makes him too curious to ask, to look too close as to why. He wants to know more about the mask Steve is creating.

It's suave. Confident. It gives Steve an air of romance, something about it making him seem so much more slick. Like the persona of an old romcom movies male lead. It makes him stand a little straighter, it has his eyes wondering so freely. It makes Eddie blush.

Eddie stops him one day. He has to make sure Steve understands that, whatever he's doing with this new mask, Eddie isn't feeling friendship things about it.

Steve gives him that smile again, the one that makes it clear that Steve has figured something out that Eddie hasn't. He doesn't change the subject this time. He pointedly steps closer, grabs Eddies hand.

"Maybe I don't want you to feel friendship things about me," Steve says. He doesn't have the usual slick tone of his new mask. He looks a little nervous. "Maybe I only wear this mask with you."

Steve doesn't let him kiss him, ducks to the side far too smoothly. He still has Eddies hand in his. Eddie can't help but narrow his eyes, suspicious of the playful grin he's getting.

"Let me take you on a date first. A nice dinner, some expensive red wine..."

"Fuck you," Eddie is grinning though. Revels in the way his bluntness makes the mask slip again, this time because Steve is too amused to hide it- something that is more and more common.

It's more rare, these days, to see Steves masks slip because of whatever horrors he's remembering. It's almost always because of Eddie, making him smile, making him laugh. Not even his King Steve mask can hold up against Eddies odd, feral charm.

[thesoftboiledegg]

"Fear No Mort" was constant whiplash. In fact, I struggled to evaluate this episode at first because it was one twist after another. Throughout the episode, I had flashbacks to "M. Night Shaym-Aliens!" (the rap scene might've been a direct reference) and the Rickbot reveal in "Ricktional Mortpoon's Rickmas Mortcation."

For better or worse, season seven's had a lot of callbacks and episodes that mirrored previous ones: "That's Amorte" played out like "Mortynight Run"; "Air Force Wong" brought together Dr. Wong, the president and Unity; "Rise of the Numbericons: The Movie" was a "Get Schwifty" sequel.

Seasons six and seven have also piled on the fanservice. The first four seasons stubbornly refused to give us what we want, dangling fan theories or a gentler Rick in our faces before yanking it away. Rick started to change in season five, but it's another ten episodes before you get Rick in a suit and tie, Rick announcing that Rickcest is canon, Rick regularly going to therapy, Space Beth joining the family and other content that's floated around the fandom since 2017.

And let's not forget the big one: C-137 Rick and Morty, Prime Rick and Evil Morty in one episode, fighting and teaming up after we saw Evil Morty's once-forbidden backstory.

Some call it cheap thrills, but I call it a gift to the fandom that's patiently waited for the fakeouts to end. And now that I've said that: "Fear No Mort" was one giant fakeout.

But was it, though?

This is the most unpopular opinion in the world, but I'm not invested in Rick and Diane's relationship. As a gay woman, I just don't connect with opposite-gender couples. Also, I dislike the trope of the idolized dead wife that the audience only learns about through her widower. She's not her own character, just an extension of the male protagonist.

When the fake Rick and Diane reconnected, I thought "Oh boy, this is getting cheesy." They're falling for each other again: check. Rick feels guilty about her death: check. We see how similar they are: check. Rick doesn't want to leave: aaaand, check.

I'm also a little lost after the ending. Morty was the only one in the hole, so why did we see all these scenes from fake Rick's perspective? Was an NPC really that busy?

How much we learned about Diane is debatable, too, since Morty never met her. I guess his ideas came from whatever Rick's told him and maybe the ship's voice since she's based on Diane.

I did like how the episode kept reminding us that Morty's still in the Fear Hole. I mean, we didn't know that, but we knew that. No "Are they in the Fear Hole or not??" until all the twists in the third act.

Aside from that, I don't want the show to revisit the past too much because Rick needs to let go. If you're a Marvel fan, you saw the backlash to Steve Rogers traveling back in time to spend a lifetime with Peggy in "Endgame." He had a life in the present, but he refused to move on.

Nostalgia makes us yearn for earlier years, but if Rick abandoned his family to live with Diane in another reality, I wouldn't call that a sweet ending. I'd call that a disappointment and a waste of his character.

Turns out, Rick never had that option at all.

Well...in a way, he did. And when Morty told him what he saw in the Fear Hole, Rick ran back to the restroom. He looked into the hole. He thought about it. And then he did what I wanted him to do, which was walk away. In this moment, he chose the present.

Admittedly, Morty's fear came true: Rick didn't jump in the hole after him, he did just sit there and watch, and he didn't want to say that Morty's irreplaceable out loud. Plus, Rick was bewildered when Morty hugged him. But for the first time, instead of standing stiffly or gently pushing him away, Rick started to hug him back.

We also saw what Morty didn't: Rick smiling to himself after hanging up the picture of Morty that he kept in his wallet. He had the chance to wallow in shadows of the past, but he didn't take it. Rick chose him.

"Fear No Mort" could've ended with Rick just saying "Let's go" and leaving, but it didn't. Seasons one and two Rick would've bitched and moaned about Morty taking so long. Season three Rick would've left him there for a while to torment him. Season four Rick would've found a way to take advantage of this.

But seasons five, six, seven? That's real character development. That's what all the Twitter users saying "Wow, Rick and Morty is actually good" have been missing out on.

And for the first time in the series, a season didn't end with Rick relapsing or getting a (well-deserved) ass kicking. Is Morty going to get the grandfather that he deserves? Or will he move on, too, now that Rick's releasing his iron grip? Speculating is fun, but for now, let's focus on today.

