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theblackdragon-studios · 7 months

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Helluva Boss S2 E7 Reaction Notes

I finally watched the latest episode of Helluva Boss, and I wrote down my thoughts and reactions during. Here they are.

Warning: Contains spoilers to the episode

Thoughts as I watch:

-I wondered what Mammon’s voice would be…Cockney was NOT on my list of expectations. Wow. XD (Edit after rewatch: I think it’s actually Australian…thickly Australian. I could be wrong but it sounds either Cockney or Australian now I rewatched it.)

-Huh, Fizz and Blitz were fans of him when they were young…

-Only in Hell does anyone actually WANT to be a clown. XD

-Weird how Blitzo is so weirded out by Mammon’s pitch about working with him…though actually Blitzo really wanted to run his own circus, so maybe that’s why.

-I love how obvious this guy is. XD The jabs being made at corporate bosses here through this asshole’s whole character so far…they’re terrible at lying, yet people believe it anyway

Blitzo is all of us that caught onto the bullshit. XD This episode is so great already.

-Going for the jugular with that “women just aren’t funny” line. XD 1.) the show is by a woman. And 2.) …yeah. Most of them really aren’t funny to me. XD I know that probably wasn’t the joke (women comedians aren’t funny…), and we obviously aren’t supposed to like him, but yeah.

But also the “written by Vivienne Medrano” credit, AKA Vivziepop herself I think. That was great. XD

-“it’s not weird. You’re weird!” “It’s not exploitation” Exactly what Hollywood says now to anyone being critical of their stuff. Seriously, first South Park and now this…bravo adult comedy people. Just bravo.

Also playing an electric guitar version of “Carmen” I think it is. XD Even more clever, as that song was about how shady and manipulative that woman was if I remember right.

-…weird to hear adult Blitzø’s voice on his teenage self. Though I guess he went through puberty already. lol And I think Fizz’s adult voice is partially because of the fire accident.

-And now taking a jab at the entitled fans out there that aren’t giving constructive criticism and are demanding things then being all butthurt when they’re rejected. Finally an episode I fully get the social commentary on. lol

-$69.99 Subtle. Very subtle. XD (and “no refunds: if you don’t like it, it’s your fault”)

-I LOVE Ozzie here. You go man! Yeah he has his flaws too, even as a demon…but he is so sweet and so honest with Fizz it’s great. I also love the message here about both being a perfectionist…and being a people-pleaser. Destroying yourself to especially please someone that doesn’t give a fuck about you…because you think that gives you your worth. Especially after his accident… I have a lot of thoughts on this, but I’ll see where things go.

-Asmodeus calling Blitzø…somehow the most bizarre thing on the show yet. XD And how Blitzø is perfectly chill about it. Well I know for one, Blitzø knows about Fizz and Ozzie’s relationship and is happy his friend is happy…but I think this is also more evidence Blitzø wasn’t that upset at being picked on by Oz, and instead by being called out by his ex-friend, ex-girlfriend, and Stolas acting ashamed of their own relationship (which is transactional only he thinks…)

But he is at least a little polite when talking to Ozzie. lol So that’s nice.

-…the horse thing. He is STILL on the horse thing. Oh my gosh.

-Vivzie and her team are treating us to so much great stuff lately! First Stolas and Ozzie working together, and now Blitzø and Ozzie. This is comedy gold! Also Ozzie’s happy smile at the end of that scene when Blitzø said yes. Why are all these bird demons so cute? XD

-First, I still love Ozzie’s theme music (it’s the song from his debut episode) and second, cool to see his less flashy, public appearance in other parts of hell look from that first episode he’s in too. It looks really good on him.

And it’s cool seeing a Deadly Sin icon being more subtle outside of his ring. Makes me wonder what Bee looks like when she’s trying not to steal the show.

-Eh spoke too soon on Blitzø and Ozzie teaming up. Ozzie left, but I understand why.

-More jabs at Hollywood and their harmful treatment of their stars through Mammon calling an already incredibly thin Fizz fat

-Huh that rock music…I know I’ve heard it in the show before. I think this IS the Greed ring’s music…but I can’t remember.

-I figured one rescue and hug wouldn’t fix everything…but Fizz clearly no longer hates Blitzø and vice versa, and they are friends again it looks like. But I wonder if Fizz still has anxiety about Blitzø being at a performance of his…or maybe he’s just suspicious because Blitzø has always been openly critical of Mammon and these shows.

-“Smile inside and out”…I’m surprised Fizz doesn’t have depression like Stolas…

-Interesting how the background demons in this scene are just silhouettes. I don’t know if that’s to emphasize how he’s this colorful entertainment prop and toy for them and they represent real world fans…or if it was to save on work load

-Ooh these girls (the twin performers) look like they’re from the Envy ring (Leviathan’s ring) by the fish-like look of them

-I used to find Fizz annoying…but seeing him in the last episode and this one, he’s more like Moxxie. Too nice for this world when it comes to one-on-one conversation with the way he was so polite to those contest participants

-Oh yeah! Mammon said women aren’t funny. XD Ha! I thought that was just a joke for the opening, but he actually called back to it

To be honest I didn’t think any of their acts were funny though. Just cool acrobatics and talented crafting

-More “clearly the money-greedy corporate bosses don’t care about you, their stars, or anything but what sells”.

-I know people will still find reasons to hate this episode, but I find it hard to think of anything they could hate without really reaching for something

Actually…they’ll probably complain that Mammon-who is fat-is an asshole and they made him fat because of it…when really, I think it represents the greed thing. He’s supposed to be the stereotype of those fat business men in old cartoons and movies. But as a jester. (Edit: And because spiders have big abdomens)

(Edit after looking through the Helluva Boss tag seeing the nitpicks and complaints: Called it. And a few other things they really zeroed in on just to find something to hate about this. 🙄)

-Giant hellhound background character…was not expecting that. XD

-Fuck…they didn’t have to include that moment with the sign language. But they did…that’s so sweet

Though seeing that kid’s horns…I wonder if their horns also act as their ears? Because his are broken… or maybe he’s mute, not deaf, but Fizz still signed back (despite being exhausted, miserable, and wanting to win this and go home I bet) to show that kid deaf or not, that he took the time to learn for demons like that kid. (Edit: I rewatched it and the kid only had one broken horn in the later scene he’s in. …and I forgot Fizz’s horns are also broken but he can hear just fine…so ignore this theory from when I was watching…)

-…oh my gosh. The entitled fan is back now. This is absolutely commentary on both Hollywood and the Twitter freaks. So good.

-Entitled Fan remembers Blitzø too? Huh.

-Mammon’s 8 eyes…NOW all the webs around the place make sense. And all I can say is YES. Perfect design for the demon of GREED to have spider themes to him. It makes me think of Slughorn from Harry Potter, who was envisioned as a spider spinning his web representing his habit of collecting and exploiting the success of graduating students.

-Fizz making excuses for a shitty boss…also way too real...

-Again…seeing the twins’ performance, clowns must mean something else in this world. That wasn’t funny. It was cool though.

