#I'm not talking about the writers on there just to be clear

[hannieehaee]

LOST IN STEREO

18+ / mdi

summary: after kicking you out of your own band to seek success with the band on his own, vernon finds his plans falling through, all the while you'd reached success on your own. now leading your own label, vernon finds himself having to earn your forgiveness, not realizing how badly he'd hurt you years back.

content: friends2enemies2lovers!vernon, band!au, drummer!vernon, guitarist!reader, unrequited crush (kinda), pining, vernon kicks you out of your band bc ur a girl (asshole, ik), really incorrect music industry terminology (i know nothing about music oops), afab reader, reader becomes a producer after being kicked from vernon's band, seokmin, chan, hannie and kwannie are in the band, smut, penetrative sex, dry humping, fingering, etc.

wc: 8.8k

a/n: i know the summary and content are all over the place, but i promise the story in itself is coherent</3

masterlist | kofi/patreon

"Fuck! Jesus Christ, what are you doing here?"

He winced at the sudden sight of you upon turning a corner in the huge building he was currently exploring, never having expected to bump into you there.

"I work here, Vernon. I would've expected you to do some research on the labels you're auditioning for."

"W-wait. What do you mean you work here?"

"I'm a producer here. What? Surprised?"

"N-no!" he spluttered.

Fuck, you looked good. No, scratch that. You looked beautiful beyond belief.

How long had it been? Three? Four years?

He still felt horribly about it. You know, that whole situation in which he threw you under the bus for his own benefit – only for everything to come crashing down on him immediately after. Not only did he feel like an asshole, but also like a huge idiot. Letting go of a friendship just for a failed attempt at success would go down as the dumbest thing Vernon ever engaged in.

In his defense, he was a teenager at the time. Okay, maybe he was freshly 19, but it felt like the same thing back then. He had been an idiot who dumped his best friend and crush just for a chance in the music industry. What he had thought that to be the smartest move to make for the future of your shared band ended up becoming his greatest mistake. To this day, he still thought back on it with shame.

What sucked the most was how talented he knew you were. That, and the knowledge that he had been the sole person to blame for taking this opportunity away from you – from taking your own band away from you.

He quickly came to realize that it had been a horrible mistake, but it was too late by then. Contractually speaking, you had never really existed within the group. Your friendship had also crumbled soon after, despite your reassurance that all you wanted was the best for the band, even if that meant they'd continue on without you.

At the time, you had been the band's sole music producer, and song writer, and engineer, and you were the one who had a macbook with garage band on it, and–

"Vernon!"

Fuck. Had he been in his head this whole time?

You looked annoyed. Also way more grown and mature than when he last saw you at 19 years old. Fuck, did he mention you looked insanely hot?

"Sorry, I, uh, as I was saying," he cleared his throat, "Of course I'm not surprised. You're the most talented person I've ever known."

And Vernon truly meant his words. As teenagers, your dream to become a successful guitarist had been what inspired him to dust off his drums and go on this adventure with you, employing a few of your other friends to join your wannabe pop-punk band.

You weren't just a dreamer, like Vernon. Vernon knew you weren't just all talk. If anyone could walk the walk, it was you. With your innate ability with not only the guitar, but a myriad of other instruments, Vernon always admired you for your natural talent with music. The insane confidence you carried also did not help matters. It sure did not help the irrevocable crush he'd had on you since he met you. The air of security you always carried with you was something Vernon looked up to and was insanely attracted to. Sometimes it'd make it difficult to be around you without revealing his crush, as he would constantly swoon over your mere presence.

His feelings for you not only as a childhood friend, but also as his unrequited crush, only made the whole situation worse. At first, he dumbly thought that you understood why he had to ask you to leave the band, but it was obvious to him within only a few weeks that what his decision had done irreparable damage to your friendship.

Thinking back to it, he realized how stupid it was for him to even consider joining a label that denied your entrance simply due to your gender. Attempting to create the image the label had wanted to force on them should've been the first red flag. Taking Vernon aside to talk him into kicking you out should've been more than enough for Vernon to break out and whisk you away from a label that clearly didn't deserve you.

Sadly, Vernon had been too invested in making it big at the time. He truly would've given anything to find success as a musician as soon as possible – and apparently you should've taken those words literally.

It had been about a year since you first started the band at that point. Your very low budget garage band consisted of you, Vernon, and a few of your friends. Vernon was on drums, you on guitar, Hannie was bass, Kwan main vocals, Seokmin keyboard, and Chan second guitar. It was the perfect setup, if Vernon had anything to say about it.

The entire composition of the band had been yet another thing that formed all thanks to you. As much as Vernon insisted on saying it had been a shared effort, he now knew better. He needed to give credit where it was due. If it wasn't for you, Vernon never even would've met the guys he now considered his best friends, as you had been the one to take charge of recruiting more members into the group.

Despite that, you allowed Vernon to have the role of co-leader in the band with you. The way you had rationalized it was that you didn't believe in a monarchy; you much more wanted to have a democracy, so you believed that being co-leaders beat a singular leader by far.

This also demonstrated the intense trust you had on Vernon. Except Vernon's greedy mentality at the time did not respect this vision.

Surprisingly, even to his younger self, it didn't take much convincing for the recruiting manager of the label to convince Vernon into kicking you out. Just one signature from him, and all the male members of the group would be secure under a semi-established label that would guarantee them the exposure he'd been wanting, oh so badly, for the past year of being in the band. All he thought of was his future success, completely ignoring that his best friend would be left behind in the process. Simultaneously, he ignored the protests of his members, believing this to be for the greater good for the band.

In your usual supportive fashion, you were a trooper through it all. Your initial reaction was one of confusion and hurt, but it was quickly wiped away under the facade of being happy for your friends. If you couldn't find success with them, you were glad they'd be able to make it big without you.

Vernon made the mistake of believing these words, not realizing that he had just broken all your trust, and along with it your heart.

Then came the other end of the stick.

To no one's surprise, the record deal fell through. Kicking you out before agreeing to sign the group should've made alarms go off in Vernon's head on its own, but everything that came after was somehow worse.

The label had attempted to poke at every single detail about the band, trying to form them into something they could never see themselves becoming. Their looks changed, their sound changed, and fuck, Vernon just could not stop thinking about you throughout it all.

Before it all completely fell apart, they had been able to perform a few shows. Though they were nothing too big, they were far more than the small pubs in which you guys had performed before sighing the contract. Vernon was completely unable to enjoy any of this, though. The blank space on stage kept his mind uneasy. He constantly wondered about you and reminisced about your beginnings together.

This arrangement only lasted a few months. That was when everything truly went to hell. With lack of cooperation both from him and the rest of the guys, it wasn't too hard to get the label to drop them.

It just wasn't a match. Vernon would be the first to admit that greed got the best of him. Taking the very first signing offer that they got had been too naive of him, leading the band to be labeless and without a lead guitar and female vocal. And also leaving Vernon without a best friend.

A few years were spent attempting to break out once more, only achieving certain virality online through the first year of trying. It wasn't until recent times that Vernon and his band really blew up through some original work of Vernon's they had posted online. That's what actually led to Vernon's current position – touring one of the best labels for people in his genre after having established a solid fanbase online as an independent band.

Since Vernon had lost contact with you soon after kicking you out of the band, he eventually gave up on finding you (though memories of you would still haunt him). Not having kept up with your individual career, he never knew you actually made it out and into the big leagues on your own. You being a renown producer under an artistic name made sense to him, though. It explained why he had not heard of your name during all that time, and it also made sense with your past experience making music when you were in the band. Hell, you were the one who taught Vernon everything he knew about producing.

Despite being incredibly glad that his mistake hadn't made you lose your love for music, Vernon still felt disheartened at seeing you. In another life, the two of you would've made it here together, hand by hand and as the best friends you'd always been (hopefully even more by now). But now you were here, successful but at completely different rates, and with you feeling clear disdain towards Vernon's mere existence.

You simply scoffed at his compliment, rolling your eyes.

"I don't need your praise, Vernon."

Well, it seemed like he couldn't really win regardless. It also didn't help that he felt like a total loser standing in front of you, now aware that you had made a name for yourself.

He had heard your artistic name before, but since you apparently stuck to being a producer rather than be on stage, he never put a face to the name.

"I, uh, are you one of the producers we're auditioning for?"

"Yeah. Good luck with that, Vernon," you seemed far too pleased with yourself. There was venom in your eyes Vernon had never seen before in all those years he knew you.

"Listen, I-"

"Whatever you're going to say about our past, you can save it. Nothing you can say can make up for what happened. I won't get in your way during your meeting with the label. Only because I still love the rest of the guys," you softened a bit, before getting that serious look in your eye again, "But I also won't do you any favors."

Gulping, he responded, "Yeah, I, uh, okay. I understand."

Without any further comments, you bumped into his shoulder as you walked away, leaving a breathless Vernon behind.

He was well aware that you hated him, and with good reason too. Yet he couldn't help the rapid beating of his heart throughout every second of your interaction. With the passing of years, he had thought he was fully over his crush, but it all just came crashing down on him all at once upon your first meeting.

Now he really needed to get into this label. Not only for his career, but to somehow get you back.

"Dude! Did you see Y/N? She stopped by the studio earlier to say hi. Man, I told you you shouldn't have gone off on your own. I can't believe you missed her."

As much as Vernon wished Seokmin had been right about Vernon missing you altogether, he did wish your first encounter with him had been around other witnesses. Maybe that way your words to him would've had a little less venom in them.

"Nope. Bumped into her in the hallway while I was looking around."

"Shit ...", said Chan, "How was it?"

"Brutal. She hates my ass."

"Completely understandable, you know, considering," chimed in Seungkwan, sitting on the couch of the conference room's waiting room.

After a short tour of the building the label was homed in, the group was directed to wait in the waiting room as the execs arranged the paperwork necessary to sign them – should they come to an agreement. Vernon had made the dumb mistake of asking if he could explore the place a bit on his own, never having imagined he'd bump into you on the way. At least now he knew you'd be one of the higher ups waiting for him on the other side of that door.

