#I've worked SO MUCH to get this plotline to make sense

[cosmoknightchaos]

Kirby AU go brr. Ramble under the cut

(In case it's hard to read, text says Bandana Waddle Dee: Defender of Dreamland)

So nearly a year after I drafted the original story, I've finally fixed up my silly little Kirby AU enough to start posting about it!

It has no official name, though I have been and will continue calling it the Sodium AU (might've mentioned it on here once or twice?). It can be broken into two parts. There's Bandana Waddle Dee: Defender of Dreamland!, which plays kinda like a subgame centered around the titular Dee, and there's Kirby: Heros of the Stars, which plays out more like the main story mode. Though I hesitate to call them the main mode and subgame bc it's more of a Splatoon 3 fake-out situation.

The whole concept of BWD:DoD is that while Kirby was out training* with Meta Knight, a mysterious wanderer by the name of Aeon crash-landed on Planet Popstar seeking help. Since Kirby wasn't there to offer it, Bandana Dee decided he'd step up! The two end up going on a small adventure to find four mysterious artifacts... Though only one is found before Aeon gets fucking murdered and everything goes to shit.

The concept of the Sodium AU in general is a bunch of What-ifs I wanted to mess around with. Mainly, what if we made every single Galactia Knight encounter canon, what if Meta Knight was corrupted by Dark Matter, what if Kirby lost the ability to protect his home and friends, and what if Bandana Dee finally got to be the main character of a subgame. And he doesn't just get a subgame. He gets the entire AU with him as the main character, which would be great if it wasn't completely post-apocolyptic and everyone he ever knew and loved was dead, possessed, or secretly trapped in a basement in a cage in a castle on a Dark Matter infested planet waiting for their inevitable death where Dark Matter will possess them therefore causing the destruction of the galaxy as we know it (cough cough Kirby). There's a lot more to it than just this, as I also go more in depth on the Heros of Yore, Morpho Knight, and a bit of Magolor and Bandana Dee's relationship during BWD:DoD (slaps roof THEY CAN FIT SO MUCH TRAUMA). Arguably there is also a prequel that involves Magolor and Zan Partizanne, but I'm still working on it and it may get scrapped or turned into a separate thing. It (somewhat) follows the plotline of Star Allies' Guest Star mode, and involves a lot of arguing, angst, and poor coping mechanisms.

*It's not actually training. It's Kirby getting fucking wombo comboed by Dark Matter

[turtlespancake]

me when i write a character who is prone to dooming themself and then they run off and doom themself. core traits are stubbornness and a willingness to disregard their own humanity gET BACK HERE IM NOT DONE WITH YOU

[syzthefrizz]

Tips for writing dream sequences (from someone who has really vivid, weird dreams on a frequent basis)

My biggest pet peeve with fictional dream sequences is that they make too much sense!! They're too relevant! There's not enough random crazy stuff! That's not always unrealistic per se, but you are missing out on some of the fun ways you can reveal information about your character's mindset, fears, struggles, and future.

Most of my dreams have a goal or objective driving the plot, and it's usually urgent. Ex. "escape the huge storm on the horizon", "find a place to sleep for the night in an unfamiliar town", "find a bathroom". This is especially true of stress dreams.

Everything going on in the dream makes perfect sense to you during the dream. It doesn't feel like reality per se, but you think it is. You're living in a house full of vampires that could eat you at any moment? Seems legit.

Emotions and situations from the dreamer's life can/will find their way into dreams, with varying levels of subtlety. The dream could be about the stressful event itself, or it could be some sort of exaggerated metaphor. Ex. I was worried about whether I was a competent CS major while I was still trying to find a summer job/internship, and I was worried about what my professors must think of me. Such a good student on paper, still without summer plans. I dreamed that I ran into my professors all having lunch together at a restaurant (during a dream with a completely different storyline), and I was wearing my pajamas. They judged me.

Certain things are very hard to do in dreams. This could vary from person to person. For me, it's always driving (the brakes never work right), flying (I can't stay off the ground for very long), and running (it's like trying to run through waist-deep water).

People with PTSD may dream about the traumatic event happening differently than it actually happened. (Take this one with a grain of salt - I don't suffer from PTSD, I just research it sometimes so my blorbos can suffer accurately).

You can have a string of loosely connected or disconnected dream sequences back to back, each with an entirely different plot, setting, etc.

People can have reoccurring themes or plotlines in their dreams, which are often connected to their lives/psyche somehow. I frequently dream about running away from tornadoes and being in situations where there's some catastrophe coming but I'm the only one who understands that there's a problem and nobody will listen to me.

It's common for me to have a dream setting that I KNOW is someplace I'm familiar with, but it doesn't actually look like that place at all. Ex. "I dreamed that we were at my house, but it didn't look like my house..."

Dreams can end in cliffhangers. Sometimes I wake up right before I'm about to eat something delicious.

Sometimes people have dreams about doing things that they would never, ever do in real life, and they wake up feeling disgusted. This is Not a manifestation of their secret desires (*glares at Freud*).

Images are the most memorable parts of dreams. I forget the specific plot points, but I can still picture dozens of liminal spaces my brain has created, even years after I dreamed about it.

Dreams will fade from memory very quickly unless the dream had a strong impression on you, you write details about it down or you tell someone about it before you forget.

If you realize you're dreaming during your dream, sometimes you can control the dream going forward. This is called lucid dreaming. I've done it accidentally a couple times, and it's really hard to "hold on" to the dream and control it. I usually wake up soon after starting. With practice, you can get better at it.

Sometimes a normal/good dream can turn into a nightmare, and vice versa. Most of my dreams aren't really good or bad, they're something in between.

Your subconscious brain is CRAZY intuitive. We can argue over the existence of prophetic dreams (I've heard so many crazy stories), but at the end of the day, your subconscious brain knows things that you don't consciously know. If your character is in love with someone, their subconscious brain will know even if the character doesn't. Relationship problems? Deepest darkest fears and insecurities? Your brain knows. A dream predicted the downfall of my first relationship eight months before it happened, down to the reason why we failed. You can absolutely foreshadow this way. A character might subconsciously know what the consequences of their or other people's actions will be, understand things about the situation they're in, know things about the people they're interacting with, and more, despite their conscious realizations.

There are plenty of ways to make a dream sequence relevant to your story, but don't forget to add in some fun, random details. Character A is secretly in love with Character B? Have Character A dream about Character B confessing feelings to them while in a Vine Nostalgia themed restaurant over a plate of mac-n-cheese. The details are the fun part, and you can get as weird as you want. I once ran into my aunt in a dream, and she was wearing a backpack with a bunch of (fake?) hands sticking out of it, making a fan that rose above her back behind her head like some sort of peacock feather costume piece. I was so freaked out that I woke up. I dare you to get weirder than that.

Not everyone's brain works the same way. I have vivid, random, detailed, memorable dreams on a frequent basis. When I describe them to people they often ask "what were you on?". My roommate only remembers her dreams when they're nightmares. I have some friends who say they don't dream. Other friends have really boring, mundane dreams about their normal lives. Some people have weird dreams but only once in a blue moon. It's a good idea to decide off the bat what kinds of dreams your character has, and how often they remember them.

That's it for now, but I might make a part two if I think of more things to add. Feel free to reblog with your own personal dream expertise!

[tendermiasma]

Out of curiosity, what drove you to pick Halsin as Clover’s love interest out of all the possible characters? Love your work by the way :)

Thank you so much! Baldur's Gate was barely on my radar since I didn't really know about the IP but my friend showed me a picture of Halsin and I said, "I'll play the game if you can kiss him". Well. I think they communicated what kind of person he was very well through his design because he seemed very kind, earnest, and protective with zero explanation. I'd already mostly figured out Clover's story before I started in but I was so delighted at how well they meshed. I was already biased, of course, but their fey plotlines were pure coincidence and so it just made sense. I lost my mind when Halsin started explaining haha. I LOVE the conflict of someone hunted by the fey and someone who is very close to them. They were both raised by the wild in very different ways and it's something I've loved having them explore with each other.

