#Kishore Kumar Hits

[madhansband]

For Event Bookings and Enquiries: Call: +919840153443 / +919786766666

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Original Song Credits:

Movie : Yaarana {1981} Lyricist: Anjaan Singer: Kishore Kumar Music : Rajesh Roshan

Lyrics:

Hey… Saara zamana … Haseenon ka deewana … Zamana kahe phir kyun … Bura hai dil lagana … Hey sara zamana … Haseeno ka deewana … Zamana kahe phir kyun … Bura hai dil lagana … Hey sara zamana …..

Yeh, kaun keh raha hai, Tu aaj pyar karle, Joh kabhi.. bhi khatm na ho, Woh aitbaar karle.

Maan le maan le meri baat …

Saara zamana … Haseeno ka deewana … Zamana kahe phir kyun … Bura hai dil lagana … Hey sara zamana….

Jab husn hi nahi toh Duniya mein kya kashish hai Dil, dil wahi hai jis mein Kahin pyar ki khalish hai

Maan le maan le meri baat … Saara zamana … Haseeno ka deewana … Zamana kahe phir kyun … Bura hai dil lagaana … Hey, saara zamana … Haseenon ka deewana … Zamaana kahe phir kyun … Bura hai dil lagana …

La la la … la la la La la la … la la la La la la … la la la La la la … la la la Hey, Saara zamana…

[jawaradio]

Listen: https://www.jawaradio.com/radio/retro-hindi-radio/hits-of-kishore-kumar

Listen to Hits of Kishore Kumar

Hindi films have delighted audiences and listeners with their music from as far back as the 1930's all the way to the 2010's and are truly a global treasure. Hits of Bollywood in a small effort to pay tribute to all these artists and their creations which have enriched the lives of millions of people over many decades has dedicated this Hits of Kishore Kumar online Radio Station. The station plays all the lsongs of Kishore Da whole day long. He was one of the most popular singers in the Indian film industry and from soft numbers to peppy tracks to romantic moods, Kumar sang in different genres but some of his rare compositions which were considered classics were lost in time. He was also an actor, producer, composer, lyricist, director and screenwriter. He has won 8 Filmfare awards for Best Male Playback Singer category. He also holds of winning a maximum number of Filmfare awards in the category.

[menghuotgmk]

18kill Wow CiCi best Build top 1 global 202 - CiCi Gameplay Mobile Legen...

[miss-conjayniality]

sitarist jay (drabble)

genre: fluff

pairing: jay x gn south asian!reader

word count: 610

warnings: none

A/N: in honor of all the holidays coming up (holi, vaisakhi, ramadan/eid, etc.), AND also my srk x jay post that sparked desi enha discourse, this one goes out to all my desi engenes!!!! 🫶🏼 happy holi!!!! happy vaisakhi a month in advance. and a ramadan mubarak to those who celebrate.

soft desi engene hours. could u just IMAGINE sitarist!jay and dholi!you!?!??? 🥺

jay is grateful to have a lover who hails from such a gorgeous, rich culture that spans millennia. and as any connoisseur of culture would say - music isn’t just part of culture….it is culture. he’s been playing guitar for many years now. and he wants to venture out into other stringed instruments. and what better way than learning the sitar?

jay enjoys the calming, soulful, and twangy sound of the sitar. it sends him into a trance and he feels completely immersed in a different world. despite it being “different” from what he’s done before, he believes that the language of music is universal - one felt within the heart first and foremost.

he holds a deep reverence for south asian music. be it nusrat fateh ali khan, kishore kumar, mohammed rafi, noor jehan, or asha bhosle, he feels the timeless, evergreen spirit of such compositions pulse within his soul.

watching him learn the sitar is an endearing sight. ethereal even! seeing the level of dedication he has towards mastering such an art form warms your heart. he wants to learn bhajans, shabads, and ghazals for you. all he wants in life is to express his love for you through music. just chillin’ in his kurtas with the sleeves rolled up and his sitar by his side, showing you the ravi shankar songs he’s learned so far.

on the other hand, he too admires you for your passion for percussion. jay loves your appreciation towards the different types of dhol. he fawns over the euphoric feeling you get when hitting every thappi and tiparu and the way you chant your DHAs and DHINs while doing so. jay also appreciates the way you treat your dagga and tilli sticks like they’re your babies. he loves the swingy sound of dhol beats and the swagger you exude while you play.