"Dude, stop. I've been feeling like a dick ever since it happened", Vernon groaned into his hands, suddenly snapping up to look to his members, "Did you guys know she was working here? Did you know she was the Hissfit?"

"We didn't really keep contact," Seokmin shook his head.

"Yeah. I knew of Hissfit, but I never would've guessed it was her. Damn, that's kinda hot of her," said Jeonghan.

Jeonghan's comment peeved off Vernon a bit, but he had bigger things to worry about at the moment.

"Do you think she hates all of us, or is it just me-"

They all varied in their response, but the consensus was that Vernon was the only member you still saw with venom in your eyes.

"Yeah, man. It's just you," confirmed Chan, "I thought she'd hate me for taking over lead guitar after she left, but she was pretty nice to me just now."

Vernon was about to air out his endless concerns and frustrations at the stupid acts of his 19-year-old self, but had to close his mouth back up when the door to the conference room suddenly opened, revealing you and two other men close to your age.

"Come on in, guys," said one with shaggy hair and a strong build, gesturing at the boys to come in.

All five of them took a seat on one side of the gigantic table that took up most of the space in the room while you and the two men took a seat on the opposite side.

You looked so put together and professional, looking over the papers sitting in front of you while Vernon stared and stared, hoping you'd look his way.

"Okay, first of all, I wanna welcome you guys. I know one of our producers, Soonyoung, already gave you guys a quick tour of the place, but I wanted to give you a formal welcome," began the taller guy of the two, "My name is Seungcheol, but you probably know me as S.Coups."

"I'm Jihoon, but you must know me as Woozi," said the shaggy-haired man.

Then it was your turn.

"I'm Y/N. Also known as Hissfit."

Vernon winced when all his members woo'd at you, dapping you up with all confidence in the world despite not having kept in contact with you for the past few years. He wanted to join in, but you seemed too genuinely appreciative of it for him to want to dampen your mood by reminding you of his existence.

"We are the owners and cofounders of Universe Factory Records," added Jihoon.

"We're well aware you guys know our friend Y/N here," Seungcheol patted your back, rubbing it afterwards in a soothing manner, – completely unnecessary in Vernon's eyes, but okay – "but for business' sake, we will put a pin on that at the moment."

"We don't want any good or bad blood getting in the way of business, so we thought it'd be best to not discuss those matters here today," continued Jihoon, "All we care about is giving a passionate group such as your own and opportunity to join us. I can speak for all three of us when I say that you truly fit the core message of our label, and we'd love to sign you."

You nodded along to it all, even holding Vernon's eyes in yours for a few seconds before looking away.

"We'd love that, Woozi-Nim," intercepted Seokmin, bowing his head a bit at Jihoon.

"We just have a few contractual points to get to and then we can get to business, okay?", Seungcheol clapped his hands decisively.

A few moments later, your HR guys, Jun and Minghao came in to oversee the contract with the eight of you, making sure both parties understood everything written on the fine print. This took about thirty minutes, but ended very amicably.

"Is there a leader to the group who'd like to speak for any modifications you'd like to make to the contract?", asked Seungcheol just moments before the papers were about to be signed by everyone present.

"No, we're more of a democracy," said Vernon, not realizing the irony of his words fast enough.

You scoffed loudly at that, giving Vernon a sarcastic smile.

"Are you sure about that? Any other member who can confirm this fact?", you turned to the rest of the members in mock curiosity.

"Y/N, I-"

"Sorry, it's my bad. I shouldn't have asked," Seungcheol chuckled awkwardly, gesturing to the papers once more, "You can all sign whenever you're ready."

With some hesitation, Vernon signed.

He knew it was the right decision. That this way he would not only get to live his dream with his best friends while being housed under such a successful label, but that he'd also get another chance with you.

It'd just take a lot of work.

One of Vernon's favorite parts about the contract with Universe Factory was the luxury dorms that came along with it.

Being housed in a penthouse with all his friends seemed like one of the most unachievable dreams, yet here he was.

And the best part was that you owned a penthouse of your own right upstairs.

As far as he understood, this was a business owned building, housing any artists who wished to live at close proximity to the label's main headquarters. Vernon's group chose to agree to this form of housing without a second doubt, having always had the dream of living in the capital of the music industry – Los Angeles.

It had been about a month since the signing, and Vernon had caught sights of you far more times than he would've thought thus far. Unfortunately, none of them had gone well for him.

You seemed to be more than happy rekindling your friendship with the rest of the members, but always refused to spend any time with Vernon one-on-one. If at any moment you were left alone with Vernon, you'd scoff and walk out, even if Vernon attempted to call you out on it.

And Vernon's crush only got worse with the time he spent with you (albeit it always was while other people were around). Seeing you so relaxed in your loungewear when you'd spontaneously stop by the dorms to see Jeonghan or Chan (or literally anyone but him) as you laughed and joked around with them was messing with Vernon's head.

You were just so pretty and perfect and put together.

There came a point where Vernon was quite loud about his crush, constantly whining to his members about how much you still hated him. You were the only person to be unaware of it. Hell, even Jihoon and Seungcheol knew, always giving Vernon looks when he'd stare at you a little too long.

Except you never looked his way.

The only times you ever looked at Vernon were to curse him out or blatantly distance yourself from him whenever you got fed up of his presence.

Even now, as you huddled into a corner of the couch when the rest of the guys conveniently (re: at Vernon's request) left the two of you alone halfway through the movie you'd all been watching.

Attempting to be as casual as possible (he wasn't), Vernon slid from sitting on the arm of the couch to try and scoot closer to you, eyes glued to the TV in fear of you leaving if he dared look your way.

"Vernon-"

"Wait! Don't leave! Just stay sitting. I- I won't bother you, okay?," he was quick to apologize, sensing that you'd either scold him or tell him to fuck off.

You nodded, expressionless as you turned your bead back to the TV again, seemingly not too bothered by him.

It was rare for you to not use his exasperation as a reason to tell him off, so Vernon went against his own words and spoke again.

"Will we ever talk again?"

"What?"

He sighed, turning to you, "Will things ever go back to normal? I- Is there any chance you'll ever forgive me?"

"I don't wanna talk about this with you," you went to get up, only to be stopped by Vernon as he got up also, lightly grabbing your arm.

"Please. You have no idea how much I've regretted it since then. At least let me apologize," he pleaded with you.

"It doesn't matter if you regret it, Vernon. You still did it."

Wincing, he tried to come up with an answer that might satisfy you, but the truth was that there was no way for him to reason his actions at that time.

"I'll never not regret it. I .. I wish you were still out there with us, not just producing behind the scenes."

"Vernon-"

"Do you ... do you still play?"

"What?", you appeared annoyed at his interest.

"Do you still play? At any shows? For fun? You were always the best guitarist I'd known. Chan's nothing compared to you," he joked.

You looked down in what seemed to be shyness, "Chan's pretty good. He's gotten so much better since I last saw him."

"It wasn't the same- It's not the same. You were supposed to be there. I love Channie, but the dynamic completely changed when you left- when you-"

"When you kicked me out," you corrected.

He took a few steps towards you, both hands encompassing your arms in order to get you to look at him.

"I kicked you out, and it was the worst mistake I'd ever made. I lost my bandmate and I lost my best friend. I miss you every day. Every time I perform and I look to the front and you're not there, I remember what an idiot I was. You made this. You made the band, you got all the members. Fuck, you taught Channie everything you knew and all I did to repay you was throw you away," his eyes never left yours as he spoke, despite how guilty he felt at seeing the sudden sadness in yours, "Please tell me you at least still play. Please tell me I didn't take that away from you."

"I ... After you kicked me out, I couldn't trust anyone else. If my own best friend was willing to get rid of me like that ... If all my friends stood by and did nothing, then I couldn't trust that someone else wouldn't do it again."

"Y/n, I-"

You stepped away from his hold, creating some distance.

"I didn't want to play anymore, so I started selling my music. That's how I met Jihoon And Seungcheol. They were already on the process of founding Universe Factory. They saw something in me and took me in. We were equals," you explained, "So, no. I haven't played since then, Vernon. I'm a producer now."

It made Vernon miserable to know that the girl he once knew had changed. He understood why, specially having been part of the cause, but he felt even more regretful at knowing that he had damaged your ability to trust so badly. Ever since he knew you, you loved nothing more than to play for people. From talent shows to small shows at local pubs with only twenty people in the audience, you'd always happily sign up if it meant a chance to play for anyone willing to listen. Now you didn't have that in you anymore. All because Vernon had broken your trust.

Vernon chose not to bother you anymore after that. You seemed happy with your new life. Vernon seemed to be the only source of negativity in your life, so he chose to step aside and let you live your life. He would no longer try and see if there was any space for him there anymore. If that's what made you happy, then so be it.

It had taken a while, but after four months of being signed into Universe Factory, Vernon's band had finally released their new album.

The rollout consisted of 12 original songs, with a deluxe version including three extra songs coming a few months later. It hadn't been fully fleshed out yet, but the album itself had been a success by all means.

Throughout the process, Vernon had unfortunately not made much progress with you. Things seemed to be a bit more peaceful now that he had decided to leave you alone, but you never once tried to seek him out, so he assumed that this was the end of it. You were happy to ignore him and keep him out of your life, and as much as Vernon wad pained by it, he felt too remorseful by his previous actions to try and bother you anymore.

Vernon was happy to spend time with you whenever studio sessions came up. As one of the main producers of the company, you had been thoroughly involved in the album, which meant that you spent a grand majority of your time in the studio with Vernon and the rest of the band. Though you would rarely engage with him directly, you didn't outwardly ignore him. You remained professional and respectful towards him. He wasn't sure if that was better or worse.

After the grueling process of finishing up the album and releasing it, there was a small lull in the group's timeline. The album did amazingly well, specially with all the promo your label did for them. A tour had even been announced for later in the year, but for now things were quiet. The fruits of their labor were paying off and now everyone got a bit of time to rest before preparations for tour began.

