#I have absolutely no sense of internal motivation

[doctorweebmd]

Honestly I am very good at being at home

[asha-mage]

A SVSSS fic I want to write one day is Airplane and Shen Yuan being ejected from the System and sent back to the mundane world, but with the difference that Shen Yuan's 'edits' to the story have been retroactively applied to PiDW and as a result it's gone from 'top story in a hyper specific web culture niche' to 'international sensation with a Netflix adaption in the works'.

Keyly, PiDW is still told largely from the PoV of Luo Binghe- so neither he nor the audience is at all aware that it's now Isekai story. Instead it's billed as this heady romantic drama about prejudice, the passage of time, and redemption- where a big part of the appeal is trying to piece together the otherwise enigmatic Shen Qingqiu's motives.

Was he harsh on Binghe initially because of he sensed/knew about Binghe's demon heritage (as it's now possible to find hints that he may have in fact known all along)? Or because he saw Binghe's potential and wanted to do the tough-love training thing? Or was it because he was trying to chase Binghe away from Cultivation because he knew it would lead Binghe to misery one day? Did he throw Binghe into the Abyss because he was genuinely shocked and disgusted by the Demon reveal? Or because he knew Binghe would be killed if he stayed and he was trying to 'protect' him? Or was it because he genuinely wanted Binghe to fulfill his demon Emperor destiny and thought a clean break would do it? The fandom has no idea but lovvvvvves arguing about it.

This all leads to things coming full circle, as Cucumber, sounding like an absolute insane person, is left to rant online about how the obvious answer is that Shen Qingqiu was Isekai'd earlier in the story and replaced by a completely different person- a theory which is mocked to the point of memery, and leads to Cucumber being dunked on endlessly, no matter how much evidence he brings up or how many essays he writes.

[krummholz-go]

The Final 15 - Aziraphale’s Perspective

I see a lot of empathy for Crowley’s experience during the final 15 minutes of season 2 and it makes sense that we feel deeply for him. What he is experiencing is very human - acknowledging the depth of his own feelings, plucking up the courage to say something, having it come out all wrong, feeling utterly rejected, and then walking away in a mix of pain and anger. Who among us hasn’t been there?

But Aziraphale is experiencing something more complicated, something fewer of us have analogs for. Aziraphale has internally acknowledged his feelings for Crowley for some period of time, probably at least since 1941. Michael Sheen confirms this mental state in a NYCC 2018 interview:

“I decided early on that Aziraphale just loves Crowley. And that’s difficult for him because they are on opposite sides and he doesn’t agree with him on stuff. But it does really help as an actor to go, ‘My objective in this scene is to not show you how much I love you and just gaze longingly at you.’”

Unlike Crowley, Aziraphale’s struggle isn’t acknowledging his feelings. His struggle appears to be two-fold: 1) believing that Crowley could ever love him back and 2) even if Crowley did love him, believing a future for the two of them together could exist within the restrictions of his larger world view.

Can Crowley love?

Angels are, traditionally, beings of love. We see Aziraphale embody this time and again, showing kindness and support to almost everyone he meets, including the amnesiac Gabriel who has treated him abominably in the past. He is attuned to love, remarking on how the area around Tadfield “feels loved” twice in Season 1. As for how Aziraphale personally understands and expresses love, he shows his love to others through verbal affirmation and, to a lesser extent, physical touch. There are many examples of Aziraphale expressing his love for Crowley through positive verbal affirmation, typically by praising him for instances where he has been kind, nice, or good. And on the rare occasions when Aziraphale receives verbal praise, he absolutely interprets it as an expression of love, blossoming with happiness.

But from Aziraphale’s perspective, it may be unclear if Crowley can feel love in the same way. Can demons love? Did he lose that capability when he fell? Crowley can’t feel the aura of love in Tadfield that Aziraphale remarks on, and his reactions to Aziraphale’s praise are always to shrug it off, tell Aziraphale to “shut up,” or in the most extreme case to physically slam him against a wall and get in his face about it. In this last instance he tells Aziraphale, “I’m a demon, I’m not nice. I'm never nice. Nice is a four-letter word.” A four-letter word, like love, that is not in Crowley’s self-defined vocabulary.

If Crowley can feel love, does he love Aziraphale?

Even if Aziraphale believes Crowley is capable of feeling love, he does not always recognize how Crowley expresses it in the moment. Crowley shows his love for Aziraphale through actions, but Aziraphale often misconstrues Crowley’s motivations. In 1793 when Crowley rescues him from the Bastille, Aziraphale initially assumes Crowley is only there because he is responsible for the Reign of Terror. Similarly, in 1941, Aziraphale’s reaction to Crowley’s appearance is to assume he’s just part of the Nazi gang, saying,“I should have known. Of course. These people are working for you!”

Crowley doesn’t help matters in this regard because he is constantly muting and undercutting his signals to Aziraphale. Every time Crowley expresses his love for Aziraphale through actions - rescuing him, saving his books, even taking him to lunch - he does so in a nonchalant, dismissive manner, indicating he ascribes little value or importance to the actions he has performed. “I just didn’t want to see you embarrassed,” he says when he appears in 1941. And when Aziraphale positively glows with happiness about his books being saved, Crowley tells him to “shut up."On top of these confusing signals, Crowley is almost pathologically incapable of expressing his feelings in the verbal love language that Aziraphale can understand. This is heartbreakingly demonstrated in this scene after the bookshop fire:

Crowley can’t even say “I lost you.” Instead he speaks of Aziraphale in the third person while sitting in front of him, saying, “I lost my best friend.” The little hitch on Aziraphale’s face when he hears this is just devastating. Who is Crowley talking about? The last conversation they had before this scene was when Aziraphale called while Hastur was in Crowley’s apartment and Crowley said, “Not a good time - got an old friend here.” Aziraphale is left to wonder - is that who Crowley means when he says "best friend?" Crowley is everything to Aziraphale, but what is he to Crowley?

How Would It Even Work?

Even when Aziraphale does get flashes of the possibility that Crowley may care for him he immediately runs up against his second mental block - there is no world he can imagine where they could be together. When Crowley first suggests running off together in the bandstand scene in S1E3, Aziraphale collapses under the thought: “Friends? We aren’t friends. We are an angel and a demon. We have nothing whatsoever in common. I don’t even like you.”

While he is obviously in denial, Aziraphale is also under tremendous stress in this moment and is desperately trying to hold onto some stability by falling back onto his world view and ideology. In this state he backpedals all the way to “I don’t even like you.” In his understanding of the way the universe is supposed to work, he and Crowley are hereditary enemies and should not even be friends, much less in love. Aziraphale expresses this core belief throughout the series. What kind of existence could they ever have together in reality?

The Final 15

With this as a background, we can better understand what Aziraphale experiences in the final 15 minutes. Even before the Metatron enters the scene, Aziraphale begins to have his fundamental beliefs challenged which puts him off his footing. The revelation that Gabriel and Beelzebub are in love is deeply impactful. When Beelzebub says “I just found something that mattered more to me than choosing sides” and takes Gabriel’s hand, Aziraphale immediately reaches out to make contact with Crowley, a look of incredulity on his face. Here is proof that demons can feel love and that an angel and a demon can carve out a space together. The road may be difficult, but it is not impossible.

Before Aziraphale can digest this revelation the stakes are ratcheted up: Michael threatens to erase Aziraphale from the Book of Life due to his part in hiding Gabriel. The future that Aziraphale has just barely glimpsed is already under siege. It is at this point that The Metatron enters, offering Aziraphale not just survival and protection, but a version of everything he has ever wanted.

If Crowley is reinstated as an angel, Aziraphale will no longer have to wonder whether Crowley is capable of feeling love. And if they are both angels, there will be no conflict inherent in having a life together. In one fell swoop, the Metatron entices Aziraphale with a future where there are no remaining blockers to an eternal, loving existence with Crowley. It will be “like the old times, only even nicer” because they now have millennia of their shared history to build on together. Of course this logic is horribly flawed and does not take into account at all what Crowley wants, but in the moment it must feel like an enormous gift to Aziraphale.

