#I have every deep feelings about this

[queen-lucy-the-valiant]

Each of the seven Narnia books has a moral message or theme at its foundation. Every major beat of the story is centered on and refers back to this theme, so if you take away or alter the theme, you alter the entire foundation of the story. Obviously these themes/messages align with Christian principles because this is Lewis we’re talking about. So, my interpretations of the themes are the following:

 Magician’s Nephew is about taking responsibilities for your actions, LWW is about being selfless but also about forgiveness, Horse and His Boy is about the golden rule, Prince Caspian is about belief without proof, Voyage is about conquering temptation/evil within yourself, and Silver Chair is about trusting in God’s plan even when it doesn’t make sense, and Last Battle is about hope and doing what you think is good even when it seems hopeless. 

Which I think is one of the reasons the Voyage movie falls flat when compared to the other two. One explanation is that it changes many things from the book, but Prince Caspian does that too. Both movies make drastic changes from their source material, but Prince Caspian doesn’t feel (at least to me) as drastically changed as Voyage, because Voyage’s changes go down to the very foundation of the book’s theme. Lewis is saying that there is ‘evil’ in everyone that we all have to repeatedly overcome while the movie is saying that evil is outside of us and that we can overcome it once and be done with it, which drastically changes the central theme of the story. Prince Caspian on the other hand adds a lot of the story but all of the changes stay true to the central theme of belief without proof (or they correct some of Lewis’ inconsistencies). You can change the details all you want for the most part, but the core theme of the story has to remain the same otherwise it’s just not the same story so it won’t feel the same.

So there’s this really big essay I want to write detailing all the changes and how they alter the theme or go along with the theme etc.

[inkskinned]

he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.

except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?

at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.

except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.

about a decade from this experience, you'll type into google: how to know if a relationship is codependent.

he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.

[ruporas]

kiss (ID in alt text)

[ardate]

Every Boromir hater makes my enormous love for him grow stronger. Sorry you couldn't understand him, I get him tho and we're holding hands and the whole of Gondor is laughing at you

[to-be-a-dreamer]

I can’t stand that TikTok trend that’s like “just saw Hadestown and my boyfriend is walking the entire way back to the hotel without looking back at me to prove Orpheus was a chump” because not only do they not get the whole point of the Orpheus and Eurydice myth they also Were Not Paying Attention to the musical they just saw.

Hate people who see WSS as “just a Romeo and Juliet retelling”. Hate people who see Hadestown as “Just an Orpheus and Eurydice retelling”.

Hate people who watch a musical that takes a classic story everyone knows and uses it to explore/critique our modern society and only see it as a funky retelling.

Not Getting The Point of WSS is one thing because it’s more subtle and it can be really easy to just see it as a modern R&J, especially if you don’t really know R&J.

How the fuck do you watch Hadestown and see it as just an O&E retelling? It is one of the most heavy-handed political musicals out there how are so many people missing the point?

Orpheus has to fail. Not because that’s how the Greek myth ends but because that’s the whole point of the message of Hadestown.

Social reform is hard. Changing the world is one of the most challenging things you can try to do. So often we see people try to make a difference in society, to change some kind of injustice in the world. And so often we see those people fail. It can feel so impossible to actually do some good in this fucked up world because we see these people who are smarter and stronger and more qualified than us fail over and over again.

Why do we even keep trying?

Because we have to.

Because one day, someone will try and they’ll succeed.

One day Orpheus won’t turn around.

One day the people of Hadestown will get to see someone escape and they’ll know they can escape too. Only then does the world get to change.

So we have to try. We have to keep singing the sad song, no matter how many times Orpheus turns around, because one day he won’t.

In the Greek myth, Orpheus fails because he loves Eurydice.

In Hadestown, Orpheus fails because we fail.

We try and we fail to make a difference. We try and we fail to change the world for the better. We try to see the world for what it could be and it keeps letting us down.

But we don’t give up. We don’t stop singing.

Hadestown is genuinely one of the best musicals ever. Full stop. This musical is one of the reasons i wish I was smarter because I would love to be able to do an entire thesis on this show and all the themes and messages in it. Some of them are subtle. Some of them aren’t.

It is not just an Orpheus and Eurydice retelling. I am begging people to hear the real message.

Never stop trying to change the world.

One day we’ll make it out of Hadestown.

