#I think things would be a lot better for everyone if I was dead

[ruvviks]

it's been a hot sec since i've talked about cyberpunk and i was initially working on a fic that would tell the story of this whole thing, but i've abandoned it many months ago and cannot say when i'll be picking it up again SO! i've decided to instead make this timeline. sorry in advance for how much information is in this thing the cyberpunk extended blorboverse essentially refers to the story parallel to the in-game events of cyberpunk 2077 that @mojaves and i came up with. we don't really have a better name for it but at this point the term has been used so many times that i feel like everyone here knows what it is by now, but at the same time we've never really explained the full scope of what the story is by now (it's a lot sorry). so in an attempt to get you guys a little bit more up to date with it all, here's a semi coherent timeline that describes the core events of the story and every branching story that came out of it! for additional background information, you can check out the following posts (timeline 1 / timeline 2 / timeline 3) to catch up with the continuation of the in-game storyline that's referenced in this timeline, but it's mostly irrelevant to everything here save for a couple of referenced events that cross over between the stories. it all ties together very intricately sorry about that. don't worry too much about it i've included my taglist down below to make sure people who are interested won't miss this post, but feel free to skip over this if it's not your thing! won't be doing a lot of this kind of stuff in the future but i'm trying to get back to the cyberpunk roots so this is kind of like, a good starting point and reference point for later posts!

The story starts in early 2077 and is centered around Sebastian Vidal, gang leader of the Cobras and previous test subject of Arasaka Special Programs (the linked page is a lot of information but gives the most coherent overview of what the branch actually is). The current director of the SERPENT projects, Andrew Colton, and Dr. Alana Cartier, both want him dead, to tie up their last loose end before the rest of Arasaka can find out and shut down Special Programs once and for all.

Over the past months they’ve been hiring various assassins in secret, to try and get Seb killed; however, these assassins keep failing, and their latest attempt lies in the hands of Cassidy Shaffer, an ex-corpo turned assassin with a strong moral code and plenty of experience to his name. With little to work with, as his mysterious client doesn’t give out much information, Cassidy starts with what he thinks is gonna be a quick and easy job– but he ends up hunting after Seb for essentially a year.

During this year, the two men have a series of wild encounters that get more and more insane the longer it goes on; it includes, but is unfortunately not limited to, Cassidy biting off a chunk of Seb’s ear, the two of them running over the highway, the two of them getting handcuffed together and chased by the NCPD then hit by a car right in front of the hospital, and Seb sensually licking blood off Cassidy’s face after having stabbed him when Cassidy wanted to strike at a concert Seb is visiting.

All of it comes to a sudden stop when Cassidy learns his client has been lying to him the whole time, and since he does not appreciate lying clients he ends up jumping sides and teams up with the Cobras to do some cleanup duty in Arasaka Special Programs. He and Seb work together to go after a list of targets to get the still ongoing projects mostly to a halt, while remaining in the shadows themselves as to not draw too much attention their way; and during this collaboration they meet several people from their past, bringing back both good and bad memories.

One of these people is Hanan Chisaka, the Head of Security at Special Programs. She ends up becoming the next test subject of Project Cobra after the last successful subjects, Xavier and Gabriel Mason, end up escaping in the midst of the chaos of Hanako Arasaka’s capture in mid-2077. Once Seb’s best friend and Cassidy’s mentor, she’s now forced to hunt the both of them down; but in their final confrontation she snaps out of the controlled mode Arasaka keeps her in and runs away with them, effectively leaving Special Programs without any test subjects. Another one of these people is Reid Bennett, Cassidy’s ex and ex-coworker back at MaxTac. He still works for the corporation and has been on an ongoing investigation into Arasaka Special Programs; seeing Cassidy alive and well, working together with Seb no less, piques his interest and he continues to look further into the case, which will cause him to make a very big mistake later on in the timeline.

By September 2078, Seb and Cassidy have successfully taken down all their planned targets and retreat back into the shadows, leaving Special Programs with many losses and no test subjects. With the APEX program discontinued a month earlier (incident discussed in this fic, which is a continuation of the in-game events), and Hanako Arasaka recovered and ready to take the corporation back from the hands of her corrupt brother, Special Programs ends up having to retreat for the time being, and cook up a new plan in the background.

Special Programs by this point is run by Andrew Colton, Alana Cartier, and Kaida Akiyama, three players who have been in the game for a long time already in the SERPENT projects’ runtime. Colton and Cartier are married– Cartier used to be married to Seb and cheated on him for a good amount of time when he was still at Arasaka– but their marriage is starting to fall apart. Akiyama has had to watch over Special Ops agent Ambrose Hawthorne for a while during his chase after the Mason twins, which ended up with the twins dead and Hawthorne going into early retirement (Arasaka doesn’t know the twins faked their death and Ambrose is now dating one of them lol), and xe is now determined to help Colton and Cartier get Seb back into Arasaka so the projects can continue.