They both also deal with a particular kind of despair. I get the sense that Halsin became emotionally isolated from his own people after trying so hard to right something for so long, but he still had hope. What makes him waver is no longer having hope, which I saw most prevalently when we got to the city. Clover, on the other hand, is the one who digs in and crawls on, even without a light at the end of the tunnel. He doesn't expect anything, it's just what he's always done. Maybe for the spite of maybe living until tomorrow-- he doesn't know. Halsin was the first person who made him think of next Autumn. Halsin learns that despair should not be the death of persistence because the light may just be too far off to see. Clover's living proof of that. I'm not finished with the game but how Halsin deals with the horrors of trying to save everyone and everything when there are powers at work who want people to feel paralyzed and afraid and helpless is very special to me. I think their relationship, along with the events of the game, is helping him realize his true place where he can make a real difference is more grassroots than he thought. For Clover, though, Halsin can draw him out of that twilight and into a life he deserves.

I rambled I think but I hope I answered your question haha

[takemebacktowheniwassane]

i've been seeing a lot of falsettos posts recently deconstructing the fandoms beliefs and firstly

holy fuck thank you, i try to steer clear of fandom (and fandom-izing thereof) drama but this is getting a lot more visible recently so here's some little tidbits for you

whizzer brown is not an unflawed character!

okay so i haven't seen enough dissecting this but!!! in the chess game!

the whole point of marvin using that game to determine the ending of their relationship is because he suspects whizzer is constantly deceiving him and wants to prove it.

whizzer LITERALLY proves him right!

he asks marvin to help him along (yes i know he says he doesn't want help, hear me out, it's a little more complex than that) and takes advantage of the fact that marvin is- like- infatuated with him.

he draws him into a sense of false security then starts throwing accusations at him ("since you need a man!" "what?" "who's 'brainy'," "or witty, move.") until hes able to win, which he does with ease because he's been using marvin having this idea that he isn't smart against him.

of course, marvin's side of this isn't the best either but honestly, for once the fandom should focus on a different character when they think 'insane asshole'. typically we should also probably change our perspectives a little to be more unbiased cuz fr guys, this is getting really.. annoying.

i understand he's the most visibly flawed but that doesn't excuse constantly picking the worst parts of this musical (without other context, btw) to use against him.

and this post certainly isn't here to excuse anyone either i've just got a lot of opinions that i wanted to share while falsettos is.. trending? right?

2. marvin's (headcanoned but still somewhat researched) autism

this one isn't brought up as much but when i do see it around, it's kind of a skewed viewpoint.

while rewatching bits of the proshot i realized a lot of different neurodivergent traits that he shows-

he's helpless during I Never Wanted to Love You and is childish and regressive when he's upset (not every autistic person is like this either, i know this is a bit of a touchy subject so i just wanted to add that).

usually when people depict it i see it either toned down or joked about which is fine when all in good fun, and when its done respectfully.

not here to attack anyone, just here to point it out and say that yes :) he most likely is neurodivergent, but despite that his actions aren't condoned. he's still kinda a dick who needs to get his shit together

3. ..the lesbians also have shit going on?

just putting this out there- I DON'T SEE ENOUGH FOR THE LESBIANS! OR TRINA!

the girls in this musical are like thoroughly neglected and i think that's kind of shitty just assuming the fact that william finn put them in to demonstrate how gender roles put people in degrading positions (and he even makes it more prevalent by showing marvin as something like a misogynistic character who forces whizzer into more feminine roles to show the audience what woman have to/had to go through in society).

anyways, the lesbians aren't just there guys. they have a plotline too. in Something Bad is Happening, you derive a lot from charlotte singing about the outbreak of HIV/AIDS and realize how she operates on a daily basis (she's passionate about her work and takes every bad day as a hit to her life and career, explaining in a way that as a black, jewish, lesbian, FEMALE doctor in this time, everything that goes wrong is immediately brought down on her so much more than it would as any straight white male pharmacist-).

cordelia on the other hand has to handle the fact that her girlfriend is so adamant about her work ethic that she can't actually be super present in their relationship at times like that.

but either way she still sticks by her and is constantly trying to be supportive and endearing despite feeling like she's not amounting to her gf who's basically a hero in her eyes.

i kinda just wanted to bring that up because they mean a lot to me and they don't get enough love from the fanbase, thank you for listening to my TED talk <3

[thoughtlessthinkythoughts]

I think the key to understanding show!Aziraphale is in some lines that are in the book but not the show. Because these lines represent a place that our show Aziraphale hasn't hit yet.

Before I get into this, let me explain why I think things that aren't in the show can be so important to understanding where the show will go.

For another example, let's look at the ending of the book/s1. In the book, Adam is not impressed with Aziraphale and Crowley. There is no pep talk. He actually has a pretty stern message to them about "not messing people around."

A lot of s2 might not have worked the same way if they had gotten that message. It would have cut off room for growth. The whole plotline with Nina and Maggie for one would have been much less likely. So by holding off the stop messing with people message to the end of s2 (and then only giving it to Crowley), it provides more room for the characters to change at a pace befitting a multi-season show.

So what else do I think will end up working this way?

Well, there's a scene I love in the book that hasn't made it into the show yet. It happens after Aziraphale is discorporated. In the show, he goes to heaven, then to Madame Tracy. In the book, he bounces around possible hosts first, including a televangelist. The televangelist is going on about the rapture and such, and Aziraphale cuts in with this:

"Well, nice try...only it won't be like that at all. Not really.

"I mean, you're right about the fire and war, all that. but that Rapture stuff well, if you could see them all in Heaven - serried ranks of them as far as the mind can follow and beyond, league after league of us, flaming swords, all that, well, what I'm trying to say is who has time to go round picking people out and popping them up in the air to sneer at the people dying of radiation sickness on the parched and burning earth below them? If that's your idea of a morally acceptable time, I might add.

"And as for that stuff about Heaven inevitably winning...Well, to be honest, if it were that cut and dried, there wouldn't be a Celestial War in the first place, would there? It's propaganda. Pure and simple. We've got no more than a fifty percent chance of coming out on top. You might as well send money to a Satanist hotline to cover your bets, although to be frank when the fire falls and the seas of blood rise you lot are all going to be civilian casualties either way. Between our war and your war, they're going to kill everyone and let God sort it out-right?

"Anyway, sorry to stand here wittering, I've just a quick question-where am I?"

Because even this more cynical version of Aziraphale is adorable, the scene ends with "Gosh," he said, "am I on television?"

We didn't get this in the show, but I can't help feeling that it might be in season 3, assuming we get a season 3. It might even fit in better there, assuming we are going with a "second coming" plot. In the show, Aziraphale hasn't reached this level of cynicism (yet). I can't picture s1 or s2 Aziraphale giving this speech. Sure, he's seen what a mess the archangels are, he was willing to go against heaven to stop them from starting the end of the world, but I'm pretty sure show Aziraphale still believes in the goodness of God if not the goodness of the way heaven is run. It makes sense that show Aziraphale sees heaven as a fixable mess, an organization that isn't living up to what it should be. Because the show is taking Aziraphale's struggle with morally complex situations and questioning God and making it a longer arc.

My guess it that, as his tenure as archangel is likely to go terribly and not give him any more answers (or at least not answers he likes), he will get to the point where he could give this speech in season 3. My guess is that he's likely to also end up in a horrendous mental state once he reaches these conclusions (a perfect opportunity for some hurt/comfort). He's likely to build himself back up after that, but with a clearer look at the world.

End conclusion: if you are telling a longer story, sometimes you need to hold some things back to give your characters room to grow. So, it isn't a sign something is wrong with a story when partway through a character hasn't hit upon an obvious point.

"

[whetstonefires]

So like, I'm pretty darn sure Mo Xuanyu did not actually make a pass at Jin Guangyao.

For several reasons, like for one thing hitting on your own actual brother who is also your boss is genuinely insane behavior, in a way nothing else we know about the guy actually matches, other than his reputation for being crazy which mostly seems to originate from the same point as the sexual harassment allegations. which tracks because even with rampant societal homophobia, that's such a crazy thing to do people would question it if it didn't come paired with the information that he's insane.

Then there's the fact that if that had actually happened, there's basically no way master spin artist jgy would have let it get out, because actually experiencing that would trigger his sense-of-uncleanliness issues so hard.

But what we see is that somehow Everyone Knows that it happened, but also that Jin Guangyao totally didn't tell anyone, because he's too merciful and kind and respectable. It just mysteriously leaked somehow that this private scandal happened.

(Also, to step up a meta level, the gay goth kid who was never quite accepted into his own family and wound up self-destructing was in fact guilty of the homophobic allegations spread by the powerful man who manipulates reputation for personal advantage? This is not the kind of story where that would be true. The thematic dissonance is too much.)

