#I miss writing and writing for this blog as well

[acourtofthought]

@starsreminisce posted these comments on their blog:

And the last paragraph really stood out to me.

Something I've seen said by a certain side of the fandom is that a bonus chapter should not change the trajectory of what is in the actual book. I disagree with that because I look at the bonus chapters as a sneak peek of what's to come in future books (with this particular bonus following the pattern talked about in a post yesterday, with the resolution to the small story pointing us in the direction of Gwynriel), things that Sarah will at a later point expound on within the actual series even if they weren't initially clear to us without having read the bonus.

But say that's the truth, say the bonus chapters are only in line with that which we already know (which still works for Gwynriel because though the bonus hinted at Gwyn having a curiosity towards Az and him possibly having a bond with her, we do see bits of that in the actual book as well, there are scenes with her staring in his direction and scenes where he's staring in hers, where he shows admiration for her, where she's teasing him, where Nesta calls Az her new ribbon).

One of the big arguments is that it's extremely clear that Elain has no interest in Lucien, that it's been the case for multiple books. It's said Elain does not owe Lucien an explanation, that she does not owe him her time or attention.

So why not write an Elain bonus chapter in SF where she and Lucien have a conversation discussing how they don't want to explore their bond? According to E/riels there's no need for it in the first place since she's made herself clear but they have also claimed that she won't break the bond until we have her POV. Then wouldn't a bonus in Elain's POV before her book be the perfect place for something that's so obvious so that when she starts her own book "with Az", there's nothing standing in their way and the focus can be on their romance and the plot and not the emotional toll that her severing her bond with Lucien would take? If the Elucien bond is as much of a non issue as some claim it be be, then why not deal with it in an Elain Bonus Chapter? When her book starts, Sarah could even recap the events of the bonus for those who had missed it.

Elain thought back to that conversation she and Lucien shared shortly after Solstice. Where after Azriel's rejection, which had cut her deeply, she realized there was no place in her heart for anyone but Az even if she wasn't sure he still wanted her.

That would have actually be a perfect way for SJM to move us past the Elucien bond with very little in the way of feeling devastated on Lucien's behalf, where his heart is not being broken in real time within her romantic arc.

But the author didn't do that. She gave Az and FEYRE a POV. Feyre who already had 3 books and a novella and Elain with a total of 0.

We know Az doesn't think Lucien is good enough for Elain but we don't know if Elain agrees with that.

We know Az questioned the Cauldron because of his brothers and her sisters, that he hadn't thought of being with Elain beyond his sexual fantasies but we don't know where Elain stands on the whole "just wants one taste / why wasn't Az made my mate" debate.

We know Az thought of Elain as too trusting and hopeful but we've no clue whether Elain was really thinking anything of the sort.

We've got Feyre thinking back on how she made sure to keep her mouth shut on Elain not wearing Lucien's gloves, how had she put them on she would have never been pierced in the first place but we still don't know whether Elain's actions with the gloves actually line up with her thoughts.

If Sarah wanted to continue on with what is apparently so evident in the four books of buildup for E/riel there was nothing preventing her from finally giving us Elain's POV in SF and having her tell Lucien that there's no reason for him to hold out hope any longer.

The more likely explanation for why Elain wasn't given a bonus is because everything that E/riels and Az claim that is so very obvious regarding Elain's character might actually not be as obvious as they think.

If she's so happy in the NC, then why hide her thoughts?

If she's so in love with Az, that it's clear as day, then why hide her thoughts?

If she's so disinterested in Lucien, then why hide her thoughts?

If we're supposed to believe that Elain's choice is Az, that there is no competition and that it should not be a mystery to anyone at this point, then why has she been so reticent to put us into Elain's head?

[cordeliawhohung]

I saw a reblog of the anonymous ask someone sent you about using character ai, and someone responded saying something about how it’s disgusting to even ask that, which is a liiiitle harsh, but I digress.

The issue here, is that there are more people who don’t understand what AI is doing than people who do understand.

ChatGPT, Open AI, Character AI, Gemini, etc ALL steal from published works on the internet. It cannot be prevented, no one can stop it from happening.

I’m not an artist & I don’t publish my writing, but I do genuinely care about the artists and writers who are having their work stolen and receiving absolutely zero credit.

Please, please, please, do not put someone’s work into AI.