Despite being done with work for a few weeks before getting to rehearsals for tour, Vernon still liked to come around the company and play around with the studios the label had available for their artists. He liked to mess around and try to experiment with new stuff to develop his skills. During the album-making period, he had observed you intently, learning from you without your knowledge.

Today was one of the many times in which Vernon had decided to come around the studios, in search of the one his group used throughout the process of making their album.

That was when he noticed the half-closed door, with the soft strumming of a guitar coming from the inside. He was about to turn around and leave, assuming that someone else had taken up that studio for a bit, but then he heard a melodious voice accompanying the guitar in perfect harmony. It was you.

Even during the recording process, Vernon was yet to hear you sing or play any music. The demos were usually recorded by Jihoon, even when you had vast participation in them. The most he had heard your voice during that time had been when you'd direct the members on how to enunciate a line or two – and even then, Vernon felt enamored. Now here Vernon was, peeking from the small opening of the door as he witnessed you sing what seemed to be an original song.

Your back was facing him as you sat on the floor, simply facing the wall in front of you. Your voice was low, as was your strumming. It was likely you didn't want anyone to hear you. Almost as if you were hiding your skill, not wanting anyone to be aware of it.

Vernon couldn't help but think that this was the consequence of his actions. Did you think you weren't made to perform anymore? Not even in private? Had his betrayal caused this in you? The thought made him sick, knowing how much you loved music.

His thoughts were promptly interrupted by a sudden halt in your playing, hearing your voice speak up.

"I know you're there, Vernon," you said without even needing to turn around to face him.

"I- How did you-"

You began to get up, putting your guitar away, "I heard the door squeak a bit, and you're the only person who would be interested enough in hearing me play to stay and watch."

He knew you hadn't meant it in a self-deprecating way, but the thought of you believing that there wasn't a crowd of people who'd die to hear you perform felt like a punch in the gut.

"You still sound amazing. You got even better, somehow."

"Vernon, stop. You don't have to-"

"Please. Let me at least compliment you. I mean it. You're amazing. It's a huge disservice to the world that you're not out there performing your own music," he chuckled humorlessly by the end, attempting to appeal to you somehow.

Surprisingly to him, you chuckled back in a similar manner, choosing to recline against one of the tables in the room rather than leave now that Vernon was speaking to you – something you'd usually do if you were ever in a room alone with him.

"I've never been much of a soloist. You know that."

Taking a leap, Vernon chose to lean against the table too, taking a seat close to you.

"I'm sure people would be lining up for a chance to work with you, c'mon."

"Not, you, though. Right?"

He groaned, throwing his head back in frustration, "Listen ..."

"I'm kidding, Vernon, relax."

That surprised him. Maybe the time had allowed you to feel comfortable enough to tease Vernon about it. Fuck. You were speaking to him. That in itself was more progress than he'd had in years.

Usually, he would've responded with a joke back, but he decided to drive his point home instead.

"I'd kill for you to even consider playing with me again."

Your mood visibly shifted at that, squirming a bit and looking down at his words.

"Yeah, I'm sure."

This time your sarcasm didn't deter him. He had an opening. You were talking to him, after months of only doing polite small talk with him whenever you were forced to. Maybe it was time he was a bit stern too.

Standing up, he stood directly in front of you, towering over you a bit more than usual since you were leaning against the table.

"Listen. I know I hurt you. I know I did the worst thing I could've done to the person I loved most, okay? I think about it every day. I thought about it every single day after you cut me out of your life – which you had every right to do," he winced at the thought, "Seeing you again, knowing you made it big and that you're still making music made me so glad. So glad that even though I wasn't ever going to be part of your journey anymore, you still had music by your side. I ... I wish I had done things differently. I wish I hadn't acted so stupidly and been so easy to convince to leave you behind just for a taste of success. I deserve every bit of your hate for it, but- fuck ... but I will always keep doing everything I can to see if maybe one day you might forgive me."

"Vernon, I-"

"Wait, I'm not done," he interrupted you with a finger in the air, "I tried looking for you, you know? After you disappeared, I tried to get you back somehow. When we got dropped from the label just a few months later, I tried to find you, but you were nowhere. I wanted you back from the moment I made that stupid decision. I'd do anything for you to be up there with us on that tour, for your name to be on that album cover. Somehow we ended up making music together again, just with all this baggage in between."

"Vernon."

"What? I- Honestly I don't know what you could say to all my word vomit. I already know you hate me. Nothing I do will ever change it," he looked down with a sad look on his face.

"I don't ... I don't hate you."

His head snapped up to look at you.

"You- What?"

"I don't hate you," you repeated, "I don't think I ever did. I never left music completely, I just ... I felt so disposable. I didn't want to work with anyone who wasn't you, and you saw me as a replaceable asset. I didn't even feel like your friend at that point. I mean, it was so easy for Chan to go from second guitar to lead and just completely erase my existence from the band ... Erase it from your life."

"N-no. You have it all wrong," he got closer to you, grabbing onto your shoulders to make you look at him, "Nothing was ever the same. That's why it all failed. I couldn't function without you."

"Hah," your eyes wandered away from his in an avoidant manner, "I would've killed to hear that from you back then."

You took a breath, appearing to ponder whether or not to say your next statement, ultimately deciding on the former.

"I used to like you so much back then. Did you know?," you laughed at yourself, "It was, uh, one of the reasons why I left. I felt like I got rejected in every way. As a friend, as a bandmate, as ... as the girl who liked you."

Fuck.

It had been worse for you than Vernon ever imagined.

The same way he felt dejected at your disappearance, having been practically in love with you at the time, you must've felt that pain a hundred times over. The guy you liked threw you away so easily, of course you were going to assume Vernon would never return your feelings under those circumstances.

But you had it all wrong. Oh, so horribly wrong.

If you had ever given Vernon any indication of you liking him, he would've dropped everything for you. He knew that he should've done so regardless, specially considering you were best friends, but he was extremely immature and dumb at the time. His mind did not reason what effect his actions would have. At the time, your claims about being okay with leaving the band as long as it was for the best of its future were completely taken at face value by Vernon. Never would he have guessed that you had just said that to appease to him just because you liked him.

His prolonged silence allowed you to speak up once again.

"I really did want to try and root for you after you signed that contract, but seeing the guy I was so head over heels for throw me aside so easily settled on my mind after a few days. I realized there was no point either way. We would never be bandmates again, and you would never like me back."

"I didn't- I ... I had no idea. Fuck," he breathed a heavy breath, furrowing his eyebrows, "I was so in love with you. I'm ... I'm so incredibly in love with you."

He knew he fucked up in saying it, specially going by the shocked expression on your face. Your eyes were wide and your mouth agape.

"I'm sorry. Fuck, I'm so sorry. I know this isn't what you want to hear. I- I shouldn't have said anything, but I can't help myself anymore. I've loved you for years. I've been miserable thinking about how badly you hate me when you haven't left my mind for a single day. I love you. I'm sorry, I just ... I love you."

"Vernon ..."

He threw his hands up in frustration, "Don't. Fuck, I already know what you're going to say, just ... just don't-"

"Vernon, shut up!", you grabbed onto his head, making him lower himself down to you a bit and look into your eyes.

Vernon wasn't quite sure what your original plan was, but he saw you open and close your mouth a few times to speak, ultimately giving up to do something that would break Vernon's mind for the upcoming future.

Your lips against his own was something he thought of an embarrassing amount of times during his teens (and even now during his 20's), but it was always something he was certain would never happen. He had never actually planned for what he would do if you ever actually granted his wish. And so he remained limp against you for a few moments too long, making you pull away at the lack of reciprocation.

This was something he just couldn't have. In no world could he ever allow you to ever feel like he didn't want you. Never again. Before you could fully pull away, his arms wrapped around your waist, bringing you to your tip toes so that he could kiss you properly. When your feet flattened on the ground, his lips chased after yours, leaning down to keep himself connected to you.

The kiss was soft and delicate. There were some breathy sighs that were making Vernon's head feel fuzzy, but the kiss was innocent otherwise.

Or at least that was how it started.

Vernon wasn't sure who licked their way into the other's mouth first, but that bit of information didn't matter too much. What mattered was that gorgeous moan you let out when his tongue suckled on yours. What mattered was the way you let your body become limp against his touch, letting him back you up against the table and sit you on it. What mattered were your hands pulling at his hair in sheer desperation for more.

You weren't the only culprit, though. Vernon was equally, if not more, desperate for you. His mind and his body were in a battle, with one wanting to pull away and discuss what your current feelings for him where, and the other fighting the urge to flip you around and bend you over the table.

Thankfully, you made the decision for him.

Your hands snuck under his shirt, delicate fingers gracing the skin of his stomach before allowing your hands to freely feel up his abs and chest. Shuddering, he became lightheaded at the simple contact, having been in such constant want for your touch all these years that even the simplest of contact had him losing his sanity. Unlike you, his hands were not as daring as yours in fear of scaring you away somehow. They remained rubbing your clothed waist and hips, far too shy to do what they really yearned to.

Images flashed in his head of every nasty thing he wanted to do to you. Every single night in which you'd somehow invade his mind with a fog of lust came running back, a myriad of ideas making it all the harder to hold back. He wanted you to have control. As hard as it was to just sit there and will his already prominent boner into staying still, Vernon could not act on any desire. You had to be the one to initiate it.

And thank fucking god you did.

Within some short moments, your hands threw off Vernon's shirt, pulling him closer to you as you became even more shameless in how you felt him up. Seeing his hands remain stagnant on your waist, you disconnected his lips, staring into his own with a blissed out look on your face.

Fuck.

You were already fucked up. Your eyes had nothing but lust in them. They had a hard time not making their way to his lips, which were still dangerously close to your own. He couldn't blame you. Despite being out of breath from kissing all this time, his own lips were already aching to encompass your own again.

Before he could kiss you again with a petulant whine, your hands guided his own to your clothed breasts, pressing them up against his palms with a delicious little whine that made Vernon press his cock against the table under you.

"Touch me? Feel me up? Fuck ... want your hands all over me," you breathed between sensual licks at his open mouth.

Fuck.

Oh, fuck.

