#It was really fun drawing in this technique but I would have to have a clearer head while making this or I'd be too antsy to focus. lol

[screwpinecaprice]

Just wanted to repost a cropped version of this.

It's the autumn season so the whim in doing so is appropriate, I'd justify. :P

[dazeymazey]

[ id: a comic featuring three object-head characters - Chip, who is tall & dark-skinned with a cardboard box head, Aloe, who is shorter and curvy with light brown skin & a lava lamp head, and Petra, who is tall and fat with brown skin and a cactus head. a golf ball is struck by a club, and lands straight into the water. the three of them stand in silence in the direction of the ball, Petra in the foreground with a wide-eyed expression. Aloe says "Wow. That's the seventh ball you've drowned." Petra scratches their face and says, "Seven, huh.. too bad that's not the name of the game." Aloe jokes "You'd be a pro by now." and Chip chimes in, signing "Totally unmatched." with a smile. Off-screen, Petra light-heartedly responds "Stooop!". end id ]

[tofupixel]

🌿 How to draw simple grass for a game

Thank you kind asker I will make a tutorial below for grass. I'll do shrubs and trees in another one, because it's a different method and it got pretty long.

🌿 How to draw grass tiles: step-by-step

Each box is 16x16, the same size Stardew Valley uses. Make it tile (how to do it depends on your software) so we can see if our edges match up nicely.

Draw 1 simple blade of grass. Many options for shape but I like this one. Feel free to copy me directly

2. Give it a shadow. Wow !!!

3. Give it a highlight! OMG!

4. Add another grass

5. Do it over and over and over and over and over

Literally just do the same or similar blades of grass, give them all little shadows, highlight a few if you want and there you have it! So easy.

It looks really complicated like this, but its literally just a few steps, repeated over and over.

Many games use this technique and it would be perfectly serviceable for a base grass tile.

Personally, I prefer lower contrast grass. This tile will likely be used for large areas, so ideally you don't want it to be too busy or eye-burning to distract from the character.

🌿 I'll show you how to do a different type of grass now that is a little more complicated.

Midtone grass colour

2. Add some lighter and darker patches touching each other (not too high contrast!)

3. Use this shape (or your preferred, but this is how I did it) on the top edge of your patches. Colour them with the middle colour from each patch.

4. Do it again a lot (this is very tedious)

5. Add some highlights

6. Add some fun extra stuff

We're done! Have fun everyone, show me if you try it!

Pixel Art guide by me: link

[alfheimr]

My Favorite Cheap Art Trick: Gradient Maps and Blending Modes

i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:

this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.

the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.

this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.

i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.

for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.

note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!

note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!

with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?

the basic gist is that gradient maps replace the colors of an image based on their value.

so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.

these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!

you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.

this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.

let's see how mithrun looks when we apply that first gradient map we looked at.

gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:

some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.

for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.

here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.

i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?

i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.

yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.

i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.

i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.

the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.

typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!

this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.

let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.

just dont look at my layers too hard. ok?

[ckret2]

Any thoughts on the Stodehttcennoc code and all the Ciphertology lore it gave us? It’s interesting to get such a look at what an actual bill cipher cult looks like, even if the majority of it is played for surreal laughs.

yeah, i'm changing all the death valley girls' last names to Cipherwife

Right when I thought we'd run out of big packets of lore and were down to the dregs, we get the stodehttcennoc story, immediately one of my favorite things to come out of TBOB. In no particular order:

a Snapewives reference??? Unexpected. Hilarious.

i LOVE the mental image of just how unhinged Bill must have looked running around in Silas's body. Like i'm imagining that by the time of the big showdown at the end he's wheeling around his limbs like Jack Skellington dressed as a scarecrow cackling like a maniac surrounded by flame. Did he have fun, i think he had fun, it sounds like he had a lot of fun. I had fun.

on a doylist level i understand that Alex wrote Bill stealing all the wives in town because that is, in fact, something that real cult leaders tend to do. however real cult leaders tend to do it because they're straight human men horny for human women and realized their power lets them get away with anything they want. so on a watsonian level, why'd BILL do it?

LOVE the look into how Bill recruits people into a cult. His interview is actually a very good example of REAL cult recruitment tactics: mystical manipulation (using tricks to make you look magical/holy/psychic/etc); driving wedges between a recruit and their loved ones; flattering the recruit, offering to help their dreams come true; but dangling the answer to all their problems just out of reach, only after they make a big commitment (often financial) (and then you require them to keep upping their commitment); pressuring them FAST to make a decision, don't give them any time to think... that's actually how it works, all packed into one page

did bill take 100+ wives because HE's horny for human women? Is he horny ONLY for female humans or did he just figure he couldn't get away with also marrying the males in 1952 rural Kansas?

Something about Bill being delighted about having so many fingers just tickles me. Especially after he dissed humans for only having five fingers in TBOB. Human hands are a joke, are they?? Seems like five fingers are enough to make him happy! ... i realize how that sounds, i won't apologize for it

I feel like a cult that's willing to eat off its fingers for you and turn a blind eye to you taking 100+ wives would probably not draw the line at something as prosaic as homosexuality. Bill, you could have had 100+ husbands too. Why didn't you.

to me, somehow the goofiness & speed at which this cult came together felt more sincerely Gravity Falls-ish than most of TBOB. Like TBOB is still Gravity Falls, but most of the content doesn't feel 100% Gravity Falls. Bill Speed-Recruits A Cult While Wearing A Corpse He's Frantically Trying To Keep From Falling Apart feels closer to 100%. It's got that je ne sais quoi, that core dumb silliness.

Why did you want over 100 wives, Bill Cipher. Why only wives. What was your motivation.

This works well with my headcanon that Bill's bread & butter isn't just manipulating individuals, but specifically cult leadership. And it's given me a lot of material to work with in as far as writing him as a cult leader. I underestimated how himself he's willing to be while courting fresh victims, I figured there'd be more "trying to sound normally appealing by human standards" going on. He calls his soon-to-be cultists dim plasma bags before he even started pitching his cult. He's REALLY willing to let his charisma do all the heavy lifting. His technique clearly isn't "convince you that he's offering the things you want" but "convince you that you want the things he's offering"

Was stealing all those wives just a power trip, Bill? Is that all it was? If it was, wouldn't persuading guys to marry you in 50s Kansas be an even bigger power move??

how did Silas get involved in this. We don't see Bill take one corpse and KEEP piloting it for long periods of time like that anywhere else, even though it's clearly an effective method of interacting with humans. Was Silas just a conveniently available corpse, or did he make a deal with Bill before he died? Or maybe Bill DOES do this frequently, and it's how he starts most of his cults.

He CAN'T have taken all those wives for "I'm attracted to humans but only the female ones" purposes. In spite of the sheer quantity of references to female exes I am unable to believe that this triangle is heterosexual.

I'm requiring anyone who draws young skinny white human Bill Ciphers from hereon to switch from the sexyman human Bill to Silas Birchtree. 1950s huckster with a golly-gee-whiz face and evil in his eyes and rot on his breath is the pinnacle of what any young skinny white human Bill could possibly be. Also it's interesting to see Bill's justification for being a snappy dresser, that it's a trojan horse for chaos.

questions about bill's orientation aside, my gut says Bill MUST have wanted a bunch of wives and not husbands for some other reason, he didn't ACTUALLY want 100+ wives for sexual/romantic purposes.

or did he

bill explain the cipherwives

[david-talks-sw]

The OTHER type of Star Wars fan

We've already covered (through this longer post and this addendum) that research shows George wasn't that involved or interested in the derivative material of the Star Wars franchise, also known as the Expanded Universe (EU). Aside from approving a few points, he let Howard Roffman and Lucasfilm Licensing handle it.

He is the first to say that he ain't as knowledgeable about Star Wars lore as we fans are.

Thing is... he's also not as passionate as we are.

Recently, I was watching some Q&A videos of George R.R. Martin, the author of Game of Thrones... and it occurred to me:

Martin is what most Star Wars fans wish Lucas was.

Think about it.

He's a talented writer who likes to focus on morally "gray" characters and complex political plotlines,

who created a series of novels for a mature audience in which his narrative merely asks questions and lets the reader draw their own conclusions,

knows and engages in the lore behind his creation and will often respond to those lore-heavy questions, and has gone on record stating that canon is the glue that holds a story together and keeps it coherent.

Contrast that with George "continuity is for wimps" Lucas, who:

Wrote a movie franchise which is also, partially, political... but he makes it for kids, and he's explicit about how this is thematically a clear-cut story about how the conflict of "good vs evil" is really about "compassion vs greed",

with flat dialogue, boring cinematography,

and whose approach to lore and canon can be summed up in his answer to how Anakin got his scar:

"I don't know. Ask Howard [Roffman]. That’s one of those things that happens in the novels between the movies. I just put it there. He has to explain how it got there. I think Anakin got it slipping in the bathtub, but of course, he's not going to tell anybody that." - Pablo Hidalgo’s set diary, August 2003

And as a Star Wars fan, I will admit that some of his casual retcons felt disrespectful, growing up.

"Boba Fett is NOT Mandalorian?!"

I had the same reaction when I saw an interview of Kathleen Kennedy stating she was a fan of Star Wars... from a filmmaking perspective. That seemed like such a finagling cop-out for me, at the time.

"Just say you're not a real fan, God!"

And it's easy to divide it in two camps, like that. You have 1) the fans, who will delve into deep lore, and you have 2) the average moviegoer.

But looking back on it... holy shit, that is actually a completely valid way of being a Star Wars fan.

Yes, Star Wars is a transmedia franchise, it's books, it's video-games, it's deep lore, it's lightsabers and Jedi and Sith and bounty hunters and Ewoks and Jabba and High Republics and Tython and Revan etc.

But before it was that, Star Wars was a filmmaking revolution. A juggernaut of innovation for the silver screen that inspired most of today's filmmakers.

So, sure, George Lucas isn't an avid lore-loving Star Wars fan like you and me. But he is a movie fan.

"I'm not that passionate about this story. I like it, it's fun and I enjoy doing it. But it's definitely not my life. I'm a bigger movie fan than I am Star Wars fan. I like making movies. At the end of nine years of making Star Wars, I was not ready to continue it. I was completely burned out on it. I was more passionate about raising my kids than making movies and especially making Star Wars. So I made other kinds of movies and TV shows and advanced the technology I needed. It's not a matter of passion. My passion is for filmmaking. I'll go and do filmmaking that is easier to do, where you can realise your ideas better. And nine years is a big part of your life, and to commit to another nine years, I didn't wanna do that right away." - EMPIRE, 1999

And you can tell this, when you watch the Star Wars films.

There are honestly so many homages and interesting filmmaking techniques, peppered throughout the six films, which only a nerd for cinema history like George would know how to implement.

C3-PO being based on the droid from Metropolis (1927) is a perfect example of this.

And that's interesting.

Because there's essentially this entire other dimension to the films, where it's not just the story unfolding, but to filmmakers it's also a series of techniques that make them go "I wonder how they did that!" or homages that make them go "OH! I know where that's from!" like we do when an comics characters appears in live-action.

Here's other examples:

CINEMA HOMAGES

All of Star Wars is absolutely littered with homages to cinema history.

I mean, you may already know this, but Flash Gordon is what George originally wanted to shoot, but the copyright holders said they only wanted Fellini to direct it (ironically, George wasn't artsy-fart enough for them). So he decided to write Star Wars instead.

As such, the inspiration from Flash Gordon is also present visually and spiritually throughout the two trilogies.

"It was like a Republic serial, a 1930s-style matinee adventure. The idea was that you came in, saw Episode IV, had missed the first three episodes, and wouldn't get to see the rest of it." - Starlog Magazine #300, 2002

The dialogue that a lot of people refer to as "campy" and "flat" is actually a mix of George being an experimental filmmaker who doesn't give much of a fuck about dialogue (and is by his own admission, not the best at it)...

"I'd be the first person to say I can't write dialogue. My dialogue is very utilitarian and is designed to move things forward. I'm not Shakespeare. It's not designed to be poetic. It's not designed to have a clever turn of phrase. [...] I just wanted to get from point A to point B. This film doesn't lend itself to that sort of thing because it's not about snappy one-liners.  I think that Lethal Weapon-style dialogue is overused, it's a necessary aspect of high action films where you have to have the smart retort. You have to say "I'll be back baby" and stuff. It's not my style. It takes away from the integrity of the movie. [...] I'm aware that dialogue isn't my strength. I use it as a device. I don't particularly like dialogue which is part of the problem." - EMPIRE, 1999

... which is convenient, because it helped him simulate the dialogue of 1930s matinee serials, such as Flash Gordon.

"Let’s face it, their dialogue in that scene is pretty corny. It is presented very honestly, it isn’t tongue in cheek at all, and it’s played to the hilt. But it is consistent, not only with the rest of the movie, but with the overall Star Wars style. Most people don’t understand the style of Star Wars. They don’t get that there is an underlying motif that is very much like a 1930s Western or Saturday matinee serial. It’s in the more romantic period of making movies and adventure films. And this film is even more of a melodrama than the others." - Mythmaking: Behind the Scenes of Attack of the Clones, 2002

But beyond that, literally it's everywhere.

The scene where Palpatine ascends to being Emperor as Anakin slaughters his political rivals parallels the final scene in The Godfather, where Michael becomes the Don while his goons do the same thing.

This video compiles all the tributes beautifully. Check it out.

Even The Clone Wars has whole episodes that are direct homages to cult classics. The Zillo Beast episode is a clear reference to Godzilla, the episode The Wrong Jedi is inspired by The Wrong Man, etc.

