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alexlacquemanne · 1 year

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Avril MMXXIII

Films

Le Troisième Homme (The Third Man) (1949) de Carol Reed avec Joseph Cotten, Alida Valli, Orson Welles, Trevor Howard, Bernard Lee, Paul Hörbiger et Ernst Deutsch

Fantasia chez les ploucs (1971) de Gérard Pirès avec Lino Ventura, Jean Yanne, Mireille Darc, Georges Demestre, Nanni Loy, Jacques Dufilho, Georges Beller et Rufus

Super Mario Bros. le film (The Super Mario Bros. Movie) (2023) de Aaron Horvath et Michael Jelenic avec Pierre Tessier, Audrey Sourdive, Benoît Du Pac, Jérémie Covillault, Emmanuel Garijo, Xavier Fagnon, Nicolas Marié et Thierry Desroses

La Folie des grandeurs (1971) de Gérard Oury avec Louis de Funès, Yves Montand, Alice Sapritch, Karin Schubert, Alberto de Mendoza et Gabriele Tinti

Les Trois Mousquetaires : D'Artagnan (2023) de Martin Bourboulon avec François Civil, Vincent Cassel, Romain Duris, Pio Marmaï, Eva Green, Vicky Krieps, Louis Garrel : Louis XIII et Lyna Khoudri

Vacances romaines (Roman Holiday) (1953) de William Wyler avec Gregory Peck, Audrey Hepburn, Eddie Albert, Hartley Power, Harcourt Williams et Margaret Rawlings

Le Signe de Zorro (The Mark of Zorro) (1940) de Rouben Mamoulian avec Tyrone Power, Linda Darnell, Basil Rathbone, Gale Sondergaard, Eugene Pallette, J. Edward Bromberg et Montagu Love

Flair de famille (2023) de Didier Bivel avec Sylvie Testud, Samuel Labarthe, Fatim-Zarha Alami Marrouni, Oscar Copp et Anne Girouard

Un pont trop loin (A Bridge Too Far) (1977) de Richard Attenborough avec Dirk Bogarde, James Caan, Michael Caine, Sean Connery, Edward Fox, Elliott Gould, Gene Hackman, Anthony Hopkins et Robert Redford

Sirocco (1951) de Curtis Bernhardt avec Humphrey Bogart, Märta Torén, Lee J. Cobb, Everett Sloane, Gerald Mohr, Zero Mostel et Nick Dennis

West Side Story (1961) de Jerome Robbins et Robert Wise avec Natalie Wood, Marni Nixon, Richard Beymer, Jimmy Bryant, Russ Tamblyn, Rita Moreno, Betty Wand, George Chakiris, Simon Oakland et Ned Glass

Inspecteur Lavardin (1986) de Claude Chabrol avec Jean Poiret, Jean-Claude Brialy, Bernadette Lafont, Jean-Luc Bideau, Jacques Dacqmine et Hermine Clair

La Bête humaine (1938) de Jean Renoir avec Jean Gabin, Simone Simon, Fernand Ledoux, Julien Carette, Blanchette Brunoy et Gérard Landry

L'Homme qui tua Liberty Valance (The Man Who Shot Liberty Valance) (1962) de John Ford avec John Wayne, James Stewart, Vera Miles, Lee Marvin et Edmond O'Brien

Le Goût des autres (2000) d'Agnès Jaoui avec Anne Alvaro, Jean-Pierre Bacri, Alain Chabat, Agnès Jaoui, Gérard Lanvin, Christiane Millet et Wladimir Yordanoff

Remorques (1941) de Jean Grémillon avec Michèle Morgan, Jean Gabin, Madeleine Renaud, Fernand Ledoux, Charles Blavette, Jean Marchat, Nane Germon et Anne Laurens

Le Dindon (2019) de Jalil Lespert avec Dany Boon, Guillaume Gallienne, Alice Pol, Ahmed Sylla, Laure Calamy et Camille Lellouche

Adieu les cons (2020) d'Albert Dupontel avec Virginie Efira, Albert Dupontel, Nicolas Marié, Jackie Berroyer, Philippe Uchan, Bastien Ughetto et Marilou Aussilloux

Indiana Jones et la Dernière Croisade (Indiana Jones and the Last Crusade) (1989) de Steven Spielberg avec Harrison Ford, Sean Connery, Denholm Elliott, Alison Doody, John Rhys-Davies, Julian Glover et River Phoenix

Tigre et Dragon (臥虎藏龍, Wò Hǔ Cáng Lóng) (2000) d'Ang Lee avec Chow Yun-fat, Michelle Yeoh, Zhang Ziyi, Chang Chen, Cheng Pei-pei et Sihung Lung

Séries

Friends Saison 6, 7

Celui qui faisait sa demande : 1re partie - Celui qui faisait sa demande : 2e partie - Celui qui croyait faire jeune - Celui qui réglait le mariage - Celui qui s'était mal assis - Celui qui retrouvait son rôle - Celui qui avait toujours l'air bizarre - Celui qui aimait les petites siestes - Celui qui avait un livre à la bibliothèque - Celui qui n'aimait pas les chiens - Celui qui offrait un vélo - Celui qui se déguisait - Celui qui aimait les cheesecakes - Celui qui a passé la nuit debout - Celui qui a vu mourir Rosita - Ceux qui avaient trente ans - Celui qui avait un cerveau neuf - Celui qui savait la vérité sur Londres - Celui qui voyait la robe de mariée - Celui qui récupérait le prix - Celui qui avait une jolie cousine - Celui qui fantasmait sur le baiser - Celui qui écrivait ses vœux - Celui qui rencontrait l'auteur de ses jours - Celui qui a épousé Monica : 1re partie - Celui qui a épousé Monica : 2e partie

Coffre à Catch

#109 : Le Dirt Sheet débarque à la ECW ! - #110 : Aurélien Portehaut débarque à la ECW ! - #111 : Mark Henry vs Matt Hardy - C'est un Perfect 10 ! - #112 : Le Championship Scramble: le titre de Mark Henry en danger!

Top Gear Saison 11

L'art de la chasse - La traversée du Japon - Alfas bon marché - Apprentis policiers - Spéciale Inde - Ski vs Audi - Angleterre vs Allemagne - Spécial Pôle Nord

Meurtres au paradis Saison 12

Désignée coupable - Un foyer aimant - La lettre anonyme : première partie - La lettre anonyme : deuxième partie

Affaires sensibles

La crise des missiles de Cuba - Poutine/Macron : le face-à-face des présidents - L'affaire Iacono : le mensonge - L’Erika ou la monstrueuse année noire - Cinq colonnes à la Une : la révolution télévisuelle - La sombre histoire du roi du polar, José Giovanni - « Humilier les morts pour terroriser les vivants » : la profanation de Carpentras - Georges Marchais, les mémoires effacées. - Le renard de Kerlouan

L'agence tous risques Saison 3, 4

Jeu de piste - Chasseurs de primes - Effacez-les ! - Les Chevaliers de la route - Boisson gazeuse - Le jugement dernier : 1re partie - Le jugement dernier : 2e partie - Mystère à Beverly Hills - Le docteur est sorti - Aux frais de la princesse - Un quartier anglais - Le monstre du lac - La route de l'espoir - Gran prix - Rien que du muscle - Un quartier tranquille - Prudence les enfants - Opération Abraxis - Le trésor sous la mer - Rock N' Roll - Une vraie mine d'or

Inspecteur Barnaby Saison 7

L'Homme du bois - La Réunion des anciennes - La Malédiction du tumulus - Le Prix du scandale - La Légende du lac

Spectacles

Fallait pas le dire ! (2023) de Salomé Lelouch avec Pierre Arditi, Evelyne Bouix et Pascal Arnaud

Dido : Live at Brixton Academy (2004)

