#Logo Design Stuart

[bcdlistings]

Brandon Cooper Design

Brandon Cooper Design provides marketing and creative services in Stuart, Palm City and across the Treasure Coast — helping small businesses get found, trusted and chosen through strategic branding, website design, content creation, local SEO and video storytelling.

Service Area (In Florida): Stuart, Palm City, Martin County, Port St. Lucie, Hobe Sound 33455, Jensen Beach 34957, Port Salerno 34997, Sewall’s Point 34996

Business Hours: Mon-Fri: 9AM — 5PM EST Payment Methods: Credit Cards, DCH Direct Deposit Contact Name: Brandon Cooper

Contact Info: Brandon Cooper Design Address: Stuart, FL 34996, USA Phone: +1 (772) 210–4318 Mail: hello@brandoncooper.com Website: https://www.brandoncooper.com

Find Online: YouTube: https://www.youtube.com/@BrandonCooperDesign

[myownperceptions]

Minions: The Rise of Gru- details, trivia, goofs, random notes (Pt. 8)

First Part Previous Part

Otto has to pull up his strap a bit after that tussle.

A! O! Let's go! Blitzkrieg Bop by the Ramones, released in 1976. In February but give them a pass, it's only a month.

The kid's name is Brad, by the way.

Also a reference to Big Mouth Billy Bass on the wall. Very ahead of its time mind you; it was first created in 1998.

RZA is the coolest uncle.

Another cat in the background.

Deleted scene; check it out:

Kevin points his finger in Stuart's face.

Garage door has the V6's logo.

Svengeance skates miserably.

Belle was animated differently in this scene in this trailer (1:46). Here she shimmies. There are actually quite a few voicelines and animations that were changed in the final product, even some just from the trailers.

Jean-Clawed just being in love. That's a look😏meant for ship tease.

These vehicles are awesome. All the concept art I could find here.

Look at the detail on Belle's robe, that's some insane patterning.

JC's the only one to actually look at Belle here, before grinning at Nunchuck.

Svengeance does a spin before jumping into his motorcycle. It's shaped like a rollerskate with a drill on the front!

Crab mech. 'nuff said. The giant pincers are scuffed at the edges, suggesting some serious use for destruction. How those tiny points of metal are holding up the mech is beyond me.

The pipes on the back are shaped like Jean's bowler hat which is kind of hilarious.

SMASH! Stronghold's got a tank design, since he's the tank of the group. Get it?

It also has the V6 logo on the side, and an iron sight aimer.

Gorgeous (under-utilised) design. It's a flying organ with a massive gun mounted on the front.

The tune she plays is Toccata & Fugue D Minor, BWV 565 by Bach. What a mouthful for such a familiar tune.

All of these are giving off serious smoke by the way. What is pollution?

Missing shot from the trailer.

Crab mech snaps at the screen.

Freedonia from DM3 on the arrivals screen!

Some story going on with these two. She doesn't want him to leave. But he must go, his city needs him.

Fly Like An Eagle by Steve Miller Band plays here, released in May 1976. Blah blah blah release date blah blah.

This woman's face is the spitting image of Scarlet Overkill, probably a reused model.

Skin details.

Bello magazine: best of romance. Reference to how minions say hello.

Pilot guy boasting about how he nearly died. Losing thrust in both engines is no joke.

Sally gets a bit distracted and slips off the railing.

This whole plane scene is insane so I'll get through it as quickly as possible.

Nobody cares about only getting one peanut except that one guy, they just roll with it.

This guy's oxygen mask just falls on his face since he's sound asleep.

While the woman on the cover does look like Belle, I'm pretty certain it isn't.

This control tower guy forgot to take his headphones off, so gets pulled back as he runs away.

Bob's not in this shot even though he should be.

Mom is understandably exhausted.

This guy has the only reasonable reaction to this situation.

[elcomfortador]

Sex and the City Meets an Effeminate Heterosexual

“Evolution” (August 19, 1999)

If you came of age in the late 90s or early 2000s, you live in a world informed by Sex and the City — whether you realize it or not. It’s probably one of the most influential TV shows to air during our lifetimes, and so it’s more than time that we look at one of its many LGBTQ-themed episodes. Joining us to discuss Carrie, Samantha, Miranda and Charlotte is returning guest Gwynedd Stuart, who has big feelings about why this show matters.

Listen to Gwynedd’s previous episode about Soap.

Most of Drew’s background on how SATC ended up at HBO comes from this Vulture article. And here is the 1991 New York Times article about Woody Allen and Mia Farrow waving at each other from across Central Park.