Unfortunately, not only is Crowley’s reaction to this “incredibly good news” not what Aziraphale expects, the conversation quickly takes a baffling turn for him. Crowley shuts down the talk about returning to heaven and attempts to say what he wants to say. Sadly he once again utterly fails to speak in a way that Aziraphale can understand.

The audience knows what Crowley is trying to say because we have the context of his earlier conversation with Maggie and Nina. But Aziraphale lacks that and thus can’t understand where this is coming from or what it means. Rather than expressing his feelings as Beelzebub and Gabriel did, Crowley recites facts: we’ve known each other a long time, we’ve been on this planet a long time, I could always rely on you, you could always rely on me. He can’t even say the word “couple” when he describes them, referring to them more as colleagues with words like “team” and “group.” And the one time he does try to express his feelings and desires he is physically unable to get out the words: “And I would like to spend—.” He then retreats into his old plea to turn away from heaven and hell and run off together. Nowhere in Crowley’s confession does Aziraphale hear “I love you” or even “I want to be with you.” What he hears instead is what he’s heard multiple times before - Crowley wants to abandon both heaven and hell and default to just the two of them. From Aziraphale’s perspective this will not solve anything for them. They will still be an angel and a demon, at some level fundamentally separated by their very natures.

Having failed in his speech, Crowley then does two things in rapid succession that must be excruciatingly painful for Aziraphale. First, he does the opposite of verbal affirmation by calling Aziraphale an idiot. We have seen Aziraphale become physically radiant in the rare instances where Crowley has praised him, so a direct insult like this must feel poisonous. Then Crowley makes a last desperate attempt to communicate through Aziraphale’s other love language - physical touch - by initiating the kiss. But without context or understanding of what is behind it, Aziraphale can initially only experience it as forceful, angry, and shocking. With more time to parse it I think Aziraphale will come to understand Crowley’s meaning, but in the moment it must feel manipulative and borderline cruel.

The Results

In a very compressed time frame, Aziraphale has to move quickly and radically through multiple mental and emotional states. For 6000 years he has believed he and Crowley cannot be together. Suddenly, with the revelation of Gabriel and Beezlebub, that foundational belief is challenged. Before he can work through what that could mean for him and Crowley, the Metatron offers an even cleaner solution - they can be protected from retribution and be on the same side again. When Crowley rejects reinstatement wholesale, it makes Aziraphale feel that he and his loving offer of a life together have been personally rejected. Then that rejection is further confused through the shocking experience of the kiss which Aziraphale does not have adequate context for or time to understand and integrate. In his emotional turmoil, Aziraphale falls back on his default crutch for dealing with sadness and anger - forgiveness - which further cuts him off from Crowley. Taken all together, this is a tumultuous rollercoaster of whiplash emotions that pull at every part of Aziraphale's self- and world-views.

Compared to what Crowley is going through, I think Aziraphale is going to have the tougher road in Season 3. Crowley may still need to better reconcile and integrate his feelings for Aziraphale, but Aziraphale has 6000 years of foundational ideology to challenge and evolve to reach a place where he and Crowley can be together as their authentic selves.

[stilljuststardust]

It's ok to feel like shit.

You don't need toxic positivity to manifest or to shift

The language in this mostly addresses manifestation but it is applicable to both LOA and shifting.

I have been getting a lot of questions that generally boil down to "it really hurts right now, what do I do"

I think in some ways a lot of people have internalized this belief that they have to feel good and happy and motivated 100% of the time if they want it to work.

Couldn't be more wrong.

So many people respond to genuine questions with "well just don't 🤪". I know that's not how they mean it and I don't blame them one bit but as someone who has been mentally ill I know how it makes you think and I know that's how most people feel when they hear it.

It's ok to feel like shit. No you don't need to feel happy to manifest. You don't have to feel like you just won the lottery every five seconds of your day to manifest winning it.

You are not cursed to never manifest just because you have strong emotional reactions to things.

It's ok to hurt. Take a deep breath and remind yourself that while your feelings are absolutely valid and deserve the space to be felt they are not the authority on your reality.

Our brains naturally want to make sense of what we're feeling but it often leads us to thinking the way we're feeling is evidence of what will happen next.

"I feel awful and I don't like how often I'm feeling it" often leads us into thinking "nothing is ever going to work for me", but it's important to ground ourselves and realize that feeling like shit is not divine undeniable proof that it isn't going to work.

Feeling like shit just means you feel like shit, nothing more.

Sometimes we feel awful so we self sabotage and then say "see I was right", when really we're just a self fulfilling prophecy.

You don't want to be right, you want the comfort of having your emotions validated and seen.

Holding space for yourself to feel things and feel them deeply is important to our spiritual physical and mental health. However, saying that assigning meaning to it isn't good for you.

Keep fucking going. It's ok to affirm even though you feel like shit. Feeling like shit is not "evidence" that it's "not going to work".

Self discipline is knowing to regulate yourself and validate your emotions without affirming the opposite of what you want.

Self discipline is not beating yourself up and restricting yourself heavily. It is checking yourself when needed.

[writingquestionsanswered]

how do i make my writing more ‘mature’? i always feel like no matter how sophisticated i write and no matter every which way i change it up it always has a sense of being childish or juvenile.

Making Writing Sound More Mature

1 - Better Plot and Story Structure - One of the telltale signs of juvenile writing is a story that meanders, has no obvious plot or structure, has no conflict or has a protagonist with no goal. So, make sure you have a well fleshed out plot, with a conflict, protagonist goal, and which hits the beats specific to your story's genre.

2 - Three-Dimensional Characters - If you're writing plot-driven fiction, make sure your main characters have a fleshed out personality, stakes, motivation, goal, and compelling relationships with other characters. If you're writing fully or partially character-driven fiction, do all of the above, but also make sure your main characters have a relevant internal conflict and a thoughtful character arc.

3 - Well-Developed Setting and World - One common hallmark of juvenile writing is a lack of "sense of place" and under-developed world building. So, make sure you put a lot of thought into where your story takes place... not just the immediate setting of each scene, but the overall world of the story, or at least the parts of it that are relevant.

4 - Incorporate Literary Devices - Juvenile writing tends to be lacking in the use of metaphor, simile, symbolism, irony, themes, and motifs. So, make sure to include those, but also take the time to make them relevant to your story.

5 - Include a Broad Range of Vocabulary - One common element of juvenile writing is a reliance on limited, simple vocabulary. Don't be afraid to use a thesaurus to find more interesting word choices--just be absolutely certain to crosscheck your choices with a dictionary to make sure they are the right choice. Online thesauruses in particular are bad about offering up bad suggestions. Also, make sure to learn and use special vocabulary that is relevant to your story, genre, or setting. For example, if your character is a retired police detective trying to solve a murder on his stalled cruise to Alaska, you need to make sure you know the proper investigative terminology, because he will definitely use it. And, by that same token, you'd want to make sure you know cruise ship lingo as well. And, part of this, too, is getting better at description and the inclusion of emotional and sensory detail.

6 - Use Varied Sentence Structure - This is a big one... juvenile writing tends to use repetitive sentence structure, such as simple sentences (she stood up, she went to the window, she waved at the man), lack of subordinate clauses (Tad Smith, who was a seasoned and retired investigator, had looked forward to this cruise his whole life...), repetitive starts (every sentence begins with a pronoun, for example), uniform length (all short sentences, for example.) So, make sure your sentences are varied. If you read them out loud, you don't want it to sound rhythmic, but more like a complex melody.

7 - Show, Don't Tell... Most of the Time - Telling definitely has its place, but most of the time you want to show rather than tell, meaning that instead of stating things simply and directly (the sun was shining) you want to paint a clear but indirect image (dappled sunlight shone through the trees.)