"CINEMA VÉRITÉ" CINEMATOGRAPHY

I've already written a whole post (one of my favourites) showing how his fascination with cinéma vérité documentaries is reflected in the cinematography of all six Star Wars films, and it's part of what makes the entire franchise feel so immersive.

You can check it out here:

KUROSAWA

We've gone over how he's a big fan of Akira Kurosawa, and how big an influence Hidden Fortress was on both the Star Wars trilogies...

... but so is the mise-en-scène and the way George approaches production design. The reason Star Wars feels so "lived in" is also a lesson George learned from Kurosawa, which is that by making everything just a bit off-kilter, a bit dirtied-up and imperfect...

... and yet keeping it all consistent, in a way, you manage to make the film feel grounded and immersive, no matter how alien it is.

"[It] may sound odd in a movie like this, but credibility and realism, even in the most unrealistic situation… to sorta create that sense of realism is very important to making the story work and making you feel like you’re actually in the environment that transports you and gives you the suspension of disbelief that you need in order to enjoy a movie. [...] Kurosawa used to call it “immaculate realism” which is to make it slightly off-kilter, slightly eccentric, like things are in real life. Even if it’s a very predictable situation, give it that little funny edge that takes it away from that and makes it realistic. And I had to struggle very hard, in the Star Wars films, to make them appear to be realistic, even though they’re totally fantasy." - The Phantom Menace, Commentary Track #2, 1999

POST-PRODUCTION & VFX

Another one of the more impressive aspects of the first Star Wars was the dogfights and the trench raid of the Death Star. The camera pans with the spaceship, the dynamism of the cuts. The space battles is what made George creat ILM in the first place.

He was determined to do the opposite of what 2001: A Space Odyssey had done with that opening scene where the space ship moves into frame slooooowly...

... so he gave the team a collection of WWII dogfight footage to give them ideas.

(note: this was the same approach he would take years later with Dave Filoni, when teaching the latter how to edit and craft dogfights in The Clone Wars)

The attempt to film the trench run eventually led to the creation of the first motion control camera dolly.

Best analogy I can think of, when describing George's approach to Star Wars, is the following:

An avant-garde esoteric contemporary artist - y'know, the type who puts a blue dot on a white canvas and calls it art - creates a comic.

Why? Because he wants to make this one art installment for a gallery exhibition. After that, he intends to move on to other things.

But the comic is really good! And like, its audience quickly expands beyond just gallery visitors, no, everyone likes it.

Suddenly, the comic develops a cult following, and the entirety of comic book geek culture has zeroed-in on the artist and they're all asking him to make more art! And he makes more! And more!

Then he stops for two decades, moves on to other art projects, raises his kids. Years later, he discovers new ways of drawing, and he's like "I'm making a Prequel to the comic, y'all wanna see it?"

Everyone cries out gleefully: "Oh God, yes! Finally! Show us!"

But this motherfucker makes a manga.

Why? Because he feels like it.

And of course he does, he's just creating art, right? He discovered the graphic tablet, so he's having fun with it, because he's always innovating and pushing the envelope with his art.

And the movies are fine, by manga standards. But by comic book standards, they obviously suck! The comic book audience is mad. They wanted another comic book, not a manga. Why is it in black and white? Why is read right-to-left? This comic sucks!

(And arguably, they have a point... as a savvy businessman, he's made a whole lot of money off this comic, he built a media empire out of it, and instead of giving them what they want, he made something else)

But again... this guy isn't a comic book illustrator, and has been very explicit about saying this.

He's an artist who - for a very specific project - drew a comic.

Many things can be true at once:

the fact that these creative decisions didn't always hit their mark for the average moviegoer, or fans of "Star Wars, the space fantasy movies and expanded universe" (usually the lore-loving geeks like myself)...

... and the fact that they were meticulously and carefully crafted in a way that fans of "Star Wars, the revolutionary film" (aka fans of cinema and filmmaking) can appreciate.

There's a spectrum of the fandom, and there is a spectrum in the way we can appreciate Star Wars. Which kinda reminds me of that scene in Chef (2014) where Carl goes on a rant explaining the intricacies of making his chocolate lava cake to a food critic.

It's not just undercooked chocolate.

It's molten.

Conversely, it's not just flat, campy dialogue. It's an homage to the 1930s matinee serials à la Flash Gordon.

It's not just boring cinematography. It's a reproduction of cinéma vérité documentary-style camera work which effectively grounds the film.

Having considered all this, when I hear that Tony Gilroy or Kathleen Kennedy were more in the latter camp, I go "fair enough".

First of all, because like it or not, so was George. He clearly didn't give a single crap about the comics and books, besides signing off on minor plot points. He's not a "sci-fi movie director", he's an experimental filmmaker who makes movies set in space.

But secondly, because - aside from children - it's clear the audience he was targeting was these cinema-savvy folks who'd get his references and would be inspired by the filmmaking techniques.

Not the fans or the critics.

[kozachenko]

Here, have a fairly light sketch dump with two relatively complete sketches and some of the process for the main Zanmu one. Also, Gensokyo's specalist girl makes an appearance here too

Artist's Notes;

Zanmu is such a fun character to draw, like, there's so many little aspects in her design that you can emphasize, and her colour palette is so satysfying too. The reason I ended up drawing this was because when I was scrolling on Pinterest I found a specific pose that just screamed Zanmu to me (it was the skull that did it for me) and I just had to draw her in that pose. I did end up taking my liberties with my reference though, and also I am not drawing feet, I just straight up don't like it, and this is mainly something more on the sketchy side so it didn't really matter lol. Also, IDK too much about the hands, I'm usually pretty good with them but I struggled with them a bit this time. Also Zanmu is sitting on nothing because I just didn't feel like drawing what she was sitting on (plus I already drew in the clothes and including what she was sitting on would mean having to change the sleeves and I just didn't wanna do that lol). Also realized that I should probably start trying to improve on drawing frills in clothing, and I tried a new technique for drawing them. I do like how they look, but at the same time it can still be better.

I do love how Zanmu's pose turned out the most in this batch of sketches. In my process, I put the reference image on the canvas and then roughly blocked in the silhouette. One change I knew I wanted to make since the beginning of the sketching process was opening up the space between the bent arm and body more, mainly to make the silhouette of the pose clearer (even though with the addition of the clothes it does get closed up a lot). I also wanted to turn the torso towards the viewer and change the position of the legs to something more cross legged/casual. In another sketching pass, I just kinda quicjly scribbled what I wanted the pose to look like just so I could get my idea out and I'm glad I did that because that helped me focus more on the pose itself rather than the small details. Afterward, I did a sketch of the body, clothes, and hair all together and then coloured it to get the coloured Zanmu sketch!

Again, I could've done a better job with the feet and the legs themselves for that matter, but the nice thing about sketches is that they don't need to be perfect, and I was more so focused on the gesture/feel of the pose rather than the minute details. With her facial expression, I knew that I wanted something very specific with her eyes, so I just simplified it into this "almost closed" eye and I do like how it turned out a lot. Also, a problem that I often have drawing Zanmu is that in the poses I put her in, I don't really know how best to draw in those triangle cut outs she has, so instead, I added these little triangle details onto her sleeves and pants to add some visual interest and allude to them instead, also because they can kinda allude to a crown and Zanmu is the king of Hell so it fits lol (also, love it when people add details like that onto sleeves sm lol). The hair and tassles did a lot of heavy lifting when it came to making the drawing have a nice flow to it, and I have the headcanon that Zanmu is just able to make those float on there own by.... honestly I don't know, I just like the idea of her tassles defying gravity and floating all the time. Also IDK if you can see them, but I did make sure to include her scars as I'm basically adding that as a part of my way of drawing Zanmu. It just adds a certain something, y'know? Also found a specific reference for the skull and made it the red that it is in Touhou 19, and also because drawing skeletons and skulls is just fun lol.

Now onto Reimu, so that face drawing was mainly there just so I could get a better idea of how I wanted to draw her face in the future. My main concern was trying to make it different to Keiki and Zanmu's faces, so as I was sketching hers I had the drawings of Keiki and Zanmu's faces turned on to make sure I wasn't drawing the same thing again. Down here I included this little test I did where I hyper simplified the eyes of the three faces and just traced over their face shapes, noses, eyebrows, and mouths. While the nose is the most consistent trait shared among the three of them (tbf that can just be chalked down to an aspect of my style), I feel like the three are different enough from each other to where they don't have same face syndrome, even if you simplify the eyes into dots and also didn't include the detail of Zanmu's scars on her face.

I'm obsessed with giving Reimu these tiny little eyebrows for some reason, IDK it just works for her. I also really like using a red as a highlight for whenever I draw her hair black, mainly because it helps to give the illusion that her hair is just a really dark brown and incorperates her main colour of red into another aspect of the design. I also wanted to try and draw Reimu's eyelids differently to try and imply monolids but tbh IDK how well that reads. I also like how her pupils turned out, as I'm experimenting with different characters in my style having different kinds of pupils. I didn't even bother properly rendering her clothes, so I just did them linelessly (I think I wanna try drawing in my lineless style again for a future piece sometime as I kinda miss the feel it had). I of course had to give Reimu her big bow, and also use that specific shade of red. IDK what it is about that shade of red specifically, but I just love it, it looks so nice to me you have no idea- Now that I think about, I kinda wanna draw Reimu more now, as I feel like I can still do some more experimenting with how I draw her eyes specifically. Also because I've got some ideas when it comes to how I wanna draw her body type.

[the-s1lly-corner]

Ej, Lj, Masky, Hoodie, Masky, Ticci Toby and Bloody Painter x reader who draws them

Prize 5/5 for @reivelmin !! I hope you've enjoyed all of your prizes WOOHOO!! I had a blast writing them, hardly ever get the excuse to write for some of these characters EHEHEHEHE

EYELESS JACK

I've always headcanoned that Jack was always a bit of an artist himself, although the most he does it sketch every now and then to keep his kind busy. He points out some techniques he recognizes and asks you about it. It.. actually takes him a moment to realize that all of the drawings are him. You can practically hear the gears turning in his head before he tries to move on. This opens the window for the two of you to draw together every now and then.. though jack is always a little embarrassed.. flustered.. with the knowledge that you have so much of him in your book

LAUGHING JACK

Very loud when saying he loves it. Hes flipping through the pages before pausing, looking you dead in the eye. He makes a comment about how you must be soooooo obsessed with him. Hes teasing you, of course! He offers to draw you in return.. though dont expect anything crazy, Jack's not.. the best artist- and hes okay with that! Loves looking through your art whenever you offer it. Would kick his feet in the air while looking through the pages. Sometimes you give him sketches to color, to keep him busy while you have to go do something

MASKY

He already knew what you were drawing him before you ever have the chance to show him. The man is silent and is constantly keeping an eye on you.. he does NOT know how to be a normal roommate!! You probably dont get the chance to show him yourself, because he points at a stray pencil marking that you forgot to erase. Worst jumpscare of your life, if you werent already aware of his presence in the room... he.. actually gives a thumbs up. Which doesnt seem like much but considering that he doesnt really emote, that's a huge thing... now does he think it's a little odd that you have a bunch of sketches where hes the reference? A little, but he does offer some good poses and lighting due to him tending to lurk in the shadows

HOODIE

Very similar to Masky but at least he pretends to not know. You walk up to him with your sketchbook and hes so obviously playing dumb but its.. sweet that hes pretending. He takes his time looking through all of the art, where some of the others get too excited and flip through it all. He doesnt talk, but he does communicate that he thinks it all looks great via sign.. oh he would definitely start leaving sticky notes with doodles around for you to find

TICCI TOBY

I think Toby would be a little overwhelmed, he didnt think anyone would be interested in him enough to want to fill an entire sketchbook with him. He tries to cover up his shock by lightly making fun of the situation. Though every tease he tries to draw out falls flat, as everytime he goes to poke fun of something about the art he trails off. Besides, he couldn't bring himself to actually make fun of the stuff you make.. if it's a gift, you offer to take it back but he quickly shuts that down. Its like the Bob's burger friendship bracelet audio, "no fuck off its mine"

BLOODY PAINTER

As an artist himself, he asks you about what materials you used as well as the techniques you used! Unlike EJ, Helen is more thorough in his questioning and knows a lot more fancy terms.. he points out the good parts of your pieces, and catches himself before giving his criticisms.. he at least makes sure that the criticism is wanted before just unloading (and even then hes constructive! Hes well aware that just dunking on someone does nothing to help them grow). It actually strikes his ego a lot that you would dedicate so much time and material to just him, and it inspires him to make something for you in return. If he didnt know you were an artist prior to this, he offers to paint with you.. whether as a collab or just simply working parallel to one another! Just please pay no mind to him staring at you more intently while hes at his canvas...!

[ryanseslow]

How to Create Paper Cut-Out Reliefs: Tips and Techniques for Beginners

Back again with another lil' series of 2D wall relief paper cut-out forms. Both of the pieces below follow the same process and technique. Im really happy with the process and outcomes. Im working on animating them as we speak. I'll add them to this post later. My paintings inspire my drawings, and my drawings are inspired by those same forms found in my paintings. It makes sense that every so often I want to make those forms "pop out" and off the surface of a flat plane. Alas, it all starts with a quick sketch. See below, just a series of light loose free flowing lines take the lead, forward ->

Here we have a dude posing for a profile style portrait. Most likely, this is inspired by the NYC B-Boys from the years 1983 - 87ish. Either way, it's nostalgia for me. Once the sketch feels good, I'll break out the paper and x-acto knife. I keep telling myself that one day Ill work with another material other than paper for these works, perhaps wood or metal.. It will happen, I can foresee it for sure, hang in there. Im using a white bristol paper for the cut outs, I believe it is the vellum type and not the glossy, but either or will work just fine. I love to cut paper and the whole medium of paper art in general.

