#I just really like complex and mean characters

[howtofightwrite]

So. There is no safe place (in the body) to be shot. There are places that are slightly safer than others to be stabbed (i.e. being stabbed in the meat of your calf is less likely to be lethal than your torso). For the purposes of an arrow wound, which feels like a combination of shot+stab for a swords n sorcery world, is there a “less lethal” place to take an arrow? My character is traveling with companions and gets into a fun little goblin skirmish. I need her to catch an arrow somewhere that will be concerning, but not immediately fatal. Magic Bullshit™️ will keep the wound from healing properly for a few days, but I’ve accounted for field wound care (cleaning and bandaging and such) as she’s being taken on horseback to get proper treatment.

Not deeply.

So, the problem with all of these is tissue disruption. If the injury gets deep enough, the chances that it will hit something vital (especially on the torso) increase dramatically. So, getting stabbed and having the blade catch bone, instead of getting in deeper is “relatively” safe. Similarly, getting stabbed (or shot) in the hand or foot is unlikely to kill you (though, those injuries are likely to result in permanent damage impairing the use of injured appendage.)

Arrows are a little different, in a couple of ways. First, if you get shot, you do not want to pull that off (nor break it off and push it through.) That will increase the risk of bleeding out. Arrows make fairly large holes in people, but if the arrow sticks in the wound (which, it should) it will actually limit the amount of bleeding. Effectively the wound has a partial plug in it. Pulling out the arrow means that plug is no longer there, and they can happily bleed to death on the spot.

The second thing about arrows is that they actually pin muscle together. Think of it a bit like holding two pieces of meat together with a toothpick. If the toothpick isn't there, the pieces can slide across each other without issue, but that's not possible when there's a wooden shaft running through them. Your muscles are a complex web of meat, that slide over each other as you move. Pinning those together means that part of your body will actually lock up. For example, if you're shot in the shoulder, you won't be able to adjust the position of your arm. It's been toothpicked, and it's not going anywhere.

Arrowheads can get wedged in bone. If it's a broad head, or hunting tip, that will be obnoxious to get out.

At the risk of reading too much into your setting, goblins often means poisons, or other nastiness. Though, really, even just getting a tetanus infection (it used to be called “lock jaw”) from their blades is a pretty horrific potential fate. Even if the wounds themselves were relatively minor (cuts and scrapes, maybe a graze or two), a couple days might still result in some pretty horrific harm after the fact.

Also, remember, it's unlikely that bacteria will be understood by the medical science of your setting. So, first aid would still run a real risk of secondary infections.

Depending on their skill in first aid, anything outside of a severed artery or catastrophic organ damage should be (technically) survivable, though the wounds could easily result in permanent impairments, depending on exactly what was hit. A punctured lung might not kill her, but it could result in permanent respiratory issues, such as a cough, and chronic pain while breathing heavily from then on. It could also result in pneumonia and death, which is also, usually, pretty permanent.

Some of this depends more on where you want to land on a spectrum between dark fantasy and swords & sorcery. The genres are similar (and potentially overlapping), but can scatter out into dramatically different works. But, you do have some options on how you want to proceed.

-Starke

This blog is supported through Patreon. Patrons get access to new posts three days early, and direct access to us through Discord. If you’re already a Patron, thank you. If you’d like to support us, please consider becoming a Patron.

[relaxxattack]

The most crucial factor in Rose's character, in my understanding, is that she thinks herself much more mature than she truly is. She uses this both for egoboosting & self-degradation.

yes, you’ve hit the bullseye. the thesis of all my posts is this.

however, paradoxically, she’s also putting up a front in this way— although she thinks of herself as mature she’s also constantly trying to convince herself of that. pretending she’s special and unique and smart for her poser tumblr girl behavior.

it’s the same as dave trying to convince himself that he’s cool.

rose knows deep down that she isn’t quite as mature as she says she is, and to compensate for this she decides to get all wise about lampshading it, like “oh you think my cartoon fandoms are ridiculous? well i do too. in fact i made an entire theory video about how the squiddles are secretly dead children who are trapped in purgatory. all ironically of course. oh you think wizards are stupid? don’t worry i do too, so i jokingly wrote an insanely complex wizard porn fic that is so dense it’s unreadable, to mock the idea.”

rose lalonde falls back on irony more than dave does. she’s counting on the people she’s talking to to think that she’s just hilarious for doing this, and that way they won’t notice that in actuality she just… really fucking likes a kid’s cartoon.

rose is a bundle of little fronts. she KNOWS she’s way less mature than she acts, so she has to sidestep that by joking about it, by being like “haha aren’t these things i like stupid?”, and then once she’s done that she thinks she’s incredibly smart and mature again.

she’s relieved that at least she now looks way smarter than those people who naively like a children’s cartoon GENUINELY.

basically, she’s like those recent marvel movies that are so cynical and ungenuine that they joke constantly about their own premises thinking that makes them immune to audience criticism.

because hey, knowing you have a problem means it can’t really be real or affect you, right?

knowing you’re immature means that you are, in fact, mature enough to recognize that, and SUPER self aware.

probably.