[httpiastri]

❣️ I just read your confession post for oscar and others! Can you do it for other drivers like Paul, Ollie, and Kimi? Love your writing! You inspired me to start my own Formula blog :D

❣️ – send me a prompt and one/a few drivers and i'll tell you how i think they would react!!

paul aron

paul is no stranger to short-lived flings and summer romances, but he's not as familiar with the feeling of his heart fluttering the way it does whenever he thinks about you. he isn't used to the way that he thinks about telling you whenever something good happens to him, nor the way that he wants to ask for your help when he's going through something. he doesn't understand why you're the first thing he thinks about in the morning, and the last thing on his mind before he falls asleep. it takes him so long to figure out these new feelings, and when he eventually realizes that he's falling for you, he just gets scared.

he has no experience with these feelings, and everything he's heard about real relationships – commitment, trust, loyalty – sounds terrifying. but it doesn't take long for him to realize that it's worth it if it's with you.

i think the confession itself would be quite impromptu and unplanned. i'm imagining a movie night at his place, with you cuddled up to his side, when he just can't hold back anymore. when he asks if he can tell you something, he sounds just as playful as he usually does, so you never could've guessed the words that fall from his lips after that. "you're so... special. in a good way, a great way. and i... i think i'm falling for you."

ollie bearman

i see ollie as... kind of shy in this way? he isn't embarrassed or cowardly, but something in him makes that first real step a little too hard to take. i think ollie would much rather find a romantic, subtle way to do it.

one day, you're surprised to hear your doorbell ringing – you aren't expecting anyone, right? and you didn't order anything, did you? when you open your door, you find only a big bouquet of flowers standing outside it. you smile to yourself as you pick it up, your mind instantly wandering off to the tall, handsome brit you've been spending a lot of time with recently, who has had a bit of a habit of giving you flowers. this bouquet is especially big, though, and you try to search through your mind for any possible major occasion the bouquet could be for as you bring it inside.

but when you set it atop your dinner table, a note falls out from in between the flowers. and on the note, in ollie's messy handwriting, comes that confession you've been waiting so long for.

i like you. i really like you, and i would love to see what we could be. only if you feel the same way, of course. (please forget about all of this if you don't)

i'm sorry for not having the courage to say this to your face, but i would love to see you tonight if you're free. please call me.

sincerely, your bear ☺︎♡

kimi antonelli

kimi would be very spontaneous about it. he would not be planning it; it would come as just as much of a surprise to him as to you. i see it coming when you're sitting next to each other in class/the truck/etc, and you've been playing around with him and bothering him for quite a while. when you notice that your attempts to disturb his focus haven't worked, you turn to tickle him in hopes that it will work better – and it definitely does.

kimi folds over instantly, gasping loudly as his own hands come down to wrap around your wrists. "you're so annoying!" he exclaims, switching to hold both of your wrists in just one of his hands, as his other hand gives you a playful slap across the face. "you're lucky i like you so much, otherwise..."

you both come to a halt at his words, neither of you having expected them. instead of addressing it, though, he settles for moving his hands to tickle you instead, hoping to distract you from what just happened. you definitely won't forget, though, but the change is only for the better.

[murdrdocs]

you should totally write another enemies to lovers w ethan but like fem!reader and him get paired into a project we’re they have to take care of an egg together as if it were a baby? (like those cheesy movies LMFAO) and maybe they constantly argue about it and even try to convince their teacher to get paired into different groups but they’re forced to work together. then one night, reader has been taking care of the egg all day, she decides to go to ethan’s apartment but as soon as she leaves her apartment building she gets a call from ethan!gf (to mess w her) and at that point she’s just running to ethan’s apartment and yeah you can do the rest.

description. you're paired with ethan landry for a silly, 2000s-esque 'baby project', forced to reckon with the troubles of parenthood, and your inconsiderate feelings towards the brown haired boy.

includes. GN!reader, allusions to sex but no smut, reader curses a lot, chad's here :D

word count: 1.6k+

a/n: im so sorry it took me so long to write this but its here now :) also i changed this a bit just bc here we have the fake babies that cry and stuff and it adds drama yk and this was not supposed to be this long but enjoy nonetheless (also x2 this isn't proofread at all and it's written like an extended blurb)

anytime you said your life "was a movie" you were never serious. which is because before ending up in this class, life for you was nothing but usual teenage and young adult endeavors; parties, hanging out, spending entirely too much money.

but now, your life literally is a movie. an early 2000s movie that the production shouldn't have greenlit because it desperately flopped in the theatres and digital release, only to become a cult classic 20 years later.

however, you're stuck in that flopping at box office point, coming in the form of being assigned a project where you had to take care of an egg, then a fake baby, in a class you shouldn't have been in in the first place, and being paired with ethan landry out of all people.

you don't have anything against ethan per se, but you don't like him either. on a scale of dislike, neutral, and like, you're in the lower end of neutral with your feelings towards ethan.

he wasn't a horrible guy, but he just reminded you of the guys back home. the ones that were always unnecessarily rude and help "opinions" that were really just hate speech waiting to be turned into hate crimes. and sure, he hadn't done anything in particular to be compared to those people, but you're better off being safe than sorry.

you're sitting across from him now, a brown egg sitting between you two, and your eyes switching from glaring at the egg to glaring at ethan.