-Ozzie’s back! Yes! He’s so sweet to Fizz…and getting stuck in the door. XD

-Fizz is every famous person that is losing popularity to new things…the ones that cling onto it desperately instead of bowing out with dignity and what they have left…

-I know how Fizz feels here too…feeling he only has all the good things he does because of his fame...he thinks because he doesn’t look as great without it, that he’ll lose his relationship with Ozzie…

But man this couple is so healthy with each other. They try to be very private and secretive (and fail) which is straining, but they communicate with each other and they don’t allow for room for any misunderstandings…I hope we see more Bee and Tex too in the future (Bee might need a new VA if Ke$ha is still dealing with things or too expensive to hire) but these two couples will I hope play a part in Blitzø and Stolas’s drama with how they’ve shown they are in love with low-class demons as well…

Though Goetia are very different from the Deadly Sins…they isolate themselves from the lower class, while the Sins thrive on their company since they feed off their energy or it helps business and stuff.

-Oh my gosh, another Fizzmodeus song! Yes! And the adorable dance��man…I love these two! 💜

-Thank you, Blitzø! The entitled fan guy has been asking for it! And yes. You tell Fizzmodeus off for being hypocrites. XD He has every right to be mad after they bullied his friends. XD

-Oh man I see why the broadway version on Beetlejuice is Fizz now! That was an amazing song! Also Ozzie helping him. XD And getting…a bit more excited than he should. Hilarious. And Blitzø’s part helping too! This trio was awesome!

-The way the cheering kids track plays when Mammon appears in front of Fizz. XD I didn’t notice that until now.

-Yes! Get him Ozzie! Fight! Fight! Fight! Two Deadly Sins in their full power forms! Yes!

-Oh my gosh, the con artist Imp saying ‘I say I say’ again. XD He keeps showing up!

-Ozzie’s animal sound effects…so cool! And the twisting, lashing tails…I love how all-out they go with him being a mix of three animals! Cause Asmodeus apparently is described as having three heads (hence the two shadow heads in his mane) and this design shows that so well! I love it!

-Yeah I think Fizzmodeus being open will help a lot in several things. Including upper class demons getting their heads out of their asses about this stuff.

-This final frame is perfect! XD

Basically I loved this episode. It was so fun and I loved the worldbuilding seeing the leader of the Greed ring, and of course Fizzmodeus being adorable as always! 💜

I do think clown has a different meaning in Hell…but we did only see some of what they did. Most of the humor for me was definitely in the social commentary stuff. And as this is a show for adults…that is what you expect. Jokes about adult problems and mature themes. I got exactly what I was expecting from it.

#helluva boss #helluva boss episode review #(sort of)#blackdragon speaks #spoilers

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hello-eeveev · 1 month

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How to Rest Director's Commentary—Chapter 6

It’s here it’s here! The big finale!!!

This chapter is arguably my favorite of the whole fic (though choosing between them all is a bit like choosing a favorite child). It’s just so happy. It makes me so happy. It’s just so full of love, and I’m really excited to talk about it!

(spoiler warning for the entirety of How to Rest)

A couple of things happened to Caleb on the way home from the market.

Don’t ask me why I styled the opening sentence of this chapter after the Sondheim musical A Funny Thing Happened on the Way to the Forum; I could not tell you. I have never seen it, I don’t know what it’s about, but I did spend my teenage years obsessed enough with musical theater to have heard its name floated about and I dunno I think it’s got a nice mouthfeel.

“A message from Zivan Margolin,” [Astrid] said. “Welcome to Soltryce Academy, Professor Widogast. We look forward to working with you this fall.” She paused for a long moment before continuing, her voice softer, more sincere. “Congratulations, old friend.”

Astrid is not Margolin’s messenger, but I think she would not be completely out of the loop regarding Caleb’s hiring, what with the historic connection between Soltryce Academy and the Archmage of Civil Influence, and would be able to work her way into being the one to tell Caleb of his hiring if she wanted. And I wanted her to because 1) I love her, and 2) I like giving Astrid a little space to be human and to try to have a friendly relationship with Caleb again. I wanted her to switch off her formal voice and replace it with a more genuine one. Because she took up Ikithon’s position almost immediately after removing herself from under his thumb, it is more than likely that she is still splitting herself in two, though at least she has more control over this situation than the last. But she is trying to be more than the Volstrucker Ikithon made her, and giving Caleb some good news and congratulating him on it is part of that journey.

And I know that 25 words—only 3 of which are actually her own—are not nearly enough to explore all of that, but she has been a background player in this fic and I wanted her to make an appearance and unfortunately, every time she comes up, I have so many thoughts about her. Here’s a post about that.

Essek stood in the living room, turned away. His hand rested on the back of the couch, and the edges of his travelling cloak rustled in the sudden shift of air. He looked over his shoulder at Caleb’s entrance. The early evening light shone over his nose and hair and cheekbone, casting the edges of him in gold. He smiled. “Hello, Caleb Widogast.”

Look at that dramatic entrance! What an image he strikes!! Handsome boy!!!

But on a functional level, this is one of those visual tropes that I like in TV and movies, and I think it aids the pacing to have a moment to slow down and take in the scene—Essek’s clothing, the time of day, how recently he arrived—before they rush at each other. It adds a little drama, builds some anticipation, it’s a good time.

Caleb always prepared Unseen Servant on market days.

One fun part of this chapter was considering what magic Caleb might use in his day-to-day, and I thought that Unseen Servant would be great for a scrawny wizard who would like to put his groceries away quickly so he can get back to nerd business. Would that I could do the same.

As they moved through the narrow spaces between table and cupboard, they nudged past each other in with soft touches to backs and hips and shoulders, the routine of it hardly a thought while they chatted about what had happened since they had seen each other last.

More often than not, How to Rest is about the little intimacies and the ways in which Essek and Caleb are growing their lives around each other. Compare how monumental every little touch was in Chapter 1 to it being a passing mention here while they catch up and do chores. There is so much love in being comfortable with another person. Even though this chapter has other bigger moments of romantic love, moments like these are not to be discounted either.

He had a house that he had lived in for over a year now. He knew the quickest path to and from the market, which he took with little variation and without fear of being followed. He had a spell he used specifically to help him put groceries away.

Much of How to Rest is also about settling in, finding and creating peace within your life, because with that comes rest, which is what Caleb and Essek have been desperately in need of for years. Not just the kind that restores spells slots, but the kind that lets you breathe and live (hi my name is eve and i live up to its meaning)

For Caleb, I think rest is found in routines and rituals, in security, and in magic both awe-inspiring and completely ordinary. So that’s what I gave him. mwah. love you, buddy.

He knew which cupboard his oats belonged in and how to operate the Vault of Amber where he stored his milk so it wouldn’t spoil.

To the two commenters who independently needed to talk about Caleb keeping his milk in a Vault of Amber: I love you. I love you so much. It will never not make me laugh that—out of everything in this chapter—this line I wrote in about two seconds and didn’t think about again was enough to warrant two whole comments. It is genuinely so funny and delightful.

But to give you a breakdown of my thought process for this detail:

Vault of Amber has refrigeration properties.

It requires five pieces of amber that merge into one upon completion of the spell.

Bruh, can you imagine a refrigerator the size of a pebble???

His heart swelled with an emotion too big to breathe around. It was warm and light, and it ached, insisting that any distance from Essek was too far apart. Just in the other room wasn’t close enough; Caleb wanted to be near him for as long as their scant few hours would allow, to hold him and enjoy his company until he vanished into thin air once more.

Even though Caleb has accepted and made peace with their weird long distance relationship situation, it doesn’t fully remove the longing that comes with being apart or the intensity of the reuniting. And right now, Caleb is having a moment of realizing that despite the brevity of his visits, Essek has incorporated Caleb’s home and life into his own and that when Caleb said he wanted it to be a home base for Essek, Essek took that to heart. To put it into words a little earlier than Caleb does, right now he is feeling how much Essek loves him and how much he loves Essek, and it’s kind of a lot.

