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recurring-polynya · 3 years

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I have to say I knew that at one point renji, ikkaku, yumichika and iba were in the same squad with kenpachi but good god you managed to paint a beautiful picture for me. I simply assumed that for them it was simply party time all the time along with a few bald jokes but this is much better. Emotionally healthy squad 11 which still love fighting more than anything. I always cringed when someone would just describe them as hooligans that do nothing but fighting. I mean they do that too but I love the idea that they are all emotionally healthy and mature, a loving and supportive family to their own - in their own wakka doodoo kind of way thats endearing - and of course they are in my opinion they single capable force against sexisim. Because they don't care about anything else - gendere, sexuality, gender performances, race, mentality or anything - other than if you fight good you respectable and if you fight good in squad 11 you family. ( like when kenpachi just became captain he made yachiru his lieutenant and no one was against it no one thought it was beneath them, sure thru nag at her sometimes but that's mostly in a banter like way because she call them stupid nicknames but no one hates her for being unrightfully their superior. One day they got a new captain and a new lieutenant that's a child and they just went with it.) I admit their disdain and disrespect to squad 4 is still frowned upon but I do believe some squad 4s can handle their own, it's just that we saw the really peaceful ones. Anyways sorry for ranting. Just wanted to say that yeah, I really like how the past squad 11 with iba and renji in it was a great place in general. I think if they found out some one was being sexist - for whatever reason - they would be there right next to nanao - or iba's mom protesting. Kenpachi and yachiru as well. And that makes me want to be squad 11 ,despite not being much for fighting, so bad.

So, for starters, thanks! I try to have fun whenever I write Squad 11, and I’m glad you enjoy my take on them.

My Squad 11 is just... really not very canon, though. Canon Squad 11 is actually pretty gross and sexist. Yumichika is transphobic, Kenpachi makes homophobic remarks about Yumichika, they bully Squad 4, there’s a filler episode devoted to a guy that Ikkaku bullied for, like 100 years because the guy lost his reiatsu saving Ikkaku’s dumb ass.

When you write fanfic, you occasionally run into these more problematic aspects of the source media, and you can choose to dig in and analyze them, or just... remake them in your own way. Take for example, Gin. If you read fanfic about Gin, there are some people who will peel away the layers of him and his fears and insecurities and still make him be a horrible gremlin, and it’s really stellar writing. Other people prefer to write him in an AU where maybe less bad stuff happened to him, and he’s more mischievous than sociopathic, and this is a less meaty interpretation, but it’s also more fun. Sometimes fanfic is a meal and sometimes it’s candy. It fulfills different needs and different fantasies and all of it is welcome.

Yumichika, who for me is the fulcrum of Squad 11, presents this problem. I really don’t like the way his “appreciation for beauty” plays out in canon. He doesn’t actually appreciate beauty, he just likes telling other people they’re ugly. I don’t think he’s ever pointed out beauty in anyone else aside from himself or his zanpakutou. I remember the first time I watched his fight with Charlotte and it struck me as so off -- why wouldn’t he find her beautiful? I mean, I know it’s a transmysogynistic joke, that’s why, men dressed as women is funny, hurr hurr, but Yumichika is gender nonconforming himself. This was an opportunity to make a cool character point, and Kubo took the cheap laughs road instead. Going back to what I said last paragraph, a skilled writer could, in theory, write about his insecurities and his brittleness and meanness and write a pretty compelling story, but a) Kubo certainly doesn’t, and I have never actually found a Yumichika-centric fanfic of this nature, and b) this doesn’t fit the role I need him to play in my stories. I am rarely really interested in writing about Squad 11 for its own sake. I like to write them as a backdrop for the period of Renji’s afterlife where he hit absolute rock bottom and bounced back up again. We already know the role Ikkaku played in this, except that Ikkaku is a complete moron in terms of mental health, and I really, really felt like this is where Yumichika needed to come in.

I like to massage Yumichika’s character a bit, but I do want to keep the flavor of some of his character flaws-- he’s still shallow and mean and judgy, and I love that for him, but I like to add in a positive side to his appreciation for beauty. Having Yumichika make fun of Izuru’s pores is funny but it’s even funnier if he’s just given Renji a compliment on his hair first. The idea that a Yumichika compliment is attainable makes all his drags the more vicious. Yumichika also judged people by their beauty instead of their moral character, which is humorous to me. He dislikes Byakuya as a person, but is obsessed with his haircare regime. I like to have him treat Rangiku as an equal, beauty-wise, and a person whose opinion he respects based on her aesthetic. Rangiku is actually a pretty savvy and very emotionally intelligent person whom many people write off because she likes to present herself as a lazy airhead, so in an extremely convoluted way, this all works out. I like to think that Yumichika’s ideas of beauty are also caught up in boldness and risk-taking and having one’s outward presentation ring true to their inner self. To me, this is the core of why he loves Ikkaku. To him, Ikkaku’s devotion to doing the most Ikkaku thing at all times, no matter how stupid, is irresistibly sexy.

Aside: At some point, I decided that the fact that a lot of people in Bleach have colorful marks on their faces and elaborate hairstyle and accessory games implied that make-up in Soul Society is gender neutral. I like to think there is actually more of a divide between the nobility, who like their make-up to follow rules and be classy, and, well, Squad 11, who like to get make-up ideas from Jem and the Holograms. I don’t even wear makeup (I don’t know how and it’s expensive and I am ashamed of myself, we can talk about my own gender presentation later) but I like to write about both my male and female characters wearing make-up. I don’t actually know how my readers feel about it, but it just falls under the “Is that what people want?”/“It’s what we do” philosophy of all my writing.

I think one of the theses of my writing is that middle management is more important to the character of a squad than the person at the top. Captains sort of act as ideals to strive for, but they are generally unapproachable for one reason or another. Yachiru is more like her captain in this respect (which makes sense, since she is, in fact part of her captain). Ikkaku and Yumichika present this dual idea that 1) strength is awesome, fighting and being the best is awesome, and 2) part of strength is presenting yourself to the world in a bold and confrontational way. (The fact that both of them are hiding huge parts of themselves is laughably ironic). Kenpachi and Yachiru are shining examples of Do Whatever You Want and Be So Strong That No One Can Stop You.

What really makes this work is that you need someone one layer down-- does anyone actually subscribe to this nonsense, and that’s why Iba - Abarai Squad 11 is Best Squad 11. I really, really enjoy the genre of Reddit posts where a total bro will find out that his girlfriend is trans and react by becoming a vehement advocate for trans rights. I love the bodybuilders typing encouragement to each other meme. Our world is flooded with disingenuous messages from concern trolls trying to tell us why being kind and inclusive to one another is bad or that you should reject help because struggle makes you stronger and the idea of a Himbo looking at something like that and saying “that seems dumb" is delightful to me.

I actually feel like there are a lot of awful people with bad ideas in Squad 11, it’s just that Renji and Iba don’t put up with their shit, and over time, that becomes the culture of Squad 11. I think that Squad 11 has incredibly turnover, but the ones who stay are the ones who subscribe to the ideas you mentioned-- fighting is what matters, if you wanna go argue about shit, go join Squad 5. In the IkkaYumi story I wrote, which happens shortly after Zaraki takes over, a ton of people leave. The Bount Arc (which I know a lot of people skipped) features a dude who was extremely pissed off because he had liked the old Kenpachi and thought Zaraki sucked and was so mad about it that he betrayed Soul Society. You might think that this arc would feature Zaraki caring about this in some way shape or form, but he really didn’t. So, I think there are a lot of Soul Reapers that took issue with serving under a little girl as a vice captain, they just aren’t in Squad 11 anymore.

Oh, one last note on Iba’s mom. I am of an age where a number of my friends have mothers who were Second Wave Feminists. The moms in question are a real mixed bag, because they Came From a Different Time, and on one hand, you have to respect what they went through, and on the other hand, they are very difficult to get along with. I liked the idea that Iba has always chafed against his mom and her big personality, and then Renji comes in, and is like, “hey, your mom is strong as hell and she has a lot of ideas that I never thought of but they make sense” and Iba realizes that, even though she’s still a huge pain in his ass, his mom is the person who made him who he is. Moms are complex.

Uhhhh, I have definitely lost the thread of wherever I was going with this post. Thank you for enjoying my Squad 11, which is nothing like canon Squad 11. Hopefully maybe this year, I will actually finish my Squad 11 Self Care story, where Renji stops being a drunk disaster person after Yumichika teaches him how to fill his brows; I got stuck on a part where Rangiku gives Renji a talk on ethical sluttery.

#squad 11 #sometimes i look at Things I Have Wrought and pull a full Talking Heads style 'how did i get here?'#my squad 11 stuff is my absolutely weirdest most bonkers writing #i am glad people seem to like it #just trying to find some meaning in this hot mess #i think i blame The Toast

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greenlightbulb-s · 2 years

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Fic writer interview!!!!!!