Paper cut-outs, also known as paper cutting or Kirigami, is a traditional art form that involves cutting shapes and designs out of paper. The history of paper cutting can be traced back to ancient China and Japan, where it was practiced as a folk art. The Chinese and Japanese would create intricate designs, often featuring animals, plants, and mythical creatures, and use them as decorations for festivals and special occasions. I always loved it and have felt inspired by these pieces.

Using the sketch above, I apply the "map" of the shapes and forms that I see. Sometimes I redraw those forms on the paper that I will cut out, and sometimes I just "draw" with the x-acto knife to recreate the forms. Sometimes, it's a combination of both of those techniques. There is also a series of "out-take / byproduct" cut outs that do not make the final piece, those can be saved and used for the next piece, obviously!

I layer the forms on top of each other to compose the arrangement as a whole, its fun to watch it all come together, in the next phase, you will need some kind of durable tape or you can make little paper forms that can be pasted to both sides of the forms as they stack, this will create the gauge and depth of the piece once it is placed onto the wall.

This is the final composition above, I love it! I used a roll of duct tape to make small cylinder forms that connect the pieces together, the piece as a whole comes "off of the surface of the wall" by about 1.5 - 2" inches - you can play with this a bit but keep in mind, the tape makes the piece heavier and it will want to comply with gravity :)

I hung the piece (also temporarily adhered via the same duct tape) for the photoshoot and to also get a good look at how it will function on the wall. I have an old painted fire place in my studio that is a great surface for hanging things, I love the contrast of textures between the bricks and the paper, as you know, the shadows will be super cool to see too.

Once I had the whole piece constructed I took a few pictures of it. I immediately wanted a clean vector line drawing of the whole character. I brought the photo into adobe Fresco and used a vector brush to draw this lovely variation. This is how my brain works, I switch paths because I know they are really pipelines to the "next thing" that I will push this to, so forward we go.

Then, it was light source and photo shoot time. Im not really happy with these picture as traditional "photographs" as I know I can do a much better job, but, as a series of "sketches" for a planned photo shoot, these will really help to make those plans a reality. I love neon colored lights. I have a bunch of them from various places and spaces that I found on the internet. Amazon has a great selection of flashlights with various colored light options. Get a few and play around with how the light can effect your work and the shadows that it creates. This is where the depth and gauge of your pieces play a role. The photos below are also a part of the same session, which all took place over a few days.

Here is another variation with a different character.. What do you think? Shall I make more?

[kyleemm2]

Art Supplies I'd Give to JJK Characters [Protagonist Edition]

My credentials: I make art and I can do what I want.

Yuji Itadori: mechanical pencil- easy to use, easy to manage, forgiving, but he always forgets to bring extra lead and erasers. He'd draw cutesy things and anime characters.

Megumi Fushiguro: charcoal pencils- intense and moody, somewhat forgiving, but you reach the end result faster, less rendering required in comparison to pencil, and much more artistic and professional-looking end piece. He'd make abstract pieces that no one understands but he doesn't care that no one understands.

Choso Kamo: acrylic markers- not always easy to get the hang of, but once you do, you’ll create pieces that are rich in color and texture. I feel like he'd like the big chunky Krink markers. You'd KNOW he'd draw stylized portraits of his brothers!

Nobara Kugisaki: gouache paint- trendy, fun, easy to use, always reliable. Despite their popularity, they're still a viable medium! I feel like she'd paint a lot of Studio Ghibli screenshots.

Satoru Gojo: sumi ink- a classic medium that is always fun to use that yields a classy, minimalistic look. He'd definitely draw Digimon characters in classic Japanese style.

Suguru Geto: willow charcoal- soft and also minimalist, easy to use but can get a little messy when not handled properly. He'd make a lot of soft landscapes and simple still lifes.

Maki Zenin: ink pens- can’t go wrong with ink pens, they’re versatile and deliver beautiful results when used properly. She'd probably draw portraits.

Toge Inumaki: spray paint- unassuming at first, but when in use, they cannot be ignored! He'd do pop art and graffiti-styled works.

Panda: finger paints- do this really need an explanation? Fun, easy to use, and can pack a punch when taken seriously. He'd make self-insert drawings, no matter what the project would be.

Yuta Okkotsu: collage art- when done right, collages can evoke intense visual appeal while also reducing waste. Given that his CT is mimicry, using pieces already produced seems fitting. He'd make abstract stuff that tells a story or expresses his feelings.

Utahime Iori: oil paint- arguably the classiest fine art medium around, requires patience and technique but yields the richest and more alluring end results. Landscapes, portraits, anything beautiful.

Shoko Ieri: photography- why make something out of art supplies when you can capture the beauty of the world in real time? It’s always good to snap a memorable photo before it’s too late. She'd photograph her friends and herself and anything she finds interesting.

Kento Nanami: dry pastels- while they tend to require some skill to produce quality pieces, the technique is worth it. And if you’re a fellow pastel fiend, you know how pricey Sennelier is. Nanami uses the high-quality shit. He'd do still life art of things in his home for the sake of convenience, but he'd probably want to do seascapes if he ever made it to Malaysia :c

lmk if u agree or disagree. i have an antagonist edition coming as well

[vitaminseetarot]

PAC: What Hobby Should You Begin Next? 🎨🛶📯

Sup y'all, it's time for a new pick a card reading (this one's especially for you night owls out there as I'm posting this at midnight lol). Ideally, I'd like to post one PAC every week after this but eh, lettuce see about that. 🥬👀

This pick a card was inspired by the remaining energies of late Taurus season. The grass is bright, the air is warm, the flowers are blooming, and it's brought out the artist in me. While I've been finishing a leisure painting, I stopped to draw out some cards to help out anyone who's in the mood to do something fun in their spare time but could use some direction or guidance.

Pick any one of the four Prism Oracle cards below, or its corresponding crystal/emoji, to see what hobby you could explore next, or if there is a hobby you enjoy that is calling for your attention:

Pile 1 - Consciousness + Moonstone 🌙 Pile 2 - Happiness + Carnelian 😊 Pile 3 - Creativity + Amethyst 🎉 Pile 4 - Determination + Citrine 🧭

Pile 1 - Consciousness + Moonstone 🌙

77 Beginnings, Sound+Resonance+Frequency, The Musician, Capricorn Rising - Aspire; Page of Swords, Page of Wands, 9 of Cups, Knight of Swords, XI Justice

Wow, pile 1, I think you have the most obvious answer of all four piles. You're very drawn to pursuing something musical. It could be in a variety of ways. You might try singing, writing a song, playing an instrument, learning to dance, or perform in musical theater (the purple curtain in the Justice card definitely brings theater to mind). You could enjoy collecting vinyl records, or producing music through special programs and apps. You may desire to publish your music online, or dream of going big on stage and signing major contracts with labels. Two Pages tells me you're most likely into more than one thing, as plenty of musical artists can multitask.

Your pile was the only one to get two Prism cards at first as Anxiety initially wanted to pop out. It's also clear that with two Pages and the Beginnings card, you're very new at this hobby. There's an over awareness of this fact, that on some level you may not know where to even start. There's some doubt I sense that you feel you can't be at the level you wish to stand on. Capricorn energy wants to reach for the very top of the ladder in accomplishment; it is a steady energy although not intent on settling. I get that there are many people here who greatly look up to an artist and wish to have their same talents. Try to look past the smoke and mirrors of all the top 40's singers and know that music is way more accessible than it's made to look.

Try embracing the newness of this pursuit, pile 1. It's okay to be a little lost, or feel that there's a long way to go. The only way to go pro is to start small and grow. There are a lot of free resources online for learning music (try out musictheory.net for free lessons) and free vocal technique lessons on Youtube. Some people are very lucky to have the chance to start learning at a young age, but if we were to set a rule stating that only those who did so could play, that would leave a lot of creative geniuses and successful musicians out of the frame. If you're learning to play the keyboard, practice one song or even one note at a time (doesn't have to be Chopsticks, lol). Consistency is key.

When the inspiration and joy to explore music finally strikes you, take the time to really dive in and make something small. If you're trying to write a song, start with a jingle. If it's music theory you want to go over, start with just 1 lesson and see how it feels. If you're learning to dance, begin with warm ups and slow music before working on the more intense songs. Are you looking for writing inspiration? Keep plenty of notes on hand and learn how to identify music so you can easily write a melody down (there are empty music notebooks for this). If this is something you would like to do in the long term, then continue to practice with that perspective by not overdoing it to compensate for "lost time". You are exactly where you need to be on your creative journey.

Pile 2 - Happiness + Carnelian 😊

66 The Selves, You Belong Here, The Wise One, Cancer Moon - Intuit; X Wheel of Fortune, Sagittarius ♐, VI The Lovers, 9 of Pentacles, XVI The Tower

What's going on, pile 2? With the Selves card above Sagittarius, I'm getting that a lot of you may be interested in pursuing theater or comedy, whether that's stand up or it's simply channeled through the projects you create. Your next hobby may involve incorporating a lot of humor into what you do. This pile is the most multifaceted of the four, with many differing hobbies, so I'm going to list a variety of different talents, but what binds them all together is the need to express one's own (very) strong opinions for the world to see.

You may want to be a photographer who documents unusual things, or write something that makes a powerful statement. There's a need here to let go of any of the anxieties that come with expressing your authentic self, because while those feelings are natural, listening to them too much will dampen your creative drive. This is the group that wants to make very surreal graffiti art or provocative dance routines. With the Tower card, here, I feel there's a need for the shock and awe to get your inspiration buzzing. On the gentler side, I can see some of you getting into something nature based like flower printing and permaculture but the caveat is that it's a reflection of your genuine self and beliefs in some way. With Wheel of Fortune, some of you may feel an urge to learn about tarot or pendulum reading, as these things are typically categorized as "unusual".

You may also get into traveling to stay involved in your hobby, or it requires roving about in some way. To break down creative blocks, it might help to actually move yourself to a different location. It doesn't necessarily involve moving to a whole new place, it could just refer to another part of your home or you may benefit from walking or dancing to decompress. I feel that moving your body will stimulate your creative ideas to flow through. A small number of you may have considered trying out extreme sports like free climbing or parkour. I don't really need to mention that these can be incredibly dangerous, so some of you may like something similar like skateboarding or gymnastics as well. It doesn't have to be intense, just active.

With the Lovers, there also exists a social aspect to your hobby. You may be drawn to share you hobby with a friend or with partners. It will greatly help you to be in an environment that supports your avant-garde tastes and not settle for less. It's not always easy to put shocking art with profound messages out there for the world to make sense of it, though some make it seem that way. It's easy to pretend that negative feedback doesn't get to you, but only accept constructive criticism as that will feed you more than shocked reactions. You cannot afford to have others in your life discourage you, as your skill sets require a lot of space for growth. Nourish relationships that want to celebrate your talents with you. Find a community that loves what you love, and wants to see you happy with what you do. Embrace the wild side of your artistic abilities.

Pile 3 - Creativity + Amethyst 🎉

54 Security, the Messenger, The Aspirant, Aries Sun - Assert; 2 of Pentacles, Knight of Wands, 0 The Fool, Aquarius ♒, Virgo ♍

Hello, pile 3. With the 2 of Pentacles, many of you may want to explore a hobby that is both online and offline, or the internet and social media are major components. If you like making artwork, you could be into digital art or simply want to upload images of your offline work for others to see. With Virgo, some of you may have a lot to say, by starting a blog or online journal documenting your life or interests, or you could try out freelance editing. If you were a youtuber, you could be really good at creating epically long videos about niche topics, or short videos explaining how to do a certain task (like tiktoks that showcase a person's routines and what cleaning products they recommend).

I see that this is the pile of innovation, as the Creativity card shows a lightbulb. You could have various ideas pop up in your head, only to feel unsure of how to approach them. Your attention span could split into a variety of different mediums for getting the idea out. Aquarius wants to take its genius energy and spread it around the world. For a lot of you, social media will support your ideas by broadcasting them. Your hobby may directly involve interfacing with others; your creative spark is not for hiding away. Web design, for example, is a hobby but it involves creating something that others will directly interact with. Your work is meant for a wide audience, should you choose to put yourself out there.

This may not always be easy for you, since there could be a pull towards more stable and predictable activities. There's a nervousness here, kind of like imposter syndrome. You may get a really cool idea for a mobile game app before you or someone else goes "but that's an unrealistic goal to spend so much time and effort on", followed by, "how could I ever make something like that?" The thing is, you can be the most talented, skilled, and experienced person when it comes to a subject, yet still have these same worries. Imposter syndrome doesn't magically go away with a college degree, a new job, or 10,000 subscribers. It's completely normal, but make sure to not let your doubts tempt you into doing something more boring and unfulfilling. This is the pile most likely to try a totally new hobby that is unrelated to your other skills, it doesn't have to be realistic.

But also understand that it can take time for something to get really good. Your first fiction draft is gonna turn out clunky, or your app could be filled with bugs, but it's part of the process. There's no perfect time; when you get the urge to try, just try it! Reach out to a local community or chat group so you can get a realistic sense of how long it takes for projects and skills develop. Slam poetry may be a great outlet, so if you'd like to do that, attend an open mic and see how others do it. You are allowed to be imperfect with your hobby--if you wish to evolve your craft, remember the passion and curiosity that brought you to it.