8 - Avoid Cliche Phrases - Human language is littered with everyday phrases like "to each their own" or "better late than never." Generally-speaking, you want to avoid these phrases in your story, especially in exposition. If you include them anywhere, they're best spoken as dialogue by a character who it makes sense would say something like that. Likewise, be careful of cliche genre or character-type phrases. For example, villains who say things like "we're not so different, you and I..." or "I finally have you right where I want you!" These overused phrases tend to make stories sound juvenile and unpolished.

9 - Avoid Cliche Tropes - Another type of cliche to avoid if you want more mature-sounding writing is cliches of various tropes. Tropes on their own are a good thing, but when tropes are used the same way over and over again in a genre or type of story, they become predictable. For example, the super gorgeous protagonist who everyone is in love with, but they view themselves as plain and not special. Or the broken/hopeless/addict mentor character. It's not that you can't use any cliche tropes at all, just make sure your story isn't riddled with them, and do what you can to put your own spin on the ones you do use.

10 - Read, Read, Read - And I can't stress this enough... the absolute best way to improve your writing style and take your writing from juvenile to polished is to make sure you're reading a lot of fiction, in a lot of genres, by a lot of authors. Audio books, short stories, and poetry count, too. The more you read, the more you begin to: understand plot and story structure, recognize well-developed characters, easily envision complex settings and worlds, learn vocabulary and literary devices, become attuned to varied sentence structure, and learn to recognize cliche phrases and tropes.

Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[daisywords]

I personally know there are multiple types of editing but I've never seen anyone explain it in a way that actually made me understand what the types of editing actually were (yeah cool that you say {}editing is different from []editing but *how*). So if you wanna explain, feel free to.

Your handy-dandy guide to different types of editing

disclaimer: writers, you can literally edit however works for you. these distinction can be useful to your process, or just if you're looking to hire an editor. Not all editors make distinctions in this way; there are various ways of dividing. But no matter what vocabulary you use, it's best practice to start with broad, big-picture stuff and move towards narrower issues. Some editors do all levels of editing, while some specialize.

Developmental Editing (Is it a good story?)

Developmental editing has to do with the content. For a novel, that means working on the bones of the story. The plot. The pacing. The characters. Do their motivations make sense? Can the reader understand why things are happening? Does the story drag in places, or seem to brush past important elements? Do all of the subplots get resolved? etc. etc. (At this stage an editor is mostly going to be offering suggestions, pointing out issues, and throwing out potential solutions. Beta readers can also be very helpful at this stage to get a reader's perspective on the story beats and characters.)

Line Editing (is it well written?)

Sometimes called substantive editing, line editing is zooming in a little bit more to focus on scenes, paragraphs and sentences. Once we've decided that a scene is going to stay, lets look at the mechanics of how it plays out. Does the scene start to early or too late? Does the writing style communicate the emotions we want the reader to feel? Does the dialogue match the characters' voices? do any of the sentences sound awkward or ugly? Is the movement being bogged down by too much purple prose anywhere, or is there not enough detail? (This can get pretty subjective, so it's important that the writer and the editor are on the same page with taste, style goals, etc.)

Copy Editing (is is correct?)

Copy editing is all about the details. Think grammar and punctuation. Do the sentences make sense? are they grammatically correct? Is the dialogue punctuated correctly? Any misspellings? Should this be hyphenated? Should this be capitalized? Should we use a numeral, or write out the number? etc etc. A significant part of copy editing is matching everything to a style manual (like Chicago or AP) a house style guide (individualized preferences from a publisher, for example), and a project's own internal style sheet (are the character's names spelled the same every time? if we used "leaped" in chapter 4, we shouldn't use "leapt" in chapter 7) Copy editing is still subjective, but less so than the earlier levels, so a copyeditor will be more likely to just go in and make a bunch of (tracked!) changes without consulting the author for everything.

Bonus: Proofreading (did the copyeditor catch everything? are there typos? formatting issues? have any errors been introduced?)

Lots of people say editing when they really mean proofreading. Proofreading is the absolute last thing to get done. It's the one last pass just before something is published. It's important, but as you can see, there's a whole lot more to editing than just checking for typos.

[atthebell]

i think my other thing with all this that has been endlessly frustrating is that people do not realize how long this shit takes and are completely impatient about it. has the communication with admins been atrocious, absolutely, and that is a serious issue. but we as the public are not actually owed any information and considering how much of it is legal and internal, it makes sense for it to be kept confidential. and in terms of even the internal communications issues, while again, i think those need improvement and suck shit right now, considering how much shit has been leaked over and over again, i would also be hesitant about telling people too much. like again i think quackity has been pretty negligent in all of this but also he's fucking 23 and thought he was trusting people to run the studios without fucking him over, and that is evidently what has happened. i want this project to succeed, i want the admins to be treated fairly, i want the players to be able to tell the stories they want to tell, and i want the qsmp to show that a project like this, a multilingual & multicultural project with so much ambition, can succeed and can inspire other projects like it along with building new global relationships. which is why i don't love the doomposting and the insistence that everyone involved has bad motives-- that is just not fucking true, and it ignores how easy it is for these kinds of issues to perpetuate in workplaces. you are doing everyone involved and yourself a disservice to insist this is a specific issue to this server and this company, and you are insisting that everything that falls apart in some way must have been rotten to the core, including it's intentions, when that is just not the case.

anyway. my original point, that this takes time and probably will take months to fully iron out and that you personally are not owed information, is what i think is important here. there are issues, there are a lot of issues, but you are not an employee of this company or a government entity involved in investigating or a higher up in charge of restructuring. you are a tumblr user who can't handle not getting all the dirt on something within a couple of days. chill the fuck out. you don't have to keep engaging with qsmp stuff if you don't want to, but don't act like believing in the goals of this project was always going mean being let down. fuck off with that mentality.

[anemoiashifts]

the first time i shifted & motivation in the shifting community.

“this demotivated me”

“am i going to shift tonight?”

motivation should come from with within. if your belief is dependent on other people’s words then you are setting yourself up to get let down. if you can’t trust yourself on what you believe in, who are you going to trust ? when i see questions like “is shifting real?” then that tells me everything i need to know & you don’t actually believe in shifting or at the very least you don’t have a strong belief in yourself or the practice. it’s okay to question things but at the end of the day, you decide what resonates with you & what you believe in. you are looking for exterior validation & no about it “yes shifting is real”(’s?) will determine your beliefs. “is this a sign?” if you have to ask for & said sign does not resonate inward where you have an internal sense of knowing that it’s for you, then it’s not a sign. don’t go looking for things constantly because you will forget to appreciate when you do see something that you know is meant for you. the same goes for angel numbers. if someone says to you “you won’t shift” or “shifting is fake” why are you putting others words above your own ? at the end of the day, you decide who gets power over you & when you do you tend to lose sight your own power.

i hate to say this but it’s so easy to lie on the internet & you never know who is being truthful vs those who are doing it for attention or profit. which is why it’s so important to take everything people say with a grain if salt & it’s even more important to be your own advocate.

