#I'm probably not gonna write that.

[nadiajustbe]

One of my favorite parts about the writing of Howl's Moving Castle is how easy it is to write off all the things from our world at first as him just being a weird wizard™ (also thanks to bestie @jutenium for spotting this I wouldn't put it like that without you!!/pos). Sure, Sophie uses weird descriptions, but readers have every reason to believe them because of the way Howl is presented as a character. When Sophie says he wrote with a quill that doesn't need an ink, you wouldn't think it was actually a ballpoint pen, you would think Howl had just enchanted his quill so that it wouldn't need ink! When she adds that she can't make out a single word, you think he has matchingly terrible handwriting, but in fact Sophie has simply never seen a pen writing. When she sees the mysterious labels on his books, you think he's keeping a lot of obscure magical literature, but it's really just an encyclopedia and a guide like "Top 10 Rugby Tips." When Sophie notices the bottles in Howl's bathtub, you think they're some kind of magical jars where he keeps girl's hearts, but I'm almost certain that they're just 'Dove' and 'Head and Shoulders' that he's enhanced with his spells and put silly labels on. When you read Calicifer singing a song in a language Sophie doesn't understand, you think it's some kind of ancient cipher or code, but it's actually just a rugby song in Welsh that Howl sings when he's drunk. And finally, when you see the terrifying black door, which is completely shrouded in darkness, you imagine a passage to an eerie, mythical place, similar to what Miyazaki showed us - but it's just fucking Wales.

[inkskinned]

you have to go to work so you can pay for your doctor, who is not taking your insurance right now, and if you say i can't afford the doctor's you are told - get a better job. it is very sad that you are unwell, yes, but maybe you should have thought about that before not having a better job.

(where is the better job? who is giving out these better jobs? you are sick, you are hurting - how the hell are you supposed to be well enough for this better job?)

but you go to the doctor because you had the nerve to be hurt or sick or whatever else. and they tell you that it is because you have anxiety. you try your best. you are a self-advocate. you've done the reading (which sometimes pisses them off worse, honestly). you say it is actually adding to my anxiety, it is effecting my quality of life. so they say that you are fat. they say that all young people have this happen to them, isn't it a medical marvel! they say that you should eat more vegetables. they say that you probably just need to lose a little more weight, and that you are faking it for attention.

(what attention could this doctor possibly give? what validation? that's their fucking job, isn't it?)

there is always a hypochondriac, right. someone always tells you about a hypochondriac. or someone who is unnecessarily aggressive during the worst days of their life. or someone looking "for a quick fix". or some idiot who wasn't educated about how to properly care for themselves who just abandons their treatment. and again, the hypochondriac, the overly-cautious hysteric. these people don't deserve to be treated like humans (right), and since you might be one of these people, you also don't get treated like a human. because those people can really fuck with the system, you now have to pay for it. and besides. you're actually probably faking it.

(more often than not, you find a 2:1 ratio of these stories. for every "hypochondriac", there are 2 people who knew something was wrong, and yet nobody could fucking find it. the story often ends with pointless suffering. the story often ends with and now it's too late, and it's going to kill me.)

you are actually just making excuses. someone else got that procedure or that diagnosis and he's fine, you should be fine too. someone else said they watched a documentary about other inspirational people with your exact same condition, maybe you should be inspirational, too. you're just too morbid. your pain and your experience is probably just not statistically concerning. it is all self-reported anyway, and you're just being a baby.

(once, while sitting down in the middle of making coffee, you had the sudden, horrible thought - i could kill myself to make the pain stop. you had to call your best friend after that. had to pet your dog. had to cry about it in the shower. you won't, but that moment - god, fuck. the pain just goes on and on.)

you know someone who went in for routine surgery and said i still feel everything. they told her to just relax. it took her kicking and screaming before they figured out she wasn't lying - the anesthetic drip hadn't been working. you know someone who went in for severe migraines who was told drink water and lose weight. you know someone who was actively bleeding out and throwing up in the ER and was told you're just having a bad period.

in the ER there are always these little posters saying things like "don't wait! get checked today!" and you think about how often you do wait. how often the days spool out. you once waited a full week before seeing the doctor for what you thought was a sprained wrist. it had actually been broken - they had to rebreak it to set it.

but you go into the doctor. the problem you're having is immediate. the person behind the counter frowns and says we're not taking your insurance. you will be paying for this out-of-pocket.

they send you home with tylenol and a little health packet about weight loss or anxiety or attention deficit. on the front it has your birthday and diagnosis. you think about crying, and the words swim. it might as well say go fuck yourself. it might as well say you're a fucking idiot. it might as well say light your money on fire and lie down in it. and the entire fucking time - the problem persists.

it's okay. it's okay, it's just another thing, you think. it's just another thing i have to learn to live with.