[spaceorphan18]

In defense of Season 2 Polin

@somedayillbepeterpan I hope you don't mind, I'm responding to your post, but also making one of my own, because I'm diatribing a bit.

I think -- season 3 makes way more sense after watching season 2. I mean - I enjoyed season 3 without remembering anything from Season 2, but I think Colin's story, in particular, works a lot better with the foundation that Season 2 gives it. Because it's there. (Did I want more of it in season 3 -- yes, yes I always want more, but they had limitations.)

But I mean, Pen and Colin's friendship is solidified in Season 2, in a way that it wasn't in Season 1. Season 1 they had a connection, yes, but it was a lot more like the book(s). There's a distant familiarity there. There's a kindness and respect there. But Season 2 really dug into the friendship, and thus a friends to lovers story. The fact that Pen wrote Colin while he traveled? Huge thing (that wasn't in the books). The fact that they discussed their life ambitions? The fact that they showed character growth in both their individual story arcs? All of this is the foundation for Season 3. Season 3 doesn't work without Season 2.

And it's one reason I really, really love their story because it's not - bam, struck by lightning, now we're in love. It's an evolution. The characters have spent time developing together and on their own. They've grown and matured and had experiences and have learned from those experiences. They've developed a relationship that's built around more than sexual arousal but eventually managed to figure out those romantic feelings on top of the friendship ones.

There's a complexity and multi-faceted story there that is working on a lot of different levels. And Season 2 just does so well to portray that. And honestly, I'm looking forward to Season 4, because we'll get to see a different side to these characters in a post-center piece world. Their romance didn't start in season 3, and it doesn't stop in season 3 either. Something that is unique to just them is that they'll (most likely) get the opportunity to have their story shared over a multitude of seasons. Because (and I mean no disrespect when I say this - the other romances are unique to those stories) their story is not just one story, but does what TV shows do best, and is an arc where the characters have been growing and developing since day one, and will continue to do so until the show ends or Nicola Coughlan pronounces she's done (and hopefully the two will coincide.)

[jessieren]

Here In America

I managed to go and see Here In America last night and, as promised, here's my (fairly brief) review. If you're going to see it and don't want to know anything in advance then don't read any further - although I've tried hard not to include any spoilers.

Firstly the theatre is tiny... and I mean really really tiny! When they said in the promo video 'you're going to be up close and personal with the audience' they weren't kidding. The stage area is incredibly tight and all the audience are within a few feet of the actors.

The scale of the theatre really gives the sense that you're 'in the room' with what's happening and adds to the sense of tension as the play builds. It also means that you can see the actors every expression and movement and they don't need to project/act up in the same way as you would in a large normal layout theatre. My personal view is that this suited Shaun's more minimal nuanced acting style really well - it was almost like acting for the camera.

The play is just under 90 minutes and is intense, quite complex, and dialogue heavy but the pacing is incredible and the 90 minutes disappeared in a flash. Shaun is on stage for pretty much all of that time and much of the dialogue and interaction happens between Kazan and Miller. The set, props and lighting are very minimal but work well and support the interactions (the scrabble scene near the beginning is great and sets the play up really well).

All four actors are absolutely brilliant but Shaun and Michael Aloni's performances are truly stunning. Shaun really does hold the entire piece together but without overwhelming or detracting from any of the other performances. Whilst it is intense there are some small moments of comedy and Shaun, in particular, plays those really well.

I enjoy plays with small casts as I think you get far more from the relationships and interactions and this is an absolute case in point. The details and nuance of the way the characters interact build a picture of their relationships that support and help move the play along and I think also build a genuine sense of empathy with the conflicts at the heart of the play. I went into it with a clear view of what/who I thought was right and wrong but the script and performances really made me reconsider my views throughout - and I'm still questioning how I feel about it 24 hours later.

Whilst Shaun doesn't look like Kazan (Aloni truly becomes Miller in an uncanny way, and similarly Jasmine is compelling as Monroe - not an easy ask), he is really convincing and plays him with a charm and charisma that gives a fully rounded view of him as a man and the choices he made, where it could have been easy to play him as a more two dimensional 'bad guy'.