Listen to Drew discussing Bowser, King of the Koopa, on the Retronauts podcast.

Go shop at our TeePublic store!

Follow: GEE on Facebook • GEE’s Facebook Group • GEE on Twitter • GEE on Instagram • Drew on Twitter • Glen on Twitter

Listen: Apple Podcasts • Spotify • Google Podcasts • Himalaya • TuneIn

And yes, we do have an official website! We even have episode transcripts courtesy of Sarah Neal. Our logo was designed by Rob Wilson. This episode’s art was designed by Ian O’Phelan.

Listen now!

[viofitz]

McDonald's Happy Meal Minions

Introduction:

A Happy Meal is a kid's meal usually sold at the American fast food restaurant chain McDonald's since June 1979. A small toy or book is included with the food, both of which are usually contained in a red cardboard box with a yellow smiley face and the McDonald's logo. The packaging and toy are frequently part of a marketing tie-in to an existing television series, film or toyline. In this review, it's from Minions movie released back in 2015. This set of 10 involves minions that is given with unique kind of gimmicks. This set includes Bob, Kevin, Stuart, caveman, vampire, Egyptian, Martial artist, king's guard, Marching Soldier and Stuart with a tie dyed shirt. The gimmicks are mostly similar to the predecessors which is wind-up, movable parts by button or just simply tapping their head, voice and lights electronic.

The US releases had only voice gimmick by tapping them to hear them make sounds. In China, they were distributed as accessories such as keychains, stampers, and even cord wrappers. In this review, I'm only going to review the southeast Asia release only since I'm not really interested with other releases, especially with how they did not allow us to replace the batteries on the electronic.

Chatting Bob

Bob the Minion is given with voice electronic gimmick which you'll have to switch the on-off buttons first, then pressing the button on his front pocket's jumpsuit and there's one rotatable left arm. Bob's voice record is saying the usual Minionese or funny gibberish. Unfortunately, I couldn't replace the battery inside him due to the figure's seamline cut was also permanently glued.

Lava Shooting Kevin

Kevin the Minion is given with a weapon part (which already attached on him) that can emits led lights by pulling the weapon trigger. Perhaps, he's the only tall minion included in this line up, and like Bob I wasn't able to replace the battery inside him.

Guitar Strumming Stuart

Stuart the Minion is given with a guitar/super mega ukulele part (already attached on him). Like Bob, he's given with a voice electronic gimmick which you'll need to press down his guitar tip to hear him singing a funny gibberish song. Like Bob & Kevin I couldn't able to replace the battery inside him, and what's even worse there's no triangular screws on him which is the seamline cut is permanently glued.

Groovy Stuart

Aside guitar, Stuart the Minion also comes with the one where he wore tie dyed shirt. His gimmick is a moving body parts consisted 2 arms and legs to show him dancing in groovy style by pressing his head to side by side.

Minion Vampire

Minion Vampire dressed in vampire styled getup, his gimmick is simply pull the button on his back to make him open his mouth and swing his 2 arms like he's jumpscaring you. He's also identical to Stuart but, assuming he has no name on the plastic bag. He could also be anyone that has Stuart's likeness.

Egyptian Hula Minion

Egyptian Hula Minion dressed in ancient Egyptian getup, he is given with a hula hoop accessory which you'll need to attach them on his back. Then press the button on his head to make his hula hoop rolling. Aside the hula hoop gimmick he can also move both of his arms. He's kinda identical to Stuart but, assuming he has no name on the plastic bag. He could be anyone that has Stuart's likeness.

Minion Caveman

Minion caveman dressed like an ancient caveman living paleolithic period (roughly 2.5 million years ago to 10,000 B.C.) while his goggles are seemingly made from a wood and skin fabric, he is given with movable 2 arms. The right hand is holding a banana and can swing by pressing the button on his back, while his left hand is simply move by rotating his arm. While the design is unique and wild but, his posing is kind of low in balance as he usually falls to the ground.

Guard Minion

Guard Minion is dressed as British King's Guard uniform in England and holding banana instead of weapons. His gimmick is a wind-up moving legs like a typical classic wind-up toys.

Marching Minion Soldier

Marching Minion Soldier is dressed as French Marching Soldier uniform during Napoleon Bonaparte era. His gimmick is another googly eyes like Tom Googly Eyes Grabber, only this time he's not a grabber and the button is located ontop of his shako, simply press them and you got him moving his googly eyes and swinging 2 arms like a marching soldier.

