#INTERVIEWS

[fervi-g]

David Foster Wallace.

[evandorkin]

I did an interview with the hosts of the Collector's Confessions podcast which is now available for viewing/listening on Youtube. We talked about comics, Staten Island, Milk & Cheese, fandom, going to comic conventions as a kid in NYC, and some other stuff I can't remember offhand. Look for Winky the Pirate Cat's appearance in the beginning of the interview.

Link: https://www.youtube.com/watch?v=3mJZaDScliI

[tomhardymyking]

Don't leave a fan of 𝗧𝗼𝗺 who can only keep up with him through Internet without his Internet connection, she'll have a terrible time 😫

What a day it was yesterday... I suppose you've all heard about what happened here in Spain and other countries... The damn blackout, at least for 12 hours here 🤦🏻‍♀️ (Wasn't 𝗧𝗼𝗺 going to make a film about a blackout, by the way?)

Everyone's fine and we were able to survive with what we had 🙏🏻 Although I couldn't stop thinking about I couldn't keep up with 𝗧𝗼𝗺 because I was out of contact totally and was afraid something would happen and wouldn't be able to find out 🥺... Fortunately, everything's fine, and so is he 💖

Also, I really wanted to upload these photos I took from an interview where, although he's always gorgeous, he looks even more gorgeous 😍💘

Enjoy 😏

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No dejes a una fan de 𝗧𝗼𝗺 que solo pueda estar pendiente de él a través de Internet sin su Internet, lo pasará muy mal 😫

Vaya día el de ayer... Supongo que os habréis enterado todos de lo que ha pasado aquí en España y en otros países... El dichoso apagón, de 12 horas al menos aquí 🤦🏻‍♀️ (¿No iba a hacer 𝗧𝗼𝗺 una película sobre un apagón, por cierto?)

Todos estamos bien y pudimos sobrevivir con lo que teníamos 🙏🏻 Aunque yo no dejaba de pensar en que no podía estar pendiente de 𝗧𝗼𝗺 porque estaba totalmente incomunicada y tenía miedo de que pasara algo y yo no pudiera saberlo 🥺... Afortunadamente todo está bien, y él también 💖

Además, me quedé con las ganas de subir estas fotos que hice de una entrevista en la que, aunque siempre está guapísimo, está especialmente más guapo todavía 😍💘

Disfrutad 😏

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[bethanydelleman]

So I watched this video about collecting rejections as rocks in a jar and I couldn't help thinking that I wish I had more rejections which is kind of weird but

When you job search these days, it feels like screaming into a void. You almost never get rejected, you just don't hear anything. I find it weirdly difficult emotionally because you can't help hoping that maybe you will hear, and I've gotten interviews 2 or 3 months after applying so there is precedent. You aren't able to emotionally dismiss any opportunity, because who knows?

I would much rather have a rejection and close the door. Given how all this shit is automated anyway, how hard can it be for the company to send out an email saying the position was filled? My last job hunt (about a year ago), I had two interviews in the same week and received an offer from the second one. When I emailed the first, out of courtesy, and told them I was withdrawing from consideration, they told me they had already hired someone. Can they not even email the interviewees? The lack of consideration is astounding to me.

And then HR people have the audacity to complain that people will skip interviews without notification, who treated whom without basic human decency first?

[sophaeros]

arctic monkeys for nme, 26 august 2006

From the Rubble to Reading

A year since Carling Weekend: Reading And Leeds Festivals made them massive, Arctic Monkeys return with a new member and a message for anyone who reckons they're over

By Mark Beaumont

Photos: Dean Chalkley

Crack! Swipe! Stab! Ten minutes to stage time at Gothenburg's Accelerator festival, the Arctic Monkeys come within inches of actual inter-band slaughter. As the band sit in a backstage patio area, somewhat dour-faced, necking lager, without warning drummer Matt Helders grabs a glass beer bottle from the bucket, bashes it open on a wooden bench and, brandishing it like a rapier blade, lunges at Alex Turner's throat.

We know there've been ructions in the Monkeys camp, but is it all to end in murderous Pils-based bloodshed on a patch of car park in Sweden?

Well, no, it's just a little warm-up horseplay brought on by the nerve-wracking tedium of The Road. But it's the reaction that jars — the bottle stops inches from his jugular but Alex doesn't flinch; he simply lifts a lip in his trademark withering sneer and returns to glumly glugging his lager.