If you want to create a character, or a storyline & use character ai, by all means, go for it. But PLEASE, don’t disrespect or disregard these artists by feeding their work into an AI. It completely diminishes all of the hard work they put into their art.

oh boy, nothing like having a post you made in fucking january suddenly gain a fuck ton of attention lmao.

while i understand where you're coming from, i think you completely missed the main point of my response to that anon.

1: i literally explained that ai steals work to that anon. i said it's a pale imitation of what a real human would write. that it takes works that people put so much effort into and regurgitates it out. i told them not to put stuff into ai. i informed them, and i wasn't rude about it either. emotional, maybe, but i wasn't being rude.

2: the main issue i had with that anon, besides the ai grossness, was the insinuation that i'm not "creating enough content" for them. "the readers can interact more with the characters" comment from them really grinds my gears. even if ai didn't steal from creators, and it wasn't a godawful abomination, them wanting me to put my ideas and works into something that they can interact with that isn't through me completely disregards the entire purpose of me having this blog in the first place. which i ALSO explained to them. why would i want to put my work into a 3rd party source and not interact with my followers when that's literally my favorite part of creating? bonding and talking about the shit i put effort into? i had every right to be upset about that, and so does every other writer.

3: i have no control how people reblog my posts. so idk why you're coming in my inbox about what someone else reblogged, really, just to tell me everything that i've already explained to that anon. i know who you're talking about too, because they're a mutual of mine, and honestly, i agree with them. it's disgusting to suggest someone should put something into a third party source so they don't have to wait for me to "churn out works" or whatever. i know people aren't well informed. which is why i informed them on that post and left it at that. i also explained why it's frustrating to receive asks like that, to hopefully prevent them from doing that again.

also, while i have whoever is reading this, i'd also like to mention that the anon who sent that ai ask sent a response back (that i didn't bother to respond to because i wasn't trying to make this a thing) somewhat apologizing and said they asked me that because other blogs on tumblr were doing it too. don't do that. don't assume that just because some people are doing x thing, that means you can suggest it to someone else. it's rude, and comparing blogs is just frustrating in itself.

anyway. i will not be making this a thing. do not come into my inbox debating the ethics of ai or whatever, as i will simply not entertain it. (:

[longing-for-rain]

you know what i noticed about kataang shippers is that, they have made multiple blogs (even titled in the url) fully dedicated to bashing zutara. like whole blogs full of nothing but hating zutara and everyone who ships it.

i don't see the reverse. yes, there are zutara blogs with lots of aang/kataang critical posts. but these blogs also have content that's focused on zutara (posting about the ship you actually do like! imagine that!) and most are content creators as well. i can't think of any blogs that are purely anti-kataang or even mostly anti-kataang.

idk to me it just seems like zutara shippers are better about staying in our lane and enjoying what we like instead of devoting *that* much energy to hating ✌️

Oh definitely, I think in the past few years I’ve seen two blogs called something along the lines of “Zutara isn’t canon” and post nothing but angry anons whining about people shipping Zutara. And of course, the “fandom police” guy who is very obviously a right winger poorly applying social justice concepts in an attempt to win ship discourse, and who thinks anything non-canon is stupid.

It’s funny because how do you miss the point of fandom this badly? It’s transformative. There are only so many ways to tell the exact same story. There is a reason why it’s very common for non-canon ships to be more popular among fans than canon. It taps into the creative aspect that so many of us enjoy.

And for Zutara specifically, I’m actually glad it isn’t canon. I like that it’s open-ended and that I’m free to write it however I want, because to be completely honest, I think the creators would have completely botched it if it was canon. I mean, I actually like Maiko quite a bit too but I don’t like how rushed their ending felt. I don’t like how it felt like Mai reappeared to be Zuko’s prize. And given the straight up creepy things I’ve heard the creators say about Zutara over the years, I have no doubt they would have made me hate it via poor writing.

Plus you’re right, at the end of the day, fandom is about enjoying what you want to enjoy. Making entire blogs dedicated to telling people they’re stupid because they don’t adhere to canon as if it’s a religious doctrine doesn’t seem like you’re enjoying yourself too much. Sure, I’ve made posts critical of tropes, characters, relationships, etc. that I don’t like, but ultimately I spend my energy on what I actually do like.