Pile 4 - Determination + Citrine 🧭

57 Spiritual Guide, What Goes Around Comes Around, The Astronomer, Taurus Rising - Enjoy; 9 of Pentacles, Cancer ♋, Queen of Swords, Knight of Wands, Knight of Swords

How's it going, pile 4? So this is the most active and possibly athletic pile we have here. Staying in the house is not gonna work because something is itching you to get out underneath the stars. Could some of you be majoring or planning in major in STEM? I'm getting a lot of natural science here. With the Astronomer card, you could want to use your telescope to go stargazing or visit planetariums. Are you still feeling the buzz from all the aurora storm and eclipse hype? It would not surprise me if these events awoke an interest for you and now you're looking up when the next meteor shower will show up or when Saturn will be most visible in the sky.

Your next hobby needs or is the outdoors on some level. But Cancer energy is that of a homebody. The most laidback people in this group may enjoy relaxing hobbies like birdwatching or gardening. These hobbies could be spiritually fulfilling for you. I'm seeing someone wearing an apron outside, so could some of you be interested in grilling or being the host to a fun party in the backyard. Do people even have book club meetings in gardens? A lot of enjoying nature is simply finding a good spot and soaking in the scenery with no other goal in mind. Just being near trees and beach sides might be enough.

But I see a lot of you mainly wish to have an adventure and go far out in nature when the weather's just right. You could be thinking about hiking or backpacking out on trails. It all depends on your comfort level as we all have different tolerance levels. I don't know if geocaching and pokemon go are still popular, but they can be unique ways to engage with the outdoors. You could try guided nature tours presented by nature conservationists like the National Audubon, where you can identify and take photos of animals as you wander through the woods and plains. You may like a hobby that is seasonally specific, like swimming in warm waters or skiing down a snowy mountain.

Your hobby may have you think deeply about how humans connect with nature, exploring the ecosystem and how our actions influence our environment. Climate change can be a very serious and, for some, directly impactful topic to mull over. Remind yourself that as long as you're respectful (leave no trace), mother nature enjoys your company as much as you do for her. A small few of you may have the urge to travel to weird locations. Two knights in your reading suggest boldness. If you decide to visit an abandoned or haunted place, Queen of Swords says to please be careful and follow rules if it says no trespassing, and remember that abandoned places can be dangerous from faulty wiring and unstable flooring. Overall, I feel this pile just can't do with an indoor hobby. You have the motivation and courage to explore the vast beautiful world out there. It awaits you.

This reading has not been evaluated by the FDA to diagnose, prevent, treat, or cure any disease or infection. Please ask your physician before going online.

2024, @VitaminseeTarot ™

[nekropsii]

What a about Caliborn makes him so cool in your opinion?

Go keep track of his progression as an artist alongside his development as a character and think about how these are intrinsically linked. Ponder the fact that he is both at his most obnoxious and at his most amateur when trying to ignore his unique style explicitly brought on by his canonical learning disability and mimic others rather than truly be himself. Consider how his explorations of art are genuinely cool, not a bad thing, and how we get some really neat multimedia stuff out of it.

Caliborn may be a shitty little teenage wretch but the way he is portrayed as an artist and as a disabled person is both really good and very real. It comes from a place of love. His learning disability is handled with a degree of gentle care that you would not really expect from Hussie. The place Caliborn's art style ends up in is so fucking sick and I actually unironically love it. The technique he uses is really interesting. It's intentionally reminiscent of an Etch-a-Sketch, and I'm a little obsessed with it.

This is so fucking good. I mean this seriously. He's right - that is some Pure Art Skill.

I just love the way art is employed as a necessary component of his character arc. It's so neat. You don't see visual cues that intricate too often. Usually it's just in character design, but watching his entire art style and even his medium of choice change several times over is fascinating. You can really tell Hussie had a lot of fun with him. He's also just really, really fucking funny. Just about every sentence that comes out of his mouth is Grade A Absolute Fucking Gold, and I'm honestly obsessed with his dynamic with Dirk. This may get me thrown to the wolves, but I personally think Dirk and Caliborn have way more chemistry than Dirk and Jake. Maybe that's because we actually see Dirk and Caliborn interact on screen... Lmao.

Necessary Topic: I don't know why people hate him so much. Like, I understand hating his misogyny and fatphobia, sure, but those are deliberate character points and not just Hussie-isms. I see people act like Caliborn is indicative of Hussie, as if Homestuck-era Hussie wasn't, like, famously really fucking good at writing female characters and absolutely not a misogynist. Caliborn's a parody of Homestuck Anti-Fans - which is a term we really ought to bring back, god, anti-fans are absolutely still a thing and good lord they're everywhere - who really were just shitty little bigoted haters. Calliope, the opposite side of his coin, was representative of, essentially, "the best kind of Homestuck fan" - an ultimately sweet young teen girl who willingly dedicates almost all of her time to this piece of fiction she loves so, so much, who draws a lot of fan art for the joy of it all, has OCs that don't fit any of the design conventions in Homestuck whom she pairs with the characters in it for innocent fun. Someone who has a lot of theories and analyses, writes a lot of fanfic, and is genuinely just having a lot of fun. Everyone loves Calliope. Even the characters in Homestuck love Calliope. They just think she's the cutest, sweetest little thing they ever did see. Caliborn was the worst kind. He sucks on purpose. No one likes him. He is a total nuisance to characters he is by all means trying to impress. I love them both.

It's also just funny that he's a canonical Intersex Transmasc who is probably Gay and this has, like, no relevance to anything about him, really. So no one really talks about it. Gender Hilarious, Gender Nefarious.

[hitoshitoshi]

The Fish That Bind [Rafayel x Reader]

Summary: How art captures a soul | How art betrayed Rafayel for the first time. Tags: Angst, Past Life Memories, Soulmates but not really, Abysswalker Rafayel myth lore.

Your highness took up art as a way to pass the time, but no matter how many muses you try to find, no matter how things you try to draw; people; animals; skies; plants— you always find yourself drawing the same fish. It's baffling, really—why that fish? The details of the fish always elude you though, it was like trying to remember a dream that was slipping away from you as you wake, but something about it tugged at your soul. You can't remember why, but every stroke felt familiar, like a lost memory that once meant everything to you. It was Rafayel's fish; the one he created with his Evol to follow you around. Though you could barely make out its silhouette in your mind, not even remembering why it was in your mind, it was the only thing that made your heart flutter—the only thing that kept you tethered to this thing—this feeling in your entire being that feels empty yet full when you draw that fish.

Your highness seeked out the finest artisans, mastering every technique they could offer, mastering everything yet your hand always returns to drawing that damned fish the way you only knew how to draw that fish. It was as if your very soul was guiding you, reaching out for something it refuses to forget even when your mind has already done so.

And then, in another life, you found yourself painting alongside Rafayel. He glanced at your canvas, and at that moment his heart shattered and soared all at once. The fish you've drawn was the same awkward, ugly, and pathetic fish your highness once sketched for him on the first birthday you spent with him in Lemuria—the horrible representation of his beloved Evol fish, yet in his eyes was a masterpiece—was in front of him once again.

But now, Rafayel stood there frozen, torn at the sight. His heart ached with a longing so deep it nearly broke him, because he knows—he knows it's you. The same soul he loved so desperately centuries ago. But you're not his highness. You're just his bodyguard, you're not his beloved bride from 800 years ago. How could he burden you with the weight of a love that spanned lifetimes? How can he dare to love you when he's no longer your beloved husband? How can he dare love you when you're—you're not—he couldn't even explain it himself in words if he tried to, how could he? But he could explain it with art. Though he’s forgotten much about Lemuria—the shimmering seas, the vibrant culture, the ancient language—one thing remains clear: Rafayel’s soul’s language was art.

But there was one minute detail that pulled Rafayel back to reality. The fish that you drew had a subtle difference—a detail that only his highness would remember. A heart right beside the fish's head—it was absent. That one detail changed everything. Your sketch was no longer a sketch of his fish but of a fish. His highness would always draw a heart beside the shaky lines and the uneven scales, but his bodyguard didn't. It was moments like this where Rafayel wished that an anchor was tied to him, keeping him confided to the sea—his home—but no. This anchoring feeling was one of dread and hopelessness. His connection to Lemuria, to the life he once knew; his tie his highness, no longer being there. Rafayel truly lost everything and was stuck at the bottom of an empty sea with no one to hear out his silent pleas.

A/N: I hope you had a reel-y good time. Get it? Reel? As in reel in a fish? Either way, it was inspired by the newest event that's about to release.

If you like otome games, including Love and Deepspace, you should join Linkon Lounge! A discord server that's LGBTQ+ friendly (only serving those who are 18+) where we all can share our interests, talk to roleplaying bots (Caleb, Rafayel, Zayne, Xavier, and Sylus), and have fun game, movie, and stream nights where we stream games and/or cards that we pulled that others want to see. It would be super fun to have you as a member of our server.

Click here to join Linkon Lounge!

Masterlist

[weirdmorefics]

benedict with a younger sister who he catches at one of the parties he goes to talking to a man who has less than innocent intentions with her and she’s oblivious and just thought it would be a fun place to drink bcs that’s what she’d heard when was out at the park earlier that day

A/N- Sorry for it taking a while I really am starting to believe in the fanfiction curse. I also made up the seedy guy who had unhonorable intentions in this story just an FYI.

Readers Pronouns- She/Her

TW- Sexism

Word Count- 1,653

Summary- Benedict goes to a local gathering of artists and happens to find his darling younger sister enjoying the company of some of Benedict's unsavory friends.

Unhonorable Intentions

I am a rake. I take no shame in this fact. I am allowed to be a free spirit it is my birthright as the second-born son. No obligations no responsibility. I would loathe to be in Anthony's shoes. Though Y/n seems to have made it her mission for me to walk in his shoes tonight. What is she even doing in a place like this? Last I knew she preferred literature over the arts. Yet she hangs on a man's arm as he explains his next work. in progress that he is sure will be his Magnus opus. I glare at them hopefully sister notices my gaze burning into her side so I can continue my night as if nothing happened. However, when I glare at them I realize who the man she is talking to is and now I know there is no way I can continue my night. Unfortunately said man felt my gaze instead of Y/n and smiled and pulled her forcefully along with him.

"Bridgerton! It's grand to see you! We've missed you at the club!" Alexander shakes my hand roughly and I return it with an insincere smile. "Saw you eyeing my new muse, I regret to inform you I don't share." God, I want to gag as I know what he does with his so-called muses. Y/n smiles at being called his muse she does love it when I draw her but this man does not have honorable intentions. He and I have very different definitions of what a muse is. My idea of a muse is someone who inspires you to create, Alexander's idea of a muse is a woman to sleep with and then abandon.

I straighten back to assert my taller posture over the man, "And I regret to inform you your so-called muse is my darling baby sister." I look down at her with demanding eyes, "I do say it is time we get back to Mother. Isn't Y/n?"

She looks taken aback by my tone, "What do you mean? I just got here."

Alexanders' grin increases tenfold, "A Bridgeton! Benedict I had no idea you were hiding such a beauty to yourself! If I was her brother I'd never let her out of the house either." This man is truly revolting the artist community here is unfortunately very small and I have to find a way to remain civil.

Y/n smiles, "So you know Alexander? That's too bad really I was hoping to learn some different art techniques from him to impart to you! I had no idea you knew such a famous artist!"

I grit my teeth, "Famous now Alexander are we?"

This flusters him for a moment but he recovers quickly, "Aren't all artists famous in a different sort of way?"

I want to laugh at such an absurd response… sadly Y/n is far too naive for her own good.

"I agree wholeheartedly! Benedict is the most famous artist in our family! I'm quite jealous of his talent I must admit! It makes sense he would be at such a regal event filled with so much talent. To be truthful I overheard this soiree would have fabulous drinks on this morning's promenade and couldn't resist," she gushes over my talents and breaks my heart for not being more present in my siblings' lives.

Anthony just seemed to have it all handled, Daphne was married off, Eloise could certainly hold her own ground, Francessa was so busy with her studies, and Mother had Gregory and Hycanith under control. Even though Y/n is Eloise's twin she couldn't be any more different she believes the best in everyone and is too quick to forgive in my opinion and Alexander is taking advantage of that and I will not let that stand.

I smile down at Y/n, "Y/n you downplay your own talents no need to associate with a man whose talents consist of preying on women through false pretenses."

Her eyes widen to the size of quarters, "Benedict you can not make such outrageous claims!"

I pretend to not know exactly what she is talking about, "You mean your talents? Your poetry talent is outrageous and that's not a claim it's just a fact."

She blushes at the compliment but for some asinine reason still wants to defend Alexander. Though it seemed her brain could not keep up with the unusual compliment from me and the unflattering words I spoke about Alexander she just stuttered unintelligible anger, shock, and joy all marking her face. Alexander on the other hand was just fuming red.

"First you insult me Bridgerton then you demean poetry as a genre by encouraging a woman to write it." he snarls.

I have never seen Y/n turn so quickly and before anyone in the room knows what's happening a resounding slap is heard over all the chatter and everyone turns to the noise. Alexander's eye is twitching and a red welt in the shape of my sister's hand is forming on his face. He glares at her with murderous eyes but she holds her head high I have never seen her this determined and it makes me wonder what else I missed while she was growing up and I was galavanting around with men like Alexander.

She points an angry finger at him like Mother would when she would scold us, "Gentleman like yourself actually I wouldn't even call men like you gentleman but that's beside the point. Men like you say women are too emotional to do anything but care for the home. Poetry is all about emotion it's supposed to make you feel something like the art you make, or apparently don't make from what I just learned from Benedict's side comment. I would also like to remind you who is in charge of our country or rather what sex they are?"

All eyes are on us and Alexander looks like he might strangle Y/n with his two hands if the vein bulging out of his forehead is any indicator.