[allgremlinart]

Jet and Zuko meet on the ferry is TIRED. Jet and Zuko meet after S2E7 "Zuko Alone" is WIRED

[literallyjusttoa]

"Sunny!" you cry, "Why did you draw the entire Trojan royal family from oldest to youngest in two days? That seems wildly unhealthy!"

"hurghhhhhhhh" I reply.

Anyways here's the full family portrait

(Only four of these people survive the Trojan war btw :D)

[alchemistc]

I've already written this a million times between fic I've posted, tag rants, and my notes app, but now I'm thinking again about Buck and Tommy first meeting and:

Howie pulls away from the hug a few seconds too soon for Tommy's liking. It's been a long time since he's seen him in person, since before the car crash, before the stabbing, before all the fucked up shit that's happened to the 118 since he left, and he was maybe hoping for - more.

The LAFD are a bunch of fucking gossips and he's heard his fair share about them all, names passed vaguely around in group chats and ladder bars, stories blown even more out of proportion than all the actual miraculous survival stories. The two guys Howie gestures at with thumbs over his shoulders both look familiar, and he's already trying to place their stories before Howie introduces them. Brown hair-brown eyes-killer jawline gives him a twisted grin as Howie introduces him as Eddie, and he reaches across to shake Tommy's hand, firm and even. Tommy can tell before the handshake is over that he'd served.

That's Diaz. He'd texted Howie the night the kid had been buried fucking alive and somehow lived to tell the tale. He can't quite pull the memory, but Tommy's pretty sure he'd been the one at the 118 who'd been targeted by that crazy sniper, too.

The other one, bright eyed and staring around like a kid in a candy shop, looking like he might vibrate right out of his skin - shocks of bronze in his hair from the overhead lights and eyes cast silver-blue in the twilight, jolts when Howie reaches back and up to smack at his chest, standing at attention and catching Tommy's eye as Howie introduces him as Buck.

Jesus fucking Christ

Tommy's gonna die tonight.

Between Howie's sporadic communication and all the gossip, Tommy knows about Buck. Kid's a magnet for a shit storm. And Tommy's about to fly them straight into one.

"Uh, h-hi," he says, cheeks rounding as he leans in with a devastating smile, hand extended.

Tommy feels like he's been hit by a fucking truck.

"You, uh - call me Evan," he says, and all the air sort of whooshes out of Tommy's lungs at once as he shakes Tommy's extended hand.

Oh.

This is a bad idea. Capital B capital I bad. Tommy can't tell which one of them is extending the handshake too long, but he's actually kind of hoping Howie will fucking say something about it, make Buck-- Evan -- let go.

"He's gonna need that hand back, Evan," Howie says, an inflection on the name that Tommy won't understand for a good few months.

He ducks his head bashfully, shakes up, down, one more time, before he lets go, and Tommy can feel his own gaze chasing the silver-blue sparks of his irises as they dip out of view. Shit. Fuck.

This is fine. Tommy's worked with plenty of attractive guys. He's worked with plenty of guys he's felt a spark with, right out the gate. He's a fucking professional. He's flown out of enemy gunfire, into firestorms fed by 80 mile-per-hour winds. This is fine.

From what he remembers of the early days at Harbor, when he'd kept up better with Howie, this Buck guy isn't even in the wheelhouse of men who'd be interested, anyway. So. That's that.

"Nice to meet you, Evan," Tommy says, and doesn't miss the pursed lips and raised brows shared between Diaz and Howie when Evan's face lights up like a Roman candle, head tipping back up at an angle and his smile wide wide wide -- too wide for the suicide mission they're about to undertake.

Christ.

"You too, Tommy," Evan says, and Tommy sticks his hands in the pockets of his flight suit to keep from doing something insane like press his fingertips into the pink-swatched skin over his brow that might be a birthmark.