~editing some bits by adding info!~

Since @irishseeeker tagged me (cheers for that! 💖), and it's the first time I've been mentioned to participate in this kind of questionnaire, here are my answers! 🤗

1. How many works do you have on AO3?

I have 12 (I thought there were less of them lol)!

2. What’s your total AO3 word count?

95,374

3. How many fandoms have you written for and what are they?

They're two: Bridgerton and Anne with an E/Anne of Green Gables.

4. What are your top 5 fics by kudos?

The Right Path (Bridgerton)

Still... (Anne with an E)

A spoon full of... what on earth is this?! (Anne with an E)

Blue-eyed Girl (Anne with an E)

And, what do I get in return? (Bridgerton)

5. Do you respond to comments, why or why not?

Sure thing I do! However, it's true that I rarely reply instantly, as I never access Ao3 on my phone with my account (from where I always read all the fics) because I always forget the password and I almost never access Ao3 from my computer unless it's to post a story.

But yes, I always reply to comments. Just like authors (lol me an author!) like to spend our time writing, readers who spend their time reading what we write are more than deserving of our response to what they tell us.

Needless to say how my heart grows a little bit bigger with every comment and kudo from readers. Seriously, without the readers we would be nothing! They are simply the best. 💖

6. What’s the fic you’ve written with the angstiest ending?

I hate (seriously, I HATE) angst and that's why I never write angsty endings. Real life is already angsty enough to end a fic like that (that's my opinion, you may disagree, of course!)... However, I do write angsty scenes because I want to reflect that life is not always rosy.

Anyways, I'm currently writing a fic in which angst is assured in most of the plot! 👀

7. Do you write crossovers? If so, what is the craziest one you’ve written?

I haven’t, and I don't think I'll do it! But never say never!

8. Have you ever received hate on a fic?

Luckily, I haven't received anything! And, taking advantage of this questionnaire, please, PLEASE! If you don't like a fic for whatever reason, don't send hate or unkind messages to the authors because the fic wasn't what you expected. Just stop reading, close the browser tab where you are reading the story and forget about it! And if you're feeling like dm-ing the author anyway, constructive and polite criticism is the only acceptable thing to do.

Simple, easy and for the whole family! ✌

9. Do you write smut? If so, what kind?

I do!!!!! And it's hella funny! I'd say it's quite vanilla-like; I don't really feel comfortable writing about other sexual practices because my only "reference" is p*rn and THAT'S NOT REAL SEX!

Besides, it's heterosexual smut, as an a straight person it's the only sexual orientation which I can write in a way it's 100% genuine. Of course, I love seeing same-sex couples in fics/shows/films and them "talking" (in fics they can't literally talk 😂) about their activities, but I feel that, if I write about it, it wouldn't be right or I'd do justice to these people/characters.

And one last thing: when I write or plan writing smut, I write it in a way that's real; foreplay, laugh, talk about odd things whilst doing it, stopping when they're not into it... I hate when smut in fics is too cliché or is highly based on p*rn.

10. Have you ever had a fic stolen?

I don't think so, no! And I hope I don't! I need to disable downloads/sharing tabs...

11. Have you ever had a fic translated?

Again, I don't think so! In fact, it's me sometimes who translates some big parts of my fics from my mother tongue into English!

12. Have you ever co-written a fic before?

No, I haven't! But that's about to change... 👀

13. What’s your all-time favourite ship?

That's the big, big, biiiiiiiiiiiiiiiig question! 🤣 I have shipped many couples over the years and, if you ask me, I still love them even though I don't follow them anymore! For instance, Finchel from Glee, Katniss and Peeta from The Hunger Games, Ron and Hermione from Harry Potter, Gilbert and Anne from Anne of the Green Gables...

Right now, I'm a Kate Sharma (or Kate Sheffield if we talk about the books) & Anthony Bridgerton b*tch. Just a quick peep at my profile can assure you of that! And lately I'm obsessed too with Jily (Harry Potter's parents, for those who don't know lol).

14. What’s a WIP that you want to finish but don’t think you ever will?

Sharma's Indian Cuisine. From tradition to your mouth series. I'm stuck on a crucial part in Part 2 and I'm unable to dedicate time to writing lately with all that is coming up in my life. I'll finish it, surely, but not as soon as I wanted.

15. What are your writing strengths?

I seriously have noooooooooooooo idea! I'd say it's the plots. I know they're nothing new under the sun, but they are the kind of stories, but I know they're the kind of stories that don't resemble what we're "tired/bored" of reading (it's not exactly tired or bored the right words, but we all know that plots, as much as we like them, can sometimes make us feel that way!). I don't know how to express this right; please, don't misunderstand it!!!!!

16. What are your writing weaknesses?

Same as above. I have no idea, because I'd say all involved in writing! Perhaps, to put into words everything I want to express with my story: the scenery, settings, moods, sometimes the dialogues, concentration/creativeness for developing the plot further... And English. Although I'm fluent in English, I don't always express myself well in the language, and that's reflected in the story.

17. What are your thoughts on writing dialogue in other languages in a fic?

Planning on doing it in Part 3 of my series! I'm not *fully* fluent in the language I'm planning to write, but I'll be open to corrections if I messed it up heavily once I publish it!

18. What was the first fandom you wrote for?

Anne with an E. I love Anne and Gilbert dearly, and I want to write again about them... But concentration and creativeness are b*tches and I'm laking of ideas. 🤣

I know it's not related to the question, but I'd also like to write about James Potter and Lily Evans/Potter some time!

19. What’s your favourite fic you’ve written?

I'd say And... What do I get in return?, Of Rain and Storms series and Bitter Sweet Symphony. I know the question asked for only one, but these three have a special place in my heart.

Feel free to do it yourself! Not tagging anyone! 😅🤗

#fanfic writer #ao3 writer #creative writing #writerscommunity #writing #anne with an e #anne of green gables #bridgerton #fiction #fanfiction #writer questionnaire

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trueishcolours · 3 years

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Hey!

I NEED a post-seclusion fic, where JC frequents CR a bit more, partially cause of sect business, partially for his brother (which he will deny) and for LXC (be ignored all the improper thoughts as to why that excited him. It's not like it will ever happen. HE was his soulmate, not JC)

But then at some point his and some of the older Lan disciplines are acting weird, so weird in fact LXC has to make them explain themselves. Defeated, they explain how they worked together to set LXC and JC up.

"The jiang disciplines know; that JC still holds LXC in high regard, even though he didn't invited him in the triad, when he is one of the 4 big sects, which many ppl outside the sect have taken and pointed out as a silent "the Jiang clan isn't good enough", furthering difficulty in becoming a respected sect again.

And the Lan disciples know, that LXC treated JC always with a SINCERN kindness, he doesn't show to just anyone, dispite how JC is widely seen as a ...not great person (much to the dispinces dismay).

They also realised, how much they have in commen, especially after .. Guanyin temple. Both sect leaders at a too young age, both had to rebuilt it, both had to raise a child, that wasn't theirs to raise etc. "

After that speech JC, LWJ, WWX and the Juniors stare in shock at the disciplines. To their their surprise LXC, having caught himself first, admits:

"This makes a surprising amount of sense actually. And I don't blame you for wanting what's best for your sect leaders."

To even more of a surprise LQR NODS and exclaims

"At least one of my nephews would marry well."

JC has to sit down. (He has to process that these disciplines, who have been on their side for all of this, LIKE HIM, that they also want something GOOD for him?!?! And that they think he deserves not only someone like LXC but LXC himself. And he doesnt disagree. AND NEITHER DOES LQR. What. the. fuck.)

LWJ sounds his disapproval but can't deny the logic, then drags a laughing WWX away. Jin Ling gives LXC a short " dont hurt him or else" speech, and leaves with the juniors . LQR nods once more in approval.

LXC and JC talk. About what was said. About where they are now. And where they could be ...

You obviously don't have to included the exact wording! I just like the idea of the lan and jiang disciplines, who have been by their side since their sect burned, ship them and get caught trying to set them up and LQR loving it.

I would be honoured if you would write this!

Thanks in advance !!

Me, on episode 11 of the show, trying to remember what all the place names and acronyms in this ask mean:

Reasons why this idea is very powerful:

1. Multiple people wanting good things for Jiang Cheng

2. Idea of uptight Lan disciples secretly getting up to shipping shenanigans

Anyway I don’t know if I’ll end up having the time to write it, but thank you so much for your interest and this fun suggestion! I very rarely get fic-related asks so it was really exciting to read this one and imagine how it could work out. Maybe when I have more show knowledge...

Any of my followers who want to jump on this idea are more than welcome as far as I’m concerned.