"Oh and by the way when I complimented your line work on your latest piece I was lying it was shit but you know how men can be so emotional I didn't want to hurt your feelings," she fake pouted. This is definitely not the young sister I once knew she may still be naive but she has now learned to use her talent with words as a knife.

Alexander's arm shoots to roughly grab her but I am quick to block, "I'm Alexander but we must be going. It was so nice talking to you as always. I would definitely take my dear sister's words under advisement to spend more time working on your line art." I then pull him very closely into my body and if anyone hadn't seen the previous incident they would have thought it was just two chaps hugging. I whisper, "Less time with lines of ladies and coke you might find yourself able to make straight lines. And if I ever hear you laid a hand on my sister I will kill you myself." I roughly release him and he scrambles backwards ungracefully as all eyes on him.

I link arms with Y/n, "Come on we must really be going now."

Once we make it outside away from prying eyes she quickly bursts into sobs, "Gods what have I done! I was just so angry he'd judge me just based on my sex. God, what if Lady Whistledown writes about me!" She starts pacing with her hands on her forehead and this is the Y/n I am all too familiar with, " Oh God what if Mama reads it! What if I ruin the Bridgerton name? Anthony will never forgive me!"

I clap and quickly gain her attention back, "You certainly won't be the first Bridgerton featured in Lady Whistledown and I am certain you will not be the last."

"Not helping!' She shouts back.

"No one will be mad you stood your ground… in fact, I am quite proud of you."

Her eyes study me, "Are you serious? I just slapped your friend in a soiree full of your peers."

"Anthony was more of an acquaintance," I add.

She rolls her eyes, "That is not the point!"

I sigh, "Yes, I am proud. You defended your honor and didn't need my help to do so. Though I am sure any of your brothers would be there in a heartbeat to defend it including me."

She smiles, "You're proud of me."

"I am not saying it again," I state.

she starts to repeat you're proud of me in a sing-songy voice.

"My pride in you is diminishing and my worry is growing. I think I will be around more often seems like Anthony isn't keeping a watchful enough eye on you if he let you go to a seedy event like this."

She tilts her head, "But you were at the event?"

"Exactly I only attend seedy events, though it appears now I must reform. Think of me has your second Anthony," maybe having responsibilities won't be so bad if I get to see Y/n chew out more men like Alexander.

She groans, "I don't want another Anthony how will I ever do anything fun."

"That's the point Y/n," I smile.

She groans, "I hope Lady Whistledown writes you into the story and makes you sound dreadful."

"As long as she writes how daring and smart my younger sister is we will be on good terms," I smile as she groans again at her failed attempt to get under my skin.

"Thank you, I guess," she responds.

I may be late in helping my siblings but at least they all still have some more growing to do and I plan to be there for all of it.

[gretavanmoon]

A Perfect Ten - Part 2

Josh x Female Reader FWB

10.9k words

+ After befriending your coworker Josh at your new workplace, the both of you realize you need each other in more ways than one. Things might get a little cloudy as an ongoing judge of actions takes place, leaving the both of you wrapped up in a back and forth neither of you saw coming.

Warnings: Drinking, Cursing, Mention of Breakups and Heartbreak, Allusion to Homophobia (dude being an a**hole), Sadness. Smut: Kissing, Touching, Dirty Talk, Praise, Heavy Flirting, Oral F!receiving, Fingering

Read Part 1 here

“...Sure, why not? If you want to, of course. Might be fun to have a little situation we’re both comfortable with… no strings attached type thing…”

It’d been a week since your heated hookup with Josh on your couch, and though initially you thought things were going to be awkward back at work once the two of you were on the same shift again, surprisingly they were the opposite. Day to day activities had gone back to normal, the both of you working your tails off slinging pizzas and beers at Angelo’s.

Since that night, though, you’d found yourself in a constant state of unsettle, your mind and body going through the waves of being attracted to him while also wanting to slap him on the back of the head like a real friend would. His boyish charm continued to shine through his albeit tough-guy exterior, and the smiles he normally would fight to stave off began to show themselves a little more often in your presence. 

The more you worked with Josh, and the more that you began to feel completely comfortable in your work position, the more you began to notice the subtle feeling of his hand on your lower back as he’d reach above you to grab the pizza box on the top shelf, or how he’d tell the line guys to fuck off when they’d take back of house banter too far. You’d also noticed how he would hold your gaze as you finished up a story to your coworkers, his perfect white teeth nearly glittering in the low light reflections of the restaurant. It wasn’t hard to miss how his chest would visibly rise and fall with bated breaths until he broke eye contact, shaking his head as though he was physically clearing away his intrusive thoughts. 

You know you’d agreed upon this… arrangement with Josh, and though you hadn’t outwardly discussed the details since that night at your house, you knew that the time was drawing near as your pull to him began to come back full force. That same exact notion of wanting to be the holder of all his attention, to be the one that took up space in his mind whether he wanted it to or not, began to consume you once again. You didn’t know where it had come from, and you didn’t know how to make it go away. You were almost embarrassed of yourself to even think it, as strangely possessive as it was to want to be someone’s muse this wholeheartedly. 

You caught yourself staring at the way his arm muscles stretched under the tight black fabric of his t-shirt, his hands quickly and expertly spinning roll upon roll of silverware. 

“Ya know if you’re going to stare like that, you could at least make it a little less obvious, sweetheart,” he said under his breath as he smirked at you from across the bar.

You blinked away your dry eyes, focusing again on your own pile of flattened napkins in front of you as you cleared your throat. “I wasn’t staring,” you choked out.

“Oh really?” he perked up, sliding his eyes to your fellow coworkers at the other end of the bar finishing up their own side-work for the night. “Then what would you call someone else’s eyes taking in your every movement while you do nothing but mind your own business?” he stuck his tongue against his cheek as he slammed a roll into the basket.

“Shut up, Josh. I was just watching your um. Your technique…” you lied, taking note of your messy and loose rolls of forks and knives haphazardly piling up in your own basket. 

“God, you do suck at rolling, don’t you? I never noticed,” he bites back a laugh as he shakes his head, and you suddenly feel extra embarrassed at your lack of one of the most basic skills of serving. “Here, let me show you how I do it.”

“No, I’m fine, I’ve got it. I just– they’re just ugly. But they’ll do the job,” you argue as he comes around to your side of the bar, wiping his hands off on the white towel hanging off the back of his belt. 

“No no no, if bosslady sees this shit job, she might actually fire you on the spot. Actually surprised she hasn’t seen this, yet,” he says as he brings himself to stand behind your bar stool, his arms encasing your shoulders as he grabs your wrists, positioning your hands on either corner of the napkins. 

“Josh, I swear to god, you’re making me feel like an idiot.” And he was, no doubt. Thinking he can come over here and school you in front of everyone, making you out to look like a fool at your own profession. But you had to admit, you needed a lesson. And you couldn’t ignore the feeling of the warmth of his body pressed against your back, his hands subtly running against the backs of your fingertips as he took them in his own, leaning down to show you how to tuck the utensils down into a pocket before forcing the sides in. 

“See? Like this…” his breath was on the shell of your ear, warm and familiar as scenes from a week ago on your couch began to make their uprising again, your body stiffening at his simple touch. “Gotta use some force, little elbow grease to get them where you want. Then… tuck the edges, and roll…”

You huffed an aggravated breath as you accepted the fact that his hands had just helped you to roll the tightest, most perfect roll of silverware. “Show off,” you murmured.

“Hey, I’m just trying to help,” he laughed as he pulled away, his hands squeezing at your arms as he detached himself and stepped away. The loss of the feeling of him was more disorienting than you’d thought it would be; feeling him so close again had taken all the breath from your lungs, and you hadn’t even noticed that you didn’t even take a breath the entire time he was behind you. 

“Will you two just get a room already?!” one of your coworkers, Jackson, suddenly yelped from the end of the bar, sending the rest of the group around him into a fit of point-and-laughs. “God, just do us all a favor and break the tension and get it over with, why don’t you?” You could feel your face turning a bright shade of red as you shied away, listening to the laughs and howls of your coworkers who had now become your friends. You had riled up enough gumption to retaliate with something, right before you realized Josh would undoubtedly be the one to take up for you, anyway. 

“What makes you think we haven’t, Jack?” Josh asked as he rounded the bar back to his own station across from you. “Think you fuckin’ know it all?”

Jackson was walking toward you, laughing as he placed a heavy arm across the back of your shoulders. “Nah, I don’t know shit. Just thought I’d be the one to break the ice if the two of you haven’t yet, huh?” he bellowed as he forcefully shook your shoulders side to side. You knew he was joking and speaking all in good fun, but it still didn’t stop you from thinking about decking him in the face if he said another word. “Might be a nice little thing for you to try out, huh Josh? Little bit out of your normal practice…”

“That’s not any of your business, Jackson,” you said as you tried to shove his arm off our shoulders.

Your eyes glanced up to Josh from under your awkward stance, finding him clenching his jaw closed as he rolled his eyes. “Leave the girl alone, Jackson,” he warned.

“Or what? You gonna call your boyfriend to come and kick my ass?” Jackson spouted to Josh, making the group beside you cease all their laughter, while sending a shot of rage straight through your stomach. “I don’t think so, pretty boy.” The room fell silent as everyone gawked at Jackson in disbelief of his words. His arm suddenly felt ten pounds heavier on your shoulders, and you felt a burning fury rising up in your throat at his completely rude and unwarranted display.

Josh, though, kept his cool, returning all his attention to the task in his hands. 

“No, but I will tell everyone at the end of that bar that you’ve been pocketing tips as you bus their tables,” he said under his breath, leaving Jackson unable to speak. 

“The fuck are you talking about?” Jackson refuted, his arm still heavy across your shoulders, making you more and more uncomfortable by the second. 

Josh’s eyes confidently skidded across the bar to everyone else before landing back on Jackson, his hands never ceasing rolling his silverware. “You heard me. I’m not stupid, Jack. Matter of fact, why don’t you tell them right now, all by yourself? Go ahead…” Josh raised his voice a little at the end of his sentence, pointing his chin to the group. 

“Tell us what, what are you saying down there?” one of them asked, all of their interest suddenly piqued. 

Jackson’s head snapped back to look Josh in the eyes, which he returned with an overly-confident expression that said try me. Jackson’s arm slowly slid off the back of your shoulders as he sulked away, mumbling some really nasty words under his breath that you chose to keep to yourself. 

Maybe it wasn’t all in good fun.

A full-body chill ran through you as you finally felt his touch leave your body, an overwhelming feeling of disgust overtaking you as you finally made eyes with Josh again once Jackson was far away. “What in the fuck was that?! Is he fucking crazy?” you asked, the rage still heavily present. 

Josh shook his head as he rolled his last utensils, sliding his basket to the side as he pulled your pile of napkins to sit in front of him. “Yeah, no, he’s a fucking asshole. He puts on this funny-guy persona, but underneath it, he’s fucking piece of work,” Josh explained. He was keeping his cool, but you could tell that his words hurt him a little. 

“Josh, that is not okay, it’s not alright for him to speak to you like that, especially in the workpl–”

“Just drop it, Y/N, okay? I appreciate your concern, but I’m used to it. From all angles. It just rolls off, now,” Josh said with the smallest hint of sorrow in his voice. “He tries to show off what he thinks is male dominance but all he does is make himself look like a fool. Plus he forgets that I have wayyy more seniority than him.”

“Yeah well, that’s all true but you don’t deserve to be spoken to that way. I’m going to say something to him,” you began to stand up, feeling the sudden overwhelming need to stand up for Josh.

“Stop, Y/N, stop…” Josh grabbed your arm, pulling you back down to the stool. “I’ve already taken care of it.” His eyes were telling you to calm down, but his hand on your arm said things were everything but calm. 

“What do you mean?” you asked, fighting him off while also trying to flip through your categories of comebacks you could throw down Jackson’s throat.

Josh gripped your arm even tighter as he forced you back down into your seat, leaning over the bar as he brought his face close to yours. His face was hot as it came into your proximity, his hand still gripping hard on the muscle of your arm. “I slipped an anonymous note onto bosslady’s desk telling her I saw him sliding cash tips. She’s probably back there watching the security footage as we speak…” he whispered lowly, his eyes bouncing from your lips and back.

You plopped back down into your seat as he released your arm, sending a quick look back down to the group as they now looked just as uncomfortable as you. Josh resumed his work, acting as though nothing had happened as the redness left his cheeks. “Did he take any of mine?” you asked, suddenly curious.

Josh nodded. “I’ve been suspecting him for weeks, but I just tonight watched him do it. Now you know why I don’t let anybody else bus my tables…” he whispered, shooting his eyebrows up. 

“Wasn’t he up for the assistant manager position?” you asked.

“Yeah, he was. He’s been here for a long time. But hopefully she is back there taking this seriously, who knows how much money he’s actually stolen,” Josh went on, running his tongue over his lips. You crossed your arms across your chest, feeling exhausted from the adrenaline rush of wanting to slam that guy’s head against the bar for calling Josh such horrid names and making fun of him like that. You could tell you were still seething. 

“Let his karma take it’s course, Y/N. Don’t get yourself too worked up over it, or I’ll be forced to help you relax,” he said with a buttery-soft grit to his voice, almost as if Jackson’s actions hadn’t bothered him in the least bit. You admired his way of staying calm in situations where the normal person would panic and act out… it undoubtedly was the reason he has been at Angelo’s the longest, and why he always has the largest section in the restaurant. He’s level-headed, and probably always has been. 