“but people have shifted without believing it”

okay? that’s them. but has that worked for you? stop using other people’s success’ as a crutch to not put in the work. i think that’s where people get stuck. seeing other people achieve their manifestations & desired with seemingly such ease frustrates us; “the grass is always greener on the other side”. what we don’t see is that persons own struggle within their shifting journey. we don’t know what they’ve endured or what conclusions they’ve come to to be “successful”. people don’t like hearing about struggles & the hurt that takes place when you’ve been trying to do something for a while that you so desperately want & i think that’s needed sometimes to balance the scales. it removes shifting from this higher then thou status people place on it. your resilience & powering through doubts should be celebrated.

for me personally, ive shifted once & ive never been able to to it again (excluding what people refer to as mini shifting). though, only recently have i started calling it my first time shifting because it pushed me away from shifting as a whole for a while. in my eyes, it wasn’t successful because i didn’t enjoy my time when i shifted that first time & i wasn’t sure what happened to me even if I did technically shift by definition. that definitely plays a factor in why ive gone years without achieving that kind of shift again & it can sometimes feel absolutely like a lost cause & like i wasted my one chance at it. i didn’t have a pleasant experience & that plays a part because I probably subconsciously became uncomfortable over the thought of it.

the reason i don’t speak about it in detail is because i didn’t want to turn anyone away from the desire to shift & inject fear into people. just because my experience wasn’t great doesn’t take away from the dozens of positive shifts. the human mind tends to cling to negative experiences even if it’s only one negative vs hundreds of positives. it’s important to observe past experiences because we can analyze what works & what didn’t. im happy that i shifted & im happy that im able to have my own unique experience with the practice. that bad experience made me dig into shadow work to uncover my lingering fears about going to a new place & the fear of the unknown — not just in shifting but discovering what i struggle with in general. then once im aware of them i can properly cope & address them. it doesn’t benefit only my shifting journey but my confidence & how i chose to live life. this is something i still struggle with daily & am learning to become better because of my negative experience. for lack of better wording, it made me face things are are unpleasant head on & the longer you stay in a bubble the more scary it’ll be once it pops.

sadly, some people have to put in more work then others to get things done to achieve the same results. ultimately, yes, it does come down to your core beliefs & your own confidence but practicing things like meditation & leaning / focusing skills to focus are things that may benefit you. this is why the concept of self is so important & to not become dependent on others experiences.

to clarify, i don’t hold an issue with motivational shifting content. i think it’s great way to help others & reinforce your own beliefs. the issue i have is that people forget that they can be their own source of motivation by looking to your own personal goals you’ve set for yourself. this had been said before but there is no one method that will make you shift, there is no one position to lay in that will make you shift, there is no routine or sole piece of information that will make you shift. you make yourself shift. sure, others can point you in the right direction but at the end of the day it was you. everything you need to shift already lives within you.

[whythehailnot]

Daily Vlogs/grwm thoughts (and being fat within them)

So I absolutely love watching daily vlogs or grwm videos (ranging from makeup/get dressed to just little shots of peoples’ homes and them cleaning or something). There’s something so calm and lovely about it - like watching people cooking or cleaning in a Studio Ghibli movie. It romanticizes the basic tasks, and in a lot of ways, it brings a sense of contentment and appreciation towards life’s little moments amidst the backdrop of stress in our lives (both internal and external, local and global). 

Part of it I think is a sort of psychological fulfillment - the ability to exercise control over at least some parts of our lives - but I think it’s also a love language to ourselves, whether it be the satisfaction of cleaning a dresser top, folding some clothes, or washing a sink full of dishes. There’s a tangible gratification that happens and it’s satisfying to complete these tasks for the future you. A type of self-care, in a way!

All this said - I absolutely love watching videos like this. And it’s something that I would like to maybe try doing some footage of sometime. Because another component I’d love to see in these videos is a fat person doing them, and also someone who is in a bit of a lower income bracket? I feel like it’s hard to find videos where you can see a person who fits both of those descriptors (and if anyone has any recommendations, I’d love to hear them)! But I don’t know - maybe it would speak to others to see little videos like that, and from a person like me (fat and lower income) who enjoys little bits of decorating and putting together cute outfits. 

I hardly know what kind of videos I want to make still, besides a general fat fashion/life sort of blog/vlog situation - but something I’m finding is that I like sharing music, taking pretty little shots of the plants in my room and being motivated to get dressed. It’s chronicling my life in a way that I’ve never been able to do before, and being able to share me and the body I have enjoying little things like sharing clothes (and skincare maybe??), cleaning my room or looking at plants - it’s just really nice!

I guess I’m just curious if other people have this sort of experience or similar feelings with watching grwm or life vlogs - do you also wish you could see more fat and/or low income people living their lives and romanticizing the little facets of it? I’d love to hear your thoughts! :3c 

[kiwiana-writes]

WIP Wednesday

Hey, y'all. I am struggling. With motivation, with ideas, with passion. Writing has always been my outlet and when the outlet isn't outletting... it's pretty fucking killer, I'm not gonna lie to you. I haven't read anything in literal weeks, either. Brains! Who'd have em?

Thanks to everyone who has continued to tag me over the last few weeks, and to @thighzp for the tag tonight. I really appreciate everyone who isn't just letting me disappear into the Void of Writers Past, which is basically my biggest fear lmfao.

Anyway. I have no idea what this is yet, apart from an attempt at a birthday present for a friend that stalled out and watched her birthday sail past, but!

Henry Fox is—allegedly—a pillow princess. It’s not like Alex has first-hand knowledge. He knows what a pillow princess is, because Nora once got very drunk and waxed poetic about how they’re underappreciated and unfairly maligned by the sapphic community. He also knows who Henry Fox is, because they shared a [something] class in freshman year in which Henry was tall and blond and British and annoying, and Alex didn’t miss a single opportunity to tell him that. But that was a year ago now, and Alex has never had any reason to think about those two completely unrelated pieces of knowledge in conjunction, except that his absolute least favourite lacrosse teammate is functionally incapable of having some fucking decorum, apparently.  “I mean, I guess it makes sense.” It’s not the first time Alex has internally described Darren’s face as punchable while Darren is running his mouth in the locker room, and it almost definitely won’t be the last. “When you’ve got a face like that, you probably don’t need to learn how to be good at it, you know? Guys will be lining up around the block to give it to him even if he just lays there.” “Including you,” Alex points out, because he has chronic can’t-shut-the-fuck-up disease and no real sense of self-preservation.

Tagging @agame-writes @affectionatelyrs @anincompletelist @blueeyedgrlwrites @cactusdragon517

@celeritas2997 @cha-melodius @clottedcreamfudge @cricketnationrise @dumbpeachjuice

@everwitch-magiks @firenati0n @getmehighonmagic @happiness-of-the-pursuit @hgejfmw-hgejhsf

@indestructibleheart @inexplicablymine @junebugclaremontdiaz @larkral @leaves-of-laurelin

@lilythesilly @littlemisskittentoes @lizzie-bennetdarcy @myheartalivewrites @ninzied

@nocoastposts @nontoxic-writes @notspecialbabe @orchidscript @piratefalls

@porcelainmortal @read-and-write- @rmd-writes @sherryvalli @ships-to-sail

@sparklepocalypse @stereopticons @thesleepyskipper @thinkof-england

@tintagel-or-cockleshells @welcometololaland @whimsymanaged and, as always, anyone who wants to play! (If you take the open tag please tag me so I can see!!)

[elysiansparadise]

heyyy i love ur posts and i wanna ask what u think about 11h moon<3

btw i love the way u set up ur whole aesthetic and how u lay everything out on ur account its amazing and was sooo helpful when i was trying to learn the basics of astrology

Hello, thanks for loving my posts. I appreciate your comment, delighted to know that this helped you somehow. 😊

Moon in the 11th house

Altruistic, gentle and very empathetic with other people. People, even if they just meet them, tend to quickly feel confident with these natives, even going so far as to tell them private things shortly after meeting them. With this placement of the Moon, the native has the ability to be popular, to win the affection of people and to attract friends who give him unconditional support. Now that I mention the word friendship, these natives are great people to have by your side, because the loyalty, affection and reassurance they are able to give are unique. They are genuinely happy for the achievements and happiness of their friends and it is very important to them that they feel comfortable emotionally and to show themselves as they are. People with a sublime and understandable soul, who, regardless of the differences they may have with others, are attentive and kind. These natives may feel somewhat different from their family or people their age, it is possible that they deal with the feeling of not having fit in with a group at some point in their life, the sense of belonging is something very important for them, even if it is difficult for them to verbalize it. 