#the untamed #monstrous conversations #fanfiction

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minhoslut · 4 years

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♡ summary: Reader is traded to a band of pirates in return for the safety of her village because of her plant magic. They are not like she expected, much more like her than she could even imagine in fact. This is a journey through their relationships and the high seas they sail on.

♡ pairing: superm x fem!reader, superm x eachother

♡ chapter: 1 | 2 | 3 | 4 | 5 | ? |

♡ series warnings: blood mention, injury mention, swearing, anxiety, death mention, depression, weapons, mxm

♡ series genre: romance, smut, angst

♡ series rating: Mature

♡ word count: 2261

♡ posted on: AO3

♡ chapter four: ice cold

Baekhyun returned with the entirety of the main crew whom you'd met, all of them taking a seat on various lower bunks, avoiding you beside Taemin, while the captain stop at the doorway. "It seems that hiding information was not the correct course of action. It was meant to soothe you rather than cause more harm." Jongin began slowly, watching your reaction carefully. "How could I be happy on a boat like this with a bunch of pirates? You took me from my home!" You huff, what kind of stupid logic was that. "Well, we were looking for you to complete our crew." You stared at him blankly, "What do you mean complete? How am I supposed to fit in here?" Jongin smiled, "Well if you stopped interrupting me, I could tell you." You snapped your mouth shut and he continued, "Good girl, now as I was saying, you were sought after rather than just randomly taken. All of us, in this room, are like you, we each have a power." What? How could that be? You were cursed, did they meet the same fate? You were nearly bursting with questions but you figured he would explain more if you said nothing. "Baekhyun is water, Taeyong is animals, Lucas is metal, Ten is fire, Mark is crafting, Taemin is light, and finally I am weather." You looked at each of them as Jongin listed off their powers, eyes landing back on the man speaking in the end. "Our powers are quite helpful in our trading business, it's the reason we all have such odd hair as well."

Not able to hold it back anymore you blurt out a question, "Ok, but what does that have to do with me? And I'd hardly call you traders your pirates for fucks sake." Jongin smirked. "You are the eighth person with powers such as ours. For many years we were under the impression there were no others until we heard rumour of you. I'm sorry that we took you from your home but I have a feeling that you didn't have many ties there other than, based on your power, a garden." It was annoying how accurate he was in his analysis, and the stupid smirk on his face made it more annoying since he knew you couldn't say anything. "As for trading, we have different ways of going about our trading, but we trade with mostly other pirates anyway, on pirate ports. We simply don't wait to trade for valuable or rare things when we could just take it from those who are not pirates." You narrow your eyes, "So you're looking down on everyone who isn't a pirate? You think you can ruin peoples lives just because?" Jongin shook his head at your words, "We would never steal from a good person or someone without much to give. Think more like kings and palaces that have many jewels for no reason, we simply take them away to be used." You scoffed, it was a stupid excuse, but they were pirates so you didn't expect them to see how wrong it was. "Regardless, I didn't want to come." You snap. Mark rolled his eyes and gave an annoyed sighed, "That's why we just took you dumbass."

"Mark." Jongin shot the smaller man a sharp look, which silenced him immediately, leaving him pouting like a puppy. "It's unfortunate that we had to take you, but there wasn't really a way for us to ask you to join, we have a reputation to uphold." You shook your head in disbelief, they were really going to brush it off just like that. "Y/N, I know it's hard to understand but we all have our reasons..." Taemin said, his hand still rubbing gentle circles on your back. You sighed, at least they were being honest now but you still felt angry about the situation. "It's not home yet, but hopefully you find yourself able to relax here eventually. I'd like to tell you to not go anywhere alone, I trust the men in this room, but the rest of the crew can be, less pleasant." Jongin said, bringing your attention back to him.

"This will never be my home, this is a prison. I still hate my magic and I still hate it here. I still hate all of you." Your sharp words filled the room with ice. "That may be the case, but maybe we can teach you more about your powers and you could hate them less." Baekhyun said, sadness lacing his voice as he looked at you. Regret bubbled in your heart despite your minds protest. "Regardless of everything, you are here now and we will keep you safe and healthy while you're with us." Jongin said firmly, then he called for Mark to leave with him, leaving you with the five other men in a very uncomfortable silence.

"Taemin, could help me up on my bed please?" You asked softly, thoroughly exhausted by your tears and the conversation. Your mind was racing with all the information, trying to process it and sort it out in your head. "Of course." Taemin said, standing and interlocking his hands and offering you a step up onto the bed. Once you are on the bed, you pull the blanket over your body and curl up into a ball in the farthest corner. Everything about this situation is hurting you, and none of them seem to understand that.

You listen to the hushed whispers of the crew after they assume you've fallen asleep, you can tell they are talking about you because you hear the words 'plant' and 'girl.' Tears fell from your eyes as you curled even deeper into yourself, you didn't want to be here anymore, not on this ship, not on this Earth.

When you woke up the next morning the cabin was empty save for Ten who was sitting on Marks bed reading a book. You sat up, wrapping yourself in the blanket. "You're up? Do you want to get food?" The maroon haired man asked you, his voice gentle. Shaking your head you laid back down and stared at the ceiling, listening to the door shut behind Ten as he left to get food for himself. After a few moments of quiet, you sat up once more and carefully hopped off the bed. You thought of last night when the captain had told you not to leave alone, but you couldn't stand to be in the room any longer. Pulling the door open you headed to the main deck, finding it almost empty since most of the crew was eating. You walked straight to the edge of the ship and leaned over the side to watch the waves crash against the boat.

The ocean had always scared you, even before you'd been cursed. You avoided it as much as you could when you'd lived on the island, never learning to swim and spending your time as far inland as you could while still doing your work. The ocean was loud and dark and vast, a never-ending abyss of huge waves, dangerous storms, and creatures unknown. And now here you were, in the middle of that horrible ocean, staring into the darkness of the waters and feeling the salty air chill as the clouds ahead turned dark. You leaned farther over the edge stepping on tiptoe, the mist of ocean spray covering your skin. Breathing in deeply you lean even farther, nearly unbalanced as the ocean looms ever closer.

"Y/N!" A voice shouts your name and you are yanked away from the edge of the ship in a hurry. You scramble to pull out of the grip of the person who is holding you, but they simply turn you in their grasp. Lucas' dark brown eyes stared into your own as you relax in his hold now that you know it's not a random crew member. "What were you doing you could have fallen in?" Lucas sounded genuinely worried about your safety and you felt like a small child being chastised. "I was just thinking." You said softly, looking away from his eyes. Lucas sighed, "You aren't supposed to go around alone anyway, you should have come to the dining hall to get one of us. You knew we were there." You huff, "Wouldn't that still be going somewhere alone? Where's the logic in that." Lucas stares at you a moment before he begins to laugh. It's a loud and boisterous laugh that has you trying to conceal the smile that is twitching at your lips. "Well, let's get you to Baekhyun, it's his turn to have you shadow him."

You sighed, not looking forward to it. Baekhyun had sounded so sad last time you'd seen him and you had a feeling that would carry over to today. You shouldn't be so concerned for one of the men who kidnapped you but you couldn't help it. Following the tall man, you reached the captains quarters where Lucas knocked lightly. You heard shuffling in the room and then the door was opened by Baekhyun who was doing up the buttons on his shirt. His eyes flitted to yours for an instance but you saw the sadness that they held. "We are headed to the maps room today, checking our distance for the next port." Baekhyun said plainly, then started walking away quickly, making you run slightly to catch up with him. It was silent as you walked, observing the blue-haired man as he walked ahead of you. He held himself with confidence and a sense of power, his shoulders set and head held high, subtly commanding the respect of those around him.

You soon reached a small room with a large desk in the center, that was covered in many pieces of parchment and some strange objects you didn't recognize. Baekhyun gestured to one of the chairs that were in the room so you sat in it while he moved the things on the desk around. We should be nearing port in the next day or so, so I need to make sure we are where we should be." He explained, but there was no real emotion in his voice. You sat quietly while he used the strange tools and held them against the maps, comparing lengths in ways that made absolutely no sense to you. Baekhyun made no attempts at conversing with you, and it wasn't in the way a person would when they are overly focused. It was an empty drawn-out silence that you hated. He must be really upset about last night... Your heart twinged at the thought. "Baekhyun?" You tried cautiously, but you were ignored. "Baekhyun?" You said again, a bit stronger but still no response. "Baek-" - "Y/N I don't want to talk ok?" You snapped your mouth shut, feeling hurt by the cold words.