I absolutely loved it and really hope it gets the praise and attention it deserves. Its one of the best pieces of theatre I've seen - and I go to a lot!

I'd highly recommend getting to see it - or paying to stream when its available.

Just as a side note: The play covers a lot of ground and refers to quite a lot of detail of Miller and Kazan's lives in particular. My personal view is that you get more from it if you already know the overall chronology of what happened in that period and also understand the basics of Kazan and Miller. I'm sure its still very watchable without the background but personally I felt I got a lot more from it from knowing something about the key characters, events and timeline.

[miraculouslbcnreactions]

Last post you talked about your ideal version of canon, I was wondering could you share it with us? If not, that's ok

Oh man, I could go on about my dream version of canon for ages! I've talked about various aspects of it on here with stuff like my "sugar" posts on Nino and Alya, but the broad strokes are:

Serialized story where it's basically one large narrative told in chunks

A true teams setup where Adrien, Marinette, Alya, and Nino feel like this amazing, tight friend group who grows into a found family as they get older, giving platonic and romantic love more equal billing

No guardian order, just have it be a single-person role that gets passed on from person to person

Kagami and Luka in supporting roles that have nothing to do with being love interests

Sympathetic Gabriel who feels like a truly tragic figure, but who does NOT get redeemed

Emilie gets an actual character

No sentinonsense

Revised miracle box that is way smaller and that has strong lore

The Agreste's aquiring the miraculous is far more morally complex, makes sense, and was not done for explicitly selfish reasons

Reverse the love square right from the start and never have the crushes flip

I've talked about all of these things on here, but the one thing that I've only briefly touched on is my love of a reverse square setup. I am passionate about that one, so let's take a moment to talk about why since it's probably going to be the most interesting to read.

I don't hate the canon setup for the crushes, but also I don't think that they're the ideal crushes. When it comes to romance stories, you want to design your love interests around each other. You want them to feel special and like they bring something unique to the table. Canon doesn't really give us that. There's nothing all that special about Adrien that makes him feel like the person that Marinette would be drawn to above all others. Same goes for Chat Noir and Ladybug, but we'll get to them in a second.

What is Marinette's biggest struggle? Her role as Ladybug.

Who is her main support in that role for most of the show? Chat Noir.

Who is her main support on the civilian side even before the reveal? Alya.

So why is Marinette's crush on Adrien and not Chat Noir? I don't know. It's the lesser setup by far and that goes beyond just the logic elements of who it makes the most sense for her to fall in love with. A lot of Marinette's worst behavior actually feels justified in a reverse crush setup, allowing you to write her without major changes to her character.

For example, Marinette keeping a chest of gifts for Adrien is kind of pathetic. She's friends with Adrien and she gives her friends gifts all the time, why can't she give him gifts, too? Reverse the crushes and suddenly this behavior makes perfect sense. Marinette isn't storing up gifts because of overblown fears of rejection. She's storing up gifts for legitimate fears about how her partner will explain these random gifts, thereby risking his identity, meaning that she has a sold argument for waiting until the time is right (post reveal) to give them to him.

There's also the legitimate fear that confessing her love could ruin their dynamic and put Paris at risk. Keeping her feelings to herself is now an act of self-sacrifice and not just an act of nerves. Basically everything about Marinette's hesitance just makes so much more sense if it's on the hero side.

But what about Adrien? How does this fix him?

I love the idea of our male romantic lead falling for our female lead because she's bold and brave, but it honestly doesn't fit Adrien's character. He is surrounded by powerful, confrontational women. Nathalie, Chloe, Kagami, Amilie, Audrey, and Tomoe are all no-nonsense women who get what they want. This means that Ladybug doesn't bring something unique to his life. She fits the standard mold. Adrien falling in love with her after she talks down Hawkmoth doesn't feel like the right choice for his character because it doesn't feel like something he'd be wildly impressed by.

Meanwhile, Marinette is shown to be a generally wonderful friend. She cares about others and will do what she can to make them feel welcome and accepted. That's a much more unique thing for Adrien to experience. Think about the umbrella scenes and imagine if it was Marinette apologizing. Marinette owning that she treated him poorly and asking his forgiveness. How often do you think Adrien gets moments like that? Doesn't it make more sense for something like that to make his heart flutter?