Martial Art Minion

He is wearing purple karate gi with black belt and clogs. His gimmick is a wind-up feature to perform his spinning kicks like one of Ansatsuken karate warriors (Ryu, Ken and Gouki). I love how they still made his fuzzy hair separately from his head similar to Jerry, Tom, Phil and Carl from Despicable Me 2 (DM2) line up.

Thoughts:

Like DM2, Minions movie was also boom as they're sold real fast due to the big hype of the movie. Good thing I was able to get them all real fast back then. I loved how they're still made similar to their predecessors but, with improved paintapp such as most of their goggles are now painted in metallic colors (ex. minion caveman) instead of plain color and the idea of making minions in variety getup is also a nice touch, therefore we won't be bored just by one jumpsuit. Martial Arts Minion and Egyptian Hula Minion are my personal favorite.

[magicalhideoutengineer]

In Fantastic Beasts, Newt’s animal antics see him called before MACUSA, the Magical Congress of the United States of America and American equivalent of Britain’s Ministry of Magic. Concealed by enchantments inside New York’s Woolworth Building, it was MinaLima’s job to give the organisation a logo and suitably magical identity. On film, that branding is visible across leaflets, maps and other pieces of official magical documentation. ‘We asked ourselves, “how visually does America show itself in an organisation?”,’ recalls Mira. ‘We looked at lots of government and ministry seals, even the seal of the country is very traditional — and kind of boring actually.’

Like many of their magical motifs, the duo riffed on a parallel Muggle concept and twisted and skewed the design for added Wizarding flavour. Miraphora took the iconic American flag (‘making sure it had the forty-eight stars correct for the period’) and then ‘exploded’ the stars. Says Mira, ‘that’s kind of a nice motif anyway in the Wizarding World … we start with that reality and then transpose that into our world.’ The American Ministry represents itself with the mythical Phoenix, and the team incorporated a flaming songbird into the organisation’s logo. Explains Mira, ‘American [logos] usually have an animal of some description … it’s got some authority.’

In Crimes of Grindelwald our heroes find themselves exploring the charming cobblestone streets of Paris. As the plot unfolds, Rowling’s story sees Newt and co. visit the Ministry of Magic’s French counterpart, Le Ministère Des Affaires Magiques De La France. For reference, MinaLima looked at ‘state kind of representations in marks, in logos’ alongside illustrations of Marianne, the powerful French revolutionary figure. Production designer Stuart Craig had incorporated statues in the French ministry set, and MinaLima played on that motif in the organisation’s logo. Recounts Mira: ‘the revolution figure is very symbolic for the French people … we looked at the statues in the actual Ministry [and] referenced that in the logo.’

Much like the Harry Potter films, Miraphora and Eduardo have the exciting opportunity to contribute significant graphic design to grandiose set pieces. In Crimes of Grindelwald, a Wizarding ‘freak show’ arrives in Paris. The team designed a wealth of incredibly imaginative promotional paraphernalia for the Circus Arcanus sequence. In a relatively short (but complex) scene, MinaLima’s graphics serve as more than just visual decoration. Collectively, they help establish tone (‘it still needed to be glitzy and kind of enchanting, but it had a dark side’), provide additional context and exposition, and help progress the plot in a way that dialogue alone can not.

For an assignment like the Circus Arcanus sequence the team tried to embody the design ethos of someone who might be promoting a real-world circus. ‘Much of our work in posters is about selling something … [as] if you were employed to be a graphic designer to sell a circus.’ When choosing a colour palette and a typographic style the team thought about the ways in which visual cues might inform the audience’s perception. ‘We knew from the beginning that it wasn’t going to be a typical circus that’s uplifting and shiny and showy … it had a dark side to it,’ explains Mira. ‘You make decisions about colours and mood and typography — whether it was soft and playful or had a bit of an edge to it. All those things feed into your decision as a designer.’

Another unique element of MinaLima’s Fantastic Beasts graphic design thus far has been the chance to revisit graphical props from the Harry Potter films. Although it’s been over a decade since much of that work occurred, these new pieces exist years before their ‘Potter’ counterparts in Rowling chronology. The team had the chance to reimagine the Daily Prophet newspapers (alongside an American equivalent in the wonderfully punned New York Ghost), this time with a suitably turn-of-the-century flavoured masthead. The duo’s Ministry of Magic branding also feels period appropriate; it’s softer with delicate ornate embellishments. Says Mira, ‘it’s about trying to identify the flavour and the personality [of the time].’