The only way it's believable that mxy made a move on jgy is if jgy spent a long time maneuvering him into it, hinting and deniably flirting and just generally being maximum skeeze, just a huge elaborate incestuous honeypot, just to bait a 'ruined reputation' trap. Which makes no sense at all.

I don't think jgy is necessarily above that kind of creepy grooming behavior but I do think he would hate it, and definitely wouldn't resort to it when sowing rumors would work just as well. and expose him to less risk.

So Mo Xuanyu didn't do it.

So what we've got is that Jin Guangyao systematically obliterated this kid's credibility.

No one would listen to anything he said after being expelled in that sort of context, especially anything against Jin Guangyao, whom he now has obvious motive to smear. This was a preemptive strike against some kind of leak.

It's exactly the kind of thing jgy would do--it targets individual vulnerability, leverages the weak points in Mo Xuanyu's reputation into gaping chasms, in a way that associates jgy with scandal but makes him personally look better. also shows signs of jgy projecting his own issues onto others. The MO fits.

And his motive is easy to construct: Mo Xuanyu had had access to his secrets, such as Wei Wuxian's manuscripts and probably a lot of the other ugly shit. And Jin Guangyao needed him silenced, due to some thing or other, but as with SiSi didn't want to have to kill him.

(A fascinating thing about jgy as a villain is the moments where he yields to sentiment pretty consistently contribute to his destruction.)

But then we come around to: so why didn't Mo Xuanyu sic Wei Wuxian on Jin Guangyao, then?

In cql wwx does have a curse cut for jgy, to keep him in the plot and create an additional open storyline to resolve, since viewers are gonna be denied romantic catharsis, but in cql the homophobia plotline isn't there because all the gay is censored, and mxy allegedly hit on qin su instead. which is less utterly unhinged to do though still big wtf.

In the book, mxy summoned the Yiling Patriarch just to kill the Mos. (Which he didn't even do lmao.)

So I've always been sort of poking at that, like if you're destroying your own soul to get revenge, why spare the person who deliberately ruined your life?

Even if he had done the thing, it was weird! Maybe even weirder; if you're in a headspace where making sexual advances anyone should be able to predict are unwelcome seems like a good idea in the first place, there's a pretty good chance getting punished for them isn't going to make you think you were in the wrong. Otoh there is a zone where he could have done it, gotten the backlash, cleared his head a bit, realized it was fucked up to do, and therefore not held a grudge in that particular direction, but it's still weird. (And also he definitely didn't do the thing.)

But if he was so angry, why was he not angry at Jin Guangyao? Who definitely kicked him out of the Sect, all else aside?

And then I looked at the passage in Jin sect where we swap to Jin Ling's pov and he tells us one of the few first-hand things we hear about Mo Xuanyu: He thought Jin Guangyao was the most amazing person in the whole world. He adored him.

And being betrayed and rejected by him didn't turn that into resentment. Even though he resented the other side of his family enough to want them gratuitously murdered.

So you know what I think happened?

I think Mo Xuanyu thinks it was an honest misunderstanding. That Jin Guangyao, his idol, falsely concluded that his gay little brother was creeping on him based on a misinterpretation of his admiring behavior, and was appropriately revolted. And that Mo Xuanyu doesn't blame him for it. He blames himself.

He went back to his mother's family to rot genuinely feeling like the ruination of his life was his own fault for being creepy. And died like that.

Because of that, to a considerable extent. How can you bend any of your will to saving yourself, to getting out of an abusive situation and seeking a better one, when you don't think you deserve to be saved?

Fucks me up.

[azrakaban]

Distractions - Blaise Zabini

A/N: Hiii! I'm not dead, as it turn out, just procrastinating and forgetting things because yk.. stress. Anyway, lil life update, I've reshuffled my life entirely, and had a lot of both boy and girl drama happen so literally my mind is all over the place! My grades are doing great though which is shocking given that I've been zoning out thinking of potential plotlines sm... I've been thinking of writing another fic, possibly a marvel one? Lemme know if that's something ya'll want to see <333

Request by ilovegilmoregurlsss , sorry it took so long lovely xx

Summary: Blaise realises that endless pining isn't going to get you to go out with him. More of a lil drabble then entire oneshot, but I'm sleep deprived and babysitting my brother so suck it up buttercups <3

Warnings: fluff, angst if you squint, bad spelling, idiots in love <3333

...

"Mars' moons are Phobos and Deimos, not Ganymede and Callisto. Those two are Jupiters." Blaise says, a little bluntly, peering over your work with a tired smile. You rolled your eyes and crossed them out, him looking slightly apologetic. 

"I'm sorry. I can't remember a thing, Blaise. There's so many distractions!" You gestured around the entirely distraction free library, groaning before looking down at the parchment, which wasn't filling with words magically, much to your disappointment.

"Come on yn. You can do this. You only need twenty more words and then you're done.The bare minimum, complete in a mere..." He checked his watch and frowned. "Three hours? For a two thousand word essay? Merlin we've been here too long..." He trailed off, looking down at you. You had completely passed out on his shoulder, head coming to rest in the crook of his neck. 

He exhaled slowly, trying not to disturb you. Had it been anyone else, he might have pushed them away, or been uncomfortable but... it was you. It felt comforting, warm... and just right. And that scared him even more than having a stranger fall asleep on him.

He wasn't sure how long he sat there, eyes flickering from the snow falling outside the castle, to your sleeping form on his shoulder. Around midnight, Draco and Lorenzo came looking for him, finding him perfectly content with you. 

The two of them walked forwards, opening their mouths to speak before Blaise fixed them both with a glare and waved them away, indicating your current state. They caught on quickly, both side-eyeing each other and smirking at him. 

Lorenzo made a motion like stringing a bow, and then firing it, as Draco clutched at his heart, mocking being hit and falling to the floor. He then kneeled infront of Enzo, practically making heart eyes in his state of drama. 

Blaise rolled his eyes and repeated his shooing motion, watching them walk away before sighing. He knew he had to move you - it couldn't be comfortable, sleeping upright. He almost felt guilty for keeping you there for so long. He looked down at your parchment and sighed. So close. 

Gently, so as not to wake you, he leaned forward and finished off your essay, careful to mimick your handwriting. 

You stirred for a second, before wriggling into a more comfortable position. He sighed in relief, and then grimaced. Now the hard part. Getting you to bed without waking you up. 

He gently shifted his position, letting your head fall onto his chest, He slipped his arm under your knees, and the other around your back, carrying you bridal style. You took kindly to this change in position, smiling softly in your sleep. Blaise smiled down at you, then caught himself and frowned. Smiling? At you? 

Sure, you were his best friend, and he treasured you, but that didn't mean he wanted more did it? Surely not. That just didn't make sense. You were his best friend. His funny, amazing, creative, quirky, gorgeous, beautiful best frie- oh fuck. 

Blaise groaned out loud at the realisation, first at how blindingly obvious it had been, and then second in intense worry. Was he feeling attraction, just pure teenage feelings? Maybe. But then he remembered. He knew everything about you. He noticed every little thing about you. He stored these little tidbits of information away, but why? For when? People didn't do that if all they felt was attraction to someone. He remembered you telling him that earlier in the year, when the two of you had been silently shipping Astoria and Theodore. 

You had organised a 'stake out' of Astoria and Theodore's third date, as Astoria had requested, and naturally, that meant he was coming too. He didn't remember how that date had gone. All he remembered was watching your face as you smiled, your eyes shining slightly as you watched your friend be happy.

He'd been watching you subconsiously for months now... how had it not occured to him? He loved you. But oh Godric, did you love him? Did you feel an ounce of what he felt for you? No, you couldn't that simply wasn't a possibility. And yet...

Who did you ask for help when you needed it? Him. Who's house did you stay at each summer? Granted, his mother loved you, and you loved her, but still! His house. Who did you go with to the yule ball? Him. And it hadn't been for lack of a date, quite a few boys had asked you. He remembered the discomfort he'd brushed aside when they each asked. But, in the end... you'd gone with him. 

Maybe there was a slight chance. Just maybe. Unless he'd been imagining the way you'd looked at his lips a second too long during the ball. Wait...

"What in the name of Merlin's saggy left ball sack-?" Blaise said out liud, stopping in his tracks. He quickly went silent, realising he'd spoken aloud. He looked down to find you still sound asleep, and breathed a sigh of relief. 