We see Marinette doing things like making banners to celebrate her friends (Timebreaker) and making sure everyone feels included (Reflekta). Imagine her giving Adrien that kind of treatment because it's just who Marinette is. She shows up to his fencing matches to cheer him on. Brings him his favorite snacks as a treat just because, surrounding this poor boy in honest, genuine love and support. Add in respect, too, and he'd be a goner because those are the things that he's not getting anywhere else! The things that make Marinette unique.

This brings us to our new civilian dynamic. In canon, it's Marinette failing to confess in ever more spectacular ways as Alya tries and fails to help. In a reverse crush setup where everyone is friends without gender barriers, it's things like Adrien coming up with his canon confessions and then watching Alya and Nino react with genuine horror because, dude, you're going to give her a panic attack! No! Bad kitty! Stop that! No confessions until you come up with a plan that we approve of and read at least five books of dating advice because holy shit did homeschooling do you dirty in this area!

Then, while Adrien is working to learn how dating works, he learns that Marinette is in love with Chat Noir and, oh no! He thinks she's into his public persona, totally unaware that she knows the real Chat Noir and loves his dorky self. So he tries to emulate his sexy alter ego while Nino and Alya suffer and Marinette is just generally confused because she doesn't think of Chat Noir like that, so she doesn't even notice what Adrien is doing.

This also adds a nice mitigating factor to Adrien's unwillingness to give up even though it's pretty clear that Marinette isn't interested in his civilian self. If he knows that she loves him, then his persistence is less concerning and more comedic. It's not that he can't take a no, it's that he honestly knows with 100% certainty that the answer is NOT no because she's told him that to his face. He just needs her to realize that the guy she's in love with is right here, ready and willing!

The potential for comedy is just so much more broad and so much less mean spirited because Marinette has none of Adrien's reserved nature, so her friends would totally know about her massive "celebrity crush". Adrien comes over for school projects and just stares longingly at her Chat Noir posters, wishing he could tell her his secret, but knowing that he can't.

In my world, that is so much more fun than canon's setup where Marinette has no reason to hope. I also wouldn't draw the crushes out anywhere near as long as canon did. I like getting couples together in the mid-game. It's a nice early plot to hook you in, but defeating the villain is the end game, so we don't need to draw the romance out that long. Romance isn't that special. It's not all that different from an arc about two characters becoming friends.

That's far from the only major change I'd make to shape canon into my ideal version, but it is the probably the change that I love the most. It's also the change that requires the least context to explain, so there you go!

[good-beans]

It makes me sad when people read the Milgram vote percentages as if it's saying characters are "more deserving" of a verdict with a higher percentage. A big ratio number doesn't mean we really think they deserve that verdict, maybe everyone who voted for that outcome just barely came to that decision. It's showing the ratio of final decision of the fan base, not the strength of their opinions...

I just feel like it dumbs down/ignores so much of the complex reflection that goes on for a lot of fans. Maybe some people vote with 100% of their spirit, but for a lot of people it's an interesting and complex choice that may be made hesitantly because of all the factors at play

[musicalmoritz]

Why does tsukasa seem to not care much about himself?

I had a hard time figuring out what you meant by this because to be honest, I don’t focus on the Yugi twins as much as some of the other characters. I still try to read analyses on them and understand them, and I have been talking a lot abt Tsukasa lately, but I haven’t rly grasped their characterization as quickly as I did with some of the others

However, after giving it some thought I believe you’re referring to scenes like these

If this is what you mean, then the explanation is that Tsukasa simply doesn’t want to exist. He is a yorishiro and existence for them is essentially hell, just look at what Sumire went through being stuck in a time loop for 100 years. It is not a reach to assume Tsukasa went through something similar, seeing as he alludes to being trapped in a place before escaping near the start of the series when we first meet him. He reached out to Hanako for years, but Hanako never answered any of his calls. So Tsukasa wanting to be destroyed isn’t really out of any self-sacrificial nature, it would be a peaceful ending for him. He’d be able to move onto the afterlife, or otherwise accomplish any conniving goals he might have with the entity (idk as I said, not a Yugi twins expert)

He views Hanako as selfish for wanting to hold onto the people he loves at the expense of their wellbeing. Part of Nene’e fate is to die young, it’s sad but that is the natural path her life is meant to follow. She herself even tries to come to terms with this and make peace with it, but Hanako won’t let her. He loves her, so he wants her to live a long and happy life. This is completely understandable, but it is also selfish. It is part of human nature to be selfish, and part of Hanako will always be tied to the human boy he once was. Selfishness isn’t always bad, sometimes it’s necessary. But from’s Tsukasa’s perspective, Hanako is robbing Nene of an escape