‘Sometimes the script might give us a few stage directions but we need to have more information about backstory,’ explains Mira. In places where design might stretch beyond existing Rowling canon (and fabricated names and illustrations won’t cut it), the author was able to expand her universe with exciting new pieces of ‘Potter’ lore. In Fantastic Beasts we learn briefly about Massachusetts’ Ilvermorny Castle, Hogwarts’ North American cousin. Recalls Mira, ‘I was designing the school logo. We didn’t have any information about Ilvermorny and I was kind of making up different animals for different houses.’ Fortuitously, Rowling was visiting the film set that day and unveiled a wealth of new detail. ‘She was like, “oh no no no no” and described them all … I was writing furiously with my pencil!’

[pagesbyara]

BEYOND THE SURFACE: An Oppositional Reading of the Gucci X Dapper Dan Collaboration

The fashion video was shot in Harlem by Gucci in 2018 and it featured Dapper Dan who is a fashion designer that was once ignored and rejected and in fact almost shut down. Back then, Dan Dapper was known for remixing luxury logos just to create bold fashion for the Black communities. Years later, Gucci copied his style and faced a backlash. Instead of then admitting and owning up to what they did, they went on to offer him a partnership. On the surface, the video looks like it is a win for Dapper and Harlem as a whole, but if looked into well, it looks more like a PR move instead of a real change. All of this  is not just fashion history, it is a case of who hold the power over whom.

The Stuart Hall’s encoding and decoding theory explains how messages are not received as they are intended. Audiences can decode media in different ways depending on their perspective. Hall outlines three types of reading: dominant, negotiated ad oppositional. The dominant reading of this video is that this is the success story of a black designer that once marginalized and is now elevated. Gucci is presented as if it is progressive, inclusive and socially aware. The visuals of Harlem and black models wearing luxury fashion passes across a message of empowerment. But taking an oppositional reading, the idea changes entirely. From this perspective, the video is not just a celebration or empowerment, it is a performance of inclusion that benefits the powerful more than people. Dapper Dan that was once shut down for using luxury brand logos, is now embraced only after his style became profitable for the brands that once rejected him. The system did not change out of growth, it changed out of necessity

In encoding this video, Gucci positions itself as a brand capable of listening, changing, and honoring culture. The fashion house still owns the means of production, distribution, and storytelling. Dapper Dan’s name may be on the atelier, but Gucci’s name is on the contract. The collaboration is a compromise, but the power imbalance remains. Furthermore, the idea that Dapper Dan’s legitimacy had to be confirmed by a European luxury house raises critical questions. Why was his work only considered valid once it was absorbed into Gucci’s structure? Another layer of oppositional reading involves the audience the video is meant for. While it features Black creatives and Harlem as a setting, the actual consumer audience for Gucci remains mostly the wealthy and global.

This ad video of Gucci and Dapper Dan is often praised as a luxury fashion giant finally embracing the work of a black designer that it once disregarded. From my standing, this collaboration is more about co-optation and less about justice. When viewed through the lens of Stuart Hall’s encoding/decoding model. I take a firmly oppositional reading of this media message. I do not accept Gucci’s narrative at face value. I do not see this video as an evidence of change, bu I see it as a reminder of how capitalism absorbs, repackages, and sells back black culture for its own benefit. Stuart Hall’s model tells us that media messages are usually encoded with specific meanings by the producers, which in this case is Gucci, and then decoded by the viewers. For this video, the dominant reading is quite simple, that fashion is inclusive now and Gucci has grown. But just as Stuart Hall has pointed out, there are several other ways to interpret a message, the negotiated or oppositional readings, and I am taking the oppositional route. What Gucci wants us to see as redemption, I see as repackaging and what they are selling as empowerment, I see as manipulation.

Dapper Dan is featured prominently in the campaign and is credited as a designer, but the structural hierarchy still remains intact. Gucci is still in control of the capital, distribution and also the global branding. Harlem might have been the setting, but the profits flow elsewhere. The atelier in Harlem becomes more of a symbolic showroom instead of a sign of true economic transfer of power. Although representation is important, it is not the same thing as redistribution. Including the faces of black people and using urban landscapes in marketing materials does not address the deeper inequalities of the fashion industry. An oppositional reading reveals this collaboration as a surface level reconciliation that leaves the deeper structures of exclusion untouched.