He had a feeling. Just a feeling, that you might feel the same. And he hoped that he wasn't wrong. 

(time skip to the next morning)

YOUR POV:

You walked into the great hall, and were quickly accosted by your favourite person in the world, Cormac McLaggen. Yippee. 

"y/n! Lovely weather isn't it? Those Cumulonimbus clouyds looking fabulous." He said with a smirk, trying to meet your eyes. 

You stopped walking abruptly, looking up at him, giving a fake smile. "You're talking about Cumulonimbus clouds , Cormac, when I'm surprised you can tell your left from your right." You looked down at his hands and sighed. He had left and right tattooed on them. You disguised a laugh as a cough. 

"What do you actually want?" You continued, biting your lip to keep from laughing. You noticed Blaise watching you from the Slytherin table, and made a mental note to go and join him in a minute.

"A chance. Look, I know that you Slytherins lost the Quidditch match, but I'm willing to put that aside and not bring it up so that you can feel better. I mean, it's not like I was surprised, you're a good chaser but just nowhere near my own skill level. Although I've only played against you once, I'll assume that it was your time of the month that made you play so badly." He bragged, puffing out his chest like an overconfident pigeon. 

"The Lion The Witch and The Audacity Of This Bitch..." You said under your breath. 

"Sorry what was that?" Cormac said, zoning back into your conversation. 

"I said I was surprised we could even see the hoops, given that your ego is so big if it was solid it would cover everything in a two mile radius. Gryffindor only won because Potter is a good seeker and you have awesome Chasers." You were stood next to the Gryffindor table, and Ginny looked up at you with a smile, mouthing 'thank you. Sorry about him.' 

You laughed and turned back to Cormac. "Anyway, McLaggen, you're not even Gryffindor chaser! Ron beat you! If it hadn't been for his injury, you wouldn't be playing. So why don't you just pack your ego into a trunk and mail it off to someone who thinks it's endearing that you won't brag over one win?" You retorted. Ginny  and a few of her friends clapped you for a second before turning back to their food, one of them cough-yelling 'misogynist' at McLaggen. You looked back over at the Slyyherin table and noticed Blaise was gone. huh.

McLaggen didn't have a reply for that, just looking infuriated. "Well if you're going to be like that, maybe I won't ask you out in future. You burst into mock tears, overdramatically pretending to cry. Cho turned around and stood up, pretending to console you. 

"There there y/n, it's okay, it's not your fault his ego is choking you alive..." She said soothingly, laughing at the expression on his face. A few other girls joined in, pretending to be overcome by McLaggen's 'manly charm'. It went on for a few minutes before Professor McGonagall told you all to settle down, but there was a fiant smile on her face. 

You sigh, looking upset as you meet his eyes. "You have the confidence of a much taller man, Cormac."

You fake sobbed one last time before hugging Cho and heading back over to the Slytherin table to sit with Pansy, leaving a speechless McLaggen far behind you. 

Pansy smiled and pulled you down onto the bench, looking around to make sure that none of the Slytherin boys were listening to your conversation before taking your hands in hers and stating quite plainly "Blaise likes you." 

You blinked a few times, processing her words before... "WHAT?" 

Pansy laughed and Astoria leaned in. "Yeah, it was kind of obvious. Earlier, he wasn't listening to Draco at all, he was just watching you with McLaggen."

"Maybe he thought McLaggen was harrassing me!" You protested, trying to ignore the rising hope in the back of your mind.

"Sureeeee. Because when you think someone's harrassing your best friend you always say 'Do you think he's asking her out? What if she says yes? I don't care if she says yes, it's up to her, it's just... McLaggen is a dick, isn't he? Not just me who thinks that?'" Astoria imitates Blaise, giggling with Pansy.

You roll your eyes at the two of them, but decide to check on Blaise, to see if he's okay.

...

You had spent almost an hour looking for Blaise now. Thank god for Saturdays right? And finally found him. You could have sworn you'd checked his dorm, but maybe he'd moved. He was sat on his bed, looking at something.

You crept up behind him, grabbing his shoulders and startling him, causing him to shove whatever he was holding underneath his pillow.

He looked up, seeing it was you and exhaled slowly, before resuming a glare.

"What ya looking at?" you say gently, aware you scared him.

"Doesn't matter to you. Why don't you go get ready for your date with McLaggen?" He spits out, shuffling away from you.

"What?" You look at him confused.

"You heard me. I'm sure you two will get together, and live happily ever after and raise world champion quidditch players. Look, I'm happy for you, yn, just leave me alone okay?" He says, clearly rambling.

You frown. "I'm not going out with McLaggen. After you left the girls and I cussed him out pretty thoroughly. Told him he that the confidence of a much taller man. He didn't like that." you laugh softly to yourself as Blaise turns around, attempting to form normal words but just making weird shapes with his mouth.

You laugh and put a hand under his chin, closing his mouth. "You thought I was going to go out with him?"

Blaise grabs your wrist and gently pulls your hand away from his jaw. "Looked like you wanted to to me." He didn't drop your wrist, surprisingly.

"Nuh uh. Got someone else on my mind." You say, shrugging.

He stiffens. "Who's that?" He asks, deadpan expression on his face.

You sigh. "Blaise, for a smart guy, sometimes you're incredibly dense."

You lean forward and kiss him, pulling back after a second to gauge his reaction.

Again, he's more frozen than Hermione in second year. Then, slowly, he reacts. He pulls you close by your wrist, letting your lips fall onto his again as he kisses you, holding you close. He pulls back after a few seconds.

"Now I know why you've been failing charms." He says with a smirk.

You poke your tongue out at him. "Not my fault you're distracting."

He laughs. "So many distractions yn... and yet I was your favourite one."

You smile, resting your head against his chest. "You'll always be my favourite distraction."

...

A/N: SO SORRY THIS TOOK SO LONG TO WRITE! I've had no inspo, but finally once I'm sleep deprived I can write. *sigh* Sorry it's so late, enjoy my first Blaise one shot <3

[albatris]

Since it's come to my attention a lot of folks don't know ATDAO....... here's an intro post :3c

All the Doors are Open! A funky lil sci-fi-ish, fantasy-ish, horror-ish tale about some South Australian kids going about their daily lives... oh, and also reality is collapsing and cracks between universes called Ports are appearing, letting otherworldly energy leak through and wreak havoc.

Four plotlines intertwine into one big stupid plotline, n the key players are as follows:

Tris Greer, panic attack in human form, who just witnessed a freak car accident that somehow caused his older brother to blip out of existence. The relevant authorities prove supremely unhelpful, so he takes it upon himself to find the truth and bring his brother home, even if it means a daring trip into an unstable air bubble between dimensions - a task easier said than done when he’s anxious enough just leaving the house.

Yun Sung-won, edgy intimidating badass hiding nooo insecurities or trauma whatsoever, who can suddenly bend and break the reality around her the same way Ports do. The shiny new destructive powers might be kinda cool - if the crack in reality inside her wasn’t chaotically deteriorating... and if she didn’t work for the Department of Interdimensional Instabilities, whose whole shtick is eliminating dangerous interdimensional energies.

Shara Aleng, conspiracy enthusiast and amateur paranormal investigator, who's new in town and on a mission. She's been able to see cracks in reality no one else notices since she was a kid, and, armed with just a handheld radio, she's mapping interdimensional fault lines and hunting down the source of the apocalypse.

Kai Lancaster, peddler of haunted antiques and mender of cracks in reality, who went to investigate an abandoned house for an hour and emerged to find seven years had passed. They're now grappling with the emotional and social repercussions of their trip out of time, having been tossed into a life that's moved on without them. And how can they try and re-enter their family's lives when their family has spent seven years grieving them and fighting to get back to any sense of normality?

Anyway. It's a cheesy power of friendship story about the human capacity for kindness and connection! It’s also full of horrifying things that will make your skin crawl <3 We got existential horror, we got body horror, we got cosmic horror... we got love and courage and joy in the face of despair! Also, we got mentally ill heroes, including one with psychosis and one with a dissociative disorder, whose experiences are never demonised or used as cheap plot twists :3

Here is the them:

I'm not posting much about it at the moment but it's my longest-standing WIP and very close to my heart :D I've been working on some version of it since I was 16! Lemme know at any time if you wanna be added to the tag list~ I can't guarantee I'll work on it soon but I CAN guarantee I'll work on it sometime!