The thunderous sound of nobody laughing would speak volumes to the gossip-mongers and back-biters. See, word is the Arctic Monkeys are over.

They've stiffed, crumbled, cracked under pressure, flashed in the pan. Debut album 'Whatever People Say I Am, That's What I'm Not', after record-breaking, rock-rejuvenating first-week sales (already declared the best-selling album of 2006, in its first week it sold 363,000 copies making it the fastest-selling debut in the UK and, in the process, earning a Nationwide Mercury Prize nomination) has slipped out of the Top 40 only six months since its release in an era when the likes of Kaiser Chiefs and Hard-Fi are racking up a year in the charts. Their rocketing rise has spluttered, its momentum snuffed by the wilful self-hobbling of releasing the non-chart eligible Who The Fuck Are Arctic Monkeys?' EP in April. They've already lost one member — bassist Andy Nicholson, who was replaced by Nick O'Malley after refusing to tour the US this spring pleading "fatigue" — proof if any were needed that it was all too much, too soon. They were forced to run in the big sheds before they could walk in the theatres and what's more, Muse are going to stomp their grumpy Yorkshire mugs into Carling Weekend: Reading And Leeds Festival dust with their gigantic robot alien metaboots.

Monkeymania is dead, that's what they say. And all because they wouldn't play the game.

“If we’d been a bit older it probably would all have been more of a headfuck” Alex

"What do you want us to do?" guitarist Jamie Cook shrugs, utterly un-bovvered. "Milk it like every other band does? We coulda really milked it but we didn't and no matter if you love us or you hate us you can never say a bad thing about how we've gone about pushing our music. We kept ourselves to ourselves. We coulda carried on, released every song off the fuckin' album.."

"If we were a bit older it probably would all have been more of a headfuck," adds Alex Turner, quietly. "We were just young, worked for a bit but then we ended up in this, so I didn't take it that seriously or think it were the end of the world if it all ended. If we were a few years older, with a few more responsibilities and that, we woulda thought, 'We've got to make this right' and that woulda ultimately destroyed us because we'd have ended up putting our singles back out and doing all the bollocks that everybody does, but we weren't obligated to do all that stuff because we had nowt to lose."

How do you respond to the argument that you're a flash in the pan compared to the likes of the Kaisers?

Jamie: "What, because they keep putting advertisements out? I'm not slagging them off, we've met the Kaiser Chiefs a few times and they are nice guys and they've done really well. We're ignorant little shits."

Alex: "You see other bands knocking about at festivals and the looks on their faces... In return for someone perceiving you as big I don't want my face to look like that, because I feel wonderful."

Are you disappointed the momentum hasn't continued?

"Nah!" Alex splutters. "What do you want, fuckin' Shea Stadium?"

"People keep going on about breaking America, says Jamie. "I'm like, 'What you on about?' We went out to America and played to 3,500 in Arizona in the middle of fuckin' nowhere with cactuses inside the venue. We went out there and played a sell-out tour. If we can do that every time then we've broke America for me."

Alex: "But then what? What is there? 'Are you gonna break the moon?'”

How are things in the Monkeys camp now?

Jamie grins broadly. "Wonderful."

"Well, I don't know." Alex drawls. tipping him a comedy Wink Of Death. "You're next."

“People might be like, ‘Write about nine to five again’...I’m sick of fuckin’ people singing songs about all that shit” Alex Turner

Contrary to popular tittle-tattle, i'sa talkative and relaxed Arctic Monkeys that settle on a bench by a river in Gothenburg's Tragarn Gardens — slightly older (Nick celebrates his 21st birthday today, closely followed by Jamie in three days' time), hugely wiser, no longer the prickly young upstarts turning their noses up at the faintest whiff of a Dictaphone. Far from a band in crisis they seem relieved that the hype storm has passed. and that they weathered it with their egos still manageable, their sanity intact and their enthusiasm for their music undimmed. Aside from the change of personnel the Monkeys have only suffered a slight road weariness and sharpened their healthy edge of cynicism and suspicion about the industry workings — all except Nick that is, who's still somewhat wide-eyed about the whole thing Unsurprising; a few months ago he was a Sheffield student stacking shelves part-time in Asda, today he's the bassist in the biggest and best new band on the planet.

Nick grins wide. "It's a bit of an improvement career-wise."

Matt: "He's like Cinderella."