The rest of the day was spent watching Baekhyun check the map and then following him out onto the main deck while he made sure everyone was doing what was needed to prepare for docking the next day. He hadn't spoken a word to you since he'd said not to talk, and you'd given up on trying since the silence hurt less than the words did at least. In the evening it was mealtime again, but you still didn't want anything, the day with Baekhyun had only added to the turmoil inside of you and made your appetite disappear. You tried to go to the room but Baekhyun had given a stern look before nodding his head towards the table so in the end you were sitting at the table beside Taeyong and Jongin at the head as usual. Taeyong had apparently lost at seat picking since he ended up beside you, you could hear him mumbling under his breath when he'd sat down.

You focused on your hands in your lap during the meal, picking at the skin around your nails. "/N? Y/N!" You looked up at the person saying your name and found Ten waving his hand in front of you. "You haven't eaten today." He stated plainly, "Not hungry." You answered simply, returning your gaze to your now bleeding cuticles. "Come back to the room with me then, we have an early morning together." Ten said, standing up and walking towards the door. You must be shadowing him tomorrow, so you got up and went after him. He led you to a room you hadn't been in yet that was filled with bandages and had a simple cot in it. "Hands." He said and you held them out to him. Ten made a clicking noise with his tongue then grabbed a roll of cloth and wrapped each of your fingers with it. "There, now you won't make them any worse." He said returning the leftover cloth to a shelf. "Thanks..." You said softly, feeling embarrassed by having someone care for your injury

Ten turned on his heel and exited the room, so you did as well, making your way back to the bunks. Ten gave you a step up onto your bed before heading over to his, but before he got up he removed his shirt putting the smooth expanse of his skin on display to you. You felt your cheeks warm as you watched the muscles in his back move, quickly turning your head when Ten had jumped up on his bed and turned to face you. "Sleep well." You heard him say softly before the room was enveloped in silence.

#superm #superm x reader #lee taeyong #byun baekhyun #kim jongin #ten #lucas wong #mark lee #lee taemin #high seas

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alternativewinxcontinuity · 4 years

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Don't mind me, just losing my mental sh*t

Has anyone else ever noticed it always seems to be the people who’ve never written/posted anything that leave the most unnecessary (and often meanest) comments?

Or the people who themselves write like they haven’t hit puberty yet but feel like they can comment like a professional editor by giving advice that is exactly the opposite of what they were just saying needs to be fixed?!

Not Winx Related, I just really needed to vent. I got a shit review on a non-Winx Story and as I bitch a little about that I'm finally taking the time to address a review I got on my GOT fic, which turned nasty that I want to pick apart, but not to his face because he is not the kind of reviewer who should be interacted with, so I'mma dump it here. (Rant un-beta'd.)

Like? You really want to leave a comment on chapter 2 of a part 30 chapter fic that you haven’t read saying shit like:

“I don’t see the point its basically a rewrite”

When, had you read even one chapter on, you would have begun to see the divergence that is about to slowly snowball out of control while the universe does its best to stay on track. (yes the 'its' typo is review accurate.)

Like buddy, I get it, you've never written anything in your life and you think this is okay to say to someone because, and this may surprise you: you're an asshole.

"The point" was that it was a fun idea, "the point" was that I was enjoying the crossover and figuring out how everything could go wrong by replacing a single major part, "the point" was many, many other people found it hilarious and so did I. Not "the point" but it was also a version of Harry Potter not written by a fcking TERF.

Or:

'This Character is just really out of character, you're doing a bad job of writing him.'

Okay *goes to check their fics to see how they wrote him to see if she can figure out where reviewer is coming from. they have no fics in the fandom.* 'hey reviewer, you say he's out of character, how would you go about fix him so he's more in character?'

'Oh well, he's just not very *season 1 characterisation despite the fact he's explicitly stated to be season 3 end of his character growth story arc*, you should have him do *a thing that is something he would never have done even in season 1*'

Or shit like (and this is a long one from 'Richard' who hid behind the Anon function):

"This is a great fic. It's surprisingly difficult for me to optimize the protagonist. So first,"

Like? excuse you? why would you need to optimize my character?

"I really hope Sansa chooses to mine the metric tonnes of valuable honey and wax from that beehive once she gets her inventory."

So I hate to admit that the honey and wax would be a good idea, and she will be getting a boon of that, but it will be because she'll be getting Bee Hives later, not because she'll think to strip mine a people in dire straights.

"Also, she has valyrian steel claws, which she now knows can dig into the rock very easily. Those crumbling ledges? She can dig new ones, she can dig a staircase. She can widen the entrance so that her soldiers come in to help mine the liquid gold. Especially since she appreciates the difference between currency and goods. Of course, maybe she'll establish diplomatic relations instead."

So I am going to look so fcking petty when I finally get the next chapter out, because I actually addressed this idea with reality. Trust me, I did some research, and while there's almost nothing easily found on how long it would take to do this sort of work by hand, what I found supported the idea that it's stupid. It takes (and I shit you not) literal days with a team of men using hand tools to carve through even a few metres of rock (the exact time depends on how hard the rock is and how large they make the opening/area).

Sansa would be literally clawing at the walls with her nails which, while yes they are Valyrian steel, are still attached to very human fingers and arms. and here's where my first hand knowledge kicks back in: I went on a mock archaeological dig when I was in high school, I spent several hours scrapping layers of compact sand to uncover artefacts, resistance levels aside, the repeated action is hell on your muscles, Sansa would spend as much time recovering as she would digging. to get all the way to the entrance would take her literal years with Richard's suggested method.

PLUS: the point of the adventures is for SANSA (and Arya) to have the spot light, to be forced to think and find ways to use the new Abilities they've been given, or to come up with new ones. It's part of my whole "Power is Earned, or it is Corrupted" mentality, if you don't work for it, you will sooner rather than later abuse it.

AND: of course she's going to use diplomatic solutions, she's Sansa, and that's what the clue of foreshadowing was saying! Literally everything you need to know to solve the Dungeons is in their individual clues!!!

"Secondly, medieval people already had long-lasting torches which burned for hours and hours instead of 5-10 minutes. Each torch looked like a pillar or stupidly elongated torch that was carried with the tip lit and burning down like a candle. They also didn't use candles as those were too expensive. They used rushes soaked in fat which could be made by the dozens to hundreds with a few hours' work. There's a youtube video on this subject entitled medieval misconceptions: torches and candles."

Oh. My. God. Such. Valuable. Information. If . Only. I had. Known. This. When. I wrote. about. reed candles. in this. very fic.

Literally of the four times I used the word candle, twice it was explicitly 'reed candles' (and guess what other name rushes go by?) and once it was a metaphor specifically about the smoke and not the candle.

As for the pillar candles, the ones that burn for hours are too heavy for someone of Sansa's size and arm strength and the hour candles, (if you've ever seen Avatar Last Airbender, the candles they used in the Secret Tunnel) are unwieldy and aren't so good for putting down in a way that doesn't risk them going out. (Putting them far enough into a wall sconce that it won't topple back out makes it very tricky to remove it.)

Which, why even bother with torches that are more effort to obtain when Sansa's powers make the 'advantage' obsolete anyway!? Not to mention: Displayed Content! If a show uses something even in the background, it exists in that world. Wax candles aren't that rare. (Also side note, because I do my fcking research: the majority of hives which supply the honey and wax to Westeros are owned by the Maesters of old town.)

"I don't really care about those things though. The latter is a mistake literally everyone makes and I didn't know was a mistake until a month ago. Which goes into my third point, how Sansa could optimize things."

Then why bring it up, especially since I didn't technically make said mistake??

"At this point she knows she needs people and she's already given her powers to someone trustworthy. She also knows that healing is a power she can give. And she knows they're going to need this at least as much as medics. And there are indeed people she trusts whom she hasn't approached with an offer of power. Ned Stark, Catelyn Stark, Lyra Mormont of Bear Island, and Tyrion Lannister. Tyrion Lannister can wait but not forever. Lyra should be approached as soon as possible."

NO. Arya was the exception, not the rule, Sansa isn't going to just go off and give her god-blessed powers to anyone else. I was hesitant to give it to Arya as it was, and only let myself because I could use the 'Arya's God is Death, there's more stakes than you thought' to fully justify it.

Tyrion as he is can't be trusted, and future Tyrion chose Dany over Sansa, neither Sansa nor Arya know how his story ended, so as far as they are concerned he's a good ally, but not actually trust worthy enough for this.

For those of you confused, Lyra Mormont is one of the daughters of the Lady Maege Mormont, and one of Lyanna's sisters. Lyra got maybe two mentions in the books and nothing in the tv series so I can only assume Richard meant Lyanna, who is currently 2 years old! But we'll come back to this, because Richard sure did!!!

As for the medic thing, I really hope Richard meant he was fcking off for good in his final word, because if he comes back, I really don't want him to think he's responsible for the medic corps that I've been planning and attempting to foreshadow with Sansa approaching Luwin, and Beth and Jeyne following Sansa's lead with archery.