Tsukasa makes this a personal issue because Hanako treats him the same way. It would be objectively better and more natural for him to let Tsukasa go, especially if the theories abt him killing Tsukasa to free him from the entity are true. That is what Tsukasa wants, to be free, to no longer be a yorishiro. But Hanako is selfish, and he loves Tsukasa too much to grant him freedom

Now, if you’re talking about Tsukasa’s lack of self-care in regards to Hanako “hating” him, that’s a bit different

Tsukasa seems to conceptualize relationships in a very black and white way. You either love someone, or you hate them. He’s interested mainly in how other people feel and react to things, so he’s constantly asking them how they feel about others. I don’t think he differentiates much between platonic love and romantic, it is simply “love vs. hate” to him. The two are opposites and cannot intersect

The most genuine statement I could possibly make about Tsukasa is that he loves his brother. Both versions of him, no matter how you interpret his current existence. The possessed Tsukasa we know now is the one who grew up with Amane, he spent ten years of his life with him whilst Baby Tsukasa only knew Amane for three. Ofc that was still his brother so time isn’t rly relevant to how much love/attachment Amane still holds for the original version of Tsukasa, but that doesn’t change the fact that the brother he knew for most of his life was the possessed Tsukasa. They shared holidays and birthdays together, lived together, walked to school together every single day. Through and through, they are brothers and it would be impossible for Hanako not to see him that way, even if he claims not to. It must be a complicated situation for him, on one hand he grew up with this Tsukasa but on the other he blames this Tsukasa for the old one’s disappearance

Back to how Tsukasa feels, he loves Amane fully. He does describe them as rivals, so I would say the feelings are complex on his end as well, but overall he loves his brother. He loves his brother so much that he doesn’t care if Amane hates him. And he must, he threw him across the room once when they were kids when Tsukasa was bothering him. He knew something was off when Tsukasa returned, and his attitude towards him likely reflected that throughout the 10 years they spent together. He killed him, he freezes up when he sees him, he consistently sides against him. For a character that views love in black and white terms, that sure looks a lot like hate. He recognizes that Amane is sad without him, but he also understands that Amane hates him. At least, from Tsukasa’s perspective, that’s what it looks like

But Tsukasa’s love for Amane is unconditional, he doesn’t really care if Amane hates or loves him. Baby Tsukasa says he wants Amane to be an astronaut with their parents, somewhere far away from him so Tsukasa can never make him upset. He believes Amane hates him, but he doesn’t care as long as Amane is happy. That’s all he wants, for Amane to be happy. His brother is the most important person to him, as long as Amane is happy he doesn’t care what happens to himself. Until it reaches a breaking point ofc, and Tsukasa realizes that the best situation for everyone would be for him to disappear

I’m pulling a lot of this out of my ass so I apologize if I got any information incorrect! Also just to be clear I don’t mind being asked about the Yugi twins at all, people were asking me a lot about Tsukasa yesterday so I get why the questions keep coming. Just beware that I am a self-proclaimed Not Expert lol. I do plan to look more into them whenever I start that series of character analyses tho so stay tuned for that

[literatureloverx]

One of the things I find curious about Fyodor is that in the latest bsd guidebook, he describes himself as the color white like his hometown's snow. Fyodor still remembers his hometown, after all he's gone through and after all this time. And he describes himself as the color white like its snow. That with his character's disconnect from people, makes me very excited for when Asagiri decides to reveal his character's backstory. Of course he probably means snow in a more way of "purity" than sentimentalism for his hometown itself but omg he mentions his hometown which is something enough. Not "like snow" which would convey purity enough but "like the snow from my hometown". Maybe it's because he found his faith there? Maybe he just wants to pay respect to where he was birthed? Idk but there's much to theorize. What are your thoughts?

-🎪 anon

I agree, 🎪-anon!♥️

I don’t know if it’s because he found his faith there, but I think that is very likely and seems reasonable.

However, I also believe he was born into a religious family to begin with. I’ve thought through other aspects as well. Let me break it down for you:

Purity and Fyodor’s inner moral code:

Fyodor describing himself as the color white, especially like the snow from his hometown, speaks volumes. It hints at his complex inner moral code—he engages in dark actions under the belief that they serve a greater good.

This idea of “purity” contrasts sharply with his behavior. But does it?

In my humble opinion, he is well aware that what he does is evil, but his inner moral depiction is influenced by Machiavellian tendencies.

He does whatever he needs to do to cleanse humanity of their sins. Therefore, his actions reflect Machiavellian principles.

In short: the ends justify the means (The Prince by Niccolò Machiavelli).

I’m imagining it like this: God has given him the enormous power of being immortal—never truly able to die.