Although, the most striking part of the video, looking at it from an oppositional perspective, is the way it turned Harlem into a brand aesthetic. The visuals of the video are highly stylized which made the streets that were once associated with poverty and marginalization now imbued with beauty and high fashion allure. The video kind of asks the viewer to not only admire the culture in Harlem but to also consume it, and this is what Stuart Hall and other critics warn against. The transformation of lived experience into marketable image is just not the way to go. When Gucci presents Harlem through the lens of luxury, it sanitizes the real struggles and the barriers that are still affecting the community. Instead of using its platform to challenge inequality, Gucci decided to use culture as a content idea.

However, one of the dangers of collaborations such as this is that they can create an illusion of progress while leaving the oppressive systems intact. Gucci past missteps which includes the controversies over cultural appropriation and racist designs are easily covered for with a well-produced campaign. The presence of Dapper Dan serves as a shield, a way of signaling change without truly disrupting power structures.

To be honest, this video campaign is great PR. It helps Gucci to clean up it image after its previous cultural missteps. So, featuring Dapper Dan allows the brand to say that they are listening and they are evolving. But inclusion in an ad campaign is not the same as accountability. This about rebranding not necessarily reparations. I’m not saying that Dapper Dan should not take his seat at the table, he has earned it for himself and he deserves it. But I am simply saying like I said before that we should ask who’s table it is, who built it and who still controls it?

Stuart Hall’s model employs us to always ask harder questions and we should, it also  empowers us to resist easy narratives. If I wanted to accept the dominant reading, I’ll just be doing exactly what Gucci wants, seeing them as inclusive, progressive and evolved, but I know better. By taking this oppositional stance, I’m doing what Stuart Hall’s encourages us to do. In this situation, asking questions like, who benefits? Who’s being used? Considering the fact that Gucci wants to focus on the beauty of this moment, I cannot ignore its contradictions.

In conclusion, the Gucci and Dapper Dan’s video is full of symbolism, emotions and weight of history. It also offers a compelling narrative of cultural respect and creative genius. But below the beauty lies a more complicated truth. The usage of Stuart Hall’s encoding and decoding model, and also specially adopting the oppositional reading, it reveals how media can disguise power under the guise of progress. All in all, this collaboration is not just about fashion, it is also about who controls the narrative, who reaps the benefits, and how systems of power adapt in order to survive. As viewers, readers and even consumers, we must look beyond the surface. And in doing so, we will uncover the truth that real progress is not just about representation, it is redistribution, reparation and radical change.

[stubobnumbers]

County Spotlight - Hempstead County, Arkansas.

County Seat: Hope. Population: 20,065.

Hempstead County is Arkansas's fourth county, formed on December 15, 1818, alongside Clark and Pulaski counties. The county is named for Edward Hempstead, adelegate to the U.S. Congress from the Missouri Territory, which included present-day Arkansas at the time.

The 42nd United States President, Bill Clinton, who served from 1993 to 2001, was born in the county seat of Hope on August 19, 1946.

Hope is also the birthplace of two other governors of Arkansas, Mike Huckabee and Sarah Huckabee Sanders.

Hope began in 1873, when a railroad was built through the area. The town was named for Hope Loughborough, the daughter of a railroad executive.

Hope is also known for growing watermelons and continues to produce records for the largest specimens in the world. The last record was set by Lloyd Bright in 2005 with a 268.8-pound watermelon. The Watermelon Festival is celebrated annually from Thursday-Saturday during the second week of August. The watermelon is used in the municipal logo and the Hope slogan: A Slice of the Good Life.

Washington, AR has a few noteworthy folks as well. James Black (1800–1872), blacksmith who crafted the Bowie knife based upon a design by Jim Bowie.

Daniel Webster Jones (1839–1918), 19th Governor of Arkansas.

Washington, AR History: From its establishment in 1824, Washington was an important stop on the rugged Southwest Trail for pioneers traveling to Texas. That same year, it was established as the "seat of justice" for that area, and in 1825 the Hempstead County Court of Common Pleas was established, located in a building constructed next door to a tavern owned by early resident Elijah Stuart.

Between 1832 and 1839, thousands of Choctaw American Indians passed through Washington on their way to Indian Territory.

Frontiersmen and national heroes James Bowie, Sam Houston and Davy Crockett all traveled through Washington en route to the Alamo.

Houston is believed to have planned parts of the revolt strategy in a tavern in Washington during 1834.

Fulton, AR is named after steamboat inventor Robert Fulton.