Cassidy’s initial plan was to leave as soon as the collaboration would come to an end, but he has found his place with the Cobras and instead ends up officially joining them.The next chapter in the story is a more laid-back and easygoing chapter, in which Cassidy learns to be part of real life again, and in which Seb learns to let people get close to him again after spending years trying to convince himself he doesn’t need any help. Over the course of a little over a year (all the way to November 2079), the two grow even closer than they had already done, going on gigs together and, you guessed it, slowly but surely falling in love until they inevitably end up together at the end of it.

Not long after the two get together, Reid returns into Cassidy’s life. He wants to try and be friends again and Cassidy gives him a second chance, though this soon enough turns out to have been a mistake, with Reid trying to create distance between Seb and Cassidy and then going as far as trying to sell Cassidy to Kang Tao (one of the few corporations that have been hunting Cassidy down for a while now) in exchange for his own freedom from MaxTac (where he would have otherwise been stuck at for probably the rest of his life). Naturally, Reid can’t watch Cassidy get tortured for long and leaks his location to the Cobras, who find and free Cassidy and take Reid into captivity instead– he does not get killed, but instead has to sit out some time at a safehouse somewhere in solitude, where he gets to decide what kind of person he wants to be in the future.

This brings us to Elysium; a gorgeous spaceship which was supposed to be a relatively cheap escape from reality for everyone who wanted a refreshing break from Earth, but through Arasaka sponsorship has become just another cash-grab project to compete with the Crystal Palace– and considering the megacorporation has its greasy hands all over it, the secret labs in the spaceship are used for a series of very unethical experiments. Naturally so, it would be the perfect place for Colton to continue his SERPENT projects without the risk of Hanako Arasaka finding out and shutting the place down. He sends forces up to Elysium (obviously after his other attempts at relocating the project to space have failed tremendously, having lost contact with every single crew in the smaller Arasaka stations in orbit around the planet), but since he’s not there himself his cousin (one of the CEOs of Elysium), Maxwell Crane, unbeknownst to Colton, takes control of the SERPENT projects in space instead. From the earlier linked Special Programs page: “Project Eryx used the technology of previous projects, but took a completely new approach in the hosts it used; rather than focusing on the human psyche it attempted to create a new type of cyborg which would lack the humanity that caused previous projects to fail. The Cobra chips were no longer used and the software was instead installed directly onto the host’s mainframe. The flexibility of the new hosts– more robot than human, and in some cases the entire human aspect was lacking altogether– allowed for experimentation with highly advanced cybernetic enhancements and military grade tech and upgrades, turning the test subjects– dubbed ‘prototypes’– into dangerous, unstoppable killing machines.”

Things settle down for Seb and Cassidy, but this moment of peace does not last long. In January 2081 the two find themselves traveling to the spaceship Elysium, to investigate a curious situation in the laboratories– they’ve been hired by Arasaka without their knowledge and it’s a setup to get Cassidy killed and Seb back in Cartier’s control.

While in space, they learn that the secret labs have suffered an outbreak of the above mentioned prototypes. They quickly connect the dots and realize Special Programs is back in the game, and they work together with security guards Aubrey Valentine and Leon dello Russo to try and fix the situation before it gets out of hand. Obviously this fails tremendously and Elysium ends up on a complete lockdown after a ship-wide outbreak, which is eventually contained in late March of that year, with CEO Maxwell Crane dead, leaving only his wife Kinsley Osborn behind.

Elysium continues to exist and is rebuilt after the crisis, and Kinsley Osborn can now finally turn it into the retreat it was always meant to be. Previously, most Elysium employees were to be stuck in space for the rest of their lives; however, with Arasaka out of the picture they are free to leave as they please, which results in a gigantic cut in total employee count in the months that follow.

Seb and Cassidy return to Night City and take Aubrey and Leon with them. Aubrey reunites with his sisters; Becca, James, and Rikki, and soon after his return to the city he opens an LGBTQ+ nightclub called Bodytalk with them, found Downtown, City Center, in June 2081. Not only is it a fun place to hang out at, it’s also his main hub as a fixer, and he starts a collaboration with the Cobras to get business going between the gang and the club; and soon enough it grows into a large and powerful network of connections, which is the foundation on which the rest of the stories are built.

