#Learn Angular 2
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doodlingwren · 7 months ago
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☝🤓 What if 🤨🤔! I was back 😨🤯 after some months 😞😤😲... ahahah jokes 🧐🤣😂... unless 😳👉👈
#wren text tag#wren draws stuff#it has been a while ^_^ guess it's time to remove the dust from this blog eheh#anyway gaslighting all of you so I can pretend I didn't go on hiatus every 2 working days lol next year it will be the year I am sure 💪#I say while I'm waiting to get the appointment to have my wisdom teeth removed (as if I didn't have enough bullshit in the past few months)#did the check up some days ago and they really went “yeah. ur old. those are your wisdom teeth. we have to remove them sorry 😅😬😔💔💔”#I guess karma didn't know what else throw at me “idk make her bones annoying this time lol” so unoriginal man ugh wish I could unfollow 🙄🙄🙄#idk what else to add. Look at the drawing of my sona and wait (she's so silly omg 😖🤭🥰💖💕✨)#Speaking of ✨art✨ I have some stuff that were supposed to be posted this summer but UHM I will post them here nonetheless#imagine they were posted in time alright. I'm still working on learning how to warp the time-space continuum 🙏#and then I'll be back posting fresh cringe 🥰💖 can't wait to draw all my stupid silly little dumb angular blorbos#I also have memes to redraw with the StS characters tehehehe I'm so evil. nefarius. wicked. foul. villainous if you will#where's that emoji of the cat looking mischievous#😼😼😼#OH YEAH I also I have a bluesky. it's doodlingwren so uhmn. do what u want with this information. I'll make a decent announcement later on#there is no art for now over bsky. But you can see me blabbling abt my own forgetfulness (?)#also I changed the color theme for this blog. It's not that important but I think it's nice#logged in after some time and when I went to change my age in bio I got blinded by the light color combo 😂😭#I might do some lil changes in the next few days but so far it's good :3 the blue looks nice
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10-59 · 6 months ago
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someone should study the phenomenon of the majority of postal fanartists being locked in like constantly. What is RWS feeding y’all
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razzafrazzle · 5 months ago
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a scribbling little rant about """""art tips""""" that infuriate me. hopefully i got my thoughts out in a way that makes sense
[image description: a four page comic about how gender is shown in art tips.
panel 1 shows various exaggerated examples of how artists divide male and female bodies, with men being depicted as strong and angular, and women being depicted as soft and curvy. on the bottom is the artist's sona, an axolotl with glasses named doc, is peaking out from below the background of the panel and saying "a slight bit of comic hyperbole notwithstanding, sentiments like this are very common with it comes to tips for beginner artists. and, while seemingly helpful at first glance, i something to say about any one of these that tries to define how "men" and "women" are to be drawn..."
panel 2 shows doc crumpling up the previous panel in his hands and looking crazed. he says "they're [bleep]in' scams! or, rather, they tend to do more harm than good..."
panel 3 has doc next to two diagrams of characters, the top having all 4 characters with similar body types, and the bottom having all 4 characters with different body types. doc says "setting aside the blatant misogyny, it's also just... repetitive and dull. by limiting the body types you draw by "male bodies" and "female bodies", you are not only severely limiting how visually interesting your designs can be, but also shooting yourself in the foot when it comes to improving at drawing anatomy. note how much more interesting it looks when you diversify bodies!"
panel 4 shows many examples of ways to diversify bodies, including disregarding gender when drawing bodies, diversifying shape language, playing with size and proportions, messing around with facial features and head shapes, and learning how to draw muscles and fat folds. at the bottom is doc giving a thumbs up and saying "don't let a bunch of old dead guys' ideas of gender and beauty weigh down your artistic potential! also, have fun!!" end id]
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iniquitousyearning · 6 months ago
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SLYTHERINSLUT0’S RIDDLEMAS
dec 17th. tom riddle — overstim, cockwarming.
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RIDDLEMAS MASTERLIST. I 2024
summary: cockwarming as a punishment? clit stim cockwarming as a punishment? tom would think so.
warnings: 18+, SMUT MDNI, cockwarming, ft. tom’s mythical clit magic that i force into almost everyone of my fics for him, overstimulation, begging, sharp tongue banter, slight praise, tom is an infuriating bastard like always, dom!tom, slight part 2 from this.
also, thank you to my beautiful @cotttagecorewhore for the idea 🤍
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He's a master of multitasking, you've learned in the passing months. Multitasking and complete self-possession, something you can see as he writes, without a break—as you sit perched in his lap, thighs on either side of his.
He's not writing anything of any particular importance—some letter, an order, some instruction for something. All of it is of little consequence to you, so you focus on the act of it instead—the way he holds the quill, the way it moves across the page in neat, angular script. He does it like it's something that requires no effort, not even a moment of thought, and you wonder if writing to him is as easy as breathing.
It's so easy to love you, you think, until your brain goes back to focusing on the feeling of him. His scent. His breath. His length buried inside you. His free hand not letting you move.
Him.
"That's a filthy habit," he murmurs, and you realize you've been biting your lip, watching his hand work across the page. "You’re breaking the skin."
"Can't help it," you grumble, and to make a point, you start biting your lip again. "I chew my lip when I'm impatient. I'm impatient right now."
He makes a sound that's somewhere between a huff and a sigh at that—and you can feel his attention shift from the page to look up at you for a moment—
"Patience, you've never had. Your only flaw, I'd say." He says, languidly taking in the sight of you before shifting his eyes back to his work. “That, and the penchant for damaging your skin."
You roll your eyes. You know he sees it.
"I didn't realize you were an expert in dermatology.”
You can feel the vibrations in his chest as he laughs—a low breathless chuckle, and you can't stop yourself from shuddering.
"It's more because I don't want to taste blood when I kiss you."
When I kiss you.
You’ll never tire of words like that, and it’s the simplicity in which he says them that makes half your brain immediately short circuit.
Because it’s moments like this—and there are many of them—where you have to remind yourself to breathe, and it's almost embarrassing how easily he has that effect on you, how he can still make you dizzy from a single offhanded comment.
"I don't recall you complaining before."
You're trying very hard to make your voice sound nonchalant now, and you think you're doing a fairly good job of it, but you can feel the way your hips try to wiggle against him involuntarily, the way your hands tighten on his shoulders, digging your nails into his sweater.
He can feel it, he can definitely feel it.
"I'm not complaining now," he says, the smirk still in his voice. "Just stating my preference."
"I have a preference for you not writing right now," you toss back, and you sound whinier than you intended. "You're torturing me."
"Torture implies you're not enjoying it at all," he murmurs, his eyes never leaving the page. "And I can feel how much you're enjoying it."
You can't stop yourself from shuddering again, as if half of your nerve endings are suddenly connected to him, and you bury your face in his neck.
"You're insufferable," you murmur, feeling the soft wool of his sweater against your face. "Can you feel how much I'm wishing to hex you, too?"
"I can," he replies, before his hips cant up a fraction—just the tiniest shift—pressing his throbbing dick up a little deeper into you, making you bite your lip again, and you're almost certain he's done it just so you'll react. "I far prefer the former, however."
You make an indignant sound at that, but it comes out all breathless and a little high-pitched—and it’s then that you decide to give up your attempts at sounding dignified.
"You and your fucking preferences." You hiss, half muffled against his shoulder.
"I'm nothing if not consistent," he says, and you think he actually sounds more distracted now, as if he's more focused on the wiggling of your hips against him then he is his writing. And then— "if you want something, you know you could just ask for it."
You lift your head from his shoulder at that, just so he can see the glare you're giving him now.