How was he supposed to do this?

You sounded so pretty for him ... so horny and needy and just so fucking desperate for him.

You were the prettiest fucking thing he had ever seen – and you were begging for Vernon to feel you up? You were already begging and he hadn't even had the chance to actually touch you yet? Vernon had no idea how he was going to survive you, but he'd just have to will his body into doing so.

He didn't need any further instruction, his hands immediately following the task of rubbing and squeezing at every inch of skin. Every clothed curve was victim to his grabby hands, touching you and pressing you up against him like he'd die if he didn't. Your breathy little moans at his touch only made him feel like even more of a depraved animal.

You kissed and kissed and kissed. It was the nastiest mess of tongues and saliva, but Vernon couldn't help but feel extremely turned on by it. You were so ... so fucking desperate for him. Shameless in your actions, you licked and sucked at his tongue, holding his jaw in place so you could do as you pleased with his tongue. And when he couldn't match your pace due to how foggy his mind was? You stopped him, breathing against his lips that you'd show him how you liked to be kissed just before licking sensually into his mouth yet again.

Having been far too into the kiss, Vernon didn't even notice when you started undoing his belt, hands teasing his cock occasionally by gracing it through his pants and immediately coming back up when his hips tried to chase your touch.

"Baby ... Need you so bad," you moaned at him after a while.

'Baby'? He was 'baby' now?

Vernon couldn't even take a minute to process the lustful voice in which you had called him baby before his poor, weak, lust-ridden brain got distracted by you pulling your own shirt off.

It was almost comical the way in which Vernon froze at the sight. The two gorgeous mounds staring at him, pretty bralette encompassing them as you grabbed his hands and put them on your tits, begging him to touch you there. And Vernon wasn't an idiot. He touched you to his heart's contentment, groaning against your mouth every time you'd arch your back and press your chest up against his hands even more.

You were an entirely different version from the one he'd always known. You were so needy and soft and sensitive, completely unlike the stubborn and cold side of you you had shown him these past months. But Vernon wasn't about to complain when he had you so pliant for him, so whiny as you pleaded for him to touch you more.

His hands tugged and pinched at your nipples, lips swallowing every single cry of pleasure you let out. Your own hands scratched at his chest, with harsher marks being left behind every time he pinched at your tits relatively hard.

Growing easily frustrated, you separated his hands from your breasts, throwing off your bra before beginning to grind against him, encouraging him to push up his hips against your own.

Vernon was already painfully hard at just the privilege of feeling you up, so he was somewhat scared that he might end up cumming in his pants if you kept this up for so long. All it took was one single bump of your cunt against his cock for him to throw that concern aside and grind into your awaiting cunt as the two of you continued to kiss.

Breathless, he pulled away, finally getting to have a view of your nude breasts. That's when he lost control of himself.

He groaned and moaned and made every inhumane noise you could think of as he made love to your tits with his tongue. Never had he ever put so much dedication into anything as he did into making out with your tits. And fuck was it worth it. Your hips sped up against his own, hands burying in his hair as you pressed his head against your tit and cried his name in the prettiest of sighs.

There was no way in hell Vernon was going to last. He needed a saving grace.

Mustering all his willpower, Vernon disconnected himself from you completely, grabbing your hand and walking you over to the couch in the studio. On his way there, he kicked off his already loose pants and threw off his shoes. His original plan was to lay you down on it, crawl over you as he kissed every inch of your body and then worship his way into fucking you missionary, – so he could see and kiss you all throughout, just in the way he always imagined – but you stopped him in his tracks.

Pushing him onto the couch, you sat him down before shuffling your sweats off and straddling him, putting your hands on his shoulders.

"I wanna ride you. Can I?", you asked, getting straight to the point.

"You- you wanna .."

"I've been thinking about this since high school. And ... you kinda owe me, you know, after kicking me out of my own band," you joked.

"If letting you ride me is payback, then I take it back. I regret nothing," this granted him a frown and a slap on his chest, but he took it as a champ, enjoying the familiar banter he once shared with you.

Placing his large hands on your hips, he somehow got you even closer to him, "Ride me? Hmm, baby?", he kissed up your neck, taking advantage of the clear desire he knew you felt for him.

"I, ah ... Nonnie ... Please. Want your cock, it's so big," you sighed, neck tilting so he could have more space to kiss.

"Gotta prep you first, baby."

You shook your head, huffing, "'m already so wet, Nonnie. Wanna feel?"

With no warning, you snuck your hand under the tiny little excuse for panties you were wearing, gathering some tasty nectar for him to taste. He let out a gruttal groan at your taste, feeling lightheaded at the thought of someday having the privilege to eat your cunt until you begged and sobbed for him to stop.

But that would come some other day. Now, he needed to sit you down on his cock before he lost his mind. If you thought you were wet enough, and you were desperate enough to beg for him repeatedly, then who was he to deny you?

Helping you awkwardly remove your panties while he shoved his boxers down as much as he could while sitting, he helped you lift yourself up a bit to line him up, throwing his head back when you instead chose to drag his tip up and down your cunt.

"Baby ... If you don't sit on me, I'm going to fucking cum before I even get to feel you, and I don't wanna embarrass myself like that. So, please let me have it," he begged for a change, eyes squeezed shut as he attempted to make his body hold back as much as possible.

Taking pity on him (or likely just equally as horny), you finally sat down on him, showing very small signs of struggle at his size.

"F-fuck ... Nonnie, it's so big, it's so- Oh ... fuck."

"Nonnie! Feels so good ... Oh, it's so good, Nonnie."

"Baby, need more ... Need you to fuck me. Please? Cock's so fucking good."

"Want it in my mouth, Nonnie. It's so thick n so fucking big. Looks so, fuck, so delicious. Wanna choke on it so bad ..."

These were only some of the filthy expletives you cried out as you bounced on his cock like a depraved girl. You desire for him alone was enough to make Vernon want to give up and dedicate his body to your pleasure, knowing that your gorgeous body would always give him the same, if not more, pleasure in return.

It got so bad for him that at some point, he simply couldn't hold back anymore, his feet settling firmly on the ground before tightening his grip on your hips and beginning to bounce you up and down his cock while his hips canted up with inmensurable speed.

"Cunt's so tight, baby. Never letting you go again. 's all for me, right? Get to have you every day now," he mumbled against your chest, lips chasing your tits every now and then.

"Y-yes, Nonnie. All for you! Missed you so much, Nonnie. Thought of you every day," you hiccuped, back arching to give him better access to your tits, "I was so heartbroken over you ... Never letting you go now. You're mine. Right, Nonnie?"

He nodded and cried at your words, heartbroken just at the thought of your own heartbreak. He had to remind himself that none of that mattered anymore. Now he finally had you. The dam had finally broken and allowed the two of you to end your prolonged animosity and give you a chance to finally be his. Just how he had been yours all these years.

Your love making (if you could even call it that considering the animalistic nature of it) could only last so long before Vernon finally burst, which meant he had to take matters into his own hands and make sure you found your end with him. Reaching between you, his hand searched for your clit, finding it in only a few seconds. Disconnecting his head from your chest, he went back to kissing your neck, reaching your ear so he could talk you through your orgasm.

"Need you to cum for me, okay, baby? Love you so much ... Need to cum together, pretty, yeah?",

"L-love you! So much, Nonnie ... Never stopped."

Those were the last words you managed to let out before your orgasm took over you, whining the prettiest cries Vernon had ever heard. The tightening of your cunt finally allowed Vernon to let go, joining you in your high as neither of your hips halted their movements.

Holding you all throughout, Vernon had never felt as close to anyone else as he did to you in this moment. If you needed to hate him in order to protect yourself from his betrayal, then Vernon fully accepted it. No part of him blamed you for keeping him at an arm's length at all times. Specially if this was the final outcome. Now that he finally had you, he didn't care what journey he had to live through to get here. All he cared about was the gorgeous girl of his dreams crying in his arms as pleasure overtook her.

Your orgasms had been so incredibly intense that you needed some moments to catch your breaths before speaking up. That, and all the emotions that must've been going through your minds.

Holding each other despite the silence, you stayed like that for a few minutes, simply nuzzling against each other as a demonstration of love for one another. Vernon's mind still couldn't believe the reciprocation of your feelings. His heart was still beating far too loud under your touch, but he felt at ease.

"I really do love you," he spoke against your neck, "And I'll never stop regretting what I did to you."

You created a small distance between you to look at him, caressing his cheek in your hand as you spoke.

"I'll never be okay with what you did, but I love you. You were young, and you made a mistake. I can't stand hating you anymore."

He smiled, turning his head to kiss the palm you had against his cheek.

"You can hate me, as long as you love me too," he said. He knew it made no sense, but he also knew you understood.

"I love you," you said again with a smile.

"I love you."

to read short 2.3k word continuation you can go join my monthly tier on kofi or patreon!

content: smut, afab reader, comfort sex, face riding, penetrative sex, etc.

wc: 714 (teaser); 2379 (full drabble)

sneak peak:

"Isn't it unprofessional for you to ask an ex member to join the band again just cause you're sleeping together?", asked Chan as he tuned his guitar absentmindedly.

"For the last time, that's not why I'm asking her. I've wanted her back for years, you guys know this. I'm just rectifying a mistake."

You giggled from your seat on the couch, enjoying that the guys still gave Vernon a hard time for what he had done all those years back.

The news of your relationship had come as a surprise only to a few people. Most of your friends had seen it coming from miles. The sexual tension was just too high, or at least that's what Jeonghan had said when you first broke the news, Seungkwan nodding in agreement.

After that day in the studio, you and Vernon entered an annoyingly disgusting honeymoon phase. Unfortunately for everyone else, this phase seemed to be endless. Two months in, and you were still attached to the hip, unable to keep your hands or eyes away from each other.

Your newfound revelation of love for Vernon also brought back up old dynamics between the two of you. With his encouragement, you began occasionally playing with the guys, sometimes joining in as second guitar on stage, standing at the back, right next to Vernon and his drums. Your relationship was a point of conversation for fans, but you still kept it private among the people in the company.