Like, oh hey, guess which unfortunate field medic bride of a Stark might find her way to Winterfell if she hears about young women being trained in some basic healing to help Maester Luwin deal with any cases of over flow of patients. That's right, I'm planning for triage nurses! No magical powers required.

"I assume she's going to get glass from Lys through the Tapestry of Doors. For that she's going to need tokens. She's going to need tokens for everything, and she already knows it. So collecting and hoarding tokens should be a big priority for her. And that means going places where there are tokens to be got. Places she hasn't gone to yet, like The Wall and Bear Island. Just to get tokens."

No. Again, just NO! Sansa already stated that Tokens and relying on them were a thing that would come back to bite her, she'll horde them as she finds them, but she's not going out of her way to find them because she has things to do! Also: the Tapestry of Doors was a piece of Flavour text for way late in the fic if it ever came back, and like a Stargate, requires one at each end, so someone would have to travel to Lys anyway, which is dumb when Sansa now has a Loom which can copy any 'raw' material, and the ability to convert that 'raw' material' into any object she has the blueprint for, which she can get by 'scanning' with her console.

She just has to put 2 and 2 together!!

"She also knows there are dungeons in each place, and that she needs to get to them. And that it's better if she gets in with people. Like people Lyra trusts to whatever dungeon is in Bear Island."

The thing about the Dungeons is that the whole thing is for Sansa, some of them will have special requirements, but very few of them are crucial, they're just there so Sansa has a place and a trial to obtain Unique Items of game breaking power or ability.

"The last way to optimise her powers is one I don't think she'll take even though it has a lot of benefits. Going with a squad of soldiers into the Dreadfort's dungeon in order to confront the walking dead, with hit and run tactics slowly draining the population there. The main benefit and reason to do this is to harden and blood the soldiers to prepare them for the Long Night, so she should have the soldiers on rotation in order to expose as many as possible to the horrors to come."

Problem is the undead in the Dreadfort Dungeon aren't the same as the Wights and White Walkers, they can just be killed in the same ways. The idea of these kinds of fics is that by the time the Long Night Comes, Sansa and Arya can do most if the heavy lifting. You are right that Sansa wouldn't risk her people for some EXP though.

Sansa will be going back though, there's a pair of Shears and Needle in there.

"Also, the loot should be great. Perhaps another loom. But I would do it even for more bobbins. Or nothing at all."

Literally the Loom is a one off item. It is super powerful with what it can do in the context, so having more than one would ruin the power balance I've been trying to keep between Power Fantasy and OP Bullshit.

Someone of course pointed out that (Richard said Lyra, but responder said Lynna) Lyanna was currently literally 2 or 3 years old, she can't do shit. (they also brought up that 2 (actually 3) characters had already declined the super powers, because it included bad timeline memory downloads.) Guess how Richard took that?!

If you guessed "not well" you get a cookie!

Seriously, I was kind of annoyed at his review because^^^ reasons he was wrong about stuff, but also the arrogance of 'telling me how to optimize my character' was just, icky, so I was just going to ignore him.

But then he went (in response to the other reviewer):

"(snort) I think you need to recall what Lyanna Mormont is like at 10 years of age. She is a force and she is in charge. And what exactly is your objection, that Sansa needs consent or is preserving innocence?"

No moron, the objection is that she's literally 2 or 3 years old, what the fck is she going to do in her tiny little body? But yes, now that you mention it, Sansa (was assaulted and lost her bodily autonomy, she) would place a huge amount of importance on consent, it's one of the reasons she was so upset by Arya taking advantage of her sleepy state to get her to agree.

"Lyanna Mormont wouldn't care. Jon and Robb care, that's why their sister cares. Lyanna would never thank Sansa for trying to preserve her innocence, keep her ignorant, or keep her weak. She would be insulted."

Lyanna is literally 2 or 3 years old, she doesn't know enough to care or be insulted by not being told that she's lost the chance to remember several years of horrific shit before being violently murdered.

Also I notice you didn't say anything about the name correction. Got it wrong the first time did you?

"Which leaves only respecting Lyanna's will. Or her mother's will maybe. Or at least informing them of what she's decided to do before she does it so they can prepare. But Sansa gains nothing by not asking."

And what would she gain by asking? also nothing. Lyanna is 2 or 3 years old. Also the fic isn't about her. Why would Sansa even trust her? The child who thought she could judge Sansa for being unable to stab her way out of some horrible places? who scorned Sansa because she was femme? Because Sansa's strength isn't the same as hers so Lynna decided Sansa didn't have any?

Lynna chose Jon to lead the North over Sansa who had a better claim to the throne, Jon, who spent the entire 8th season saying how much he doesn't want to be king, Jon who legit just tried to walk away from the Command of the Nights Watch.

"And this brings up another issue, the fact Sansa never decided FOR Jon and Robb cuts both ways. She informed them of their choice and she let them make it."

"Sansa didn't keep them in the dark without informing them of the decision she was making for them, as you seem to want to do, since that definitely isn't the right thing to do. Mushroom management is a shit heap."

The boys were already aware that something was up, Sansa had nothing to gain by lying, and she made the offer before she realised the memories were a thing.

"The question to ask a toddler is "do you want to grow up?" it's not a difficult question to ask and it does have a meaningful answer. And that's the problem you have, because you already know Lyanna Mormont would say yes and you want her to say no. That's why you want the question never asked."

"You want to pretend that Lyanna Mormont, DEFINITELY in charge of bear island at 10 years of age, is a gormless wimp like 25 year old Jon Snow who refused to be king and refused to even THINK whether or not Daenerys would be a good queen by constantly uttering the refrain "she is my queen"."

Laynna was in charge because she was the last of her family, everyone else was lost fighting someone else's war. More importantly: she's not even part of the equation? Why would Sansa travel to Bear Island to ask a 2 or 3 year old if she wants to become an angry and traumatised 10 year old in a 2 or 3 year old body which will feel like a prison because she's not as tall or fast as she used to be, because she can't lift or climb or jump or ride or fight like she used to.

And for what? a few super powers she has to ask Sansa for? For mental trauma her family and friends cannot comprehend?

But no, have a look at the part where Richard really started to cross the line:

"No, Lyanna Mormont wants power, wants to grow up, that is obvious. And you're an obstacle in her way. She would hurt you for standing in her way, probably smashing a mace in your knees. And you're so weak that yes you would in fact be hurt by a 2 or 3 year old toddler. She killed a giant and she would have no problem killing you for daring to think you're a giant."

"Stand aside little man and let Lyanna Mormont have her glory."

Now I don't know what this guy's obsession is with Lyanna, but that sounded like a threat to me. Like, who tells people that a fiction character would physically maim or murder a real person just for pointing out said fictional character is 2 or 3 years old?

Lyanna doesn't want power? She's not that kind of person, even if she is fictional? More importantly:

Neither I nor the reviewer were 'standing in her way' because she's a fictional character who's not even in this fic!!!

But his behaviour was pretty shit, so I told him to knock it off or I was going to turn the review filters on.

That went about as well as you might expect.

So I was All:

[I don't know what you think you mean by 'optimize the character' but half of your assumptions are wrong, the rest run counter to my pre-existing plans and I don't care for your overall demeanour. I was prepared to leave your post be, but your recent reply is inappropriate and uses language which runs VERY close to sounding like a death threat, which I DO NOT APPRECIATE. I don't want to be 'that bitch', but I am going to ask you to please be respectful, or I will be turning on the comment filters.]

Because I don't Know if you know this but AO3 has three filters in the privacy tab of every story posted:

1] “Only show your work to registered users”

this means that you MUST be logged in to an AO3 account to even find it let alone read it

2] Disable Anonymous Comments

you Must be logged in to leave a comment

3] Enable Comment Moderation

doesn't matter what you say, with out Author OK, your review will not be showing up in the comment section.

(… tumblr just did that thing again where it refreshes in the middle of my thousands of words of text and loses all my stuff, it is literally making me want to kill myself. Because I have to retype all the responses from the next fcking section. It's my own fault for not just using a word document, but also: fck tumblr? For being stupid?)

So, from here Richard had three options:

1- Apologise and move one

2- say nothing and pretend it hadn't happened and move on

3- He went with this:

“Your Sansa Stark is weaker than canon Sansa Stark. It's true your Sansa Stark has a strictly higher level of ambition than Sansa Stark. But what she uses in order to achieve her goals, her resources, is weaker.”

“She uses actions, capabilities and skills. She uses embroidery, archery, learning (archery), she uses the people she already knows but not strangers. She uses and manipulates the people she can interact with, learn from, act upon. The level of people that is directly equal to skills.”“

She doesn't use language, nor does she use strangers. Strangers are the level of people that don't require interaction but DO require language to deal with. And your Sansa Stark's language is too weak. When she manipulates the maid in the Dreadfort, it's entirely accidentally and unintentionally.”

