#I will personally correct this

[secondbeatsongs]

somehow instead of saying "as a treat", I've started using the phrase "for morale", as if my body is a ship and its crew, and I (the captain) have to keep us in high spirits, lest we suffer a mutiny in the coming days.

and so I will eat this small block of fancy cheese, for morale. I will take a break and drink some tea, for morale. I will pick up that weird bug, for morale.

I'm not sure if it helps, but it does entertain me

[iwasbored777]

We're not appreciating the Weird Barbie enough. It's said in the movie that she helps everyone who need help while they always see her as someone who's not as good as them. She was friends with all dismissed Barbies and Kens, was there to offer support and safe shelter for everyone who needed it in Kendom, without her nothing in the movie would've been alright. When Stereotypical Barbie calls her "ugly and unwanted" she still helps her.

She was representing a woman in women's world who was pushed aside by other women because she didn't fit in but still had more wisdom and kindness than everyone who thought they're better than her.

[cimicherrychanga]

Because i feel like i might be overestimating what the average is, i shall Conduct Research

This isn't about how many languages you speak, but how many youre able to count up to at least 10 in, since basic numbers are some of the first words you learn in a foreign language and sometimes you catch them without having studied the language at all

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[squidsmeister]

dungeon meshi is my favorite road-trip comedy film

[inkskinned]

no, actually, where is the whimsy?

my ex had a best friend named larry who asked me once: what do you think comes after irony?

we were at the bar where larry worked. it was a quiet night, and he'd hopped over to sit with us on the patron side. i swirled the lemon around my limoncello martini.

earnest positivity, i said, while my ex said, art self-destructs.

i stared at my ex. he stared at me.

his argument was the cinemasins argument: look how bad media is becoming! look at the loopholes and the dumb shit!

it was roughly 2011. galaxy print was still in. at the time, i had a favorite shirt that was a wolf howling at the moon. it got ripped in half in the wash and i honestly still mourn it. i dressed like effie stonem, because everyone did. and irony was the name of the thing. men liked MLP "ironically." the internet liked the kind of crass, "anti-mainstream" vibes of things like fuck romance, touch my butt and buy me pizza. we put cats in sunglasses everywhere, which was because we only liked things in irony.

and media had the same vibe in it: anti-hero white men would be "hard to love" and then storm off the scene. nobody was just earnestly trying to save the world: they were jaded, angry, unoriginal. mad you even asked them to try to help.

my ex ends up not being wrong. cinemasins becomes super popular. a lot of people start viewing media with this lens that is the cruelest, most jaded depiction. it's wrong for your character to have unexplained powers, even if the entire movie is about how strange it is she has unexplained powers - that is still considered a "loophole." characters make thoughtless, panicked choices? loophole. characters are actually kind people, despite hardship? loophole. features a woman doing literally anything without assistance? loophole. movies become hyper-aware of scrutiny, and now irony rules the media.

which means you go to a movie, and the character has to turn to the screen and say "beats me!!" or one of the side characters has to have some kind of quip like "are you seriously telling me that you think this is normal?" because nothing can happen in earnest. like a sitcom laugh track, we now anticipate the fourth-wall break: the moment that the media acknowledges it is telling a story. the media has to apologize for itself, or else someone like my ex rolls their eyes.

but here's the thing: i wasn't wrong either.

the difference might be that i am (and always have been) so soft-hearted that any crack in the light of this world will spear me into the ground. and i was the poet in the relationship. (he thought that was the same thing as being naïve and stupid). i was making things daily. i knew how all of us artists are driven by some strange desire to evolve. he notably liked to critique art, not to create it.

so yes, i've made things that are bitter and angry and even ironic. i've made long, sharp poems with all capital letters, and i've made poems about how the silence stretches out like a song. someone wrote once that we will spend our whole lives just circling the place we grew up. i think it's more that we spend our whole lives trying to remake a home. i think it's that as we age, it becomes less exciting to build the castle on the beach - we become aware of erosion, of windforce. we realize what we really want is to come home to our dog, castle or not.

and while art in the foreground is mired in white male violence and irony, and aggression, and not taking anything seriously - i don't think that's true of all art. i think more and more artists are leaning in to the things we love. the world has changed so much. they have taken so many things from us. the only thing we have left is love. at the bottom of the moving box - all we get is the faint sense that we have to appreciate what little we've got. i can't enjoy this stuff ironically anymore: what room do i have for irony? if it makes me happy, that is an amazing thing. there are so few happy places left for me. i want to be happy because of how leaves shiver beside each other like nestling birds. i want to be happy because of the color pink, and how magenta doesn't exist. i have spent so much of this life suffering, i have earned my right to a gentle ending. if nothing matters, i get to assign meaning to the nothing. i get to create meaning. i am an artist first and foremost, which means creation is my thing.