For the geology/paleontology nerds: The Arkadelphia Marl, also called the Arkadelphia Formation, is a geologic formation in Arkansas in Clark, Nevada, and Hempstead counties. It preserves fossils dating back to the late Maastrichtian stage of the Cretaceous period.

The Marlbrook Marl is a geologic formation in Arkansas. It preserves fossils dating back to the Late Cretaceous period.

[greylonggofficial]

Minions T-Shirts for Every Personality: Which One Are You?

When it comes to pop culture icons, the Minions are in a league of their own. These adorable, banana-loving, mischief-making characters from the Despicable Me franchise have captured hearts worldwide. Whether you’re a fan of their hilarious antics, their unique language, or their unwavering loyalty to Gru, there’s no denying that Minions have become a global phenomenon. And what better way to show your love for these yellow bundles of joy than by rocking a Minions t-shirt?

But here’s the thing: not all Minions t-shirts are created equal. Just like the Minions themselves, each design reflects a different personality. Whether you’re a goofball, a leader, or a tech-savvy genius, there’s a Minions t-shirt out there that’s perfect for you. And if you’re looking for the best selection of Minions t-shirts, look no further than Greylongg—your go-to seller for all things Minions!

Let’s dive into the world of Minions t-shirts and find out which one matches your personality:

1. The Classic Minion Fan

If you’re someone who loves the timeless charm of the Minions, a classic Minions t-shirt is your go-to. Think bold yellow designs with iconic Minion faces, Gru’s logo, or the phrase “Banana!” plastered across the chest. These shirts are perfect for those who appreciate simplicity and want to show their love for the original Minion magic.

Greylongg Pick: Check out their classic Minions graphic tees that feature the beloved characters in their signature blue overalls.

2. The Funny and Quirky One

Are you the life of the party? Do you love making people laugh with your witty sense of humor? Then a funny Minions t-shirt is right up your alley. Look for designs that feature hilarious Minion memes, puns, or scenes from their most iconic moments. Bonus points if the shirt includes their gibberish language—because who doesn’t love a good “Bello!” or “Poopaye!”

Greylongg Pick: Their collection includes shirts with Minions doing silly things, like holding bananas or wearing goggles, paired with laugh-out-loud captions.

3. The Leader of the Pack

If you’re a natural-born leader like Kevin (the tall, two-eyed Minion), you’ll want a t-shirt that reflects your confident and adventurous spirit. Opt for designs that showcase the Minions in action—whether they’re saving the day, leading a mission, or just looking cool in their spy gear.

Greylongg Pick: Their “Minions in Action” series features dynamic designs that are perfect for those who like to take charge.

4. The Tech-Savvy Genius

Are you the one who always has the latest gadgets and knows how to fix anything? Then you’re probably a lot like Stuart, the tech-savvy Minion. A t-shirt with a futuristic or gadget-themed Minion design is perfect for you. Think Minions holding smartphones, wearing VR headsets, or tinkering with robots.

Greylongg Pick: Their tech-inspired Minions t-shirts are a must-have for anyone who loves blending humor with innovation.

5. The Sweet and Playful Soul

If you’re more like Bob—the adorable, teddy bear-loving Minion—you’ll want a t-shirt that’s as sweet and playful as you are. Look for designs featuring Bob with his teddy bear, Tim, or other cute Minion moments that melt hearts.

Greylongg Pick: Their Bob-themed t-shirts are perfect for those who want to show off their softer side.

6. The Rebel with a Cause

Are you a little mischievous and love breaking the rules? Then you’re probably channeling your inner Dave or Carl. A t-shirt with a rebellious Minion design—like one of them causing chaos or pulling pranks—is the perfect way to express your playful rebellious streak.

Greylongg Pick: Their “Mischief Makers” collection features Minions in their most mischievous moments, perfect for the rule-breakers out there.

7. The Fashion-Forward Trendsetter

If you’re someone who loves staying on top of the latest trends, you’ll want a Minions t-shirt that’s as stylish as you are. Look for modern, minimalist designs or trendy color combinations that incorporate the Minions in a chic way.

Greylongg Pick: Their trendy Minions t-shirts feature sleek designs that are perfect for fashionistas who want to keep it fun and fresh.

Why Choose Greylongg for Your Minions T-Shirts?

When it comes to finding the perfect Minions t-shirt, Greylongg has you covered. With a wide range of designs, high-quality materials, and sizes for everyone, they’re the ultimate destination for Minions fans. Whether you’re shopping for yourself or looking for the perfect gift, Greylongg’s collection has something for every personality.