[chaifootsteps]

just me or is the whole 'saying this is like fanfic is homophobia' framing kind of frustrating? like just to list out the tropes that have come up so far in HH/HB:

female character is written as an evil shrew who gets in the way of the m/m pairing

relationship that starts with rape/dubcon rewritten into true love (this one is probably more common in bad BL manga but I'm willing to bet there's some overlap)

character is the child of a mob family

portrayals of rape/sexual assault treated as titillating / used for drama

portrayals of domestic violence/abuse used mainly to get viewers to feel sorry for a character instead of making them sympathetic on their own terms

abusers/rapists being all powerful monsters solely to torture the victim as much as possible

characters are either Good or Bad and writing is heavy handed about driving this point home

writers has one character they stan and baby above all others and not only the writing but the world bends around them as they eat up more and more screentime while the actual main characters are shoved to the side

writer has one character they hate and they hate other people liking them so they derail them in the most obvious way possible

writer has one pairing they despise and go out of their way to make them seem familial to shame the fans who ship it

writer has intended pairings in mind but they just kinda happen regardless of how much work has been put in to give them real chemistry

the plotlines jump all over the place with no consideration given to the differing stakes each create or audience fatigue when too much is introduced at once/too many hanging threads are left, similar to what happens in unplanned serialized fiction. consistency and worldbuilding errors abound. conversations/events that seem like they should change the status quo kinda don't but there's so little way to tell which one is which that audiences cannot gauge the stakes and either stop being invested or just take the show as it comes since there's no point anticipating anything being done with a lot of its characters & plot points

too many characters, often some of whom don't serve much purpose but the writer is way too attached to to ever cut out (looking at you, Andrealphus & Vassago)

characters are rewritten on the fly. due to the lack of planning their arcs start and stop or get quietly dropped when the writer tires of them

pervasive attitude of misogyny - female characters are underwritten, bitches, dumb or accessories to the men. The world revolves around the (usually white) m/m pairing/s

the main premise is dropped in favor of shipping drama or character shilling

etc.

There's probably more but those are the big ones - like s1 wasn't perfect but s2 really does feel like it became fanfic of itself. I understand Viv being frustrated if it seems like a broad dismissive brush instead of specific critiques, but there's a couple of problems here:

when people give specific critiques she either misrepresents their points to frame them as bad faith (tacitly encouraging her fans to do the same), complains people keep making the same point or writes defensive threads about how people just don't get it because, for example, the show totally demonstrates Millie has qualities other than Wife and Violent

when people say something 'feels like fanfic' as far as I've seen they aren't immediately using it as shorthand for 'it has LGBT characters'. usually when they expand on their points what they're getting at is a lack of planning and a lack of experience or competency in the writer that gives the whole thing impression of being done by an amateur who's either young or still learning their craft, or both

it's the same lack of experienced hands that resulted in the opening of Hazbin being so amateurish and lacking the sense of having actual episodes until other staff writers were brought in to clean up the mess

like yeah I don't like the implication that 'fanfic=automatically bad' since I've read some good stuff myself and maybe people could be more specific; but usually this critique is coming from people who actually like fanfic, who've read a lot of it and who recognize the tropes from the worst fanfics out there in Viv's work

Viv's little "Um, actually, fanfic is good and queer and so if you use it as an insult towards my shows, you're homophobic" snit is one of the more rancid things she's said. When you lay it all out like this, it really does go to show how her stories embody all the worst, most harmful tropes bad fanfic -- and bad writing in general -- has to offer.

[genericpuff]

Idk if my addition will matter.

I've been following Hanza since back when they were making my deepest secret, so I've seen the development of the guy upstairs first hand and how hanza writes it. Even back in the concept stages, it was so blatantly clear that it was supposed to be a thriller/cat mouse vibe where Adam (killer) was horrible and not to be rooted for. They've compared him to irl serial killers and how those guys will often use women as shields to hide their true selves from the public and how that's messed up and bad to do.

They've shown Adam as a horrible irredeemable person and honestly there's little to no nuance with how they handle it, but that makes sense because how else can you handle an audience like what they've gotten without beating them over the head with the facts. How many ways can you outright show your main character despising and wanting to yank their best friend out of the jaws of a murderer before the audience realizes its not foreplay.

I think them going from an actual romance to a fully thriller non romantic story meant that the residual audience expected some kind of messy toxic romance, but Rozy to me has always explicitly read as Queer so idk why people aren't getting the hint.

I get their frustration and it seems like they might be shifting into a potiential issekai romance about a grandad and a middle aged woman who got reincarnated as his grandson's fiance (hard to explain but its hilarious if you want to check it out) without any thriller elements from their recent non comic posts. Whatever they do I hope they can find something to be passionate about again.

your addition VERY MUCH MATTERS actually because I don't read TGU and have very little context to the situation as a whole aside from what I've seen people talking about, which makes me reluctant to speak on it because I don't wanna go spreading misinformation in any regard. So I appreciate you taking the time to lay it all out for me, thank you!!! <3

And yeah, I've seen posts shared in the /r/webtoons sub from other blogs claiming that Hanza was being an awful person for "taking people's money" and "baiting them" into reading a dark romance story when that's very obviously not what it is? Even one excerpt that was literally like-

And I just... since when is any romance plotline that ISN'T abusive and problematic at its core (such as between a serial killer and a victim) considered "super conservative" and "pure"? It's really baffling to me how people have gone so far in the opposite direction of "purity culture" that they've started arguing on behalf of legitimately harmful and toxic relationships. It's extremely concerning especially when you know the majority of people saying this shit are between the ages of 16-21. IDK what the fuck we're doing anymore when it comes to the romance genre (and TGU isn't even a romance ffs).

Aaaand yeah in relation to where the Hanza topic came up, that's really why I'm moving away from WT as an audience and why I don't consider it a "loss" to not use WT anymore. Once upon a time I wished for Time Gate to be a contracted series, for it to have thousands of readers and be my job. But seeing what's going on with Hanza's work just informs me that I'd be dealing with a lot of the same shit - people expecting Uzuki and Mitsuhiro to be the endgame of the romance when they're literally NOT good for each other, which is the POINT. Like sure, unlike the main duo in TGU, they actually are a couple with a 'relationship' but it's not meant to be healthy and the last thing I need are 15 year olds thinking they're "couple goals". If you ship them in fanfic or w/e the fuck that's fine but please don't get mad at me when they don't wind up being the endgame couple, they're both terrible people and make each other worse when they're around each other (・_・;)

Either way yeah, I don't blame Hanza in the slightest for getting so frustrated with it all that they'd rather just be done with it. It sucks for the more loyal and sane part of their audience that the series is gonna be ripped out from under them like that, but at the end of the day if the creator is being harassed and decide they're done as a result of it... why should they have to keep putting up with bullshit just for a comic? I don't even blame Rachel if she was ending LO by choice due to the noise of the fandom, and unlike Rachel, I don't have anything in the slightest against Hanza or their work LOL But I also don't have the full picture on it all so maybe my opinion will change if I find out more about it. I just don't think any of this shit is worth directly harassing a human being over.

That said, can't get any better than someone who's read their work since before TGU, so again, thank you !

[morethansky]

***TBB FINALE SPOILERS***

"The Cavalry Has Arrived" aka MY OTP IS CANON NOW

A truly absurd amount of meta and thoughts and screaming under the cut:

Overall

• I...loved it????? This is the biggest plot twist of all for me. Like I've said incessantly, I've had so many issues with the writing choices for this show, and I'm so grateful the brainrot set in so I could start watching it through a fandom lens and have way more fun with it than through a media critic lens and being a hater. But like...that was actually really satisfying to me within the parameters of where the show had led to in the last four episodes??

• As everyone on the planet probably knows by now, I would've been much happier if this show had led to the Batch choosing to do the right thing and joining the clone resistance, and if we never get another clone series, I will continue to be unbearable and salty about the lost potential of telling that story. But after Echo left and we stopped following his story, I gave that hope up. And ofc nothing about my criticism of this season is invalidated. But given the pieces on the board, I'd pretty wholeheartedly give the finale my stamp of approval!