The Moon being in an air house, makes them very rational people as far as their emotions are concerned, but that does not mean they are insensitive, quite the opposite, by removing the idea that they have the absolute truth, they are able to understand the motives and people's emotional worlds, which gives them great emotional intelligence. In some cases they may deal with the idea of ​​wanting to take care of their friends or the group they feel they belong with out of an internal need to be cared for in the same way. They very much apply the idea of ​​being the support they felt they didn't have when they were younger. They do not tolerate injustice, and can feel a lot of emotional pain when faced with it, so they will always be willing to support the causes they consider. They are typical people who help strangers and give them an encouraging and genuine smile. They can easily improve people's moods and make them feel that everything will be better. It is very likely that they feel some distance from some members of their family, more than they would like, but throughout their lives they can make friends that feel like family.

As I mentioned before, popularity is something quite common with this placement, these people can be very appreciated and recognized especially on the internet, it is quite common to see celebrities with this placement. They have the desire to contribute something to society, whether it be changes, help, knowledge, etc. They may want to do something significant or big. In financial terms, they may have some ups and downs in their income, but they have the ability to handle it. They are likely to make money as teachers, chefs, content creators, entrepreneurs or psychologists. Even if they seem to be very people-oriented people, these natives need to feel autonomous and enjoy their time alone. In fact, it is likely that when faced with a difficult event, they prefer to isolate themselves to process everything at the beginning, since feeling their support back is something crucial for them. The relationship with the mother can be somewhat complex, and the native is likely to feel that they are very different in terms of ideals. In the best of cases, the native feels motivated by their mother to follow their dreams, in the most tense case there may be a lot of emotional distance with her.

-> Go back to the masterlist

[shaineybainey]

Guardians of the Galaxy Vol. 3 initial thoughts

[ NOT spoiler-free ]

For me, this is one of the few franchises that got better and better as it went along. This third movie was just absolutely phenomenal. As someone had said, it is a great send-off to the movie and the Guardians we've known.

They did a great job exploring Rocket's origin. It really explains why he's never wanted to talk about his past. It was violent and heartbreaking. Nebula's line of "They did worse things to him than Thanos did to me" (or something along that line) summarized it best. You also understand why Rocket can be so violent: it wasn't much because he learned it from the people who engineered him, but because the last time he tried to get away safely, quietly, his friends - essentially his family - all got killed. And the person who caused it was so cold about it. So while he could be extreme, he does it so that no one can hurt him or any of his friends ever again.

Which leads to this other point: Rocket is a grump and a cynic, but deep down he actually really loved the other Guardians.

Adam Warlock! I didn't know what to expect from him, but after seeing the movie, I want to see more of him.

Also: it's great that the movie managed to give Adam his own origin story, his own motivation for why he eventually ended up being a guardian.

Drax was hilarious in this movie, as he always is, but Mantis kinda came for the crown a bit! The fact that she made him fall in love with a sock for fun and made one of the guards they had to get through fall in love with him were some of the funniest moments in the movie.

On a more serious Drax note: "Drax. You weren't meant to be a destroyer. You were meant to be a dad." One of the best lines in the movie. I never would have thought that this is how Drax would "grow up" as a character, but it all made sense. It does.

Kraglin had a fantastic growth too. He'd been trying to train with the arrow Yondu gave him over and over and over, trying to concentrate and plan and think. And he kept failing over and over and over. But when Knowhere was in danger, he finally remembered what Yondu told him: "Fly it with your heart." When he realized that he needed to get out of his head, man did he do some damage. It was amazing.

The bad dog/good dog argument 😂

Gamora. I like how they approached that. They didn't make her fall in love with Peter, even after all the fighting that they did as a team. They were barely even good friends in the end. Also, it's nice that she has a different family to belong to now (the Ravagers) but who still loved her just the same. It's good that they didn't try to change her. They made her realistic.

Lol "You guys are just making up what he's saying" when Groot would talk

Nebula. Oh, man, where do I begin. I've started really liking her as a character since GotG 2, and even more so during Endgame, but wow. She's really grown. She looks after the people of Knowhere, the Guardians look to her for big decisions and even resolution for internal problems of the team. The team respects her, even more than Peter most times. She still has rage inside, and she has trouble expressing other feelings without it, but I think she's made tremendous progress. And it's so obvious that she cares deeply about the team and even the lives of others, even if she doesn't outright say it.

Okay. There's a lot to unearth with the not-so-subtle hints at Peter/Nebula. First off, it's obvious in this movie and even in the Christmas special that Nebula's been looking after Peter. But the fact that she would take him home whenever he was totally wasted and put him to bed, making sure he was comfortable? And when Gamora was going to hurt Peter out of frustration and Nebula jumped in to stop her, practically telling her to back off? And that when Gamora suggested that the woman Peter's describing, the one that he's fallen in love with because she's grown from being ruthless to being caring, is Nebula, and Peter started looking at her differently? Bruh. I don't know what they're playing at here, but alright. I'm onboard.

Speaking of Peter, I like that he decided to come back home to Earth to reach out to his grandfather. I'd like to think he got a little help from the Avengers to get to that doorstep (info, means of transpo, things like that). It was great to see him in a normal life setting in the post-credit, too, where he's just eating cereal, talking smack about someone behind their back lol

Okay, that's it for now. Will come back when I remember the other things I liked (spoiler alert: there's a TON)

[infernumequinomin]

"Kipperlily hates Riz because she's got a crush on him," this, "Kipperlily hates Riz because he somehow snubbed her," that... First of all, this boy imprinted instantly in a bully throwing him in a trash can thinking they could be friends, Riz wouldn't just forget someone he met in any sort of positive or negative way for zero reason. If they met, even if she didn't make a huge impression, Riz was SO desperate for companionship in Freshman year I don't think he'd have forgotten or ignored her.

I think a lot of people are forgetting the complexity of Riz's story as a poor kid who is of a "monster race" going to somewhere like Augefort through sheer working really fucking hard on the part of both him and his mom, and that they have explicitly in canon faced adversity both for their financial class and race. One of Riz's driving forces to do really well this year is so he can even GO to college. Sklonda EXPLICITLY lost her pension from YEARS of sleepless nights working as a detective and working her way up through the ranks this year (and I don't think it's something to overlook that Kipperlily's mom works as a county clerk and may have had some say there). I think Kipperlily may just be a graden variety privileged bigot who thinks some "gutter scum goblin shouldn't be in classes with normal people." And that a lot of her work with Jawbone has probably been unpacking these internalized biases.

Like, from the outside, the Bad Kids were ressurected by the principal the very first day of school, throwing the whole school into chaos and got DETENTION for it. Riz not only killed, but ATE the vice principal, after they defeated Kalvaxis! They were all on the verge of failing if they didn't complete their Sophmore year spring break project (it was 70% of their grade or some insane shit!), and while most of them may still have passed, Fig and Kristen DEFINITELY needed that credit and that is mentioned in the season, Adaine is insanely stressed about them completing their quest for "school credit".

If Kipperlily grew up rich and entitled, with all the biases about poor people that can grow (especially if her dad's real estate office owns Strong Arm Apts and she thinks of it as a slum, because it's kind of described as low income public housing lbr here) and saw that some lower class goblin was EATING PEOPLE after defeating them (you know, like a monster does, clearly not taking any time to understand his motivation OR culture), and getting preffered treatment because the principal just happened to LIKE HIM and his party (because they took the time to become closer to him over the years and Augefort clearly values students who will absolutely kick his teeth in bc adventurers are "insane violent psychopaths" citation: the Seven), and breezing through his classes without doing ANY of the work (because she doesn't SEE the work or the sleepless nights or all the stress he's taking on for others) it absolutely tracks for her to grow this huge chip on her shoulder about it and for it to reinforce these biases she may have already had about goblins and esp abt POOR goblins like Riz.

I don't think Riz did anything wrong. I think Kipperlily just has shit to fucking work thru in regards to how she views the kinds of people she doesn't know or has had no opportunity to associate with. Even among her party, they're all rich to middle class for the ones we know the class of. She's 17 and has a bunch of internalized biases, likely from her upper middle class upbringing, and major anger management issues. Idk it just makes sense to me. I met all kinds of girls like her in college who were type A to all shit who resented me for seeming to "have it easy" despite how hard my life should have been coming from a poorer background than them.