Livres

Nanar Wars : Le Pire Contre-Attaque ! d'Emmanuel Prelle et Emmanuel Vincenot

Détective Conan : Tome 6 de Gôshô Aoyama

Détective Conan : Tome 7 de Gôshô Aoyama

Une enquête du commissaire Dupin : Un été à Pont-Aven de Jean-Luc Bannalec

Détective Conan : Tome 8 de Gôshô Aoyama

On ne vit qu'une fois, souvenirs d'hier et d'aujourd'hui de Roger Moore

#mediatheque #avril23

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perfettamentechic · 2 years

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22 gennaio … ricordiamo …

22 gennaio … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2021: Roberto Brivio, Roberto Antonio Brivio, attore, cantante e cabarettista italiano, membro del gruppo I Gufi. Nel 1959 si diplomò all’Accademia dei Filodrammatici e cinque anni dopo, insieme a Nanni Svampa, Lino Patruno e Gianni Magni (l’ultimo ad entrare nel gruppo), diede vita al gruppo I Gufi, che in quegli anni contribuì a creare il cabaret musicale in Italia, utilizzando il dialetto…

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sa-characters · 11 months

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Prince Linos Amphytrionas

GENDER - Male

AGE - Teen

Linos is the twin of Ofelia

Prince of Manthos

ASPIRATION - Multi Skill - Mind and Body, Mansion Baron

TRAITS: Silly, Evil, Snob

SIGN: Virgo

PARENTS - King Ifiklis, Queen Memilia

PARTNER - Amphiera Chalkoú

CHILDREN - None

Download: Not available

Story: Once Upon A Time - The first ones

Family tree: The first ones

TEEN: Linos don't have the same good relationship with the king as his sisters has, and his responsibilities and duties are more obscure. He is not a particularly good soldier, nor a diplomat. He prefers teasing kitchen maids and visitors, rather than doing something useful, but has managed to avoid the big scandals. So far.

CHILD: "That boy is exactly like is father at the same age", the Queen often says. Especially when Linos has done something that he shouldn't have, like being mean to cats or tear off the wings of flies. Yes, we know, it's not very likeable, but you have to understand the conditions this boy grows up in. It's not that easy. It's not an excuse, just an explanation.

TODDLER: Linos is constantly testing the limits of his caretakers' patience. It seems the Nanny had more of it than his parents, maybe that's way he was more comfortable with her than with anybody else. Except his sister of course.

INFANT: We all know that twins have a lower survival rate, that's probably why they were pretty much kept a secret until their first birthday.

#Story character #Linos Amphytrionas #Royal Family #Generation 3 #side character #Prince Linos #Once Upon A Time #Early Civilization #Royal family of Manthos #Prince of Manthos #chapter 11 #chapter 12 #KyriaT

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giancarlonicoli · 1 year

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24 lug 2023 16:45

1. SARÀ COLPA DI CARONTE. SARÀ UN CONTRACCOLPO ALLA VITA SPERICOLATA DEL FIGLIO LAPO. SARÀ CHE L’ALTRO FIGLIO, JOHN, I GIORNALI LI COMPRA MA NON LI LEGGE. O FORSE È SOLO UN FENOMENO DI INSENSATEZZA CEREBRALE. FATTO STA CHE DOPO CHE AVRETE LETTO IL “RACCONTO BREVE” DI ALAIN ELKANN SU ‘’LA REPUBBLICA’’, APPARIRÀ VEROSIMILE LA LEGGENDARIA FRASE DI GIANNI AGNELLI IN MERITO AL MATRIMONIO DELLA FIGLIA MARGHERITA: “COM’È POSSIBILE CHE CON TUTTI GLI EBREI BRILLANTI IN GIRO, ABBIA SCELTO QUESTO IDIOTA?” 2. UNA VOLTA LETTO, CI STA PERFETTO: “MELONI, LA RUSSA, SANTANCHÈ, VE LI MERITATE TUTTI!”

DAGOREPORT

Sarà colpa di Caronte in calore. Sarà un contraccolpo alla vita di un figlio “danneggiato” come Lapo. Sarà che l’altro rampollo, John, i giornali li compra ma non li legge.

O forse è solo un fenomeno di insensatezza cerebrale. Fatto sta che dopo che avrete letto il pezzo di Alain Elkann su "La Repubblica", pagine culturali (sic!) apparirà verosimile la leggendaria frase attribuita dal chiacchiericcio all’Avvocato Agnelli in merito al matrimonio della figlia Margherita: “Com’è possibile che con tutti gli ebrei brillanti in giro, abbia scelto questo idiota?”.

Ma nemmeno col naso in overdose l’Aristocratico delle quattro ruote di Torino sarebbe riuscito a immaginare un “breve racconto” così rotondamente insulso, inutilmente offensivo, così traboccante di spocchiosa vanità, di tracotante prosopopea, in modalità ‘compact-chic’.

E quando uno snob a tempo pieno, militante di una "minoranza spirituale", si trova davanti agli "atteggiamenti della gente comune", tradisce così la sua natura originaria (coglione) per un generico accreditamento intellettuale (da rincoglionito).

Il conformismo delle élite, si sa, è peggiore di quello delle masse, perché è saccente per l'estrema boria e sprezzante per intransigente paranoia, ma soprattutto è la Quintessenza dell’irresponsabilità politica. Come un Nanni Moretti inviperito, letto il “racconto breve” di Alain Elkann, ci sta perfetto: “Ve li meritate Meloni, La Russa, Santanchè, Donzelli!”.

Il sovranismo alla cacio e pepe di questi quattro peracottari giunti a Palazzo Chigi è frutto solo degli errori e della boria di una sinistra finita sul Caviale del Tramonto.

Eccolo, senza museruola e guinzaglio, un Elkann in viaggio per Foggia che si contorce in pieno disprezzo umorale per un gruppo di giovani “lanzichenecchi” perché indossano pantaloni corti, esibiscono tatuaggi e smanettano l’Iphone.

E spalancano le fauci parlando di ragazze, spiagge e “night” (ma quando mai un adolescente di oggi usa “night” per discoteca?).

Mentre l’Infelice Benestante di casa Agnelli si dipinge così: “Io indossavo, malgrado il caldo, un vestito molto stazzonato di lino blu e una camicia leggera.

Avevo una cartella di cuoio marrone dalla quale ho estratto i giornali: il Financial Times del weekend, New York Times e Robinson, il supplemento culturale di Repubblica. Stavo anche finendo di leggere il secondo volume della Recherche du temps perdu di Proust e in particolare il capitolo “Sodoma e Gomorra”. Ho estratto anche un quaderno su cui scrivo il diario con la mia penna stilografica...”.

Dopo queste righe, per comicità, sfigurano gli straordinari libri di Paolo Villaggio su Fantozzi. Però Scalfari così lo fanno uscire dalla tomba.

SUL TRENO PER FOGGIA CON I GIOVANI LANZICHENECCHI

Alain Elkann per la Repubblica

Non pensavo che si potesse ancora adoperare la parola “lanzichenecchi” eppure mi sbagliavo. Qualche giorno fa, dovendo andare da Roma a Foggia, sono salito su una carrozza di prima classe di un treno Italo. Il mio posto assegnato era accanto al finestrino e vicino a me sedeva un ragazzo che avrà avuto 16 o 17 anni. T-shirt bianca con una scritta colorata, pantaloncini corti neri, scarpe da ginnastica di marca Nike, capelli biondi tagliati corti, uno zainetto verde.

E l’iPhone con cuffia per ascoltare musica. Intorno a noi, nelle file dietro e in quelle davanti, sedevano altri ragazzi della stessa età, vestiti più o meno allo stesso modo: tutti con un iPhone in mano. Alcuni avevano in testa il classico cappello di tela con visiera da giocatore di baseball di colori diversi, prevalentemente neri, e avevano tutti o le braccia o le gambe o il collo con tatuaggi piuttosto grandi. Nessuno portava l’orologio.

Io indossavo, malgrado il caldo, un vestito molto stazzonato di lino blu e una camicia leggera. Avevo una cartella di cuoio marrone dalla quale ho estratto i giornali: il Financial Times del weekend, New York Times e Robinson, il supplemento culturale di Repubblica. Stavo anche finendo di leggere il secondo volume della Recherche du temps perdu di Proust e in particolare il capitolo “Sodoma e Gomorra”. Ho estratto anche un quaderno su cui scrivo il diario con la mia penna stilografica.

Mentre facevo quello, i ragazzi parlavano ad alta voce come fossero i padroni del vagone, assolutamente incuranti di chi stava attorno. Parlavano di calcio, di giocatori, di partite, di squadre, usando parolacce e un linguaggio privo di inibizioni.