"so ... how do you wanna do the schedule?" ethan asks, fiddling with the sticker on his smoothie cup.

your glare intensifies and you sit back in your seat, crossing your arms over your chest. "i want you to know that i don't wanna do this with you."

ethan looks slightly shocked by your blunt statement, which infuriates you more. and then he says, "...okay?" like he doesn't care. asshole.

you decide to be the bigger person, taking a deep breath before you continue speaking. "okay."

it's silent for a few moments. "now that we have that cleared up, how do you wanna do the schedule?"

you and ethan decide on who should take care of the egg-baby for the first week, until you upgrade to a fake baby. that night when you go home, you send an email that is a mix between begging and demanding your professor to switch your partner.

the week was fine. it could've been better if your professor switched your partner, and if you didn't have to communicate with ethan landry more than you would have ever wanted to. but apparently, people can't always get what they want.

by the first class the following week, 3 groups have broken their egg and failed the first half of the assignment. you sit and listen to your professor lecture each and every one of you about the importance of good child care, and how taking care of the egg was the easy part. as she hands out doll babies in a carrier, and understand how lifelike the not-toy is, you start to realize just how much harder this is going to be.

"who would've known blackmore had this sort of money." chad marvels at the doll in the stroller. he has his hands on his bent knees, his brown eyes shifting to notice every detail about the doll in the stroller.

"it fucking knows how much time each of us spends with it, chad," you complain through a mouthful of burrito bowl contents. you have a little time alone since ethan had class, so you took the time to take yourself, and amelia/janice (you and ethan couldn't agree on a name) to the dining hall for lunch with chad.

"just spend time with ethan. i do it everyday."

your eyes roll so hard that you have to pause and hold a hand to your head. "easier said than done."

chad laughs a bit, sitting down in the seat across from you once again and starting to dig into his own burrito bowl.

"what's your problem with him anyway?"

"oh don't even get me started–" but he did get you started. you detail all of the things that deems ethan to be insufferable in your eyes. his abercrombie model body, his nerdy persona, his "well actually" moments, his need to correct everyone, the way he seems like he actually hates tara and sam, his not-so-subtle superiority complex. chad stops you whenever you start to mention his hair.

"just sounds to me like you're hiding your true feelings behind anger."

you don't have a response, instead opting to check your email to see your professor sending a third denial to switch partners.

you're thinking of a way you can convince her whenever ethan texts you.

'my shift? '

"gotta go," you tell chad, sliding him your tray to dispose of with a grin, feeding him an excuse about being a "busy parent now" whenever he tries to argue.

okay, truth be told, ethan landry wasn't that bad. he offered to take up shifts whenever you even alluded to being stressed about other things, he offered to buy you meals in return for watching amelia/janice for an extra half hour. he seemed like he both cared about passing this project, and you.

"just so you know, i also tried to switch partners," ethan admits with just a hint of shame in his voice, and a light pink tint to his cheeks. but you don't know if that's from his confession or the alcohol in his system.

it's the end to another grueling week taking care of amelia (ethan let janice go) and you decided to celebrate by opening a bottle of wine. you were feeling oddly good that whole week, so whenever ethan came over to drop amelia off, you invited him in for a drink.

which turned into two. which turned into a late night kitchen makeout session.

the alcohol was obviously hindering your thinking abilities because not only were you pressing ethan landry back against your counter with your body and letting his hands roam all over your figure while he kissed you, you also pulled back and stared at him wildly to ask, "wait, amelia's down for the night right?"

ethan smiles big, playing along, "yeah, she's down for the night".

his hands find the end of your shirt and the slide underneath to feel the warmth of your skin. your room was occupied by your daughter, but your roommates were out for the night and the couch was available.

you let ethan lead you there and decide that yeah, ethan landry isn't that bad.

this, is the climactic point in the film. it's so cliché that you can predict the next moments, and you don't like them.

you were walking from your apartment to ethan's, preparing to drop amelia off for ethan to take care of now that he was out of econ. you've done this same walk safely many times before, so you weren't worried about yourself at all. you had your headphones on, playing music at a low volume just in case, and there were only a few minutes left in your walk. when your phone rang, you didn't think much of it. you answered it without checking your phone, a chirpy "hello?" being your greeting.

the voice on the other hand was unrecognizable. "hello." he said it like a statement, not a question, as if he had an upper hand.

"who is this?"

"i'm ... an admirer."

a chill runs through your body and you quicken your pace. "okay? what's your name?" you're looking around, searching for people on the street to witness something just in case. but there's only 2 to 3 people walking at this late hour. what are the fucking odds.

"i go by many names. some people call me the boogey man, others their worst nightmare." he speaks slowly, methodically, with a smooth tone, a direct contrast from the fast shakiness in your voice.

"oh, yeah? why do they call you that?"

"because ... i'm known for gutting people like a fish."

you don't say anything, going to reach for your phone and hangup instead. which, you do. you hand shakes as you go to call ethan instead, but before you can click on his contact you're getting a call from him.

"ethan? thank god, i was just about to call you. some fucking weirdo called me and he was freaking me the fuck out but i'm almost at your pla–"

"you think i'm a weirdo?" the same voice.

you glance down at ethan's contact, blinking, making sure you didn't read it wrong. but it's right.

"... ethan?" you ask softly, your heart thudding intensely behind your chest.

"yes?"

"is that you?"

"uh-huh."

fucking asshole.

"you fucking asshole." the entrance to ethan's apartment building is in sight now, as is the boy himself, standing in front of the building with his phone held in one hand, and a white object in the other. the closer you get, the bigger his smile gets, and the narrower your glare gets.

you stop in front of him, shoving the stroller into his foot and pushing at his chest for good measure. "you fucking asshole!" you repeat, as if he hadn't heard you the first time.

ethan laughs, he cackles, like he just told the best joke in history. the dial tone of ethan ending the call is barely heard over the blood rushing in your ears.