But the insinuation in his words didn’t go unnoticed. Suddenly your adrenaline rush to protect was overtaken by another kind of rush, one that Josh had brought on to you more and more over the past few weeks. “And how would you do that?” you asked, purposefully lacing your voice with the same sweet venom he had just used. The unabashed flirting had finally come to a head, where neither of you could hold it back any longer.

He shrugged one shoulder up. “I dunno, I’d figure something out,” he said with a wink that you almost missed. “Maybe I could let you be the judge this time, hm?” he suggested, circling back to the nearly perfect ten he gave you on your performance just a short week ago. Your chest surged with nerves at his insinuation, the blush rushing to your cheeks as he confidently slid the now full basket of perfectly rolled silverware right in between you. You sat back in your seat as you tried to push down the swirling in your stomach. 

“Maybe so. We going to the bar tonight?” you asked with more boldness in your voice than your actual body was feeling. Your entire body was actually already buzzing with anticipation to feel him near you again, and you were eager to get a move on with the night ahead.

Josh shook his wrist as he glanced down at his watch. He rolled his lips into his mouth as his deep brown eyes shot back to yours. “You off tomorrow?”

“I am,” you responded.

He licked his teeth, taking in a sharp breath. “Me too.”

Just then the swinging double doors to the kitchen swung open with force, and your manager, Heather, burst through them with madness dripping from her aura. “Jackson, can I see you in my office, please? Now.”

Oh fuck.

Jackson shoved the broom that was in his hands into the corner, shooting daggers at  Josh as he made his way toward her, the group again falling silent as they disappeared into the back. 

“Shit, karma hitting a little sooner than we thought, huh?” you said, holding back a vengeful laugh.

Josh chuckled as he untied the ties of his waist apron, pulling the straps from around him as he huffed a breath. “Guess so. Let’s get the fuck out of here?”

—----

You followed closely behind him and the rest of the group as everyone made their way down the street to the bar, watching as he lightly conversed with a few of your coworkers as they questioned him about what the hell just happened back there, and what Jackson could have been talking about. You couldn't really hear the conversation, but you knew that he was likely handling it with ease, just as he handles every other situation he’s faced with with ease and grace. 

You’d watched him talk to many-an unsatisfied customer as they yelled in his face about an incorrect order or a mishap, diffusing situations with the charm he had naturally built into him. You knew he probably kicked the most tips out of anyone that worked at Angelo’s, and for good reason. He was a pro.

You watched as Josh’s left hand slipped behind his back as he spoke to them, wiggling his fingers as he searched for your hand to hold his. You followed through, gripping the ends of his fingertips with your own, just to let him know you were there. He squeezed them tightly as he continued to talk, and the sweet gesture let you know that you were on his mind even though he hadn’t been able to speak a word to you since you clocked out.

You and Josh took your normal seats at the bar while everyone else retreated back to their designated booth, the night settling in even though it had only just begun. That inherent craving you had for Josh was always amplified with alcohol, and you knew that it would only be a few strong drinks before you wouldn’t be able to stop yourself from letting your mind wander with the same thoughts that were probably already surging through his. 

Roy approached you at the bar, laying out two white bar napkins in front of you. “Evenin’ guys. It’s been a while, where ya been?” You and Josh both exchanged a confused glance, realizing that it had indeed been a while since you’d been here. 

“Uhh, just been a few long nights at Angelo’s, most of the time we’re all too tired to function after we leave, you know how it can be,” Josh said as he removed his old flannel and draped it across the back of his bar stool.

“Understandable,” Roy nodded. “Ok so, Josh, last time you were drinking the hard stuff. Want a beer tonight?”

Josh snickered. “Yeah, please. Whatever lager you have on draft is fine.”

“Be right up,” Roy offered as he knocked his knuckles on the bar. 

You leaned in to Josh, catching a whiff of the cologne he must have thrown on as you both stuffed your aprons in your lockers. “Has it really been a whole week since we were here?”

He nodded slowly as he knitted his fingers together and leaned on the bar. “Yeah, I guess so… since the night I uh, stayed over.”

“Huh,” you mumbled as Roy set your drinks in front of you. “Why did we go so long without coming back?” A week was actually a good chunk of time to be gone from this place. 

Josh hissed through his teeth as he plucked a toothpick from the tiny blue glass container on the bar, sticking it between his lips as he gazed at the TV above you. “Guess we just um… knew where the night might go if we did this again so soon. Wanted to wait it out, give it a few days.”

His admission made you feel all kinds of emotions at once– excitement, confusion, regret… Give it a few days? What does that even mean? The both of you downed your first round as if your lives depended on the alcohol within the glasses, both of you sure of the fact that you will need liquid courage for whatever escapades the rest of the night will hold. Or won’t hold…

You signaled to Roy for another round as Josh avoided your gaze, and you suddenly felt a little uneasy at what he’d said.

You slipped your hair behind your ear, feeling conflicted. “You don’t… You know we don’t have to do that again, Josh, I know we agreed to it, but–”

“No, Y/N, I want to,” he stopped you mid-sentence, bolting his head to the side to look into your eyes. “Believe me, I want to keep to that agreement.”

You sat back a little. “Okay, then… why did you want to wait it out? Are you sure you want the arrangement to be with me?”

His eyes ripped across you again before looking back at the TV, the toothpick still rolling between his thumb and fingers as he gnawed on the end of it. “Of course I want it to be with you… didn’t you want to drag it out a little? More fun when you can make it last, right?”

Again, his words stole all the breath from your lungs, almost making you choke on your refilled fizzy drink. “Um, yeah… I guess, I guess you’re right…” you choke out, unable to hide the fluster that had already overtaken you simply from him saying the words ‘make it last’.

Suddenly he’s laughing at you, gripping your opposite leg in his hand as he turns your body in the stool to face him. Your knees land between his legs as he holds you there, setting his toothpick down on his napkin as he takes a long drink of his new beer. He sets it back down as his eyes land on yours, his hand still gripping the thickness of your thigh. 

“What’s with you, baby?” he asks quietly, leaning in as he cocks his head sideways. “Last time we were here you were knocking me over with your wit and confidence. Now it’s like you’re a baby bird who hasn’t found its wings yet… what’s got you all wound up?”

You, Josh. You’ve got me wound up tighter than a banjo string.

Your knees are jutted up into his groin and his face is only inches from yours, the smell of the hoppy beer on his breath mixing with the cigarette smoke from your coworkers on the walk over. He’s right… he’s managed to reduce you into a shell of a woman in the matter of a week, and you have to remember that you are only just friends.

You clear your throat as he forces you to find your true self again. “I dunno, I wouldn’t account it to you teasing me all fucking week, though.”

“Teasing you?!” he all but shouts, causing you to slap a hand across his mouth to silence him. He playfully bites at your hand to make you pull it away. “Is that what you think I was doing?”

“I’m no stranger to passing glances and subtle touches, Joshua. You may not have been teasing me, but you sure as hell acted like you missed the feeling of your hands on me,” you said with a little bit of sass in your tone. “Brushing your hand against me every chance you got, lingering stares… you aren’t slick.” 

Josh could hardly help the grin that was growing on his face, his expression now plastered with a look so playfully sinister that you wondered how it was only a week ago that you were tempting him to come over to your house simply by offering to share a blunt. 

He pushed his tongue up into the corner of his mouth, amused at your boldness. “There you are. And the funny thing is, I wasn’t trying to be slick, Y/N. I was doing that with all intents and purposes of flirting with you. Outright.”

You lean your body in closer to his, challenging him as you sipped from your skinny straw. “And friends can do that? They can flirt with each other openly?”

“You had your mouth on my cock seven days ago, sugar. I think that constitutes my right to flirt with you,” he replies with an emblazoned growl in his voice, making you feel like you’re melting into putty. 

“Did you think it would make me want to invite you over again?”

“I fucking hoped it would, just wanted to put a little time between visits, ya know. Make you miss me,” he says, gripping his hand onto your thigh a little harder now.

“Make me miss you?! Don’t flatter yourself, Josh. I see enough of you at work,” you say with a wave of your hand. His hand sneaks higher on your thigh, and you find yourself thanking yourself for choosing to wear your slitted slinky black skirt to work today. The slit is exposing most of your thigh, of which Josh has wasted no time in reveling in. His hand is warm on your skin as the alcohol suddenly hits your system, immediately swirling your brainwaves with nothing more than thoughts of his hands traveling all over you, gripping at wherever he could get. All his attention locked in on you. The memories of your face between his legs again.

You smile at him as he leans in, shaking his head at you once again. “You can’t tell me you haven’t thought about last weekend every single waking moment since it happened, Y/N…” he growled into your ear. Your entire body shuddered at the feeling of his breath traveling over one of your most sensitive spots, making a slew of chill bumps arise on your skin against your own will. 

The music in the joint suddenly got ten times louder as he pulled away, that damned sly smile still plastered across his face. You took a second to really look at him, the way his lips curved, the curls that balanced and framed his face, the way his eyes twinkled no matter how much darkness filled the room. He’d become a man you respected. Not only personally, but professionally, as well, and the respect was slowly but surely morphing into an emotion with a lot more weight to it. You were beginning to truly admire him. 

“I have,” you whispered, covering his hand on your thigh with your own, forcing him to squeeze you even harder. Your heart rate had picked up so much speed, you were sure that he could hear it pounding over the sound of the music, but you didn’t care. His fingertips were burning into your skin, surely leaving behind marks that would be singed into your skin for weeks from the mere heat of them. Your actions were becoming blurs, desire overtaking your entire being as you craved the man sitting in front of you. A craving that would indeed be your downfall if you didn’t keep your head on straight.

Suddenly, Josh’s phone was buzzing on the bartop, two or three text messages coming through at the same time and catching his attention. The both of you looked at the screen as he picked it up, announcing it was messages from Heather.

His eyes scanned across the messages as you waited for him to finish reading, his face falling into one of such disappointment that it shocked you. 

“What’s wrong, is she okay?”

He nodded as he locked his phone and put it face down back on the bar. “Yeah, she’s fine. She fired Jack.”

“Oh my god!” you exclaimed. “Seriously?! Good! That asshole got what was coming for him! What else did she say?”

Josh shook his head as he sipped his beer again, “Ah, nothing.”

“Not nothing,” you said, lifting his phone from the bar to unlock it and read for yourself. “I know that look you just had.”

“Stop, Y/N, I swear,” Josh said as he tried to wrestle the phone from you. “Don’t–”

“How bad can it be?” you pressed, managing to pull the phone from his grasp and unlock the screen as you began to read aloud. 

“Hey Josh, sorry to bother you this late. I’m sure you noticed when I pulled Jackson from sidework tonight that I wasn’t in the best mood,” you read. “It came to my attention that he had been sneaking cash tips for some time now, and I was able to catch him on video this evening doing just that. I’m sending this message to all of you to apologize on Angelo’s behalf and to let you all know that Jackson and I had a conversation about it and he will no longer be working with us. I apologize for not learning of this sooner, and for the fact that I cannot repay or reimburse any of the money that was taken from you or any of the other employees. I told Jackson that if he had any heart that he should find a way to make this right with each and every one of you, so I am in hopes that he does,” you went on reading quickly, taking a breath before continuing.

“On that note, I’m sure you know that Jackson was next in line to be promoted to assistant manager. Since that is no longer the case, I want to offer the position to you, seeing as how you have been here the longest and always show nothing but the best work you can. You’re my most trusted employee, and know this business inside and out. I know this has been offered to you many times in the past, but I thought I would extend it again. Think about it, and let me know your decision at your Sunday shift. Thanks again, Heather.” Your eyes nearly burst from your head as you realize that Josh was just offered the job that Jackson would no longer be taking.

“Josh! Babe! Why do you look so sad?! You just got offered a promotion!” you wailed, waving his phone around in the air. 

He stretched his jaw as he ripped the phone from your hand and shoved it in his pocket. “Because, Y/N, I don’t want to be a manager. I want to serve my own tables, make my money, and go home.”

“But Josh, you’re so incredibly good at your job! Heather is right, you always give 100%, I swear sometimes I think that you could run that place better than our management could…” you relayed honestly. 

He shook his head. “Nah, they’ve offered it to me time and time again, and I always give them the same response. I’m happy where I am, Y/N. I swear.”

“But I bet you you’d make more money, and you wouldn’t have to work as many shifts, and you wouldn’t have to be on your feet as much and you’d have the opportunity to engage more with customers and actually have time to talk with the regulars–”

“I told you, I don’t want that. I’m content,” he argued, seemingly wanting to end the conversation. “Can we just drop it?”

The disappointment you felt put a hole through your chest. If anyone deserved this promotion, it’s him. And he knows it. “Will you just think about it?” you asked, placing both hands on his shoulders as you gazed into his eyes and pouted out your lower lip. “For me?”

You felt his entire body relax, his shoulders slump and the corner of his mouth tilt into a tiny smile. His eyes locked in on yours once more, making your stomach begin to turn over on itself again. “For you?”

“Yeah, for me,” you nodded. “You deserve to give something like this some thought, Josh.”

He laughed through his nose. “Fuck, alright, alright. I guess. I don’t like how you just did that, though…”

“What?” you played innocent. “Are you mad that I’ve got you wrapped around my little finger?” You hold your pinky up in his face as you sip down the rest of your drink, really feeling its effects, now. He pulled your hand into his, forcing your whole body into his chest. 

“No, that I’m beginning to have a harder and harder time telling you no,” he said. 