[chiisana-sukima]

Oh when you used to sing it to sleep

@jinkieswouldyoulookatthis and @blue-chimera - thank you both for your kind and thoughtful replies to my reblog of this post. The og post is getting quite long and also I don't want to put too much writing effort into a reblog that's susceptible to disappearance, so I'm continuing here instead.

I agree with you both that Dean's parentification and Sam's continued acceptance of vs rebellion against it as an adult are an important part of their dynamic. Dean's dying words in the finale attest to this beautifully (as well as many other things throughout the course of the show); I love you so much, my baby brother. To a certain extent Sam is Dean's baby and always will be.

I think though to a large extent, the framing by both Sam and Dean of Dean as Sam's parentified elder sibling is a mutually employed, mostly cooperative sanitization of the central and most damaging aspect of the roles they internalized through their upbringing: Sam is a monster and Dean is the tool to "take care of" it (double reading of "take care of" 100% intentional on my part). Because of this, while readings of spn through the lens of Dean's parentification are definitely valid, I do think they sometimes risk distorting or leaving out important aspects of the characters' personalities, motivations, and relationship.

Jinkies, in my fruitless quest to process without reblogging a take I knew the OP wouldn't appreciate, I had listened to the interview before posting, and I think while Jensen is being flip, he's also getting at what he sees as a truth in the brothers' relationship. I think he's right from a Doylist/co-creator/actor's perspective--Sam is the protagonist who we see through Dean, the deuteragonist's, eyes. Dean, as a piece of the narrative artifact, Supernatural, is there to save Sammy in a way that Sam (up to that point anyway) is not a piece of the narrative artifact whose purpose is to save Dean. From a Watsonian/in-universe perspective though, I think he's mistaken, and that his mistake is the reason his take sounds uncharitable, even aside from the flippant part.

It's just not a very convincing analysis imo to frame a character who spends the first few seasons rejecting immoral power, the next few in an arc that ends with him willingly subjected himself to eternal torture for the good of the world, and the one after that intending to sacrifice himself dramatically to rid the world of one particular species of monster but doesn't because Dean asks him not to, as self-absorbed or not particularly concerned with his effect on others, including on his brother. Likewise, Dean holds up well as a parentified older sibling with no sense of internal self and abysmal self-esteem in some ways, but in others not so much. He does have interests and priorities and a sense of purpose outside Sam. They're all over spn every day, much more so in fact than Sam's are. They're just not enough to override his Sam prioritization.

The main place I think this analysis fails on Dean's side though is that he, as an adult, is just not a very good parent. Obviously as a child he couldn't be expected to be a good parent (or a parent at all) and as an adult he's already damaged and so it's understandable that if big brother-ing Sam is how he chooses to spend the rest of his life, he may still not be equipped to do it. But he fails on such a fundamental, obvious level at the the most basic aspects of parenting--providing safety, unconditional love, and preparing your child to go out into the world as an independent adult--in ways that once he's a grown up are absolutely within his power to at least attempt (for example: if he wants Sam to be safer, it would ultimately have failed because of Fate, but the logical thing to do first would be not hunt. Dean could've followed Sam to Palo Alto. He could've told him to go to Harvard Law if he can't tolerate Stanford after Jess dies. Could've refused to support him throwing his life away of a mission of revenge. Bought him his own car, encouraged him to have his own tastes. Told him convincingly that trusting Ruby was a bad decision but Lucifer is still not his fault).

None of that is meant to be insulting to Dean though, because I don't think that parenting Sam is Dean's real job--even from Dean's perspective--and I don't think his real job is palatable enough that it would be better for either of them if he admitted what it is head on. What his and Sam's real jobs both are imo is being a container for Sam. On Dean's side, this means holding Sam in his arms with love or if that's not enough, holding him in the panic room, which, from this perspective, is also an act of love. Substituting his judgement for Sam's is an act of love. Not encouraging Sam to hold his own interests first or to grow towards independence are acts of love. Given the nature of (what I believe to be) Dean's actual job, they are effective and competent acts of love undertaken under impossible circumstances, even if the results are sometimes pretty horrific. Because they're still better than the alternative.

Likewise on Sam's side, doing his job well means being a model monster--go to an Ivy, exercise, eat healthy, cultivate empathy, don't have desires of your own, hold yourself to an impossible standard, suppress your anger, kill other monsters when they get out of line. And in the moments he can't manage all that--because who can?-- submit to Dean. When he does those things, he's succeeding at his job, and while it would be nice if "let your brother hit you" or "jump in the Cage with Lucifer" wasn't his job, in the world of spn, it is. He is right to be contained by Dean and wrong to have opinions or priorities of his own unless Dean approves them first.

I do think this sometimes ends up looking like Sam has better self-regard, because Dean's job is to "take care of" Sam, and Sam's job is also to "take care of" Sam. But actually they both have absolutely abysmal shit self-esteem. "I should submit to eternal torture because it's my fault someone else is going to do terrible things he could choose not to do if he wanted" is not the thinking of a person with healthy self-regard. The reason neither of them could fill a thimble with their self-esteem or healthy boundaries imo is because neither "monster" nor "blunt instrument" is a person. Neither of these roles is better or more healthy than the other. Fundamentally, if you don't see yourself first and foremost as a human person, then your life is going to suck horribly. And neither of them see themselves that way.

[bluginkgo]

Just what in the fack did I watch... I'm gonna go watch it again just for funsies and to cry again (Rambles/Thoughts)

This post will mostly contain random rambles and thoughts I had while watching and rewatching the episode. And a lot of this is just going to be me ranting about scenes (the rants will most likely make you wanna go "Ginkgo, that's common sense we can see it smh." XD Just roll with it. Oh and NUzi scenes

Spoilers, duh and lots of words. Oh and gore warning? Kinda?

I mean... that scary *ss mother facking thing towards the end- you know what I'm talking about if you watched the ep 😅

First thing I found interesting, is how the Solver behaves in this scene. It's mere shadows, not even fully manifested. Further proves that the Solver transcends simple time and space, and is on a different plane of existence- a 4th dimension if you will.

The humans did, in fact, learn how to control the Solver. The pentagram like projections act as gravity enforcers and lights that subdue the solver for a period of time. Buuuut it seems that it's not full proof. It seems that this occurance is fairly common, seeing as the workers nearby were not very concerned that an eldrich being was about to break loose.

Alright another slow moment here. But I had to google wtf "MacGuffin" meant (English isn't my first language, so take it easy on me ;w;). And taking this straight from the google search "an object or device in a movie or a book that serves merely as a trigger for the plot." So most likely, the Absolute Solver is referring to the fact that Mitchell the intern set things in motion simply because he was mistaken for the real Dr. Chambers... Classic- CLASSIC human mistake XD

So... Heart/Nori. Something interesting is going on with her. I believe Nori WAS injured by the DDs and had to be finished off by Khan. I'll touch on Khan a bit later. But, just as seen with Eldrich J... I'm not sure why I've never thought of this before! It makes sense for Nori's corrupted core: Heart, to still function properly. Meaning, she could have snuck away when she was killed and returned to the cathedral to search for the crucifix. Uzi gets most of her style from Nori 🥹. Seems like Uzi got her mom's style and Khan's engineering abilities.

I had it all wrong- and I am ALL FOR IT! N wasn't afraid of something he saw ahead. He was upset with what they left BEHIND! V! And THIS ENTIRE SCENE

You cannot believe how surprised I was. This scene was so much better than I could have imagined it. Yes, it was painful to watch, but sweet robo-god this was executed SO DAM WELL TwT It was delicious angst. And Tessa was not in fact drawing her sword on Uzi, but instead protecting her... kinda... with an ulterior motive of course.

The gut wrenching betrayal right there. The animation team did a wonderful job at animating the betrayal and how it manifested in Uzi. Disbelief and then anger.

