boyfriend don who doesn’t have a penny to his name, but saves half of his first paycheck to take you on a dinner date and buy you a bouquet of tulips and daisies.
boyfriend don who is quiet around pretty much everyone, but when he has you alone, he’s quite the chatterbox.
boyfriend don who insists that he doesn’t mind scratching your back until you fall asleep.
boyfriend don who learns all of your favorite songs on the piano.
boyfriend don who is insanely ticklish.
boyfriend don who keeps a picture of you in his pocket at all times.
boyfriend don who saves up for months to buy you that necklace you’ve been eyeing.
boyfriend don who slow dances with you to a record in his dorm room.
boyfriend don who blushes at any physical touch.
boyfriend don who has calloused hands and secretly loves it when you kiss his palms and tell him he needs to be more gentle on himself.
boyfriend don who promises you the world and fully intends on giving you it.
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Kirishima is 100000% the boyfriend that will come up behind you and plonk his cheek on your shoulder to see what you’re doing on your phone. You don’t even jump when he does it now, just sat playing on your phone when you feel a familiar weight on your shoulder.
“Hi baby, how was your day?”
“It was so cool -you can move that yellow candy there- Bakugou and I learned so many cool things in training today,” he rambles happily, careful of his volume.
ACK HE COMES AROUND THE COUCH, CASUALLY PICKS YOU UP AND SITS YOU ON HIS LAP SO HE CAN SMUSH HIS CHEEK NEXT TO YOURS AS YOU PLAY CANDY CRUSH TOGETHER LIKE LITTLE OLD PEOPLE. OCCASIONALLY RUBS YOUR CHEEKS TOGETHER AND PRESSES SMALL KISSES TO YOUR CHEEK AND NECK.
Someone put me down, I’m not normal about him.
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feyd-rautha who is obsessed with overstim. i think it’s his sadomasochism that makes him love it so much, the idea of him making you feel so good it hurts just makes him so painstakingly hard. like his cock would throb at the very idea of overstimming you until you cry. hurting you hurts him, which just ends up turning him on. and if you were begging him to stop ?? his ego is already huge, begging would only make him want to ruin you more.
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The things going on with Neil and windows make me want to bash my head against a wall
The first scene of the movie where we see Neil and Todd’s room, the one where Charlie, Meeks and Knox introduce themselves to Todd, and where we see for the first time how controlling Neil’s father is over Neil’s life, Neil was in front of a window
And, this was the focus on Neil (and the window behind him) after his father entered
He, very obviously, is not happy, and the focus is not only on his face and reaction, but the background is also a window. A closed window.
Windows look into the outside. Freedom, I would say. The window is closed, Neil doesn’t have freedom.
Which reminds of
There’s this deleted scene of Neil reading his script, sitting in front of a window and looking outside of it. The window is also closed.
The window is closed, but he is looking at the outside through it.
At the start, Neil wasn’t even looking outside the window, he was just in front of it, but now (before the play), he was looking to the outside, even if it was still closed.
Neil is looking at freedom. He wants freedom, he seeks it. At the start, Neil wasn’t even looking for it, convinced than he would never be allowed that and would just follow his father’s wishes and be trapped forever. In that scene, he was looking for freedom. He didn’t have it yet, the window was closed, but he was looking for it. He wanted it, he was willingly to seek it. And he did seek it on the movie, he continued with the play, even if against his father’s words. He wanted the freedom, and he went to get it.
The last shot with a window (than a remember), is this one
The window is open.
There’s an evolution, as we see.
First, closed window, not even looking at the outside (he’s trapped, and doesn’t think that will ever change, so he just succumbed to it), then, closed window but looking at the outside (still trapped, but seeking freedom and willingly to get it, even if he’s going against his father). Now, open window, looking directly at the outside. He has that freedom now, somehow. He can choose what to do with his life. Can choose to continue and go to military school, or end it, by choice, taking his life on his hands.
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