God also gifted him with an intelligence that is above any other human being.

This means he must be someone important.

This means he is meant to be the rightful hand of God, tasked with creating a world that is worthy of God’s beauty.

Therefore, he wishes to help God’s creations, cleansing them and this sinful world of all their sins.

This is one reason why he says that he likes all humanity equally. Because he really does.

They are all the same to him—fools who could do better. Fools that could be worthy of God’s perfect world.

What fascinates me the most about him is that, even though he is doing all of this out of pure self-assurance and his own complex inner moral compass, he still claims that he is doing it for the whole world. And I believe he does.

I can totally see this being his ultimate end in the future.

His Hometown and it’s significance for him:

By referencing his hometown, he reveals a more humane side to himself.

If you haven't already, l'd recommend you read THIS and THIS posts of mine, where I explained very clearly how I perceive Fyodor's humane side.

It shows that he yearns for connection and perhaps misses the simplicity and innocence of his past.

This duality makes him such a fascinating character, caught between his dark pursuits and the remnants of his humanity.

Imagine feeling like, or even knowing that you're "the chosen one," only to end up isolated, dehumanized, and lonely, with nothing to hold onto but your belief in your God.

You can't die, because the only way for you to do so is by your own hands, which is considered the greatest sin.

You can't die. Not until you take your own life.

How deep must his religious beliefs run for him to be this dedicated to his goal, mentally able to endure and live for hundreds, maybe thousands of years?

This made me so emotional. I want to give him a hug. My precious love.♥️

[laurfilijames]

One quick ask - will we ever see Jay Mills again? You left Deadfall on such a great cliffhanger. Don't get me wrong all your stories are wonderful but there's something about that character, poor guy got the shit end of the stick in the movie. Your story is really well written!!

I adore all your stories and eagerly look forward to your posts, you're an amazing writer! I have Breathe Bookmarked it's just that good!

Hiya!! 💗

Thank you so much for coming and asking about this status of my Jay series Fallout!

You absolutely will be seeing more of him, so please don't worry! It's difficult for me to work on more than one thing at a time, and my current focus is completing Breathe.

Fallout is one of my favourite things I've ever written, so knowing you're interested in seeing it continue means so much! Sadly, it doesn't get many bites from other people, and when I had put out a poll to gauge what my readers were most interested in, Jay lost to Will. When Breathe is finished I will either continue working on Fallout or my Pete Dunham series Like My Dreams, another equally unpopular fic.

I agree that Jay got the shit end of the stick in that movie which is why I decided to write this story in the first place! I think he's a complex character who has so much potential and it's been a joy (and thrill 🥵) to explore all of it. The smut in this series has been some of the filthiest I've written and I am looking forward to getting back to it and mix things up.

Thank you a million times for adoring everything I put out and being excited for more, and for your lovely compliments on my writing 🥹💗 I'm so touched that you've bookedmarked Breathe as well! This makes my heart so so happy and you're helping to motivate me to return to Mr. Mills sooner than later!

All the love, whoever you are 😘💗💗💗💗

This man 🫠🫠🫠🫠🫠🥵🥵🥵🥵🥵

[dostyaak]

[YTTD Spoilers/Theory] So a few days ago I was in a Discord call with my friend, and we started doing a "YTTD Character Tier List", and we got stuck on Megumi for a few minutes

We were discussing whether she was a good person or a bad person based on the little to no information there is about her

I mean, of course she is a bad person, with the whole thing about being avoidant when talking about "Why Mr. Redhead Policeman was fired?" and the "background deal", but we were discussing if she did that beacause she wanted to or if someone forced her to it, if she had ill intentions or not

Now this is where the fun begins, my friend's theory below:

He shared a theory he have about Megumi's wish and how that's directly connected to Redhead officer's death, the theory being that: Megumi's wish was to kill him.

He explained that maybe when Redhead discovered "the secret dark side of pollice", Megumi didn't like that and promptly fired him, but getting him out of the force wasn't enough since he could still somehow find more information about said "dark side", which led Megumi to make a deal with Midori, to kill Redhead with the Asunaro vow (I guess some could argue that we're making a bit of a stretch with a theory like that, but still what isn't a stretch in a game with almost no information)

Supposing we're right, this part of Megumi's victim video could mean 2 things:

She was following the demands of another higher up, leading to her wish with the Asunaru vow being to kill Redhead, which means that the isn't that bad

She was straight up lying in hopes that if pretending to be a victim herself, Keiji would give in and save her, which means she was a bad person all along

My thoughts? I'll go with 2, I like the ideia of her just being an asshole, we need more mean women in this game! /j

Jokes aside, it's the idea of "Good cop/Bad cop" and "The only good cops are fired cops", good cops are those who aren't on duty anymore (Keiji) and bad cops are those who are still on duty (Megumi), since she's already a bad cop for still being on the force even after knowing about the "dark secrets", why not commit to the fullest and be a bad person too?