[paper-star-ships]

I should make a master list of my fics 💀

[kingofanemptyworld]

Rin, identity issues, and the complications of being an isolated, alienated teenager

It feels sort of weird to say but I generally don’t head canon characters as having particular sexualities. Whatever people go for in fics is usually fine with me - gay, lesbian, bi, pan, something more general like queer. As long as it makes sense for the story they’ve built and the character they’ve shaped to fit it, I’m good. Unless you’re ignoring a canon LGBTQ+ sexuality, in which case, yeah, I’ll take issue with that.

But anyway. Rin.

I’ve got my personal ship for him (BonRin my beloved), but regardless of the pairing I see him as bisexual. He’s so open with his infatuation with Shiemi, and okay, sure, fandom likes to ignore the love interest in shounen for the most part because we’ve got gay ships to peddle. But I don’t see the point in that unless it really reads like it’s a front, or a result of a character suppressing themselves for one reason or another. And with Rin, I think it’s pretty clear his affection for Shiemi is sincere. You technically have the in-universe evidence of the demon that brought out his true desires to back that up, but even without it, Rin likes her. It’s complicated because of Yukio and Shiemi’s own inexperience with romance, and yet I never once doubt he really likes her.

That being said… he’s very appreciative of the guys in his life, too. (Peddling my gay ship here) Bon in particular, considering he’s often admiring how cool he thinks Bon is, that his haircut suits him whether it’s the blonde rooster look or the undercut. If you don’t want to see it as romantic interest, that’s your prerogative, but to me Rin comes across as seeing cool and cute as different traits he finds attractive (in Bon and Shiemi respectively).

I also think his bisexuality would fit neatly into his narrative struggles to “pass” throughout the early parts of the series. Rin has grown up as the neighborhood problem child, ostracized for being violent, and eventually he decides he’s fine with just his brother and his father — and the rest of the monastery, presumably — for company. (Except that’s absolutely not true and clearly he’s starved for friendship and support.) People looked at him and saw a monster, even before his demonic heritage made an appearance; why would he bother giving them even more ammunition when it comes to reasons to hate him? So no matter when he figured out his attraction to guys, he’s not going to lean into it, because he also likes girls, right? (Ignoring for a moment that bisexuality is a lot more nuanced than that.)

Rin likes girls, Rin is human — that’s what’s going to get people to like him, or at the very least tolerate him. That he likes guys, that he’s half demon, he can shove that shit down and pretend it doesn’t exist. Lock up any stray thoughts and keep the sword sheathed around anyone who doesn’t already know.

(Excuse me for being amused by Rin wielding his humanity and supposed heterosexuality as a sword and shield.)

The problem, of course, is that he can’t keep up the facade forever. The narrative won’t let him. Rin has to embrace his demonic side, because it’s the only way to move forward and to continue to help his loved ones. And once he’s moved past the issue of his friends being upset over the deception, when they understand he’s still Rin despite what he’d hidden from them, Rin is finally allowed to be himself. He uses his flames, he lets his tail move freely in the open around the Cram School kids. Rin still doesn’t like this side of himself — it’s inextricably tied to every moment of pain and isolation he’s dealt with his entire life, including the death of Father Fujimoto (and, y’know, his mom). But he is moving forward, he’s trying to adapt.

And isn’t that some great fucking subtext for his bisexuality, too?

[chateautae]

hi 🥺

[mattodore]

found out while putting together matthias's oc page that his name has the exact same etymology and meaning as theo's name...

i’m sure this is information matthias is very normal about…

[thetarttfuldickhead]

From the AFC Richmond Twitter account.

[fooltofancy]

sobs in character refs

[warmsol]

i miss makoa and elia so much but my motivation to story tell is at zeroooooo

[lord-squiggletits]

I wish to love and appreciate idw optimus more too. But I also don’t want to read through the entirety of IDW 1.0. Can you please recommend me any specific issues/parts?

My best friend and fellow IDW Optimus lover made a post compiling all the comics with major story beats involving Optimus. Her list has a lot of the same things mine does, but also a lot more specific issues because she actually knows which specific issues of which series you can read specifically for ones focused on IDW Optimus. We don't agree on everything (I love some comics she dislikes and vice versa), but I would recommend her list simply because it's the most well-documented and thorough. Link I also have a lot of far less coherent but still genuine posts about IDW OP on my #idw op love tag.