Sansa has seen what power does to people, she's seen what lies ahead for the manipulators of the world, she's been taught at the side of Cersei and Petyr, and she does not want to become them. For all the horrific things she's gone through, Sansa came out the other side with her compassion intact, possibly even stronger than before.

“She talks to Domeric only because she's already interacted with him, she's been healing him for days by that point. She fakes Green Dreaming to her father because she knows her language is inadequate and will achieve nothing. The way her father and mother treat her, they know mere words would be inadequate. And they would dismiss any words she said. "Haven't we told our children dreams can't hurt you?"”

She doesn't want to interact with Domeric, he looks like the man who violated her repeatedly, killed her brother and sacked her home. She wants to be as far away from him as possible. When she does end up interacting with him, despite being so sleep deprived it's a wonder she hadn't started hallucinating, she manages to win him over pretty easily.

She fakes Green Dreaming because “a god made me time travel” is not only a ridiculous concept but a foreign one as well. Why would Sansa tell her parents that when it would mean admitting to going through some horrific shit, to letting her family down and being let down by her family when Green Dreams are a known thing which explains her knowledge. It's not inadequacy, it's efficiency and an attempt to hide horrible things.

I need to point out that “Haven't we told our children that dreams can't hurt you?” is said by Catelyn in self-recrimination afterwards, and is said specifically to reference the reason Sansa might not have felt she could go to them with her problem was because it was based on dreams. Because what parent would take dreams as a serious threat unless they were a Nightmare on Elm Street survivor, especially since Green Seers have become so rare they've been relegated back to myths and stories by the time Jojen and Bran show up.

“Language requires actions such as mouthing, shouting, tonguing, but actions will never add up to language. Actions are necessary but NOT SUFFICIENT for language. This is why you can't write a single damned sentence with only actions. Try it, you won't be able to.”

I can't take this paragraph seriously if only because of the use of the word 'tonguing'. FFS, he sounds like a small child trying to convince people he's got a PhD. 'If I throw out some big words and phrase them right they'll sound 'academic' and I'll look smarter!

'I know this probably isn't what Richard meant but: Sign Language? Is literally all actions?

(Obviously real language requires thoughts and concepts to be communicated to be a language, but even the most primitive of body movements can express something: I'm hot, I'm hungry, I'm angry, etc. It might not be true language, but it is communication, which is the basis of language, the reason we made language in the first place.)

“Canon Sansa Stark had dreams, plans, and designs on what others have. She wanted to wed a prince, she had designs on the princess position. She wanted out of King's Landing. She wanted Winterfell. She wanted the Knights of the Vale to fight ... FOR HER.”

“People who had never met canon Sansa Stark in their entire lives fought and died for canon Sansa Stark's benefit. For the designs of a (her words) stupid girl. And sure, her initial designs were stupid. And they only rose up to being pathetic. But they were designs, they were dreams, they were plans.”

I need to talk about my interpretation of Sansa for a minute, because that's what I've been writing: my interpretation of Sansa.

Sansa was raised with an idea of how the world should be, not how it was. She was raised loved and protected and surrounded by men of honour. Fed stories of heroes, brave knights and valiant princes, where good always triumphed, or was romantically defeated and beautifully tragic.

She wasn't raised to expect dishonourable men and hidden motives, she wasn't raised expecting a (metaphorical) dagger in her back.

She didn't want the crown, she didn't want the throne, she wanted “the prince” from her stories, who would cherish her and care for her and give her a family filled with love. And yes the pretty dresses and the shiny jewels and the adoration and praise. But she never wanted power, that came later.

Later after she'd seen the cracks in the world and the grime beneath the gilding, when she'd learned friend and foe were often the same, that people with power would hurt her, use her, that she was nothing but a trophy to them.

Sansa wanted power because “if I'm the one with the power, then they can't hurt me any more, if I have the power I'll be safe, if I have the power then I can protect people, if I have the power I can stop people like that.”

But Sansa has never had power, it was always borrowed, an illusion that could vanish at one misstep. She had no money of her own, her blood made her valuable to others as a trade commodity, but gave her no personal power.

When people fought for her, it was never really about her.

Petyr gave her armies so he could win favour so he could use her as a proxy for her dead mother. Brienne fought to fulfil an oath to Sansa's dead mother.

The Men of the North fought for Winterfell, to get revenge on the Boltons. The Wildings followed Jon Snow. And when it was over, it was Jon who was crowned king, not Sansa the one who had to talk him into getting back their home in the first place.

Her parents and Robb fought for her, but their armies fought for House Stark, for the insult Sansa and Arya's capture and Ned's death presented.

“Your Sansa Stark has no plans, has no dreams, and certainly has no designs. She doesn't use language, because her language is too weak and has no power. She doesn't use her emotions or feelings because they are brittle and far too weak to be used. Weaker even than the emotions and feelings of a stupid girl. She doesn't use her mind or intellect because she doesn't cogitate. She uses skills and ONLY skills. To try to fake everything else.”

It's odd that he says this when he started off this response by saying my Sansa was more ambitious than canon Sansa.

First of all: I thought I was making it fairly clear that her goals were: save her family, save the North, stop the White Walkers.

Her dreams are to never be beholden to another man ever again.

Sansa wants her family alive, she wants to be safe and she wants to be free of all the political manipulations she had to sit through in the first timeline.

Second of all: Richard has clearly never been assaulted in his life in any way and I am so fcking happy for him. Really.

Look, people who suffer long term trauma, (or short term, it doesn't matter how long really) are not magically okay afterwards. The idea that sexual assault makes femme women strong is disgusting and so toxically prevalent in movies and shows and books these days its... horrific. You'll notice butch women like Arya aren't typically assaulted to be strong, because they're already so 'manly'. It was a genuine surprise when they tried to have Brienne assaulted, but that was more about showing how much of a 'good guy' Jaime was than Brienne.

You can really tell in several places that the tv series had non-con fetishists on staff.

Sansa is so brittle now, because she feels safe enough to let herself feel the fear she wasn't able to earlier, to work through the panic and the anger and all the emotions she couldn't before.

“Your Sansa Stark plans to use skills in order to change the world. And since it's obvious the world isn't run by woodcutters or farmers or archers or anyone else defined by their SKILLS, she will fail. She will fail abysmally, totally and catastrophically. She hasn't got the slightest sliver of a chance.”

Quick tally: Sansa has managed to convince her parents she had knowledge of the future, put them on track to realising Petyr Baelish was stealing from the Crown, got Stannis curious in Dragonstone, came up with a plan to gain favour for the North by helping to pay of part of the Crown's debt and has begun working on a plan to ensure more food is available for the Northerners when Winter arrives.

Not to mention, (and you'd easily miss this): Sansa has begun influencing a shift in the young women of the North who had previously been influenced by the South.

The thing is, Richard seems convinced its about the looting and the grinding, 'kill enough stuff and you become a God!' but it's not.

“So you stacked the deck in her favor. You put a high tier deity on her side. Now Sansa has a slim chance to squeak out a win, using the power she's borrowing. But here's the thing, it will never be HER win because it isn't HER power, it isn't HER plans. Your Sansa Stark has no plans, but her deity does, even if they're stupid plans of puerile amusement-seeking. So IF there is a victory at the end, it will never be Sansa Stark's victory, it will be her deity's. Because she is only a pawn, a tool, a peon, a minion.”

Richard doesn't seem to understand what the introduction of Arya's God means for the lore. The amount of death from the wars is causing Bad Things in the back ground of the original timeline.

Sansa isn't the Being's pawn, she's their start player, the Being is a sponsor who's giving Sansa the chance and resources to be greater than she was. It's not about 'puerile amusement-seeking', but how do you tell a young woman who's gone through what Sansa's gone through that the fate of the entire human race is in her hands, that if she fails it won't just be her family that falls.

If Sansa thinks the Being just wants amusement, then Sansa will act as she pleases and hope it's good enough, which puts her closer in line with saving the world than if she's actually trying to save the world, because that is a much bigger task than 'stop the issues that got my family killed'.

The Being is only victorious if Sansa is, it's their shared victory.

Now up until this point Richard has been an arrogant tool, but it might almost seem like he's being reasonable. This is where he loses the plot and just starts back on his favourite fall back: threatening people with violence.

“Now generally, when an author writes a protagonist who is a pawn, a tool, a peon and a minion of a higher power, when they write a protagonist who is WEAK, it's because they themselves are weak. Generally doesn't mean universally however, so I had to know. And now I do. You are weak Jasper.”

“You want to convince me of something Jasper. You want to convince me that I'm wrong, that my opinion is wrong, that my position is wrong, you want me to change my mind, you want me to know my plans and judgment are wrong. Because they're in conflict with yours. But how do you achieve this? By threatening me with your borrowed power. Exactly like your Sansa Stark.”