Intanto il treno, era arrivato a Caserta.

Non sapevo che per andare da Roma a Foggia si dovesse passare da Caserta e poi da Benevento. Pensavo di aver sbagliato treno, ma invece è così. Non ho mai rivolto la parola al mio vicino che o taceva ascoltando musica o si intrometteva con il medesimo linguaggio nella conversazione degli altri ragazzi.

A un certo punto, poco dopo Benevento, mentre erano sempre seduti o quasi sdraiati ai loro posti, ammassando nei vari cestini per la carta straccia lattine di Coca Cola o tè freddo, uno di loro ha detto: «Non è che dobbiamo stare soli di sera: andiamo a cercare ragazze nei night».

Un altro ragazzo più piccolo di statura e con il viso leggermente coperto di acne giovanile ha detto: «Macché night! Credetemi, ho esperienza. Bisogna beccare le ragazze in spiaggia e poi la sera portarle fuori e provarci. La spiaggia è il posto più figo e sicuro per beccare».

Quella conversazione sulle donne da trovare era andata avanti mentre io avevo finito di scrivere sul mio quaderno ed ero immerso nella lettura di Proust.

Loro erano totalmente indifferenti a me, alla mia persona, come se fossi un’entità trasparente, un altro mondo.

Io mi sono domandato se era il caso di iniziare a parlare col mio vicino, ma non l’ho fatto. Lui era la maggioranza, uno nessuno centomila, io ero inesistente: qualcuno che usava carta e penna, che leggeva giornali in inglese e poi un libro in francese con la giacca e i pantaloni lunghi.

Per loro chi era costui?

Un signore con i capelli bianchi, una sorta di marziano che veniva da un altro mondo e che non li interessava. Pensavano ai fatti loro, parlavano forte, dicevano parolacce, si muovevano in continuazione, ma nessuno degli altri passeggeri diceva nulla.

Avevano paura di quei ragazzi tatuati che venivano dal nord, lo si capiva dall’accento, o erano abituati a quel genere di comportamento?

Arrivando a Foggia, mi sono alzato, ho preso la mia cartella. Nessuno mi ha salutato, forse perché non mi vedevano e io non li ho salutati perché mi avevano dato fastidio quei giovani “lanzichenecchi” senza nome.

I GIORNALISTI DI REPUBBLICA SI DISSOCIANO DALL’ARTICOLO DI ALAIN ELKANN (PADRE DELL’EDITORE): “CONTENUTI CLASSISTI”

Estratto dell’articolo di Alberto Marzocchi per www.ilfattoquotidiano.it

Sul treno per Foggia con i giovani “lanzichenecchi”. Si intitola così l’articolo firmato da Alain Elkann, uscito stamattina sulle pagine culturali de la Repubblica. Un racconto, in prima persona, sul treno Roma-Foggia, che vede il giornalista “vittima” di quelli che lui stesso definisce “lanzichenecchi”, cioè giovani un po’ chiassosi che, evidentemente, infastidiscono per qualche ora il padre dell’editore di Repubblica e presidente del gruppo Gedi. Il reportage (?), pubblicato a pagina 29, ha fatto saltare sulla sedia diversi giornalisti della testata, tanto che nel primo pomeriggio il cdr (comitato di redazione) ha inviato una mail, a colleghe e colleghi, per prendere le distanze dai contenuti dello scritto.

“Questa mattina la redazione ha letto con grande perplessità un racconto pubblicato sulle pagine della Cultura del nostro giornale, a firma del padre dell’editore. Considerata la missione storica che si è data Repubblica sin dal primo editoriale di Eugenio Scalfari, missione confermata anche ultimamente nel nuovo piano editoriale dove si parla di un giornale ‘identitario’ vicino ai diritti dei più deboli, e forti anche delle reazioni raccolte e ricevute dalle colleghe e dai colleghi, ci dissociamo dai contenuti classisti contenuti nello scritto. Per i quali peraltro – concludono nella nota – siamo oggetto di una valanga di commenti critici sui social che dequalificano il lavoro di tutte e tutti noi, imperniato su passione, impegno e uno sforzo di umiltà”. […]

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tina-aumont · 3 years

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Beautiful photo of Tina taken in 1970 while filming Metello.

This photo was taken by Lino Nanni and shared by Ivan Galietti at his facebook. https://www.facebook.com/ivan.galietti

If you use it, please give full & proper credit, thank you!

#Tina Aumont #actress #model #Metello #Maureo Bolognini #1970 Metello #Ivan Galietti #Lino Nanni

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garadinervi · 5 years

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AG Fronzoni, mobilitazione della cultura per i lavoratori in lotta (…), CGIL-SAI, Milano, 1976 [Museum für Gestaltung Zürich]

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lescuriositesdelafoire · 3 years

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Lino Nanni, Ava Gardner a Roma, 1960

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womanbride · 7 years

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A CAMERA Torino "Arrivano i paparazzi!"

A CAMERA Torino “Arrivano i paparazzi!”

“Arrivano i Paparazzi! – Fotografi e divi dalla Dolce Vita a oggi” a CAMERA – Centro Italiano per la Fotografia, in mostra dal 13 settembre al 7 gennaio, annuncia il Presidente di CAMERA, Emanuele Chieli.

“Roma, l’Italia e il mondo, da La Dolce Vitaa oggi, una mostra che intende documentare, con un taglio originale e con molte immagini mai esposte in precedenza, la lunga, vitale stagione dei…

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audreyhepburninblackandwhite · 2 years

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Audrey Hepburn in Rome, Italy in the 1970s Photography by Lino Nanni

#audrey hepburn #lino nanni #1970s #no details #personal #candid #vintage #classic #fashion #style #old hollywood glamour #old hollywood #photography

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moonlightndaydreams · 1 year

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Forbidden (A SKZ Family Secret) Part 8 of 8

Read: Part 1 // Part 2 // Part 2.5 // Part 3 // Part 4 // Part 5 // Part 6 // Part 7 // Part 8

Fem reader // Han Jisung // female Aunty Lina (Lino) // Hyuna (Hyunjin) // Suengmin

You are the nanny/housekeeper for Han and Hyuna (Hyunjin), helping take care of their two sons and keeping daily life in order. But what happens when Han and his Sister-in-law Lina take an extra liking to you, and you are caught up in a secret that you never could have imagined?

Chapter Summary: We wrap this story up. A baby is born.

Writer's Note: I can't believe I am at the end of another story. In my head this one was more fleshed out and in depth but I didn't have the skills to really do it justice. I just hope your love of SKZ family and your imagination brought it to life for you.

I now also have a thing for Aunty Lina.

Word Count: 3.7k approx. (part 8)

Warnings: This chapter contains mature themes, childbirth, mentions of trauma and healing (not related to birth but as a family), mentions of sex and kinks.

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Being tied up and used as some sort of breeding slave did tire you out, so after your bath with Lina you took a quick nap for an hour or so. You were woken to the sound of voices in the other room, and decided to get up and say hello and see if you could help with anything. You walked out into the living room to find Suengmin and Channie were just arriving home. Lina was folding clean laundry and Han was on the coach reading a book. Yep, they’d definitely been fucking while you were napping, you could tell.

“We had a wonderful time, didn’t we?” Seungmin said, looking at Channie who he was carrying in his arms. “We went to the aquarium and looked at the fishes, didn’t we?”

He looked like such a father in that moment, and you wondered what thoughts must go through his mind when he spends time with Chan like this?

Seungmin tried to put Chan down on the floor, but he protested and clung to him tightly. “Oh that’s right, you like Uncle Seungmin to carry you? He wouldn’t let me put him down for a second.” He said bewildered. “Must like being up high up. Daddy isn’t quite this tall, is he?” He quipped and danced around the room making Channie laugh. Han rolled his eyes at his brother’s dig about his height.

Just then the front door opened. Binnie had arrived home too. He stood dead still when he saw the scene in front of him. A look of absolute horror on his face. You knew what he was thinking. You’d been thinking it too. That watching Suengmin and Channie together in this way looked just like the sketches Hyuna had in her book.

“Oh, hi Bin!” Han stood up, but Binnie silently stormed off to his room.

“Teenage boys.” Han shrugged.