• I'm ultimately glad that this show ended on a "We don't leave our own behind" note, because that's the clone energy and general Star Wars energy I'm looking for, and they did a great job of applying that theme to every non-villain in this episode, minor and unnamed characters included—but it's still so darkly funny for them to have continued to push this idea even though the first season is literally about them leaving their own behind and moving on. And then Crosshair calls them out on it. And then he just...leaves himself behind. Even in their first appearance in TCW, the Batch's entire vibe is that they keep trying to convince Rex to leave his own behind lmao. I just feel like the show wanted this adage to tie everything together, but then forgot to keep applying it somewhere along the way. But hurrah for this abundant use of it!

• My overall biggest criticism was that even within this one episode we got back on the rescue/captured/rescue/captured treadmill. It's the biggest plot crutch of the show. It's so goofy that Omega and Echo rescued both the children and the imprisoned clones by themselves. The setup made it so that by going to rescue Omega, Hunter, Wrecker, and Crosshair actually put her in more danger. And because they were there, more clones died, wtf!! But I do like the narrative flip—Echo and Omega were both saved by the Batch in their introductions in this era, and here are they are being the ones to save them in return. Omega and Echo also are the characters in the main cast who deserve the rescuer plotline the most, since they have been consistently portrayed as helping those in need no matter what.

• Hilariously, one of the most pivotal roles that the Forest Trio plays in regards to the GFFA at large is that they were essentially Rampart's rideshare drivers, thus enabling him to be there and force Nala Se not to hesitate to destroy Project Necromancer.

Rampart and Nala Se

• Hemlock saying his work makes him indispensable is fantastic dialogue; it just seems like some dickish thing he would say to shit on Rampart, but it ends up giving Rampart the idea to try to leverage his work to become indispensable himself, and in saying that line, Hemlock ushers his own ruin!!! This is the kind of script work I've been begging for.

• Also I was so right about Rampart being like a Kallus foil! That infamous shot of him in his sad, sterile room after Bahryn is mirrored here with Rampart sitting in pretty much the same position, except his path is the opposite from Kallus's.

• They did an EXCELLENT job with Rampart's fate. I was worried they were neutering him these last couple eps, even if the comedy was gold, but this was very well done. Everything that happens leading up to his death makes complete sense for his character, and it accomplishes the very key plot point of destroying Tantiss. At the start of the season I couldn't figure out how and why the Batch was going to end up delaying Project Necromancer for like thirty years, so I feel validated that they pretty much don't. Very typical of this show to not have the protagonists do the heroic work, but fuck it, I like this instance.

• The humanizing of Nala Se in this show has always been a bit of an interesting choice given that this is feels like such a direct successor to TCW and she was so clearly a villain there. But although they don't quite redeem her, her motivations and her fate were also artfully executed here. Her conversation with Omega pretty much takes into account every Nala Se scene in this show, which is a great way to wrap her character up. And I really like the mirror of Nala Se giving Omega her datapad in the season premiere, and Omega giving Nala Se a datapad here. Both times, Nala Se is determined to set Omega free.

• And I'm so glad there was a follow-up to the destruction of Kamino as well! Nala Se getting a bit of revenge against one of the beings responsible for the genocide of her people and destruction of her homeworld is not something I expected at all, and I love it. And the setup of Nala Se picking up the detonator and Rampart picking up the blaster is just fantastic, because you know from just those two shots that Rampart is willing to kill to gain Palpatine's favor for himself, and Nala Se is willing to die to make sure the being she loves will be free.

Echo and Omega supremacy

• Give me an Echo-led rebel show where he convinces all sorts of people in the Empire and the underworld to defect/help them, please!!! He's so good at it, completing Emerie's turn so efficiently! We have to assume Rex is also good at it given his cell and that he has clone spies and even undercover agents, but every time he sees Hunter he has tried and failed to recruit him lmao. Also REX'S NAMEDROP but him not showing up surely means...we'll see a continuation of his story soon after this...right??? Also this means Howzer still lives, oh, thank god.

• "Because it's exactly what I would do." Strategist Echo comeback yessss!! A nice little callback to the Techno Union arc that kicked this story off as well. And HELL YEAH Omega's relationship with Echo is my favorite out of all of her connections, and I'm living for their spotlight together this ep. I'm extremely invested in found family stories not relying on nuclear family narratives, and I love that you see throughout the show that Echo doesn't "raise" Omega like a kid—he trains her like a cadet. Like someone who he intends to be his equal, which is a nice and very appreciated contrast to others treating her like a precious sheltered baby.

• Their goodbye scene in "Truth and Consequences" is one of my favorites in the show, and I just adore that when Omega is upset, Echo doesn't coddle her—he reminds her of her duty to watch over the others, giving her a purpose and a reason to stand tall. When he conveys that he was worried about her and thinking of her while she was captured, he gifts her a weapon he designed and made for her during that time, so that she won't have to be defenseless after being defenseless for so long in captivity. It's so clone trooper, and I love it and the glimpses these details give us about clone culture and how the older clones cared for the shinies and the cadets and showed their love for each other.

• I also liked that Omega couldn't have escaped without Tech's training, since slicing was so vital. And all her stealthy stabbing is of course reminiscent of Hunter. And finally some emotional payoff for the ongoing bit about Wrecker being afraid of heights! I'm weak for inspirational Star Wars quotes, and this show hasn't had many, but "Just stay focused on what's ahead, not what's below," is a lovely one.

Forest conversations, my beloved

• The Kiners scored the fuck out of this episode!!! So many clever, thoughtful reprises. This is the first reappearance of Crosshair's theme that's played on the synths since he began healing! And then it segues into a soft violin tremolo version that makes me cry, and then it intertwines with "The Sacrifice" from Tech's death, ouchhhh. I have a lot of meta I need to write out about the tracks "The Reunion" and "They Always Work It Out" and how they say so much about Hunter and Crosshair, but I can't believe how well my analysis paid off in the cues in this scene! More on that in another post.

• Gosh, Wrecker's injury scared the shit out of me. But I love him so much and I'm glad he got at least a little moment, even if he didn't really have a story arc here. Or you know, in the entire damn show. And I ultimately liked that the purpose of it wasn't just to freak us out but to give them a plausible disadvantage and to give Crosshair someone to fuss over the whole time and act more recklessly because of it, thus reiterating this key character trait of his.

• I love Crosshair being worried about Wrecker and Hunter and them being worried about Crosshair. That's the squad content I crave and have been missing!! Unfortunate that it specifically has been happening when Omega is out of the picture. Writers, I swear to you, you can do both.

• Can't believe it took another half season for someone to say something about Tech's death, and it was Crosshair, who wasn't even there?? Cool line and sentiment, but man, so frustrating. I like this callback to his conversation with Rampart, though. "Depends on who's giving them" and in this first act he keeps trying to give those orders himself. Thinking of Rex on Umbara: "We're not programmed. You have to learn to make your own decisions."

• God the forest conversations in this ep and the previous one fed me so much. Hunter saying, "And so do those clones" had me literally jumping out of my seat and cheering. Baby boy, it took you so goddamn long, but thank you for finally actually giving a shit before the conclusion of your story. And "It's what I deserve," hnghhh that's the good shit, and it hearkens back perfectly to "I belong in here." And Hunter immediately telling Crosshair hell no made me very happy. And then later Hunter saying "Crosshair—" when he's worried Crosshair is still going to sacrifice himself, but Crosshair reassures him that he'll be right behind them... My heart! What a Crosshunt feast we got in this ep!!!

• Can't believe we also got so many Crosswrecker moments from the get-go and they kept coming! And my three precious little Techwrecker crumbs: the way Crosshair specifically chooses Wrecker to say the cutting remark about Tech to; the way Wrecker bows his head because that was right on target; and Wrecker being the one to watch Tech fall and to scream, "Don't do it, Tech!" in "Plan 99" yet the one to say with such conviction here, "We've always known the risks. And so did Tech." That's just so...finally accepting your beloved is gone ;_; Not really deserved by the text, which kept all but a total of like maybe one total minute of mourning off screen for some fucking reason, but.

Clone X, more like Clone Sexy

• There aren't nearly as many Clone X dudes as I expected?? I guess Crosshair's situation wasn't that rare after all? Or do they just run through them super quickly because Rex's team keeps taking them down?? Regardless, god, THEY ARE ALL SO SEXY. The way they animated their movements was so creepy and hot. And them not speaking was so eerie, I loved it. And then the moment that CX-2 did was so effective and terrifying!!! But remembering that those were clones in there is so, so heartbreaking.