"I won't beg for you." You retort, and you realize halfway through that it's not quite as biting as you intended—it's hard to be biting when you can't seem to stop shuddering—when you feel so fucking full of him. "Not after this."
"I didn't say you had to beg," he whispers, and you realize his quill has stopped moving on the page. "I said you had to ask."
It takes every ounce of willpower you have to keep from rocking your hips against him again—you're not sure how much of this you're willing to take.
"And you'd actually indulge me?" You cock a suspicious eyebrow. "If I just, asked for it?"
Now his eyes have left the page completely—quill dropping from his hand as he brings it to your chin, gripping it gently, tilting your head up so he can look you in the face now. You know you're flushed—you can feel the heat crawling over your skin, your neck, probably to your ears, too.
"When have I ever denied you?" He wets his lips as he says it. "As long as you ask nicely."
"I always ask nicely," you mutter, but the effect is lost somewhat when, in your attempt to regain a semblance of control, his hips shift and his dick twitches inside you again. "Jesus—Tom, just fuck me. I can't—"
There's an instant when you think the corners of his eyes crinkle in satisfaction when you say that, and he knows just how undone you feel because he's the one who's gotten you there, and that's why he likes to take his time, because it gets you like this—
"That wasn't nicely," he tuts, tilting your head up a little further. "That was greedy. Selfish."
And there's a hitch in your breath when he says it, because as much as it rankles you to be called that, you know he's right—
"Please," you whine, slick walls clenching tight around him—craving the friction. "Please please please..."
You hoped you’d catch a hitch in his breath at that, something that shows you’re getting somewhere—but he just smiles—and it's a slow, almost cruel smile as his hand slips down to your throat, thumb running over the skin of your neck.
"Much better," he coos, and god it's so condescending you’re back to mentally hexing him. "For your efforts."
And the second he says that—you feel his magic swirling and massaging over your clit.
"Oh god," you manage, half a gasp and half a moan, your eyes squeezed shut. "Oh my god—"
It feels both instantaneous and instant—the wave of pleasure that washes through you at the exact time that the hand around your throat tightens. Another gasp gets stuck in your throat and you want to rock against him but he's holding you in place, and you have to settle for clinging on to his shoulders, clawing at him—
"Eyes open," he rasps, and you do, with an effort, the look on his face almost sinful when you manage to open them—his eyes darkened, watching you intently. "Just like that. Good. No moving."
That simple word—good—does way more to you then it has any right to, and you watch his face as the realization of how much you liked it shows there too.
"Don't be cruel," you whine again, your nails still biting into his shoulders because it's all you have, the only way to anchor yourself. "Tom—fuck—please—"
You see the way a muscle in his jaw clenches for a second—just a second—as if he's biting back a reaction.
"Relax," his hand slips to the back of your head, pulling you to rest your face against his shoulder as he goes back to writing. "I'm almost done here."
You want to make some biting comeback but you can't even think, let alone speak—the pleasure is already at a fever pitch that's almost too much, to the point where you feel like you're trembling, your muscles taut, your thighs clenching, your nails raking desperately up the wool of his sweater.
"Almost?" You manage between gasps as the sensation heightens and you can practically feel your climax prowling near. "You—you said you'd—give me what I want if I asked—"
"You're right," he's hardly focused, as if he can't be bothered in the slightest by your frantic state on his lap. "But I didn't say I'd give it to you now, did I?"
"You bastard," you gasp, your head lolling against the crook of his neck. "You're a fucking—mmffff—god—"
"Poor thing," he responds, all faux-pity as he runs a hand through your hair. "So helpless she's calling me a god."
You roll your eyes with a groan, while he just keeps writing—you can feel yourself trying to rock against him again as the pleasure is building and building and you can't find a balance—
"Tom," you gasp out, but you're not even sure what you're asking for, all you know is that it's him—it’s him and him and him. "Tom—I'm going to—you're going to make me—"
A shudder goes through him at that, barely perceptible, the smallest jerk that you're not sure anyone else would notice but you're so aware of his body and his responses that you'd never miss it—
"Go on." He urges, quietly. "I won't stop you."
You think it's probably the tone in which he says it—half pitying, half condescending—that does you in, and all you can do is bite down on his shoulder, hard, and then you're cumming, almost violently—as if something inside you snaps all at once and you're shaking with it, clawing at him, gasping for air, trying in vain not to make a sound because his dorm is not warded off yet and you're certain the rest of the school would hear if you screamed—
"Mfffff—"
You're clenching, walls fluttering around him as he lets you bite down on his shoulder as hard as you want—the shudder that goes through him at the feeling of your teeth on his skin doesn't go unnoticed, and you wonder if he likes it, if he wants you to mark him just as bad as you want to leave your claim.
"Alright," he purrs when you go limp against him, half slumped over his lap. "Alright. Relax. Good."
You feel utterly boneless and breathless against him, like you've been completely drained out of everything, still shaking a little—he's done this to you in a matter of a few minutes and you feel humiliated by the ease in which he manages it, the control—
"I hate you," you murmur breathlessly, wincing as you feel him—huge and solid, buried inside you—twitch. "Fuck, I hate you."
There’s a low, breathless hum that those words pull from him—and you feel him tuck a strand of your hair behind your ear, before his hand goes back to your throat, tilting your head back up.
"Don't lie," he murmurs, mouthing at your jaw. "You don't."
You're half tempted to argue otherwise, or give him some sort of biting response—but at the feeling of his mouth against your neck, you feel a fresh burst of heat flare up again and you can't seem to fight it—
"No," you breathe out, and you sound almost delirious with it now, too far gone to pretend you have any semblance of control. "I d-don't."
"That's what I thought," he hums, you can feel that smirk on your skin and you hate it and you love it simultaneously, and you wonder how it's possible to feel this many things at once. "You've always been a terrible liar."
Your lips part in response to that, but before you can get words out, he's shifting to resume his writing, and the magic on your clit starts back up again—
"Fuck! Y-you can't be serious," you manage through a mewl, because you're sure you don't have anything left to give—there's no way you can feel it again, much less so soon. "You can't just—"
"I'm not done yet," he replies, simply. "That means you aren't either."
It's almost infuriating, how simple he makes it sound, as if you don't have any say in it, as if he's going to just pull another orgasm out of you the way you'd pull a tissue out of a box—and you want to hate him for it, only you're already going back to being desperate, all your nerve endings on fire again, your fingers clenching uselessly against the dark wool—
"Tommmm" you whine, clenching around him as he twitches inside you, as the stimulation on your clit grows stronger—making your hips jerk, making you lift yourself about an inch up his shaft—just enough to make him groan—
"Fuck."
His fingers immediately fist in your hair, jerking your head back—and you love it, yet hate it, making you hate that you love it—and he makes a low, guttural sound against your neck, almost a growl.
"If you keep that up," you think it might actually be a threat now, because it’s snarled through barred teeth. "I will never finish this."
"That's—that's sort of the point," you gasp out. "I don't care if you don't finish it—I fucking need you—now—"
He makes that guttural sound against your neck again, almost as if he's biting it back—as if he needs the restraint to resist just throwing you onto the desk and having you there—
"Patience," he growls, but you can hear how breathless he is too, now, how affected he is—and that thought makes you feel insane all over again. "You think you deserve to be fucked after what you did? Hm? Slipping me that potion—tying me up—"
"Yes—yes I do—" you don't care that the sound that comes out of your mouth is most definitely a moan, that it's completely pitiful how desperate you are now—you want him, and nothing else matters. "It was just a little potion, it didn't even last that long, you were just mad I made you—"
He shakes his head, telling you without words to shut up.