We just have to keep singing the song.

[willowser]

i do often like to think about how late 20's bakugou would tell you he's a virgin i think about it a lot

[catgrassplantdad]

mickey milkovich wearing a baby bjorn. mickey milkovich with a sleeping baby secured to him and snuggling against him. mickey milkovich walking around with a curious and alert baby strapped to his chest. mickey milkovich out and about with his baby in a baby bjorn, picking things up and showing them to her and narrating their day and making silly ass comments to her. mickey and his baby. you know?

[modwyr]

while obviously my stance is: if you think bg3 was in any way complex, pillars of eternity will knock your socks off. but also i think pretending pillars is in any way like bg3 (or da for the sake of big fantasy rpgs) is a lie (its better) because it is very different gameplay wise and lore wise and tbh my advice for the first game really is just stick with it. you'll be surprised at how much sticks in your head, and its actually perfectly fine to not pick up on every bit of nuance and worldbuilding on a single playthrough - you're not less of a fan if you find out a piece of lore from someone else. enjoy the game for yourself and if it gels with you, you'll naturally want to replay it and from personal experience pillars 1 becomes next level on a second playthrough when you're more familiar with it.

[sparky-is-spiders]

Thinking about Jon mourning his relationship with Elias and doing it alone.

Thinking about Jon having so many little fond memories of Elias. Discussions with him when he still worked in research. Little bickering arguments from when Jon was first promoted. His fondness for scheduling. Thinking about Jon missing those times so much that it aches. Thinking about Jon mourning the person he thought he knew, the person he did know, the connection they always had. When Elias is in prison and won't even see him. When Elias is in the panopticon above the world, far away from Jon. Thinking about Jon still caring about Elias, missing him despite everything.

Jon would have all those little memories of Elias, I think. And he would pick over them, and wonder which ones were real (all of them, in a way), and which ones were lies (all of them, in a way). And he would never be able to say anything. Because he's the only one who ever had that connection to Elias, and by the time Elias is out of Jon's reach nobody who would understand is left.

Just. Just thinking of Jon mourning his relationship with Elias, and having to do it alone.

[lunarkittenn]

I rarely take pictures anymore. It’s like I just don’t want to remember any moment from this part of my life lol

[torawro]

i like ‘em a little insane, covered in blood and severely mentally unstable <3

[good-beanswrites]

My thoughts on how the Milgram mv machine works based on the evidence we have:

(I know there’s been discussion about where exactly the interrogations take place, but wherever they are,) the prisoners are made to sit in a specific chair near the wall that houses the machine.

It’s ordinarily hidden, but the wall panels shift aside to reveal it when the mechanical sounds play in the dramas. As well as the walls moving, the chair transforms to restrain the prisoner and attach whatever it takes to access their brain. The fact that none of the more frightened prisoners try to run or break it makes it seem like they physically cannot. This is why Fuuta sounds so panicked, and why Amane is suddenly helpless in front of Es in their T1 vds.

(My mind conjures very classic sci-fi mad scientist machines with wires, pipes, lights, nodes, needles, etc, but I’d love to hear how other people visualize it.)

In some vds (maybe all? I’d need to check,) you can hear Es take some steps right before their iconic line -- it would make sense that for safety reasons, the power mechanism is placed across the room. Once again it could be anything, but the sound effect makes me think of one of those giant wall-mounted levers you have to pull down.

The voice dramas don’t really provide the type of crime details that an actual interrogation would reveal, and it’s odd that they’re placed before the extraction rather than after Es gets to see the new details. This leads me to believe the machine functions with priming. All Es needs to do is get them talking about their murder, so it’s on their mind.

The video produced is much like a (non-lucid) dream. Even if the prisoners figure out that this is how it works, they can’t control it just by thinking really hard about something else. The murders produce the strongest emotional affect, and that’s what it picks up on. If someone else used the machine, it would default to whatever gave them the strongest emotional reaction in the ~15 minutes beforehand, hence why Es’ video focuses on their daunting task ahead. (The Undercover theory is still a bit loose, though, given the private shots that Es wouldn't have known about). It’s why the videos are usually closely linked to the vd topics/beats. I also like to think that the reason their prisoner colors appear so much is because they’re looking at those colors on their uniform 24/7.