Currently, Vernon had made the executive decision that he wanted you to officially be featured in a remixed version of one of their most successful songs from their debut album. The plan had already been there, but Vernon's suggestion of having you on the track rather than anyone else had surprised some people at the company, especially when they found out you agreed.

Vernon had been incredibly busy all week, leaving this as the first time he'd been able to see all of you together to briefly discuss the future plans for the track. His plan was to make a quick stop and then finally rest in your arms back at your apartment.

"Anyways, you should never forget that she was lead guitar before you ever were. We could always just send you to the back again," interrupted Seungkwan, giving Chan an unserious yet pointed look.

Chan raised his hands in defense, "Hey! I'm not the one who kicked her out!"

Groaning, Vernon walked over to you and buried his face in your neck, tired features clear in his face as he wrapped his arms around your waist, "Make them stop. Please."

Giggling again, you opted for a better option, taking the clearly tired boy by the hand and leaving the studio, bidding your goodbyes to the guys.

You had only stopped by to say hi to your friends while on your way to your apartment, knowing Vernon was tired from a long day of recording for various other activities he had recently embarked in as a new face in the industry. They were already aware you'd be recording a song with them, but simply enjoyed giving Vernon a hard time. Maybe even more than you did.

On the ride home, Vernon had fallen asleep, absentmindedly cuddling against you on the back of the car. Vernon had naturally taken on the role of the main face of the group, which also came with endless work and promotions he sometimes had to do solo, just like today. You were more fortunate in that area, making most of your money off royalties and not needing to make public appearances at any point.

When you finally arrived home, you continued dragging Vernon along with you, who would only groan occasionally at the thought of even stepping foot into the elevator. Making it all the way to your suite had taken a while due to the size of the building, but when you made it, Vernon immediately threw off his shirt and stripped down to his boxers, letting himself fall face first into the bed, groaning at the mattress cushioning his fall.

You stared for a few moments, thinking of what you could do to help your tired boyfriend relax after a tiresome week of work. Then the idea suddenly came to you.

...

find 2.3k word continuation on either kofi or patreon!

[al-the-remix]

I know nothing about 911 but seeing all the bucktommy posts makes me really interested, if you don’t mind could you give a short introduction of the ship/which episode(s) to watch for them? Thanks!!

Hi! So the ship is a very new one and they don't have a lot of screen time yet, so their relationship only appears in season seven, episodes: 7x3 to 7x6 and then 7x9 and 7x10. Tommy Kinard as a side character also shows up in episodes 2x9, 2x12, 2x14 (in an off-screen capacity) and 2x16.

As for the introduction, the lore with this show runs sort of deep, but as condensed and simplified as I can give it to you: the decision to introduce bi!Buck and Tommy and his love interest was made very last minute (like as the first few episodes of season seven were coming out kind of last minute...) as the tv show switched networks from FOX to ABC and was working with a protected season, (10 episodes in stead if 18), so this first season you see them together in has a very "let's see how well this works and if the general audience approves of it" kind of vibe.

Obviously, it worked for me! And the general reception has been good. Personally, I find their dynamic fun and genuine; the show runner was aiming for a non-heavy coming out story with a romcom twist, which a think they succeeded at. Buck (or "Evan" as Tommy calls him) is sort of the obvious favourite of the show in the audience and the writer's eyes, he's gotten a lot of development over the years, but has stagnanted recently on the romance side of things and also in his professional development, (which is partly the fault of the writers and partly just bad luck with maintaining actors). So I think a lot of fans are excited to see him "off the hamster wheel", as they say, in the love department. This opens up the possibility to explore other plot lines with him as a character in his professional life and personal life now that hes in a steady relationship.

Tommy we don't know much about yet, other than he was deeply in the closet when we first see him in the season 2 flash-back episodes. He's not initially a very warm, welcoming, and accepting person, but it's implied that a lot of that behavior was influenced by his environment and poor upbringing and he is quick to make amends and befriend the main characters when he's shown to be in the wrong. He used to be in the army, and is a fan of cars, martial arts, and rom coms. The way he talks in the season seven episodes makes it clear that he's done a lot of self reflection since we've last seen him (and since he's come out). He's shown to be an open and honest person who does his best to show up for the people he cares for, and once Buck is in his line of sight, all that attention is turned his way.

I think with this ship what people are most excited about is the potential it demonstrates: Buck as a character is someone who's been on an aggressive misson of self discovery and understanding, he's been actively looking for a romantic partner to have a committed, mature relationship with, he's someone who's willing to give a lot of himself away to his partner and is desperately hoping to have that attention and affection mirrored back at him.

What little we know about Tommy so far makes it clear that he's mature and willing enough to be that person for Buck: if it works out and the writers allow him to be. I just really enjoy what little I've seen so far, and with the show being back to its regular 18 episodes next season and Tommy pretty much confirmed to return, I'm interested and invested and hopefully in where they may take this relationship next.

Also I feel like I need to add if you're going to engage with the fandom specifically for this ship, do it through the #bucktommy tag on tumblr, because it's a real mine field out there right now, lol.

[pastellieria]

The latest round of AO3 comment discourse crossing my dash made me suddenly realize that people are just taking it as a given that AO3 is a "fandom community website". AO3 is often directly compared to Livejournal and other older fandom hubs amidst laments about how "no one cares about participating in their community anymore".

But AO3 is not a "community" website. It's not social media. It's a fanfic archive that was designed to center the fics first and foremost. There is no space on the site for general, casual fandom discussion. You can't even DM other users. The site was designed this way on purpose to protect writers, because its creators were familiar with the ways in which writers have been harassed on other sites and wanted to minimize direct access to writers as much as possible, but that decision comes with the tradeoff of limiting the amount of communication and discussion between fans that is possible on the site.

This is, to be clear, not a criticism of AO3. It accomplishes its goal of being an archive very well. I don't particularly want DMs or larger discussion forums on the site, and I enjoy how it centers the writing it hosts. But as it exists now, it is simply not built to be a "community" and does not function as one. Unlike sites like Livejournal where fic posting and general interpersonal fandom interactions all took place in the same space, fics are posted to AO3 while the "community" for any given fandom now largely takes place on Twitter, Tumblr, Discord, or another site, depending on the fandom.

You're free to personally dislike those spaces and voice valid criticisms about how they function as communities, but they are undeniably where the actual "community" parts of most fandoms currently reside. These sites, not AO3, are where most fans talk to one another, form friendships, and express themselves. It's not impossible to do these things on AO3, but it is not the norm because the site simply is not designed that way.

The latest posts I have seen about commenting culture have gotten this dynamic exactly backwards. If readers are discussing a fic amongst themselves on Twitter or Discord, they're characterized as antisocial and accused of "not participating in the fandom community". But Twitter and Discord are the fandom community sites! The "bookclub" servers and Twitter threads are where the community bonds are being forged between fans! These spaces are the modern analogue to the old Livejournal groups and web rings, not the comments section of any one individual fanfic on AO3.

If an author's only interaction with their fandom is to post fics to AO3 and passively wait to be found, and they aren't seeking out their fellow fans in these other spaces and interacting with them... they are the ones who are "not participating" as much as the readers that are so readily being cast in so much of this discussion as "selfish" or deliberately spiteful for not commenting "enough".

I understand why many of my fellow writers feel this way. I too often find socialization on sites like Twitter and Discord draining and difficult. It takes time and effort to build friendships organically, discuss ideas and share snippets to pique people's interest in a fic before it is posted, and provide reciprocal effort when it comes to everyone else's ideas and snippets and stories, and there are many days when I just don't have the energy for it all. At the same time, I'm also very curious about my readers' thoughts on my stories, and if I learned that they were being discussed in a server I couldn't access, I would want to know what was being said. It's a natural impulse to feel curiosity like this when it comes to one's creative work. And of course, I also love getting comments on my own fics and I'm not immune to feeling disappointed when a fic seems to "flop".

However, it's not fair to take out feelings of disappointment and frustration on readers for participating in their fandom in the spaces where their fandom's community actually exists. If you find out that fandom discussions are happening in a place where you are not present, you have a choice in what action you will take. You can either make the effort to join the discussion, or you can knowingly distance yourself from it. Neither of these choices are objectively correct for every single individual's situation, but you, the AO3 denizen, are the one who needs to choose whether or not to engage with your fandom's community, because AO3 is not where the community lives.

If you choose not to join your fellow fans in their actual community hubs because of low social battery, annoying features, or a site culture you dislike, that's perfectly fine and a valid choice... but you shouldn't be surprised when the author who is participating in their fandom outside of AO3 gets more comments on their fics. And you certainly don't have the right to project your own social withdrawal onto your readers and accuse them of maliciously withholding "community" from you.

Comments are wonderful, and positively encouraging people to leave comments on the fics they enjoy is completely fine, but comments are not community. AO3 is not a community website and in fact is designed to put us writers behind a wall for our own protection. We are the ones who need to choose whether or not to venture out from behind the wall and join our communities, instead of getting angry that the community isn't spontaneously appearing in our comments sections.

[photoniccyclone]

God dangit AO3, are you *trying* to get me to be productive?

[lightofjedi]

I wish people understood that a female character being written by a dude who objectify and sexualize her is not her fault but the writter's, and that going on about the importance of not sexualizing female characters while simultaneously using said sexualization as a reason to sprout misogynistic remarks about and dehumanising sexualized female characters just shows your hypocrisy and how little you actually care about women.

[grimweathers]

truly thank god that 911 does not have a character named some variation of steve because as it is my dashboard has become so confusing with people's new blorbos named eddie and tommy lmao 😭

[shimmerluna]

i do think there's probably something suspicious about the way everyone loves Ca$h and Quinni and their depth while essentially reducing Darren to their shared supporting character and/or the sassy black woman(/person in this case) stereotype, but I feel somewhat hypocritical bringing it up

[fictionadventurer]

It is so much fun watching Roseanna M. White be Catholic.

For one thing, she tells you cool history stuff about Christmas music.

[handkinkbis]

As a fan of proper communication as a plot device here's what I would do as Shin Yu.