"Careful," his hand slips from your hair to cover your mouth. "Don't want you to go talking yourself into trouble," his hand tightens a fraction when you try to bite at. "You might end up getting what you don't want."
He shifts under you, making you gasp against his palm, your nails biting into his shoulder as the magic on your clit twirls and swirls with just a little more intensity, enough for you to undeniably feel it—and Tom jerks his hips up into you, just enough for you to feel that, too—
You shake, forcing the words from under his palm. "Tom, please—"
It's not a whine, now—it's a keening, an almost broken sort of plea—but it's as if he doesn't hear it, or maybe he just doesn’t care, because he's continuing to speak in that low, growly rumble against your neck that's just as torturous as everything else.
"You're going to be quiet. You're going to take it," he asserts, and your eyes nearly roll back at the sheer heat of it. "Until I believe you’re deserving of more."
You have no idea if you're nodding or trying to protest, you don't even know which one you want to do because both options sound impossible to you—and you're almost hyperventilating now, the intensity almost too much and not enough all at once—you're desperate, you're aching, you're needy, and then you're falling over the edge—second orgasm shredding through you like lightening—
Oh—fucking hell—
It wrings itself out of you, violent and all consuming, but you can't make a sound—can't do anything except bite down on Tom's hand and clench your eyes shut as you fall apart—your thighs shaking, every muscle taut, your nails clawing desperately at his shoulder.
And he's murmuring things against your neck that you can't make out, holding you against him through it, making you take it in the most exquisite kind of torture—and god, you're certain he must be smiling, you're certain he loves having you like this, a broken mess on his lap, unable to speak, only whimper as he pulls his hand away with a "good girl", and urges your head to rest against his shoulder again as he resumes writing.
For the next solid minute, you still can't speak, just gasp for breath—clinging to him helplessly in the aftershock of it.
"That was two," he says, his hand trailing lazily up and down your spine. "You're in for a long night."
You want to whimper at that, because you're not sure if you can take anything more—
"How many," you manage to breathe out, your voice rasping. "How many more."
"As many as you can take," his voice is so matter-of-fact you know the bastard is smirking. "And possibly a few more after that.”
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Future Spouse PAC—
Hi friends! Highly requested—a future pick a spouse reading. I appreciate all of you for being here <3 please like, comment and reblog to help this blog grow! Your presence means the world. It’s also 11:11 as I type this so for anyone who needs this here you go.
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Pile 1: Hi there pile 1! Hope all is well in your world. For you I see a lot of prominence in your future spouse. They are physically well dressed, put together and appear luxurious. They can invest in quality brands and wear clothing that makes them feel good. I’m seeing someone wear a long tail coat and it emphasizes their height, because it’s slender and yet angular. This person has a great sense of fashion! I heard fashion icon. Some people may look to your future spouse for inspiration, and I heard designer. So perhaps they work closely with others in a artistic sense! They could be a Leo, Taurus or Capricorn. This is also someone who is generous with their energy and resources so if someone needs help they will offer it! Humble, has humility and carries themselves well. I have a feeling this is someone slightly older than you! They could have a pet as well, maybe a parrot for someone or a budgie. Cute! But back to their generosity I feel they give back to their community a lot, and may donate, raise funds for charity! There’s this soothing angelicness to them which people are drawn to, and their smile is also soft and beautiful! It’s something you’ll really like! I also see boyish rugged features for those who are interested in men. And for women I see chubby cheeks, fuller lips and lighter eyes! Your person can be on the taller side :) As for their hobbies may include hiking, skiing, camping! They may go with family as well. They could also be into religious studies like studying different religions, cultures and traditions. They may not necessarily be religious, but study the bible or Quran for example. They just love to learn. Thank you pile 1 for being here! Means a lot to me. Hope you like comment and reblog <3
Pile 2: Hi there pile 2! Haha for you I got a very elusive slippery energy from your future spouse. I feel as though in their younger years they were really hot. They were a know it all. They were charming, devious and funny. And they still are! They’ve certainly still got it going. I do feel as though when you meet them you might pick up on those traits from their past and stay away—but this person has identified that they want a deeper commitment here with you. They have grown a lot and instead of chasing cat and mouse, they are confident in attracting the right person. They don’t want games anymore, I’m hearing they don’t have time for it. So your person could be very busy and on the go often, like traveling to other states or places for work. It requires them to constantly be moving. I feel as though there is an element of long distance here but not necessarily forever! They can be foreign, as well. Different culture, values, traditions. But I think this’ll draw them in even more to you and vice versa. I feel this person has worked their way up to developing self respect and esteem, so they may be a bit intimidating at first. I see honey blonde hair, fair to tan skin, and tall figure. They can have toned figures and look as if they work out. They may be into sports of some kind that challenges their body. They need to get that energy out, i feel as though they’re like electricity, constantly sparking and looking to connect to a source. They can be scattered and flighty because their job is demanding of them, but they mean well. They’re funny, confident, boisterous, and charming! Very smooth with their word so expect them to charm your pants off ;) They may have black hair and keep it neatly trimmed! For men I see a neat beard and it isn’t long, it’s not a stubble either. It defines their face very well and I feel they have intense eyes. For women I see brown hair, thinner lips and green eyes! Or just lighter eyes in general. I feel they’re known as muscle mommy 😭 because their body is toned. Thank you pile 2 for being here! Any likes comments and reblogs are appreciated.
Pile 3: Okay right away pile 3 Electric by Alina Baraz began to play! Lol hope your day has been well. I feel as though this person is intense, stern and firm at first. I heard CEO. What kind of wattpad love story is this? Lmfao im hooked. Anyway, this person could have a higher position in your job and I do feel how you meet is they help you out. They may offer you a position, or talk to you, and somehow it slips out that you’re struggling. Im seeing two people meet for coffee in the lounge room and hitting it off, and its unexpected. I feel you two may expect a purely professional relationship but no—this is something deeper. There’s this feeling of intimacy and closeness with you two, like you two saw each other a long time ago and now you’re meeting again. Very familiar and comforting. Feels like 4h synastry! I love that. I do feel as though your future spouse is a provider and doesn’t mind if you want to take the reigns in bed too ;) they are skilled I should mention. I also feel they are someone who tries to understand what their emotions are and what its telling them. So you can help them, maybe you understand emotional processing better and can guide them. They’ll guide you through the material world and offer insights, and help you feel stable financially. I almost feel as though you’re the spiritual one and they are in touch with the material realm. So they are stunned when they hear of your spiritual journey and not only that but attracted. They feel tempted by what they don’t understand. Speaking of temptation—theres a lot. Psychologically it’s tempting to fall into old patterns and I feel as though this connection is helping you release that, but also intimately the temptation is there! Very strong. “Darker than the ocean, deeper than the sea.” I keep hearing that from the song and it describes the depth of your connection when you two meet. I also hear, “touch me, your electric baby.” So you two will definitely feel it. Its unmistakable! A little work romance never hurt anyone LOL that’s what I heard. Someone is saying it like a hushed whisper so I feel ya’ll will physically get closer to talk to one another—it’s an unconscious action yet so intimate. There’s a lot of unspoken tension here between you two. Anyways pile 3 enjoy <3 I hope this helped you! And please don’t forget to like comment and reblog to share the love.