[i-already-know-im-going-2-hell]

Write two sentences from one of your WIPs, I dare you

@incesthemes @herestoevilskanks @supergaysupernatural

(or anyone else who wants to jump in or get added to the tag list)

In the spirit of fairness, here you go, two sentences from one of my WIPs I haven't touched in a bit:

"I know I'm getting off on this, but I've got a pair black eyes, you though," Dean bites his ear hard enough it might honestly be cut. Sam doesn't care, can't care with all the sensations warring inside him. "You're just naturally this twisted Sammy."

[yuri-is-online]

Hi hi so can we have an expansion of middle school Floyd completely being his unfiltered self around yuu (maybe even octotrio going like "Oh please don't believe that merculture is like this" because middle school Floyd is embarrassing them in front of their crush) PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE

Hmmm

So Floyd says morays are cowards right, but my experiences with little kids tell me that they don't always have the best sense of self-preservation. I picture little Floyd as one of those kids on crack. He thinks this human is cute! Especially because they don't have the sense to be afraid of him at all and are calling him cute, that's real funny. What if he just takes a big chomp outta ya, will you still think he's cute? As for the embarrassment, well...

Azul

It comes from how blunt little Floyd is.

He's got even less patience for Azul's plans than big Floyd does, and the complete inability to see the value of waiting for the pay off. He's actively getting angry at him and throwing temper tantrums every time Azul tries to smooth things over with Yuu.

"No you can't get the ability to breathe underwater from kissing a mermaid Floyd is making that up. And no not all merfolk are obsessed with legs that's just a him thing-"

"Nah Azul really likes your legs and pretty much everything you do with them!" Little Floyd is loud enough that other people than just you are looking at him in confusion (Azul is convinced it is overwhelming judgment) because he's choking on a mixture of spit and air because how did he pick up on that already?!? Azul thinks he's so subtle when he admires you, he's got to be so you don't think he's weird.

He can't wait for this to be over, he can handle being made fun of by the twins now since they've got a good rapport and he can give as good as he gets but little Floyd is like a sea otter with a clam, he just won't let this go because he thinks octopus courtship is boring and he's not above saying that. Outloud. In front of you.

Jade

It's from how willing he is to throw Jade under the bus.

Floyd knows Jade pretty well, even if it's a younger version of him so he knows just how down bad stupid Jade is within 15 seconds and he is determined to "help."

Said help is mostly just humming a very specific song while swimming around you in circles and doing little tricks to "set the mood." Or asking you what you think about Jade when he thinks he's out of earshot, something he's never once been since little Floyd got summoned.

He thought this would be fun, Floyd is always so delightfully unpredictable and now there's two of him! But instead of bothering Azul he's decided to torture Jade and ruin his carefully cultivated image instead. He sort of gets why Azul was so determined to get rid of all his childhood photos now, you're never going to look at him the same after this.

When his efforts don't work because Jade is too much of a coward little Floyd starts just telling you a bunch of stuff they got up to as kids in an effort to embarras him. It clearly works from how quick Jade is to shove him to the side but you're polite enough to keep the laughter to a minimum. For the most part

Floyd

It comes from how much of a coward he is.

Floyd is waiting for the right time to speak with you, when he's extra sure that you feel the same as he does. When he knows you'll accept everything he wants to give you and more.

But no. Little him has to say everything that comes into his mind. "Are your legs soft? Why are you leaking seawater? Do all humans really only have ten toes and can I count them-"

If you find this funny, I think it might depress him somewhat. He wants you to see all the ways he's smart and not brush him off as an unserious joke. If you think it's cute, well that's a mix of emotions. He doesn't want you to see him as cute now, but it's ok if you find morays cute, and even nicer if you find baby morays cute. That thought alone perks him up.

Until little Floyd starts telling Yuu he thinks they're cute. Then he gets possessive and starts competing with himself like a looser. Probably by picking Yuu up and carrying them away since his legs are longer and he can get away faster.

[hoofpeet]

Various experimental doodles paired with [part of] yesterday's journal entry 👍🐄

[darkforze]

Over the months, Primes methods of trying to get Ricks attention pretty much narrow down to two ways: Rambling on and on to him in hopes Rick will finally get overstimulated enough to snap at him, and watching him sleep.

So during the day, Rick has to listen to a barrage of unwanted nonsense from his lifelong enemy while doing his best to stay focused on appearing normal to the Smiths and finding a way to get rid of Prime for good. Then when night falls, all he can focus on as he tries to fall asleep is the heavy breathing of the man who killed his first family.