If he's being blackmailed into this relationship with Nayeon then tell Hong Jo exactly that. You don't need to share all the specifics, but especially IF the stalker has something to do with whatever blackmail, Hong Jo has a right to know about it at this point because it's putting her at risk too. Shin Yu might know more than he lets on.

It doesn't seem like Shin Yu and Nayeon spend any? significant? time together and there's no love between them so it's a contractual relation at best (clearly they're not sleeping together since Nayeon spends nights with her lover) and Shin Yu's been very publically chasing after Hong Jo anyway (at work, outside of work) so Hong Jo and Shin Yu really dating* won't influence how the fake relationship between Shin Yu and Nayeon is seen. Maybe he could be less obvious about it, but that too is on him. (Unless the brain condition is making him impulsive? Nothing is certain with this show lol.)

Keeping Hong Jo in the dark about it just seems like a tragedy in waiting because Shin Yu's chasing is getting her hopes up that Shin Yu will split with Nayeon eventually. If he's not going to, he needs to make that clear!

Use Your Words characternims! I still don't get why it hasn't been revealed why Shin Yu and Nayeon are marrying and why it's such a tightly kept secret, it just seems like a weird writing choice to use miscommunication and misunderstanding like this to drive the plot. Even if the reveal would clarify whether the magic in this universe is real, well... Dragging that reveal out also seems strange.

And unless Shin Yu's prevented magically from sharing with Hong Jo why he's entering into a loveless marriage with Nayeon, the withholding of something so key makes no sense.

I probably need to rewatch the show because everything seems unnecessarily confusing and I've probably missed so many details.

Another theory of mine is that Shin Yu's health condition has something to do with the messy plot/story telling since he's an unreliable narrator, but so much of the show is from Hong Jo's POV that it seems quite... unlikely? If he'd dreamt parts of the story then you'd expect him to be more of a central character in his own dreams so that's probably not it.

[kindlythevoid]

You write so that your favorite actor will one day star in an adaptation of your book.

I write so that an adaptation of my work gets featured on Film Theory.

We are not the same.

[mangosaurus]

do y'all ever lie awake at night thinking about all the ways in which benrius narratively parallels the two other canon couples in JW:CC or you normal

[cyanide-latte]

Who's your favorite antagonist that you've ever written?

Oh this question is a test for me 🤣 There have been a great many of them...

There is one in particular who stands out as the one I always come back to in terms of how much of a mess he is and why him being that complicated makes it harder for protagonists to face him, but if I were to go on about him, that would require a LOT of explanation, a "read-more" line, and me dragging in a couple of buddies via mentions to kind of back me up where memory might fail me.

[avemstella]

Why do the Harbingers have 2 different titles?

Ok, so this is based on a conversation I was having in a Discord, but I honestly have thoughts and felt like some people might be interested so fuck it.

So I mentioned offhandedly in my fic that I find the Harbinger canon code names kind of boring, but I didn't really go into why. So here's my rambling, I guess, critique (though don't take this too seriously) of why they are really weird to me and feel kind of pointless.

so there's a joke, that I often take part in, how several characters in genshin have too many names, but in a lot of cases the names serve different functions. For example the archons having 3 names serve a purpose: their demon 'true' name (or possibly the name gifted to them by celestia...), their title that's used as a sign of respect (ex rex lapis by the people of liyue), and their 'human' name. Each one is used in different places and reflects the relationship between the archon and the other character.

For example all the archons call each other by their demon names, while a character like Keqing calls Morax "Rex Lapis" but calls Barbatos a god not her own a distant "anemo archon." On Venti, the fact that Venti lacks a title like the other archons and everyone just calls him Barbatos tells us something about his relationship with his people etc. And even beyond the archons, characters with important last names get highlighted as their relationship with their clan (ex kazuha, a bunch of the inazuma characters tbh, or even Mond's like Jean) are very important to them.

But with the Harbingers' code names versus Commedia names, they don't tell us anything new. In most cases they are just translations of their Commedia ones (the most egregious in english being Capitano the Captain, but also Signora the fair lady etc). Or if they aren't exact translations the code names have something to do with the trope. For example Sandrone the word doesn't translate into Marionette, but the trope is literally a puppet. Similarly Pantalone with Regrater, his name means pants but the trope is a money hungry merchant so that lines up. Basically the code names don't tell us anything that the Commedia titles already don't. Also, the sort of exception to this Childe/young lord versus Tartaglia which means stutterer is just so generic (Columbina also sort of falls into this category, with the even more generic code name in the original chinese of "girl").

However, there are ways to make the code names interesting without their meanings being so. As I mentioned above, the Archons' titles were made interesting not really because of what they meant but their usage. How they tell us about the relationship between the Archon and the one who uses it. Or, as I do in my fic, the one who granted the title. In my fic the commedia names are the titles given to them by the Tsaritsa versus the code names are the names they gave themselves. It gives them distinct different purposes that each tell a story.

So what does canon do to separate the two names? Absolutely nothing. There is no consistency with their usage at all. Like maybe one can argue that one is used by outsiders and the other is used internally. And that would make a degree of sense. All of Childe's Harb voicelines use their code names (in the voiceline title not in the dialogue), Scara calls Pierro the Jester, so does Dottore. But then Scara also calls Dottore well Dottore. And Capitano used Dottore and Scaramouche during the funeral. But Columbina used the Doctor. Then during Zhongli's gnosis hand off Signora calls Childe by his code name but he calls her by her Commedia name in the same scene.

Then lets look at outsiders. Raiden Shogun calls Signora by her Commedia name at the throne room scene, but later in that quest Yae Miko calls Scaramouche only the Balladeer. The Traveler and Paimon seem to flip flop depending on who they are talking about and when. Varka calls Capitano the Captain while singing his praises.

The argument that one name signifies someone is closer to the other falls apart when outsiders also use both names. Unless the voiceline titles are lies, we have Tartaglia calling all the Harbs by their code names, despite the fact that he closer to for example Pulcinella then Signora. And we have Signora using his code name at him to be almost disrespectful while we have Dottore being respectful to Pierro while calling him the Jester... (we also have Scaramouche complaining about Pierro while calling him Jester).

Basically what I'm saying is there isn't remotely any consistency with the name usage of the Harbs names (beyond using their real ones) that tells us anything about them/world building/etc. Or if there is one the game is doing a bad job at clarifying it. And because the code names themselves are pretty generic and don't add anything that isn't already in the Commedia name, why are they even there? I hope one day more information changes my opinion on this, but for the moment they are just unnecessarily confusing.

[baezdylan]

sooo which doctor who character am i?

FUN QUESTION DJDJJDJDKD thank you for indulging me :")))) I actually think about this A Lot hdjdjdjdjdj

In my head (I don't know if I'm being objective or just acting upon my need to connect my favourite characters with you hence the wording) I can see you as Amy & Clara sometimes too. (You're also Rose I Can Fix Him Tyler and Donna Profound Kindness Meets Profound Sass Noble <3) WHICH IS ALL SO AMAZING TO THINK ABOUT when you consider how I relate to Amy & Clara as well! Clara literally embodies the martyr for love archetype and Amy's childhood is intrinsic to her entire character and so is her faith in the Doctor. (Amy/Lucy parallels <3) 12Clara is literally us sometimes bdjdjdkdkr, look at this and this. + 12Clara (besides 11Amy) is my favourite DW dynamic soooooo...

Generally speaking, I can see us in multiple Dr + Companion interactions. (re: that 10/Martha exchange I tagged with Jo/Mal aes) For example, we are totally 10 and Donna. (see here and here)

Note: none of this is necessarily accurate, I'm probably being incredibly biased because I legitimately don't dislike any of the characters.

Note: I feel the closest to 12/Martha/Amy/Clara :)

[you-are-my-neverland]

[id: a graphic with a series of three images: a girl with her eyes cast in shadow, a statue of a saint dripping gold, and two hands with light between them. the text overlaid reads ‘the metamorphosis of the lost’ / end id]

THE METAMORPHOSIS OF THE LOST → A ROUND UP

“Kevla is rotten to the core,” June continued. She was as close to impassioned as India thought she would ever visibly be, reminding India of the times June had opened up before, the anger burning like a bright, cold, distant star in her eyes. “You can’t fix Kevla. All you can do is remove some of the damage.”

after roughly fourteen months of writing, i am proud to announce that the first draft of the metamorphosis of the lost is officially done. at the start of the summer last year (2022), i had only 120k words, and the end seemed unreachable. now, i’ve wrapped up the first draft at a rounded up value of 310k. it’s crazy to think that i’ve actually reached this point. i started tracking my writing progress during my summer goal of 200k, and continued to do so during the fall semester, of which i only failed to write one day. in retrospect, all those days where i was too tired to write more than a few sentences, with word counts under 100, and the months where i struggled to hit my goal of 500 a day - all those days piled up to the completion i achieved right on time for 2023 to hit. 

will i definitely do more work on this novel? who knows. i can’t say for certain that i’ll ever go back to it, or that a second draft will occur. but i hope i will. i always planned for tmotl to have a companion piece, for this to be the first part of a duology. do i have nothing but a few scattered ideas tying the two together? yes. i do need to actually tackle the plot of that rumored companion novel soon.

“What did you ever do for me?” she asked bleakly. “I’m dead because of you. If you had cared at all, the Black Saint would have died long before I came back to find him still alive.” If he had been dead then, I might have come back to you, she didn’t say, because it was something that she would never be able to take back if she did.

i’ve posted a lot of (unpolished) excerpts on here before, so in honor of finishing the first draft, i figured i would let myself talk about the writing process and all the little things i haven’t shared yet! if you were ever interested in finding out more about this wip, or read the posts i’ve made and thought ‘idk what this is about but this is cool’ (as i never did post those character profiles or setting notes or anything informative beyond the wip intro...), read on.

(fair warning: it’s long.)

Kevla itself might be larger than life, but India didn’t believe in the city either. She just knew it existed, because she couldn’t ignore its presence in her life. 