Everyone (And by "everyone" I mean the participants) in this game is "an asshole but with somewhat good intentions", I think it would be cool to have a change, to have a character who was a dick with ill intentions all along

Anyway, I would love to know what you guys think about my friend's theory! All kinds of comments are welcome, I'm eager to know if you agree or disagree and why! :D

[poorly-drawn-mdzs]

Bros before Ho(oh my god is that Hanguang-Jun?)

[First] Prev <–-> Next

[dootznbootz]

Fascinating how Polites, the character who is the personification of Odysseus' optimism and is only in 5 songs, is more grieved and appreciated than Eurylochus, a character who is his own person and is in 11 songs.

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[messiahzzz]

When I came across that "joke" from Tav to Quill and Z'rell's comment (plus Halsin), I had to take a minute to process what happened. Gale might be a bit silly and eccentric but he's the kindest, sweetest and most passionate character in that party. No wonder the poor man has deep insecurities to solve, so many people reduce him to an easy target! Ofc one of the side effects would be overconfidence and ambition as a defense mechanism. He's obv lonely; only Tara and Morena ever loved him for him.

his eccentric nature might be a part of it. he is loquacious, outgoing, and doesn’t see the point in hiding his enthusiasm. he is considered to be the weird one. naturally, wizards in general being seen as somewhat squishy and physically weak might also add to it.

personally, i really don’t like the implications of the (widely considered) autistic-coded character being the one who faces the most ridicule by far by other characters and fans (and larian) alike.

some might disagree with me on that, but i don’t find it funny by any means either. mostly it just makes me feel bad. “he deserves it. cocky, arrogant, hubris-ridden wizard needs to be taken down a peg” like he isn’t… y’know… already at his lowest. it also disregards the fact that much of his bravado is part of his carefully curated Great Wizard of Waterdeep™ persona that he has skillfully adopted to mask his general feeling of being defective. being fiercely proud of your skill and knowledge and being doubtful of having something truly worthwhile to offer are mindsets that can coexist. according to fandom, gale is either secret hubris incarnate that is only waiting to be unleashed upon the world or pure baby that can do no wrong. instead of a character that is just as flawed and traumatized as all the others, but no less deserving of genuine love.

to me, the constant ridicule just reads as further feeding into his deep-rooted insecurities and his belief that he (as gale, the person) isn’t someone who holds inherent worth. it really, really doesn’t sit well with me.

[torchstelechos]

I do think its really important to remember that SY was suppose to be the villain character but its only because of his kindness and newly gained life that he didn’t end as one. In the very beginning of the story we learn that Peerless Cucumber Bro often left comments on how SJ didn’t get his dues and needed to be punished more, and only after he transmigrated did he acknowledge how awful of a death SJ had. He also made point to explain that he only read the book for LBH, which he noted to enjoy his decisive actions and deft ability to kill. Markedly, he liked his brutality and personality over the erotica that the majority of PIDW fans enjoyed. Peerless Cucumber Bro is someone who loves action and the ability to cut right to the chase, something that he does not do and most likely has difficulty with in his world.

Speaking of, it is something to note that Peerless Cucumber bro is rich. He had head chefs, he could pay for a 6k+ chapter book of erotica in 20 days, he noted that he could not understand SJs envy and ambition for power since he lives well, and he even noted to himself that his family was well off. He is incredibly wealthy, and it shows. Which is important to note because he, not once, showed any guilt or remorse on dying and leaving his family behind. Yes, he sometimes refers to people as being similar to his family but he never showed any pain for losing that life like he did when he lost LBH. This is important because I genuinely think SY was depressed and self destructive to himself, which goes against popular HC that he was chronically/terminally ill (I do like this HC and like how its portrayed in fanfiction). It would explain how he ended up dying all alone by himself, and how blase he was to his own life and death.

SQQ is a self destructive force who ended up dying three times, and didn’t feel anything about death itself. He was worried about others and the effect it had on them, but for himself it was up and on again like it never happened. He does not care for his health, had self isolated as SY to the point he died alone, and has a horrible self esteem to the point that he continuously agrees when other people put him down and often calls himself the villain. Even though we have seen the evidence of someone who is always being thrust into new situations and awful plots, he calls himself lazy and easy going. He hides his thoughts and feelings behind his fan and has a remarkably thin face. At the very base of his actions and his thoughts, he is self destructive, powerful, and smart. This is the set up for a villain.

