#Man I wanna write more about this story

[paperbagsandwich]

I'd love to know more about the food critic au.. 👀 Also that one door-stuck doodle lives rent-free in my head o///o

-🍋

OOOOOOOOOOOHHHHHH!!!

I haven't really been thinking much about it in a while, but a few thoughts came to mind.

So Critic Darnell is actually cursed, he knew that he was in a way but thought that this curse was ridiculous and very odd. It didn't really make sense to him at the time.

The curse being him knowing who's cooking was actually made from love, so his taste in food was solely rated just by that.

He searched and wondered what'll happen if he went out searching for actual good food and how would feel, causing him to travel and become a critic.

Many restaurants fail to satisfy him and hardly passing a 2 out of 5.

Truly a curse as nothing to him ever really tasted right. Not even from the most prestigious and popular of restaurants.

Roslyn isn't a restaurant owner, she's actually a tailor. She just so happens to love cooking very big meals.

A huge storm came as Darnell visited and Ros gave him shelter.

She had already made a huge meal for friends and family, but none came due to the heavy storm.

Roslyn invited him to take a seat and let him eat as much as he wanted since no one was coming at all, so he just makes himself a small plate.

The very first bite took him by surprise. The roast she made was perfectly seasoned and it wasn't too chewy or too rough, but perfectly smooth and easy to bite into. There was even flavor within just the skin of the roast. The large rolls, goodness, who were these made for? It wasn't flaky or buttery, it melted in his mouth.

He started piling his plate with more food, curious to know how they all tasted.

This man was eating like he hadn't eaten in weeks. He hardly even noticed how tight his clothing was getting... but Roslyn... she was flustered at how big he was getting, visibly seeing him expand. She had never seen such a thing before, but she wasn't going to stop a very hungry guest.

The meal Ros originally made for her other guests wasn't a small table at all. This could've feed at least 3 or 4 whole families... and he's gone through almost the whole table.

He only snapped out of it when he had difficulty reaching his plate.

He was shocked and confused as to how a once slender man now is being constricted by the armchair.

"I guess, heh, this is what love looks... and taste like..." He sheepishly smiled.

Roslyn was beet red trying to process what just happened.

• Oop, I ended up fucking writing JDOSNSKSNAKSBS, my bad.

[puppyeared]

i think the reason why im so drawn to spirit tracks and pkmn scarvi is that having the legendary/princess as a companion rather than a goal that marks the games completion makes me feel satisfied the way i would after helping a friend

my brother always teases me about how I still havent finished botw after almost 7 years bc "id rather be out picking flowers" which i wont say is untrue. and yes i know Zeldas been holding off ganon for 100 years, yes i can get some sort of idea what her relationship with link was like by recalling memories and going through her diary. ive always loved botw for its unique storytelling and setting which makes it stand out, because it lets you get to know who you're saving.

but because theyre memories, it only works if theres something for the player to investigate that already happened. its retroactive (but effective nonetheless)

on the other hand, spirit tracks does something similar but instead of having the player try to piece together memories and interpret them as a spectator, you actually have an opportunity to get to know zelda yourself by talking to her and working together. besides making it a gameplay mechanic, giving the player control over how they interact with zelda makes it so much more personable.

and I find that making the goal feel personal instead of an obligation gives me more of a reason to work towards it. I know what kind of person botw zelda was but as the player, shes still very much a stranger to me. but spirit tracks zelda? thats my friend!!!! she invited me to go to the beach after we get her body back!!! i dont want to whip her to make her move faster thats mean :(

you know how hostage negotiators are trained to introduce themselves and get to know the person theyre negotiating with because its harder to hurt someone when you know what their favorite food is? its kinda like that, because it feels like im helping a friend than being told or led to do smth

and although i havent played scarvi myself, i feel an attachment to koraidon and miraidon even just watching playthrough clips because its like!! thats my weird scaly dog!! it loves sandwiches and we're friends!!! you know!!!!!!

[samarecharm]

If i start posting dc stuff on here, it means i lost the fight w myself. The demons won. Im sorry

[whispers-of-masser]

Dragon's Tongue

✧ Nebarra x human!LDB, ft. Xelzaz & Khash ✧ Fluff, minor angst; 1300+ words ♫ "You And I (Stripped)" - PVRIS ✒ Something short n sweet today, I'm feeling soft

Nebarra was loath to admit it to himself, and he'd die before ever saying it aloud, but the Rift really was beautiful. Nothing compared to Alinor, to be sure, but... all the gold reminded him of home. And when he passed by a small, isolated farm, he could almost see himself on its porch, see his brother leaning against the door.