Maybe Kevla was God.

we’ll start with the city itself. kevla, a city set somewhere on the coast, estranged from the rest of the world that it can’t really be imagined somewhere on a map. kevla is, at it’s heart, a gritty thing to behold: it is a city that is trying to kill you, and the only thing that will save you. 

there have been many times when i’ve looked at a wip and said, this wip is just going to be normal. there will be no magical realism in this wip.’ this was not the case for tmotl - when i was first visualizing the story, i knew that i wanted the city the vigilantes occupy to be alive in a very magical realism way. therefore, kevla is a sentient being, though it is never explicitly called that. it is only understood by the characters throughout the story, by anele and india and vin and june. it is talked about as something that acts on its own. in this, kevla becomes both the setting and a character. 

kevla itself is neatly divided into districts. i live in the suburbs, and have not lived in any big metropolises, but i have visited nyc, and d.c.  is kevla not exactly designed as a realistic city would be? yes. but i think it fits into the rest of the novel - kevla has to be small for logistical reasons, but it also has to be larger than life. it has to be a peninsula, with a raging coastline, and it has to have a living forest cutting it off from everything else. the people who live in kevla understand the uncanny nature of their city, but it is not unusual to them - it’s just the place they live.

He didn’t say anything. India drew in a shuddering breath and felt his chest expand slightly, in the barest way, ribs rigid through his costume. She could draw a knife right now, stab him fatally, slide it into the spot between the ribs, drive it in through his skin and break through his back. If not that, then a bullet at close range. The possibilities were endless. At this point, she could see the seams in his body armor. Everything and anything could be destroyed at this close.

india, india, india. tmotl definitely doesn’t have a single main character - june and india both share that title, and many other characters have a substantial amount of povs - but tmotl is also very much india’s story, because she’s the girl i wanted to write about first. an angry girl. an outcast. someone who is overflowing with all the wrong emotions. someone who bares her rage on her teeth.

india as indigo is directionless. she’s stuck in place, and she doesn’t know where she’s going. it’s only after she’s killed by the black saint and returns as the red saint that she finally has a purpose - to kill the black saint, and to prove the world (the vigilantes) wrong. to show them. where she had just been following other people’s paths, and rules, now she forges her own. still, even, she’s torn in her heart - does she really want burned bridges? does she want death? apologies? for all that india claims, she doesn’t really know, herself, but it takes her a long time before she can admit that to herself.

india is, at her core, unpredictable. she’s a series of contradictions, which is intended. no matter how much drive you have, it doesn’t amount to anything if you don’t know where you’re going, or why you’re going at all. she’s a treasure trove of trust issues, impulses, and sharp edged defenses. she doesn’t trust anyone, because she was abandoned from birth - there was never anyone in her corner until she met anele and vin. even then, even with a found family, she put up the walls; she wants to be understand, while believing so strongly in the fundamental divide between them all - that they will never understand what it’s like to be her.

india is a mouthpiece for something that often echoed throughout my thoughts, especially when first brainstorming for tmotl. who gets to decide who the good guys are in vigilantism? are you the good guys, india asks, because you didn’t let your trauma affect you? because you dealt with it ‘neatly?’ am i the bad guy for not being able to?

“I didn’t die easily,” June said ferociously. “None of us died easily. People like you didn’t let us die easily. Our death, to you, was nothing but a chance, but for us it was hell, over and over again. Why do you expect compassion from me when you never had any for any of us? You didn’t change anything. You didn’t save anyone. You took a legacy and let it live on.”

She swallowed back her anger and lividity, fingers curling around the knife handle.

“Complacency is a crime.”

june, our other leading lady. summer 2021, when i was first having the beginnings of an idea of what this story would become, june’s description was ‘a revenge driven victim of nonconsensual body modification/experimentation.’ she was always designed to be the perfect experiment, in a way. she’s the timepiece, not a cog, of the weaponization of children.

june’s story is one of agency. of irony. she’s dissociated from her body - it is just a thing she lives in. it was something that was made by other people. she uses that body to kill the people that made her, as if saying, ‘look what the body you made can you do. look what the thing you made is capable of.’ she is the sword that turns on its owner, the weapon that fights back instead of fleeing. where does the weapon end and the girl begin? she doesn’t even know herself.

june is the ice to india’s fire. they complement each other like that. she’s the level headed one, the executioner. india’s all impulsivity and anger, emotions spilling out over the edges as june keeps everything she feels close. she doesn’t even know how much she’s feeling at any time; june keeps everything muted, a further dissociation from the self.

her revenge is not really revenge so much as it is vengeance. it’s the only way she can even begin to reclaim her agency, and while she acknowledges that at some level, outwardly the reason for what she does is simple: so that it never happens to anyone else. not for herself, but for everyone else. or so she tells herself.

“We’re here,” Vail said. “If you ever want to talk more about any of it, we’re here.”

“But you’re not,” Emrys said, hating the way her voice cracked on the last word. “All of you are here, but you’re not there.”

They were alone. She felt terrible and peculiar, as if they were pins on a map, standing in the same city but far away from each other. As if walking in parallel lines, but heading in different directions. When India had been there, things had been different. When Aerin had been there, Emrys had thought she would at least have the comfort of knowing she wasn’t alone, but she was alone. They all were.

emrys wasn’t supposed to be that main of a character, but she ended up badgering her way into the story anyways, snatching up a large percentage of povs. she became very close to my heart, maybe because, out of all of the characters, she was the most like me in her mind (and i spent a lot of time in her mind). kind of like my embodiment of girlhood - she’s in her nebulous coming of age, in the background: confronting hard truths and hard feelings alongside grief, as she steps into new shoes all on her own. she didn’t quite end up following the ideas i had in mind for her, but i’m pretty satisfied with the emrys i have left.

emrys was supposed to be the hope of the group. in every story (at least for me), there must be someone who represents the new when it comes to the old (pain, trauma, tradition, etc). in a twist of irony, emrys herself became aware of this - she herself thinks that she doesn’t want to be hope, or in pandora’s box at all.

for a character that was supposed to be the happy, bright one, the emrys we meet in tmotl is living out an aftermath. that happy, bright girl is who she used to be. the girl she is now is one transforming, becoming a darker shadow to her brighter body. many of the things she does throughout the story would be considered uncharacteristic from those who know her, and even though the readers are not aware of who this girl used to be (and only catch glimpses of her), the reactions of other characters tell us this.

“You know why I saved you,” Catrin said. 

“I do,” Vin agreed. He could never forget the life debt he carried so heavily on his heart, which had stayed his hand a hundred times over. It was the reason he was loyal to her after all; their relationship was built on mutual debt, with which came a degree of shared trust. Vin had always known that one day she might aim him at someone with intent to kill, and he would do it. If only to keep the balance.

onto vin, one of the older members of this vigilante group at 25, but no less important. he is supposed to come off as almost inhuman - flexible beyond measure, moving like a shadow, so quiet that he makes no noise at all, as if he was a ghost. vin is a mystery, and a private person, who is frustratingly hard to understand to his younger counterparts, such as india and emrys, and still an enigma to his older partners, such as anele. he has one of the most thought out characterizations (because i had so much to work out when it came to his character), but you probably learn the least about him throughout the story.

vin bears the brunt of india’s anger and emrys’ frustration in the story, partially because he’s so hard to communicate with (in a way), and partially because he’s the one they want to prove themselves to. he’s aloof and talented; he never messes up, or calls the wrong shot. he was built for the job, it seems. of course, this is what it looks like on the surface - underneath tells a story, the dark side of june’s moon. human experimentation to the point of dehumanization. on the surface, he looks ordinary. inside, who knows what he has become.

vin operates by a strict moral code. he’s brutal, and capable of extreme cruelty, but he never kills. in a fight, he says, the only thing that matters is the people you want to protect. one rule, but it’s the only thing that matters. this is where he and india clash - she wants the black saint dead, but vin will never kill (for reasons relating to backstory info that can’t be shared at this moment lol).

a fun fact, though, which i don’t think i actually mentioned in the first draft even though it’s so clever, is that vin is short for corvin. corvin derives from corvinus, which derives from the latin word corvus in turn. corvus literally means raven, but it also refers to the genus of birds including crows, ravens, etc. his vigilante name is crow btw.

Angry was too close to being a bomb herself, and for all her sermons on understanding bombs, Anele had already died in the face of one. She did not want to become one herself.

When bombs exploded, they left no survivors. Even the ones who lived were not untouched. 

The ones who died, too, even.

anele!! the wisest of the bunch, maybe, if wisdom equals years. she’s not the mother figure, but more like an older sister to many of the vigilantes. someone you would go to for advice. where everyone else came from empty and hard childhoods, anele grew up loved with a single father, in a suburban neighborhood. she has memories she can look back on with fondness, instead of ones tainted by death or grief.

although anele is always moving forwards, she, too, is mired in the past. she grieves for herself. she visits her father as a ghost, leaving him things without ever knocking on the door, because she is afraid she wouldn’t be welcomed back as one of the living. so much of her current life is trapped in the half second before she died the first time. she might not have believed in the system, but she participated in it, until dying. then, she realized it was always going to fail her. despite being straight laced, she believes in the gray line between black and white, the area outside of laws and all that.

anele steps into the role of x-le with ease, but at the heart of the matter, she doesn’t trust catrin, especially since she never asked to be saved, or to be brought back to life with metal in her veins. she doesn’t allow this to color her professional relationships, but on a personal level, she doesn’t hide her scrutiny.

anele and vin have by far one of my most favorite relationships in the novel, mostly because she is, at least, deeply in love with him in a way that can’t even be described as love. it’s subtle, but interwoven in all their interactions. feelings where there shouldn’t be. emotion where it can’t exist. makes me go insane, honestly.

You didn’t have to answer, Diem thought, but couldn’t make herself say it, because a part of her had always been waiting. Ever since her childhood, when she had first heard the whispered rumors about her father, when she had realized that there would always be questions about her birthright and place following her, she had been waiting for a father to claim. For a father to destroy.