Rick refuses to give Prime the acknowledgement that he's starting to desperately crave, and Prime isn't going to start backing down now. Somethings gotta give.

[hyperboleigh91]

TSC fanfic idea, I suppose?

Jean is sent for an MRI (and various other tests) because EAU is suspiciously incapable of getting Jean's medical records to USC, and the USC coaches/nurses are suspicious of the amount of damage Jean sustained at Evermore.

Jean is terrified of being in the confined space of the machine, unable to move for upwards of an hour.

Jeremy, of course, goes with Jean and tries to calm him down. He keeps Jean's cross necklace with him while Jean has the MRI.

The coaches inform/warn their nurses, who inform the doctors that Jean will likely require strong anxiety medicine for the scan.

The night before the MRI, Jean asks Renee to distract him, and the two talk for hours with Jean expressing his worries over what the tests may find.

Jean is as unwilling to talk to doctors as he is to police. Refusing to explain any of his scars, medical history, or family health history.

Jean doesn't know who to put as his emergency contact and writes Kevin's name and number because it's the only one he has memorized. (This action will have consequences)

After the testing, Jean is still loopy from the anxiety meds and confides more than he ever intended to Jeremy.

[calamitoustide]

okay so Harry is Lily’s kid and James is his uncle and one day Lily’s in a bind and needs him to pick Harry up from daycare so of course he does it and he goes in and finds this… really hot dad. And his daughter is talking to Harry so James takes the chance to go talk to him. He learns his name is Regulus and is so obsessed with it as James always is and Reg points at Harry and asks if he’s his son. James being the idiot that he is says yes (he’s struggling). Also they look pretty much identical cause he was the sperm donor so it makes sense that Reg asks. James has been asked it before... but Reg is hot and he short circuited. They leave and agree that they should rearrange a play date… you know for the kids.

James has to keep asking Lily to borrow Harry to take him to these places and it’s this huge mess.

And Reg has to keep coming up with reasons to Pandora and Xeno why he always wants to take their daughter out places.

chaos ensues.

[sysig]

You're still standing off to the side. Somehow, center stage has shifted from under your feet without you realizing, and you're standing in the wings, performing to no one.

Starring Role (Patreon)

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[glitterslag]

ok this is my last one of these. maybe

[eddie4bat-president]

Hands. Who knew?

@steddiemicrofic written for the prompt: "edge" | rating: G | wc: 509 | cw: none

It catches him off-guard when it happens. Eddie has never really thought too much about hands. Sure, he likes how his own hands look covered in silver and he knows the effect dramatically steepled hands can have when prompting a party of adventurers on their next move in the face of danger. He's also had a girl here or there look a little too long at his hands from the edge of what the Hideout counts as a stage while he had been shredding his heart out; comparing their hand sizes afterwards in a move that always worked on him more for its boldness than the hand thing itself. His hands are just... part of him. An important part, for sure, they're what he uses to write and draw and play guitar until his fingers bleed but also a part he has never consciously wasted a thought on.

So he isn't ready for the way it makes him feel to have Steve push the palms of their hands together to compare while still talking about... something. Basketball, maybe. Something about holding balls? In the back of his mind there is a voice telling Eddie to make a joke but he can't make the thoughts connect. Eddie's hands aren't small by any means but Steve's are bigger. His fingers longer. They're peeking out from behind Eddie's. Thicker too. His whole palm wider. Radiating heat.

And while Eddie is still grappling with that view and the thoughts that follow, Steve continues to manipulate his hand whichever way strikes his fancy. Looking at his rings, tapping them one by one in a rhythm that makes sense only to him. Following the last one with his own finger while turning the whole hand so the palm faces upwards. He starts tracing the lines there - softly, so softly - following the outline of Eddie's fingers with the edge of his fingernail. Had Eddie's hands always been this sensitive? The threat of a shiver begins building at the back of his neck. Steve starts paying special attention to the calluses at Eddie's fingertips, tapping his own fingertips against them.

Eddie only becomes aware that Steve had fallen silent when he starts speaking again, "You know... I used to be good at this... knowing if someone was into me." Tap tap tap. A self-deprecating laugh, "or not into me, that's been happening a lot..."