jay sometimes gets annoyed when you pester him with the sound of your loud ass dhol while he’s peacefully and calmly practicing his sitar. but he knows it’s out of love and good fun. it’s the desi equivalent of the percussionist kids in band disrupting the ones who play the wind and brass instruments. antics aside, jay appreciates the lively spirit and camaraderie that comes with these musical clashes, cherishing the shared moments of cultural exchange and musical banter.

in the end, these musical escapades become cherished memories, shaping jay’s musical journey with a touch of spontaneity and joy. the blend of dhol and sitar, once seemingly contrasting, transforms into a celebration of diversity within your shared love for music. as the two of you continue your artistic pursuits, jay realizes that the moments of lighthearted banter and cultural exchange have added a special rhythm to the soundtrack of your relationship - one of seismic adoration.

with each note played and every shared laugh echoing in the air, jay acknowledges that your artistic pursuits have not only strengthened your musical connection with each other, but have also deepened your bond with him. the rhythm of seismic adoration encompasses the highs and lows, much like the crescendos and decrescendos in your collaborative performances. through the language of music, your relationship thrives, creating a symphony of understanding, support, and shared passion that resonates far beyond the notes of your instruments.

[thecrazyinktrovert]

Love English music all you want, but NOTHING, I repeat NOTHING, hits harder than desi music. Like every single singer has their own trademark genre which they can execute PERFECTLY?? 

Can we talk about Arijit’s Mai gehra tamas tu sunehra sawera main tera in Kalank? 

or his Tum sath ho ya na ho kya fark hai, bedard thi zindagi bedard hai in Agar tum sath ho? 

or Tujh sang sukhi roti bhaye in Mast Magan? Ok leave that. 

Lets talk about Atif’s Khayalon me lakho baaten yun toh keh gaya, bola kuch na tere saamne in Tu jaane na?

or Rafta rafta tera hua, tere bin mai hu benishan in Tera hua?

or Tenu lakhan ton chhupa ke rakhaan akkhaan te sajaa ke tu ae meri wafaa, rakh apna bana ke main tere layi aan yaara in Dil Diyan Gallan? Ok leave that

Let's talk about KK's Chaand Teri roshni ka halka sa ek saaya hai in Ajab Si?

Or dil kyun yeh mera shor kare, idhar nahi udhar nahi teri orr chale in Dil Kyu Yeh Mera?

Or lut Gaye hum teri mohabbat me in Tadap Tadap? Ok leave that.

Let's talk about Jubin Nautiyal's tum se jo mil gaye, Mausam khil gaye, khudse ladne Lage hum sawarne lage in sawarne lage?

Or Mausam mohabbaton ke, lamhe ye chahaton ke apne liya bane hai maan le in Gazab ka hai din?

Or tere bina main na rahu mere bina tu in raatan lambiyan? Fine, leave that as well. 

Lets talk about Shreya Ghoshal's kaise huzurji ye lab dikhlaaye, chuppi lagake bhi gazab hai yeh dhaye in saibo.

Or Ye ishq haaye baithe bithaaye jannat dikhaye hain in ye ishq?

Or Dil bharta nahi, aankhen rajjti nahi, chaahe kitna bhi dekhti jaaun, waqt jaaye main rok na paaun in Thodi Der?

And DO NOT get me started on Mohammad Rafi, Kishore Kumar, Lata Ji, Asha ji and Sonu Nigam. Desi songs are peak lyrics, romance, emotion and vocals. You're straight up wrong if you think ANYTHING can beat that. I love Taylor, 1D and all, but Hindi songs? Absolutely unmatched!

Comment/reblog you favourite lyrics below!

[bollywoodirect]

Tribute to Saraswati Devi, the first woman music director in Hindi films, on her 44th death anniversary (09/08/1980).

Born in a Parsi family in 1912, Saraswati Devi was a trained classical singer and rose to become India’s first woman music director of Bollywood.

A musical rage in the 30s and early 40s, Saraswati Devi's musical career was mostly confined to films produced by Bombay Talkies. Starting with 'Jawani Ki Hawa' in 1935, she went on to compose highly popular music for hit films like Achhut Kanya, Kangan, Bandhan and jhoola.

She was born as Khursheed Manchersher Minocher – Homji.

She changed her name to escape the wrath of the conservative elements of her community as they could never stand that a lady from their clan would enter the film world.

Once when at a gathering the Bombay Talkies owner Himanshu Rai heard her, he instantly invited her to join his concern as a music director. She was reluctant at first, not knowing how she would adjust herself to the needs of the film industry. But finally she accepted the offer.