“Why don’t you show me your cars, Channie?” Suengmin suggested in the hopes the boy would let him put him down. To his relief, Channie was happy to go look for his toys. “That kid’s getting heavy.” Seungmin sighed rubbing his shoulder.

“Here let me help you, Sweetheart.” Lina went and sat down by Chan’s box of toys. “Now which one should we show Uncle Seungmin?”

“LOOK!” A loud, distressed voice interrupted. Everyone paused and turned to see Binnie, standing, furious with tears streaming down his face. He was holding Lina’s sketchbook, holding it open at a page where Suengmin was holding one of his sons up in the air playing airplanes.

Seungmin’s eyes widened in shock when he saw the sketch.

“Look!” Binnie said again, walking further into the room so everyone could see clearly what he was showing them.

The room fell silent except for the heavy panting coming from Binnie as he tried to control his anger. He flicked a few pages and held them up aw well.

“IT’S ALL FAKE ISN’T IT? You’re our father aren’t you? THIS FAMILY IS FAKE!” He screamed and started tearing the pages out of the sketchbook and tossing them into the air.

“No Binnie!” you cried, holding your hands out to stop him. But you were too far away and it was too late. Pages upon pages flew around the room landing all over the floor.

The front door opened once again. Hyuna. Her eyes darted to each person then her gaze fell to the floor, landing on on the pages that fallen. She ran over to a page, kneeling down and took it in her hand. Her other hand covered her mouth in disbelief. She looked up at you with tears in her eyes. “How could you?” she trembled, thinking that it must have been you that brought the book out.

Binnie turned to you. “YOU KNEW!?” he looked at you like he was about to murder you, then he looked around at the room. “YOU’RE ALL LIARS. THE WHOLE LOT OF YOU.” And he ran off to his room and slammed his door. Hyuna ran down the hall after him.

“Binnie? Please honey! Open up.” You could hear her pleas from where you stood in the living room.

You swallowed hard and looked at Han. He bent down and picked up a page that had fallen at his feet, and stood silently looking at the sketch in hand. “Is it true?” he whispered.

“I’m sorry, Han.” Seungmin said softly. Han didn’t even respond to Suengmin. Han was looking at you, shaking. “You knew?” his voice trembled. He looked so betrayed and you hated yourself so much. He took your silence as a yes, dropped the paper to the floor and walked out of the house without a word. Lina jumped up “Han. Please wait.” She called as she chased after him.

That left just you, Seungmin and little Channie in the room. You felt panic rise through you. You thought you were going to vomit. You looked around at the pages on the floor. “This is such a mess.” You sobbed as you got down on the floor, frantically trying to gather all the sketches. “We have to fix this.” You mumbled to yourself. You paused to see Seungmin crouch down beside you to help pick up the pieces. If this whole thing was killing you, what must it be doing to Seungmin?

“You knew?” he asked surprised.

You nodded. “Hyuna told me.” You sucked your lip in. “You know about this, right?” you pointed to your stomach.

“Yeah. You fit right in with our family.” He chuckled sarcastically.

“I’m going to go put these in my room. I don’t want Hyuna to see this destroyed. I’ll see what I can do to fix it.”

“Do you think it can be fixed?” he asked.

You looked at him sorrowfully. “I really hope so.” You whispered.

Neither of you were talking about the sketchbook.

You put the ruined sketchbook and all it’s torn pages in your bedside drawer. You were determined that you were going to put it back together for Hyuna. You sat on your bed defeated. This was so fucked up. Who knew where Han was? You hoped Lina was able to catch him up. But oh God you felt like you had ripped his heart out and stomped on it. You had never wanted to keep secrets from him. He probably felt like his whole world had crumbled in that one moment. You broke down, sobbing uncontrollably. You could hardly breath as your chest heaved and snot ran down your face. You felt like you were hyperventilating. You couldn't get enough oxygen into your lungs. Then you felt a strong pain in your abdomen. Your baby. Your hands clutched your stomach as you tried to calm your breath, but you were suddenly so frightened that you felt like your were having heart palpitations. Something was wrong.

You felt another strong pain. Oh no!

You made your way back to the living room. “Seungmin?” you stumble towards him.

Seungmin looked up from where he was on the floor with Chan with red and bleary eyes. He immediately saw that something was wrong.

“I think I need to go to the hospital.” You managed.

He stood up. “Should I get Hyuna?” You shook your head. You didn’t want to disturb her if she was talking to Binnie. “You’ll have to take me.”

Seungmin’s eyes darted around the room as though he was trying to find another solution, but eventually nodded. “We’ll have to take Channie with us.” He concluded.

------------------------

You sat in silence on the way to the hospital, trying to remain as calm as possible. Next week you would be considered full term and so if the baby was to come now you hoped that she had a good chance of being born safely.

Suengmin tried calling Han on speaker phone in the car, but his phone was turned off. So was Lina’s. They were supposed to keep their phones charged and ready in case of a situation like this, but after what just happened back at the house you couldn’t blame them for not wanting to be reached. You didn’t even know if Lina had managed to catch up to Han. Hyuna’s phone was switched on, but she didn’t answer. At least Suengmin could leave a voice message and hope that she called back soon.

Seungmin looked at you empathetically. This was absolutely not the way you envisioned going to the hospital - with Seungmin and Channie in tow.

At the hospital you were taken to a bed and hooked up to some monitors for observation.

“You are two centimetres dilated. You are in the very early stages of labour. Normally you would stay home until things progressed further.” They said. “But you’re heart rate and blood pressure are extremely high. We need to keep you in to monitor you. Then we can decide whether or not you can go home until you’re closer to delivery.” They explained. “You might want to see if anyone else can look after your son, it’s going to be a long wait for him.” They suggested, nodding towards Channie, and left you and Seungmin alone.

Suengmin’s eyes lingered on Chan who was sitting on his lap, then to you. “Are they really thinking of sending you home? You’re in labour. They said so themselves.” He said in disbelief.

“I’m just relieved that they don’t consider this an emergency.” You sighed in relief. “You really don’t don’t have to stay, Seungmin. You should take Channie home. I’ll be alright.”

Seungmin didn’t answer. “Do you really want to give her up to me and Lina?” he said suddenly.

You looked down at your stomach but didn’t say anything.

“Because if you do, I don’t want to pretend I’m her real father.” He said softly. You lifted your gaze to meet his. What was he saying? “I mean, I’ll raise her like she was my own, but I can’t do to this to Han. It fucking hurts like hell to not have your children know who you are.” His eyes filled with tears, and so did yours. “Could you really cope with your baby calling Lina Mummy and not you?”

“But what about Lina?” you looked at Seungmin unsure.

“I know she wants to me a mother, but I know you want to be too.”

The tears spilled down your cheeks. He was right. You wanted to be a mother. You wanted your baby to call you Mummy. You just thought it couldn’t be possible.

“I’m not even sure what’s going to happen now anyway.” You said sadly, thinking about what had happened back at the house. Everything had crumbled.

“Don’t keep this lie up just because I was a coward. You don’t know how many times I wished I had stood up to our parents and told them I was going to marry Hyuna? This whole family is a mess is because of me.” He said solemnly. He squeezed his arms around Channie in a tight embrace.

“Oh Seungmin, it’s not your —”

The door flung open and Han and Lina rushed in. “Baby!” Han wailed. “Oh my God, tell me everything is okay.” He was at your side fussing over you.

“Han?” Seungmin said hesitantly.

“Suengmin?” Lina patted him gently on the shoulder. “Let’s take Channie to our house. Hyuna is…well she has her hands full with Binnie… Come, let’s give them space.” She said quietly.

“I’ll speak to you later, okay, Hannie?” Suengmin tried again, but Han ignored him.

“Come on Channie, let’s go back to Aunty Lina’s.” Lina scooped up Chan and smiled at you kindly with red, puffy eyes and her and Seungmin left the room.

“Oh Han!” You held his face in your hands. “I’m so sorry.” You wiped his tears from his cheeks.

“I was so scared something had happened to you or the baby. I don’t know what I would do if —”

“Shh, Han. I’m okay, and so is the baby. They’re just keeping me in for observation and to see if I can go home. But…” he looked at you with concern. “They said I am in early labour. So we should meet our little girl soon enough.” Han’s expression changed from pained to relieved.