Extra
Paid readings 🤍
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astrodescent · 2 years ago
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astro observations pt.2 🕸️🪽🦇
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aquarius mercuries are always asking people questions about themselves, but not always because they care - it’s to study them
i’m envious of sagittarius mercuries because y’all can ponder things but you’re okay with not getting a definitive answer
pisces / aquarius don’t reply not because they hate you, we just have escapist tendencies
virgo mercuries can be a little annoying when explaining something to them, because they always find a fault in any situation.
scorpio placements have parents who had suffered, either while they were pregnant or after the child was born.
sagittarius mars / 9H always have the best philosophies that they live by
say what you want about virgo venus natives but no one is gonna take care of you like them
“teen degrees” (13°-19°) in astrology, usually indicate some sort of transformation and learning experience that manifests within the placement
i’ve noticed that venus ruled or dominant placements have a pink undertone and mostly have pink / green auras
planets in angular houses (1H,4H,7H,10H) are usually important to the foundation of a person in a chart
saturn conjunct sun can indicate ocd
leo moons sidereal cancer moons cause drama and then victimize themselves when it turns back to them
aquarius / sagittarius in a chart can make someone VERY blunt especially when mad
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assassiowl · 1 month ago
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Outer Wilds - Owlk Undertale pixel animation - sprite update Process notes below - breaking down a sprite and how it feeds into my learning decisions:
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I really liked this original sprite, at the time I thought it was really cool and captured the feeling I wanted to go for. With a sprite update, it's great to keep the original idea in tact. So going off of that, I wanted to see if I could make it more threatening overall and fix up some issues that were present. 1. Antlers This is a form and anatomy issue - based on how the antler is attached, it looks like it bends backwards, when you pair it with the left side, it makes the bird feel a little less scary. It clashes with the spikey, angular antlers and has a competing feeling. By turning the new antlers into a focal point, I exaggerated them to make them be extremely noticeable. It's wide, thick and intimidating. The big block of white draws the eye. This happens due to the size and the simplicity. The rest of the sprite has a lot more detail, so the thing that sticks out most is the least detailed part. You can achieve the same by reversing this, for example having simple clothes and extra detail around the head. 2. Left arm It's not particularly bad, it's just a bit idle and plain in comparison to the rest. I brough this in by rotating it, adding some claws and bolstered the intimidation by exaggerating the muscles. Checking for areas that don't really fit the mood is more of an emergent issue.
3. Feet Something that stood out was the weight behind the foot. I gave the sprite a grounded feeling. The issue was the shaky anatomy, since I didn't really know how to draw it from this front facing angle. I wanted to emphasise this weight factor, in the animated version the planted feet are the only static part. It's subtler in pixel art, but you can add a little bit of foreshortening to make it seem like it's stepping forward. 4. Ambiguous parts One of the most important things for pixel are is having a readable form. If you can read the silhouette when it's all painted in black, even when you add in details, it will really help keeping the form. I adjusted the mass so the bulk is now centered around this central torso and shuffled some of the leg positioning to be a bit clearer what is going on. 5. Right hand Hands are hard, sometimes it's about are you able to make it look passable, and it's ok. As you learn more things get easier, and you can start envisioning and making changes with intent instead of winging it. I went with a closed hand position, almost like it is grabbing, with this monochrome style it can be a little tricky to define form properly, or you end up with far too much going on. So I simplified this area with the power of suggestion to lift up this part. We can't explicitly see what it's grabbing onto, but that isn't necessary. This vague star shape moves in unison with the hand with a clutching motion, so we can tell it's holding -something- to imply a handle without explicitly drawing it.
6. Expression The face will make or break a sprite. You can tell SO much with just moving a couple of pixels. It's really evident when you are working with an iris on the whites of an eye, shifting it one pixel will change the entire vibe. In this case, I opted to simplify the whole head area, removing a lot of the dithering on the cheek and instead pushing the texture onto an elongated neck. I'll take on a reflection process after each piece to address what I like and don't like, making notes on what I should work on next. It's a really helpful exercise, especially if you can be specific as to what is happening with each issue. I'm a big fan of pixel art, the small canvas forces you to think about these things very concretely - it's using a magnifying glass to see which aspects are falling behind. So looking at this final one, I feel like I was compressing the torso a lot, and ended up with a much more compact design - which sometimes is the goal, especially if you're working within constraints for a game. Since I'm not working on it for a specific project, I'd then consider just using a taller canvas next time to allow more breathing room. My head is a bit more chaotic than this though. Pixel art let's me get those ideas out quickly - it's like thumbnailing or sketching.
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hunkpossession0 · 11 months ago
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Saw these two hunks chilling on our mountain trip, and me and my friend were eager to steal their bodies. The plan was simple: wait until they were alone, use the enchanted stones we found last summer, and swap our souls with theirs. I ended up in the body of the long-haired one, and my friend took over the other.
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Feeling the weight of his muscles, the power in his limbs, was exhilarating. My long hair swayed in the breeze, and I couldn't help but admire my reflection in the nearby stream. My friend was having a similar moment, flexing and laughing with newfound joy.
"Guess we should head back to camp," I said, my voice now deep and rich. We walked back, exploring the sensations, the way our new bodies moved. Every step felt different, more grounded, more alive.
As night fell, we set up a small fire. The flames cast shadows that danced across our chiseled features. My friend, in his new body, couldn't stop touching his biceps, marveling at the strength.
"Let's see what else these bodies can do," he suggested, a mischievous glint in his eyes. I felt a rush of excitement, a thrill at the possibilities.
We moved closer, exploring each other's new forms. His hands ran down my back, tracing the contours of muscle. I reciprocated, feeling the hard planes of his chest, the tautness of his abs.
"I've never felt anything like this," I whispered, leaning in. Our bodies were drawn to each other, an irresistible force pulling us together.
We spent the night discovering every inch, every sensation heightened by the unfamiliarity of our new forms. It was as if we were learning to be human all over again, but this time, with a layer of intense attraction we hadn't anticipated.
By morning, we lay exhausted but satisfied, tangled in each other's arms. The mountain air felt different, clearer, as if we had become a part of it. The hunks' bodies were ours now, and with them, a new understanding of who we could be.
"I guess we're stuck like this," my friend said, a hint of amusement in his voice. I looked at him, feeling a deep connection, something that went beyond just the physical.
"Yeah," I replied, smiling. "And I wouldn't have it any other way."
Body 1: The Long-Haired Hunk (Me)
Standing tall at 6'3", this body exudes an effortless blend of strength and grace. The long, flowing hair cascades down to broad shoulders, catching the light with a hint of natural wave. His piercing blue eyes are framed by strong, angular features—a chiseled jawline and high cheekbones that give him a rugged yet refined look.
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His muscular build is evident with every movement. Defined pecs, sculpted abs, and powerful arms showcase years of dedication to fitness. His skin is sun-kissed, hinting at a life spent outdoors, and there's a confident swagger in his stride. Tattoos snake along his right arm, adding an edge to his otherwise classic good looks. This body is a perfect blend of warrior and model, turning heads effortlessly.
Body 2: The Short-Haired Hunk (My Friend)
Even more imposing, this body stands at 6'5" with a massively muscular build that demands attention. His short, dark hair is stylishly tousled, revealing a pair of intense, hazel eyes that seem to see right through you. His face is equally handsome, with a strong nose and a slightly cleft chin giving him a distinguished air.
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His physique is the epitome of power, with thick, bulging biceps, a broad, barrel-like chest, and legs like tree trunks. Every muscle is defined and exaggerated, creating a look that borders on the heroic. His skin is a warm olive tone, suggesting a heritage of sun-soaked climates, and he carries himself with a natural, easy confidence.
A few faint scars on his knuckles and forearms hint at an adventurous past, adding an element of intrigue. This body radiates a dynamic energy, as if always ready for the next challenge, and his infectious smile suggests he's more than willing to take it on with you.