She was the first woman music director no doubt. But the biggest challenge she faced was to groom non-singers into singers. That was a very, very big challenge in view of the competition from New Theatres as she didn’t have a Saigal or a Kanan to sing her compositions. That is why one should say that she had a formidable task to perform unlike her counterparts like R.C.Boral, Tamir Baran and others in Calcutta.

The biggest contribution by Saraswati Devi, therefore, was to produce hit songs through the lips of non-singers like Ashok Kumar, Devika Rani and Leela Chitnis.. Right from Achchut Kanya till Jhoola, Saraswati Devi went on rampage, so to speak, producing one hit after another. Leela Chitnis could sing hit songs like, ‘Meera ke jeevan ki sooni parri re sitar’ (Kangan), ‘Man bhavan lo sawan aya re’(Bandhan) and ‘Jhoole ke sang jhoolo jhoolo mere man’.(Jhoola) Imagine Saraswati Devi producing a golden jubilee hit in the voices of Ashok Kumar and Devika Rani in film ‘Achhut Kanya’ (a film that Nehru saw and appreciated)-‘Main ban ki chirriya ban ke ban ban bolun re’. The biggest hit by her was the marching song of Bandhan, ‘Chal chal re nau jawan’ sung in solo by Ashok Kumar, sung in chorus by Ashok Kumar and sung as a duet by him with Leela Chitnis. She used a non-singer like Sneh Prabha to sing the Puner Milan song, ‘Nacho nacho pyare man ke mor’. The male singer she had was Arun Kumar, who sung for Kishore Sahu in Punermilan, for Mumtaz Ali in ‘Jhoola’ (Main to Dilli se dulhan laya re he babuji) and others. Incidentally, it was she who gave break to Kavi Pradeep as a singer though he was writing lyrics for the concern since 1939 from film ‘Kangan’. She first used him in that immortal song of ‘Bandhan’ which is played in the back ground: ‘Piyu piyu bol praan papeehe piyu piyu bol’ Pradeep did sing subsequently some big hits after leaving Bombay Talkies. But in ‘Jhoola’ he has left behind a memorable song too tuned by Saraswati Devi: ‘Mere bichade hue saathi teri yaad sataye, baar baar teri chavi aye birha agan jaraae’

After she left Bombay Talkies, she shot into limelight again in the early fifties when she tuned two non-film ghazals for Habib Wali Mohammad. These were: ‘Lagta nahin hai dil mera ujjarre dayar mein’ and ‘Yeh na thi hamari kismet ke visaal-e-yaar hota’. When you listen to her compositions, specially the indigenously-flavored background music, you are transported into the environment of the India of the early 20th century.

During the later years of her life, the bad and selfish film world turned apathetic towards the doyenne. Not even a single person visited her when she fractured her hip bone after falling from a private bus. The legendary singer and India’s first female music director left for a better world in 1980 with no one to mourn her death. Even the media did not find her worthy of an obituary. Image: Saraswati Devi, Lata Mangeshkar, Madan Mohan, Jaikishan, Anil Biswas and Naushad

[parveenbabimemories1]

Directed byManmohan Desai

Written by Kader Khan (dialogue)

K. K. Shukla (scenario)

Screenplay by Prayag Raj Sharma

Story by Jeevanprabha M. Desai

Pushpa Sharma (story idea)

Produced by Manmohan Desai

Starring Vinod Khanna, Rishi Kapoor, Amitabh Bachchan, Neetu Singh, Parveen Babi, Shabana Azmi, Nirupa Roy,Pran

CinematographyPeter Pereira

Edited by Kamlakar Karkhanis

Music by Laxmikant–Pyarelal

Anand Bakshi (lyrics)Distributed by Hirawat Jain & Co.

Release date 27 May 1977

Leena Daru wardrobe

Kamal choreographer

Playback singers Mohammed Rafi, Kishore Kumar, Lata Mangeshkar, Mahendra Kapoor, Shailendra Singh, Mukesh

Did you know

When the movie released it was a huge hit in West Indies

The film made Amitabh a superstar god in the Caribean Islands. Trinidad, Tobago, Guyana and several other countries played Amar Akbar Anthony in the theaters. The film was house full for months,where getting a ticket was impossible. It was not just Indians, but millions of non Indians who fell in love with the film and embraced "Anthony" as their new Indian hero.