However, when shown the actual people in front of him and forced to act as SJ did towards LBH and his disciples, he flinches from it. He notes that it happening in front of him was different. His entire self soothing comedy monologue went quiet when he had to enforce the Endless Abyss scene, and grieved for the childish innocence he killed from one of his favourite people. SY was set up to be the villain and obviously thinks of himself as one, but can not act as one. If he had the choice LBH would have been his sticky sweet white lotus disciple for as long as LBH wished to be.

His kindness, as seen in the book, is what turned him from being “the scumbag villain” to the protagonist we see in the novels. Which, yes, he is a protagonist! He even has the protag halo that LBH has and its very funny in the meta way for SQQ not to realize this, but thats for another post. But he loves his disciples, he loves his peak lord siblings, he loves his Binghe, he loves his new life, and he is kind. That is what kept him from being the villain he sees himself as, his kindness and love for others. Whether that be romantic, platonic, or familial, he loves the people he has met and he treats them kindly. That is why it is important to remember that he was set up as the villain by everything in the story we do not see, but what we do see is him continuously changing the story to fit a new genre that lets as many people as he can save live. Sorry sorry, I just think about SY being set up as a villain so much. It changes a lot of views I have on the series when I remember the duality of SYs story and character development.

[steakout-05]

it's so funny seeing the negative fan reactions to Jax being even more of an asshole than he was in episode 1. like first of all, how can you not enjoy his dickhead antics and growing frustrations at the things that aren't allowing him to be a dickhead 100% of the time. i think it's really entertaining to watch him be a complete jackass to everything and everyone! and second of all, i feel like this is an effect of twitter fandom kiddies always praising a character who's a perfect angel or a "bad boy but he's bad in a good way..." character and deeming characters "immoral" as soon as they do something bad. as soon as that character they attached themselves to isn't what they thought they were, they get super mad about it, even though Jax hasn't really changed at all since episode 1. it's like seeing Jax have more opportunities to be an utterly selfish and destructive asshole put them off from the character entirely because "ohh he's mean now". it's so weird. like god forbid a character has flaws or does objectively horrible things that makes them more entertaining /sarc.

it's kinda like the whole discourse surrounding Pomni "abandoning" Ragatha in the pilot. a lot of people were deeming Pomni to be a terrible character because she did something that could be perceived as "morally incorrect" when 1. she was scared and confused out of her mind and practically in survival mode the entire time she was there, 2. she literally just met Ragatha a while ago and wasn't in the right place to properly prioritise anything but her own survival, and 3. characters are allowed to do """immoral""" things because it's interesting, it makes them more complex and it drives the plot. oh yeah, and they're not real!!! they can't hurt anyone!!! it's so confusing how people will see a character with flaws and then get so enraged about how immoral they are, while completely missing the point as to why a character has flaws in the first place.

i just find it funny how people saw Jax in the first episode, visualised a bad boy version of him in their heads and then got super mad when he was even meaner deliberately in the second one and isn't exactly what they wanted him to be. like you guys just pulled a full 180 and went from loving him to despising him in and instant. characters will have something deserving of a character arc and twitter fandom kiddies will become livid about it.

by the way, i thought Jax being even more of an asshole shined a brighter light on his troubled nature. like,,, to me it seems Jax's asshole-ish attitude is kind of a mask for deeper insecurities, especially when you see his face soften during Kaufmo's funeral, before quickly replacing it with anger and walking away. i think he's grappling with some heavy shit and trying to hide it behind a troublemaker attitude and constantly causing chaos and destruction to distract himself. i think that's why he got so angry and frustrated during the second episode, because he couldn't always have his way. he's definitely hiding something. whether it has something to do with Kaufmo, his situation or both, i wanna see what happens and what's going on with him.

personally, i want Jax to get worse, because it would be a very interesting look at how he deals with the circus compared to everyone else. i want him to get so aggressive and asshole-ish that he does something he deeply regrets (in reference to what a tweet from Gooseworx teases). to me, the biggest allure of TADC is the way the characters react to what's going on around them. each character has such a different way of coping with everything and i think Jax's way of coping, desiring chaos and death and destruction, would be an interesting look into who he is as a character. i want his harmful coping skills to drive him to a breaking point because hell yeah, character development!!! i want to see what makes the asshole into something closer to not really being as much of an asshole as he started out as.