#IT'S ALL SO HORRIBLE

[cometblaster2070]

OKAY IM DEFINITELY READING TOO MUCH INTO THIS BUT HEAR ME OUT.

SO THERE’S THIS SCENE IN DRAGON GAMES WHEN APPLE’S POISONED AND IN HER COFFIN AND THEY’RE ALL SAD AND SHIT AND DARLING TALKS ABOUT HOW APPLE’S NOT GONE, SHE’S JUST WAITING FOR HER HAPPILY EVER AFTER.

OKAY SEE SO THIS IS EXACTLY THE MOMENT WHERE DARLING SAYS THAT APPLE ISN’T DEAD SHE’S WAITING; LIKE LITERALLY THE MOMENT WHERE SHE SAYS THE WORD ‘WAITING’.

AND THIS IS DARLING NOT EVEN A SECOND LATER WHILE SHE’S SAYING THE WORDS ‘HAPPILY EVER AFTER’.

I AM PROBABLY READING WAY WAY TOO MUCH INTO THIS, BUT LIKE??? DO YOU GUYS SEE IT??? LIKE THE SUBTLE EXPRESSION CHANGE???

I DON’T QUITE KNOW HOW TO EXPLAIN IT BUT WHEN YOU WATCH THE WHOLE SCENE PLAY OUT, IT’S EASIER TO SPOT.

I AM LITERALLY FROTHING AT THE MOUTH OVER LITERALLY ONE FRAME.

Because, see, in the first frame Darling’s expression is just one of concern, right, because this is obviously a very tense situation for everyone and Darling’s trying to reassure them the best she can.

BUT, Darling’s expression seems to change when she’s talking about Apple’s happily ever after, which, at this point in the story, everyone thinks will happen because of Daring.

DO YOU SEE THIS? BECAUSE MY DELUSIONAL ASS SURE DOES.

man, like, just the way darling is looking at apple in the second pic; the expression is so lost and hopeless in a way, because she thinks that even if she’ll get apple back, apple will never end up being her true love yk.

THIS SHIT IS GREAT.

[danifart]

i am so angry

[chikinan]

I'm sentimental about them. & about camcorders. [twt + insta + ptrn on bio]

[professorllayton]

i would recognize them thru post alone, by type; i would know them iconless, by the tags they write and their content. i would know them in death, at the end of the dashboard

[cryptocism]

a dænce of roëmænce

depictions of the ace experience never seem to include the nightmare-borne skeleton creature from hell so kudos to the dimension 20 team for their commitment to accurate rep

[phosbogey]

what a kind and reliable group

[astralpenguin]

self care is writing a fic that you’re literally the sole target audience for

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[puppyeared]

these two are so interesting to me

characters belong to @canisalbus

[the-rainbow-of-doom]

(This post was sponsored by a 1+ hour commute)

[newttxt]

and thats a wrapppppppp!!

from the 10th and final chapter of utilities included

masterpost

[ohitslen]

Kiss gun!

Based on this tweet!

[rapidhighway]

sanic ✌ for the au perhaps? idk

[mumblesplash]

part 2!!!! [read part one here]

transcript below the cut arranged into stanzas to help show where the rhymes are:

“that’s why they brought gem in? as a failsafe?” as a pawn. we were told to point her at whoever we need gone

“gem won’t hurt her allies. …yet.” the curse she carries will it’s had its eye on her since she lost the other eye she was specially selected for her hunting skill it’s quite the high honor. “wow. how generous.” we try

think about it: why does almost no one fight the curse? “given how fast scott killed skizz last season, i can guess.” [“any pain you spare your friends, you’ll have to suffer worse”?] it’s designed to shut down higher reasoning with stress

[vaguely-concerned]

sometimes I think of all the on-the-surface warm, well-meaning but deeply ineffectual advice and attention john gives harrow through harrow the ninth (make some soup and get some sleep! get a hobby! don't be so hard on yourself! self care harrow! as long as I need take no actual responsibility in this relationship whatsoever I would have loved to be your dad!) set up against the stark truth that with his other hand he has been staging her attempted horrific murder again and again and again like a living nightmare on the logic that it will 'put her down or fix her'. and then I find that I wish there is a hell. a special hell where twitch streamers turned necromantic death emperors go

[jenanigans1207]

I just love the idea that Cas and Dean actually manage to be sneaky in the beginning of their relationship, keeping it secret not because they don’t trust Sam or are ashamed but because they need to feel solid in it themselves before they tell anyone. So they’ve actually done a spectacular job of keeping quiet and not getting caught.

And then one day Cas and Dean are sitting at the table in the bunker kitchen, half asleep while Cas sips coffee and Dean munches halfheartedly on soggy cereal, when Sam comes back from his morning run.

“There you guys are!” He says as he pulls his headphones out of his ears. “I’ve been waiting for you to get up!”

“Why?” Dean asks, dropping his spoon into his bowl and splashing a little milk over the side. “You find us a case?”

Sam shakes his head as he heads to the fridge for a bottle of water. “I think there’s something wrong with the bunker.”

“What kind of something?” Dean asks, casting a curious glance around.

The bunker had seemed fine to him. Nothing strange had happened. No weird noises, no strange smells, nothing creepy or daunting that was outside of the ordinary as far as living completely underground went.

“Well, the lights have been acting weird.” Sam begins, thinking. “And the electricity will just randomly short out. It’s like all the fuses blow at once, or something, even when nothing has changed.”

Dean, still half asleep and only a few sips into his own coffee, doesn’t immediately make the connection. But Cas seems to go incredibly still across the table from him.

“Huh.” Dean says, pushing his bowl away and reaching for his mug. “I haven’t seen any of that. When is this happening?”

Dean still hasn’t pieced it together, but Cas is sending him a solid, desperate stare over the rim of his own mug. Dean’s mind is trying to kick on, to figure it out, and then Sam says—

“Well, most recently was last night. You were already in bed. And Cas— I don’t know where you were.”

And oh. Oh. Dean understands now.

Because yeah, he had been in bed last night. It just so happens that Cas had been in his bed, too. And they were— busy, but sleeping isn’t exactly what they were doing.

Dean purposely does not meet Cas’s gaze.

“Weird.” Dean says with a shrug that he hopes is nonchalant.

“Yeah,” Cas finally manages to agree, his fingers tight around his mug. “That is strange, I haven’t noticed it, either. We’ll have to keep an eye out for it and address it if it’s an electrical issue.”

Sam, beautiful, sweet Sam, doesn’t seem to notice anything amiss. He shrugs. “Yeah, just let me know if you notice it. Maybe it’s just a weird fluke.”

And it will be awhile yet before Sam understands why this only happens when he’s alone in the bunker at night, why it never happens when Dean and Cas stay up with him to the early hours of the morning to research. Sam will live confused but peacefully oblivious for as long as they can all get away with.