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twinroomies · 3 months ago
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i really like the bits of your personal style that show in the twin runes style issue! ^^
Thanks! It's, interesting adapting the art style, I should talk about that a bit! So, yeah, this isn't verbatim Twin Runes, I'm not following the model sheets 1 to 1... but I used to ALL the time. For those of you who don't know, I started the journey which is currently at this point with a dub of Twin Runes itself! In that dub, I needed to add a few elements, remove a few things to have them appear at different times, etc, etc. Then, I started getting more creative. Then I started adding new expressions, then I drew my thumbnail for the compilation of the first 50 dubs... and then I just kept drawing them. A lot. I ended up drawing them so much I can draw a lot of Twin Runes characters completely from memory, and most of them partially (characters like Susie , while I love them, I don't draw often enough). Now we're here! And, somewhere along that line, when you draw characters a lot and commit things to memory or when you learn a style... some stuff changes eventually because you're doing it from the hip so to speak. All you people that want to work in animation, take notes: you're rarely going to be drawing in your own style. In fact, I don't HAVE my own style, if you sat me down and said "draw something in your own unique style" I'd probably just come up with something on the spot, and a week later if you asked me the same thing it could be completely different! I have things I like, but I don't have a style, because I'm NOT an illustrator, I'm an animator... BUT that doesn't mean I don't end up with variations:
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On the left are sketches of me following more closely how Akane draws the goobers at current, and on the right is me drawing the goobers from the ol' dome noggin. Akane's versions of the Roomies are a lot more refined, in a sense. The features are smaller, the shapes are a lot less cluttered, and they ooze design choice, they remind me of Sanrio or something by "Bob Holt" (that's the Hoops and Yoyo guy for those of you old enough to remember them)! My versions of the doofuses, however, are very scrappy. My Chara uses a lot less angular shapes, taking on the appearance of something closer to Kris from around issue 30 of Twin Runes (where I started drawing for my dub, actually). They have wider bangs, a more squished face, and their jaw is gone. If Akane's Chara is the Cheshire Cat, mine is Garfield. Speaking of cartoon characters, my Asriel is actually closer to how he was drawn in the very first comic to STAR both of those characters, though even in that regard I'd say my Asriel is still even more "cartoon-y". I built his face, in a sense, to be funny. He's got a lot of that "Joseph Holt" (Mickey Mouse Shorts Circa 2013) energy, he's gotta do a lot of the facial expression work for the comic since Chara's not one to really emote that much, now are they? While some of these are VERY DELIBERATE CHANGES, to be honest, some of these are just... how I draw compared to Akane! I grew up doodling Sonic, Spongebob, and OG Dragon Ball, and I feel like it really shows in what I gravitate towards. But, regardless of what I change, the goal always is, and will continue to remain, being true to Twin Runes itself! That was a long ramble, wasn't it? I'm really sorry, I'm still getting used to running one of these, I'm sure most of you had your eyes glaze over by paragraph 2! I hope someone finds it interesting, however, and thank you for your question!
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vonnart · 8 months ago
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· 2 · The Feral Blacksmith and His Sons ·
Throughout @drawtober I will be posting a narrative as if I partnered with Fromsoft to create a Halloween flavored game till the end of October! 🎃
So, to continue on from the previous post...
“With the vampire slain, you obtain an intricate brass key, which allows access to the graveyard (where you can meet the shopkeeper) AND the first floor of the mansion you first awakened in front of. You learn there that the tall, black forest is where you must travel to next. As you make your way out of the village, the amber fog thickens almost immediately at the tree’s edge under a full moon's light. It’s just below eye level so while you can still see, anything that is beneath your neck gets somewhat lost.
Eventually you find an old gate and a “No Trespassing” sign marking off a large section of the forest with looming, branchless trees lined up in straight, angular rows. As you unintentionally make your presence known, the fog starts to pulse from far away. You notice there are three forces causing the fog movements. One is much slower, while the other two seem to increase their speed towards you. Then, without warning, those two split in different directions to surround you in a seemingly triangular formation.
As if on cue, all movement suspends and the fog settles once again. When you look around, you see a pair of still, glowing eyes in each of their directions through the fog. Everything hangs motionless until you make the first move….
…And with that, all 3 resume charging straight at you with the clanging of metal and noises of what seems to be a language (unfamiliar to your own ears) heading recklessly in your direction."
Read the actual post drawings to learn more about their techniques, unveil the family’s second boss form and see how to defeat all three of them.
(Stay tuned for the next boss battle)
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lauren-likes-to-type · 10 months ago
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Artistic S/O Headcanons
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[Inside Out 2] Valentina [Val] Ortiz x Female Reader
Summary: General and romantic headcanons for Val with an artistic female S/O.
Word Count: 1.19k Content + Warnings: None Category: Fluff || Headcanons
[A/N]: This was fun to write! I included general artist stuff like sketching and painting, but I also included Reader being a musical artist and if Reader likes to write.
Enjoy!
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Personally, I like to think that Val has an artistic side herself
Whenever she’s not practicing or training for hockey, she’s curled up somewhere sketching or painting whatever comes to mind
I like to think she’s a pretty decent artist too
So when she learns that her S/O is also into art, she’s thrilled
She’ll come to you most of the time for advice or ideas on a piece, especially if you’re at a higher skill level than she is
Sometimes there’ll be days where you’re hanging out alone together and just sitting close to each other while you both draw
If she isn’t in the mood to sketch or paint, or if she just doesn’t have any ideas, she’ll either lean against your shoulder to watch you work, or she’ll settle behind you and pull your back into her chest so she can hold you
When in the latter position, her arms will rest comfortably around your waist without getting in the way and her head will plant itself gently against your shoulder so she can peer over and watch you work
She’ll throw in plenty of compliments here and there about whatever it is you’re working on
If you’re looking for inspiration or encouragement, she’ll provide it for you somehow
If you like to sketch people and she sees that you’ve drawn her, she’ll get uncharacteristically sheepish, telling you that you made her look so good in your style and that she feels honored you chose her as your model
Definitely likes to do that challenge where you trade off drawings every five minutes and add something random to it until it’s a finished piece
I can either see her as having a really loose, relaxed style, or a unique abstract style where she focuses more on the angular sides of things
Regardless of her own style, she 100% likes to doodle you from time to time, especially if you’re nearby and she can use you for reference instead of going based off of memory
If she doesn’t draw or anything, then she’ll happily ask you to give her quick lessons here and there
Though, most of the time she just stares lovingly at you, adoring how passionate you are about your craft and how easily you can explain things to her (even if she’s not necessarily listening)
If you don’t have your sketchbook or anything solid to draw on, she’ll offer you one of her arms and a few pens or markers so you can doodle something random on her skin
She likes the feeling of you holding her arm so still and tracing random patterns or shapes against her skin, and she often gets lost in a daze just watching you draw on her
When you finish, she’ll keep her sleeves rolled up. Partially to let the ink dry, but mainly to show off what you’ve drawn on her
Not sure if she’d be the type to get tattoos, but if she ever did get one, she would go to you immediately to help her design one
If you ever enter your pieces into competitions or shows for school or otherwise, she’s going to be your #1 supporter the entire time. Even if you don’t get first place, she’s cheering you on and offering you every ounce of encouragement she has in her body
You’re always there to cheer her on during her hockey matches, so she likes to return the favor, even if it’s just a small competition
If you ever open commissions, she’s the first one to buy one from you, and she’ll continue to buy one from you at least once or twice a month
She’ll bring it up to her team and gladly show off your work, telling them you’re open for commissions
They all also buy a piece from you each time, wanting to support you almost as much as Val does herself
Her teammates adore you with all of their hearts, and they love how happy you make Val, so they want to return the favor and let you know that they admire and appreciate you
Val absolutely spam-likes your posts if you have an art account. That, and she’ll post each and every one on her story with compliments (as well as lowkey bragging that she has such a creative and talented girlfriend)
Will 100% pose or model for you if you want her to, though she’ll crack plenty of flirty jokes throughout your process, wanting to see you smile as you work
If you’re just wanting to have a chill session where you’re just drawing (separately or together), she’ll put on music in the background, occasionally singing along with it if she knows it
Speaking of music:
If you’re more of a musical artist, she’s absolutely wanting to listen to whatever you make, even if it’s just something as simple as a beat
If you play any instruments or sing, she’s sitting right by your side or holding you from behind as she listens to you play or sing
I can see her having a pretty voice, so if she were to ever sing with you, she’d likely make harmonies or duets sounds great
Definitely listens to any music you make and will support you all the way if you choose to try and make it into a career
There’ll definitely be mini concerts in the kitchen or while listening to music together while cleaning the place, and she always makes sure you know just how beautiful your voice is
She’ll help you come up with lyrics or melodies if you need it
To make sure you know she’s being genuine with her support, she’ll throw in specific things she likes about your art, musical or not, so it doesn’t sound like a vague, generic compliment
She’d compliment how bold your strokes are when painting or sketching, how specific features of a face or item you doodle look stunning, how captivating the color palette you chose is, etc.