“She’s going to be here soon? I’m going to be dad. Really this time.” He half smiled.

“Han, you’re already a Dad.” You reassured him, squeezing his hand.

He shook his head. “Am I? Binnie was so distressed. I don’t know what I’m going to say to him when we get home. I don’t even know if I should try calling him. I just…” you could see the anxiety taking over. “I’m not really his father!” he choked.

“Hannie,” your tried to sooth him. “Binnie told me he’d always think of you as his Dad.” You went on to explain how you found Binnie with the sketchbook and that he had suspicions already.

“Is that how you knew too? The sketchbook?” he blinked away his tears.

You shook your head slowly.

“Then how did you know?” he asked puzzled.

“Hyuna told me.” You whispered softly. Han dropped your hands and sat back creating distance between the two of you. “She knew everything Han. About you and Lina, me, the baby. She knew it all.” You said bewildered.

“Seungmin too?” he pushed. You nodded. He dropped his head in defeat.

“Is there anything else?” his wounded eyes met yours.

��Yes.” His face couldn’t look any more hurt. “Hyuna… She’s painted a portrait of me…as a gift for me to remember by pregnancy. She thought it might be a nice keepsake when I give the baby up.”

“She did that for you?” you nodded. “ahhh!” you winced as you clutched your stomach.

“Baby?” Han was immediately close to you again, holding your hands in his. You had been keeping the discomfort of the contractions to yourself. They’d been manageable for the time being. But they were getting slightly stronger.

“I think we should focus on you and the baby right now. I love you. I’m not going to be angry at you for keeping secrets. Who am I to do that when look at me? Look at my family.” He scratched his head. “It’s all messed up but we can figure it out later.” He became suddenly focused on the immediate situation. Everything else would have to wait.

-----------------------------------

After a few hours the doctors were happy with your’s and your baby’s obs, but your contractions were becoming stronger and closer together, and your cervix was dilating rapidly. You were really about to have your baby.

Lina had returned to the hospital. She quickly updated you on what was happening on the home front, and that Hyuna and Seungmin were tending to Binnie and Channie. Lina seemed to be putting aside the family crisis, just like Han was doing, despite the whole situation being just as much a shock for her as it was for Han. Their world had just been torn apart, but here they were supporting you through the hardest but most rewarding thing you’ve ever done.

At three-ten in the morning your little girl was born. Little baby Yongbok. She was absolutely perfect. As you held her in your arms you promised her that you would never leave her. No matter what was going to happen you were going to be part of her life. You were going to be her mother. You couldn’t imagine any alternative. Not now. The words of Hyuna, Binnie and even Seungmin echoed through your mind. That lies and resentment eat you. That you’d be denying your baby the truth of who they were. That you’d be living a lie to fulfill an expectation of other people. To think about what you wanted. Everyone knew the truth of your baby now anyway. But what about Lina? You’d break her heart.

You looked to Lina who seemed to somehow sense your thoughts.

“She belongs with you, kitten. You’re her mother.” She whispered with tears in her eyes.

“Oh Lina, I need you!” you sobbed. “I need you to be her mother too. You’re part of this - you, me and Han. Our baby…Oh Han!” you reached out for him, pulling him close. The man was a blubbering mess. The three of you cuddled together around your baby. Baby Yongbook. A little ray of sunshine.

For the next little while it was like the four of you had run away. For the next little while nothing else mattered. You looked down at the most precious and perfect thing you had ever seen in your entire life and you felt a sense of calm, and you trusted that everything was going to work out.

-----------------------------

Once you returned home, you’d found that Hyuna had moved into your room so you could have the master room where you could fit a cradle and would have more space for you and Yongbok. She left all of Han’s clothes and items in there, insisting that the two of you should be together, especially in these early days. She’d hung your portrait on the wall too. “Holy shit, baby!” Han said when he saw it. “Yep, I definitely want to keep you pregnant all the time.”

You felt guilty that Hyuna had given up her space like this, but you were extremely grateful. Your room was not big enough to accommodate baby furniture.

Then reality set in. The whole family was hurting. There was tension between Han and Seungmin. Lina felt resentful that Hyuna had lied about the father of the boys. Everyone hurt for Han and Binnie who slowly came to terms with the reality that they weren’t biologically father and son, but still Dad and Son.

Everyone loved little Yongbok though. She was the one thing that brought hope to the family. It was as though whenever anyone held her they’d feel this sense of peace and hope. Everything could be worked out. When they held her they could understand what it was like to be in each other’s shoes. It still hurt and everything was still a mess. But it seemed like everyone wanted to heal and forgive.

Suengmin had said it best. “It’s like everything had to fall apart and crumble, so we can start to build things back up properly. The way it should have been built in the first place.”

Everyone agreed that they felt the same way too. But it was also made clear that no one was allowed to rush each other in their healing. Each person was affected differently, and they had the right to take as long as they needed.

That was especially true for Binnie. It was going to take a long time for him to work through the confusion he felt. He was having an identity crisis and trust issues. His Dad - that wasn’t really his dad - had a baby with the nanny? But, being the insightful and wise young man he was, he tried to remember that he now had an opportunity to have a second father. “Dad will always be Dad, but Seungmin, well, he’s not just an uncle. He’s a second dad. But I’m still going to call him Seungmin.” He concluded.

Han, once he realised that his position as “Dad” wasn’t really under threat, his confidence started to return. Han wasn’t as hurt as he probably should have been to learn that his wife and brother were in a lifelong secret relationship. His view as always was “Why can’t you love more than one person?” and this sentiment applied to his wife and brother.

Lina focused all her time and attention on you and Yongbok. She didn’t really share much about how she felt about the secrets coming out. You were pretty sure that, although she hated seeing Han hurt, inside she was relieved that she didn’t have to keep living her life in secret.

It eventually came time to discuss the inevitable. What was the family going to do moving forward? One thing was clear though. Everyone should be with their rightful lovers. “But who moves in with who?” asked Lina. Han didn’t want to simply swap with Seungmin because he wanted to be with Binnie and Channie.

“Maybe Yongbok and I can move in with Lina, and Seungmin move in here?” you offered. Han looked absolutely horrified. “Wait! And I stay here alone in my bed?” he pouted. Everyone sat in silence racking their brains.

“What if everyone just moves in here?” Binnie suggested? “But I don’t want to see any funny business. That’d be weird… and gross.”

“There’s not a lot of room,” Han sat in thought. “But I think we can make it work.” He nodded like he’d cracked the case. Everyone turned to Han waiting to be enlightened. “We’ll turn my office, because it’s biggest, into a bedroom, and make - now Hyuna’s - bedroom into an office.” He said brightly.

“Who gets the room with the en-suite?” Suengmin said flatly. Hyuna hit him in the arm.

“They do of course. They need a bigger room, there’s four of them. We can just use the main bathroom.” She explained.

Binnie threw his hands over his ears. “I DO NOT need to hear about the throuple sleeping situation.” He cried shaking his head.

So that’s what happened for the time being. Everyone moved into the one house.

The entire family continued to live a lie, but this time it was a facade for the outside world. Inside, however, the family had never been more open and honest with each other than they were being right now. They could start building a new future, bit by bit. They each wanted the same thing. Love and happiness, not just for themselves, but each other too.

————————

A year or so later… an update, because I want to wrap this up and this was the lazy way. Think of it like those clips you get at the end of a movie that shows you what happened without it taking another half an hour.

* Everyone still lives in the one house. They got too comfortable and fell into a routine that was “good enough”.

*Turns out Hyuna and Seungmin are really feely-touchy touchy with each other and no one saw that coming.

You glued the sketchbook back together.

* Channie calls Seungmin “Daddy” much to the encouragement from Han who decided his brother should be able to claim a son as his.

* Yongbok calls you “Mummy”, and Lina “Umma” and Han “Daddy” (yay!!)… although really, she can’t quite talk (but you’re teaching her who is who)

* Oh, and Lina has morning sickness! (Oh snap!)