So, which Minions t-shirt are you? Head over to Greylongg today and find the perfect design to match your unique personality. After all, life is more fun when you’re wearing a Minions t-shirt!

[prestigeluxe]

Check out this listing I just added to my Poshmark closet: Stuart Weitzman Leather PeepToe Heels.

[steph3824]

Check out this listing I just added to my Poshmark closet: Stuart Weitzman | Plainfield Snake Skin Patent Leather Pumps Peep Toe Tan 7.5 N.

[sydneyporada]

IMAGE 1: Cinnamon buns ad in restaurant - This ad creates contrast within the format of the typography. The rotation of the words "Saturday and Sunday" contrasts the other words in the ad that are written in a straight line. Weight also differs among words, as "hurry in, while they last" is thinner than "fresh baked cinnamon buns."

IMAGE 2: "Lounge" sign in Flannigan's - This sign showcases a contrast in texture. The word "lounge" is made with a 3D format and the texture is bumpy upon touch. The platform of the sign is smooth, although made from the same material.

IMAGE 3: Stuart Coffee Company logo and sign - In this image, contrast is achieved through spacing and weight. The typography of the title "Stuart Coffee Company" differs in every line. While "Stuart" is written in cursive italics, "coffee" is showcased with bold, large letters, and "company," in contrast, has an increase in kerning and is depicted in thin letters.

IMAGE 4: Stuart Florida street sign - This sign achieves contrast in its typography through weight and scale. "Stuart Florida" has a larger, thicker look while "sailfish capitol of the world" in thinner and has a smaller scale.

IMAGE 5: It Was a Dark and Stormy Night t-shirt design - Repetition is used to create contrast in this design as the left two boxes of the design contain a repeating lined background. In contrast, the upper and lower right boxes are made up of a solid background. The framework also differs from the content in the image as the frames are made up of passive lines that hold the same rugged consistency, while the drawings of each figure are more active.

[elcomfortador]

A Queer History of SNL, Part One

Welcome to a new season of Gayest Episode Ever. It will be a Saturday Night Live-centric season. Among the regular, sitcom-focused episodes, we will be doing periodic deep dives into the LGBTQ-focused sketches that ran on the show during its various eras. 

To kick it off (and to kick off the new season), we are starting with a two-part look at the various queer-adjacent recurring sketches from SNL. This first episode covers the launch of the show until the mid-90s, and next week’s episode will get us through the current era. Enjoy? Maybe? It’s a lot to take in, honestly, but we swear it’s worth discussion.

Here are this episode’s sketches:

Anita Bryant (s5e16 — Burt Reynolds, April 12, 1980)

Dion (s9e8 — Flip Wilson, December 10, 1983)

Nancy Reagan (s11e2 — John Lithgow, November 16, 1985)

Coffee Talk  (s16e13 — Roseanne Barr & Tom Arnold, February 2, 1989)

It’s Pat (s17e3 — Kirstie Alley, October 12, 1991)

Lyle the Effeminate Heterosexual (s17e16 — Mary Stuart Masterson, March 21, 1992)

Mickey the Dyke (s22e8 — Martin Short, December 7, 1996)

Ambiguously Gay Duo (s23e20 — David Duchovny, May 9, 1998)

Jeffrey’s (s26e12 — Sean Hayes, February 2, 2001)

Mango (s27e9 — Ellen DeGeneres, December 15, 2001)

You can watch the sketches on Patreon. You can see Drew’s master list of LGBTQ-focused SNL sketches here.

Go shop at our TeePublic store!

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And yes, we do have an official website! We even have episode transcripts courtesy of Sarah Neal. Our logo was designed by Rob Wilson. This episode’s art was designed by Ian O’Phelan.

Listen now!

[raheltade]

Check out this listing I just added to my Poshmark closet: Stuart Weitzman 'Nova' Patent Leather Pointed Toe Heel Wedges in Gray Size 9.

[thekilda]

Just a few days left to vote in the Audio Verse Awards! We have so many wonderful people up for awards, and everyone involved in every production has worked so hard! Please consider voting if you haven’t already!

Image 1:  The background is a blue-washed photo of the island of Hirta. Text reads ‘audio verse award finalists.’ At the centre of the image is the St Kilda logo. The left column of text reads ‘Best cover art of a new production, Scott McCartney. Best writing of a new production, Naomi Clarke. Best environment and action sound design of a new production, Michael Ireland, Tracy Barnett.’ The right column of text reads ‘Best composition and musical direction of a new production, Shane Rutherfoord-Jones. Best vocal direction of a new production, Michael Ireland. Best new audio play production.’