The former bassist with Sheffield grit rockers The Dodgems and a long-term mucker of the Monkeys — he went to college with Alex and they all live within "a hundred-metre radius" of each other in High Green — Nick was the obvious call to make when Andy Nicholson (reportedly the most fame-shy Monkey) announced that he didn't want to play on this year's US tour. Why did he back out?

“We’ve had probably two weeks off in in 18 months," Jamie explains. You get to go home for two days every six weeks. I love touring but you're gonna miss home and until you've done it you can't explain. You're living on a bus with 12 other blokes and when you're driving through the desert for a day..."

What did you think when you got the call, Nick?

"I was a bit scared," Nick remembers, "because I had two days to learn everything and I'd just had a cast on my hand took off [Nick broke his hand being 'playfully' thrown over a wall by a Dodgems roadie just weeks before the tour kicked off] so I weren't really sure how it would go. At first I said no, but then Al rang me up again and went, 'Can you hold a plectrum?' I kinda thought, 'Well, even if I do play shit I'll still have a right good time, go to America and just enjoy it'."

Alex: "It's not as if we've just had to bring in a session guy, it's someone we've known for a long time. We're the last band in the world who can just pluck someone out of nowhere."

Jamie: "I don't think we'd have gone if it were a session guy. I think we'd have had to probably cancel the tour."

"Everyone might say we shit on Andy, but they don't know. We know, Andy knows and that's all that matters" Jamie Cook

Over his month in America, Nick turned out to be a Mani-in-the-Primals style shot in the arm for the Monkeys and, bouts of alcohol poisoning permitting ("I wasn't used to free alcohol," Nick sniggers. "I learnt my lesson"), they unexpectedly found themselves in a more exciting, harmonious and well-oiled jag-pop juggernaut. Hence, within weeks of getting home, Nick received one of those rare and legendary Do you fancy being a rock star?' Golden Phone Calls.

"Those were my exact words," says Alex. "Were you there?"

We have a tap on all your phones.

Nick: "It were, 'Have you got a sequinned vest? If not, get one'."

Matt: "You're coming to Disneyland!""

How did the meeting go when you told Andy he was out?

Alex shakes his head. "It were a really dark page."

"You can imagine, can't yer?" says Jamie. "I don't think it's nice to really talk about it. I don't think anyone will understand. Andy understands and Andy's family probably understands and we understand and everyone that needs to understand understands."

Alex: "But everyone else will probably never get it because they weren't in the band. It's difficult to explain, it's not like a day in a normal job. Five weeks or whatever it were, three weeks, four weeks... time's not the same as it is elsewhere so things happen, you have to make decisions sometimes. Everyone will always fucking speculate about it "

Jamie: "Everyone might say we're wankers and we shit on him, but they don't know. We know, Andy knows and that's all that really matters."

Alex: "It weren't like us wanting to carry on like this as punishment for him wanting to opt out. We sorta found ourselves in a situation where we wanted to move forward."

Three days and two birthday lashes later at Ireland's Oxegen Festival the band look back at a year that could only have been more celebrated if Alex had been made Poet Laureate and Matt had been awarded a Nobel Prize For Paradiddles.

"We celebrated the singles best," Jamie chuckles. "We were in our local and got hammered with a loads of mates."

"That were a special night," Matt nods, swigging cider in one of Oxegen's more salubrious dressing rooms (most bands get a glorified changing cubicle). "I kept saying, ‘I bet no-one who's walked down this road has been Number One, I bet no-one who's used this cash machine has been Number One?"

"We went for a KFC," Alex laughs, "and we were saying 'I wonder if anybody's been to KFC this soon after finding out they're Number One?""

The Carling Weekend: Reading And Leeds Festivals is set to be a landmark event for the Monkeys — it was here in 2005 that The Madness broke free, their mid-afternoon set drawing a headline-slot crowd and launching them into a year of whirlwind ascent set to be triumphantly capped on this year's Main Stage. And while they may have made a fair fist of making the best job in the world look like a bit of a pain in the arse ("I don't think we do though," Alex argues, "I've never given the impression I'm not grateful"), secretly Yorkshire's most famous grumpos have had the time of their lives. They've hung with Jay-Z in New York, bar-spotted actor Edward Norton in LA, gone speed boating in Sweden, trodden the pitch at Barcelona, become the first band that Morrissey has ever apologised to and been given the Liam Gallagher Eyebrow Of Approval ("He went, "That 'Riot Van' — tune!'"), all while selling more records than Pete's had hot heroin. What's more, they've managed to galvanise an indie generation in a few short months. Freaky - how come no other bands want to slag you fellers off?