------------------------------------------

It’s never really the end…

who knows I might write more little side stories, and I’m definitely open to answering “asks” related to this Skz Family universe. 🥰

------------------------------------------

Forbidden Tag List @lyramundana @channieandhisgoonsquad @2chopsticks2eyes @queenmea604 @leeknowsthigh @chlodavids @antoniorhinothethird @bangtanmix73 @linocvp1d @sunshinesquokka @lolareadsimagines @hannieslovebot @noellllslut @sweetracha @mrblue-kai @muddy-waters

#skz family smut #skz family #aunty lino #aunty lina #female lee know #female hyunjin #han jisung x reader #lee know x reader

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alexlacquemanne · 4 years

Text

Avril MMXX

Films

L'aventure c'est l'aventure (1972) de Claude Lelouch avec Jacques Brel, Lino Ventura et Charles Denner

L'Emmerdeur (1973) de Édouard Molinaro avec Lino Ventura, Jacques Brel et Caroline Cellier

3 h 10 pour Yuma (3:10 to Yuma) (2007) de James Mangold avec Russell Crowe, Christian Bale et Ben Foster

La Veuve Couderc (1971) de Pierre Granier-Deferre avec Simone Signoret et Alain Delon

Habemus papam (2011) de Nanni Moretti avec Michel Piccoli, Nanni Moretti et Margherita Buy

La Septième Compagnie au clair de lune (1977) de Robert Lamoureux avec Pierre Mondy, Jean Lefebvre et Henri Guybet

La Princesse de Montpensier (2010) de Bertrand Tavernier avec Mélanie Thierry, Gaspard Ulliel, Grégoire Leprince-Ringuet, Raphaël Personnaz et Lambert Wilson

Cyrano de Bergerac (1990) de Jean-Paul Rappeneau avec Gérard Depardieu, Anne Brochet, Vincent Pérez et Jacques Weber

Le Sauvage (1975) de Jean-Paul Rappeneau avec Catherine Deneuve, Yves Montand et Luigi Vannucchi

Barry Lyndon (1975) de Stanley Kubrick avec Ryan O'Neal, Marisa Berenson et Leon Vitali

Jo (1971) de Jean Girault avec Louis de Funès, Bernard Blier et Claude Gensac

Le rouge est mis (1957) de Gilles Grangier avec Jean Gabin, Lino Ventura et Annie Girardot

Mélodie en sous-sol (1963) de Henri Verneuil avec Jean Gabin, Alain Delon et Maurice Biraud

Bullitt (1968) de Peter Yates avec Steve McQueen, Robert Vaughn et Jacqueline Bisset

Le cave se rebiffe (1961) de Gilles Grangier avec Jean Gabin, Maurice Biraud et Bernard Blier

1492 : Christophe Colomb (1492: Conquest of Paradise) (1992) de Ridley Scott avec Gérard Depardieu, Sigourney Weaver et Armand Assante

L'Homme de Rio (1964) de Philippe de Broca avec Jean-Paul Belmondo, Françoise Dorléac et Jean Servais

La Fille de d'Artagnan (1994) de Bertrand Tavernier avec Sophie Marceau, Philippe Noiret et Claude Rich

Symphonie pour un massacre (1963) de Jacques Deray avec Charles Vanel, Jean Rochefort et Claude Dauphin

Le Soleil des voyous (1967) de Jean Delannoy avec Jean Gabin, Robert Stack et Margaret Lee

Comment épouser un millionnaire (How to Marry a Millionaire) (1953) de Jean Negulesco avec Marilyn Monroe, Lauren Bacall et Betty Grable

Spectacle

Ben l'Oncle Soul - Tribute to Frank Sinatra (2016)

Le sommelier (2018) de Patrick Sébastien avec Didier Gustin, Philippe Chevallier, Marianne Giraud et Kym Thiriot

One World: Together at Home (2020)

Séries

Psych Saison 7

Une soirée mystérieuse - Quel cirque ! - Mariage mouvementé - Vies parallèles - Jeune femme partagerait appartement - Impair et Maire - Meurtre au bureau - Radio meurtre - Une affaire qui déride ! - La Truite sur le dos - Tous en scène ! Acte 1 - Tous en scène ! Acte 2

Castle Saison 4

47 secondes

Maguy Saison 1

Changer de look, quel souk ! - A visage redécouvert'’

Chapeau Melon et Bottes de Cuir Saison 6, 5, 4

L'Invasion des Terriens - George et Fred - Une petite gare désaffectée - Mon rêve le plus fou - Rien ne va plus dans la nursery - Voyage sans retour

Top Gear Saison 14, 18, 19, 20, 12, 16, 22, 13, 10, 11

Du grand art ! - Surfin’ USA - Spécial Journée Circuit - Rugbymobile - Mission Camping-Car - Trois camions d’enfer - La fiesta dans tous ses états - Le choc des titans - James VS Tanner - Une voiture pour chaque situation - La traversée de Londres - Apprentis policiers - Routes de rêve - Spécial Bolivie

Meurtres au paradis Saison 9

La Lettre à Élise - De Manchester à Sainte-Marie - Opération Survie - Le Salon de coiffure

Kaamelott Livre I, II, VI

Præceptores

Livres

OSS 117 : Cité secrète de Jean Bruce

Les Aventures de Tintin : Les Cigares du pharaon d’Hergé

Le Catch : Ma vie, notre passion ! de Christophe Agius

Kaamelott Tome 1 : L'Armée du Nécromant de Alexandre Astier et Steven Dupré

#mediatheque #avril20

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miguelmarias · 3 years

Text

TOP 2021

A) Grandes películas realizadas después de 2016, pero vistas por primera vez en 2021:

Mo er dao ga(Anima;Cao Jinling, 2020)

Cry Macho(Clint Eastwood, 2021)

Les choses qu’on dit, les choses qu’on fait(Emmanuel Mouret, 2020)

À l’abordage (Guillaume Brac, 2020)

Still Life of Memories(Yazaki Hitoshi, 2018)

Doraibu mai k?/Drive My Car(Hamaguchi Ryûsuke, 2021)

Let Him Go(Thomas Bezucha, 2020)

Dorogie tovarishchi(Dear Comrades!;Andreí Konchalovsky, 2020)

Il n’y aura plus de nuit(Éléonore Weber, 2020)

Marx può aspettare(Marco Bellocchio, 2021)

——————————————————————————————————————–

The Marriage Project(Hesam Eslami & Atieh Attarzadeh, 2019)

Gûzen to sôzô/Wheel of Fortune and Fantasy(Hamaguchi Ryûsuke, 2021)

Suzanna Andler(Benoît Jacquot;a.Marguerite Duras, 2020/1)

Maixabel(Iciar Bollain, 2021)

News of the World(Paul Greengrass, 2020)

Country Music(Ken Burns, 2019)

——————————————————————————————————————–

B) Grandes películas hechas antes de 2016, pero vistas solo en 2021:

Serdtse materi(The Heart of a Mother;Mark Donskoí, 1966)

Yumechiyo Nikki(Yumechiyo’s Diary;Urayama Kirio/Kiriro, 1985)

Petit à petit(version 4 hrs)(Jean Rouch, 1971)

The Whistle at Eaton Falls(A Drama of Real Life)(Robert Siodmak, 1951)

Taking Sides/Der Fall Furtwängler(Szabó István, 2001)

Losing Ground(Kathleen Collins, 1982)

Dream Girl(Mitchell Leisen, 1947/8)

Valley of the Sun(George Marshall, 1942)

The Silent Partner(S1,Ep.12 de Screen Directors Playhouse)(George Marshall, 1955)

Life Begins at 40(George Marshall, 1935)

Peesua lae dokmai(Butterflies and Flowers;Euthana Mukdasanit, 1985)

Hellfire(R.G. Springsteen, 1949)

Shin Heike Monogatari:Yoshinaka o megoru sannin no onna(Kinugasa Teinosuke, 1955/6)

Texas(George Marshall, 1941)

Vremia zhelanií(Time of Desire;Iulii Raízman, 1984)

Nigorie(Imai Tadashi, 1953)

Die Rebellion(Wolfgang Staudte, 1962)

Kirmes(Wolfgang Staudte, 1960)

Joi no Kiroku(Shimizu Hiroshi, 1941)

Stories We Tell(Sarah Polley, 2012)

Días de otoño(Roberto Gavaldón, 1963)

Man’s Calling(Almost a Friar;Allan Dwan, 1912)

Das Lamm(The Lamb;Wolfgang Staudte, 1964)