You laughed as he poked a finger into your side. You were absolutely reeling at the fact that all of his attention was yours again, finally. It gave you a high you could hardly contain. You set your drink down and leaned into him, both of your hands rested high on his thighs as your knees still dug into his groin. “Oh, is that right? Then how about we have one more drink. Then we go back to your house… so you can let me be the judge of–”

Josh cut you off with his lips crashing into yours, hot and heavy enough to stop your breathing altogether again. After a second, you inhaled him, the feeling of his tongue running along your bottom lip sending a surge of excitement straight to your core. You kissed him back, but only for a short-lived second as the fuzziness in your brain reminded you that you’re in a very public place. You let your tongue brush against his quickly, tasting the sweetness of him for the shortest second before ripping yourself away. 

You’re both breathless as you catch each other’s eyes again, red-faced and tensioned as you fight to put your lips on him again. 

“One more drink?” he asked.

“One more drink.”

—--

Thankful that Josh’s house was only a few blocks down the road, you pulled into his driveway behind him, throwing your car in park as you yanked down your sunshield mirror and assessed the looks of yourself. “Not too shabby,” you whispered as you wiped the fallen mascara from under your eyes and ran some fresh chapstick across your lips. You flipped the visor closed just as Josh was opening your car door for you. 

“Welcome to my humble abode, my lady,” he announced with an accent, holding his hand out for you to grab to step out of the car. You pulled the keys from the ignition and grabbed your purse before taking his hand, strong and sturdy as it pulled you from your seat. As your eyes adjusted in the darkness, you saw that Josh’s house was small, but quaint, a tiny front porch lined with white Christmas lights and covered with hanging plants. He had neighbors, but they weren’t too close at all, and a rather high wooden fence line surrounded the whole property. 

You followed him up to the front where he pulled open the swinging screen door onto the porch, revealing a bunch of old mismatched furniture covered in colorful patio cushions that looked surprisingly comfortable. There was a small radio playing a staticy old country station, and an old blue cooler making a rusty buzzing noise. You watched as he sauntered over to it, lifting up the heavy silver lid. “Want a beer or a seltzer or something?”

“Um, sure. Seltzer, please,” you responded, still taking in the overly-adorable front porch and taking notes as to how you could make yours look the same. He tossed you the can and you cracked it open, watching as he kicked his shoes off onto a rug by the front door. You followed suit and removed your own, not wanting to be rude as he unlocked the door and stepped inside.

The air conditioning hit you in the face in the same way that hotel room A/C does when you’re on vacation, cold and bitter but welcoming all the same. It’s an older home, but you’d never be able to tell it with the way he had it decorated. Salt lamps and old art covered the white plaster walls, white tile underneath all his oriental rugs. A giant couch sat in the middle of the room that connects to the kitchen, filled with cookbooks and open shelves on the walls that were littered with colorful plates and cups.

“Do you have any roommates?” you asked, wanting to fill the awkward silence that had come out of nowhere.

“No,” he sang as he walked you into the living room. “My brother and I bought this place a few years ago, he lived with me for a year then he got a girlfriend and left me here all by myself, so.”

“Aw, Josh… I’m sorry,” you giggled.

He laughed too as he flipped on a lamp. “It’s okay. It was kinda the plan in the first place.”

You take note of the multitude of blankets strewn across the couch and the cabinet full of vinyl near the sliding glass door… the framed photographs of people and places alike that line the walls, and the lack of any television in his living room. 

“No TV?” you asked. 

“Nah, I’d never watch it anyway. Rather read or listen to music,” he said, his voice almost sounding a little nervous. “You wanna see the rest?”

You nod as you swallow a drink of your seltzer, following him down a short hallway. “Down there is the bathroom and spare bedroom… in here is just a room that catches all my junk… laundry room…” you smiled to yourself as you began to notice that he probably hasn’t had any visitors in a long while, and the last person that came was probably his now ex. 

“What’s upstairs?” you asked as you followed behind him, walking through a wooden bead curtain. 

“My room. The best room in the house,” he said.

“Oh? And what makes it that?”

He takes your hand in his, warm and soft as he pursed his lips together. “Come on, let’s get out of our work clothes.” It suddenly strikes you that you both still reek of pizza, are probably covered in sauce and spilled beer, sweaty and gross from your fairly busy Friday shift. 

“Shit, Josh, I didn’t bring anything to change in to, I didn’t know I’d be–”

“Shh, baby. Friends share clothes, right?” he asked as you both ascend the old squeaky stairs, turning the corner at the top to the A-frame finished attic section of the home. You followed him in the darkness through more hanging plants and across plush rugs before you smelled a sweet earthy smell overtake your senses. Your hand was still in his, leading the way as he opened his door to his bedroom. 

The walls were a deep plum color, lined with gold accents and more photographs and art, dim low-light lamps and a giant beanbag in the corner. It smelled heavily of incense, and you couldn’t quite put your finger on just what scent it was.

“Wow…” you whispered out, laughing a little as you did so. 

“What?” he asks. 

You walk further into the room, taking a seat on his full-sized mattress that’s covered in a plush olive velvet comforter and tons of giant pillows. 

“Nothing, I… this is just not what I thought your house would be like,” you say, still in wonder that you kept seeing new, precious things every single place you look.

Josh joined you on the bed, bouncing it a little as he sipped from his own can. “Yeah, I like to think my room is like my escape from the real world, ya know? Come here to unwind, mostly. Oh, I forgot…” he got up and began searching through the drawers of his armoire, pulling out an old t-shirt and pair of shorts for you. “I’ll turn around.”

You laughed as you set your can on his nightstand, quickly getting undressed and changing into the clothing he gave you, while he stripped and did the same. “No peeking,” you said as he pretended to turn around, both of you knowing that you most likely would be seeing more of each other as the night went on. You took a second to breathe in the scent of his laundry, clean and floral as you pulled the holey white t-shirt over your head.

After you’d both changed, Josh took the opportunity and closed in on you again, gently taking your waist in his hands. “Like seeing you in my clothes… you look good…” he mumbled as he let his nose drift down your jawline.

You felt that same familiar chill run down your spine, already imagining him taking off the shirt that you had just put on. His hands gripped into your love handles, pulling you closer as his mouth drifted from your jaw to your neck, lightly sucking on the soft skin and pulling it between his lips. 

“This okay?” he mumbled as your hands finally drifted up underneath his shirt, your nails lightly scratching at the skin. 

“Mmhmm… very much…” you breathed, rounding your hands behind him to scratch along his back.

He made his way to meet your lips again, catching you off guard in the kiss that got cut short at the bar. His hands were fierce and his lips were fiery, his fingertips pulling at your skin as you kissed him back, letting your tongue push through his lips to show him how much you want him, too. The both of you worked to keep things cautious, knowing that you were pushing the borders of becoming too intimate for an agreement that is based solely on friendship and pleasure. 

You broke away, mirroring his earlier actions as you tiptoed just a little to take his earlobe into your mouth, biting at the skin just below it as you blew whispers into his ear. Your hands were wrapped around his neck and you could feel his chest heaving, his hips pressing themselves into you as you finally felt his length pressing up against your core. 

You let out a tiny pitiful moan, one that probably wouldn’t have been heard if the room wasn’t so quiet. He took you up in a tight embrace and held you there, your face caught in the nape of his neck as you both took a second to calm down, and breathe each other in. 

“You feel really fucking good, Y/N…” he said with a vulnerable tone. 

“So do you, Josh,” you agreed, your voice muffled by his shoulder. 

“No, like, you just… I don’t know how to explain it. You just… fit right here,” he squeezed you harder in his arms, letting you know that this is exactly where he liked you most. You squeezed him back to let him know that you were in complete agreement, but also felt the need to separate again, not wanting to let things drift too far into waters that you hadn’t even talked about exploring. 

So you pulled away, leaving your hands balanced on his stomach as you gave him a genuine smile. 

“You wanna see the best part of the house?” he asked, smirking as he ran a recentering hand through his hair. 

“Are we not in it right now?” you motioned up to the vaulted ceilings and hanging lights above you, twinkling away and casting warm shadows all over the room. 

“Not really,” he said, turning and walking over to a set of tall doors, pulling on the gold handles to open them. You walked up behind him, seeing that the door led directly onto a flat, concave area on the roof. He flicked on a switch, letting another set of string lights illuminate the small space, showing a slew of more cushions and comfortable furniture  nearly filling the floor of the whole thing. A tall spider plant took up most of the corner while the floor was littered with plush outdoor rugs, much the same vibe as was throughout the rest of the house. 

“Holy shit, Josh… this is, this is gorgeous,” you said, walking outside and up to the edge of the roof, able to peek down into his fenced-in backyard. A giant Oak tree extended its branches all the way above the roof, providing the perfect makeshift covering for the outdoor spot. The crescent moon was hung low in the sky, providing just enough light to make the scene all the more romantic. 

“This is the best part of the house…” he said, boasting a little as he removed the glass topper of a citronella candle, pulling a lighter out of nowhere and lighting the wick before replacing the tall glass cover. 

“I think I might agree with that,” you say, taking a seat on one of the oversized cushions. “Come back over here,” you beckoned him, suddenly needing to feel his hands on you again. He did just that, placing himself next to you as he took you up in his arms again, peppering your face with pecks. You could tell something was just a little bit off, as it felt as though he was holding himself back. 

“You alright, baby?” you asked, hoping that you calling him the pet name wasn’t overstepping too much. 

He nodded into your neck. “I’m good. Just trying to find my mojo again,” he laughed.

“Believe me baby, you still have it,” you said with utmost certainty.

He pulled away a little, meeting your line of vision. “Really?”

You nodded, “Ohhh yeah. You do, no doubt about it.”

He laughed again as he trailed a finger along the inside of your thigh. “Well thank you. It’s just been, ya know.” He huffed a heavy breath. “It’s been kinda rough. And finding you, and befriending you, it was a really welcome treat,” he said, adding a few more fingers as he drifted them along your leg. You felt another set of chills overtake your body, wanting more from him. 

“I’ll happily be your distraction, Josh,” you said, hinting toward being the person he used to fully get over his ex. “That’s not something I’m above.” 

The thought of being that person to him was extremely intriguing, even though it sounded a bit different upon hearing yourself say it out loud. 

“No, no, you’re not a distraction. You’re far from it. You’re… really you’re more of…” he struggled to find the words as his fingers drifted higher and higher to where you really wanted them to be. “You’re like a beautiful addition that I didn’t expect. And that might sound stupid, but… I really do appreciate your friendship, Y/N,” he admitted, biting his lower lip in. 

It didn’t take much for your hand to find him again, tracing your finger along the column of his neck as you both reclined on the cushions. 

“Not stupid, Josh. You’re the same for me. Finding you has been… an adventure, to say the least,” you smiled as you felt his curls fall onto your face, his head lying on your shoulder. And you were absolutely not lying; the day that Josh came into your life changed it for the better, giving you a whole new journey to embark on that you’d never once touched in your life, a new person to feel completely whole and trusting with, building a companionship from the ground up all while intertwining the needs you both had for the benefit of not only yourselves, but for each other. It’s been an experience of selflessness that you never even knew you needed, and if you had to guess, he didn’t know he needed it, either.

You enjoyed the presence of each other for a few more silent minutes, letting yourselves explore the potential of all that each of you held, but having enough self-control to not act on it, yet. 

“So, our deal…” he finally spoke up just as you heard the late summer frogs begin to chirp from the yard below. 

“Yes…” you urged him, letting your fingers pull at the hem of his shorts. 

“I want you to be the judge tonight… if you want to,” he said with his voice low, almost as if he didn’t want anyone else to hear it. 

For whatever reason, his insinuation from earlier didn’t click with you at the bar. You hadn’t put two and two together that he wanted to return the same favor that you’d given him a week ago.

“Oh,” you muttered as you felt his hand creep higher. 

“Again, only if you’re comfortable with that…” he said. You mulled it over for exactly one second before you began nodding quickly. 

“I’m comfortable, but only if you are, too,” you said, wanting to give him the space to back out and not feel pressured. 

“I used to be somewhat of a legend when it came to this,” he said with a stretch of his arms, pushing you further back into the cushions. “But that was many moons ago. If you’ll let me, I’d like to see if I still have what it takes… let you give me a true rating, just like I gave you..” he went on. 

You bit your lips in, suddenly feeling a little shy, but also completely empowered at the comfortability of it all. “I think I can do that.” 

There was a light breeze in the air, stirring up the smell of the citronella and whatever candle or incense he had burning in his room, making for what you felt was about to be a very immersive experience. 

He took a deep breath, rolling to his knees as he knelt between yours. He hooked both of his fingers in your shorts and underwear, giving you another look of reassurance as you nodded his way. He swallowed hard as he began pulling them down until they were all the way off, and he tossed them to the side as his eyes finally landed on your completely uncovered lower half. You felt shy, but not in an embarrassing way; the way his eyes took you in made you feel as though you were the most beautiful wonder he had ever laid his eyes upon, soft and sweet and all for him, tonight. 

“You’re gorgeous, Y/N,” he whispered lowly again, the flicker of the candle flame lighting up his doe eyes. He pulled your ankles up to his ears, turning his head to kiss the insides of your legs as they balanced on his shoulders. He worked his way down, switching from one to the other as he laid light kisses and pecks all the way down to your knees, sending you little looks of admiration every few seconds. After a few minutes familiarizing himself, he bent down, bringing himself closer to your core as he got comfortable laid out on his stomach. 

“I’m gonna go slow,” he whispered as he placed his arms under your thighs, pulling you closer to him. You imagined that he was talking himself through it, so you went along with whatever he wanted to give you. You were fully exposed to him now, and though the feeling was a little uneasy, it didn’t feel wrong, in the least. 

“You do whatever you want, baby,” you reassured him, running your hand through his locks. “I can’t believe we’re about to do this on your roof…” you laughed, covering your face as you tried to lighten the mood just a little. You heard his high-pitched giggle fill the air, the one he only let slip out when he thought something was really amusing. 