"It's 'cos we're the best!" Alex grins. "We've done it how we wanted to. The only things people say is daft things like Jeft Monkeys manager wrote all the songs and things like that. Someone will come though, I can't wait 'til they do."

Who do you fancy in the apocalyptic Kooks versus Razorlight rumble?

"Kooks and fuckin' Razorlight?" Alex laughs. "That'd be like a fight between two cyclists."

Has success made you paranoid about what people think of you?

Alex is suddenly serious. "I suppose it does, but my mind wobbles so much that it's one day sometimes you think that and then other times... I think I've learned not to care so much, not to listen, but it's hard not to."

So, sensing the vultures circling, it is with some trepidation and secrecy that the Arctic Monkeys are approaching their second album — 13 songs written to date, including a number they describe as "the bakery tune that goes ‘I wish you would have smiled in the bakery' which is like, you're anywhere in a crowded place and there's a laugh and a smile but you're never gonna be able to get to that person".

Plus, 'Brian Storm', a song about a Derren Brown-esque character they met at an Australian gig.

"People might be like, "Who the fuck is this Aussie guy? Write about fuckin' nine to five again," says Alex. "That's another thing that pisses me off, I'm sick of fuckin' hearing people sing songs about all that shit and I were before we even did our album. I never even wanted to do that, fuckin' write about work and shit like that. I think it's insulting."

But having connected with your audience by portraying a sardonic, yet somehow celebratory, vision of everyday life, surely there's a danger of alienating them with a second album griping about press interviews, long-haul flights and the difficulties of opening a decent Swiss bank account. We've already had the tongue-in-cheek Despair In The Departure Lounge' on the ‘Who The Fuck…’ EP — is the new album going to full of songs called 'Bored Of Bono', 'Catering In First Class Isn't What It Used To Be' or 'So Much Money (Need A Shovel To Get In My House)'?

Alex snorts. "Or 'I'm Not Old Enough To Drive Me Range Rover'. Nah, you still have emotions and you still get angry about things. A lot of our first album is about coming in contact or not coming in contact with girls I suppose, and they're still there. People go, 'You're not gonna write about getting kicked out of clubs again'. Well, no, but who'd fuckin' wanna hear that again?"

Of course, having so expertly captured the fear, excitement, danger, humiliation, anger, desperation and celebration of an uncertain modern youth, Alex Turner should just as artfully lay out the emotional minutiae of a successful young manhood. But first the Monkeys are closing the book on the 'Whatever People Say I Am…’ era with typical anti-industry aplomb by releasing the non-album track 'Leave Before The Lights Come On' (written during sessions for the album but deemed to sit uncomfortably in the tracklisting).

"We thought we'd start the next album with it," says Alex. "Then we thought we wanted to do something to close this off. It's like leaving."

The Monkeys are heading for Reading and Leeds with fire in their scrawny bellies on a mission to casually conquer without even trying.

Finally, have the past 12 months made men of the Arctic Monkeys?

"We've grown up a bit," Alex ponders, "but not enough to spoil anything."

Murder in the ranks? Oh no, these Monkeys are swinging…

The View From the Main Stage

A glorious year comes to a head at the carling Weekend: Reading And Leeds Festivals

Is this weekend going to be another Monkeys milestone? Jamie: "That's where we're gonna end it and go do the next record, we've always said that. It's good that we've got Leeds an' all, because it's only 20 minutes up the road from my house."

You're on before Muse, is that a worry? Alex: "It's probably good that it's different. Maybe the Muse fans will all wait at the top of the hill and our lot will be at the front." Nick: "Or the Muse fans might all stand down the front taking the piss."

Muse'll have a big stage show with balloons and glitter cannons. Alex: "Well, you wanna see ours!" Matt: "We'll have some hot air balloons. I parachute in." Nick: "I'm coming by underground drill."

Last year you changed some of your lyrics at Reading to have a go at "that sarky bloke from NME" — why? Alex: "I can't remember. We got a review or summat and read it and I went [Disgusted From Sheffield voice] ‘I can't believe this! Right! I'm gonna change this line!""