Did he have to google the list of synonyms there?

I don't know what it is about being referred to by name, but it bugs me that he chose to use only a portion of my pen-name like we were somehow familiar, rather than not using my name or referring to me as OP or something along those lines.

Also I really have to disagree that only weak people write about people being weak, but I don't think his opinions of weak and strong match with mine either.

He is wrong, but more importantly: he threatened someone with violence for daring to correct him.

I wasn't threatening him, I was warning him to stop being an asshole or I would disable anonymous commenting.

“You do this because you're weak. And what do we call weak people who complain about strong people's actions when they are the bitches of higher powers? We call them exactly what you "don't want to be", we call them bitches. You are a bitch to higher powers and you bitch about higher powers like me. You bitch about people who can use their intellects. And for a good reason too.”

“You fear my attitude because I am the bitch slapper. I slap little bitches like you all fucking day long every single day. It doesn't matter to me who it is, whether it's my own friends who are bitching, I slap them for it. And you will never ever convince me that you're right. Because you're weak. And because I don't respect bitches.”

Look, I've seen enough therapists of different varieties to pull off some impressive psych 101 bullshit so I can tell you right now: Richard is a man who has never held any real authority in his life, he has mediocre skills at best and often feels talked down to because he feels more entitled than he is and no one treats him like a god for breathing. He refuses to back down when wrong even in the face of evidence and then he pouts because the world didn't shift to match his delusions.

The worst part is I know this, and I know I shouldn't let this bother me. But it does. But it shouldn't and I can tell him to his 'face' via review reply why he's wrong, or he'll know it bothers me, then he'll feel validated, even though he's wrong. And he'll probably threaten someone with more violence and then I really will have to disable anon comments and effectively punish some readers who did nothing wrong.

“So what are you going to do to me that I care about? Stop me from reading your fic? You don't have that power. Stop writing it so that I can no longer learn how your mind works, my ulterior motive? That would be cutting your nose to spite your face. You would suffer far out of proportion to me. I would just move on to some other author. Report me? Go ahead, I don't care. Really, we're done here, so have a nice life.”

Yes I do, literally the first of the privacy filters would stop you from reading, but that would hurt my other readers who don't have an account.

'Ulterior motive'? Buddy, you apparently don't understand how any mind works.

Again: if you don't care why bring it up?

Are you really leaving though? Do you promise?!

“The only thing you could ever do to me is surprise me by ceasing to be a weak little bitch. Or even resolving to not be one. This would invalidate all of my predictions by rising to my implied challenge. That's what I like, win-win. (lol) I'm not holding my breath though.”

I don't have anything to prove to this douche tool and it bothers me that this is bothering me so much!!!! The worst part is, this review came at a time when my attention for the fic was flagging, so I'll never know if it was really this review or not that made me stop writing for the past few months?

Those of you with an AO3 account who drop by my profile to see if I wrote anything interesting may have noticed my recent 'for archive users only' locked fic. I can confirm that yes: to mental detox this review I went and watched a Chinese Xianxia drama that has become my new hyper-focus. Almost 100 plot bunnies are being posted into the locked fic in an effort to purge it rom my brain so I can get back to what I was doing. It seems to be working. I wrote about 1000 words for Episode: Sisterhood this week, so the chapter is almost done. At last!

#just blog stuff #i’m just bitching now #absolute aggro #swearing #op would like to die #not winx or alt con related #i'm just really angry about it even though I know I should know better #eleven pages of op being an angry incoherent mess

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simons-purplehoodie · 2 years

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Hej💜 I've become a huge fanfiction lover in the last 10 months since joining the fandom and I'm curious about comments and commenting! I don't write myself but I try to leave comments as a little thank you for getting to enjoy the art. So I decited to send some questions to the writers I follow here. No pressure to answer ofc I'm just curious, I adore you writers 🦋

1. Do you often leave comments or kudos on stories ? Why/ why not ?

2. What do comments mean to you?

3. What are your favorite type of comments to receive? Long and thoughtful ones? Favorite parts or lines? Praises? Asdfghjkl? Guesses or hopes for the future?

4. Do you reply to comments? Why/why not?

5. Has there been any negative comments? How did you deal with that ?

6. Are there comments that are not necessary negative but you just don't enjoy?

7. Do you ever get nervous how people are going to receive something you are writing? How do you deal with that?

8. Has there been a moment when someone interpreted your writing in a totally different way that you intented or misunderstood you in the comments? How did that make you feel ?

9. Do you ever go back to your comments? Are there comments that stayed with you?

10. Is there something you wish us non-writers would know regarding writing or commenting?

If you are a writer and I didn't ask you, please answer anyway if you feel like doing that! I only follow so many ( and also wanted to ask this anonymously because I'm shy hah). I'm so thankful for all you wonderful writers out there, this fandom is full of super talented people 💜

Thank you so much for this ask!! All of us writers appreciate it so much!! 💗💗 I hope you’re having a lovely week!

1. I almost always leave comments and kudos on stories I read because I know how much comments mean to me when I get them on my fics! The only time I don’t is if it’s a story that I start reading and I just dislike and stop reading for whatever reason, but that happens so rarely in this fandom because everyone is so darn talented!

2. Comments are EVERYTHING to me! It’s such a serotonin boost when I see the message that someone’s commented on my fic, because writing often takes such a long time, and seeing that someone has appreciated what you’ve written means the world 💛

3. “Long and thoughtful ones? Favorite parts or lines? Praises? Asdfghjkl? Guesses or hopes for the future?” Literally all of these Hahahha. Honestly I swear any of the types of comments you mentioned are worth more than gold 💕

4. I always reply to comments because I feel like if someone has taken the time to say something nice about what I’ve written, then I like to thank them and let them know I’ve read their comment.

5. Personally I haven’t experienced any negative comments! 💛💛💛 The young royals fandom is so sweet, but I’ve definitely seen negative comments on fics I’ve read from other fandoms, and it always confuses me. I think if you don’t like a fic that’s perfectly fine (it’s totally your opinion!) but just don’t leave a comment then instead of leaving a rude one

6. Just one type. Almost every type of comment I’ve received I adore so much I can’t even convey how much they mean to me. The only type I dislike are the ones that repeatedly ask when the next chapter is coming out. I know that they’re excited, which is really really sweet, but it also makes me a little stressed haha

7. ALWAYS! I think you kinda just have to say f*ck it and post it anyway lol

8. Thankfully not yet, but writing is so subjective, so if someone wants to interpret something differently, I think I’d be totally okay with that

9. ALL THE TIME!! When I have writers block, or honestly just whenever I want to reread them, I always go back and look at comments. They make me feel proud of myself, which isn’t a feeling I have often, so I appreciate all the comments so much. There are so many that have stayed with me, especially the long ones that I can’t believe someone has put so much time and thought into 💗

10. I guess that writing takes time? Other than that I think that everyone is so respectful, wonderful and beautiful I have nothing to add!

Thank you so much for this ask!! I really enjoyed answering all these questions and I’m honored that I’m one of the writers you follow Anon! P.s. I’m shy too haha

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adrocks · 3 years

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(i suspect you might not be receiving that first half so i'm gonna try one more time just in case, sorry if you already got it ❤️)

(1) hiya! this may be a bit random and weird, i only stumbled on your blog because i've been going through the notes/tags of that SW post and getting increasingly frustrated. tho i’m not a SWer, so i def i realize it's not really my place to get angry! but like..it's so absurd how people keep repeating the same arguments/conflating sex-trafficking and SW and not realizing that rhetoric has been used to pass bills which...ultimately don't actually prevent sex-trafficking (like they're supposed to), but only cause more issues for SWers everywhere

*im attaching the bottom half of your ask for anyone who didn’t see it last night !*