She’d also compliment how smooth your voice is if you’re singing, how catchy the melody you came up with is, how the chords you chose match the tone of the song perfectly, and so on and so forth
If you like to write stories, she’s reading each one the moment you tell her she can
Writing a book? She’s there whenever you need help coming up with a scene or a plot point
Typing up a random short story to get the creative juices flowing? She’s listing out potential names for characters and describing things that could catch the reader’s attention
She’ll help you develop your own writing style over time and will celebrate every little victory with you, even if it’s something as simple as finishing a chapter or scene you were struggling with
Overall, she’s an incredibly supportive girlfriend to her artistic S/O, and she absolutely wants everyone to know just how incredibly talented you are. She joins in regardless of how good she is at drawing, painting, sculpting, singing, making music, writing, etc. because she loves making sure you know that she’s just as passionate about your interests as you are
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cyberclouddream · 9 months ago
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Hey, I go by Naj and I’m from Atlanta, GA, currently living off in the Caribbean. I’m using this blog to learn and interpret. Keep in mind that astrology is complex and nuanced. I currently prefer using sidereal (not jyotish/vedic) calculations and the topocentric house system!
Tropical: Libra Rising, Virgo Sun, Moon, Mercury 12H, Saturn 8H
Sidereal: Virgo Moon 0° 1H Uttara Phalguni w/ Lord Mercury Leo combust in 12H
I do not have any astrology certifications, I am but a student and enthusiast. I am not a Vedic Astrologer!
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Mental Reframing
Neutral Affirmations for Self Concept
Transits
Venus in Scorpio Thru Houses
Interpretations
Key Meanings of the Planets
Motives of the Signs
How the Signs Gain Attention or Visibility
What Recharges or Motivates Us
Enemies in the Natal Chart
How You’re Pushed to Heal
Existential Crises You're Prone To
Your Philosophical Dance
Friendship Conflicts [ 11H cusp ]
Signs of Career Dissatisfaction [ 10H cusp ]
Travel Preferences & Tendencies [ 9H cusp ]
Your Relationship with Transformation
Your Partnership Issues & the 7th House
Your Secret Self and the 12th House
Traditional Planets in the 12th House
Signs through the 11th House
How to Spot: Fire Sign Edition
How to Spot: Earth Sign Edition
How to Spot: Air Sign Edition
How to Spot: Water Sign Edition
How the Signs Seek Emotional Safety
How the Signs Feel Secure and Valuable
Cardinal Signs through the Angular Houses
Fixed Signs through the Angular Houses
Mutable Signs through the Angular Houses
The Personal Signs’ Personalities Explained
The Interpersonal Signs’ Personalities Explained
The Transitional Signs’ Personalities Explained
Mercury Signs through the 12th House Part 1
Mercury Signs through the 12th House Part 2
Sun through the Houses
Moon through the Houses
What Makes You Feel Isolated or Confined
Mars Ruling the Houses
The 6th House and Bad Fortunes
Where You Feel Protective and Nostalgic
Musings
Aquarius 3H
Ascendant Sign vs Sun Sign
Stages of Development
Pisces, the 12th House, and Nonduality
The Stages of Shadow Work and the Signs
The Stages of Planning and the Signs
Sun in the 12th House & Alice in Wonderland Syndrome
Intentions Beyond Perceptions of Signs
12th House Musing
Mars in Libra and Annoyance
Sister Signs Muse
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maclediumzeyheri · 4 months ago
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How I Draw: PART 1
Hello, this is Zeyheri. While I was happily drawing, I suddenly realized, "Oh no, the new school term is coming! Once I start going to school, it'll be hard to draw! And my promise to share how I draw will be delayed so much!!! (I'm doomed!)“
...So, even though I haven't finished my drawing yet, I thought I should at least upload a post to prevent my trust from shattering into pieces.
I’ve noticed that authors always include words of gratitude in their book prefaces (so I’ll imitate them!). I sincerely thank the two people who’ve helped me a lot in writing this post and who will continue to help with many questions in the future. I also love all the users who constantly take an interest in my drawings!
As you probably know, I’m not a professional illustrator. The only formal art training I’ve had was at an art academy in elementary school! So, it’s probably not a great idea to expect to learn much from my writing. However, anyone can enjoy drawing even without formal training. "The act of appreciating art" is an even more accessible field to enjoy. If you read this and felt intrigued or inspired to try something experimental, then that is exactly the purpose of this post, and I will be happy.
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(1) Tools & Programs
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I use three programs to draw: PaintTool SAI2 / Corel Paintshop Pro / Corel Painter. Oh, I almost forgot-The tools I use are the love-hate Surface Pro 8 and the Huion Kamvas Pro 16 (4k).
-Rough sketching, inking, base coloring, adding shadows, and initial corrections: PaintTool SAI2
-Adding paintbrush effects: Corel Painter
-Other corrections: Corel Paintshop Pro
(*If you're wondering why I don't use Clip Studio, it's because my beloved Surface laptop might die from it! "Then how do you use Corel Painter?" you ask? The moment I open Painter, lag starts, and the fan goes crazy. If you value your laptop's lifespan, take my advice and avoid it!)
In fact, about 70% of the process happens in SAI. So, in this post, you’ll only see me using PaintTool SAI2.
(2) Rough Sketch & Line Art
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Rather than creating a detailed rough sketch, I prefer to draw lines while adding rough sketches when needed. The first image is proof of that! For me, the rough sketch stage is less of "the first step in drawing" and more of "getting the atmosphere right."
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For the lines, I use the SAI pencil, adjusting the brush density to around 75-85. Other than that, it’s probably set to the default settings, at least as far as I remember. (It's Korean, but I believe you can understand what it means by location)
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If you look at my line art, you might notice faint shadows sometimes. This isn’t because I adjust the brush density; I adjust the layer opacity instead.
(2-1) Drawing Hair
Now, one of you asked me a question: "How do you draw hair?" I’ve created a simple resource to explain!
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As always, there are exceptions, but when I draw hair, I tend to make the shapes angular. This way, the hair looks solid, almost like stiff RNA strands.
After that, I add lines following the flow of the hair, giving it a fuller look. I usually add these lines when I’m refining the inking stage.
Sometimes, if I’m feeling it. I add thin strands of hair around the edges to give it a more "hair-like" appearance.
(2-2) Drawing Eyes & Coloring
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There was also a question about how to draw eyes. I’m not the type to add sparkling glitter for a glamorous look, so my approach is very simple.
