#If you catch me drift

[meltyvoidyheart]

You ever lay in bed at night thinking of your romantic F/O's so much and those thoughts are so sweet and comforting and then then suddenly go straight into the gutter part of your brain? Like HELP I WANT THEM SO BAD, Not even kidding I'm down so so bad rn

[notmoreflippingelves]

Actually going insane over the implications of Jason asking Dick to be the Robin to his Batman in Battle for the Cowl.

Like I initially took it at the purely surface-level of Jason wanting a partner in the general sense. Which made sense, it's a huge responsibility and a lonely one so an assistant/sidekick/partner seems a no-brainer if you can get one.

But then I really thought about it, because Jason is not asking Dick to be his partner in the general sense; he's not even asking Dick to be his Nightwing. He's asking Dick to be his Robin.

And they both know exactly what Jason means: "Be the light to my darkness. Be the smile to my scowl. Be the hope to my fear. "

He's saying "Be 'Robin'; be the embodiment of Love and Justice and Goodness. Be the exceptional person that you have always been. Be the slightly-less exceptional person that I was when I wore your colors. Be the person that I was in the process of becoming and might have been (or might still be), if only Joker hadn't clipped my wings."

He's saying "I am prepared to become vengeance, become the Night. And I will go further than Bruce ever dared to, because it is what is needed. I will be the necessary evil. But you don't have to be. If Batman is Gotham's curse, Robin has always been its blessing. I will be the brutal punishment to our world, and I am asking you to be its incandescent gift."

He's saying, "Be for me, what we were for Him. Be my anchor, my comfort, my hope. Remind me what it's all for, why it's all worth it. And remind yourself as well."

He's saying "Be 'Robin' again--for both of our sakes."

[qosic]

I put all my 愛 for the game into this one, to everyone who has beared my shouting about this modern classic for the last 4 years, I thank you!!!

Commissioned by Greg Chun (eng voice of Kaname Date) He will be doing a signing session at a later date where you can get this as a print, go follow him for more info on that!

[qwainte]

People are so weird about Halsin and other characters, I hate fandom sometimes.

[pedrospatch]

w i d e

[hiort]

he has so much untapped sick bastard potential…

[ineffable-gallimaufry]

no but like javert has to have long hair so that he can keep it up perfectly tidy like the rest of his appearance and then we see it a bit messy before the confrontation and then after jean valjean sets him free it's all loose to symbolize how he feels like he's lost all control over his life you need to understand me

[crustyfloor]

i think about this part often maybe a bit too much

[containedconspiracy]

we need the phighting mean girls au i think

[bun-fish]

uhhh

Been having some Thoughts on @noir-renard 's If You Give A Bat A Burger. Again. For the approx 150th time this week... heh...

ANYWAY

I've been thinking about our favorite infamous (?) mysterious mixologist Uncle Milo. And how much his funky & wholesome relationship with Danny has developed throughout the series. Guy is basically Danny's ghostly parent/PR manager by now...

Milo my guy, the Mixologist

He's a Morally Gray Weird Cigarette Uncle and I love him for it

A chiller Constantine, if you will.

I can feel that he's gonna be playing some super duper important roles in the future... (not that he isn't already... but still :)

[dirtytransmasc]

HC time:

Aegon bear hugs Daeron, damn near crushing him, every time he comes to visit from Oldtown, and announces very loudly (and typically very drunkly) to his siblings (who are right next to him and can very plainly see that there brother is standing right there and might have already said their greetings) that their brother is home and quickly calls for wine so they can celebrate.

they share hugs and stories before sitting somewhere they won't be bothered until they run out of wine. it almost always ends with Aegon lovingly draped across his siblings and either Aemond or later Daeron (once he's big enough for it) dragging him to his chambers where he will vice grip around their waist and they end up giving in to an afternoon in his bed (the other two will shortly follow with books and other entertainment and Helaena will bring the babes).

aegon missed his littlest brother and wants a day to be a soft and squishy mess. none of them, not even Aemond, will complain about cuddles.

[hold-on-a-little-longer-whump]

controversial whump opinion:

I really, really dislike using and reading "whumpee" and "whumper"

Like, yeah I get that it makes things easier to post and interpret and all that jazz. It's probably easier on our consciences instead of using actual, real-world terms like "victim" and "attacker" - and that's a very valid reason. It's another way to distance whump media from real-world scenarios because we don't actually want bad things to happen to real people (just our fictional blorbos pls n thx)

but, regardless, a tiny part of me just has an ick when whumpee and whumper is used.

[inkspottie]

realizing painter is a child mentally is messing me up. like sebastian stop focusing on your brother with scoliosis and get your kid out of there. please. i need him to be able to frolic in the fields.

Hahaha he’s just a babey! A babey with trauma like the rest of them

[wavesoutbeingtossed]

I know it’s been talked about ad nauseam, but I think one of the things that got lost in the discourse about TTPD and the muses and whatnot is how one of, if not the core trigger points of the album is the yearning for commitment and perhaps even more poignantly, motherhood.

The reason she was so susceptible to falling for the “conman’s get love quick schemes” is because she was grieving that imagined life with the person she had long assumed would be the one to give her that. What has been beyond clear in several albums, let alone interviews etc, is that those plans for building a family were very much real and top of mind for years, and she kept holding on and shifting her world in service of making that happen. And when whatever happened happened that pulled that rug out from under her, it left her bereft not just for the relationship that had once been her world but also the imagined family she had been hoping for and sticking out the hard times for.

And that’s likely why she was swayed by and trusting of the promises of someone who knew her history and knew how unmooring that loss was to her. It may have been partially about the person himself or lust or whatever, but the core issue was the pain of giving up the dream, and sublimating that dream into this new opportunity in front of her, because she was so desperate to hold onto the last scraps of that imagined life she wanted so badly. (And I don’t mean desperate as in pathetic or negative, I mean as in fighting within the last ounce of energy and hope she had.) It wasn’t rational and it wasn’t love, it was grief, not just for a relationship but even more so for the family it represented.

So to me the core issue of TTPD isn’t just the Joe vs. Matty or whoever of it all: it’s Taylor and her yearning. She wanted a family badly and a life that was theirs and was processing losing that in all kinds of ways. It’s all over the album in overt and subtle lyrics. It may not have been grieving a literal death but I’d bet it felt pretty darn close.

And I’d also bet that’s why we’re seeing… what we’re seeing now.

(I have so many more thoughts about womanhood and motherhood on TTPD but that is another post being worked on piecemeal in my drafts… this is just a little Saturday morning post-zoomies reflection)

[no-thanks-bro]

I wish men were real.

[wyvernspirit]

Every time I read about Mollymauk in a fanfic I mourn again for what could have been