[yehuserdumbhai]

I was having a pretty bad day today but abhi randomly reel popped up on my insta of this song and den bhai, nostalgia hitting hard 😭 but never the less made me like happy reminding me of old gold days.

I did a dance performance on this song when i was in 5/6th probably and bhai vo sb yaad krke kafi accha lgra ab.

But my main concern is bhai ye song p kya dance hua hoga like kya kiya tha bhai maine?🤡💀

Really need to talk to my class teacher regarding this😂

[rehamramzi]

Nostalgia- (1960s- 1970s)

Nostalgia has always been my friend. When no one was around, the feeling of nostalgia was a company. Even though I did not have the privilege of being born during the golden period, 1960s and 1970s, I don’t know what it’s to be like living in that era, yet a bittersweet nostalgia engulfs me when I think about it.

The allure of Rajesh Khanna movies, the purity of old-fashioned romance, and the timeless classics by Kishore Kumar all carry a sense of comfort and warmth.

There is a deep, emotional connection to something I’ve never witnessed, people I’ve never met, lifestyle I’ve never come close to and feelings of simplicity I don’t think I’ll ever experience.

The elegance of a cotton saree, the richness of authentic Indian culture and the modest way of life—they transport me to days gone by. I yearn for the time when people found solace in reading dusty brown books lining in cracked shelves.

Above all, i miss the significance of letters. The lost art of pouring out emotions on a piece of paper when it becomes difficult to express yourself into spoken words.

When innocent gazes from right across the street could lead to people sending love letters and igniting a lifelong love…

When lifestyle was humble, cherishing valuable moments with family was appreciated and people melted their day’s exhaustion over a cup of chai and good company.

And When people lied at home and sneaked out to watch Shammi Kapoor’s latest hits.

From Trams, rickshaws, telephones to vintage cassettes on the radio, I find myself obsessing over the simplest of the retro things.

I cannot put into words how I feel when I stumble upon a 1970s cassette set or when I come across pictures clicked in 1963.

It leads me to contemplate my hypothetical existence as what my life would’ve been like if I was present in that moment. Would I have chosen a path as a teacher? Or a skilled weaver?

Perhaps, my role would have involved fostering a sense of community by hosting the neighborhood children for a cup of chai and some namkeen. My heart feels full and my eyes become blurry when I think about “what could’ve been” , “how would it feel” , “when could’ve been better” .

These feelings and thoughts occupy my mind and leave me thinking some parts of me belong to an era which has no clue about my existence.

I feel a disconnection from my own generation as if I am displaced from my people, not being able to resonate with any of them.

When the present fails to provide any of those sentiments that I ache for, I find myself engaged in the past, seeking nostalgic experiences. It is fascinating how an era we never personally encountered can have such a deep and emotional impact on our lives, resonating with us in so many ways, leaving an indelible mark on our lives.

This bittersweet feeling makes me want to wear a Banarasi silk saree and lie down on a hammock, listening to Lata Mangeshkar Ji’s “Ehsan Tera Hoga Mujhpar” .

[theysaywhatasadsight]

Kishore Kumar while heartbroken hits different

[theblackpearlofwakanda]

Explore the timeless charm of Bollywood's golden era with our curated collection of super hit old hindi songs mp3 free download in high-quality MP3 format. Immerse yourself in the soulful melodies and unforgettable lyrics that defined an era of cinematic brilliance. From Lata Mangeshkar's ethereal vocals to Kishore Kumar's iconic tunes, this treasure trove encapsulates the essence of classic Hindi cinema. Rediscover the magic of evergreen hits that have stood the test of time, transcending generations. Indulge in nostalgia and relive the beauty of vintage Bollywood with our extensive selection of super hit old Hindi songs, all easily accessible for a musical journey down memory lane.

[madhansband]

For Event Bookings and Enquiries: Call: +919840153443 / +919786766666

Music Band: Madhan's Band & Team Location: Bangalore

Kindly Support us with your reviews by giving us 5 Star Ratings and by your valuable comments. Madhan's band Google Review Link: https://g.page/r/CalgmHwD3ioZEAg/review

Services we offer: -Corporate Events -Virtual Events -Weddings & parties -Abroad Shows -Musical Instruments Rental

Get in touch with Madhan’s Band:

Website: http://www.madhansband.com/ MOBILE: +91 97867 66666 / +91 98401 53443 EMAIL: info@madhansband.com / madhanbassist@gmail.com