“Hello, dear,” he said. “Hallo.”

Me when the wizards say hi: 🥺

Caleb nodded and dropped a kiss between Essek’s eyes, delighting in the way Essek laughed and squeezed them shut. He hoisted himself up and over the back of the couch and lowered himself onto the seat beside him.

It’s fun to write some playful, unserious moments for them, too. Silliness is essential to one’s health.

“It is well-earned. I am very happy for you. In fact, I have something for this very occasion.” He pulled away to reach into his component pouch, and with a flourish of his free hand, his arcane chest appeared at his feet. He opened it and pulled out a thick, square-shaped bundle wrapped in crepe paper and twine. He held it out to Caleb. “Here. This is for you.”

THE OUTFIT!!!! I thought harder about this outfit than I have about any outfit for anything I’ve written and probably anything I’ve drawn. Fashion is something I find very interesting when it is presented to me (Bernadette Banner’s youtube channel was one of my 2020 binges), but is not so much something I consider much of my own accord. But I wanted this outfit to have a lot of meaning. I wanted it to be built of things Essek picked up during his travels because he was thinking about him. Caleb mentioned once that he needed a new wardrobe for teaching and Essek took that on as a sidequest. I did a lot of research in Explorer’s Guide to Wildemount and on the internet to find inspiration for what each piece would look like and where in Wildemount it would come from.

I wanted the textiles to be mostly wool, cotton, and linen, but with a few silk details. More practical fabrics because they are, well, practical. And Caleb is the son of farmers. But some silk because he is allowed to be a bit fancy. Everything is of extremely high quality. It is what he deserves.

I didn’t want it to be reds, maroons, and browns because while Caleb looks great in those colors, he has plenty of them already. Something cooler would contrast nicely with the reds in his hair and bring out the blue of his eyes.

So let’s break down each piece (in order of appearance, not of purchase):

…a coat made from a dark forest green tweed and lined with silk […] and dark brown trousers of the same make as the coat.

Both of these pieces were commissioned and purchased in Yrrosa, which is a town located in a snowy part of the Zemni Fields. With this information, I figured that it isn’t a wild assumption that they might raise sheep there and use their wool for textile. While it isn’t the richest town, it doesn’t seem to be exceedingly poor either, so I imagine that Essek was able to find a good tailor with some fine tweeds to make Caleb’s coat and trousers.

…a white linen shirt with traditional Zemnian whitework embroidery on the collar and cuffs.

The shirt was the first garment Essek purchased once he got the idea. After that first date, he went down to Feolinn and bought a plain white linen shirt to be a staple in Caleb’s wardrobe. Later, whether it was through Caleb or his own travels, Essek learned of the style of whitework embroidery practiced in more rural areas of the Zemni Fields and decided to have someone embroider the shirt with that style.

There wasn’t time to describe the whitework in detail, but I was inspired by Schwalm whitework, which is a style of embroidery that originated in the early 19th century in Germany. I think it is so so beautiful and I really wanted to include it somehow. Here is an article that gives you an overview of Schwalm whitework and some examples, and here is an image of a men’s shirt that helped me place the embroidery.

…a waistcoat made of rich purple brocade.

The waistcoat is from Nicodranas. The Menagerie Coast and the Concord were not involved in the War of Ash and Light, so I imagine Essek feels a bit freer to commission something with a bit of Dynasty flair here than anywhere else.

When Essek was in Nicodranas, I fancy the idea of him consulting with Veth (and maybe Jester if he catches her there?) about the gift, and Veth, knowing that Essek would have limited funds and always being willing to spend money on Caleb, decided to split the costs with Essek. Maybe she knows a good tailor in the city, or maybe she brought Essek to Marion to find one. Veth is probably the best chance at sneakily getting Caleb’s measurements, or at least getting them without suspicion.

I didn’t specify a design for the brocade, so nothing’s set in stone, but I think it could be fun if there were some geometric elements to it. Or even if it had the more naturalistic patterns most brocades seem to have, they could be grouped in a way that evokes a pentagonal shape, like the face of a dodecahedron.

…a set of bronze cufflinks with an intricately carved dodecahedron on each face. […] Caleb held it up to the light, and as he turned it, the metal suddenly seemed to turn purple and a rainbow of colors shimmered across its surface, like oil on top of water. He rolled the cufflink between his fingers and watched as the color shifted—gold to purple, purple to gold.

Gwardan, my beloved! An elvish city in a temperate area near the mountains and not far from the ocean with a unique and beautiful artistic tradition!! I need to go there!!!

I took some liberty with the description of steamcast metal, as it is only described as having a ‘prismatic shimmer’ and I needed more detail for how close and intimate the narration is during this section. So I thought about prisms refracting light and creating rainbows, then about rainbows in oil slicks and how metal reflects light and color and lenticular prints and iridescence. Then I decided on bronze because I think it’s a beautiful metal and purple because it is the best color.

Caleb shucked off his clothes and began changing right there in the living room. Essek shook his head and turned his gaze upwards. Caleb didn’t care if Essek saw him in his smallclothes, but he wouldn’t begrudge him his sense of modesty.

Essek is not embarrassed, per se. He would have had to get over that pretty quick during their wizards’ Aeor trip, what with close quarters, infrequent privacy, and relying on each other for medical care. It’s really nothing he hasn’t seen before.

But like, there’s a time and a place for getting undressed, and Essek doesn’t consider the middle of the living room one of them. And even if it were, what else is he supposed to do with his eyes? Close them? Stare? Awkward.

Essek was still paying attention; once Caleb had put on his new trousers and buttoned his shirt up halfway, Essek moved in front of him and placed his hands in the path of Caleb’s. Instead of moving on to the next button, Caleb’s hands alighted on Essek’s wrists and followed them up as Essek deftly and delicately fastened each button. He turned the collar down and smoothed the fabric over Caleb’s shoulders and down his arms, then took Caleb’s hands and lifted them to chest level. He tapped his index finger against the back of Caleb’s hand, and a box floated between them.

Bruh 🥺

The closeness and the intimacy. This section is almost the entire reason for the non-sexual intimacy tag because it’s just so—

It’s not what I think of as obviously romantic, but that’s what makes it romantic. If that makes sense? Maybe it’s not even romantic at all. It’s just comfortable. Content. Caring. But it’s still intense and meaningful, even if it doesn’t have the same heart-pounding excitement of their early relationship.

I have always loved the way writers, romance writers in particular, are able to slow down scenes and convey that feeling of tunnel vision that comes when you’re near someone you like. There has to be an attention to detail and a keen visualization that can be hard to achieve sometimes. You can’t fudge things or handwave them away like you might when the narration is quicker or more distant. Everything must feel deliberate but natural. It’s not always easy, but when it’s pulled off, it’s great. I’m very proud of the writing I did here.

“In the winter maybe, when the semester is over, we can go and celebrate. If it is safe for you, of course.” Essek pressed a kiss to Caleb’s cheek. “I shall plan on it.”

Caleb is hedging around making a definitive plan, worried about pressuring Essek on accident and not wanting to set himself up for disappointment. But Essek is fully ready to make a plan because he knows where he’s going to be come winter and he’s dropping a little hint as to what his news might be (but Caleb doesn’t have any context for this and misses it.)

but I didn’t miss it >:)

readers, you must know that every time I do a little foreshadowing or allusion or implication, I am tapping my fingertips together and ehehe-ing like the least threatening cartoon villain. this is enrichment for me.