After this point in time, many many more things happen but it would take me another hour or ten to go into full detail of all of that, so instead here’s a quick rundown of some of the other things that Bodytalk gets involved in:

Reid Bennett is handed over to Aubrey and he starts working at the club, and he becomes a very valued employee as well as a good friend to many now that he’s no longer fucking insane

Kaida Akiyama returns from Elysium and shows up to Hanan’s doorstep, to ask for her help with getting out of Arasaka for good; much later on, xe starts working for Bodytalk as well, in an attempt to put xyr past behind xem and become a better person

Urban Dynamite starts performing at the club regularly, and it becomes their home base

Luna Serratos, Cassidy’s ripperdoc friend from all the way back to killing era, gets involved in the Harbinger case from Maelstrom (one of the gang’s most feared members); turns out the Harbinger is in fact Reuben de la Rosa, a by then 22-year-old kid who has ended up in Luna’s care with his friend Noah Telavera after the two got caught up in an explosion. She requests the Cobras’ help with getting Maelstrom to let Reuben go

Officer Michele Diaz from Militech (who used to be Cassidy’s boss) is demoted following the lawsuits after the Elysium incident, and her investigation into the incident in hopes to get her job back leads her to Bodytalk; she begins threatening them and sends the whole club and their allies into uncertain times

Many people get married. There’s so many fucking guys here we went a little insane with the numbers but there’s several weddings and there’s a whole polycule going on too feel free to send asks about this if you’re interested

Cobra Cybernetics releases a new line of cyberware, which is incredibly buggy and dangerous to the public; it’s brought to the club’s attention and it makes them realize that Luiza Vidal (Seb’s sister), who not that long ago asked them to kill her husband (William Colton (Andrew’s brother), CEO of Cobra Cybernetics), has gone missing; they now need to get involved without getting the news out that they actually didn’t kill William and that he is still alive somewhere, while also balancing out dynamics between Biotechnica (angry at Cobra Cybernetics for stealing their designs) and Arasaka (the actual reason why Cobra Cybernetics’ designs look like Biotechnica’s designs, because William stole designs from Special Programs after halting their partnership after the Elysium incident, but these designs had been stolen by Arthur Jenkins from Biotechnica even BEFORE that to be able to hijack the European Space Council’s cybernetics following the Frankfurt incident. Are you still with me)

Vitali Dobrynin (fixer and main character from the in-game events storyline and the continuation of it; Vincent “V” Mayer’s boyfriend) ends up visiting Bodytalk after meeting Aubrey at a Fixer Council meeting, which happens in late 2083; this essentially ties the two main storylines together, which means that yes, a lot of the characters from the two separate storylines end up meeting :]

Officer Ulysses Dimakos (used to work with Reid at MaxTac) is sent to investigate Bodytalk following the Cobra Cybernetics scandal, and ends up teaming up with the club to get MaxTac on a dead trail in exchange for his freedom of the corporation

On top of the Bodytalk / Cobras centered storyline, there’s a couple of side stories that are still connected to the whole thing but are more of a standalone thing with only a few touching points to the rest of it all:

This obviously takes place a lot earlier because it’s already mentioned above, but Special Ops agent Ambrose Hawthorne is tasked with chasing after the escaped Mason twins; naturally he lets them go and ends up going into retirement, and Xavier Mason later on ends up becoming Bodytalk’s part-time repair guy on account of knowing Kaida

Gabriel Mason ends up in a car crash with retired security specialist Ames Ortega, who was also in Elysium during the incidents there, and the two end up babysitting Ambrose and Xavier’s kids together while those two are helping Hanan with getting Kaida out of Arasaka (Are you still with me. Blink if you can hear me)

Mercenary Frankie Sayyad gets a promotion from his fixer, Vulture (real name Diana Crane, Maxwell Crane’s older sister and cousin of the Coltons), and becomes one of her Bloodhounds; he works together with Evelyn Harris, Nimue Nkuna, and Beckett Rydel, the latter being one of the very first test subjects of Arasaka Special Programs, and the four accidentally get themselves mixed into a mystery concerning their secretive fixer

Caleb Harris, ex-security at Biotechnica, ends up back at Club Bodytalk not long after the conclusion of the Cobra Cybernetics scandal, and starts working for Aubrey; he is partnered up with Ramiel Al-Masri, a mercenary who has been working for Vitali Dobrynin for a while and has recently joined Aubrey’s mercenary roster too, and together they dive into a series of gigs neither of them had expected

Journalist Bodhi Shankar has finally found more evidence and information surrounding the mysterious cult gang Umbra and its so-called Prophet, Thiago Salazar; however, his antics have led to him accidentally becoming part of the gang himself, and he has to figure out a way to get Thiago to stop listening to the supposed deity that the gang worships known as Scintilla, before she makes him do things that will get many people killed

taglist (opt in/out)

@velocitic, @deadrlngers, @euryalex, @ordinarymaine, @gurathins;

@mojaves, @shellibisshe, @dickytwister, @mnwlk, @rindemption;

@ncytiri, @calenhads, @noirapocalypto, @florbelles, @radioactiveshitstorm;

@strafethesesinners, @fashionablyfyrdraaca, @aemondtargeryen, @radioactive-synth, @katsigian;

@estevnys, @elgaravel, @aezyrraeshh, @carlosoliveiraa

[harmonic-intervention]

Since it is almost 911-day, and I am sure to be proven wrong about all of my headcanons (can't fucking wait!), I need to put some out there about my special guy. Don't even know if any of this makes sense, but here you go.