As for specific parts I would recommend... since you don't want to read through all of IDW1, I'll go ahead and recommend you things based on in-universe chronological order rather than story release order, but if anything here interests you then I would recommend reading IDW1 in release order so that you get a better grasp of the story's context and how new lore was given out over time:

Chaos Theory and Police Action by James Roberts (The Transformers 2009 issues 22-23): I love love LOVE the way JRO writes Optimus talking to Megatron during the present day, it's very IDW-Optimus flavored because of how blunt, abrasive, and snappy Optimus is. There's a part in the comic where Megatron claims that he "knows [Optimus] better than anyone else," and he's right, but it's also true that Optimus knows Megatron well enough to see that he's bullshitting and it's very entertaining watching Optimus slowly lose his patience with him. I love the dialogue especially, no one (canon or fandom) has ever quite written the same IDW OP who's in this set of comics. It's also the most MegOP comic of all time because the sexual tension and the subliminal imagery of them doing BDSM together is unreal, plus it really captures their dynamic of two old soldiers who snap together with chemistry despite (or perhaps because of) being such long-time enemies. They just UNDERSTAND each other so well. Also, as a bonus point, Chaos Theory is where the pre-war lore for IDW1 began being published, so if you read Chaos Theory then the context for future pre-war lore makes a little more sense.

Shadowplay by James Roberts (More Than Meets the Eye issues 10-11): More pre-war lore that picks up where Chaos Theory/Police action left off. Important because it establishes a lot of IDW OP's character relationships, especially with "the Senator," Roller, and to a degree Ratchet and some minor side characters. I don't really know what to say about this besides it's just really fucking fun to read and features IDW OP getting to do cool shit like fight bad guys, investigate conspiracies, and do heists while also establishing one of his key character traits: being disastrously gay for suspicious men that he places entirely too much trust in to tell him what the right thing to do is.

Spotlight: Orion Pax by James Roberts: Okay, I'm really sorry for recommending JRO's stuff because it feels like favoritism and I don't even think JRO does the best version of IDW OP, it's just going in in-universe chronological order means that a lot of JRO stuff ends up first on the list. This one doesn't really have much of consequence in it and is honestly one of the weaker Spotlight issues, but like Shadowplay, it involves Orion Pax doing fun action shit and having way too much trust in a suspicious man (a new one from the suspicious man in Shadowplay).

The Autocracy Trilogy (Autocracy, Monstrosity, Primacy) by Chris Metzen: Oh my fucking god this is THE IDW Optimus to me, this trilogy is literally what made my ears perk up to even start liking IDW OP because it's what took me from "Optimus Prime, that's the guy who's the super awesome leader that everyone likes and is a paragron to everyone, yeah I know him" to "Oh.... holy shit this is such a good plot/worldbuilding, Optimus has so much CONFLICT and DRAMA with other people." It covers one of my favorite periods of the general Transformers formula, namely pre-war and early war plot events as conflicts come to a boiling point, there's political conflicts and personal conflicts, the planet is falling to shit and everyone is trying to escape and things are as depressing and scary as you would expect for a war that's literally about to consume a whole planet. I found the general plotlines to be gripping and intense (Autocracy is the weakest in this regard, but the writing gets better with each book) and I really like seeing how Optimus grapples with leadership. Especially the negative parts where people hate/fear him because of his association with Zeta's regime (the previous Prime, who Orion worked for), call his judgment into question, refuse his calls to action or waver in their faith in him, and so forth. I found it to be a really nuanced yet sympathetic view of IDW Optimus that made me fall in love with him. Because really, the thing that humanizes a character the most is making them flawed, and Autocracy trilogy Optimus is so incredibly flawed and conflicted. And also it shows him being shit on by other characters in a way that's well written in a plot that makes sense and doesn't feel like the entire plot is conspiring to shit all over him.