I wrote that review, actually. Alex: "Riiiight! Cunt! There was summat in it about The Zutons or summat." Jamie: "No-one ever used to write about us so when anyone did we used to get right wound up."

[dlstmxkakwldrlarchive]

(article) I Want To Let My Voice Be Known” ONEW Interviewed - SHINee's softly spoken talent in conversation... | Clash Magazine

K-Pop veteran Onew strives to share his true self with the world, and his voice is central to this ambition. It is irrefutably his greatest strength, and subsequently, the title of his 2018 debut EP, which welcomes listeners to his discography with mellifluous invocation. 

The 35-year-old has led K-Pop quintet SHINee—dubbed the Princes of K-Pop—since their 2008 debut. Though he no longer sports the silky black side-swept bang, red bomber jacket, and exorbitantly large gold chains from ‘Replay’, the now-redhead has remained a stronghold in the group, both vocally and as a leader. As an individual, the singer is soft-spoken and possesses a quiet strength that allows him to lead by example, often putting his members before himself.

Paradoxically, his solo career has allowed him a step away from the chaos of it all and a moment to look inwards. Often, becoming a great artist requires the understanding of oneself, and the pursuit of personal happiness is Onew’s north star when it comes to this journey. “I’m thinking about how I can effectively express who I am,” he said, seemingly narrowing the daunting pursuit of happiness down to the feasible task of self expression.

He craves vulnerability, honesty, and growth—as an artist, he desires not to be known, but to be understood. Each song he puts out is a small part of himself: a piece of his journey, a documentation of how far he has come, and an expression of how much further he hopes to go.

Introspective by nature, he earnestly confessed that standing alone started off as a challenge for him. Bright, feathery, resonant, and soulful—all qualities his voice possesses. But when first starting out in the industry, he ruefully admits his voice was a sore spot for him. “At first, there weren’t any similar voices,” he shared, saying he struggled to find a role model whose voice reflected the qualities of his own. “There was even a time when I thought, ‘Is this all I can do?’—to the point where it felt like a kind of trauma.” 

As a young artist, getting to know your own voice and adjusting to life in the public eye—all while on the tail end of puberty—is a rather nightmarish affair. For many, the incipient frustration of such a situation is often the breeding ground for motivation. While time has been the primary aide throughout his journey, Onew has grown to feel at ease with his voice: he not only shares this sentiment with conviction, but has found a home in it. “My perspective has changed, and I think it’s become one of my strengths.”

He can irrefutably hold his own within any musical setting, and when he stands alone it’s especially clear that he trusts both his voice as an instrument and his ear as a tool. Whether taking the stage alongside his members or as a solo act, an ear-to-ear grin unfailingly graces his features whenever he’s performing. It’s hard to imagine him doing anything but, and he agreed, saying he “… probably would’ve done something that involved singing in some way” when asked if he’s ever considered a separate career path.

Consequently, finally having the chance to see his international fans live is a privilege that he doesn’t take for granted, and as he’s continued to make his way across the US, he’s seemed increasingly bemused by the amount of fans that have waited to see him. He reciprocates the energy with ease, and is especially looking forward to performing his most recent title track, “Winner,” for fans. “I want to remind everyone once again of the message that ‘everyone is a winner’,” he expressed. While some might perceive the sentiment as cheesily optimistic, it bears a simple truth: Onew lives to create, and to perform. “I keep saying that I want to perform and meet fans wherever I can, and I truly believe that I’ll be able to meet them anywhere.”

His artistry is something he takes great pride in, and he’s only just beginning to understand the full extent of his abilities as an artist, particularly as a soloist. There’s some aspects of the job that he’s still adjusting to, due in part to the establishment of his own company circa March 2024. With the support of a tight-knit team, Onew has begun to explore new parts of the creative process, which has, in turn, allowed him to reflect on how his solo process differs from that of his role in SHINee.

“I used to think the company played a big role in building a strong team, but ever since I started as a solo artist, I’ve been exposed to a lot of new things.” Not only is the singer a credited lyricist, but as of the release of his 2024 EP ‘Flow’, he’s also a credited producer. “It hasn’t been easy,” he confessed. “Everything that came with responsibility also felt like pressure at times.” But it’s the mutual trust he’s built with his agency that’s helped with making the adjustment. “…By having close conversations with my new company, I was able to broaden my perspective.” 