where is the whimsy? wherever i fucking put it. because if this is my last fucking chance to do any good in this world - i want to do it earnestly. i want to write things that make you happy. that make people feel heard and seen. what comes after irony has to be positivity.

it was close to my 21st birthday. in 7 years, i would end up writing a book about this relationship, which is hopefully coming out somewhere around May 2024. i come back to this bar scene in my memories a lot. i keep thinking of how pale my ex was. the look that crossed his face. how i looked back at him. how for a moment, both of us couldn't recognize the other person. like the gulf between us was a suddenly wide and cavernous thing. like we were alien to each other. he never took my opinion seriously, and he always seemed surprised whenever his manic-pixie-dream-girl ever broke free of the plot. like in the whole time we were together, i wasn't human enough.

this knowledge: where he said nothing comes after, my only instinct was what comes after is love.

[bigfatbreak]

Birds of a Feather previous / next

[caruliaa]

staff still hasn't given me polls, what should i do?

🟪🟪🟪🟪🟪🟪🟪🟪🟪🟪 their moms 69%

🟪🟪🟪🟪🟪🟪🟪 their dads 31%

grace image os i get to look at her

[aunmenosheteroenespanol]

2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered

Tommy's family arc

[coffee-scrub]

kdj definitely matchmade yjh and lsh together because he shipped them *really* hard while reading twsa

[madootles]

happy october third!

[egophiliac]

hiii im sure you’ve answered this before but in regards to your twst x Pokémon, how do you choose which Pokémon go give to the cast?? really curious since your choices are unique :O

unique in a good way, I hope? 😅 (jk jk I haven't come across too many pokemon AUs, so I was going in without preconceptions, I guess!) I was sorta aiming somewhere between doing, like, a full AU with internal consistency and everything, and just picking entirely based on theme/character, so maybe that's why! basically I just set some arbitrary rules (no legendaries/no repeats/evo stages based on year) and then went on ~vibes~. a couple were also suggestions (thank you guys!) and last-minute decisions, so it was a bit of a delightful mess of ideas!

my one regret is that I should have given Riddle a Togedemaru after all. ...you know what, he can have one now, why not

[nancywheeeler]

hopeless time loop. the way out isn’t to save everyone. the way out isn’t to save even one person. the way out isn’t to change anything. the way out is accepting how it happened the first time is how it always will be. that’s how you acted, that’s how they acted, that’s how you would have acted every time if you weren’t given the curse of hindsight. the way out is accepting you can’t fix the past; you can only forgive yourself for it.

[corpsentry]

pick your battles

[nipuni]

Once again I bring you some Eriks 😊

[strangerinaholyplace]

If you haven't heard, otw (in other words ao3) have forced a volunteer to resign because they had "from the river to the sea, Palestine will be free" as their status on messaging platfrom slack, which otw use for communications.

They were denying that Israel is an apartheid settler state or that the genocide in Gaza is even happening.

This is unforgivable in my opinion, and I have sent a message to otw through their official contact form here, and I suggest you do the same. Below you'll see my message as well, in case you want to copy and paste, or just use it as a template of sorts.

I urge you also not to donate to otw anymore, unless the zionist volunteers and members of otw are removed from their positions and banned from otw.

"I am disgusted and enraged about the treatment of otw volunteer bjorn due to their pro-Palestine message status on slack, and even more so about the fact that zionists are allowed to run free amongst otw/ao3 volunteers, claiming that what Israel is doing in Gaza is not genocide, and claiming that Israel is not an apartheid settler state. As a person who has donated to the otw many times i wish I could revoke my money. But also as a donor I as well as many others demand the otw to resign fully, ban all zionist volunteers, have a written apology to bjorn and all users repudiating zionist actions in Gaza, donate to the Red Crescent to support Palestine, and reinstate bjorn as volunteer. If this is not done I as well as many others will no longer post on ao3, use it, volunteer for it and definitely not donate any more. You should be ashamed of yourselves. "

From the river to the sea, Palestine will be free. 🇵🇸

PS. If anyone decides to start talking about ao3 tagging systems or content allowed on the platform on this post you are getting blocked immediately. I dont care about your views on this, and you should think for 2 seconds before putting silly fanfic discourse on the same level as the murder of thousands.