Caleb turned around and took a step back, holding his arms away from his sides to show off the whole outfit.

Modeling is a skill that Caleb does not possess.

Essek looked him over from head to toe, his mouth pressed into a line as he considered. When his eyes met Caleb’s again, his expression softened, and Caleb caught a glimpse of his lower lip caught against a sharp tooth. “You look very beautiful.” Caleb’s breath caught, and heat crept from beneath his collar all the way up to his cheeks. He cleared his throat, glancing away for a moment to regain his composure.

Caleb was asking how the outfit looked on him, but instead Essek compliments his whole self, and it’s so unexpected and so flattering that Caleb bluescreens a little bit.

And if I am remembering correctly, this is the first time either of them have outwardly called the other beautiful, or any compliment of the like, even though they have thought it often. Essek has implied it, by complimenting his outfit in Chapter 1 and his hair and eyes in Chapter 3, but now he’s saying it directly and without shame. I don’t think Caleb is necessarily cognizant of of all that, but he has a subconscious understanding and definitely feels its impact.

“Archmage Becke has insinuated to me that Ludinus has become engaged in a new project that has diverted his attention away from me entirely.”

This is great news for Essek! Bad news for Exandria because Ludinus decided that the moon and killing the gods was more important than his former co-conspirator who’s hardly shown his face in the last two years.

I’m not sure if the timing works out (based on the little bit of digging I did just now, it doesn’t seem to), but I like to think that this is when Liliana showed up to the Ruby Vanguard and Ludinus’s plans really started to take shape. Uh-oh!

“For the time being, if I am careful, I am a free man. And I’ve grown rather tired of running from place to place.”

Essek: I’m tired.

The Avatar: The Last Airbender super fan sleeper agent in my head, activated: THEN YOU SHOULD REST. A MAN NEEDS HIS REST.

“So…” He trailed off, his eyes searching Caleb’s—eager still, but brimming with an unspoken question. “If you will have me, I would like to spend the time I have here. With you.”

Essek is excited and he knows Caleb will be excited, which is why he feels comfortable showing up unannounced with the intention to stay, but he is still exercising caution. He’s trying to gauge if this is still something Caleb wants now that he is presented with the reality of it. It is. He’s not guaranteeing that forever is a sure thing, but for now, for as long as possible, he can be here.

His vision was fixed on Essek, here in the living room with his back to the front door, as if he had just come home after a long day, and Caleb was sent reeling with the realization that maybe he had.

That’s right, a visual framing in this written medium!!! Positioning the POV so that the front door is behind Essek to reinforce the idea that he has come home.

“Welcome home, Essek.” Essek’s eyes glistened. “It is good to be home, Caleb Widogast.”

HE’S HOME. THEY'RE HOME. TOGETHER! WITH EACH OTHER!!! I AM PUNCHING THE WALLS!!!

“I love you,” Essek said. “I hope you know that.” Caleb stilled. It was a held breath, finally released. The resolution of a chord. I love you. An expected ending—the natural transition into the next refrain, but no less beautiful for it. I love you.

I love a music metaphor. I love music! You know when there’s a chord or a progression that has tension and you can hear how that should resolve? And then it does? That’s good stuff. And I thought it would be a good comparison to the feeling in this scene. As I said when I discussed Essek’s “oh” moment last chapter, I never intended for love to take either of them by surprise, but even so, it doesn’t lessen the impact of the realization. Good music can feel a lot like that. Like, of course that makes sense to the ear, but you still get chills or you gotta move your body because it resonates. Big fan of resonance. As a physical concept and as an emotional one.

The feeling had lain dormant for so long, but now, acknowledged and given a name, it bloomed throughout Caleb’s entire body and reached for the light that was Essek. He followed it forward, nuzzling Essek’s cheek, catching the corner of Essek’s lips with his own. “I love you,” he murmured. Essek leaned into the touch. “And I love you.”

Caleb has loved Essek for a while now, but naming it and expressing it—and knowing that it is returned—he experiences it with more clarity. It’s not necessarily of a greater intensity than the moment near the start of the chapter, but it is a different experience of it. Instead of a longing ache or a yearning, he is filled with elation because Essek is in love with him and he is in love with Essek. He knows this now, and when he reaches for him, Essek will be there.

Essek was silent, his face still in a way that usually meant he was working through some new emotion. It occurred to Caleb that this was perhaps the first place Essek had had of his own, to do with as he pleased, since his towers in Rosohna. He stepped beside Essek and placed a hand between his shoulder blades. Essek took a deep breath. “This is wonderful, Caleb. Thank you.”

My purpose in giving Essek his own room as opposed to sharing with Caleb was initially to keep continuity with On the Nature of Attraction, yes, but then I had to think about why I made that choice in the first place, and it’s more than just narrative convenience. Essek is a known introvert, and in my experience as an introvert (with a generous helping of neurodivergence that I dump onto Essek without specificity), having a place I can retreat to where I can decompress without the presence of other people, even people whom I like immensely, is beneficial to my health and well-being. I’m sure Caleb enjoys that privacy and would want Essek to have it as well.

Essek has been travelling from place to place for the better part of the last year, and prior to that, he was in charge of a very small outpost in the middle of nowhere. The lack of a place for himself and to himself is destabilizing. And with the fact that he must keep his identity secret everywhere he goes, there is a lot of importance in having a space that is not just where he can be alone, but that is representative of himself as well. I think that is key in making the house feel like Essek’s home too, not just Caleb’s.

“It is no Tower, but it is permanent, and it is safe, and it is yours.”

I decided against the Tower making an appearance in this last chapter for several reasons. First, there is the practical: a room being reliant on you casting a 7th level spell every day will be inconsistent. The Tower is a luxury that I’m sure Caleb uses often, but there may very well be days where he uses up his high level spell slots or wants to save them for emergencies and in those cases, it is worth it to have a real, physical space that he is comfortable in. This leads me to the second reason, which is that part of the point of Essek creating a home here is for consistency and the security that comes with that. Can he have that if he is relying on Caleb to create and design his space on a daily basis?

“Are you tutoring tomorrow?” “I am.” A pit formed in his stomach. “But you have only just gotten here. I can reschedule it, if you’d like.” Essek shook his head. “No need. I will be here when you return.”

Here, that instinct to make Essek the absolute number one priority, to the detriment of everything else, crops up, an understandable reaction to Essek popping in without much notice or time to spare. But that’s not the case anymore. Caleb will see Essek when he wakes tomorrow and when comes home after work. And the same will happen tomorrow, and for as many days as they are able.

At the end of the hall, before splitting off into their separate rooms, they stopped. It was a scene that had played out dozens of times before, but now—instead of the pats on arms and short hugs of Aeor, or the bittersweet goodbyes before an indefinite separation—Caleb took Essek by the hand and pulled him close.

And here we are, bringing this story to a close by bringing it full circle. It is another parting, yes, but the angst of previous partings is gone. The separation is only a few feet and a couple hours. Lingering at the doorway is an indulgence they can freely partake in, without awkwardness or anxiety. They will go to bed and rest, safe in the knowledge that tomorrow, they will wake in a house that is theirs, where the person they love resides.

asldfaslkdjfljskdfjlk How to Rest, my most dearly beloved! It has been such a joy to work on over the last year and a half, and I’m just… really proud of it. I had to talk about it because writing and wizards excite me and I wanted to share that excitement.

Thank you all who have read the fic and read the commentaries. I hope it’s been a fun journey for you as well!