"c'mon, babe," ethan tilts his head as he pockets his phone and the white object. his hands reach for you, and you flinch away the first time, but the second time you let him rest his hands on your waist and pull you into him. he places a kiss on your forehead, then your nose, before pressing a soft kiss to your lips.

"i fucking hate you." there's no bite behind your bark.

"yet you decided to have a baby with me."

stupid fucking assignment.

[l-egionaire]

Just saw Kung Fu Panda 4. Here are some thoughts.

Plot was... okay. Nothing super special, but it was fine enough for the kind of story the movie was trying to tell. And there were some great imagery and animation moments. I honestly don't get all the complaints about the animation. I saw one thing on TV tropes say it'd because it's not something like Puss in Boots Two or The Bad Guys, but I'm honestly fine with it not being like those. I feel like if all animated movies used that style, people would just start to complain that they're all the same.

Zhen was fine as a character. Bit of the usual "thief with a heart of gold" type character, but while I do think her changing was a bit fast, I can get why it happens. Po's the first person to show her genuine kindness with little alterior motive, and combined with a later betrayl, I can see her motivation for becoming a better person. Her voice acting wasn't too bad, but I think it could've been better in some dramatic moments. Also, while the movie doesn't draw attention to it, I do think there's a lot of parallel that could be drawn between her and Po, not just with how they grew up but also in their parental figures. Not to mention, they ultimately aren't THAT different as characters. They're both goofy people but grew up being looked down on by others and seem to use humor or goofiness as a defense mechanism. Just that she uses snark whereas he uses his big happy personality.

I REALLY like Po in the movie. Not just because he's his usual big fun self, but because he's still just as, if not more competent as he was in the previous movies. A big issue I had with the How To Train Your Dragon franchise was how Hiccup seemed to keep being less competent or capable in the movies. But no. Po's still able to kick ass and is the skilled warrior he should be after three movies of fighting. And I do think his fear of losing his dragon warrior title is understandable since that HAS been a big part of his identity across all three movies. Some might say that it's odd he's so afraid of change since he became a teacher in the last movie, but that was just adding on to his the responsibilities he already had. I would say his arc of becoming a spiritual leader was neglected some by the end and could've used a bit more focus.

Po's dad's are great. At first, I thought their subplot was just a comedic b-plot, but I liked how they ended up getting their and providing Po emotional support. And again, while it's not given much focus, their relationship and how they encourage Po creates a nice parallel between Zhen and her parental figure.

The Chameleon as a villain isn't THAT interesting, but she's not terrible. Personality wise, she's okay, but nothing spectacular. I do think her backstory was interesting, and, like the past three villains, her backstory mirrors Po's in a way. Which I honestly kind of wished they'd focused on a little more. I think it would've given her more depth that she's hinted to have.

Yes, the Furious Five aren't in this move for 99 percent of it. But.....I think it works. Because the whole point of the movie is about Po and Zhen. Them building their trust and relationship to get to the point they are by the end of the movie. And having the Furious Five their might have made things feel overstuffed.

Ultimately, I think it's a good movie. Nothing AMAZING but it's good and It does pick up more in the second half. Overall I'd say this around a 7.5 out of ten if I had to describe it.

[g0giro]

PLEASE READ THIS!!! NEOPENTANE5 TOLD ME TO KILL MYSELF AFTER I TALKED ABOUT THAT SHE SUPPORTED RAPE TO MY FRIEND

Someone sent this to me, and I have something to say about it. Don't buy what she said on her Twitter, I explained every single detail below.

I'm adding these pictures as well since these tweets were basically her referring to me and saying a lot of bad things about me. I've heard this meant "I wish you go kill yourself", "You don't deserve any friends" and so on, so I decided to translate it. She deleted it, and it's gone by now, but I could get a screenshot of her saying it.

TL;DR: I cut neopentane5 off and blocked her last year, I've been struggling because of severe depression since last year and she was the main reason who caused it, I vented about how I felt and what I couldn't understand her to my friend, and somehow it ended up with Neopentane5 seeing my DM with my friend and she self attacked me on her Twitter because of the DM, revealing my personal information and writing on her Twitter that I need to kill myself.

Below this is about what exactly happened and how Neoepentane5 tried to justify her actions. I explained it with all the proof that she was wrong and spreading misinformation, including some NSFW pictures she sent.

I don't know where to start, but let me talk about what happened last year between me and her.

The first reason I cut her off :

A few months ago, a guitarist of my favorite band passed away, so I was really shocked and sad, and I wanted to talk about it to someone and get comforted. There was a discord server where I, Neopentane5, and some other people were so I went there and talked about it. One of them asked me about it, but Neopentane5 just said nothing but sent a nsfw pic right below my text, completely ignoring me.

It was really rude and disrespectful, not just because the guitarist was my favorite but it was really weird and absurd of her to send a nsfw pic when she heard that someone died. Because of this, I was feeling depressed, so I tried not to pay attention to the server and her. I muted the notifications and tried to do something else like watching movies, playing games, or going out and so on because I thought it would become better if I could ignore this.

But she kept sending a bunch of nsfw pictures like these pictures without my consent and I was really overwhelmed and mad because of it.

This is the uncensored version of the screenshots.