The illusions were younger, happier versions of themselves. So much more innocent, faces bright with naivety, eyes shining with plans for the future.

And then he'd gone to war.

He'd lost... so much of himself, in the deserts of Hammerfell. They had scorched and burned him inside and out, slowly bleeding him dry with every comrade he saw fall. And all that, for what? For all the Altmer's supposed superiority, the campaign had failed on all fronts – Hammerfell's walls and people defied them, and Cyrodiil remained in power, weakened but still unbroken.

How could the Thalmor still strut about, arrogant to Aetherius and back, when they had failed so miserably? How could they look at the faces of the families whose children and lovers they'd sent to die and only tell them they'd "served their purpose"?

Nebarra couldn't.

He couldn't face them at all. Not even through pen and paper, leagues away from ever having to look them in the eyes, ever having to see the pain and loss in their gaze.

Where the Thalmor were heartless, he was a coward.

And he didn't know which was worse.

~~~

Night fell, and you called the group to halt, to make camp until dawn. Nebarra set up the tent as you argued with Xelzaz, trying to convince him that no, he shouldn't summon a flame atronach and then kill it for its fire salts, no matter how good it would make dinner taste. Khash merely looked on, muching on some clover she'd picked up somewhere.

At last though, you got Xelzaz to relent, though he asked you to gather some herbs in exchange, listing off the plants he wanted you to find.

"Ah... and take Nebarra with you."

The elf froze. Turned slowly towards the lizard. Demanded, "What? Why?"

"Two eyes are better than one," he shrugged, "and that much safer, as well. We don't know what's out there, and I'm pretty sure we passed a necromantic altar on our way here."

At that, you groaned, head rolling back like a teenager who'd just been told to do their chores. "Gods, not another one. Why do we always seem to run into those?"

"Luck of the Dragonborn? Anyway, off with you now – I have to get set up. Let's see, in whose pack did I leave my cooking pot...? Khash! Come help me with this!"

And just like that he walked off, leaving you and Nebarra alone by the campfire. A chuckle escaped you, and he glanced over to see you shaking your head. "I'm surprised he didn't tell us to hold hands, too, so we don't lose each other in the dark."

"Yeah, I'm not holding your hand," Nebarra snarked. And it was true. Absolutely true. Totally, one-hundred percent true.

"Oh wow, Nebs, that one almost hurt." Your soft laugh seemed to echo in his ears, his mind. "Come on, let's go – I don't suppose you heard any of the plants he wants?"

Blue and yellow mountain flowers, to restore and fortify. Purple for rejuvenation, and to give to Khash. Scaly pholiota for fiber and strengthening. Wild gourds and dragon's togue for flavour.

He snorted from behind his helm. "That would require paying attention to him."

"Should have known," you sighed. "Alright, listen up before I forget: blue, yellow, and purple mountain flowers, scaly pholiota, and dragon's tongue. And be careful with the purple mountain flowers, they're gifts for Khash. Oh, he also wants some wild gourds. Got it?"

"...Yeah, yeah. Let's just get going."

He definitely hadn't feigned ignorance just to hear your voice some more. Definitely not.

~~~

"Ah, back at last! Perfect," Xelzaz said, stirring something in a pot over the fire. "Now I can get the real meal started."

"Then what's this?" Nebarra demanded as Xelzaz handed him a bowl, in exchange for the plants the Altmer carried. Even through his gauntlets he could feel its warmth, and a rich, savory scent drifted up through the slits of his helmet.

"Something amazing, from the smell," you sighed, and Nebarra didn't have to look to know you were drooling.

"Just a little sometime to hold you over," the Argonian demurred, handing you a bowl as well. "Thought I'd experiment with some of the flora I've gathered thus far."

That gave Nebarra pause. "Wait – experiment? That's settled, I'm not eating this."

"If you don't want it–"

Your words were drowned out by Khash's eager shout of, "I'll eat it! I'll take your bowl!" She rushed over to him, red eyes trained on the food.

"Khash, you had your share," Xelzaz chided. "Any more and you won't have room for the rest of dinner."

"Yes, I will! I have room for anything you make."

"She's got a point," you laughed, and Nebarra slowly, wordlessly handed her the bowl.

"I'll go keep watch," he grumbled, turning away.

"Oh, don't be like that! Nebarra!" When he didn't respond, you sighed, calling after him, "Alright, go sulk! I'll make sure Xelzaz doesn't poison your share, though you kind of deserve it!"

