Currently outlining the third chapter of Blindsiding Badgermoles! Hoping to be able to get it to my sensitivity reader by the end of the weekend
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Do you ever write a sentence and then realize “Nah, that’s too self aware for you” and backspace a bunch of times.
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its so scary to put yourself out there but a SINGLE message saying "hi i loved what you made it touched me in some way" makes it all worth it 10000%
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can you believe that we have fanfiction. that we have websites dedicated to fanfiction. that there is a place that you can go and read tens, hundreds, thousands and thousands of pieces of writing that strangers have made. people who are not "writers". people who come home at the end of the day and have feelings and say, i am going to put that into words. i am going to share those words. short, long, sweet, sad, horny, funny, wonderful words. we are all just human and we all love to make and remake and share that with others. can you believe that.
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(tweet 1) (tweet 2) (article)
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Expanding a thought from a conversation this morning:
In general, I think "Is X out-of-character?" is not a terribly useful question for a writer. It shuts down possibility, and interesting directions you could take a character.
A better question, I believe, is "What would it take for Character to do X?" What extremity would she find herself in, where X starts to look like a good idea? What loyalties or fears leave him with X as his only option? THAT'S where a potentially interesting story lies.
In practice, I find that you can often justify much more from a character than you initially dreamed you could: some of my best stories come from "What might drive Character to do [thing he would never do]?" As long as you make it clear to the reader what the hell pushed your character to this point, you've got the seed of a compelling story on your hands.
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listen I know it's heartbreaking that Claudia dies and it's understandable to wish she didn't, but let's please not accuse the writers of fridging her. to do so is a fundamental misunderstanding of the story and is frankly insulting to the intelligence and skill of the writers of the show.
Claudia's death, and the overwhelming grief and regret her parents experience because of it, is quite literally the point of the entire story. she dies because Anne's daughter Michele died of leukemia when she was five years old and there was nothing she or her husband could do to prevent it.
writing IWTV was how Anne coped with the unimaginable loss of a parent losing her child. she created a story about a little girl that could not die and then killed her anyway. Claudia's death is a senseless, unavoidable tragedy, just like Michele's was. the grief that haunts Louis and Lestat for the rest of their lives is the same grief that haunted Anne and her husband.
so when you're accusing people of killing Claudia off to benefit a story about two men, please remember that in real life sometimes parents lose their children. please remember Michele Rice.
she's the reason Claudia exists.
she's also the reason Claudia cannot be saved.
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You know those "if this gets 50k notes I'll xyz"? I don't believe in those. Because I could say something crazy like: if this gets 20k notes, I'll write my next book. And then it'll get zero notes. I do not believe.
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You know what?
I love you, fics that take months to update. I click on the newest chapter and have no memory of this place and get to go back some chapters and rediscover how much i love everything about this story.
I love you, fics that take years to update. I think of you fondly, and know your names, go search for you and see an update from this year and scream, diving in uncaring of any missed details (i will finish the update and read you in reverse because this is a treat you have bestowed)
I love you, fics that probably will never update again. Thank you for being a roman empire for my mind, thank you for teaching me about the ephemeral fandom experience, for inspiring a thousand million what if-s, for being a comfort read and a nostalgia read and a reread.
I love you fic writers, who jump into projects and stories with enthusiasm. I love you when you succeed in pumping out those chapters and that love doesn't go away when you stop.
I love you fic writers who post and then get in your own head and never feel confident enough to update, whether it's at all or whether it's just that one story.
I love you fic writers, who have a fandom or media hurt you to the point of abandoning or having a hard time with their WIPs.
I love you fic writers, who lose interest or have life changes or illness or bad memory. Thank you for being part of the fandom, a core part of the fandom. Thank you for the time spent in the fandom.
I love you, fic writers who try out something new and then stop. You're so valid.
I love you, WIP fics that may or may not ever get finished. Thank you for brightening my day in the way only you could have.
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Pay heed to Klaudia Amenábar's words! Don't let the executives weaponize fandoms. WGA Strong.
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I spoke to my dad who's been on strike a few hours ago, and he said this is absolutely true. The studios were still hoping they could starve out the writers, and didn't expect the general public to be so strongly on the union's side still 5 months in.
He's lived through four WGA strikes, and he says the energy and solidarity he's seen both inside and outside the union has been far beyond what has ever been present before. The internet ate Drew Barrymore alive for scabbing, and within days the studios were back at the negotiating table giving in to almost every demand.
Thanks guys. This really was a team effort ❤️❤️ #eatthefuckingrich
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