The second reason why I cut her off:

Around last Halloween, I posted this to do inbox trick or treating. People who wanted to join it left likes there, and everyone who left likes on that post answered back, but Neopentane5 was the only one who didn't do anything even though she left her like. I thought she might be busy, and I asked her why she hadn't answered. She said she read it and wanted to draw something for it and would post it that night, but I didn't really mind if she wanted to draw something or not, because I was content with communicating with people by sending some candy pics and it was wholesome.

She really seemed to draw one for it, and I didn't want to let her down by saying I didn't really need her drawing or so, so I gave her enough time and she didn't post anything about it even two weeks had passed. I was really getting upset and depressed because it felt like I was worthless and not worth being remembered or cared about. I stopped texting her and everyone back then because of my depression.

Then she suddenly texted me first unusually and it was like this.

She just wanted to use me for translating that picture when she clearly knew that I didn't like the reboot stuff and didn't want to see it at all. She could've just googled it and used a translator, but she still decided to ask me to translate it for her. I had been feeling really down that time, and I didn't want to text back, but I also didn't want to make her feel bad so I just joked like I was all good and translated it for her. I felt I was worthless than the google translate and she just laughed it off and didn't really care about it when she should've made a proper apology. It didn't look like a person who was genuinely feeling sorry and it made my mental state worse. So I said just forget about it, and she didn't even answer back.

Other reasons I cut her off:

I had been already feeling depressed because I had always felt that I was the only one who cared about the 'friendship' she claimed to call it. Whenever I wanted to 'talk' with her, I always had to bring something interesting related to the fandom stuff, or she didn't even reply or reply very carelessly like "okay cool" a few days later when I texted her. She also didn't text me first usually, and I noticed it when I started talking with her last year. I thought I could talk about it to her and solve the problem together, so I seriously asked her to text me first sometimes and told her that I was feeling neglected because of her lack of messages. She said she wasn't just a talkative person and didn't really start a conversation first, but it was also the same for me because I wasn't a talkative one either. At least she promised that she would change and try to message me first, but she didn't. I talked about it to her more than three times, but she didn't even try hard to keep her promise and I lost trust that it would fix anything if I talked with her.

This was the last conversation when I blocked her.

I was trying not to be rude, and I explained why I decided to distance her. If she actually cared about the 'friendship', then she should've apologized to me and asked me if we could start over. But she immediately decided to cut me off (which means she didn't care about me) and started making excuses to justify her actions.

About Neoepentane5 saying something supportive about rape:

She tried to make her words promising about rape is okay by using the logic that she's Asian and Asian people are like that. Me, as a Korean, I don't support rape and I am against people who tolerate rape in any case. I couldn't understand how could a person be okay with rape at all and I was so disgusted by it, so I vented it to my friend because I'd already cut her off and there was no way for her to see this, a few days ago. But somehow, Neopentane5 was able to see my DM which I only intended to share with my friend, and wrote about it, making excuses and revealing my Discord name and Tumblr blog to the public, allowing her followers could easily attack me when I had no intention to expose her when I was talking with my friend.

We used to be friends, but we didn't quarrel and the quarrel she means is the last conversation I wrote about above, where I was explaining why I decided to block her. I didn't drive a distance between Neopentane5 and her friends, in fact, there was only one person I asked why didn't they distance Neopentane5 yet. The friend she was talking about was also my friend, and when I decided to block her, I told the friend too. I was genuinely worried about the friend because they said that they also had problems with Neopentane5 before and had an emotionally hard time because of her.

I talked about my interaction with her to my friends, not making it go on the public. Every person can feel bad and hate someone, and I needed to vent my feelings to my friends, Neopentane5 is talking about this as if I did something wrong after seeing what she wasn't able to see. About how she could manage to see my DM, my friend shared it with someone else without my consent and their friend shared it again to another, and so on. This is a wild guess, but when I talked to the friend after blocking Neopentane5 they said they already knew what happened, and in the way Neopentane5 talked in the last conversation I had with her, it's not hard to assume that she probably said many bad things about me. I don't blame her for talking back behind my back, because it's natural to vent someone's feelings to someone, but it's very disappointing and frustrating to see her attack me.

When I said I could make her an account, she denied it because she didn't want to look weak in front of me and said it was cheap to buy a new phone number, saying it didn't even cost a single dollar.

It was one game she bought, and I told her how much I appreciated it enough that she told me to stop praising her. However, she hadn't played it once when I asked her to play it together later. I don't know what she's talking about the 'learning new ways to use AI for me' because if she's talking about CAI, I was the one who was making characters mostly and I've never asked her to make one for me.

I asked her to do RP with her because it looked like she was getting tired of CAI's waiting line and the limited responses. I said it was totally okay if she didn't want to do so, but she accepted it and then I made a server to invite her. She talked like she didn't enjoy it at all, but as embarrassing as it might sound, I enjoyed it and appreciated her for doing it together, and when I asked her if she was enjoying this too, she said yes and saved funny moments we had.

I say it again that it wasn't an argument or a quarrel. I explained why I wanted to distance her instead of just blocking her without any words, giving her the last chance to apologize and to make things better again. I explained it in the last conversation I had with her, you can read about how she keeps trying to justify her careless actions toward me by saying she's just forgetful and I don't understand her at all when I was struggling because of my depression and I needed someone to show me that they cared about me, but she couldn't understand me at all. I expected her to show it to me because she said I was special and different unlike the other friends she had, but maybe I was too naive.

I've never talked about anything related to her to the public or in my account where anyone can see it until now. Look at who decided to point me out and blame me, revealing my blog and discord account.

It's also not healthy to write me to go kill yourself.