His back still towards you, Nebarra raised his hand in a rude gesture, and your laughter rang through the night.

Some thirty minutes later, he heard footsteps approaching; he didn't need to turn to know it was you. Your tread was distinct from the others, weighted with determination and confidence, whereas Xelzaz's was soft and steady, and Khash's light and hesitant.

"Here. Eat." Despite the short words, your tone was gentle, and Nebarra looked over to see you holding a plate out towards him, laden with a slab of meat and wild berries to the side. "It's delicious, and unpoisoned."

"How would you know?" he sniffed, catching a whiff of the food in the process. It... did smell amazing. "Did you try it?"

"I did, actually. Stole some of your steak when Xelzaz wasn't looking. And since I'm still standing here pestering you, I guess that means it's clean."

Nebarra paused, eyes training on your face. Half of it was wreathed in shadow, only the gleam of your eyes visible; the other half was illuminated by the campfire, revealing the soft smile you wore.

You... had a nice smile.

And before he could stop himself, he mumbled, "You're not... pestering me."

Surprise flickered in your gaze – surprise, and something else. Something he told himself he didn't recognise, refused to recognise.

After a moment, you said softly, "That's... good to hear, then. Because I have something else for you, too." Reaching down with your free hand, you pulled something from your belt and held it out before him. "I saved one, 'cause it reminded me of you."

Nebarra stared. There, held gently between your fingers, was a dragon's tongue flower, petals open wide and colours vibrant in full bloom. "This... reminded you of me?"

"It's gold. Just like you."

"...You really do have trouble with your eyesight, don't you? These are orange."

"Eh, close enough." You shrugged, the smile never leaving your face.

Slowly, Nebarra reached out and, ignoring the plate of food, took the flower carefully, delicately from your grasp, cradling it in his palm. "...Am I supposed to say thank you?"

"You just did." As he raised a brow from the shadows of his helm, you set the plate on a nearby rock and tapped the gauntlet that held the flower. "You accepted it."

He couldn't deny it. "Think you got me all figured out then, huh?"

Something in your smile shifted, your gaze flickering. "No. Not yet, anyways. But... I think I'd like to." And with that, you turned on your heel and walked away, leaving him alone in the dark, stunned.

And that night, as he sat in the shadows of the campfire, he stared at the flower for a long, long time.

[sammy-the-haze]

I’m finally actually putting words on paper for a pretty major writing project I’ve been tossing around my head and circle of friends for quite a while now!

If you want to help, TELL ME YOUR FAVORITE BIRD and WHY they’re your favorite

(“I think they’re neat” is a very valid reason but extra points for any trivia you want to share!)

[orcelito]

OK so I have an inkling of an idea for a trigun ficlet. A one-shot, really. Not really any plot, but I just have the urge to write my own interpretation of Weird Plant Shit. Like for how much ppl tag this stuff as xeno, most of it's honestly pretty tame. Which kinda makes sense, considering a lot of this is being based off of the plants in stampede, which While uncanny are not NEARLY the amount of inherent horror of the plants in the manga. There's some FREAKY shit going on there. So like. You know. What if I took more inspiration from That for Vash's freaky shit?

[shidoukanae]

Did a study of a panel i like for a manga with absolutely my favorite female character i've seen yet and thought i'd post it here too in the hopes of eventually finding fans of this series when they inevitably, like me, look for more content of this story :'D

I could gush about this funny, lovestarved, absolutely downright sympathetic and villainous lady who absolutely deserves to be family with the protag for so many hours if you let me she is literally so perfect and everything I have ever wanted from female characters before.

I've gone from going "ooooo she's such a cool antagonist who is such a funny little mystery i LOVE her" to "yeah she's kind of on the insane spectrum but tbf who wouldn't be fucked up in her situation TwT" to "i WILL cry over her and she is completely in the right for doing what she's doing and i can't believe i ever believed she wasn't the heroine she's supposed to be :'D"

[applestorms]

morality in the world of good omens

so i wrote another (admittedly very messy) essay on good omens not long ago right after watching season 2 but after finishing that, rewatching all of both seasons multiple times, and reading through the book, i have a couple more distinct ideas to get out...somewhere...if only for my own sanity. this is me throwing my thoughts into the internet before i pop, if you will. just 3 sections, below the cut.