Bokuseki(Gosho Heinosuke, 1940)

Hashi no nai kawa(The River with No Bridge; Higashi Yôichi, 1992)

Taiyô no suwaru basho? no suwaru basho(The Place Where the Sun Sits;Yakazi Hitoshi, 2012)

Suîto ritoru raizu(Sweet Little Lies;Yazaki Hitoshi, 2009/10)

Fuon(The Crying Wind;Higashi Yôichi, 2004)

Ainsi soit-il(Gérard Blain, 1999/2000)

The Rose of Kentucky(D.W. Griffith, 1911)

The Romantic Story of Margaret Catchpole(Raymond Longford, 1911)

Odoriko(Shimizu Hiroshi, 1957)

Escape(Mervyn LeRoy, 1940)

Raí/Paradies(Paradise;Andreí Konchalovsky, 2016)

Never a Dull Moment(George Marshall, 1950)

A Millionaire for Christy(George Marshall, 1951)

Friendly Enemies(Allan Dwan, 1942)

Maging Akin Ka Lamang(Lino Brocka, 1987)

Bulaklak Sa City Jail(Mario O’Hara, 1984)

Kawanakajima kassen(The Battle of Kawanakajima;Kinugasa Teinosuke, 1941)

The Girl Said No(Sam Wood, 1930)

Eno nakane bokuno mura(Village of Dreams;Higashi Yôichi, 1996)

Atlantis The Lost Continent(Siren of Atlantis/Atlantide;Gregory G. Tallas,coll.John Brahm,Arthur Ripley, 1947//9)

Koiya koi nasuna koi(Love, Thy Name Be Sorrow/The Mad Fox;Uchida Tomu, 1962)

Destry Rides Again(George Marshall, 1939)

A Message to Garcia(George Marshall, 1936)

Chicago-Weltstadt in Flegelsjahren(Heinrich Hauser, 1931)

Die Stadt der Millionen. Ein Lebensbild Berlins(Adolf Trotz, 1925)

Wandering Papas(Stan Laurel, 1926)

C) Películas recientes muy buenas:

Dereka no mokkin(Somebody’s Xylophone;Higashi Yôichi, 2016)

Hostiles(Scott Cooper, 2017)

Ray Meets Helen(Alan Rudolph, 2017)

Tre piani(Nanni Moretti, 2021)

Des Hommes(Lucas Belvaux, 2020)

Petite Maman(Céline Sciamma, 2021)

Running Wild(Alex Ranarivelo, 2016/7)

Degas et moi(de 3e Scène;Arnaud Des Pallières, 2019)

Eskape(Neary Adeline Hay, 2021)

Dangsin-eolgul-apeseo(In Front of Your Face;Hong Sang-soo, 2021)

The Marksman(Robert Lorenz, 2021)

Un soupçon d’amour(Paul Vecchiali, 2019/20)

The Miniaturist of Junagadh(Kaushal Oza, 2021)

L’equilibrio(Vincenzo Marra, 2017)

Felkészülés meghatározatlan ideig tartó együttlétre(Preparations to be together for an unknown period of time;Horvát Lili, 2020)

Longe(Far;José Oliveira, 2016)

Seize printemps(Suzanne Lindon, 2020)

Onoda, 10.000 nuits dans la jungle(Arthur Harari, 2021)

Huda’s Salon(Hany Abu-Assad, 2021)

The Sea Ahead(Albahr’amamakum)(Ely Dagher, 2021)

Les Apparences(Marc Fitoussi, 2020)

Pray for Rain(Alex Ranarivelo, 2017)

Quién lo impide(Jonás Trueba, 2016-21)

A Quiet Place Part II(John Krasinski, 2020/1)

A Quiet Place(John Krasinski, 2018)

Antlers(Scott Cooper, 2019//21)

Zeros And Ones(Abel Ferrara, 2021)

Supai no tsuma(Kurosawa Kiyoshi, 2020)

A todo tren. Destino Asturias(Santiago Segura, 2021)

The Great Indian Kitchen(Jeo Baby, 2021)

What Is Life Worth/Worth(Sara Colangelo, 2020)

Errementari(El herrero y el diablo;Paul Urkijo Alijo, 2017/8)

Sylvie’s Love(Eugene Ashe, 2020)

La Telenovela Errante(Raúl Ruiz,Valeria Sarmiento, 1990/2017)

Irradiés(Rithy Panh, 2020/1)

Traidores(Jon Viar, 2021)

Impuros(Alberto Utrera, 2021)

Wild Mountain Thyme(John Patrick Shanley, 2020)

Explota Explota(Nacho Álvarez, 2020)

Asa ga kuru(True Mothers;Kawase Naomi, 2020)

The Song of Names(François Girard, 2019)

Coda(Claude Lalonde, 2019)

(The)Borderlands(Samarth Mahajan;col.Nupur Agrawal, 2020/1)

Sardunya(Geranium;Çagil Bocut, 2021)

Ride or Die(Hiroki Ryuichi, 2021)

The Beatles Get Back(Michael Lindsay-Hogg/Peter Jackson, 1969///2021)

Summer of Soul or When the Revolution Could Not Be Televised(Questlove, 2021)

Concierto para la batalla de El Tala(Libro primero de La Saga de los Mártires Unitarios)(Mariano Llinás, 2021)

My Octopus Teacher(Pippa Ehrlich & James Reed;coll.Craig Foster, 2020)

D) Películas más antiguas muy buenas:

You Never Know Women(William A. Wellman, 1926)

Out of the Furnace(Scott Cooper, 2013)

Watashi no Guranpa(My Grandpa;Higashi Yôichi, 2003)

Mubansô(A Cappella;Yazaki Hitoshi, 2015/6)

Panic in Year Zero!(Ray Milland, 1962)

The Man I Married(Irving Pichel, 1940)

Show Them No Mercy(George Marshall, 1935)

Badlands of Dakota(Alfred E. Green, 1941)

The Treasure of Lost Canyon(Ted Tetzlaff, 1951/2)

Nie wieder Liebe!(Anatole Litvak, 1931)

Mukashi no uta(Old Sweet Song/Old Song;Ishida Tamizo, 1939)

Keshin(Metamorphosis;Higashi Yôichi, 1986)

Sekando rabu(Second Love;Higashi Yôichi, 1983)

Slave Ship(Tay Garnett, 1937)

Evelyn Prentice(William K. Howard, 1934)

Zwischengleis(Wolfgang Staudte, 1978)

Heimlichkeit(Wolfgang Staudte, 1968)

The Moon’s Our Home(William A. Seiter, 1936)

All Our Yesterdays(of 77 Sunset Strip)(Richard L. Bare, 1958)

I Live My Life(W.S. Van Dyke II;scr.Joseph L. Mankiewicz, 1935)

Una Romantica Avventura(Mario Camerini, 1940)

Le Grand Jeu(Nicolas Pariser, 2015)

Erótica(Emilio ‘Indio’ Fernández, 1978)

Oatsurae Jirôkichi goshi(Jirokichi the Rat;Itô Daisuke, 1931)

Desert People(Ian Dunlop, 1965-7)

Tap Roots(George Marshalll, 1948)

When the Daltons Rode(George Marshall, 1940)

Scared Stiff(George Marshall, 1952/3)

The Blue Dahlia(George Marshall, 1945/6)

Flowing Gold(Alfred E. Green, 1940)

This Side of the Law(Richard L. Bare, 1949/50)

Gränsfolken(Mauritz Stiller, 1913)

Rendezvous(William K. Howard;uc.Sam Wood, 1935)

High, Wide and Handsome(Rouben Mamoulian, 1937)

Heat Lightning(Mervyn LeRoy, 1934)

Black Jack(Julien Duvivier, 1950)

Nancy Steele is Missing!(George Marshall;uc.Otto Preminger, 1937)

The Woman Between(Victor Schertzinger, 1931)

The Woman I Love(The Woman Between;Anatole Litvak, 1937)

Want Ad Wedding(William A. Seiter, 1955)

El agua en el suelo(Eusebio Fernández Ardavín, 1925)

De sueur et de sang(Wonderboy;Paul Vecchiali;coll.Pierre Sénélas, 1994)

The Ghost Breakers(George Marshall, 1940)

State Secret(The Great Manhunt;Sidney Gilliat, 1950)