“I know, I’m sorry…” he admitted, still laying wet kisses to the insides of your thighs. 

“Don’t be sorry, I’ve just never done this outdoors before,” you cooed, scratching your nails into his scalp as your body was already heaving a bit, in search of the connection it was so craving. You felt your hips buck up a little on their own as they sought him out.

“You’re fucking dripping, baby,” he said as his tongue ran one languid strip along your slit, not yet making its way inside yet. His words sent your mind into a carnal, visceral reaction, and suddenly you pushed all the comfort talk to the wayside as you imagined him fully, admiring the wetness that he created. “You really want me this much?”

“Yes, Josh… been craving you, please…” you pleaded, suddenly no longer able to hold on to anything besides what was in front of you.

“Craving me? That’s a powerful word, lover,” he went on, teasing his tongue around your lips.

“Haven’t you?” you rebutted. “You told me at the bar I’ve been the only thing on your mind since last weekend…”

You heard him hum a sweet laugh. “Patience, sweet thing, I’m getting there.”

His mouth finally connected to you, the thickness of his lips pulling you into him, his hands gripping hard on your asscheeks. Finally his tongue was exploring you, switching between long strokes and pointed pokes into your opening, flitting his tongue as deeply as he could inside you. “Oh, fuck, Josh…” you called out, your hands digging harder at his curls. 

He continued on, finally paying special attention to your clit as he brought his hand up to join his mouth, placing one finger on either side of it and alternating them as if he was pushing buttons. The indirect pressure was sending your mind into a frenzy already, even without the direct contact. He continued there for a few seconds before he licked his tongue up along you again, pressing it directly between his fingers and onto the sensitive bud. You felt the long-awaited and new overwhelming sensation, sending your head back into the pillows as he hummed onto you, vibrating his lips against it and sending an immediate convulsion through your body. 

“Oh my god?” you perked up, finally looking him directly in the eyes, your knees bending up to squeeze his head. “What in the hell was that?! Fuckkkk….”  you cried out, watching as he smiled on you. Cheeky fucker.

It was like he was starving for you, pulling you into him with heavy suction before extending his tongue back into you again, working your clit with his thumb as the top half of his hand added pressure down onto your abdomen. He was right, he knew exactly what he was doing. He just had to get familiar with it again. 

He pulled away, out of breath and heaving as you felt the devastating disconnection. “Switch me, babe… want you on top of me,” he barked, motioning with his hands for you to hurry. He helped you sit up to kneel as he took your spot on the cushions, pulling at your thighs for you to come and straddle his face. 

“Are you sure, Josh? This is–” you were breathless as you asked, already so close to orgasm and he hadn’t even shown off for you yet. 

“M’ sure baby, come on,” he commanded, slapping your legs as he repositioned. Before you knew it his mouth was on you again, pulling you down with force as you cried out in pleasure again, completely uncaring if the neighbors could hear your moans from their back porches. Your hands were balanced on the wall to hold yourself up, his tongue still doing whatever it wanted between your folds. The sensation was overwhelming, all-encompassing as you were sure you’d never felt anyone take care of you like this before. 

You could feel your wetness on his beard and mustache, the grittiness of his coarse hairs a bit grating, but you welcomed the bit of discomfort. You felt his hand come up, toying with your entrance as he paid special attention to your clit again, pulling it forcefully in and out of his mouth. 

“Can I?” he asked, wondering if it was okay to go that far as his fingers did everything but enter you all the way. 

“Yes, fuck, please,” you begged, the immense need to feel him inside you overtaking your decision-making skills. The next thing you knew, his two middle fingers were buried deep inside you, curling and twisting in a way that let you know that he had the fingers crossed, one right over the other. He pumped them in and out of you a few times, taking the breath completely from you as everything became almost too much to handle. You laid your forehead against the wall along with your hands, ignoring your own want to swirl your hips. 

“Come on baby, you can…” he growled from beneath you as he tapped your hips again, his free hand still gripped hard on your ass. He’d read your mind, so you did, swirling your hips in a figure-8 while his fingers and tongue continued their work. 

“Mmmhmm…”  he hummed onto you as your pitiful cries filled the air again, your body weight fighting to keep itself upright. Your mind was blacking out as you felt the pleasure overtaking you in waves, the constant realization that you were outside, on Josh’s roof, letting him devour you making you all the more dizzy. Just envisioning the visual of the scene made you want to cum right then and there. 

Suddenly he pushed you away from him, sliding his body down and out from under you, standing up on his knees again. He turned and pulled you backward by the waist as he bent you in half, pressing your head back down onto the cushion as he pulled your legs apart a little. You felt him maneuver himself again, leaning his head down as he gripped your ass in his hands again, connecting his mouth with you from behind. 

“Fuck!!!” you yelped at the sudden change in position, and for how downright confident he was being. Intimacy was suddenly out the window. You arched your back for him, giving him greater access to your most sensitive places. His hands worked to separate your folds as his tongue delved deep again, sending you so close to the edge that you almost lost it. 

Right then you knew that you needed more, you needed it all. Burying your face in the pillows for him was the only thing you wanted to do, from here on out. In whatever position he wanted… frontward, backward, upside down… You needed it. You needed to feel all of him. But you knew in the back of your mind that going all the way might not be in the cards. 

At least not tonight. 

Your cries were building up again as you swayed your hips for him, eliciting a heinous growl from somewhere deep in his chest. Every nerve ending in your body was lit up with electricity as you began to see stars, his constant attention directly where you needed it making all of your strings come untied. “Josh, fuck… I’m– close…” you cried out in a slew of breathless words. 

He pulled away again, gripping under your belly and flipping you back onto your back. “Errrghhh,” you complained as he edged you again, and you could feel your jaw clenched together with rage. 

“Don’t yell at me, baby,” he said. “Am I not giving you what you want?” His eyes were deep and hollow as the light flickered off of them again, making him seem more devious than he had ever looked before. He laid back down in front of you, pulling your knees to rest on his shoulders again. His fingers pressed into you again, and continued flicking deep inside of you, twisting up and curling as he pondered you. 

You gripped your hand around the back of his neck, pulling yourself up to kiss him, uncaring of your own wetness now transferred onto you. He moaned into your mouth as your tongue searched for his, his hand never letting up as your body began to tremble again. You could feel the sheen of sweat forming on your head and cheeks as he unraveled you, his fingers so perfectly deep and his thumb still expertly working your clit, you were positive that there was nothing else existing in the world right now, besides him. You pulled away, meeting his eyes with a question that he had no idea you would even ask. 

You didn’t even have to speak a word, he knew exactly what you were asking of him. 

He broke eye contact, looking down at the cushions as he continued with his hand. “I want to baby, believe me… I fucking want to… I want you, too…” he captured your lips in a sweet and longing kiss again, letting you know he was right there with you. “Just…give me this… let me have you like this… and…” 

You nodded, feeling the knot coming undone in your belly, anyway, unable to stop it even if you tried. 

“Promise me, Josh… you will, we will… want you, want all of you…”

He nodded hard as he pressed his forehead to your cheek, your body almost completely bent in half as the backs of your knees rested on his shoulders. “I promise sweetheart… one day…” 

With his promise and one particularly specific pump of his finger and thumb combination, you were falling over the edge, your whole body shaking and tremoring as you came undone for him, the sounds coming from your body almost embarrassing as you finally were able to hear your own wetness against the slap of his hand. 

When you finally came down, his tongue was on you again, cleaning up the mess you’d both made and swallowing it down. “God, you’re fucking delicious, Y/N, I swear…” he praised as he ran his tongue along you again, sending your body into a fit of shaking overstimulation. 

He pulled his t-shirt up over his mouth, wiping away any excess as he flattened your body back out, crawling up you to lay one last kiss to your now-soaked lips. 

You took a long, deep breath, cleansing yourself of being devoid of proper oxygen intake for the past few minutes. He finally joined you on the pillows, throwing an arm behind his head as he looked at you with a smug grin. “Told you I was a legend,” he said, adding a giant cheesy smile along with his boasting. 

“Okay, listen,” you said, slapping your hand onto his chest. “You can’t call yourself a legend, then ask for me to rate you. It doesn’t work like that,” you argued. “Unfair.”

“Okay, alright, whatever. Then what do you give me?” he asked, turning toward you and pulling your weak leg up over him.

You pressed your finger to your chin just as he had done when he was “evaluating” you. “Nine and a half.”

“What?! Now, that’s unfair, you can’t give me the same rating I gave you,” he complained. “Be serious, I’m a perfect ten.”

You swallowed hard, not wanting to tell him the real reason that you didn’t give him a ten was because the only way you know he could reach that level of perfection was if you could have him wholly and completely, though both experiences with him so far had been beyond stellar on all fronts, deep down, your thirst for him wouldn’t be satiated until that day. That, and the fact that you simply couldn’t let him beat you. 

“Sorry, that’s my rating,” you shrugged him off, reaching down for your underwear and shorts.

“Well fuck me,” he complained, rolling to his back. 

“I tried to,” you said in retaliation with a laugh, causing him to shoot his look your way. 

He met you with a look that you hadn’t seen from him yet, one that told you that there was something you were missing, something that he refused to divulge, but you were honestly too scared to ask. He bit his cheeks in and broke away from your stare, taking a choppy breath again. “I know we promised, babe, but… we’ve gotta remember that we’re just friends, yeah? Just friends–”

“Friends with benefits. Right,” you answered for him in a clipped tone, unsure how to take it. You wished that you could put it all out in the open and discuss things how they lied, but what Josh didn’t know was that you shared his same feeling of uncertainty, both of you so swept up in the idea of one another that you were too scared to fall. Too scared to take a leap that the other one might not want to share. 

Your feelings for Josh were growing. Sprouting new buds and new blossoms every single day, weaving themselves deeper into your bones than you had ever anticipated. But you could never tell him the absolute truth, it could ruin everything. It could turn your relationship up on its tail, causing the both of you to see the other in a light that neither of you even planned on shining in the first place. 

That’s the devastation of it all, the realization of the possibility you might be physically compatible while sharing little to no other characteristics with someone who could end up being more than just a friend. 

But the passion was there, you could feel it. It was almost tangible just now as he begged you to fly into oblivion for him, all at the touch of his hand. You couldn’t lose Josh, and he couldn’t lose you. Not right now, at least. The two of you had become dependent on one another, in all ways besides romantically. 

If you took that step… if you both let your guard down all the way… would things still be the same? Did he even want you in that capacity? You were too scared to ask, you were too scared to know. 

So, you cleaned yourself up, replaced your panties and shorts and followed Josh back into his lavish bedroom, letting him pull you up underneath his protective arm under his sheets and blankets, kissing you on the forehead as the two of you drifted off into a sleep that begged for more. The both of you lying to yourselves right where you were, waiting for the feelings to dissipate. 

Or worse, manifest themselves in a way that was much more gruesome than something a friend with a benefit could ever, ever give. 

xoxoxo jules

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[tonkable-art]

✷ Tonk's Art Resources ✷

Hi! No one asked but I wanted to make a big list of art resources I use because I like to try and help people be creative! Not everything I list is free (mostly the books & some PDFs), but I’ll try my best to keep a big portion of it unpaid.

I've also made a carrd with the same links and a set of software links + prices but I'll be updating this with more things I find that I think would be helpful. :)

Drawing

GES DRAW PARTY - Timed model videos

Drawing Tutorials Online - Figure drawing tutorials (& fun SVA student sketchbook videos)

Line of Action - Timed model Photos

3 tips to improve your PEOPLE SKETCHING (fast urban sketching techniques), Sketching Scottie

Creating Backgrounds, Tim Mcburnie

Drawabox

Reference Angle

Kaycem

Colour Theory

Why Color Studies Are So Powerful, Light Ponderings

Marco Bucci

Colour Tips and Tricks, Iniro (PDF)

This post

Animation

The Animator’s Survival Kit, Richard E. Williams (book) - I think this one is a pretty obvious must-have

How to Animate Night In The Woods [Scribble Kibble #103], Crowne Prince - Helped me get a grip on After Effects

Little Miss Hellraiser Toon Boom Harmony Rig, Edu Bruks - Free Toon Boom Harmony rig

Alex Grigg // Animation for Anyone

BaM Animation

Storyboarding

Exploring Storyboarding, Wendy Tumminello (book)

Storyboarding Essentials: SCAD Creative Essentials, David Harland Rousseau & Benjamin Reid Phillips (book)

Storyboard Pro Crash Course/Tips for beginners, OhJeeToriG

A Guide To Storyboards, MagicBunnyArt (PDF)

Character Design

Character Design Crash Course - A huge free course document with assignments you can work through

Delicious in Dungeon - Fundamentals of Character Design, lines in motion

Writing

Writing for Animation, Comics, and Games, Christy Marx (book)

Screenplay: The Foundations of Screenwriting, Syd Field (book) - I have the 1987 edition

Reedsy

How to Plot a Comic From Start to Finish!, McKay & Gray

Portfolio Tips

How to make a Character Design Portfolio, Jackie Droujko

Top Tips on How to Kickstart Your Storyboard Portfolio, Brown Bag Films

25 Tips to Create an Animation Demo Reel, Sir Wade Neistadt

Extras

PuccaNoodles’ Animation/Art Resource Sheet

My Study References Pinterest board

Motivation Station - Playlist of sketchbook videos and some speedpaints that I use to motivate & inspire me

The Illustrated Freelancer’s Guide, Heather Parry & Maria Stoian (PDF) - Really useful for freelancers in the UK

Software substitution chart

Adobe Suite substitute chart

Remember to check out the carrd, it might have a more updated list!