This is all, and it was Neopentane5 who started blaming me on the Internet first. These are her Tumblr, Twitter, and Instagram pages. I hope anyone who reads this will distance yourself from her and her devotees, and it would be appreciated if you could reblog this post and share it on other websites like Twitter too.

Sorry for tagging the fandom tags, but I don't want other people to suffer the same thing I did. Thank you for reading a long post. + I edited the post since it was flagged.

[project-sekai-facts]

Your recent update made me wonder about something. I don’t know how much you know about this but wanted to try asking anyway. Hopefully this makes sense? Why would the English translation choose to censor things? I assume translations are being done in America where queer things are slowly becoming more accepted but is that a factor? Are the translators themselves changing certain things due to their own biases? I don’t know who they are and don’t want to assume anything about them, but I can’t help wondering if that’s part of the reason? Or is it because of something like, for example, sometimes movies or TV shows have certain content removed based on where it’s being aired, so is it something like that? Is the game being released in regions where queer content is banned or removed? Now that I wrote it, I feel like this is the most likely answer but what do you think? I basically just rambled in your ask my bad. Also, do you know if the Korean and/or Taiwan servers have censorship too?

oh there's more than just the Asahi thing and i have mentioned it in passing before but i'll cover it properly here. "the miles i fell in love with is so cool" -> "it was so cool! i guess that's miles for you" is definitely the biggest example though.

First off, a minor thing. it doesn't really happen anymore but in the earlier translations they quite often use words other than partner, like "pals" and "buds", in the VBS story. Probably one of the best examples of this would be An and Kohane's 3rd kizuna title, which the JP name was often fan-translated as "Making each other better" or "Raising each other up", and is called "Two supportive pals" on EN. Which does have the same meaning but the "pals" seems so unneccesary when they could've used partners. The original text is Takameau futari, the first part means "to raise" or "to lift" and futari means "two people" or "a pair/couple". So it technically is a good enough translation but using pals when partners would be more accurate to canon just seems.. off.

I’m assuming their avoidance of the word partner is because it could easily be misinterpreted as romantic, but they seem to have moved on from that at this point.

There's also THE POWER OF UNITY where they switch out "love" (daisuki) for "cares about a lot" when KAITO is comparing the relationship between Arata and Souma to Akito and Toya. Daisuki literally means "likes a lot" so often you'll see people translate it as love, though likes a lot is still valid. "Cares about" is not a direct translation but definitely can still convey the same meaning, so again instance of valid localisation it just seems like an odd choice when using love would've conveyed the exact same meaning and been more true to the original.

Then you've got another instance of them not translating daisuki correctly in Dear Me, As I Was Back Then (sorry this one is a wiki screenshot my phone died). This is worse. Like I guess if you really want then it does have a close enough meaning to the original. Like I guess daisuki meaning "like a lot" or "love" could be localised as "you're the best" if you really wanted it too. But even then, the line before this is "I'm gonna show just how much I admire her!". Minori's shout of "I LOVE YOUUU" from the original would be way more fitting here. "You're the best" feels too casual and buddy-buddy - even if Minori didn't know Haruka at this point, Haruka still had a big impact on her life and imo "I love you" would be the best to use here.

There’s also this one from Walk on and on that removes one key thing. In the original, Toya says something more along the lines of “I was able to make this track because I want to continue to be a partner who can stand shoulder-to-shoulder with you from now on and always”. This is a bit more similar to the Asahi incident in that they’ve restructured the sentence to make it two, adding in the thing about performing which isn’t even there originally, and replacing “korekara saki mo zutto” with “keep singing with you”. And “keep singing with you” still works, but it’s much more toned down, let’s say. You know what really is odd about this translation though? If the quote I put seems familiar, it’s because it’s also the name of Toya’s event card. Kinda odd they omitted that from the story then, huh? The thing is the translation of the card is very accurate so removing it from the story starts to seem intentional, especially when everything around it is accurately translated like with the Asahi incident. Also doing this removes the fact that the card name references the story so what the hell are you doing EN? It's the same sentence, if you can translate it correctly on the card you can translate it correctly in the story.

There's definitely more than this, this is just what came to mind first and I don't want to make this post too long.

These were certainly... choices. Especially with the ones that avoid translating daisuki as love because they do translate as that on other occasions, most frequently with An and Kohane. I'm assuming the reason they omitted it with the guys is because it's far harder to pass off guys saying that they love each other as platonic because societal expectations or whatever, but I'm actually surprised by the change to Dear Me because normally they're pretty good with Minori and Haruka usually. Like they've translated daisuki correctly for them before and leave in everything else that indicates Minori has a crush on Haruka, so why not this line?

I'm tempted to say that they just change the things that they think are too hard to safely pass off as platonic, but then again they left all of the unsubtle ship teasing in Buddy Funny Spend Time, which has a lot of focus on Minori and Haruka's relationship (and they even added in Haruka saying that Minori makes her heart tickle in her card story), so I'm genuinely not sure why they left that in but then changed one instance of Minori saying she loves Haruka which doesn't even have to be interpreted romantically. Like what is the limit here? An can say she's going on a date (with Kohane) and the WEG regulars can ask who she's been seeing, but Asahi can say he fell in love with Tsukasa's character and it gets removed. Both of them have romantic connotation. The only thing I can think of is that An's comes from a whole card story and event, but Asahi's is one line that's easy to remove. Same with Toya saying he wants to stay with Akito forever.

In other words, it's a mess and I don't think any of what I just wrote is coherent either.