#last one last one!#i love this chapter! it's so fun!!!#we're tying the whole fic together!!!!!#and here's where I get to break down the ~outfit~#which was a big motivator for doing this whole director's commentary project ngl #shadowgast #caleb widogast #essek thelyss #long post #eve talks #eve’s writing #how to rest #how to rest director's commentary #chattering at birds

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macfrog · 8 months

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I apologize in advance - im so sorry this is gonna be so fucking long, but i just read the latest chapter of clm and i am in awe of your writing! This just might be one of the best things i have ever read!! So so talented! Your words in this chapter are so so gut-wrenchingly beautiful and poetic, i reread a lot of them a few times just to try to capture the feelings they evoked in me. Here are some of my favourite sentences from this chapter, followed by my commentary aka praise for your extraordinary brain and magical writing pen.

"Your dimpled blush blurs back into checkboxes and scrawled handwriting. You’re gone again. He’s in a white office, and the gentle lapping of the water on the pool’s edge fades into the headache noise of a fan humming, and he feels the warmth of your gaze on his skin turn into the cold, harsh spotlight glare of Lois’s eyes on him." WOW!! In the words of the one and only t swift: its giving movie, its giving cinematography. I can see this exact scene in my head like im watching a great fucking movie! These words combined together to form these sentences are obviously laced with some sort of magic because when i tell you i am not well i mean i am INSANE over this piece of A-R-T.

NEXT-

"It’s just: this time, your dad’s at your heels like a bloodhound. A little less sharp, maybe. Blind as a fucking bat, sure. But he can smell something’s up. And he’s circling it, nose to the ground, drawing nearer and nearer to the pair of you with each step." How? How do you do it? Tell us, please. Your way with words combined with how fantastically skilled your use of language is makes me write a ridiculously long message in your inbox screaming about all of it. All of it.

"Her voice is like ice down the back of his shirt. He stares at the machine, red light blinking like a rag to a bull. He could walk over to it and smash the ever-loving fuck out of it with his fists until it’s dust on his coffee table. Until it shuts the fuck up, stops interfering with his fucking business.

And then he thinks about Lois, and her cream blouse, and her red nails, and her big, blue eyes, and her soft drawl and everything about her that is so entirely opposite to everything about you.

And how much – despite how nice and friendly, or funny and good-natured she is – how much he hates her right now, and how much he fucking loves you." Its the imagery for me. Joel bby i love you and i get it. I love how you combined his aggressive thoughts and big, red feelings with something so tender, so beautiful, so soft. Ugh the duality of man. The power of a writer.

"He’s good at pushing feelings down, good at turning them away from the sunlight like faded pebbles. But this is different. It’s a different kind of hurt.

It’s unresolved, it’s an open wound. It’s you. And it’s every time he hears REO Speedwagon, every time he pulls a flannel over his shoulders and catches the scent of your perfume on it, every time he’s flicking through the TV and catches a flash of a hospital setting, it’s a pair of hands deep inside the wound, pulling it a little wider.

It aches. It stings and it aches and it winds.

And then he turns the pebbles around. Back to the shade. Over and over and fucking over." You have created such strong visuals throughout this whole chapter and i dont know if this was hard for you to write, but i feel so proud of you! I dont know how you felt during the writing process of this chapter, if it was tiring, or aggravating, or infuriating, but i can just imagine the sheer amount of joy and catharsis i would get from putting a period at the end of the last sentence here. The way you compared joel pushing down and hiding his feelings, something so vulnerable, to the pebbles metaphor, something so firm, and hard, and solid, is astounding to me. But its a contrast as much as it is the same thing. Especially because those feelings are as solid as pebbles. Especially because they can bruise you and scrape you up like pebbles can. And if you step on them, it only hurts you. I love your writing.

Also, sarah is so sweet in this chapter and i loved her reaction to seeing joel having a hard time. So so sweet.

"He’s staring at the end of your bed. Thinking about you under him, gripping onto his shirt, his hand between your legs. The very first time. And every other fucking time since then. Which one was the threshold? Who pushed who?" 📣POETRY

"As he passes the stairs, he pauses. Leans on one foot, head tilted to listen out for any sound of life. Any fucking sound – the creak of a floorboard, the squeak of a door handle. Anything to keep him here. Anything." MY HEART IS BROKEN. THIS BROKE ME. I AM GONE. I AM NO MORE. Put these words under "cause of death".

TL;DR: you. are. a. genius. Thank you for this chapter, thank you for this series, it is one of my favourites, and to quote you: i have no idea what youre laced with, but you got me.

(pls keep in mind that im writing this while running on no sleep, i hope you can understand everything, english is not my first language so i hope i expressed myself clearly and was articulate enough)

i have sat on this ask for 2 days now and i keep coming back to read over it and cry a little more each time. i cannot begin to tell u how appreciative i am of this 🥺🧡

there are few feelings that hit as fucking hard as receiving messages like this and reading how much someone has connected with something you've written...so thank you thank you thank you. it means the world and more. i don't even know what to say

#i have no idea what you’re laced with but you got me #SCREAMS that’s literally one of my favorite lines from clm #chats w max #perfectlyfreeanalyst #fic luv

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volfoss · 1 month

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Hiiiii <3 I remember you talking about the boys comics vs the show, and I just finished the third season and it's really funny to me how almost every time there's an interesting storyline happening the little trivia window on Amazon says something like "this was not on the comics this was invented by the TV show" . Like yeah I'm not surprised lol

What character do you think is the most improved by the show? Is there anything that you think was actually better in the comics or is it just trash altogether?

hiii!! first off, SO glad you're enjoying it!! second off good god this may be long (i love to hate on mr ennis) so. under a cut :3

As for characters, let me first give a small run down of how every woman is treated in the comic:

the female (as she um. does not have a name in the comics) has barely any development other than oh she was raised in a fucked up lab and her mom sucks and that she and frenchie kind of have something going on. all of the really good stuff during the show w her brother or just... any of it is not there. again i need to emphasize she does not have a name. ennis does not care enough to give her an alt form of communication (like in the show, her teaching frenchie her own sign is SUCH a good thing. not in the comics lmao)

starlight. oh god where do i even START. so where the show handles her sa well and respectfully, um. well you see mr ennis loves to put rape in his stories and also loves to be bad to women. so its MULTIPLE scenes with her (where like. all of the men of the team line up for her to give them a bj. which to me really kind of... ruins the messaging he could have been going thru). hughie is like... genuinely really bad about her sa in the comics (as in. when he finds out via butcher getting tapes of the headquarters and purposefully setting it up so hughie SEES HER GETTING SA'D and goes to confront her about it. its great ennis loves women) and he BLAMES HER FOR IT. and then dumps her. and hes not supposed 2 be in the wrong there so thats great.

the only thing w her character that i DID like was at the start of the comics, she was pretty religious and as it went on, she started to lose her faith in religion bc she didnt get why jesus would let this happen to her. which was imo an interesting take but also ennis is OBSESSED w shitting on religion so like. its not surprising i guess that hes putting that in there lmao. she never really gets to confront the members of the team who REPEATEDLY either do/attempt to sa her other than doing a threat once or twice. theres none of the commentary on how society views women heroes or anything like that with her (i cannot emphasize enough that they kept like. the intro for the comics in terms of what kickstarted stuff and then just like... left the rest behind. which was for the best bc my god i think if u counted the amt of slurs and just bad stuff overall you would lose count (ik i did)).