A few more soft taps, like he's steeling himself for something, a determined look on his face though his gaze remains locked on their hands.

"But with you, I... I don't know. I can't imagine, like, platonically holding my buddy's hand. But everything you do is so out of the ordinary to me. Maybe you do?" Everything seems far away except for the heat of Steve's hands on his and his words echoing in Eddie's head.

"...Fuck it." Steve wraps his fingers under Eddie's, his thumb on top and makes devastating world-shattering eye contact while he presses the softest kiss onto Eddie's knuckles.

"Are you? Into me? Because I'm so very into you."

[trensu]

Guess who's baaaaack! It's me, I'm back to writing. My laptop when kaput back in May and I've only recently gotten a replacement. In celebration of this, here's more of stasis in darkness. Enjoy :)

.

“Hello. I’ve wanted to meet you for years,” the god said. 

“Years? But, why would you want–? I’m–I’m no one, Lord.”

“Don’t say that.”

The god’s voice hadn’t gotten louder, yet his words carried a force that made the room tremble. The air became heavy with it. Wayne’s breathing grew haggard under the pressure of the words. Steve tossed out any idea of false privacy and crossed the room in a few steps to kneel at the other side of the bed. He took Wayne’s free hand to anchor him. Wayne didn’t so much as twitch in his direction but his knuckles went white as he gripped Steve’s hand.

“You gave me your spoils and your stories every night. I felt your love in every word you spoke to me. You’re the reason I’ve been able to exist this long. Wayne Munson, you are the most important person in the world to me."

Wayne let out a wordless cry. The hand in Steve's shook. Steve viscerally remembered how it felt to have the god’s attention like that for the first time. He also remembered how guilty the god sounded after he realized the effect he had on mortals. With a slight grimace, Steve discreetly nabbed the Lord of Night's attention. 

"I think that was a little too much," Steve suggested cautiously in a low tone barely audible over Wayne's sobs. "Maybe dial it back a little?"

The Lord of Night nodded abashedly. When he spoke again, the pressure in his speech noticeably lessened though the love in his words remained.

“So, you see, I needed to meet you in person. To thank you.”

The last part made Wayne weep louder. The grip he had on Steve’s hand increased in strength, and Steve was sort of relieved Wayne was an old man because even this frail, his hands were pretty damn strong. If he’d been any younger, Steve would’ve had bruises for sure. The god waited patiently as Wayne collected himself.

“My Lord, y-you–” Wayne gasped as his crying subsided. “I don’t deserve–”

“Wayne, you crazy old man, are you going to argue with your god?” the Lord of Night said in the same teasing tone he used with Steve all those nights in his pilgrimage. Wayne’s eyes widened.

“N-No! I’d never–!”

The god laughed, playful and bright as a star. Wayne halted his protests to stare in awe again. 

“You know, I usually encourage a bit of dissent but this time, I’m putting my foot down. You do deserve this, okay?”

Wayne nodded dazedly. He still watched the god with soft, warm eyes. His hand twitched in Steve’s as if he wanted to reach up to touch the god. Steve loosened his grip to allow it but Wayne didn’t follow through with the motion.

“...you remind me of someone,” Wayne whispered. The Lord of Night tilted his head curiously.

“Do I?” he asked. At Wayne’s nod, he added, “I hope it’s someone good. I know what people say about me these days, and let me tell you, it’s not super flattering. King of Darkness this and monster herder that, blah, blah, mean and scary, blah.”

“I know better than to pay any mind to hearsay,” Wayne replied. "I’ve found that most people are fools, my Lord." 

The Lord of Night laughed again. Wayne looked delighted. 

The rest of the night continued along the same line. The Lord of Night listened eagerly to Wayne’s every word as he reminisced about past heists and recalled fond childhood memories. Steve kept to himself, for the most part, letting the Lord of Night and his last believer bask in each other’s presence. Wayne stayed awake as long as he could but finally fell asleep as dawn approached. The Lord of Night began to fade as the first rays of the morning peeked through the bedroom window.

“Watch over him for me, please?” the Lord of Night asked Steve. “I’ll be back tonight.”

“Of course, Lord,” Steve replied. 

The sun broke past the horizon and the Lord of Night vanished. Steve took the stone from the bedside table. He wrapped it up carefully in cloth before returning it to his satchel. That level of care probably wasn’t necessary considering it was solid stone but it was the only thing they knew would keep the god tethered to this plane so far from his last shrine. Steve was charged with carrying his god's tether and he would not let him down by being careless with it.