• I really like that Echo really felt like both a clone trooper AND the resistance agent he is now this whole episode, and Hunter, Wrecker, and Crosshair actually briefly got to feel like commandos. The slick stealth and silent communication was also very sexy.

• MY GOD, I loved these action scenes. They were lit and choreographed so cool, they were super intense and had real consequences and close brushes with death, and the logic of the fight flow was really good, too. A character being incapacitated because they went to try to help an ally is always a wonderful driving force for action and gives it that crucial character-driven element that raises the stakes, and is great for making sure the main characters aren't too OP, and there was a ton of that here.

• Hunter and Wrecker getting shot by laser cannons and Hunter pushing Wrecker away from the blast made me shriek in terror AND THEN CROSSHAIR SHOOTING THE PILOT DEAD ON NO HESITATION NO ANXIETY NO TREMOR BECAUSE HOW DARE YOU HURT MY HUSBAND I'M FUCKING LIVINGGG. And then Wrecker stumbling over to Hunter and lifting the debris like he does in TCW. Boom, three pivotal character-driven action scenes in a row that divulge a key characteristic of each character! Excellently written and directed.

• Also I am SO SO SO HAPPY that we're getting to see this protective Crosshair come out in full force!!! This is the Crosshair who risked his life to try to save Mayday, who shouted hysterically when Hunter fell into the ice and was so desperate to get him out, who worried over Omega on Teth. I also really like this contrast with how he was about Echo—"Echo's on it." He knows Echo will get the job done and be safe and that's despite his former prejudice against regs. He's worried about Hunter and Wrecker and that's despite previously spending time trying to hunt them down. And when he suffers consequences, it's because of him worrying about them, and that's so delicious.

• Finally got to hear Crosshair screaming! And Hunter was already the screamer in this show, but goddamn does he get to scream in this episode. Thank you, directors, for this whump material! My man Steward Lee never lets me down.

• THE WAY THAT WHEN CROSSHAIR IS TRYING TO SAVE WRECKER HE REACHES FOR A DC-17 OMG!!!! I feel so validated! And just like with Mayday, he's incapacitated afterward...

• God the way CX-2 waits to be tossed the vibrosword and then leans down with it while Crosshair is already incapacitated is SO brutal, like this is not a battle injury. It's straight up what Anakin fucking Skywalker does to Count Dooku just before he becomes a Sith Lord, like holy shit, dude. This scene is so cool and I've watched it 10,000 times over the past 24 hours, but also why did he do that lol, is he just supposed to be particularly cruel?? Obsessed with tormenting Crosshair for some reason?? Also, these vibroswords are exactly how I've pictured Ahsoka's being in A Future for Us :D

• At this point I was like, uhhh, the messaging of Crosshair struggling with this psychomatic hand tremor since the first episode of the season and then the symptom literally being taken out of his........hands sure is a Choice, especially coupled with how they've treated Echo (or you know, not). When they showed him still with the symptoms later, I was very relieved, AND THEN HUNTER LITERALLY CURES CROSSHAIR THROUGH THE POWER OF THE LOVE AND FAITH AND TRUST HE HAS FOR HIM IS THERE ANYTHING MORE BEAUTIFUL IN THE WORLD???? But I'm getting ahead of myself.

Echo is the GOAT

• "You were helping us, Dr. Karr?" / "I am." I love this subtle line and how Emerie acknowledges that she wasn't sure of her loyalties before but is certain now. And I love that she says such a clone trooper thing, "You have my word," and then doing the clone shoulder pat, especially in direct contrast to the natborn kids hugging Omega just before.

• "Hey, kids. ...And other kids." is just so fucking 501st, I can't explain it. I'm just so ecstatic that they did Echo such justice in the end, giving a nod to everything about his character, even his dorkass cadet personality. And it wasn't just so he could die, thank god!!!

• Like Echo even got a DARTH VADER homage??? That's his mass-murdering general (affectionate). More on this here!

• Also is there anything more Big Dick Energy in the world than Echo eviscerating Rampart—who either the clones would recognize as a former vice admiral or at least see his captain rank plaque—with what may not be a theme this show really earned but is ABSOLUTELY a theme that Echo deserves and has shouldered for over two seasons...and then just straight up shoving him out of the way so that he can talk to his brothers???? And with his stormtrooper helmet—which is like Echo refusing to dirty his hands (including his new, long-awaited one) by touching Rampart oh my god??? Sexiest man alive.

• So the answer is no, there isn't. Fives is hollering from the afterlife. Half those clones immediately developed a crush on him in that moment. That one clone later placing a blaster in Echo's arms so gently confirmed this for me (remember the symbolism of Echo making the energy crossbow for Omega? He even gives her his borrowed blaster in this scene), but it's so sad that he died because of it, whyyy.

• Also I love the "Clones don't leave our brothers behind" riff on the "We don't leave our own behind" adage. It's very fitting that Hunter would put it that way because he only means his squad (+/-1), whereas Echo would see it as meaning his people.

• And I love how when Rampart first shoves Echo, the clone in front that Echo's been talking to prickles and makes brief eye contact with him, to be like, "Should we take him? I've got your back." I felt that girls (gender neutral) in the bathroom energy so hard.

• The clones helping each other out of their cells made me so emotional. And it's the same way that Hunter and Crosshair do later...

• Echo asking for volunteers, just like Rex did on Umbara..................

• I think this post is breaking and I'm still only two-thirds of the way through my rewatch, oops. And yesterday I stayed up until 8 a.m. after I put it on again after watching it for the first time... I'm so normal about this show. More tomorrow!

• Part 2!

[cephalog0d]

Yeah I'm not done yet.

The thing I keep coming back to is that as much as I'm down to nit-pick things like how characters are written and plot details (and boy are there a whole infestation of nits to pick), what it boils down to is that the basic premise here shouldn't even be happening.

I get they're doing a Thing with Bruce and the after effects of Failsafe and Zur and Insomnia so sure I guess it makes sense to have him acting totally unreasonably. I'm not saying it's a plotline I'm thrilled with, but whatever. This is about everyone else.

You have half a dozen people routinely patrolling in Gotham, who've been doing it for years, who know the city and how it works, who have at least two people who are particularly inclined towards collecting and parsing data for patterns for crime fighting purposes, and none of you noticed anything amiss until Selina called and was like "Hey did you notice my neat new plan I've been doing?"

To that point, in a room full of literal canonical geniuses not a single person has thought to ask any of a dozen very practical questions that occurred to me, a non-genius reader, roughly 10 seconds after reading what The Plan was. Things like, oh, I don't know

How is this going to be a sustainable long-term effort?

For example, what happens when Gotham's wealthiest realize what you're doing and dramatically beef up their security (with tech or with actual people), making it much harder and more dangerous?

Like iirc you, Selina, have definitely had some real dicey situations as a result of your profession, and you're a lot more experienced than these people.

(Hey speaking of which isn't there a whole secret society of Gotham's wealthiest and most powerful who have access to nearly unkillable assassins? Who keeps coming back even though they keep being taken down? You think any of these people might belong to that?)

What happens when the rich folks get pissed and sic the heavily militarized GCPD on you? Don't act like they won't, I'm sure someone's squirreled away stuff from that whole Fear State fiasco.

For that matter, what happens when the costumed villainry figure out who swiped all their henchpeople and decide to object to it, presumably violently?

How many people are we talking here anyway that you're training? How many ultra-wealthy people live in Gotham? How many easily stealable things do they have sitting around to take? (As opposed to, like, other non-liquid fake assets like stocks)

How are you fencing all this anyway? Isn't that a great way to get caught? Or is everyone just stealing cash? (Or did nobody think about the part between "got the valuable thing" and "have usable money from it"?)

How on god's green earth did you ever assume this was going to end in anything other than violence?

Like of course one of your guys got killed. It doesn't matter that you told them no violence, even if they fully buy into that it only takes one panicked reaction when someone's home who shouldn't be, on either side, and there you go.

Look I get what they're trying to do. It's supposed to be a big moral quandary about whether it's right to allow some crime if it decreases other crime, the struggle between Batman being unreasonably violent and unwilling to listen and this new plan of Selina's. First of all that's a weird debate to have when everyone having it is technically a criminal to some degree. And second of all, it doesn't matter, this isn't about the morality, this is about how this plan is fucking dumb and was destined to fall apart even if Batman was still asleep and the fact that any of you are buying it just means there's a gas leak in Gotham somewhere.