Social Links: Facebook: https://www.facebook.com/MadhansBandMusic/ Instagram: https://www.instagram.com/Madhansband/ Youtube: https://www.youtube.com/c/MadhansBand Twitter: https://www.twitter.com/MadhansBand Linkedin: https://www.linkedin.com/company/MadhansBand/

Original Song Credits:

Song Title: Zindagi Ek Safar Hai Suhana Movie: Andaaz Singer: Kishore Kumar Music: Shankar Jaikishan Lyrics: Hasrat Jaipuri Year: 1971

Lyrics:

(Zindagi ek safar hai suhana

Yahan kal kya ho kisne jaana) (x2)

Arey o leiyo leiyo, oleiyo leiyo

Oleiyo leiyo, oleiyo leiyo

Oleiyo leiyo, oleiyo leiyo

(Chand taaron se chalna hai aage

Asmaanon se badna hai aage) -(x2)

Pichhe reh jayega yeh zamana

Yahan kal kya ho kisne jaana

Zindagi ek safar hai suhana

Yahan kal kya ho kisne jaana

(Haste gate jahan se guzar

Duniya ki tu parvah na kar) -(x2)

Muskuraate hue din bitana

Yahan kal kya ho kisne jaana

Haan zindagi ek safar hai suhana

Yahan kal kya ho kisne jaana

(Maut aani hai ayegi ik din

Jaan jaani hai jayegi ik din) -(x2)

Aisi baaton se kya ghabrana

Yahan kal kya ho kisne jaana

Zindagi ek safar hai suhana

Yahan kal kya ho kisne jaana

Di di di di, du du du

Oleyo leyo ha haa haa

[secretearthquakecheesecake]

Hats 🎩 off... for Chirag and Kavya. Indian Idol 💖 ROMANTIC Duet. "Kate Nahin Kat Te", Enjoy this super hit song from the 1987 movie "Mr INDIA"

🎤Kishore Kumar and Alisha Chinai.

✍️Javed Akhtar

🎹 🎸🎻 Laxmikant and Pyarelal 🎼

Enjoy with 🎧

Have a cozy evening.

🌼𑜞᭄with ℒℴѵℯ 🌹💞

[istoleherheart-3008]

Chalti ka naam gaadi film se ek aur geet aapke liye...

GAANA AISA BANAO KI 65 saal baad bhi G.O.AT. HO🛐

Iss film ke teen main characters kishore da aur unke hi bhai ashok aur anoop ne play kiya

1958 mein aayi iss blacknwhite hit comedy movie ne kishor Kumar ko as a playback singer ke saath saath ek talented actor ke roop mein bhi establish kiya

Music hai S.D. burman awaaz hai kishor kumar jii ki lyrics hai majrooh sultanpuri ke

Gaane mein featured hai madhubala aur kishore kumar himself

Vibes are immaculate ✨...

👯

[desi-ambivert-nerd]

Retro music is my first love #2

This song just hits hard. It's really hard to write a poetic song of a heartbroken lover expressing his agony in front of his ex-lover. These lyrics written by great Lyricist Majrooh Sultanapuri hits very differently.

After all this song's sung by Great singer Kishore Kumar, that's going to be legendary right? He has immersed those painful expressions into the song that makes it so emotional.

R D Burman's music just slays everything. This song is one of his great compositions.

This song is from a romantic mystery thriller cult classic movie Anamika starring Sanjeev Kumar and Jaya Bhaduri Bachchan.

[bollywoodirect]

Remembering actor-filmmaker-screenwriter Kishore Sahu on his 43rd death anniversary (22/08/80).

Kishore Sahu was a renowned figure in the Indian film industry, known for his roles as an actor, director, screenwriter, and producer. Over his career, he acted in 22 films from 1937 to 1980 and directed 20 films from 1942 to 1974.

His directorial work, "Kuwara Baap," earned recognition as one of the winners of the BFJA - Best Indian Films Award in 1943. "Raja" is often cited as a significant achievement in cinematic artistry. "Veer Kunal" enjoyed immense box office success. In "Nadiya Ke Paar," he directed the iconic duo of Dilip Kumar and Kamini Kaushal, which became one of the top-grossing films in

1948.

His 1954 creation, "Mayurpankh," was showcased at the 1954 Cannes Film Festival and was in the running for the Grand Prize. "Sawan Aya Re" was a commercial hit, with Baburao Patel praising Sahu's unique approach to a common storyline in the May 1949 edition of Filmindia. Another notable work includes "Dil Apna Aur Preet Parai" (1960), starring Meena Kumari.