1. environment, characters, & transformative fandom creations

to start this post off a bit more broadly, i've been thinking a lot recently about transformative fandom and the reasons why we write fanfiction/create semi-original works in the first place, as well as why certain aspects of fandom (writing, art, analysis, etc.) will be more appealing to me for certain shows/series than others. correct me if you have a totally different view of this, but in my experience i've found that i tend to naturally gravitate towards different parts of fandom depending on what the original medium of the story was- podcasts tend to lead to some of the most interesting art trends, for example, since there's more room for interpretation and character design tends to be more of an ongoing community project than something set in stone like for a tv show with live human actors.

in my own observation, i've noticed that a lot of the really big & excitable fandoms, the ones that generate tons & tons of fanworks more naturally (a.k.a. just because of the story itself & not other factors like a pre-existing franchise or hype about new great gay representation, etc.) tend to surround stories that fall into a kind of "sweet spot" that makes the creation of fanworks really appealing. if you've ever wondered why there are so many ravenous artists bending over backwards to draw gorgeous fanart for stuff like homestuck or south park or even minecraft youtubers, it's likely because those stories all fall into a sweet spot for drawing, with character designs that are recognizable at a glance and yet still simple enough that there is plenty of room for personal creative touches. (think also, if you're familiar with such kinds of homestuck terms: hyperflexible mythologies, A4:1524, and/or this archive link cause the official thing is down now for some reason)

the conclusion i've come to is thus that even something as basic as the original medium of a story can dictate a lot about what kinds of fan activities are more common or popular within said story's fandom.

so, back to good omens- for me, this all relates back because of a question i've been messing with in my head recently, about why i've been less interested in fanfiction for good omens than i have been for the last few fandoms i've been, almost all of which have basically broken my ao3 bookmarks.

this question has been fucking with me for a while now, largely because i'm not entirely sure what's motivating it. a lot of times i can figure out pretty easily why i might personally not be interested in some parts of fandom, but that's not really the case here. from what i've seen this fandom seems to be pretty mixed in terms of age, & the writing that i have read is certainly no worse than i've seen elsewhere, perhaps even better in some places- and yet, i can't seem to get entirely into it, even getting frustrated as i can't find something to my tastes for an ao3 bedtime story as i've grown so accustomed. what caught me off guard is that this was an issue that i ran into while watching season 1 as well, back when the series was still quite popular but not blowing up like it is right now.

a lot of this may seem like (and likely is, at least in part) basic overthinking, but i mentioned it all here because the answer i eventually came to is reminiscent of my previous reflections above on the nature of fandom & how/why fanworks are created.

a couple paragraphs above, i used the example of art as an example of how fandoms that generate a lot of original artwork will often do the most when the original story falls into a sweet spot of character design, but notably i think that this sentiment applies to a lot more than just art. if you've ever seen the copious amounts of kpop & hockey rpf fanfiction that lives on ao3, it should be clear that this applies to writing too.

i wrote this essay a while back responding to an observation about the lack of a more extensive symbolic language in fanfiction & i've toyed around with the idea more since, particularly in considering the question of why a lot of what we see as the staples of fanfiction exist in the first place. in that post, my response largely revolved around an argument of why we create fanfiction- namely, that fanfiction is created as in tandem with deeper analysis of the original story/series, as a way of trying to practically apply character analysis to a new context.

the key part of that last sentence to me is how a lot of this revolves around character analysis (and shipping, but really it's the characters that motivate the shipping in most cases so. same difference).

i tend to instinctively separate fanfiction into two separate categories: fanfiction that is based out of the original world/canon of the story (including but not limited to fix-its, deeper analysis fics that take a scene & extrapolate from it, continuations, etc.) and fanfiction that takes the characters from the original story & plops them in an alternate universe/AU. while i separate these out as two distinct categories of fanfiction, i should also clarify that i don't think these two groups are necessarily equal in terms of number of fics- rather, the vast majority of fanfiction tends to be AUs, keeping the original characters & changing any & all aspects of the world around them. again, this may vary depending on the story & Vibe of the fandom at the time, stories like game of thrones or harry potter or homestuck might have a lot more in the canon category by nature of any major dissatisfactions the fandom has with how the original story was told, but in most cases AUs are more popular. this was a lot of the basis behind my argument that fanfiction is created as character analysis in fact, since the characters are the most important part that carries over from original story to fanwork, as well as can end up being one of the most debated/scorned parts when it comes to fandom drift (i.e. "that's out of character"/"he wouldn't do that"/and all other such arguments about fanon vs. canon characterization).

basically, my conclusion in this case was that i was a lot less interested in gomens fic largely because i have a really hard time separating the characters from the world in the case of this particular story. aziraphale & crowley being an angel & a demon and dealing with all of the bullshit of their world when it comes to heaven & hell are such integral parts of their characters in my mind that i have a much harder time getting behind AU fanfiction that plops them in a totally different context. it's just a much harder sell for keeping the characters in character for me. (i also tend to not like s2 fix-its just cause, idk they're just not my style, which is where a lot of the recent blast of energy has led us.) to clarify, this is not a judgement, just a matter of personal preference and a reflection of why, even if a lot of fandoms will look the same from the outside/involve the same things like art, fic, etc., an individual's mileage can vary wildly when it comes to how they interact with different things online.