In the picture, I’ve divided it into several steps, but honestly, it’s a very quick process. Start by shaping a hexagon and keep adding multiply layers while coloring. The key point is in the 6th step, where you cover the entire eye with a light pink multiply layer. Doing this creates a much more eerie, painful, and melancholic look! (I was really excited when I first discovered this! Yay!)
(3) Coloring
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Now it's time to add color. Typically, I would choose colors that fall within the left square area, but if a highly saturated color seems more fitting, I use colors from the right square area. If you ask me why I choose these colors, I'm not sure. I just feel like I like low chroma colors.
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Be thorough in coloring, and once you're done, apply textures lightly to finish it off. (You’re asking what texture I use? Well, since I’m not a texture creator, I don’t think it’s appropriate to talk about it publicly. But if you send me a private message, I’ll answer you secretly. I think it was over $30.)
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While coloring, using an Overlay layer to test can help when adjusting the color tone later on.
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Thank you for reading. Please look forward to our next post as well! Feel free to let me know if there are any awkward expressions or anything you would like me to add to the content of this article!
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signanothername · 8 months ago
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Do you have any tips on how to study an artist style because I haven't been able to find a video on YouTube to help me☹️💔
Oof yeah Youtube usually just has the “how to find your artstyle” vids (which are all bullshit tbh but I digress)
Ok tbh I barely do art studies, so I would try and explain how I would do an artstyle study myself and hope that helps dhhxhxhx
The thing about an artstyle, is that it’s a bit unique to each person, and not just in terms of one single thing, but everything from how they do their lineart, to coloring, shading, etc
Not only that, but an artstyle changes and grows with the person as they learn more and more about their preferences, no artstyle stays the same forever
Not only that, but depending on the artist’s artstyle, it could be really easy to study cause the artist is consistent with their art, or really difficult cause the artist has no set artstyle and they change constantly
That’s why I’d say the best way to approach it is to study it bit by bit, and not to overwhelm yourself trying to take in how an artist does something all at once during practice
But the biggest thing that I’d say would make you understand another artist’s artstyle is observation
Take multiple artworks from the artist you wanna study and just take them in, observe everything about them
Do they use lineart or are they lineless, if they use lineart are their linestrokes thick or thin, is their lineart clean or is it messy, if it’s messy, how messy? Is the lineart angular or round generally? Or maybe they use both angular and round edges?
Are their lines curved or very straight? Does their line weight change in the same linestroke or does it have the same line weight throughout? Do they tend to do their lines in one single clean stroke, or do they tend to re-emphasize their lines by 2 or 3 more strokes in the same place?
What kinda brush do they seem to use? Is it a very textured brush or is it a very clean inky brush?
How do they color? Do they use bright and saturated colors or do they go for muted and dark colors? Maybe something in between? How do they shade? Do they use cell shading with hard edges, or do they use soft shading, do they blend it in or keep the edges of their colors bold and sharp? Maybe both?
How do they shape certain things? Maybe their artstyle relies heavily on rectangular shapes, maybe their artstyle shapes certain things to be round and others as cubic in the same artwork
And so on
Then after observing as many artworks by eye as you can, go for actual practice
Take a shot at trying to replicate their artstyle, it doesn’t have to be perfect, just as close as you can
Again, try it to take it one step at a time, at first try to focus on the lineart for example and nothing else, just try replicating that, just so you won’t overwhelm yourself with information and end up thinking it’s way harder than it truly is
Hell maybe you aren’t really interested to understand their lineart, maybe you like their coloring, and so just focus on how they color and try coloring the same way they do with your own art
Sometimes you get really stuck with something, or you try and replicate something and you genuinely couldn’t at all, in that case, I would say, if possible, try contacting the artist you’re trying to study the artstyle of, many artists would be happy to help where they can and give you a direct response and instructions to how they do a certain thing in their artstyle (I definitely would)
So, with all that out of the way, Imma give you an example, it’ll be a very quick example without much depth, but just to give you the general idea to use as a basis
(I’ll be using my own artstyle as an example cause idk if other artists would be comfortable with me using their art without permission dggdgdggd)
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Again, this is just a very quick example, you can actually take one artwork and study it to every little detail, then work your way up to multiple artworks at a time
Uuuh that’s all I can honestly give, hope it helps, good luck with your artstyle study <3333333
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galaxysupreme17 · 7 months ago
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An Unexpected Visitor (part 1 of 2)
Y/n = Your Name
AgathaRio x daughter!reader!
The Westview farmers' market was alive with vibrant energy, the sound of cheerful chatter mingling with the scent of fresh produce, baked goods, and blooming flowers. Agatha strolled leisurely with Rio and Y/n, savoring the rare moments of peace and quiet their lives allowed.
Y/n's dark brown curls caught the sunlight as they bounced with her every step. She looked effortlessly ethereal in a flowing, earth-toned dress that swirled around her ankles. A shawl embroidered with delicate floral patterns draped loosely over her shoulders, lending her an air of timeless elegance. She had returned home for spring break from college, missing home more than she thought she would. 
"Mama, I think we've bought enough honey to last us until the next millennium," Y/n teased, her arms laden with a basket overflowing with jars and small bags of herbs.
"Don't be ridiculous," Agatha replied, inspecting a bundle of lavender at a nearby stall. "It's not just for tea. Honey is a key ingredient for many spells, you know. Versatile, magical, delicious—what's not to love?"
Rio raised an eyebrow, smirking as she adjusted her sunglasses. "You said the same thing about the rosemary you insisted on buying last week. Have we even touched it since?"
Agatha gasped, clutching the lavender dramatically. "How dare you? Rosemary is sacred—an essential component of—"
"—of spells, you haven't cast yet," Rio finished, laughing softly.
Y/n rolled her eyes but smiled, clearly used to their playful banter. "You two are why we always need extra storage in the kitchen." She adjusted the strap of her basket and stopped at a stall selling handmade jewelry.
"Don't get distracted, cariño," Rio said, her tone teasing but warm. "We still need to find those herbs for your potion practice."
Y/n waved her off with a grin. "I can multitask, Mom. Besides, if I don't get this shopping gene from one of you, I'll break the family tradition."
Agatha chuckled, reaching out to pluck a piece of fabric off a vendor's table. "Oh, darling, it's not a gene. It's an art form. You'll learn."
The three meandered through the market, often chatting with vendors or admiring handmade goods. It was a perfect afternoon, the kind of day that made Westview feel like a sanctuary.
But peace, as always, was fleeting.
As they rounded a corner near a stand selling potted herbs, Agatha froze. The jovial conversation around them dulled in her ears, replaced by a sudden, sharp awareness.
Rio noticed immediately. She placed a steadying hand on Agatha's arm. "Sweetheart, what is it?"
Agatha's lips parted, her eyes narrowing as she scanned the crowd. "A presence," she said quietly. "One I haven't felt in... centuries."
Before Rio could press further, a voice drifted through the air, silken and cold.
"Agatha."
The three of them turned toward the sound, and there he was—Magnus. He stood a short distance away, his piercing gaze fixed on Agatha. Time seemed to have barely touched him. His dark hair was slicked back, his angular features sharp, and his long black coat tailored perfectly to his lean frame.
"Agatha," he said again, stepping closer. His voice was smooth, almost disarmingly so. "It's been too long."
Agatha straightened, her body rigid with tension. "Not long enough."
Magnus's smile widened, though it didn't reach his eyes. "Is that any way to greet an old... acquaintance?" His gaze shifted, falling on Rio, then Y/n. His expression faltered briefly when his eyes landed on Y/n.