He is not to be underestimated, despite his soft-spoken nature—every performance of his is handled with the same level of diligence. While he’s generally attentive when it comes to his music, he’s recently found that, following the release of his first-ever English single ‘MAD’, English songs tend to  “…demand an extra level of care.” Much like beautifully fitted puzzle pieces, his honeyed vocals are apt for the relaxed acoustic R&B melody, and it’s the perfect piece to round out his discography thus far.

When it comes to his personal life, the singer is all about balance. He seeks out different means of expressing himself, and as of late, has enjoyed a good documentary when he’s not on the road. Meticulous as always, he seems to be waiting for the perfect one to happen across his television, but until then says he doesn’t “have any specific recommendations yet.”

Understandably so—time is a luxury for most idols, and since embarking on his first-ever world tour ONEW THE LIVE: CONNECTION, it seems he can seldom spare extra to do much else, including finding new music to add to his daily rotation. “I’ve been so busy preparing for my second full-length album, which is coming out in July, that I haven’t really had time to listen to new songs—[chuckles].” 

It’s incredibly difficult not to feel endeared by his amiable spirit. Like many artists, the singer has simply entered a new season, but even so, his hopes for those supporting him remain steadfast. “I hope someone can find happiness through my music.” 

Coming from anyone else, these words might easily slip through the fingers of those on the receiving end, their meaning potentially being written off as one of many expressions on a list of “idol-friendly phrases.” However, Onew’s sincerity bleeds through his every word—he muses over them when he speaks, unafraid of silence if it allows him the chance to be intentional with his language. 

Onew’s craft knows no bounds, and while there are many forms it might take as time goes on, one thing is certain—there is no part of his artistry that isn’t him.

[jxmimac]

Best thing I’ve seen all day

[manchesterau]

dan live on australian morning show said: "we're the guys that made your daughters hair blue, we're the person that made them a boy, maybe theyre a them now but you gotta love them because if you don't we will and that is a threat"

[mysticdragon3md3]

[livelovecaliforniadreams]

[userbillieeilish]

BILLIE EILISH and QUENLIN BLACKWELL Debate the Best & Worst Things Ever | GOAT Talk

[sabrinasource]

Inside Sabrina Carpenter’s ‘Short n' Sweet’ Tour Looks | Vogue

[kitchen-light]

When I first asked my grandma if I could write and publish about her, she gave me an instruction that has stuck with me over the years and I try to always keep it in mind when I write about family. She said, roughly translated from Korean: “you can write what you want, but let us live a little more beautifully the second time.” I took this as permission with a condition that I would fictionalize where necessary, to protect them and myself. The women I write about are both us and not us. Maintaining that fictionalized barrier is important to me.

Jihyun Yun, from “you can write what you want, but let us live a little more beautifully the second time": Jihyun Yun in conversation with Nicole Lachat, published Prairie Schooner, March 9, 2023

[tomhardymyking]

“[...] 𝑎𝑛𝑑 𝐼 𝑠𝑒𝑒 𝑦𝑜𝑢 𝑖𝑛 𝑡𝒉𝑒 𝑚𝑜𝑟𝑛𝑖𝑛𝑔. 𝑁𝑖𝑔𝒉𝑡 𝑛𝑖𝑔𝒉𝑡.” 💖 — 𝗧𝗼𝗺

Finding this interview last night after the day I had yesterday and watching this moment of him sending to sleep, which is so beautiful... It moved me so much 🥺

I didn't know if I'd ever see him again... But fortunately, everything is over, and I can still see him 🙏🏻

You're the best, 𝗧𝗼𝗺, thanks for existing 🤍

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“[...] 𝑦 𝑛𝑜𝑠 𝑣𝑒𝑚𝑜𝑠 𝑚𝑎ñ𝑎𝑛𝑎. 𝐵𝑢𝑒𝑛��𝑠 𝑛𝑜𝑐𝒉𝑒𝑠.” 💖 — 𝗧𝗼𝗺

Encontrarme esta entrevista anoche después del día que pasé ayer y ver este momento de él mandando a dormir que es muy bonito... Me emocionó muchísimo 🥺

No sabía si lo iba a volver a ver... Pero afortunadamente todo pasó y puedo seguir viéndolo 🙏🏻

Eres el mejor, 𝗧𝗼𝗺, gracias por existir 🤍

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[hanfocus]

HAN for NYLON JAPAN x NARS