The Spieler(Tay Garnett, 1928)

Culpables(Arturo Ruiz-Castillo, 1958)

Phenomenon(John Turteltaub, 1996)

Shack Out On 101(Edward Dein, 1955)

The Dog Lover(Alex Ranarivelo, 2015/6)

Il Fauno(Febo Mari, 1917)

Satánico Pandemonium(La Sexorcista;Gilberto Martínez Solares, 1975)

Parisian Love(Louis J. Gasnier, 1925)

Hollywood on Trial(David Halpern,Jr., 1976)

Beyond Mombasa(George Marshall, 1956)

Money from Home(George Marshall, 1953)

Hook, Line and Sinker(George Marshall;p.,w.Jerry Lewis, 1968/9)

Variety(Bette Gordon, 1983)

Séraphin ou Les Jambes Nues(Louis Feuillade, 1921)

Effraction(Daniel Duval, 1983)

Jalaler Golpo(Jalal’s Story;Abu Shahed Emon, 2014)

Cover Up(Alfred E. Green, 1948/9)

Manchas de sangre en la Luna(Come Die My Love;Luis Marquina & Edward Dein, 1952)

Le 7ème Juré(Georges Lautner, 1962)

La Route de Salina(Georges Lautner, 1969/70)

The Squall(Alexander Korda, 1929)

Rose Bernd(Wolfgang Staudte, 1957)

L’Emigrante(Febo Mari, 1915)

Cenere(Febo Mari & Arturo Ambrosio, 1916/7)

Sâdo(Third Base;Higashi Yôichi, 1978)

Universal Citizen(Peter Thompson, 1987)

Nightfall(Gwyneth Gibby, 1999/2000)

Where Lights Are Low(Colin Campbell, 1921)

Mo hozue wa tsokanai(No More Easy Life;Higashi Yôichi, 1979)

Ureshi hazukashi monogatari(A Tale of Happiness/The Pursuit of Happiness;Higashi Y?ichi, 1988)

Strawberry Shortcakes(Yazaki Hitoshi, 2006)

Shiki Natsuko(Higashi Yôichi, 1980)

Yoi ga sametara, uchi ni kaer?(Wandering Home;Higashi Yôichi, 2010)

De cierta manera(Sara Gómez, 1974//8)

Broadway Love(Ida May Park, 1918)

Forza Bastia 78 ou L’île en fête(Jacques Tati & Sophie Tatischeff, 1978///2000)

…addio del passato…(Marco Bellocchio, 2000)

Die Geschichte vom kleinen Muck(Wolfgang Staudte, 1953)

Sangatsu no raion(March Comes Like a Lion;Yazaki Hitoshi, 1991)

El Movimiento(Peter Thompson, 2002)

Lowlands(Peter Thompson, 2009)

E) Grandes películas que mejoran:

Limelight(Charles Chaplin, 1951/2)

Morocco(Josef von Sternberg, 1930)

Körkarlen(Victor Sjöström, 1920/1)

Fool’s Paradise(Cecil B. DeMille, 1921)

Shane(George Stevens;associate d.Fred Guiol, 1952/3)

Potomok Chingis-Khana(Vsevolod I. Pudovkín, 1928)

Man Hunt(Fritz Lang, 1941)

The Tall T(Budd Boetticher, 1957)

Ruan Lingyu/Center Stage(Stanley Kwan, 1991/2)

Something To Live For(George Stevens, 1942)

One Way Passage(Tay Garnett, 1932)

La Roue(Abel Gance, 1923)

Waga seishun ni kuinashi(Kurosawa Akira, 1946)

East Side, West Side(Allan Dwan, 1927)

The Unfaithful(Vincent Sherman, 1947)

Kuhle Wampe oder Em göhert der Welt?(Slatan Dudow, 1932)

Silver River(Raoul Walsh, 1948)

Il Gattopardo(The Leopard;Luchino Visconti, 1963)

You’re the one(Una historia de entonces)(José Luis Garci, 2000)

George Stevens:D-Day to Berlin(George Stevens,Jr., 1994)

The Mating Game(George Marshall, 1959)

The Edge(Robert Kramer, 1967)

Ice(Robert Kramer, 1969)

Alias Nick Beal(John V. Farrow, 1948/9)

Tenshi no harawata:Nami(Angel Guts:Nami;Tanaka Noboru, 1979)

The Savage(George Marshall, 1952)

Underwater!(John Sturges, 1954/5)

A Face in the Crowd(Elia Kazan, 1957)

Cheers For Miss Bishop(Tay Garnett, 1940/1)

Joy of Living(Tay Garnett, 1938)

A Ilha dos Amores(Paulo Rocha, 1982)

Sentimental Journey(Walter Lang, 1946)

The Man Who Died Twice(Joe Kane, 1958)

The Cheat (Cecil B. DeMille, 1915)

F) Muy buenas películas que cambian después de una nueva visión

The Birth of a Nation(David Wark Griffith, 1914/5)

Suez(Allan Dwan, 1938)

Saskatchewan(Raoul Walsh, 1954)

The Plough and the Stars (John Ford, 1937)

Doblones de a ocho(Andrés Linares, 1990)

My Cousin Rachel(Henry Koster, 1952)

Arsenic and Old Lace(Frank Capra, 1941//3)

Big City(Skyscraper Wilderness;Frank Borzage, 1937)

Make Haste to Live(William A. Seiter, 1954)

Cattle Drive(Kurt Neumann, 1951)

The Gun Runners(Donald Siegel, 1958)

Woman Of The Year(George Stevens, 1942)

Bram Stoker’s ‘Dracula’(Francis Ford Coppola, 1992)

Yoru no nagare(Evening Stream;Narusê Mikio & Kawashima Yûzô, 1960)

The Duel at Silver Creek(Donald Siegel, 1952)

Sólo para hombres(Fernando Fernán-Gómez, 1960)

If I Were Free(Elliott Nugent, 1933)

Stand-In(Tay Garnett, 1937)

The Great Houdini(George Marshall, 1953)

Nightmare Alley(Edmund Goulding, 1947)

The Gazebo(George Marshall, 1959)

The Sheepman(George Marshall, 1958)

The Shanghai Gesture(Josef von Sternberg, 1941)

Her Man(Tay Garnett, 1930)

Confession(Joe May, 1937)

The Sophomore(Leo McCarey, 1929)

Luz de domingo(José Luis Garci, 2007)

Drive A Crooked Road(Richard Quine, 1954)

El mar y el tiempo(Fernando Fernán-Gómez, 1989)

Yo la vi primero!(Fernando Fernán-Gómez, 1974)

Sneakers(Phil Alden Robinson, 1992)

Josette(Allan Dwan, 1938)

The Guns of Fort Petticoat(George Marshall, 1956)

Nitôryû Kaigen(Initiation to the Two Sword Style;retitled in 1954 Miyamoto Musashi;Kongo-in ketto;(Miyamoto Musashi;Duel at Kongo-in Temple;Asaka Katsuhiko & Itô Daisuke, 1943)

Forfaiture(Marcel L’Herbier, 1937)

The Old Dark House(James Whale, 1932)

The Amazing Quest of Mr. Ernest Bliss(The Amazing Adventure;Alfred Zeisler, 1936)

The Male Animal(Elliott Nugent, 1942)

No Man’s Woman(Franklin Adreon, 1955)

Padre no hay más que uno 2(Santiago Segura, 2020)

Trader Horn(W.S Van Dyke II, 1931)

Trade Winds(Tay Garnett, 1938)

Alye parusa(Scarlet Sails;Alieksandr Ptushko, 1961)

It Started with a Kiss(George Marshall, 1959)

Benvenuta(André Delvaux, 1983)

L’Arlésienne(André Antoine, 1922)

Erotikon(Mauritz Stiller, 1920)

Four Hours to Kill!(Mitchell Leisen, 1935)

Hot Saturday(William A. Seiter, 1932)

The Moderns (Alan Rudolph, 1988)

Carmen(Cecil B. DeMille, 1915)

Loves of Carmen(Raoul Walsh, 1927)

Wrong is Right(Richard Brooks, 1982)

Miguel Marías

Fuente: http://www.paginas-del-diario-de-satan.com/pdds/?p=6985

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