"And who is this?" he asked, his voice taking on a curious lilt. "Your... daughter?"
Y/n stepped closer to Rio, her shawl slipping slightly off her shoulder. She tilted her head, studying the stranger with cautious curiosity. "Who's asking?"
Magnus chuckled, his dark eyes glinting with amusement. "Fiery. Just like your mother." He turned his attention back to Agatha, his smile sharpening. "She's quite the image of you, Agatha. Except for those eyes... and that smile. Those aren't yours."
Rio stepped forward, her posture protective and her voice low. "Keep her name out of your mouth."
Magnus raised an eyebrow, his gaze flicking to Rio. "And you must be the infamous Rio Vidal. The one who stole Agatha away from her coven, her destiny."
Rio smirked, though her eyes were cold as steel. "And you must be the ex who didn't know how to take a hint."
Magnus's jaw tightened briefly before he forced his smile back into place. "Funny. I seem to recall Agatha and I having a bright future ahead of us before you meddled."
Agatha's voice was sharp as a blade. "Don't rewrite history, Magnus. You were a pawn, just like the rest of them."
Magnus's expression darkened. "And now? You've traded power and prestige for... this?" He gestured around at the bustling market, his disdain evident.
Agatha took a step forward, her chin held high. "I traded manipulation and control for freedom and family. Something you'll never understand."
Magnus's gaze flicked back to Y/n, lingering too long. "Freedom and family," he murmured. "How quaint. Tell me, Agatha, does she know who she is? What she's capable of?"
Y/n narrowed her eyes, stepping in front of her mothers. "I know enough. And I know I don't need to listen to you."
Magnus chuckled darkly. "Such spirit. We'll see how long that lasts." He looked at Agatha one final time. "This isn't over."
With that, he turned and disappeared into the crowd as suddenly as he had appeared.
The car ride home was heavy with silence. Y/n sat in the back seat, her shawl wrapped tightly around her shoulders. Finally, she spoke, her voice breaking the tension.
"Who was that guy?"
Agatha sighed, glancing at Rio before answering. "His name is Magnus. He's... someone from my past. Someone I hoped I'd never see again."
Rio added her voice firm, "And someone who doesn't matter now. He's a relic of a life we left behind."
Y/n frowned. "He seemed pretty interested in me. Why?"
Agatha hesitated, her voice softening. "Because you're my daughter. And that makes you a target for people who think they can use you to get to me."
Y/n sat up straighter, her expression resolute. "I'm not scared of him. He doesn't know me."
Rio reached back, squeezing Y/n's hand. "Good. Because we're not letting him get near you. Ever."
Agatha glanced at Y/n through the rearview mirror, her voice trembling slightly. "I won't let him take anything from me. Not this time."
Rio's free hand found Agatha's, squeezing it tightly. "He won't. We won't let him."
And in the quiet strength of Rio's voice, Agatha found the courage to believe it.
That night, after Y/n had gone to bed, Rio found Agatha sitting in front of the fire, staring into the flames. She approached quietly, handing her a glass of wine before sitting beside her.
"You're blaming yourself," Rio said softly.
Agatha didn't look at her. "He's here because of me. Because of what I was. What I did."
Rio reached out, taking Agatha's hand in hers. "He's here because he's a bitter, entitled coward who doesn't know how to let go. That's not on you."
Agatha's eyes glistened with unshed tears. "He looked at Y/n like she was a prize. A way to... to claim the Harkness line."
Rio's grip tightened. "And we won't let him. You're not fighting him alone, Ags. I'm here. Always."
Agatha finally met her gaze, her voice trembling. "I don't deserve you."
Rio leaned in, pressing her forehead against Agatha's. "You deserve every bit of this family. And Magnus will learn the hard way that no one messes with what's ours."
The firelight danced in Agatha's eyes, and she felt hope for the first time that day. Together, they would protect Y/n. No matter what it took.
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asimplechaos · 3 months ago
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I rarely post art on here anymore (and don't expect it to be particularly Regular anymore), but I am pretty proud of these, so I figured I'd share them!
Doing a small project where I design pre-evos (or in the case of Kartana, an evo) for the Ultra Beasts! So here's the ones for Pheremosa and Buzzswole!
More info and rambling under the cut.
IMO, designing pre-evos is a little harder than evos, namely because you have to try and identify what would be the core 'theme' for the line, as well as dial back on the level of detail. And when the Pokemon you're working on are Ultra Beasts, who have their own specific design philosophy attached, it gets a lot more tricky.
I ran into a real roadblock with this regarding Kartana, because really my only option was a paper shuriken, but, well... I couldn't do that and keep the angular aspects of Kartana as well without it looking like A Certain Something, so rather than risk that, I went for an evo. You'll hopefully see it later.
For now, let's focus on these two.
Parfroach
Bug-type
Parfum (French, lit 'scent') + Roach
Evolves into Pheromosa after learning Double Kick
Dex 1: "A rather meek type that prefers to hide in the shadows of Ultra Space. Despite being a natural part of its body, the flaps of chiton over its legs seem too long, and are often sullied with dirt."
Dex 2: "This species is oddly concerned with its self-image, and seems desperate to make friends at times. As it grows, it learns how to make use of its pheromones to influence the moods of others."
The main design basis for this was the idea of an insecure, clumsy girl at an early school age. You know that trope in media where a character is considered 'ugly' or just undesirable in general when they're younger, but once an adult, suddenly they're considered attractive/suave/charismatic? That's the primary thing I was going for.
And a lot of that is influenced by societal views, childhood bullies, and a general insecurity in one's self-image, so the general demeanor of the species would probably be an Ultra Beast with inklings of an inferiority complex, avoiding others just on the assumption they will ridicule Parfroach for deeming them 'weird.'
It leads into quite an appropriate turnaround when it evolves into Pheromosa, having gained the looks it so desires, but now has no interest in emotional connections, instead using pheromones to manipulate others to get what it wants. Beautiful, but hollow, lacking the earnest heart of its previous form.
Musculicid
Fighting-type
Muscle + Culicidae (the family for mosquitoes)
Evolves into Buzzwole after learning Power-up Punch
Dex 1: "Though only a larva, this juvenile Ultra Beast is known for its scrappy nature. It lurks in cloudy pools of water and challenges all passerby to wrestle with it."
Dex 2: "It only saps the energy of those is can defeat in a proper fight. It eagerly awaits the day it can show off the strength it has accumulated."
This one is actually a lot more straight-forward than Parfroach, simply because I already had a strong visual in mind. Unlike roaches, mosquitos go through a larval stage, so their anatomical structure is considerably different.
Though heavily based on mosquitos, I made Fighting its type instead of bug for two main reasons: One, because Buzzwole and Pheromosa can be considered counterparts, while sharing the same type, so having their pre-evos be primarily different types was a small nod to that.
The second reason is because Buzzwole's core concept is more closely related to strength and combat. Pheromosa isn't to be underestimated with its violent kicks, sure, but if we take the anime into account, fighting is definitely more of a last resort for it.
As far as design goes, I more or less kept it close to an actual mosquito larva while also keeping aspects that stood out from Buzzwole. Another smaller detail is its overall shape resembles a thermometer, and while the levels of a thermometer rise with temperature, the visual of its own rising as it drained opponents was a good fit.
Though not expressed here in the art, I also have the idea that in a 3D model, the abdomen would have an effect similar to Paras' eyes, where that core is given priority, sort of the hammer in the idea that everything around it is more of a fluid than a solid texture.
Those are all the notes I have, so thanks for reading if you did! I dunno when I'll do the next ones, but I do have them all sketched out/designed, it's just a matter of taking the time to render them all lmao
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