Interpret all of this however you will at the end of the day it’s all just ship tease which is up to interpretation anyway. Except the Asahi thing. That one is a censor.

Oh and the KR and TW servers don’t do this.

[a-dauntless-daffodil]

fictional girls who should have been gay

Minnie Mouse and Daisy Duck, from the 2004 "Micky, Donald, Goofy: The Three Musketeers" animated movie.

The situation: GAY

Princess and lady-in-waiting. Is there anything more intimate and potentially gay than a girl and the girl who she specifically keeps around just to officially hang out with? I don't care I love it.

they are the most romantic thing in this movie

Their introduction scene is Minnie sighing over her future love (hypothetical and male and not necessarily royal) while blowing flower petals in Daisy's face

Daisy has reservations

but when Minnie is explaining True Love to her (while they hold hands and twirl around the room)

Minnie says she'll know her true love because she'll hear music (sentimental music is now playing) and they'll make her laugh- AND THEN DAISY LAUGHS

she starts saying that sounds silly...

but Minnie looks at her, and flutters her eyes at her...

and Daisy just MELTS. She clasps her hands over her heart and switches to sighing that that sounds lovely...

who drew and directed that and didn't notice how much it looks like Daisy just fell in love with Minnie. hey. I want to know

did they realize they could've had Daisy staring at something else?

a painting of young lovers. a couple passing by the window. even the sad bedraggled flower Minnie had been using for a game of he-loves-me-he-loves-me-not

(i cannot get over how the flower wilts the last time we see it, right after Minnie says "trust me Daisy, I'll know him, when I see him)

(I understand it's meant to be like, oh look the flower looks like Micky now she'll know him when she sees him- but it could also look like HER, Minnie is talking to Daisy about true love and knowing it when it's there but oh the IRONY if Daisy was in love with HER while she says that!!! With Minnie having no idea!!!!)

anyway

how about just not have Minnie flutter her eyelashes at Daisy like that

have HER not be looking at Daisy when she's talking about true love

anything. anything else would have worked better

Well apparently none of those options occurred to the film makers because these girls are supposed to be STRAIGHT somehow

(Minnie, princess of prolonged held eye contact)

(and Daisy, lady of keeps having to look away when Minnie is staring at her Like That)

Moments later, after a montage of Minnie strolling around the gardens dreaming of love (to the tune of a song about young love), an attempt on her life is thwarted by DAISY asking her to come over for a moment, moving Minnie out of the path of a falling safe meant to crush her

(by the way, holy heck it feels honestly scary. it just. DROPS)

The song lyric leading up to Daisy calling out for Minnie is "Your first your only love~! Love so-" (can't hear properly)

Minnie being willing to leave her daydreams of love for Daisy no questions asked is what saves her actual literal life I'm sorry but again why did they think having Daisy being the reason she lives was so important. This is a Micky Mouse cartoon legit just have Minnie stand up on her own and wander out of harm's way or get distracted by a flower or something but NOOOOO it's DAISY who unknowingly gets her out of danger, it's Minnie listening to her that saves her. ARGH IT COULD HAVE MEANT SO MUCH BUT

Minnie has actual whole conversations with Daisy. Actual. Talking. Sharing of thoughts and opinions. Chances to see their personalities and how they play off each other.

Princess Minnie, the slightly head in the clouds princess, and Daisy, grounded and a bit dry

Minnie: He loves me. He loves me… a lot. He loves me. He loves me even moooore. He loves me...

Daisy: Pardon me, Your Highness… (blows some free-floating petals off her face) you‘re, kinda mangling that flower.

like there's this set up for Minnie being rebellious enough to reject tradition and rules, being annoyed at them for cramping her style

Daisy: This, fantasy man- (the exasperation on those two words XD), d'you happen to know if he's royalty?

Minnie: Does it matter?

Daisy, breathlessly: Well, as you know, someone of your, royal stature, needs to be courted by a gentleman of royal blood.

Minnie: What a royal pain.

It's supposed to be about getting with a commoner instead, but... HMM I WONDER WHAT OTHER SOCIAL EXPECTATIONS MINNIE COULD BREAK.

A gentleman of royal blood? Well what if it's not! A gentleman!!

Minnie: Daisy, I can't marry someone I'm not in love with.

Daisy: You want love? Buy a dog.

the delicious set up as Daisy as jaded and practical BUT moments later she can't help herself with Minnie, she can't ruin Minnie's little happy bubble, she can't keep pushing Minnie away from her dream

When Minnie gazes at her all warm and mushy, Daisy has to giggle and admit that the idea of a true love who makes you laugh is just Lovely, actually

she says, while staring back at Minnie

WRITERS I WANT TO TALK WITH YOU I JUST WANT TO CHAT

but anyway, they have a flow, a rapport, they play off each other and clearly care about each other and, meanwhile, M e a n w h i l e

meanwhile, nearly all the time Minnie spends "being in love" with Micky is done in silent daydream episodes where they float on clouds and stuff. They get a montage of vague cute stuff. It's a whole lot of Nothing. Very pretty! But nothing

They see each other and it's supposed to be love at first sight. Whee. I'd find it cute if Minnie didn't already have someone and Micky wasn't mostly focused on being a good Musketeer. What do they give each other? They hardly even TALK! At the end of the movie I still have no idea how they'd get through a simple conversation! As a crush sure it reads fine- but true love? Where? When????

