My favorite Ygo Fandom phenomenon is people editing cards out of anime caps so it just looks like the duelist is flipping the bird
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love love love steddie + supportive wanye
thinking about wayne and eddie going on an annual fishing trip (like thee Munson Men Annual Fishing Trip™️) just like a little weekend away. and the first one is coming up after eddie and steve starts dating. over breakfast eddie jokingly complains about having to go and tries to get out of it. but wayne is used to his dramatics so he just gives hmms when appropriate because eddie’s whole spiel never got him out of it before and he tells eddie that.
steve watches the whole exchange with amusement when wayne asks if he’s looking forward to it. and he’s like ??? because he assumed it was just a wayne and eddie thing. and wayne is like i just told eddie all munsons must go can’t get out of it kid.
steve gets flustered and is internally is like oh??? all munsons,,,
or like after the trip a neighbor asks wayne if they caught anything and he pulls out his wallet to show a picture they took on the trip. wayne passes it with ‘here’s a picture of my boys’ and to steve’s surprise it’s a picture of both him and eddie with their biggest catch.
and just idk wayne casually accepting steve into their family and throwing steve off guard with it.
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more beauty and the beast au, but when luigi tells bowser to take him instead of his brother he passes out (mario is not pictured but hes in the background like “so brave yet so fearful, my perfect brother)
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For the record I think Vox is being effected and possibly swayed by Val’s poison just like Angel is, the pink signifying it on Angel shows up on Voxs screen during and after interacting and being influenced by Val directly, when Vox is operating independently it isn’t an actual normal feature of his
This paired with an earlier moment from episode 2 when Val first mentioned something had happened with Angel Dust, Vox seemed happy about the idea of Angel quitting
“He quit? :D”
It’s interesting for sure, makes me wonder what Vox actually thinks about Angel, and more importantly, actually thinks about Valentino. He’s a business man, and clearly the Vees all teamed up (at least initially) because it helps elevate their status and power spread, they may be friendly with each other but we as an audience don’t actually know if there’s more to it as of now. But still, interesting
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part of the reason the locked tomb characters are so memorable and complex is because they are very, very weird in the way only writers who understand that every human being is a little freak in their own way. harrow is the standout example of this—she is unnerringly pious to the rites of her religion in a way that to others comes across as zealotry but once we get into her point of view is revealed to be both, yes, because she is a zealot and also because the rituals and safety of painting her face, praying, etc calm her down. she eats penitently because she actually hates strong tastes. she is both schizophrenic and quite literally haunted, facts that recontextualize her behavior in gtn in an important way.
gideon is a butch and this universe’s version of a jock, and the first thing we see her do is try to escape harrow and the ninth and join the army (something that’s forgotten a little too often when people talk about her being “out of character” in ntn) because she wants to have a purpose, but we also come to learn that despite being raised in the literal dreariest place in the solar system she’s funny, sometimes even on purpose. she doesn’t know what a salad is. she reads sleazy porn magazines. she’s a talented swordswoman but is head over heels for every pretty woman she meets, to her own detriment at times.
every character is like this! they feel so real and complex because they have contradictions and weaknesses and opinions and incorrect beliefs and correct ones that are hard to tell the difference between.
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Maybe it's a 'study finds water is wet' type of thought, but
considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill
Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"
But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.
They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.
It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.
I don't know I just think it's particularly neat
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