maeve. good god its bad. so she was there when... homelander had part in 9/11 (tldr for that incident: in the comics, the supes are sent out to prevent one of the planes that was gonna hit (i believe the pentagon?) and then ended up crashing it elsewhere. but the plane scene in the show was THAT plot point done better) and that just made her become an alcoholic. and that is like 99% of her character in the comics. it is so so shitty bc the show did SO much w her and the comics just... did not.

the other non prominent women (stormfront was a man in the comics for like... clarification) are all... well what we call the ennis morality compass victims. a lot of the comics are the boys going to learn abt a supe group and learning they did smth bad (which youd think murder. or like smth equally bad. youd be wrong) and then its revealed that they are having orgies, being GASP gay, or being mentally ill (there is an entire team that hughie goes undercover w that the ... entire joke is that theyre too nice bc theyre not as mentally stable as the boys are. one of the bits is one of the teammates has tourettes so he has tics of just saying fuck or something similar and its treated as a joke). so if theyre not mentally ill or being gay or doing something that ennis sees as kind of fucked up (as the entirety of the comics is a test to how much garbage he can put in one series) theyre being used solely as sex objects. its pretty bad to put it lightly.

the men dont get out of the bad writing treatment either but. the women get it the worst. as for who gets improved the most, id say easily kimiko (it is NIGHT AND DAY) or maybe oddly enough butcher (his comic issues are... bad. we would be here all day if i got into them). and MM. oh my god you do not want to know how he was handled in the comics. honestly there isnt a character that DIDNT get improved a ton, all of them did. i dont know how the writers pulled it off but it is infinitely better for everyone.

as for anything i liked more... honestly not much. i think the shock value didn't work most of the time because ennis just made it the ENTIRE comics point to be edgy. i guess the fact homelander is bi in the comics is kind of funny but its just... not handled well (shocker right). as i mentioned earlier, i think the stuff with starlight starting out as super devote to religion and then becoming disenchanted with it was interesting. the only other really good thing about it is the art. it is HIDEOUS but i feel it kind of is intentional against the comic art of the time (as the artist is genuinely amazing outside of that). oh and if you can ignore all of the bad stuff, there was a kind of cool plot point that the show hasnt hit yet/wont touch, where they discuss the comics in the world with the context of them being propaganda. one of the owners of the local comic shop used to be a comic editor, and discusses how the comics were used to cover up the bad deeds that the supes were doing irl. it was an interesting take, especially since a lot of older comics WERE propaganda (ie like the wwii era comics are INSANE propaganda). tldr do not fucking touch the comics unless you want to see how many slurs ennis wants to drop (too many).

#asks #grain of salt on some of the details bc its been a month since ive read this #ask to tag #bc i do not fucking know how to tag this but like. god just know its a lot lol #sorry this is sooo long and prob not super coherent but i black out and get consumed by the anger when the comic is brought up lol #and unfortunately the comic is like... honestly some of the worst shit ive ever read. and ive read... probably 5k comics?

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bdzonthareel · 10 months

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Barbie

When I first heard about a Barbie movie, I like many people rolled their eyes at the very thought of it. Barbie media has often (at times unfairly) lambasted for being a cash grab and that was my initial reaction, however we I heard that Margot Robbie was involved and her production company was fitting the bill, my interest was piqued. So without further ado, (and I never thought I would ever say these words) let’s talk about Barbie!

We’re introduced to the fictional world of Barbieland, where every concept of Barbie exists and lives in perfect harmony with a respective Ken, and Allan (there’s only one of him.) But the harmony is disrupted when Robbie’s Stereotypical Barbie begins to suffer from an existential crisis and in order for her to fix what’s wrong she must go to the real world and meet the girl who is playing with her and figure out what’s wrong.

In all genres of entertainment, comedy is one of those that I am insanely harsh on, as comedian myself I feel like there should be a flow to long form story, especially in comedy. But I can say that Director and co-screenwriter Greta Gerwig created a work that was heartfelt and hilarious in this film.

The cinematography is nothing short of brilliant, lots and lots of pink paint was used to bring Barbieland to life and it felt like one massive play set. And the various Real World shots were not to be out done giving off a stark contrast to each other.

The soundtrack was a delightful mix of classic top 40s, newer hits and self-aware comedic songs. The score was equally light poppy and fun, composers (pop music legend) Mark Ronson and Andrew Wyatt brought an amazing upbeat energy to this film.

Co-writer Noah Baumbach, helped with some very well-timed jokes, and you know they worked because they triggered a metric ton of incels, and that alone was worth the price of admission. Together with Gerwig, I was throughly impressed with the amount of meta commentary on display, and despite what some might lead you to believe, the film doesn’t demonize men; the film’s message is far more complex than that. I also appreciate the fact that they made the movie about the titular character, with seems to be something that franchises like Transformers can’t seem to get right.

And the performances were hilariously well done, Margot Robbie and Ryan Gossling have great chemistry as they lampoon the ideas of these characters’ roles. Simu Liu, is amazing versatile and brings the same amazing timing that he brought to Kim’s Convenience and it was delightful. Although my favorite Barbies were Issa Rei as President Barbie and Sharon Rooney as Lawyer Barbie. And I would be remised to ignore Hari Nef whose Doctor Barbie was whimsical and charming, Also since I’m madly in love with Alexandra Shipp I can say that she another of my favorite parts. America Ferreira and Ariana Greenblat served as great moral support for the various inhabitants of Barbieland and then there Will Ferrell I was almost convinced was Ken at one point given his goofball behavior. I also enjoyed seeing Rhea Pearlman as one (spoilers), she just gets better with age. Kate McKinnon really went all in as Weird Barbie as did Michael Cera as Allan (easily my favorite character in the film.) And last but certainly NOT least, Dame Hellen Mirren as the narrator brought a nice touch of her

Barbie was more than what I and many others initially expected, it was packaged as a goofball fish-out-of-water comedy which is a tired cliché in its own right, I sat down on this for a good while before writing this and I feel like its one of the best comedies I have seen in a very long time. It was very funny, but it also had a lot to say about growing up, holding on to thing that we love, and letting go of them. The biggest message that we all have to find our own way, because we are all more than just an idea and life doesn’t exist in just a straight line and at the end of the day isn’t that what it means to be human?

I give Barbie a well-deserved, 5 out of 5.

#movie review #hollywood #barbie #ryan gosling #margot robbie #barbieheimer #ken doll #micheal cera #dua lipa #john cena #greta gerwig #will ferrell #comedy #matel #barbie doll #barbie girl #barbieland #barbie world

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jacquelinemerritt · 10 years

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The Hunchback of Notre Dame vs. The Prince of Egypt

Originally posted September 21st, 2014

The Hunchback of Notre Dame

The Hunchback of Notre Dame is actually similar to The Prince of Egypt in a lot of respects. Both films deal with the nature of faith, racial discrimination, and class warfare, and Hunchback also does a fantastic job at showing the atrocities committed in the name of the Catholic Church during the Inquisition. Hunchback’s score is also phenomenal; Hellfire is absolutely brilliant, and its use as Frollo’s motif just adds to how sinister of a villain he is. So what’s wrong with Hunchback then? That I can actually narrow down into two categories: The Romance, and The Comic Relief. (Yes, I’m doing this film differently than The Lion King; work with me here).