The bell rings to inform Es that it’s the optimal time to use the machine -- the prisoner has been thinking about things for long enough that the video will be about their crime, and if the conversation lasts much longer they’ll start thinking of other things. It’s at a different time for each prisoner because it’s based on the specific conversation. I guess Jackalope is listening in to the interrogation, timing it perfectly. (The only one that kind of messes with this theory is Yonah, because they just keep talking afterwards lol, but it could just show that the interrogation is still in Es’ control.)

Their “Sing your sins” is the final priming nudge to get them to think of their actions as a sin, revealing their guilt.

Once activated, the prisoner enters a sort of trance/sleeping state. It’s very much like REM sleep, with the machine forcibly activating neurons and recording the output. The prisoners have asked Es what they saw, meaning they don’t remember the mvs. I like to think the prisoners do experience the mv in real time, acting as the major version of themself that appears, but can’t remember it afterwards. It’s when you experience a dream, but as soon as you wake up you’re just left with fleeting emotions and memories right on the tip of your tongue.

The video plays immediately upon extraction -- whether on a huge projection or little screen depends on which room it’s in. It simultaneously saves the memory so that Es can rewatch it later (on those old TVs in the jailbreak mix). The machine downloads the song and video together, but requires special parts to retrieve them. The technology is pretty new and fragile, so if one is broken, there might be a delay between when Es can hear the extracted song and see it with the video. (That’s my justification for Kotoko’s delays -- after 9 prisoners the parts wear out, or maybe Mikoto himself overheats it with his complex situation.)

Based on the lack of conversation we get afterwards, I picture Es leaving before the prisoner wakes from the trance. The machine adjusts their brain back to normal before they awaken, restraints freed and able to return to the rest of the prison.

It’s very much like a dream, so it’s not harmful despite the amnesia/head injuries the prisoners have. It does, however, exhaust them. Brain activity alone takes a lot of energy, so forced brain activity with added emotional strain would cause them to feel pretty drained the rest of the day.

[stuckinapril]

At a point in my life where coming off as racially ambiguous is bothering me bc I want to be proudly Arab more than ever before

[dxxtruction]

Not to psychoanalyze (Yes, to do that), but given Armand's history, his only preconception of what love is, is to view it through pure desire. Love - and more broadly accurate, his life purpose for like half a millenia - as only he's ever known it, has only been experienced through transactional wish-fulfillment fantasies, of which he was the one typically sought after to complete such an exchange. And so naturally, in his own seeking, he replicates it. Though to some degree he also replicates the fantastical existence of fictional romances to compensate.

This lack of true experience of love without desire or fantasy, making his always unfilled 'objet petit a' - his object of desire - (a partner he desires a particular love from but does not receive to his fulfillment) - the catalyst for believing there is no other form of love to be had. That he can simply love the person, and be altruistic to their personhood, without them filling a role or desire for him, just would never occur. He's egotistical and overly pragmatic towards others by the fault of formative experiences denying him his own personhood. In being groomed into the object of desire, he no longer sees anyone else but as such. It's equal parts lack of self-awareness, meaning he simply has no way to counter-reflect upon himself the way one should behave, and developed coping mechanism, either consciously or unconsciously, taking on the role of those who inflicted upon him their desires to gain a sense of control over it.

In never escaping this cycle of love as desire, he always denies himself his full person, and simultaneously denies the personhood of others.

[beebfreeb]

hiii ive never interacted w you other than rbing sometimes but i just wanted to let you know that theres something ab the wir takeover of your blog ive genuinely loved. like i watched you get into it and then it just slowly took over your blog as you made it your own n like what youre posting now is almost in the territory of unrecognizable from the source material and i just think thats fun :) youre taking the world and characters from the movie and twisting it and adding onto it n idk, its special to me. its your wreck it ralph now. its filling the good sequel shaped space in my heart but way more creative n out there than disney would ever create

I'm glad you're having fun! A lot of people have unfollowed me LOL. I am easily delighted by characters made for a specific purpose and their relationships to that. I like playing toys with the setting and characters because there is a lot of questions that are never explored due to the scope of the movie.

What if the arcade had a GameCube in it for hosting Super Smash Bros. tournaments?

[musclesandhammering]

Once again thinking about how every single one of Loki’s emotional problems stems from his abandonment and rejection issues, which originated from him being rejected and abandoned as an infant.