(2) (e.g FOSTA/SESTA and tbh every other legislation that conflates the two and has shown to be ineffective). especially since so many anti-trafficking/pro-SW NGOs and academic studies and even trafficking survivors have pointed out how harmful that conflation is. i dunno what the point of this ask is, tbh, i guess unsolicited moral support. <3 but yeah, i'm sorry people are so tone deaf and unwilling to listen, i hope you have a wonderful day/night, and absolutely feel free to ignore this! 😃

yeah i don’t know the idea that sex work is inseparable from pedophilia, trafficking, rape, etc is so fucking ridiculous to me. i feel as though i should point out how some people’s minds take them to this conclusion. i am a stripper, i have been one since i turned 18, so over 3 years now, i have been around and worked with full service sex workers & i actively participate in online sex work. and man it is so fucking derogatory and harmful to imply that there is no ethical consumption of sex work, and on top of that, to continue and say that you “support sex workers” you just don’t support sex work. it’s insane to hear people say that shit. the person that made the original post made a follow up saying “industries like plumbing and farming aren’t built on sexism and violence the way sex work is” and i think that really showcases how people think of sex work as some icky job that has to be separated from everyone else’s & isn’t a REAL service. like, it’s really funny to me to make a post telling sex workers that they should just! go to trade school and be plumbers instead! an industry that is obviously built on sexism where me and most of the girls i work with would never ever get work after spending thousands on an education to do so! farming is absolutely built on violence and one of the most exploitative jobs i can think of, the vast majority of farmers are overworked and very rarely adequately compensated for their time ? but everyone can understand that those things are not intrinsically part of those industries. children are abused by any job where they have to work as a young child to make a living, just like sex work. that happens with MOST JOBS in some areas child labor is not a thing of the past. most of these people trying to tie sex work inseparably with pedophilia almost Certainly use products that are made with child labor and don’t even think about it. this is PREVENTABLE and can be separated from those industries themselves (although i do hate those industries as well and i believe a lot more work is needed to fix those industries and make them acceptable than just eliminating child labor). child labor can happen in any industry, it’s always evil but it’s also being used as an excuse to throw disrespect towards sex workers and disqualify their livelihood as being “not a real job” under a thinly veiled guise of protecting women and children.

it’s just fucking stupid and it’s clearly people trying to self-explain why they think sex work isn’t a Real Job

this is already really long winded i’m so sorry to anyone reading this honestly i got mad at that post on here last night and then closed tumblr and opened twitter to see an almost identical post about how there is no ethical consumption of porn or erotica because everyone who makes those things has to have been abused to do so (😑) and that if you jerk off to anything but your own thoughts you’re not a real communist so i think my brain got melted a little bit last night and i’m still pissed about it. anyway anon thank you very much for sending this, you’re absolutely fucking correct and i really appreciate that you cared enough to send this ask. hope you have a good day !!!

#holy fuck if you read this whole thing im so sorry LMFAOOOOOOOO #this is the most i’ve gotten mad on the internet within the span of 12 hours in months #ask

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yukipri · 7 years

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Hey, I want to start posting my own art but i don't know if i should do it on tumblr or instagram...which one should i choose? i noticed that you use both, but all your art has your blog URL... any thoughts?

Okay so here’s my best attempt to answer this, it got a bit long sorry! ^ ^;

I think different people have vastly different experiences posting art on various social media platforms depending on what you post, how you want to present it, how many followers you have, and how you regularly interact/WANT to interact with those followers.

I technically have an instagram which I tried to get myself to restart using after my last convention since so many cosplayers use it, and i tried putting a very small amount of art on there but tbh it’s already fallen back to its original use, which is to sometime post photos to tumblr through it ^ ^; I realized Instagram’s not a great platform for me personally to post art because 1) I personally do not have a lot of followers on it, 2) of those followers, many are rl people who found me through fb which i try to keep separated from my fandom blogs, 3) Instagram heavily controls image dimensions so it’s not great if you frequently post tall or long posts and the majority of my art is portrait, 4) Instagram is good for individual aesthetic images, not so great for long story-telling multi-page comics, which is a lot of what I do, 5) I’m not entirely sure how people find your blog on instagram since no reblogging and tags and stuff seem strange and most of the attention seems to come from people who already follow you, and I’m too tired to learn another social media platform now, and 6) Instagram is full of a TON of art theft and I’ve had too many personal bad experiences to have a good impression of the platform as a whole.

So uh, yep, in other words for me Instagram is mostly for cosplay, selfies, pet pics, and merch pics ^ ^;

I also post on Twitter, but that has its fair share of issues too. It, like instagram, is pretty bad for posting portrait images and works better with square/landscape aligned images. It absolutely SUCKS for long comics and multi-page things because the previews are awful. The text limitation is also pretty miserable for someone like me who loves talking a LOT on my posts. It also has a really weird HUGE hit or miss gap between art posts, and I feel like the amount of followers or comments you get per successful art post is far fewer than Tumblr, though others may have different experiences. It IS good for connecting to a less English and tbh far less America-centric community though ^ ^;

I personally prefer to use Tumblr as my main art posting platform for several reasons, some simply because I’ve been more successful here and that’s motivation to continue, and some also just because of what I post. This was the first fandom social media I was really active on, and I’ve been active for YEARS and have sloooooooooooooowly but steadily gained more success, bit by tiny bit through various fandoms (so yeah, tons of art posts with only single digit notes? been there, done that WHOO).

Because Tumblr’s been my main social media, I’ve gotten used to formatting my art specifically for it. Almost all of my art uses Tumblr’s ideal image posting proportions (2 width: 3 height, for those wondering, anything taller blurs), and I’ve learned to take advantage of Tumblr’s vertical scrolling to make posts that stand out when you speed scroll. I’m also the kind of artist who again, rarely posts a “look a pretty picture anyone can appreciate” type art, and more “here’s a really obscure hyper specific AU comic that you’ll have to follow all the links and read the text to appreciate,” type work. This latter means that being able to write long comments (and being able to put it beneath a cut), add links to other posts, and properly tag is really important.

I’ve also found that when I personally post this hyper specific content, on Tumblr and only Tumblr of my social media platforms do I get significant feedback. This is almost entirely because my own unique followers are truly amazing and I’m so incredibly grateful to them, but also partially because there’s so many methods of feedback for people at various comfort levels. There’s the askbox, which I can respond to publicly and where people can send anon if that’s easier. There’s IMs, which I can rarely respond to but it’s an option. There’s replies and comments in reblogs of posts. And there’s tags for people who want to ramble but don’t necessarily look for responses from me. The combination of all of these results in quite a decent amount of feedback that I can enjoy ^ ^; And again, this isn’t for every post; I find that art with less specific context, even if it gets exponentially more notes just don’t have the same type of feedback as my more specific content. And experiences will vary heavily between users, but this is just the community that I feel has grown around my own art here (Thank you all, dear followers, you’re all amazing ;A;).

Tumblr’s url is the one stamped on all of my work because it’s the one I’ve created my brand on, it’s the one that contains all of my content as I meant for it to be seen (comments, tags, links to other related posts and all) so it’s the one that most of my reposts on my other social media link to anyway, and also to be blunt, it has many more times the number of followers than all of my other social medias combined >.

Of course, Tumblr has plenty of cons too. As noted above, but horizontal images are CRAP to post on Tumblr bc they take the least amount of space when you’re vertically scrolling so even it’s a ridiculously huge and detailed long post, it’ll barely blip on most dashes. There’s a limit of 10 images, which can be annoying for me sometimes as a comic artist who has to work around that. Tumblr also does this ridiculously stupid thing where it resizes the image that appears on the dash so it’s really crappy quality and it’s a pain for people to open up the actual resolution image. Tumblr also has, ah, a very specific and rather hostile culture around many things, and depending on what you post you could get a lot of unsavory comments that will be a LOT more rare on other platforms. I’ve found that users on other platforms tend to understand the “You control what you consume,” concept a lot better ^ ^;;;; And given the above various forms of interacting with your followers that I’ve listed above, this also means that people have a variety of tools to make you feel like crap too! And then there’s all that stuff about safety mode going on recently, among other problems. Not a perfect platform, not by a LONG shot.

So which social media platform will be right for you? Again, it really, REALLY depends. If rl people follow you on one or the other and you want or DON’T want them to see it, that’s a factor. If you’re used to talking to your followers on one account and maybe they’d be interested in seeing something else from you, that’s an option. If you want to divide personal from fandom or combine them, that’s a factor. If you prefer more “artistic” or aesthetic art, perhaps instagram and twitter would work far better for you than me. If you have a certain art orientation you prefer, that’s a factor (again: Instagram = square, Twitter = square/landscape, Tumblr = portrait/square). If you want to write a lot of comments or post multi-page work, perhaps Tumblr is better. And of course, it certainly doesn’t hurt to try posting on multiple simultaneously and seeing what works for you, which could be everything!

But most importantly, please don’t get too discouraged if your work does not immediately get the response you were hoping it’d get. Gaining a following takes time and there are so many factors involved beyond your skill level alone, including the popularity of the fandom if it’s fanart, timeliness, frequency of your posts, and the biggest one is sheer dumb luck. Most if not all followers won’t ever comment. Most of your followers won’t even bother to hit like. It WILL feel exhausting and unrewarding and thankless if you go into it for the notes alone. So please, it’ll be hard but it can be a wonderful and rewarding thing to share things you’ve put your love and passion into, so enjoy drawing, draw what you love, and share because you want to share that feeling ^ ^

Sorry this got SUPER long, but I hope it was somewhat helpful! ^ ^;

#YukiPri replies #Anonymous #art #longpost #long post #YukiPri rambles

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