[chthonic-cassandra]

Hello friend, I was thinking about the Mina-as-a-reincarnated-love-of-Dracula's plot element from the 90's movie and once more wondering where the hell it came from. Do you have any idea if the germ of that element was present in some other vampire/dracula-related media?

Hello my friend! This is an excellent question that others have sought to answer over the years. This is my best recollection right now without consulting all my sources; if others (@atundratoadstool, @forthegothicheroine, anyone else?) remember something I'm forgetting here, feel free to jump in.

The Coppola film was not, properly speaking, the first Dracula adaptation to include a reincarnated wife plotline; that dubious honor goes to the 1974 Dan Curtis adaptation starring Jack Palance, though there the reincarnated wife is Lucy rather than Mina, and also takes much less of the attention and runtime than it does in the Coppola. Blacula, made around the same time as the Curtis film, also has a reincarnation plotline, though there it's of course not involving the characters of Stoker's novel directly.

Dan Curtis was previously the creator of the long-running vampire soap opera Dark Shadows, which I have not myself seen but which I understand has a prominent 'vampire finds the reincarnation of his love' story, and really popularized it as a trope.

Most people trace the origins of the trope to a different undead narrative - the 1932 The Mummy, directed by Karl Freund (cinematographer on Tod Browning's Dracula) and starring Boris Karloff. The Mummy, which I finally watched for the first time a few years ago, is a strikingly compelling though unambiguously orientalist film, and there's a lot in it from which I think subsequent Dracula adaptations have pulled.

The relationship between the undead Imhotep and Helen, who recovers memories of their tragic past life together, is in many ways persuasive. Like the occult opportunist Kay in Son of Dracula to whom I think Helen is rather akin, Helen seems stifled in the modern world (in her case the impression is exacerbated by the hints we get of racism she experiences as a half-Egyptian woman), and it's a rather direct line from her characterization to Lucy Seward in the Badham Dracula, Mina in the Coppola, and ultimately Vanessa Ives. Helen and Imhotep's love cannot succeed because he has the unfortunate impression that he has to kill her and resurrect her as a mummy so they can be together, but the sense the movie conveys of her connecting with her whole self when she recovers her earlier memories, and especially of her devotion to Isis, is quite moving.

Stepping back from the specificity of Dracula as a story, I actually think the reincarnation plotline makes a lot of sense as something that comes into play when you're dealing with immortality and undeath. One of the things that I think makes the way that the Dracula adaptations use it so weird and awkward, aside from the pure arbitrariness, is that they're divorcing the trope from the spiritualist connotations it clearly has in The Mummy, leaving it flat and metaphysically inexplicable. The Mummy is a text with clear origins in the spiritualist movements of its time, with their attendant orientalism - questions about reincarnation are all over those.

I played once myself with trying to recuperate the reincarnated wife trope in a Dracula fic, though I didn't touch the spiritualism stuff. I've been thinking about it, though, because I'm trying to work on Penny Dreadful fic and it's all over that canon (and also because I've been reading some Dion Fortune). I'll keep thinking about it.

[jamiethebeeart]

Danny Phantom AU for the League (explanation under the cut)

There's a common (?) idea in the phandom that Sam dyes her hair black (or that her mom bleach her hair from black) and asdfghj that fits so well for Dabi. I can also see him being edgy and wearing eyeliner (he would tightline and you can't convince me otherwise) and eyeshadow to piss off Endeavor. (You can hardly see it, but I promise he has purple eyeshadow under his eyes.) I've been thinking about it and I'm not sure how Natsuo, Fuyumi, and Shoto would fit into this AU. Cousins? Maybe just siblings, and ignore Sam's only child-ness.

LINK (X) ok so I have drawn this before and I stand by Hana as Jazz and Tenko/Tomura as Fenton/Phantom. :)))) Danny's hair in the og art style makes no damn sense. Many an artist has bemoaned it (me included), so I decided to make Shigaraki's also confounding. (it's like??? a mullet???? but the mullet has layers????) Danny having Lichtenberg figure scars has recently had a resurgence in phandom and it's the perfect excuse to keep the scars around Shigaraki's mouth/eyes. (To symbolize the "scary eyes" and ghost sense.) Shigaraki gets to keep Danny's whole "getting new powers every time he needs to" shtick: one - because it's funny and two - it ties into the whole AFO quirk plotline. SPEAKING OF. AFO gets to take Vlad's place :)))) except!!! I think it'd work better if AFO was a "friend" of Tenko's grandmother and that's how he's weaseled his way into the family. No Vlad wanting Maddie and killing Jack subplot. Just AFO up to his usual shenanigans. I'm on the fence about whether or not Dabi would secretly be a kickass gamer (Sam was, but only kept it a secret because of 2000s misogyny about girls playing games.... idk how that'd transfer to Dabi other than Dabi trying to maintain a "too cool for that" image....)

(Hana as Jazz. Jazz loves her brother and tries to support him but is also overbearing and ignores what he says in favor of what she wants. I feel like an older Hana would fit into that well.... not that we know much about Hana, but from what can be gathered I think it'd fit. And Danny wanted a dog! Eventually has Cujo tagging along! Also a very good mirror for Mon and Tenko.)

Tucker! Spinner! my loves!!!! I wasn't sure originally if I wanted Spinner to be a ghost or a human, but as we can see I plopped him in Tucker's role. Because it fits so well. (I still vividly remember the post about "who loves Danny more? Valerie or Sam. the answer: neither, it's Tucker. Savant Par and Spinaraki mimicing the much larger fanbase for Amethyst Ocean and Shigadabi) Also, Spinner getting to connect with Tenko over games (DOOMED) and technology. I imagine that Spinner wears a bandana to cover up his roots showing. I see Tucker as taking special care of his appearance, but I don't see where Spinner's like that, so he gets a lazier option :) Oooooh should I give Spinner glasses? ooooh I bet he'd have glasses, but never want to wear them because they'd make him look nerdy. Anyway, just like Tucker and Danny, Spinner would face his fears to help and support Shigaraki :))))) (crying over his devotion)

Other Characters:

Dash, Paulina, Kwan, and Star? Maybe Uraraka and Toga as Johnny 13 and Kitty? hehehee could be cute. the fights and getting back together and Toga having to blow off steam in the human world? Kwan befriends Sam and Tucker, so maybe Twice would fit into Kwan's role? OH!!! And then have Hawks be Dash. (I don't think anyone has ever shipped Sam and Dash but that's why this is an AU.)

Deku can be Poindexter.... cause bullying (asdfghj yea it sidelines Deku a bit and sticks him in a very minor role and is an easy choice, but!! some fics make Poindexter and Danny kind of friends!! I think that'd be a nice mirror to what Shigaraki and Deku could've been - along with the initial misunderstandings that Poindexter has about Danny mirroring the way that Deku had to learn more about Shigaraki.

Ember? Maybe as Compress.... he has the theatrics DOWN lmao. And Magne as part of the band perhaps? That'd be cute.

(I don't feel like I know enough about Mustard to put him in any specific role.....)

OOOH Bakugou as Dora! The Dragon Amulet transformation mirroring Bakugou's angry outbursts!

[serendipitouslyyyyyy]

i know that we're like nowhere near a heroes of olympus adaptation and we need to make sure this show lasts 5 seasons first but i've already been thinking abt it because of course i have and like. honestly idk how they're gonna do a whole season without walker in it after the assumed massive success of the pjo show. and then wait a whole year or even more for another season without any returning characters besides percy and a little bit of nico. considering how slowly it's gonna have to come out people would lose interest in that so quickly. it's not like the books where we were impatient but we lived, because think of how much is at stake commercially w the success of each season. so for this reason, i really wonder whether they'll do one longer season that somehow goes back and forth between the plots of the lost hero and the son of neptune, since they're sort of happening at the same time. and if that would work. like the first episode could be all the beginning of tlh and the second could be all tson, so we still get a bit of that "where's percy?" "there's percy!" effect, then they just follow both plots for the rest. because then the season would end with the chb squad landing in new rome w the argo ii, clinching the two plotlines together and setting us up for the mark of athena, and idk i feel like it might work. like it would change the effect that the first two books have quite a bit but i honestly think it would make more sense than willingly making a season of the show without your lead actor in it. and it would also just have the added bonus of saving time and moving the plot along because let's be serious we don't have that much time before these actors are old old. idk