The Romance

I’ve heard the arguments for why Quasimodo shouldn’t end up with Esmeralda. And they don’t hold up. Sure, it’s realistic that the ugly guy doesn’t get a pretty girl. Sure, the film did work to establish Phoebus as Esmeralda’s primary love interest. Those are both valid points, and they would both matter if it weren’t for one thing: the film makes us watch as Quasimodo has his dream of romantic love crushed.

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Oh, well, THAT’S sure a fucked up message you’re sending, Disney. Apparently ugly guys cannot ever find love beyond platonic relationships and have to accept that that will never change!

It’d be one thing if Quasimodo hadn’t fallen in love with Esmeralda. There’s really no reason for him to be in love with her; everything he does for her could simply be considered a mark of friendship. But this film goes out of its way to directly state that because of how ugly Quasimodo is, he will never find romantic love. Ever. Hell, I’d be okay if they had set up Quasimodo as someone having a childish crush. But he’s very much in love with her, as the voices in his head (aka the gargoyles) make clear.

The only thing I find redeemable in the romance is Quasimodo’s full acceptance of Esmeralda loving Phoebus. That’s a bit of interesting drama that if played correctly, could have turned into a much more interesting story; namely, a story about Quasimodo accepting that being a “nice guy” won’t get you the girl if she’s not romantically interested in you. But instead, it focused on Quasimodo’s devotion to Esmeralda, and made that devotion into one of the key forces that drives the plot.

The Comic Relief

I want to preface this by saying that not all the comic relief in this film is bad. Some of it is fantastic, in fact.

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The scene above, The Court of Miracles, is the perfect kind of comic relief for this film. It walks the line between being zany and creepy absolutely perfectly, with a bunch of flamboyantly dressed characters happily dancing and singing about how they plan to kill Quasimodo and Phoebus. It’s a nice, funny interlude that still doesn’t break completely from the gloom and darkness present in the rest of the film, while still providing quality humor and a nice break from Frollo’s rampage. Compare that, to this:

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That song does not belong in The Hunchback of Notre Dame. It just doesn’t. Nothing about that sequence fits the tone of the film at all, and it ends up just serving as a distraction from the fantastic main story. And the same can be said about any scene containing the gargoyles. I wouldn’t mind there being a quirky sidekick in this film if it was Esmeralda’s, Phoebus’, or even Frollo’s sidekick. They could both be aware of the gravity of the situation and try to make it easier to bear by joking about it. But the gargoyles are completely disconnected from the rest of the plot. They are stone creatures only Quasimodo can see, and their job is to make witty commentary on Quasimodo’s love life; at no point except the final sequence do they interact with any of the main story in any substantial way.

What The Prince of Egypt does better

Everything. The only thing The Prince of Egypt doesn’t do better than Hunchback is criticize the Catholic Church for the Inquisition, and that’s because The Prince of Egypt is set in (surprise) Egypt. Prince of Egypt has a better score (only by a little though), it has better characters and character development, it has better animation, it has a better romance (which thankfully is treated as incidental, since it is only incidental to the plot), and it has much better comic relief. Hotep and Huy are much funnier than the gargoyles, and they fit much better into their story than the gargoyles.

If you liked this, consider supporting me on Patreon, or donating to my Ko-Fi.

#disney #disney renaissance #the hunchback of notre dame #film criticism #the prince of egypt #sep 21 2014 #okay so #the thing i fail to get across in this piece is all of the framing around esmerelda not returning quasimodo's affections #the way this lack of romance is framed just feels so fucking ableist #and the fact that it seems perfectly happy to reinforce quasi's idea #that because he is ugly he is unlovable #is absolutely disgusting #and i still hold to that take #my criticism of the gargoyles is also one i stand by #they don't fit the tone at all #and humor more along the lines of court of miracles fits the tone much better #can't say i hate this piece #which is honestly a pleasant surprise

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straykats · 1 year

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I did a whole album review again may I… pass it across the table to you 👀👏🏼 (aka can we exchange thoughts)

hehe hi izzy here is my lil review (that isnt much of a review and more a reaction/commentary thingy, as all my stuff always is HAHA) BUT !! imma read ur review now and kinda make comments in relation to yours? like a really bad one way email discussion hm AHAHA i avoided reading ur review until i did mine so i don't go into the album with other thoughts (although??? i've listened to all the songs on the album at least once before doing the 'review' so?? idk man HAHA) anyways relistening to the album as i read through yours/reply below HAHA sorry to make this kind of a two-part thing heh (with the review post and then this as well) (dont feel pressured to read both 😭😭)

hall of fame // i agree, it's such a good intro to the album with it's message // yeah the bass is so COOL AND OMGOMG YOUR SCI-FI COMMENT RIGHTTTTTTT RIGHHHHHHHHHTTTTTT i thought i was a weirdo for comenting on the alien-esque sounds (thats what i called that recurring riff in the background AHHA)

s-class// your comment about it showing a bit of everything? so true.

item // yes @ having changbin and lix do the 'item' lines // omg i didnt mention this in my post but i love the vocal pre-chorus thing // oh!! you mentioned the mix of happy and aggressive and it reminds me of one of my first thoughts on the song: okay hear me out idk how to explain this but i feel like if anyone can get me its you HAHAHA so this song gives me like. hacker vibes. BUT LIKE but like the happy go-lucky hacker that acts kinda childish and takes risks and is really. tricksy. like they hack in a way that annoys people and they leave little messages on their targets screen or smth idk man HAHA but like on this relisten of the song and ur mention of the aggressiveness, i'm seeing less of an individual and more of a group? like, a.. rebel kinda group but not rebel. i forgot the word. but like you have ur happy go lucky hacker, you have ur aggressive gunsmen or weaponsmaster and your sniper and the cool leader that always smirks (like think kuroo tetsurou but the Cool part of him not the annoying or dorky part HAHAHAHAH i miss him <//3) and like this song gives me a SUPER specific vibe that i want to write as a fic ARGH

super bowl // yeah i love the chanting/group lines !! it kind of really fits the vibe of this song? cant explain it properly. but haha i applaud u for loving the whispers w headphones; im gently cringeing JNVDJSKNVJDSK HAAHAHA

topline // this song would be so funny at concerts bc everyone will say fuck and then chan will have another meltdown // YES the transition to jisung's verse from tiger jk's is so uGH AND THEN TO HYUNJIN THAT WAS SO SMOOOOOTH // yes this is such a concert song i just hope its one of the songs where they can run around the stage freely bc for the final chorus i can see them hyping up the crowd w them and it would be so fun

get lit // YES THE LIL TRILL THING AFTER 'dance like crazy' right theyre so fun theyre so nice they're so--- wait i though i was typing in caps this whole time (i was reading ur comments while typing and just looked over LMAO) im having so much fun w that part on the piano. its stressing me a little but in a really good way like its so fun // really interesting (that sounds really rude/like online forced politeness and i dont mean it that way okay ily i mean genuinely interesting) how ur seeing this as such a happy cute song and in my thing i was like 'god this song is so bittersweet and sad' HAHAHAHA like YES it does have a lot of happy fun vibes to it (i called it a 'tropical' vibe LOL) but smth is also like. hm. // by little vocals at the end, did you mean the lalalalas? bc yeah same hehe

get lit // ur comment about the bass FJDKD UR RIGHT but im sorry idk why im laughing ur comment just made me laugh // yeah that verse really is harsh, i didn;t notice before // YEAHH THE CHORUS SYNTHHHHHH it kinda gives me like. i can see a girl group going nuts to this but in a really good way idk how to explain it haha // WAIT THATS HYUNJIN W THE SLURRED LINES????? // yes the little sound at the end hehehe

collision // RIGHT RIGHT THE TRUMPETSSSSSS // dont mind quickly editting my post to include collision as one of my favs. i forgot 💀 // i see you are having a lot of verse 2 > 1 moments hehe // yeah the phone ringing !!!!! its so cool i HBVJDSBVHJSVHSJ

fnf // yeah felix vocals :(((((((( love sm and then followed by hyunjin too i ahhbvdsjbvhsjbvhs // oh i only just paid attention to the lyrics bc of ur comment and now im feelin a lil sad HAHA // oh omg hyes it does give tmt vibes // ohoho??? gotta find out what chan said about 'catching up'

youtiful // smth about channo opening it feels so comforting, right? like, the whole song is comforting and feels like sitting on a rooftop swaddled in blankets with them (all of them, one of them, some of them) but opening it w chan specifically was the cherry on top. // omg yeah the disney vibes >>> // (re: one of ur comments) that was the saddest 'woohoo love that for me' ive read in my life

and i'll stop here. sorry again if this was such a long response ahhh heehfhshjs but it was really fun to make my own comments and then listen to the album again and read ur comments.