When Tommy opened his eyes, he stared at the burnt-out corpse of a helicopter.

Oh, he thought, I'm back here. His thoughts felt thick and slow, and he couldn't quite make sense of what he was seeing.

He had been here before.

He had crashed his chopper once before. He had done several emergency landings, but only actually fell out of sky one time, and that was in the army.

He couldn't fully remember. He couldn't remember what went wrong, and the theories that everyone else had were just that - theories. All he knew was that he lost control, he crashed, and was the only one to survive. Three were dead on impact, one died before recovery, one died as the medics were still working on him, and Tommy made it.

He hadn't been awake when they had gotten him, and he had only seen the photographs of the crushed chopper, so whenever he found himself back here, he stood outside of it, staring at the thing that clipped his wings for years to come.

After, he was discharged and sent home, and the thought of flying filled him with anxiety, so he didn't. He stayed on the ground, only able to stare up into the endless blue and yearn and fear. About so many things.

He blinked.

"Tom."

He turned around, no longer in the middle of nowhere staring at a broken chopper.

He was in the backyard of his aunt's house - his father's sister. The person who had spoken was Michael, one of his cousins, who, like the rest of the family, insisted on calling him Tom because Tommy is juvenile! Grow up!

"You know the rules, man," Michael continued, sounding almost apologetic.

Tommy remembered this day. His mother had just died a couple of months back and he was still getting used to the loveless house and the polite coolness of his father's family that his mother had done her best to shield him from.

His thoughts felt disjointed, and he couldn't quite remember what this was about. Someone said something that made Tommy feel awful, at the very least, and when he tried to speak out, Michael had stopped him.

You know the rules.

Like be seen, not heard, don't disagree with the adults, and, most importantly, don't be gay.

It was the moment that Tommy realized he needed to keep quiet about everything. Don't speak up, don't do anything but nod when faced with their opinions, be straight.

He blinked.

"Thomas."

There was only one person who called him Thomas, and only one person who did it like this - slurred together into almost one syllable, always sounding angry.

He was back in the living room of his childhood home, seventeen, a backpack slung over his shoulder, his father sat on the couch with a bottle of whiskey.

He had trouble grasping his thoughts for a moment - hadn't he just been in the yard? Much younger? What was that about a helicopter?

He knew what would happen that day. He'd kissed Andrew Jenkins behind the old hunter's shack three weeks ago, and the rumors had finally reached his dad.

"What did I always tell you?" his father asked, or tried to.

He had said a lot. Never anything worth listening to.

"Didn't ya hear me, boy? What did I always tell you!?"

Tommy's father was not a man who liked being ignored. He yelled and roared, spittle and drops of whiskey flying from his mouth. Tommy stayed quiet.

"No fucking son of mine will be one of those queers, you understand me, boy!? So, when I ask you whether what I heard is true, you better say no!"

Tommy had to think of something about a forged signature, of running away, of a camp and drills and training and men just like his father, of a helicopter.

"Is what I heard today true, boy?"

"You're a sorry excuse for a man." Tommy was reasonably sure that was not what was supposed to come out of his mouth. He never said anything like this. He only ever wanted to.

His father, in a blur, suddenly stood in front of Tommy. His face morphed into Gerrard's for a moment, then back into the haggard, cross-eyed man Tommy had known in his youth.

He was close enough that Tommy could smell his alcohol-stained breath, something he had become too familiar with. When he was young, his father had seemed scary, intimidating to him. Now, he seemed weak, not able to keep himself upright.

All his life, he had wished he had taken a swing at his dad, just once. Fought back, just once.

Violence ran in the family, after all.

He had a hand fisted in the collar of his father's shirt. He didn't know how it got there.

His father smiled. He had never smiled. Sneered, yes. Frowned, a lot. Never smiled. It didn't suit him. "Do it, you coward. Be a man."

He hadn't said that in this context. Not to Tommy. He had said it to his brother-in-law after Tommy's mother had died and a fight between his father and the rest of the in-laws caused them to never contact Tommy again.

God, Tommy hated this man. He didn't hate many people, he didn't think. Vaguely, he thought that he would normally just wash his hands of them and never think of them. That sounded better.

But he would never completely remove this. He was his father's son, after all.

He blinked.

"Tommy."

They had moved from the living room to the entrance. He wasn't seventeen. He was 40, holding onto his father's shirt collar, and in the open door of his childhood home behind him stood Evan.

He reached out a hand, and Tommy immediately dropped his father in favor of turning around and accepting Evan's grasp. His grip was strong, a bit tight, clutching at him almost in desperation.

"Tommy," he said again, but there was almost an echo there, far away and urgent. He seemed to be staring right through Tommy.

He gripped Tommy's shoulders with both of his hands. "Tommy, come on. You gotta be here."