Not to mention her stumble. I hyper fixated on that stumble a bit too much on my first 2 watches. (Yes, I've rewatched the episode 8 times now, hush I love it XD). Her stumble shows weakness. And in that moment, she wishes to be anything BUT weak. The suspicion of betrayal is settling in, and she needs to be able to fight back. But her body is giving out. The events are taking a toll on her. And makes me appreciate the animation detail that much more.

This scene N is definitely angry. He's trying his best to keep it together and Tessa's pressure to injure and kill Uzi is not helping. So for him to be talking to Uzi, while glaring at Tessa is just him driving the point home. He is NOT going to hurt Uzi, no matter what they might find down in the labs.

But a poor choice of words that was. It gives Uzi a glimpse of what was actually happening and what has been bothering N. The trust vaporizes, and with it, any attempts with communication.

And what I believe, gives a nod back to ep2. As N steps in to try to help Uzi up, she retreats. Same happens in this episode. And the kicker? "Falling... for you" song starts lightly playing in the background.

This is far too comical after he says he deserves to have his limbs cut off. The whiplash I got from that is ridiculous... in a sad and funny way.

What an amazing shot. But it does paint a picture of what the DDs have done. Perhaps the blood also acted as cooling agents, and this is why the trend continued with robots- except this time around as oil. And this is what the Administration CYN most likely blocked out. Not only the manor time, but also the bloodbath that followed as Earth collapsed.

THE DOG MADE IT IN AHAHAHAHAHAHAHA

It's interesting on how the solver manifests in the drones. It seems that Uzi's wings and tail, do not make the solver go insane, and she can continue to use it. However, later in the episode the same wings and tail go berserk. So it seems that once the transformation has set in- like with Uzi- it becomes part of the drone rather something that is manifested by the Absolute Solver's control.

SO MUCH TO UNPACK HERE XD Part 2A that Khan refers to is on the bottom left corner, the green core that Uzi got a hold of back in pilot episode- also titled as "I think this is a robot liver or something lol."

Plan B: Uzi could have had a normal gun if railgun didn't work. Bottom right corner

Top left corner under Uzi's railgun title: "30 min recharge time. That'll be fine." Famous last words ever XD

Top right corner: "Other things it can do: Not judge me, force prom dance, I can say I had friends but fricken murdered them with sci fi weaponry."

I love how sassy he is here XD His character development and arc is something that I will never forget. He has definitely come a great ways. Khan also seems adamant about his wife being completely dead. Which proves that he didn't know a single thing about the Absolute Solver and what it can do. He could only reference Nori's insane drawings and deduce that the planet was going to eat them all soon.

Idk if this is just my tired brain, but this comment felt like a joke to me. (Remember, I don't know anything about computers and the language ;w;) But the physical patch to save herself... as in, the same patches that are sent out for games/programs to fix bugs? That's the joke I got out of that one 😅

This entire sequence was something out of my nightmares XD The heel tapping that KEPT GETTING QUICKER definitely had me reeling back from the screen XD

The Nori and Yeva scene was so wholesome 🥹. I loved the way the animators showed their interaction. Despite the hellish events, they were still close.

My only issue with this image is, on what is Doll moving? Not like the floor. The core is gone from her body, what the heck is still driving her forward? Perhaps just on the sheer will to warn Uzi to "fight back." And I suppose I can see how she could still move without her main core. Almost acting like chickens do, when you cut their heads off. One was able to live for 18 months after the head was cut. So I suppose I can get behind the idea that Doll's final wish was to warn Uzi, at the very least, and thus forced the body to move until it did so.

But then, Tessa shows up. Which makes me wonder if she was the one that simply lead Doll's body to come to Uzi. How? Uhhh... Absolute Solver! Let's just go with that sweat face. The con in that theory is a simple: why? Why bother leading Doll to Uzi? To spook her? To give a false reason to attack Uzi? Given that N was still very much behind them all, I don't see why the Absolute Solver would try to make up some odd reason to attack Uzi. It could just simply... go ahead. There was no one there to fool, and could incapacitate Uzi easily. Buuuut I could also be looking too deep into this, as per usual.

Hey guess what.

I found the answer. XD Just as I'm typing this up, a frame popped up.

Yup, the core was still inside and thus running Doll and thus Doll could move, ok carry on. XD

Emotions spike the Absolute Solver, something that I love seeing and appears to be less headcanon and more canon at this point for me. Through the entire episode, the Solver keeps glitching out and forcing Uzi to lose control because in this situation, she's very stressed. A betrayal, a misunderstanding, learning about the past, everything becomes too much. This makes keeping the solver at bay that much harder.

He did NOT give her any chance. Yes or no, Tessa. That suddenness surprised me- in a good way. This shows how much N has grown. He's willing to stand up for his beliefs that much better. If he suspects something, he now acts on it, and does not wait for the other side to perhaps change his mind.

This scene. This scene shall live in my head rent free for a long while... Actually, the entire episode is gonna live rent free for a while. XD Not to mention the "Falling... for you" song plays in the background yet again. Ugh, pulling on heart strings there ;w;

They had us all fooled XD The hand lights were on just to trick us, and in fact were meant to be off this entire time! Oh you sneaky sneaky people. >w<

ALL OF THESE SCENES, they're all so cruel but SO GOOD TwT So cruel in context of how tortured N must be to fight Uzi, but so good in context that this fight sequence and animation is executed SO WELL. All of Nori's slaps were so personal XD Mama Nori educating NUzi

When I saw this scene, I couldn't help but think of ep3 and their dance. This entire episode is so bittersweet ;w;

She's still there TwT And she sees this entire fight. Of what she has become and done to N and omg I'm crying again. Moving on.

OMG YOU SILLY GOOBER BAHAHAHAHAHAHAH XD I love Nori/Heart's reaction, but the Absolute Solver also gets me laughing a bit too hard. "WHAT." That's so simple yet so effective. "What. Why. You are a DD I sent to kill the hosts, why are you hanging out."

The entire scene with NUzi screaming. Just. YES. What better way of gettin rid of stress than screaming! ^_^

Oh you sneaky, sneaky people. Well, all I can say, you got me. You got me good. This is something I didn't think of, but should have. It's simple to get these shots with certain rigs missing. And it was done seamlessly. Well done, well done. I begrudgingly applaud you. XD

HE'S PATTING HER HEAD AAAAHHHHH *proceeds to ascend to another realm*

They did not... omg they did XD Ah, yes, welcome a new horror oh and by the way here- :3 a cute face

Omg they look so cool- KHAN WTF XD

LOL J THE PRIOR HAZARD WARNING AHAHAHAHAHA

The way she shook his hand trying to snap him back to himself and wake up 😭. And the entire sequence following this... I'm just now slowly starting to process it, oh and great I'm sobbing again. Alright, moving on.

Well, I have some thoughts in this. This is personal thoughts, thus this is where you are more than free to yeet this section into the void that Uzi was dragged into... sorry that was a bad joke- anyways. "Die mad." I feel like this is her way of telling N to not give up. To go out there and FIGHT. But if he can't win, then to die like she is. To die in a way that he will be proud of and to go batsh*t crazy. Because by now, Uzi must know that all of their chances of survival are slim. So you might as well go out with a bang and "die mad."

Something I noticed and was further solidified when @bloodywolfwings also mentioned it. Uzi looks at peace here and very accepting of death. And I say, yes, she very much is. I think this was a way of her asking N for forgiveness. For getting mad at him in the beginning of the episode, for failing to be useful/protecting N, and for fighting against him- despite being possessed. And perhaps even, as an incredibly insane and radical thought, for loving him. This entire episode has put the characters and us through the wringer, and that "sacrifice" was just the cherry on top.