Her mother’s hand on her own, helping her slide the knife into skin, wiping the blood spray for her face gently, showing her how to clean the blade. 

diem is, out of all the vigilantes (our heroes and heroines), the most antagonistic one by design. she is one of the characters that was meant to stay the truest to their original designs (of an old wip also called tmotl i half planned back in 2019-2020, of which several characters were taken off the shelf and dusted off for this story). the diem i created then was cutthroat and hard to the bone, the kind of person who used people and threw them away when she was done. here, her personality is a bit toned down, if only because she has to take the back burner - she’s not the leader, but now a ‘lackey.’ a team member. however, although diem might be one with the team, she very much chafes against the idea, an independent contractor.

daughter of the infamous bowman, a criminal overlord, and an unnamed man, diem grew up in a life of elite crime. she might have died since then, but it only made her harder. out of all of them, diem is the one who focuses the most on impartiality, of cutting things off before they drag her down. she cuts her losses before they can cut her. sentimentality has no place in her - she is a brutal machine, always pushing herself forward. the only soft spot she has is for vail, and even then, she’s hard pressed to show it. to diem, all her weaknesses became her strengths, including her death.

to india, diem is someone she wants to destroy. prior to death, they were always at each other’s throats, and after it, it’s no surprise that diem is the main voice preaching that india can’t be saved. their similarities only cause their differences to be more abrasive.

Kevla already had one saint. It didn’t need another. The audacity they had to call themselves Saints when all they did was contribute to the hell so many people were trapped in made Vail vengeful—he didn’t believe in Saints, and even if he did, they wouldn’t be the ones who walked the streets. Saint wasn’t a title one gave themselves; it had to be earned.

vail is the quiet one. where everyone else is brimming with opinion and emotion, vail is in the backdrop, a muted color against all the vivid, dark ones competing for space. he is kind and compassionate in comparison to diem’s hard headed ruthlessness, but he’s also the only one who can meet her head on without getting emotionally involved - maybe that is why he is the only one who can temper her.

vail is a man of family and faith, but he keeps both those things close to his heart. although he is a sentimental person, he is always hiding that part of himself, because it got him hurt, over and over again. family and faith hurt him, killed him, but he doesn’t know how to let it go. can’t. 

all the characters pay homage to some sort of divine presence at least once or twice throughout tmotl, but vail is the only one who believes in a specific god, instead of an entity-that-might-be-a-god, or kevla-as-a-god-or-divine-being. kevla is a city that kills organized religion, but vail’s faith is too great to be killed.

He’d thought that he had gotten over it. That the past had stopped chasing him. That, when the past finally found him, Mika would be ready for it. That he would fight it. That he would kill it. 

How many times had he dreamed of that night? How many times had he dreamed of another dreary Kevlan landscape, where this time he was the victor?

mika, son of the mockingbird. like diem, he believes in absolute strength, not allowing himself any sign of weakness. he’s very independent, and though he seems unwavering, he’s actually insecure in his identity, if only because of the immeasurable shadow his parents - a chemist and famous vigilante, respectively - left behind.

mika’s story is one of legacy. like his mother before him, he traverses the city in the guise of night, as phantom. he’s cynical, the pessimistic voice among those who believe in the best, and deals with everything that bothers him with coldness, putting up high walls. although he seems closed off, inside he carries a bone deep determination to survive, to defeat ‘evil’ and triumph. his thoughts on justice are often unclear, as is his morality, but he approaches the title of vigilante with a ruthless efficiency.

catrin flint, emrys’ aunt, is mika’s guardian, through a series of loosely explained events - often because it is not clear to mika or emrys themselves how catrin knew his mother, and what led her to take him in. mika never wanted another family, and that much is clear to both flints, but he is also the one who ends up being the most in emrys’ corner as she goes through grief and changes. he doesn’t agree with her on most things, but he stays by her side all the same.

mika was originally supposed to have a touch of magical realism to him as well - and he should still, if the necessary revisions are done and hints portrayed. mika was supposed to be someone who walked the shadowy line of the veil, seeing/communicating with the dead, or hand in hand with death (with nebulous connections to his own death or near-death experience). 

Suicidal, Drakov had called him back then, when he had spared him and Jericho had thrown it away in favor of not taking the hint, trailing him because he had seen a lifeline in the other man, one he wanted to grasp, like flailing in the ocean and chancing upon a buoyancy device. It was coming out of a haze, like a dying man who had been living life with the expectation of it ending only to realize that he wanted to live. 

But Jericho wasn’t fifteen. He was Jailbird, had been for years. He’d trained under Drakov, the only person he knew who had had the honor. He’d managed to survive in this shitty city, had gotten out of the trap where thousands of others had died, and had carved out a living without paying penance to anyone but himself.

jericho’s the only vigilante without a team, but he makes up for it by having plenty of connections. he’s india’s friend, before and after. he becomes mika’s and emrys’ connection in the grimy city, and potential ally. he communicates with the dragon, the only person who can reveal information on the assassin on a personal, instead of professional, level (with the exception of a few). 

a vigilante who is more like a mercenary, jericho goes by the pseudonym jailbird, and mostly keeps to himself. he’s shrewd, witty, and plays the game as smart as he can as a kid on his own - and it’s worked; he’s managed to avoid any major trouble. out of all the cast, jericho is one of the few who avoids a near death experience. 

still, he deals with a fair amount of imposter syndrome and guilt, most of which is only alluded to, as he only gets the rare pov. i can’t speak much on him because several big facts about him are technically plot relevant info that gets revealed in the novel itself.

June wondered if that was before or after he had died for the first time, before or after the first time he had tried to kill himself. With Rhys, the first time had never been the last. She thought of what he had said the last time they had talked so closely. I don’t care about life or death, June. I don’t care about the people I kill. I don’t care if it gets me killed. 

She held the blade up to him. The pale light glinted on the edges, showing the smooth, glossy sheen of it all. 

if winter were a person, it would be personified through rhys. aptly enough, his last name is winters, although this never gets mentioned in-text (i don’t believe). surprisingly, rhys doesn’t get a single pov throughout tmotl, even when most of the characters mentioned here get at least one (like mika). still, he has a presence, if only because he is june’s partner in crime. they come from the same history, cut from the same cloth. 

rhys is the apathetic type of person who doesn’t believe in anything. he’s suicidal (to a lesser degree in the present, but this is still an explicit textual fact). he likes to weaponize his discomfort and acidic personality to make other people (namely kit) uncomfortable. human misery on the downlow, though this could also be attributed to the fact that he lives a miserable existence - as if his history wasn’t bad enough, in death he was saved and made alive only through the fact that he is literally toxic, consigning him to a life wearing a gas mask, as his breathe could kill people if it is not filtered.

in tmotl, rhys is in many ways an abettor. does he care for june’s revenge? not really, but he helps her with it anyways, because what he feels for june is complicated, but he would follow her anywhere, if only because she gives him something to do. does he care about kit? does he care about human life? who knows. sometimes he says things just to be contradictory. 

rhys was also from the original wip, and he stays much the same, if a little more fleshed out. so does his and kit’s antagonistic relationship.

Flames were dancing in the fever bright blue of Kit’s eyes, his arm running red as he carelessly studied the tracker, letting it catch the light. She could see the thin displeasure set in Rhys’ mouth, even behind the gas mask, which snaked around his ears, the rebreathers fitted like a glove to the lower half of his face. He passed her a strip of cloth wordlessly, his own arm bound. She in turn took Kit’s hand, nodding at the tracker as she cinched a quick tourniquet. 

“I know,” Kit murmured, and then threw the tracker back towards the warehouse. His skin beneath June’s cool, blood stained fingers was burning. She could feel the thud of his heartbeat beneath the thin skin of his wrist, beating a wild rhythm, but when she looked at him more carefully, he still stood unwavering, which was good enough.

this excerpt is actually from page number one. kit, our final ‘main’ character (besides the villains and adults of the story, which are not quite as interesting, and also don’t have much i can reveal about them without spoiling things), is part of june’s team of three. he doesn’t go out in costume like basically every single other character; he doesn’t even have a code name. he’s the technology behind june’s operation, the one who runs things behind the scenes for her and rhys.

kit is important because he’s who june wants to protect. he’s one of the reasons she keeps moving forward at all. he’s a failure, at least to the organization - they saved him, but they couldn’t make him something better. sometimes, when you fix something broken, it doesn’t turn out as it was. for kit, this means a slow, aching death sentence, fighting the deterioration of his own body.

still, kit tries to stay brave in the face of it all. he’s light hearted, especially in comparison to rhys and june’s dark moods. he’s a light - something june follows, and rhys abhors. much of kit is a mix of appearance and projection; it is as it looks, but it also isn’t. sometimes, you’ve barely scratched the surface, because as much as kit is the open one, he also has a history of lying and conning that mark him as as much of a street kid as india, or june was.

he’s destined for death. the only question - one that is revisited throughout tmotl in scenes - is how long it will take before he gets there.

That last day in the Fold had never stopped being a blade lodged in his sternum. Vin could still feel it, the wound it covered. If he ever pulled the knife free, he would bleed out, but the longer he kept it in, the more damage would be done in the long run. 

He kept the blade in. It was the risk he could take, for now.

that’s it for now. i could go on and on, but i think i’ve written enough for now. if you have any questions about this work on the characters, or just want to know something, please reach out via my ask box or messages! i hope this piqued your interest - that being said, if you would like to be added to this specific taglist, or my general taglist, let me know in some way shape or form!

taglist: @cannivalisms @sunshineomeara @thepixiediaries @muddshadow

[katierosefun]

oh god @ prev anons do these judges write in a stream of consciousness style?? like i have 0 knowledge on law, judging system and whatever it involves but what you all said is quite terrifying i could never deal with it alkdsfjg you're all great for dealing with it !

funnily enough, i was actually airing this grievance with a friend of mine this morning haha--but they phrased it as, "you have to remember that court opinions are just basically judges talking to themselves", so i think you're correct, anon, that sometimes court opinions read like a genuine stream of consciousness. (the stream of consciousness of a person who purposely doesn't write for clarity's sake)

but aha, thank you for the kind words! it's . . . a struggle, but it's the struggle we chose :')