"I- I am?" Tommy said, or he thought he did. His voice got lost in Evan's.

"Tommy, please."

He blinked.

Then again.

And again.

He smelled smoke. The side of his face felt tacky and the sun was painfully bright in his eyes. His head was pounding.

He tried to sit up, but everything in his head slid off a slope and he dropped back down, closing his eyes against the spinning tree tops.

He breathed against the nausea rising up in his stomach, but that just made him cough thanks to the smoke. God, his ribs hurt. He'd probably cracked a few.

His copter had gone down, he remembered suddenly.

He had told them that something wasn't quite right, but they had sent him up anyway. And then, he started having issues with the rotor controls.

He'd tried for an emergency landing, but when there was nothing but forest underneath him, there wasn't excactly room to safely land a chopper.

He remembered being conscious after hitting the ground. He remembered crawling out of there and throwing up as soon as he got his legs under him, before he stumbled away as the hunk of junk left of his copter burst into flames.

He had made as far as his legs could carry him until he collapsed to the ground.

His head hurt. Breathing hurt. He kind of just wanted to go to sleep.

"Tommy!"

He smiled a bit. Maybe he could go and find Evan in his dream again.

"Tommy!" Louder this time. Closer, it seemed. Urgent.

How long had Evan been shouting for him? He'd heard that same urgent undertone in his dream.

"Tommy!"

He could hear additional voices, now. He couldn't identify them. He could hear the sound of several heavy boots making their way through the undergrowth.

Good. He didn't think he could talk if he tried.

For a moment, the sounds stopped. Then picked up again, louder, and faster, and coming closer.

"Tommy!" A heavy body crashed to the ground next to him, and hands on his face gently, slowly helped him turn his head to look at Evan, kneeling next to him.

He slowly raised his hand. His shoulder hurt a bit, too, but not as bad as his head. Evan took his hand before he could try to figure out what to do with it.

"Can you talk? Where are you hurt?"

Everywhere? Tommy didn't think he had broken anything but his ribs - miracle of miracles - but he was pretty banged up. He'd probably be bruised all over. He was probably also concussed, now that he thought about it.

He opened his mouth. Closed it. Swallowed, and it felt like nails scraping against the inside of his throat. Kept looking at Evan, despite the presence of other people appearing at his side, other hands trying to figure out what was wrong with him.

"Ev-Evan," he croaked, and almost regretted it immediately, if it wasn't for the relieved smile it caused.

"Yeah, it's me, it's Evan. We've got you, now. You'll be okay."

Tommy nodded as best as he could, and Evan didn't leave his side for a moment when he was picked up.

He kept mumbling his name over and over whenever Tommy's eyes shut for too long, whenever it looked like Tommy was about to slip away. He kept holding his hand.

"Tommy."

[luckydicekirby]

would love any director's commentary you may have on The Only True Thing if slightly older fics are on the table here bc lowkey it changed my brain chemistry forever. I read it on a whim like four years ago at 1 in the morning and ever since then I've been hooked on making all my fav pairings miserable for no reason. this sounds like sarcasm but I'm being completely sincere the schadenfreude is exquisite

okay first of all I’m SO glad to hear this because making your favs miserable is I think one of the most rewarding activities on this earth so I’m really glad I could help share that joy. thanks also to sylvain for just making it so easy. anyway, here’s some assorted thoughts, hopefully some of which are edifying!

(the only true thing for reference for anyone playing along at home.)

this fic affectionately named the darkling au due to this tweet which I feel like I should put in a hall of fame someday. anyway this entire thread showcases the origin of this fic which was me catie and lily bullying each other on twitter about sylvix, a pastime left behind in 2019 which i really miss.

the thing that really first made me Crazy Cuckoo about sylvain is his B support with Byleth--I'm obsessed with that moment where he very coldly threatens to kill you and then laughs it off, and that was pretty much the jumping off point for Sylvain's characterization in this au--what if he was like that all the time? answer: it would be bad, but also pretty sexy!

One thing I miss about writing for fe3h is the hero’s relics were sooo nice as like. shortcut symbolism. the lance of ruin comes preloaded for you! It’s familial cycles of violence! Easy! and there's a mechanic for it breaking ALSO preloaded into the game mechanics! I wrote like three versions of the ending and the lance getting busted moved around a bit--it originally happened a little earlier.

For a while when I was still femblempilled I was idly thinking about two sequels to this—a sylvain pov sequel about the war, which would have been fun but also Yikes, and then epistolary dorothea/ingrid ideological divorce fic. sorry to dorothea and ingrid who really get the short end of the stick in this universe.

oh there's a playlist. I can’t claim to have put a ton of thought into it it’s just all my fav bad ya boyfriend songs <3 actually dead girl walking reprise is like. yeah that's the fic.