It was also the only thing he had been given that belonged to his god. Typically, a holy warrior would be granted a symbol of their faith by a temple priest once a god had accepted the holy warrior’s offered service. Most of the time it would be a simple pendant or bracelet with a god’s sigil; a mass produced thing any follower could obtain, the only difference being that a holy warrior’s token would carry a particular blessing from the high priest. A holy warrior would carry that as a sign of their commitment until they’ve earned a more prestigious item to replace it during their years of service.

Steve’s journey so far has been as atypical as it could get. Most warriors traveled to their god's grandest temple. They recited that god's specific prayer for a holy warrior's offering, witnessed by a high priest who would then reveal whether the offering was accepted. Steve's god had no official prayers of any sort, much less temples or clergy. Steve's god couldn't really remember his own symbol aside from a vague outline of it; not nearly enough for it to be inscribed on even the simplest of tokens. 

Regardless, Steve wouldn't trade his experience for anything. Most holy warriors toiled for years, even decades, before getting a chance to meet their god. Steve met his god nearly at the beginning though he hadn't known it at the time. He'd been able to see him and speak to him. Steve’s humble offering of servitude had been accepted directly by his god rather than by priestly proxy. So what if his god wasn't able to grant him a token for his pledge? His presence was a privilege Steve would take over any boon.

It was a sentiment Steve knew Wayne understood. Steve scooted his chair closer to the bed where the old man lay sleeping. He wrapped a hand around Wayne's wrist to track his weak pulse, and settled in for his vigil.

–

Steve woke Wayne a handful of times to make sure he drank some water or ate some of the vegetable soup Steve had thrown together using whatever he’d picked from the garden the day before. They chatted for a while; Wayne telling Steve about his life before age and sickness caught up to him. Eventually, Steve was able to coax him back to sleep when it became obvious his energy was fading.

At some point in the day, Wayne’s temperature began to rise. Nothing worrisome yet, but dread trickled into Steve’s veins regardless. The old man had been fighting whatever ailed him for a while now. If a fever overcame him, Steve doubted Wayne would survive it.

When the Lord of Night appeared alongside the fading sunset, he seemed as worried as Steve. Wayne sat in bed, propped up by pillows Steve had strategically placed. His eyes were rheumy but steady.

“You’ve seen the Door already, haven’t you?” the Lord of Night asked Wayne dejectedly.

Wayne’s gaze strayed from the god. He glanced at the corner opposite of the bedroom door. His hands shook as he tried to point that direction. Steve didn't see any door there. The god took Wayne's hand between his own, tangible to his last believer even as he appeared more translucent than the night before.

“It showed up earlier today,” Wayne whispered. The god nodded.

“You don’t have to answer yet, but soon. Once you go through the Door, you’ll be in Death's domain. No god is allowed to enter there besides him. I would have lost my chance to meet you if we’d been delayed any longer.”

“Good thing you have Ser Steve. He got you here real quick from what he told me,” Wayne said with a crooked smile.

“Has he been talking himself up?” the god asked amusedly. “Trying to impress the boss?”

“It’s my first quest,” Steve butted in with mild exasperation borne of embarrassment. He hadn’t expected Wayne to mention him at all during his communion with the Lord of Night. “I have to make a good impression.”

“To make up for the first impression, huh?” the Lord of Night teased. 

Oh no, Steve thought when he caught Wayne’s curious look. He wanted to hide his face in his hands. That would be childish. Steve was a man so he was above that, unfortunately.

“Wayne,” the Lord of Night said with palpable mischief. “In exchange for all the stories you’ve given me these many years, what if I told you how I got my very first holy warrior?”

“I didn’t know better,” Steve groaned weakly in an effort to stop the story before it began in earnest. The Lord of Night made a shushing motion in his direction. 

“It would be a privilege, Lord,” Wayne said with matching mischief.

“Settle in, my loyal follower, and listen closely,” the Lord of Night began with exuberance. “I call this tale The Trial of Nine Nights.”

The rest of the night, the god recounted Steve’s pilgrimage. The way he told it painted Steve as some sort of gallant hero. It was suspenseful and whimsical. It didn’t sound like Steve’s experience at all. Yet every word was true, told with a flair that Steve himself would never have imagined. Wayne had hung on his god’s every word, despite the sporadic interruptions caused by coughing fits.