MOMENTS after meeting and "falling for" Micky, Minnie is yelling at him and his friends, furious because they accidently attacked Daisy thinking she was a threat

wow good job showing us Minnie's priorities here. Good job showing us she cares about Daisy

good job not using that to let her and Micky like, talk, or anything

Daisy, meanwhile, spends the whole movie with 0% interest in Donald at all, nothing but burns and scorn, only getting with him in the last moments literally just because why not

As in that's honestly the reason the movie gives. Not that she likes him. Just. Why not.

my eye is twitching

MINNIE LOVES THE IDEA OF A FORBIDDON LOVE!

SHE SAYS, SHE SAYS-

Minnie: Our love is, forbidden?

Daisy: Bin-go~

Minnie: A forbidden love? How romantic...!

girl you've had 1 (ONE) interaction with "the little one" like props to you for liking a short king but hey, heeey, this is so not selling the love vibes ok

GUESS WHAT OTHER LOVE WOULD BE FORBIDDEN

HMM I WONDER

Minnie: Look, Daisy. Mickey and I have the same last name!

Daisy: Well, it must be destiny. Good thing destiny doesn’t control my love life.

(daisy being practical jaded or daisy using code for 'yeeeah, im prim and proper in everything else, but im going against the flow when it comes to romance)

Minnie: What do you mean?

Daisy: Well, look at me! If it did, I’d get stuck with Mister… (squawking and babbling)

Minnie & Daisy: (laughing together)

hey remember how Minnie laughed when Micky rolled a nat 0 trying to untie her and the narrator was like "Oh he made her laugh! It must be love!"

remember when Daisy makes Minnie laugh with a Donald Duck impersonation? While they were in bed together??

NARRATOR IF A LAUGH IS ALL IT TAKES THEN CHIME IN PLEASE

Do You Remember when Micky and co failed and Minnie was kidnapped by badguys and Micky had a moment of slump before getting his second wind? Was he motivated by thoughts of his True Love? Was he thinking of Minnie when he decided not to give up on saving her??

NO.

he was looking at his friends being sad.

He encourages himself thinking about how the captain of the guard chose him and his friends to be musketeers

No Mention Of Minnie At All, Aside From A Quest To Be Cleared

wow much love such devotion

The point of Micky's story is him wanting to be a Musketeer. The emotional climax is always between him and his two friends. THE ROMANCE IS SO WEIRD IT DOES NOTHING AND COMES FROM NOTHING AND GOES NOWHERE.

Minnie has no character growth no obstacles nothing to do. she was ready to throw tradition aside for the man of her dreams the moment we saw her-

IMAGINE the crunchiness if she had either a moment of "wait actually, i think he's cute but this isn't love" OR "hey wait all this time I've been dreaming of a guy maybe it's not a guy though? Tee hee let's destroy some more social norms!"

(don't for the love of all things bring up lines of succession this is alternate universe france in the 1600-1700's there is a Lot To Gloss Over Okay)

And Daisy is RIGHT THERE.

Not interested in guys! Sighing over Minnie! Staying with her throughout the whole movie because apparently you can't kidnap the princess without her lady in waiting!

RAAAGH. I know, I know Disney and gay don't mix, especially in 2004- but why why why why did they think Minnie had to be with Micky in this one? Why did they make the emptiest crush ever instead of just letting Minnie and Daisy chill up on the throne dais together? IM IN PAIN EVERY TIME I REWATCH THIS.

tldr: Daisy was in love with princess Minnie, and if Minnie had known she's the exact sort of rebel princess to just marry her lady-in-waiting like a boss

[triviallytrue]

so yeah i finished NGE

What a show! Can honestly say that I liked it more than I was expecting to. Usually it takes me a couple months to fully decide how I feel about something though.

Let's start with the ending. I had to google some things to tie up loose ends, but once I did I was pretty impressed by how well everything tied together. There were a lot of hidden details that I had missed during the first watch, and the supplementary material cleared a lot of things up for me.

I don't really see how the show's ending and the movie can be reconciled with one another, but it seems like a lot of people regard them as two separate possible endings.

I think the show's ending was unacceptable as a stand-alone, but after watching the movie I appreciate it as a more upbeat end to Shinji's journey. The movie is a lot more complete, but it's also a huge bummer - everyone loses! Instrumentality fails so Seele loses, Gendoh dies and doesn't reunite with his wife, so he loses, the angels all get defeated, and the Third Impact does happen and devastates the planet, so humanity loses. Maybe if Shinji knew how badly the world had been devastated he would've decided instrumentality was the lesser evil.

Or maybe that's too realism-brained and I'm supposed to be thinking about it more metaphorically. Meh.

In retrospect, I find myself unimpressed with Gendoh. He seems to have managed to fail upward by harnessing/exploiting more talented people than himself, all to fail at achieving a selfish and uninspiring final end.

Misato... well. I think I misjudged her initially due to a mixture of internet rep and those early jokes about Shinji being her boyfriend - I don't really think she had any grooming intentions toward Shinji. I think she found herself in the rare "what if a white person had to say the n word to defuse an atomic bomb" scenario. She was dying, she was out of options and faced with the extinction of humanity, and she took what she thought was her best shot. It wasn't pretty, but neither was the Third Impact, and if Shinji had gotten out there before Asuka was beaten, maybe it could've been avoided.

Various parts of the show felt rushed to me. Ritsuko's relationship with Gendoh (how does this man pull this hard? inexplicable), Suzuharu not dying but then essentially being treated as dead the rest of the show, various aspects of Rei's arc, Kaworu only being there for a little over an episode - there's so much to this show, and I think it would've been better if they had more episodes to tease some of the knots out.

I'll talk about Rei, Asuka, and their respective relationships with Shinji on a different post.