#decembermoonskz #kat answers #sorry it took me like almost a whole week to get around to this 😭😭

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cut-me-and-call-me-yours · 5 months

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NIGHTBREED (1990)

Oh boy, do I hate Dr. Decker. It's funny, because the original reason I watched this film is because I was so intrigued by his mask. I thought thus was going to be something like Halloween or Friday tye 13th. Boy, was I pleasantly wrong. Don't get me wrong, I love movies focused on a masked slasher, but having a film mainly focused on friendly beasts just living their life is so much cooler. There's so much world building in this film without even having that much explained vocally. Clive barker SHOWS us what Midian is and what it's about without all the unnecessary dialogue. Maybe I'm biased because I'm a Clive Barker fan. The costume and makeup designs on these freaks were amazing. I loved how each character had an entirely different look and how they were able to look both intimidating and soft. I also enjoyed the overall message of the film. Maybe the ones who look like monsters aren't really monsters at all. In fact, the monsters are usually the ones who look most normal. It was a nice commentary on race,queerness, and disability and how we as a society tend to at best exclude them and, at worst, massacre them.

#horror #horrormovies #bunnytalks #movie recommendation #90s horror #horror fantasy #clive barker #nightbreed #nightbreed 1990 #cabel #cabel clive barker #aaron boone #dr decker #lori winston #baphomet #peloquin #father ashberry #midian

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f0point5 · 6 months

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A new fic next season would be nice but honestly i am actually Dying for you to have a podcast, i love your opinions and the way you express yourself, you're insightful and respectful and funny as FUCK, so i'd pay actual money to see that happen. I also loved the hot takes day where everyone came to chat in the inbox, i think your blog is SUPER fun just to hang out, so honestly you don't need to do a fic again if you don't have the creative energy for it, you're feeding us regardless😋

This is the BEST message!!!!!!

Thank you so much! I’ve been toying with starting a little F1 TikTok next season for my little commentary nonsense. If I can figure out how to do it anonymously I definitely will because I need to RANT lol.

I would really like to do another fic but I’m still mulling over the logistics. But I’ve got a couple of months to figure it out haha

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frankiistein · 10 months

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i think one reason i1-4 feels a bit more uncanny than the other chapters is specifically because of sar's portrayal, especially relative to media which he is (probably?) meant to parallel or be a foil of

to give my thoughts on media first, i think he's written to be a "morally gray" character and it's always been vague if he's "good" or "bad", even the author notes don't seem to be decisive (although i also have a theory that the notes are kind of a "bit"/4th wall thing like homestuck and aren't always reflective of actual ooc commentary but that's another theory xD)

this was rlly more impactful following the comic updates in real time because for a long while media's only canon appearance was in SIU where we learned a handful of things about him:

he (or his entire species) governed maldevara

he was experimenting on bon, and seemingly without remorse (from what i can tell only curator seems to have felt a little bad about it, security seems apathetic but she hasn't made enough appearances yet to be sure. anyway tangent again)

he had one interaction with jacques, specifically where he suggests killing bien and jacques tells him it's bad to kill babies (based)

this last one was interesting because it seemed to set up media and jacques as enemies, or at least coworkers at odds, so it was rly funny and surprising when ch3 made it clear that the two were clearly in a relationship with each other

also, it's not merely that he actually felt love generic_brand_feeling for jacques that was surprising, it's his entire personality revealed as a cheerful excitable person that contrasted with his first portrayal that seemed more sardonic and serious (and i've said it before, even though he's always smiled permanently i think the way he smiles in the comic has a sense of real happiness vs in siu and some of the non-comic art where he looks more sadistic)

ofc there's a lot of other things that build his character, imo media is the character with the most development so far since he's one of the few with a clear "backstory" already revealed so we can see his development, i think the nature of his relationship with jacques is still a bit questionable on whether it's "healthy" or not but from my understanding i think the overall message is that even if he isn't necessarily good right now, he's better than he used to be, and some of the lines in the comic seem to push the idea he's trying to go through some kind of "redemption arc" (supposedly because jacques would want him to - kind of a shallow reason LOL but not necessarily a "bad" one)

anyway it's not the point of the post so i'll write an analysis of media another time along with quotes/panels of the comic/mvs themselves, but going back to sar:

he's entirely set up to be a "villain". the author notes explicitly call him the antagonist, he has stereotypical villain traits like his clear lack of remorse, nonchalance in the face of violence and the not-so-subtle implication he's going to manipulate bien for his own ends, and even his time of "anthony" seems to point to him having a "bad" personality. there's not a lot of canon things about anthony before sar (i'm not counting some of the non-comic art here because afaik some of them are irrelevant/retconned so i'll stick with the canon)

anthony is an HJ so it's explicit that people don't like him, and the reasons for his "election" were stated to be that he frequently incited panic in the court of neofrene. the one prose story in which he directly speaks in also implies he's a thief so in general, not a good look

and like, i think looking to media whose moral status is so whiplash-y that it's hard to tell if he's "good" or "bad", or if his "goodness" may be a shallow front (like there's a bit of "vibes" he's only nice so jacques will reciprocate his feelings, but there's no 100% guarantee this is the case), the idea of a character Just Being Bad is so different that it's weird !

there isn't any reason to sympathize or route with sar (besides having good fashion taste /hj):

we don't have a clear idea of his motives so we don't even know if his motives are sympathetic (we see him say he wants to fix the universe but this has no impact because we don't know how the universe is broken: the only other character who points to this is ava and ava is an s-tier bitch)

he had no major appearance so there was no time for people to get attached to him

what little of his minor appearances as "anthony" showed him to be an apathetic person, even the implications of any "motive" he had when he was alive while not exactly evil was still self-serving enough (wanting to get rid of his visions because supposedly they were painful or disturbing) that it wouldn't be reasonable to assume anthony was kind to other people

his first appearance as sar is to "kill" bien, and while bien isn't really written to be fully sympathetic either (at least, i don't feel he is because he's so apathetic), it's still fucked up to kill one of the characters who explicitly went through a lot of traumatic events his entire life lmao

even media's backstory as def-se, while portraying him as "evil", had some layer of sympathy with the "prometheus" tone of him serving the Living, at least

it's too early to rly come to any good conclusions but i do believe there is something deeper behind sar, if not only his character but the "role" he plays in the story, it feels almost too convenient that he's the "villain"

#breadavota #sar is so homestuckcore

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