Something I have seen already mentioned once at very least (by @/rebecca-babe) and something that also put me on edge was the ending credits... or the lack of. Of course, all the credits roll, but it's not the usual type. Instead of an upbeat music that is either "Uzi the drone killer" or a theme that was seen in the episode... its SILENCE. Being a musician myself, I love how much love has been put into Murder Drones. The sound effects and the main music are always top-notch. But that ending unsettled me the most. The lack of all noise is something that is terrifying and unsettling in that ending. Almost like all the music and sound left with the "sacrifice" of the main character, Uzi. The entire episode was filled with sounds, silence only being present when something incredibly WRONG was happening - like at the beginning when intern Mitchell re-entered the cathedral. And as much as I love how well executed this entire scene was, I hated it. Because that scene does the job that it was set out to do. Put you on edge, and make you feel like all hope is lost. That this is it. This is the end.

This is the end of my rambles and thoughts that I had while watching ep7. I may have more later on as I keep rewatching this episode for the rest of the week ;w;

Want to hear more of my stupid rambles? This has 3 other parts!

[dustykneed]

can you share some of your mirror verse hcs?

(gladly! ... as you can see this really got away from me in terms of length and i am SO sorry in advance for springing a whole short essay on you skdjsdh)

to open with a bit of a shocker, perhaps, well, the way i interpret the mirrorverse, i just... cannot see mirror mcspirk happening. now don't get me wrong! i think mirror spirk is absolutely possible, and in fact highly probable, and not even as just a sleeping together thing. i think their dynamic could absolutely yield a form of co-dependent emotional attachment on a highly personal level. everyone defines love differently, but i think that in the mirrorverse, if not love, it is certainly as close as you could get. but mirror mcspirk i actually can't see, believe it or not, and this is for a couple of reasons:

the thing about the mirrorverse is that it is all about the death of humanity (not humans, but for what we know as the human capacity for empathy, kindness and hope. i've seen the mirrorverse described as "the universe where no hope can survive". i think that is a very apt summary of what i explore here.) one key assumption of my interpretation of the mirrorverse is that the characters themselves, initially, are no different from how they are in any other universe at the core, and it is the varied external factors of the universe in which they exist that produces the people they become.

to examine the effects of the mirrorverse on the triumvirate, we might begin by looking at the original triumvirate's relationships with the concept of "goodness", with reference to the principles of ethos, logos and pathos.

one of the fundaments of kirk, as a character, is his relationship with goodness as a choice. he represents ethos, morality, in that his goodness is the result of a conscious decision to be good, to do good, as far as possible, to pick the least of any evils if he absolutely must and even if it is difficult, to keep going for the greater good. in the end, it all boils down to his core motivation to be a net force of goodness on the world, or in other words, to train his eyes on the bigger picture when interacting with the situation at hand and to believe that goodness can always prevail in the sense that he will have a net positive impact on the world around him.

spock, on the other hand, is arguably characterized by his relationship with defining goodness. his struggle to reconcile logic and emotion goes hand in hand with his desire to know if, and why, what he is doing is right-- logos. other vulcans rationalize displays of emotion by interpreting them through the lens of logic. spock, i think, is unable to do this because while he has been taught that emotions are illogical and undesirable, and internalizes this to perhaps a far stricter extent than most vulcans due to being held to unfairly high standards to prove himself "vulcan enough", he recognizes on a subconscious level that there is no inherent contradiction between logic and emotions, and that goodness is a mixture of value judgements and rational, ethical methodology.

but mccoy, i think, is a little different, in that goodness in itself is what defines him as a character. instead of ethos (making the right decision) or logos (understanding what makes something right), mccoy's pathos (an unrefined, innate compulsion for goodness; something similar to mencius' theory of good human nature) is not a conscious decision or a principle of action, but a visceral, impulsive, desperate, sometimes irrational and neurotic need to do good no matter the cost, simply because he instinctively knows that it is the kind thing and therefore the right thing to do-- which, sometimes, makes him disregard the bigger picture, and, ironically, do the wrong thing out of irrationality.

(to digress-- i actually think that kirk is actually far more logical than we sometimes give him credit for, especially in the context of spirk. the dynamic of a logical, stoic character and an emotional, affectionate character whose very souls find solace in one another is a hugely compelling and moving one, and i cannot fault people for applying that dynamic to their relationship-- but, well, by virtue of being relatively less direct associations of their character dynamics in the context of slash, i think what happens sometimes with spones, mckirk and mcspirk is that in the process of fumbling around for ways to fit them together believably, people often end up doing a greater degree of exploration of their character dynamics and nuances that is like catnip to me xD)

for kirk and spock, as men whose worldviews are rooted in tangible logic, where the goodness they have seen is the driving force for their pursuit of morality, i do not doubt that without external proof of goodness as a feasible, worthy path, the same traits that grant them their steadfast belief in humanity and hence their great devotion to goodness will be the traits that drive them to turn away from that goodness in the mirror universe. in a world where hope cannot survive, where cruelty and ambition are the only constants, kirk's resourcefulness prompts him to adapt to his environment and seek what he sees as the bigger picture-- ambition and power. spock, a being of logic, observes that cruelty is simply how the world functions, and as a result applies this science to his interactions with it, seeking power not because of a specific ambition, but, again, because it is a logical course of action according to his observations.

i see spirk as highly probable in the mirrorverse precisely because of how alike they are in this regard. they are capable of great compartmentalization of personal sentiments in order to do what they consider "the right thing", or take the "logical course of action", and this is what makes them effective in command roles, where dwelling on the implications of a wrong decision could either kill you from the sheer crushing guilt, or kill more of your men because of your indecision. they are comfortable in their pursuit of power by use of force because they have internalized the rules of the mirrorverse, and are able find solace in each other because they are evenly matched as opponents and a force to be reckoned with when in alliance, which gives them the space to develop that personal attachment and tension in the first place.

but mccoy? mccoy's goodness isn't rooted in logic, and as a result, this facet of his character largely remains untouched even in the face of the greatest cruelties and atrocities his world can offer. his great stubbornness (or illogic, or perhaps even self-delusion) lends him the ability to, against all odds, still believe that people are inherently worthy of kindness and compassion. he believes in good without ever having experienced it, because his belief in good is illogical by nature.

i have no doubt that mccoy would possibly love kirk, and spock, in part simply because he resonates subconsciously with the capacity of kirk and spock to show great kindness. it is possible that he sees the apparitions of what they could have become, had the world not been so unkind to them, and his love for them is tinged with an undercurrent of mixed grief and disgust, and pity. but fundamentally he doesn't trust spirk-- and because of that i think he could never bring himself to truly fall in love even though he has the capacity for it, because that would require betraying his love for humanity.

i think, based on the way mirror kirk and spock likely treat mccoy, as technically their subordinate (and especially in mirror mirror, when mirror spock mind melds with mccoy to figure out why he saved his life without so much as a moment's hesitation, because he doesn't see mirror mccoy as a threat, so why would a mccoy from a softer, kinder universe ever be anything more?) i wouldn't be surprised if they saw mccoy as... lesser. you know? they know that mccoy isn't capable of seeking power the way they do. that makes him weak. i think they trust him far more than anyone else other than each other, perhaps less out of respect for his profession or character, but more because they are able to clear him as a possible threat, as something too pathetic to seize power even when given the chance. they definitely have some interest in his motivations-- like you would a pet, or a plaything, because kindness makes you a target, a weakness, and a liability. a fascinating study, but ultimately, inadvertently disposable.

and it makes sense, in a way, that they are unable to bring themselves to ally themselves with mccoy the way they have each other, because in the mirrorverse, to believe in kindness is a death sentence. they might pity mccoy or regard him with contempt borne out of inexplicable regret, the same way mccoy pities them, for his wasted potential as an asset (and maybe even as a partner). by insulating themselves against their inevitable loss of mccoy, conciously or otherwise, they save themselves another hurt in their world where hope is a lost cause.

(i definitely have more bouncing around in my head about mirror bones especially, but i think 1.5k words is enough for one sitting LMAO so sorry i think i'm halfway in finals mode still. but this is why i could never take literature lol i can never help myself and it takes a lot out of me xDD)

(oh and @callofdooty i think the mirrorverse as a place where no hope can survive quote was from you during our conversations about mirror bones! but either way i think you might enjoy this hahah)