ANYWAY. I feel like a lot of my commentary on this has been washed away by the sea (the passage of time) so a few extras. I apparently wrote like 400 words of sylvain POV of the training yard scene also? Last edited September 26th 2019, here you go:

Felix has always been smaller him, ever since they were kids. Still is these days, to Sylvain’s delight. He wondered about it plenty, these past two years--maybe Felix had a growth spurt. Maybe he caught up to Dimitri. Maybe Sylvain would meet him at the monastery and they’d see eye to eye. Of course they don’t. Felix is a head shorter than him, and he’ll never see things the way Sylvain does. Still. Sylvain thought about it. He’s had a lot of time to think about Felix since the last time he saw him, since Felix ran away. Still a crybaby at heart, no matter how sure he was he’d grown out of it. Not much has changed, Sylvain figures. Felix might have everyone else fooled with that delightfully sharp-edged exterior of his--a pretty decent feint, Sylvian should know--but Felix can’t hide from him. Sylvain sees him down to the bone. The two of them are a matched set: liars at heart.  Like right now. Felix is trying so hard not to cry, his back to the wall of the training yard, his grip tight around the wood of his training sword like he’s actually going to use it. Sylvain hopes he will. He hasn’t gotten to see Felix fight yet, really fight. He bets he’s gotten better. He bets he’s elegant and controlled—maybe less so with Sylvain, and wouldn’t that be nice? That’s how it goes sometimes, when Sylvain dreams about their last day together. Felix’s sword at his throat, biting and cold, ending all this before it began. It would have saved everyone a lot of trouble. Sylvain wouldn’t have had to spend such an awfully long time missing him.  He bets Felix could make him hurt. Nothing seems to do that anymore, except for thoughts of Felix, the ones he can never stop worrying at like a bruise.  Sylvain doesn’t want much these days, and maybe that’s why it’s so hard: he wants Felix in a way that aches, delirious and unstoppable. It doesn’t matter so much how. Felix is welcome to cut him open or kiss him quiet or anything in between. As long as he never stops looking at Sylvain like he is now, hateful and just on the edge of tears, so clearly focused on nothing else. As long as Sylvain can have that, the rest doesn’t matter.  That’s love, Sylvain figures; the cheerful facade he gives the girls is nothing. He forgets about a new one every week. But Felix? He’ll be dead someday, and Felix will still have a grip on his heart, as tight as he’s holding his sword and just as dangerous.

and what exists of the sylvain POV sequel I never wrote:

Felix looks like shit. Of course he’s also beautiful. He’s radiant, for all that his hair’s a mess and his face is drawn and he’s got the kind of dark circles that only come from weeks and weeks of exhaustion. He’s Felix, right? He can’t be anything else. “You look like shit,” Sylvain tells him, because honesty is what Felix thinks he wants from him. He hasn’t seen Felix in six moons, but that probably hasn’t changed. “What are you doing here?” Felix asks. His horse stamps her feet and shakes her head, moving uneasily under him. Felix has never been a good rider. It’s clear he doesn’t appreciate his mare, and she doesn’t appreciate him. Sylvain wonders how long Felix has been making his way across Faerghus like this. He wonders if he stole the horse. It’s awful not to know. “Looking for you,” Sylvain says. “They say you’re searching for the king.” Felix never could stop himself from chasing ghosts. Sylvain hates that about him. It’s just as unfair as everything else: it’s the only reason Sylvain is still here, after all.  “I am. And you should be defending Gautier territory.” “Got a message from your father,” Sylvain lies. He slides off his horse, patting her flank. Felix, clumsily, does the same. “He wants you to come home.” That part’s probably true.  Felix scoffs. “My old man can send all the messages he wants. I’m going to find the boar.” He means it. Sylvain can see that he means it, in the flinty look in his eyes, the fold of his arms, the jut of his chin as he looks up at Sylvain. It’s the saddest thing Sylvain’s ever seen, and he’s seen a lot of shit. “Felix,” he says. He reaches out. He can never help it, not when Felix is like this, not when he believes. Felix doesn’t flinch from Sylvain’s hand on his cheek anymore. “Sweetheart. You know he’s dead.” “Don’t call me that,” Felix says. But when he swings himself back in the saddle and Sylvain does the same, he doesn’t tell Sylvain not to follow. That’s more than good enough. 

[missiodine]

I fucking hate myself.

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[kiisaes]

People who say Bakugou should be punished for telling Deku to kill himself and Make fun of him need to realize he’s been dead for more than a year… that’s all.

LOL yeah like i think he's received the worst possible punishment for his actions ... which is. u know. dying

it's also so silly bc have u ever encountered a 14 year old. everyone was or will be 14 at some point. and it's common knowledge that u're absolutely ur worst self in middle school. it can literally only go up from there

not everyone has told someone else to kill themselves at 14 but i assure u everyone has done stupid shit as a 14 year old and i think most normal people would give literal children some grace regarding their bad behavior. bc most normal people would understand that ur identity and personality at 14 shouldn't be taken as a true reflection of ur character. bc u were 14. and u're irrational and u're still growing and ur brain is still developing. and more importantly, u didn't know shit. and u thought u did and that's why u were stupid and made mistakes and said dumb shit.