“The way you tell stories…” Wayne said faintly between coughs as the story wound to an end. “You…really do remind me of…someone. My little starmaker*. He was…” His voice trailed off weakly as he tried to catch his breath again.

“Rest now. Tell me about him tonight, Wayne,” the Lord of Night commanded as he disappeared with the arrival of dawn.

Wayne’s temperature seemed to climb with the sun. Steve did what he could to help. He stripped the bed of blankets and draped cold, damp towels over Wayne’s brow. More than once Wayne had asked Steve to answer the door.

“Someone’s knocking,” Wayne insisted.

“I’ve checked already,” Steve lied. He hadn’t heard a single knock all day, much less one coming from the very door-less spot Wayne kept indicating. “No one’s there.”

Wayne drifted in and out of a restless slumber. Despite Steve’s efforts, the fever had not lowered by nightfall. The Lord of Night paced at the foot of Wayne’s bed with a caged restlessness. Wayne had yet to wake up. 

“I don’t think he’s going to make it. Can you do anything for him?” Steve asked, hesitantly. “You came here to help him, didn’t you?”

“No,” the Lord of Night said shortly. “I can’t. I’m not a god of medicine. I’m not a healer.”

Each word was said with increasingly helpless frustration.

“I’m not strong enough to calm his dreams. I can’t ease his pain,” the Lord of Night said angrily. “At this rate, I won’t even be able to apologize to him.”

“Apologize for what?” Steve asked incredulously. Steve’s question went unheard. The Lord of Night tugged at his hood as if trying to hide his not-face. He gave up his pacing and slumped defeatedly on the chair beside Wayne’s bed.

“His family has sustained me for so long. He’s so devoted to me, and I keep failing him,” the god said, voice thick with shame. The brooding silence that followed was unlike the Lord of Night’s usual demeanor.

Steve wanted to protest the god’s claim. He was tempted to ask why the god believed he’d failed his last follower. Steve had seen people who’ve scorned and rejected their gods for a multitude of reasons. Wayne had not behaved like any of those people. Wayne had been so happy to see the god, Steve couldn’t imagine Wayne wanting an apology of any sort.

Before Steve could steel himself to ask, Wayne finally stirred awake.The Lord of Night straightened and drew the chair closer to his last follower. Steve situated himself near the corner Wayne had claimed to see a door. There wasn’t anything Steve could realistically achieve by placing himself between Wayne and the unseen door. When Death’s Door knocked, there was nothing a mortal being could do to keep it from opening. Regardless, Steve hoped he could provide some semblance of comfort by standing guard. 

Wayne’s eyes were glassy. He lay limp and disoriented, making not a sound outside his labored breathing. Neither the Lord of Night nor Steve spoke. Steve didn’t want to startle the man nor bring his attention to the unseen door. After a few minutes, Wayne finally noticed his bedside companion. 

“You,” he croaked in a daze. “I know you.”

“Yeah, it’s me.” The somber tone went unnoticed by Wayne whose entire face brightened with an unexpected joy. 

“Eddie,” Wayne said shakily. 

“What?”

“Eddie, you’re here,” Wayne said with more love and joy than Steve had ever heard from another person. He felt a momentary flash of envy that someone could hold another so dear, before it hit him that Wayne was speaking to the Lord of Night. The god seemed as dumbstruck as Steve over it.

“Is…is that me?” the Lord of Night asked. The god sounded so young and lost. It reminded Steve of Dustin and his friends when they were small. It inspired all the same protective instincts.

“‘course it’s you, Eddie,” Wayne said fondly. 

“Eddie,” the Lord of Night whispered. “Oh, it is. It is me. I’m here.” 

The words rang through the air. The finality in them nearly deafened Steve. The words were a realization that shifted the entire cosmos. The air he breathed, the light he saw, the very world he perceived had changed fundamentally. It was a change so loud and obvious, Steve was certain every human left on earth and everyone beyond the Door knew it happened. Yet between one blink and the next, the world remained the same as it ever was. Everything that had been still was and would continue to be for as long as the stars burn.

Inexplicably, Steve experienced a bout of vertigo at the shift that had and hadn’t happened. He fought back a wave of nausea that accompanied it.