*additional note, also for clarification: i do want to acknowledge that a lot of this depends on pure popularity as well, popular fandoms will often end up with basically everything in terms of fanworks just by nature of how many people are interacting with & thinking deeply about the story. my point here is more along the lines of the fact that even within the more well-populated fandoms, certain types of fanwork will often Stick Out more to me than others, or even be visibly much more common than in other fandoms, due largely to the original medium/structure of how the story.

so, speaking of aziraphale & crowley in more depth now- why does the world of good omens feel like such an integral part of their personalities when it comes to characterization? up next, let's talk about morality within the context of good omens' perhaps surprisingly secular take on heaven & hell.

2. the amorality of heaven & hell (ft. the crowley quote apples you know the one)

(warning in advance that this section may be a bit limited since i'm not going to get super far (or very far at all, really) into the whole religious-analysis aspect of good omens.)

i've been binge-reading the original pterry & gaiman book for good omens over the last few days and it's been very fun seeing all the slight changes between the tv show & the original. you can really see the hand of the original creators in how the tv show was translated, even just by looking at which parts made it and which parts were deemed worth cutting out. i suppose having one of the original creators right there helping build everything really helps make a book -> show translation work, since the ASOUE tv series was also pretty well received- something about knowing what's the core of the series & truly important to keep in, and having more time to tell the story itself?

anyways, i have a short list of notes that i've been taking as i read, conversations that stand out to me or footnotes that particularly amused me, but i keep coming back to one line that stood out to me quite early on. in context, this line comes from crowley during the conversation where he is first attempting to fully convince aziraphale about stopping armageddon, specifically when they're talking about exerting equal forces on warlock to make him normal:

"You're saying the child isn't evil of itself?" [Aziraphale] said slowly. "Potentially evil. Potentially good, too, I suppose. Just this huge powerful potentiality, waiting to be shaped," said Crowley. He shrugged. "Anyway, why're we talking about this good and evil? They're just names for sides. We know that."

(pg. 67)

"They're just names for sides." if i had to pick one line to sum up the view on religious morality of this series, this would likely be it.

on the one hand, i tend to interpret a lot gomens' take on heaven & hell within the context of its political stance, something that is particularly obvious through a line from gabriel in s2e2 where he tries to clarify to aziraphale that heaven isn't trying to hurt job directly, but instead is just not stopping hell from doing horrible things to him. while there may be some additional nuance to add to this take within the context of british politics that i don't really know well enough to add about, i'm inclined to see this from the side of my own familiar american politics, which might hold some weight considering how long mr. gaiman's lived around here. point is, my current interpretation of that line is that it helps in more clearly establishing the analogy of heaven & hell as the story moves forward into newer seasons and thus more contemporary politics, equating heaven with mainstream liberal politics & politicians and hell with conservatives.

this stance seems to be emphasized even more in the tv show than the book which makes sense considering its been coming out more recently, and especially in season 2 which is still quite caught up in a lot of quarantine-based reflection. (the tv show puts a lot more emphasis on heaven & hell in general, actually, perhaps initially a byproduct of actually being able to see those environments in their entirety and all the angels & demons that populate them- but we'll get to that.)

the book takes a slightly different stance that, fittingly, seems more reflective of the time it came out. in particular, i was struck a lot more when reading the book by adam's rise (fall?) to power, and how much of it was motivated by a burgeoning nervousness/pessimism about climate change and the anxieties of younger generations that comes with inheriting an earth that feels so fucked up. honestly if anything it's only gotten more relevant in that respect, what with the current vibe on the internet & the hopelessness of the doomer gen z gang, but it also has a distinctly different flavor to me from the tv show, which i think is largely because it's less connected to Formal politics since again we see a whole lot less of heaven & hell as such distinct, bureaucratic entities.