"but he was a bully and that's why he deserves to suffer severely and painfully for the rest of his life" these ppl are lucky bkg isn't real; if u're older than 14 and know better yet say this about a real 14 year old i think that says more about u than the kid. u will be put on a list of some kind

[phoenixcatch7]

If there's one thing I like more than time travel it's crossover reincarnation, so.

Botk link reincarnated as Damian Wayne.

An incredible weapon master of all types, but especially prodigious with a sword - he was beating knights at the age of 4 and with his memories as intact as they get for him I can see that goalpost moving even further (probably with traps and tricks, a 3yo doesn't exactly have great bodily control).

He's an excellent survivalist, agile, strong, durable, cunning and creative. He can move like a feather in the breeze, strike from behind with ease. His first kill, an animal, did not stir him as it did the other children. With his poise, grace, skills, obedience, he ought to be ra'as' finest assassin in the making, a jewel in the crown of the league.

Except he never speaks a word. Half his targets escape unscathed. He skates by true punishment on the merit of his skills and achievements in other missions. Testing has shown it is not a physical deformity that prevents his speech, but not even talia has been able to coaxe a word from him past his second birthday.

It is a defect ra'as is growing more and more frustrated by, as each attempt to fix these two final flaws ends in resounding failure. Less extreme solutions are running dry.

Talia fears those solutions. Her child does too, she knows. For them, there is a possible solution, more extreme than anything ra'as would tolerate.

She sends him out of the league. To his father.

To Gotham.

[bereft-of-frogs]

do you guys ever have a character where like, it's not that you don't like them as a character you just like them haunting the narrative more than you actually like them in the narrative?

[milo-is-rambling]

Out smoked my cousins,,, truly feeling like the hippy failure cousin that all the kids like but all the adults judge and like it’s great vibes I feel my cousins actually enjoy being around me (not even just that we’re smoking like they seem to legit enjoy talking to me)

[hanzajesthanza]

i watched the pilot of brba the other night and it occured to me then that there is a specific kind of guy that i become obsessed with turning over and over in my head like observing a coin shine in the sunlight:

a tragic adult male figure that ends up hurting those closest to him (and/or) everyone around him, because of his own crumbling to society's expectations and pressures of him as a man, leader, patriarch, or simply as a person, and a slow succumbing to self-loathing, insanity, addiction, curse, evil, or just long-suffering... and the tragic consequences of his instability and harmful behaviors affect his family first, perhaps the ones he loves most, or the only ones which love him, before it finally gets around back to him and he begins to suffer tenfold. sometimes they are dads (biological, or adoptive), or they are something like an unofficial guardian to a child, or they *would* have had a child had it not been for their behavior. sometimes there's a redemption arc or redeemable qualities, and sometimes there's just a slow demise.

[waywardsalt]

very freeing to actually own up (to myself) abt post-ph being an au. now i can make a little list of the little ways it deviates from leading to st

[mermaids-and-dastardly-deeds]

.

[arolesbianism]

Shakes the bars of my cage I need to draw soooo bad I need to draw I need to draw let me draw I have to draw I need to draw I must draw (<- has been too sick to be on electronics much and doesn't like doing traditional art)

[comicaurora]

I've been reading some stuff on punitive justice, and it made something click for me that I've observed a lot online but haven't been able to put into words before.

When someone does something wrong, that's bad, and the damage it does needs to be repaired while the person needs to try to do better in future to minimize repeating harm. We learn it in preschool - say sorry, don't do it again. If they keep at it, remove them from the situation where they can do the harm until they prove they're responsible enough to go back in.

So if it turns out someone DIDN'T do anything wrong, that should be a relief! There's no damage to fix, no internal errors to correct. Less work for everybody, literally no harm done. False alarm, all good.

The thing I've observed is, lots of people want them to have done something wrong. There's almost disappointment when it turns out there's no harm done. And I think that's because of this general undercurrent of punitive justice as morally righteous and desirable: someone does something wrong, you get to punish them. Turns out they're innocent? That's disappointing. Find another reason you get to punish them, or find another bad person you get to punish. But at the core of it is that desire to punish someone. Someone you can hurt in a way that makes you a better person for hurting them.

This particular brand of almost cannibalistic pseudo-justice is super common in tumblr, one of the most ostensibly liberal spaces on the internet; I see more borderline savagery in online discourse here than in the actually toxic parts of the internet that are just openly cruel for cruelty's sake. It's always thrown me for a loop, and has frankly also hurt me, because on the rare occasions I get personally dogpiled, it only actually stings when it makes me worry that I've legitimately hurt someone. If I did something wrong, or more realistically when I inevitably do something wrong, that would make it good and right for people to give me shit about it every day until I'm dead.