The Death of Optimus Prime by James Roberts and John Barber: This comic is basically the transition from phase 1 to phase 2, it establishes the branching plotlines of MTMTE and exRID, so this is another one of those comics that will help you understand IDW1 better if you want to read for more than just Optimus. Anyways, DoOP is great because it has a similar vibe to the Autocracy trilogy in that society is chaos and full of people who fucking hate Optimus' guts for the role he played in the war. You can also compare/contrast the way OP was before the war and early in the war versus the way he is after the war and see how much the war changed him (Chaos Theory also kind of is like this but it more shows bitchy Optimus specifically in his dynamic with Megatron). It also features a fair amount of Optimus Heroic Moments, Optimus Brooding, and Optimus being so fucking depressed he's literally sad when he wakes up and realizes he's not dead dude get some fucking therapy please I'm begging you--

Punishment by John Barber: This skips ahead quite a bit in the story but I think stands decently well on its own without having to understand the wider context. It's one of Barber's best-written stories and one of the only ones I've come back to reread for its own sake. It features Optimus trying to solve the murder-mystery of a bunch of Decepticons, featuring really cool plot conflicts like Optimus trying to navigate post-war society and the tensions that still linger from the Autobot-Decepticon war. I really like this one because it has that whole "not everyone loves OP and a lot of people hate him for justified reasons" thing that makes IDW OP a much more 3D character, PLUS it has some politics with the way Decepticons are treated post war. And I think it does really interesting things with Optimus in terms of showing how he DOES have this idealistic, merciful side that wants people to choose peace and letting go of vengeance, but of course it's not so easy to expect that of people after a 4 million year war. So when people inevitably choose violence, Optimus gets frustrated and angry and lashes out in a way that feels very real and understandable. It's a really good example of a comic that shows IDW OP in a nuanced way, showcasing both his virtues and flaws in a complicated situation that shows that there's no easy solution to these problems and no way for Optimus to escape without getting his hands dirty. Unlike future comics which involve OP being in complicated situations but instead the plot is super contrived and seems to overwhelmingly shit on OP without ever mentioning the very obvious ways that he could be defended, creating a story that's conceptually fascinating but incredibly mediocre in execution.

If I had to recommend any single one of these to read, I would recommend the Autocracy trilogy the most because it's literally the story that made me love IDW Optimus and made me realize "whoa, this guy is super nuanced and not what I expected of him." That's not to say that no other Optimi have depth and nuance, but I think the Autocracy trilogy was great for me personally as one of the first IDW1 comics I read. It struck a really good balance between "uh Optimus was part of some bad things that warrant being shit on" and "Optimus is struggling to overcome those bad associations he did, succeeding with some people and failing with others" and "Optimus is an optimist who has faith in others even when they don't have faith in themselves." Also, as a bonus, the Autocracy trilogy also features cunty murder-husband Megatron, an interesting character arc for Hot Rod, and the Dinobots as really interesting supporting characters (including their leader, Grimlock, having a cute veteran-rookie dynamic with Hot Rod that I wish we got more of).

[histemar]

some thoughts on this moment in maedhros’ life: his world gets torn apart as his father dies; they’ve literally burnt the ships there’s no way back; he’s responsible not only for his family but for his entire people; not to mention fulfilling the oath; when he gets captured, all of his party are killed but him, most of whom were probably his friends and hand chosen (or volunteered) to accompany him to what is almost certainly going to be an ambush; there is so much blood on his hands

by the time morgoth gets his hands on him maedhros is firmly in the worst place imaginable, which probably makes him very difficult to torture. unless it’s by convincing them that he’s failed. so morgoth shows him that, again and again. the bloodstained faces of his brothers, fingon, his father, his friends. again and again and again.

and yet when maedhros hears fingon sing upon thangorodrim he sings back. despite everything, despite the twisted and blackened realities inhabiting his mind, he sings back.

[lamortwrites]

ais i have thought i was following you this

entire fucking time i dont know why i

wasn't

i was like WOW YOURE QUIET

fixing this

I could NEVER be quiet I am simply too annoying <3

[adversaryss]

( Tentatively considering returning to tumblrp... if I do I think I'm going to be clearing out my drafts for now because it's been quite some time. I got kind of burnt out to be honest and spent a lot of time thinking about the type of writing I want to do, so for now I believe I will only be focusing on plotted threads.

I might also be implementing a limit on open threads I have per writing partner because it was all sorta starting to blur together for me. If there's a reply you've been waiting for in particular or a starter you'd still really really like me to reply to, please drop a link in my DMs and I'll see what I can do! Otherwise we can discuss a new thread if you still want to write together. )

[medusacomplex]

if i made a robin buckley sb would u guys be mad at me. would u yell at me

[woozi]

the way being on caratblr never fails to bring me joy no matter the circumstance and no matter how much time has passed </3