Image 2:  The background is a blue-washed photo of the island of Hirta. Text reads ‘audio verse award finalists, best guest performer in a new production.’ At the centre of the image is the St Kilda logo, and surrounding it are circular, black and white cast headshots and names underneath. From top to bottom, left to right, they are: Kirsty Woolven, Marguerite Kenner, Sasha Sienna, Sally Walker-Taylor, Andrew Gorman.

Image 3:  The background is a blue-washed photo of the island of Hirta. Text reads ‘audio verse award finalists, best performer in a new production.’ At the centre of the image is the St Kilda logo, and surrounding it are circular, black and white cast headshots and names underneath. From top to bottom, left to right, they are: Alan Burgon, Meabh de Brun, Ben Meredith, Shogo Miyakita, Sam Yeow, Alasdair Stuart, Michelle Kelly, Marie Anello, Danilo Battistini, Amina Koroma, Erika Sanderson, Rhys Lawton, Sarah Golding, Axandre Oge, and Dean J Smith. End ID.

[njsnumberonesuppstore]

On This Episode Of Vertical Momentum Resiliency Podcast We Chat With LT Col Marine Stuart Scheller TO WATCH/LISTEN ON YOUR FAVORITE PLATFORMS CLICK HERE Crisis of Command: How We Lost Trust and Confidence in America's Generals and Politicians https://a.co/d/5EFQLKY LT Col Stuart Scheller thrown in the brig for speaking out against the withdrawal in Afghanistan. We talk about what it takes to stand for what’s right in America today. His new book delivers a message of hope and courage in a time me need it the most. Click here to get his book Crisis of Command: How We Lost Trust and Confidence in America's Generals and Politicians https://a.co/d/hrdO9Qu Thank you to our sponsors at Vertical Momentum Resiliency Podcast Coffee The Best Coffee With An Amazing Mission 100% of My Proceeds Go To Help ProjectDiehard Help Veterans Struggling With Mental Health issues And Homelessness. Thank You 🙏 TEAM VMNATION William Maitre The Branding Guru. Ginger N David The Swag Team Champions. Patrick Burt The SEO King. Kennedy Page The Logo Maestro. Podc Ast Promote R Indy's It Department Really? Designs Homaira Jahan Sonom #marines #usmc #crisisofcommand #stuartscheller #stuscheller #veteran (at North Arlington, New Jersey) https://www.instagram.com/p/CjBlqB0r9Vu/?igshid=NGJjMDIxMWI=

[brn1029]

Time for today’s Rock Report, brought to you by Meriwether’s bistro! swing by for, breakfast, brunch lunch or dinner at Meriwether’s Bistro inside Hells Canyon Grand Hotel in Lewiston. You’ll find bottomless soup and bread for only 8 bucks from 11am till closing! And Join Meriwethers Bistro's loyalty program and get a complimentary dessert or appetizer. Every dollar you spend equals one point and get DOUBLE points during happy hour and Sunday brunch.

Are you newly engaged? Give Sarah a call at Hells Canyon Grand Hotel! Sarah and her team can take the stress out of wedding planning. Call 2 0 8 7 4 8 1 0 5 7 to set up a meeting

The original artwork of the KISS logo, hand drawn and designed by Ace Frehley in 1973, is up for auction.

Frehley unveiled the original logo artwork for the first time in 2011 and discussed its creation in his book, "No Regrets Book." Originally designed by Frehley, the logo was later refined by Paul Stanley. One the most historically significant KISS items ever offered for sale, the original logo artwork has been put up for auction at a starting price of $50,000.

The Rolling Stones have announced that they plan to release a new live collection, Licked Live in NYC on June 10.Tihe collection features the band's complete performance at New York's Madison Square Garden in January 2003. It will also contain four previously unavailable tracks plus three more from an Amsterdam show, as well as a rehearsal footage.

Ringo Starr has announced the second leg of his 2022 Tour with his All Starr Band, consisting of Steve Lukather, Colin Hay, Warren Ham, Gregg Bissonette, Hamish Stuart and Edgar Winter. This is the second leg of tour dates initially planned for 2020. As previously announced, Ringo will commence the first leg of shows this Spring on May 27 at Casino Rama in Ontario, Canada , and it will conclude on June 26 in Clearwater Florida.

The tour will resume in the Fall on September 23 in Bridgeport, Connecticut, and end on October 20 in Mexico City.