The thing that clicked for me most recently was this bit in Ijeoma Oluo's Be A Revolution:

Punitive justice is specifically, uniquely appealing to people who have suffered injustices. Of course it's the Tumblr zeitgeist. Everyone here is a marginalized person failed by at least one system. Punishing someone for perceived injustice is how someone the system has deemed worthless proves their value in blood, even if the person being punished hasn't harmed you directly - even if they haven't harmed anyone. "Righteous" anger isn't about the target in these cases, it's about the inflicter. This is how much my pain is worth.

And that kind of violent validation is so alluring and so very dangerous. It seeks an outlet, wearing the justification of justice. Who's in reach? Who's an acceptable target this week? What's a good reason to use?

Is there anything they could do that would make me stop?

[scarletcomet]

i hate when people ask you what you want to do in the future or tell you need to do something

[art]

Creator Spotlight: @themetalhiro

Hi, I’m Metal! I’m a freelance artist from good ol’ New Jersey. My favorite things to work with are a lot of bright colors, exaggerated poses, and candid scenarios. I try to farm sensible chuckles whenever I can, so I’m also big into comics. I love making them about my life, and the media I’m into, and one day I’d like to publish my own series!  Thank you to everyone who has gotten me this far!!

Check out Metal's interview below!

Did you originally have a background in art? If not, how did you start?

I guess so! It’s funny, I don’t remember a single time in my life that I wasn’t drawing as a hobby… somewhere in middle school (a little late, I know.) I put the pieces together that animated movies were made by artists, and that it wasn’t just for fun, they were paid to do it. The moment I discovered people could be paid to make art, I decided I would do that, too. Now I’m here!

How has your style developed over the years?

I think the best way to answer this would be with an example! Over the last few years, I have made more of an effort to draw more intentionally, which sounds silly. Now, I put more thought into my poses and step out of my comfort zone with shape language and composition. I had a phase where I drew everyone with a huge, perfectly circular head and no nose. That definitely did not lend much variety...

Which 3 famous artists (dead or alive) would you invite to your dinner party?

Ack! I’m so terrible at history! I’d love to give a well-thought-out answer about fine artists of old, but I don't think we’d have much in common… Most artists I admire and who have driven me forward creatively are the people behind comics I’ve read. Andrew Hussie, Bryan Lee O’Malley, Eiichiro Oda... these guys have inspired me greatly and had a heavy influence in developing my art style and sense of humor. I’d love to ask them questions about their processes and upcoming projects. I think it would make for an entertaining night!

Over the years as an artist, what were your biggest inspirations behind your creativity?

Outside of pure aesthetics like searing bright colors, layered clothing, and loud noises…. the best and most inspiring moments in my life were those surrounded by friends and loved ones! I cherish the hell out of memories of hanging around in fun locations, trying weird food together, and impromptu midnight walks... so I try my best to capture that atmosphere and my own memories in my work when I can, even if I’m imposing fictional characters on top of them. That’s always the core of it.

What is a medium that you have always been intrigued by but would never use yourself?

I would never permanently refuse a medium, but every time I pick up clay, I’m like a baby using its hands for the first time. Absolutely dreadful. If one day I could make and paint a figurine like the ones I admire in videos, that would be awesome... But for now, I’m not counting on it.

How do you want to evolve as a creator?

I’ve had an absolute blast drawing fanart over the years, and it’s certainly played a massive role in my growth as an artist. But my dream has always been to publish my own stories for y'all to enjoy! I have lots of worlds I want to introduce to you before I’m old and gray. I want to get faster, work harder, and get better at drawing interesting settings so I can get the wheels turning as soon as possible. I also want to stop avoiding the color blue like a coward.

What do you wish you knew when you first started out creating art that you know now?

Pay your taxes quarterly. Tablets will break at the exact moment you need them most, so have a spare. Wear your blue light glasses. You’re going to need to wear a brace on every joint on the right side of your body. It can be lonely sitting at your desk all day. The car on the side of the road that costs $1000 cash….. don’t trust it!!!

Who on Tumblr inspires you and why?

@cranity—They use absolutely beautiful colors and weighty line work. Everything looks so sharp and clean! I wanna put it all up on my wall!

@vewn—Their ability to crank out quality short films and illustrations packed with detail is incredible. The off-kilter perspective they use really sells disorientation and catches your attention like nothing else.

@nelnal—They have absolutely banger character designs again and again, I can’t believe one person’s mind can come up with so many creative ideas!

@jinx88kc—They have a beautiful and recognizable style, and the way they incorporate animation into their illustrations sometimes is SO cool!

Thanks for stopping by, Metal! For more of Metal’s work, follow their Tumblr, @themetalhiro! If you haven't seen their Meet the Artist piece, be sure to check it out here!