“Eddie,” Wayne rasped over the rattling of his weak lungs. No longer translucent, the god appeared solid and real in a way he hadn’t even at the shrine where Steve first encountered him. Wayne’s wrinkled hand reached out to gently cup the Lord of Night’s cheek.

"Hey, Uncle Wayne," the Lord of Night said with a new voice. 

"My starmaker, I missed you. So much. But how're you here? You were gone, you di–"

"We didn't want you to be alone," Eddie, Lord of Night, responded thickly, leaning into the hand and covering it with his own.  "We wanted to thank you for taking care of us all these years."

"Don’t,” Wayne wheezed, teary. “I’m sorry. I’m sorry, Eddie. You deserved so much more than your pa or me ever gave you."

"No! No, Uncle Wayne, don't apologize," he said earnestly. "You were perfect. You gave us a home when pa died. We were so little and you protected us. You loved us. That's all we ever wanted."

“Oh, Eddie,” Wayne said in a heartbroken rasp. “That damn door’s been knocking all day. Who'll take care of you when I'm gone, Eddie?" 

"Don't you worry about that, Uncle Wayne. Steve's gonna look after me.”

“Are you sure?”

The Lord of Night took off his hood and turned back to look at Steve for the first time since he sat himself at Wayne’s side. All the air left Steve’s lungs in one fell swoop. His god had a face.

His god was beautiful.

The Lord of Night’s skin remained pale, providing a stark contrast to his large, dark brown eyes glittered with bittersweet joy and sorrow. His lips, full and a soft shade of pink, were pulled into a wide, mischievous grin that dimpled his cheeks. His dark eyebrows were almost hidden under wild curls. His hair draped over the slope of his shoulders and matched his eyes wonderfully.

Steve willed himself to stay steadfast and strong under the god’s gaze. The Lord of Night’s grin twisted a bit as if he wasn't entirely pleased by what he saw. The nausea from before came back because Steve knew what people looked like when he'd disappointed them. As usual, he had no idea what he'd done wrong.

“Yeah, I’m sure. He already promised,” Eddie, the Lord of Night, said. He turned back to Wayne and gently wiped the sweat off the old man's brow. 

“Good,” Wayne said with a. “You need someone takin’ care of you, the way you get in trouble all the time.”

“We weren’t that bad,” Eddie said with a watery smile. After a pause, Eddie continued reluctantly. “Uncle Wayne, if you need to answer the Door, you can. I won’t be alone.”

“Yeah,” Wayne murmured. “I’m tired, Eddie.”

“You won’t be for long, I promise, just answer the Door.”

Wayne’s breathing slowed. His eyes drooped closed. Eddie clung to his hand until it went lax. A choked sound escaped him when Wayne’s breathing stopped. Steve instinctively stepped forward to comfort him but Eddie abruptly stood up, sending the chair clattering to the floor. He whirled around and stumbled towards the empty space Steve left behind. 

“You better take care of him. Wayne is a good man, he’s earned–” Eddie said to…the wall? But stopped and reeled back. His mouth curved down in a scowl. Eddie’s eyes were dark and glowering as he stared at something there that Steve himself could not see.

“Oh, fuck you, I know I can’t do anything to you but–”

Eddie stopped again. He looked like he wanted to punch something. Or someone?

“I just want to know that he’ll be happy and saf–hey, asshole, I’m still talking you, don’t you dare– FUCK,” Eddie shouted at nothing. He panted in anger. Steve cleared his throat.

“My Lord?”

“I forgot how much of a dick he is. It’s not like I was asking for details! I don’t fucking care what’s past his stupid Door. It’s not a crime to want your family to, like, go somewhere good after. He could’ve just said yes or no!” Eddie ranted.

“My Lord, I don’t know what you’re talking about!”

“Oh,” Eddie paused. “Right. You wouldn’t. And you shouldn’t. Not yet. Not for a long time, hopefully.”

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*starmaker - so this is a reference to some lore i dropped in the previous scene during some edits I made after I had posted it on tumblr. basically, the legend explains why bedtime stories are a thing and that the lord of night creates a star for every story that impresses him. a really good book or author will get called a starmaker, though to the general population it's just a thing people say to denote greatness in stories without context of where the saying came from.

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and now we're all caught up with what i've written so far, wow! but don't worry, i still have plenty more to write, stay tuned.