instead, there is a very distinctly amoral aspect to heaven & hell that we get through lines like the one above and especially from characters like crowley. this is why i argue that good omens, despite having so many religious elements, is such a deeply secular take, especially when it comes to its ethics & morality- Good and Evil, notably with the capital letters in this case, has very little to do with actual actions and much more to do with the name that you stamp on top of said actions. heaven & hell and the angels & demons that we see directing and watching and generally fucking with aziraphale & crowley throughout the story are distinctly separate from humanity, and as we see even more as the story progresses, distinctly unaware about what it even means to be a human, in both a deeper philosophical & very basic and literal sense. Good and Evil is simply another name for the sides- and thus the true ethics is something separate, and based in a deeply human experience.

in my opinion this is also why aziraphale & crowley, lovers of humanity and also to some degree spokespersons of it from how much they've "gone native," tend to be so deeply at odds with both heaven & hell and always end up agreeing with each other over their own supposed sides. what makes aziraphale & crowley so distinctly different is that they ascribe to the same ethics & morality that humanity does, or at the very least are trying to figure out ethics & morality & How to Be a Good Person in the same horribly messy way that humans do, separating them from the black & white "this side Good & this side Bad," logic that the rest of heaven & hell instinctively ascribe to.

there's a lot of nuance here, which is also why i think there is such an emphasis on moral ambiguity (and love, but we'll get to that) throughout season 2. the story of job, grave robbing, & questionable attempts at matchmaking- aziraphale is working through a lot of Shit right now when it comes to trying to figure out what the Good thing actually fucking is, and i think it's key that a lot of that is motivated by crowley himself. crowley might'e been cast out of heaven for asking too many questions, but aziraphale is there & listening to them & giving them the serious thought they deserve, and that can't be overlooked.

sidenote: i couldn't figure out a place to shove this in, but i also wanna point out that a lot of this is tied to the idea of growing over time too. on the same page as the quote transcribed above is another line from crowley leading up to aziraphale's question that puts a lot of emphasis on the fact that warlock is going to be a product of nurture, not nature. again, this is an argument against basic black & white assigned-at-birth morality for the ability of humans to grow & change over time and be influenced by the people around them.

it's notable that despite adam's supposed origin as a Son of Satan, what really gets him to stop the apocalypse in the end is the fact that he doesn't really give a shit about all this big plans but instead just wants to hang around his friends. there's a lot of emphasis in the book placed on how beautiful & nice tadfield is as a place for a young kid to grow up, how well loved & fiercely protected it as as something beloved to adam. while he might be overwhelmed when faced with the full picture of how horrible the world can be, ultimately what he cares about is loving & taking care of the people & places that he grew up learning were precious, and the only way to do that is to keep growing & changing yourself within that world and trying to help it also grow into something better, not throw it all away just for the slightest chance that you could restart. a message worth taking the time to think about, at the absolute very least.

3. finding morality w/in humanity: crowley & aziraphale and speculation for s3

i have complicated feelings about both aziraphale & crowley throughout a lot of the show and especially in season 2. i think a lot of people, myself included, are inclined to see crowley as the voice of reason in this season, and for good reason- as i mentioned before, a lot of aziraphale's deeper questioning of the status quo and goodness (Goodness) as a whole is motivated by questions from crowley.

i kiiind of mentioned this in my previous essay, but to state it more clearly, my take on crowley is that he's arriving at the right answer for the wrong reasons, and, conversely, aziraphale is arriving at the wrong answer for... kind of also the wrong reasons but also slightly for the right reasons. let me explain.

crowley is clearly much more aware of the flaws in both heaven & hell than aziraphale is, which seems to be the basis behind a lot of his motivation in asking aziraphale so many questions in the first place. he's also, as maggie & nina point out in s2e6, deeply lonely, often running away or getting ready to fight literally anyone that isn't aziraphale (or humans, but that's a little more complicated). from his reaction to beelz & gabriel getting together, i think it's pretty clear that he still hasn't entirely given up on the whole alpha centauri idea, and it makes sense- as i said in that last essay, crowley basically won the argument at the end of the previous season when it comes to aziraphale & crowley, "making [their] own side," so he doesn't have much reason to face any of his personal fears until maggie & nina basically point out that they exist directly to his face. once they do point it out, however, he's very motivated to act & does so almost immediately, even after hearing what aziraphale has to tell him and being pretty thoroughly devastated by it.

my point here is that crowley is correct in seeing the toxicity of both heaven & hell, he's just flawed and largely motivated by fear (up for debate if that's all it is, but i certainly think it's a big part of it) in his desire to run away from it all. it's not quite armageddon, again he's going more flight > fight here, but he's still ultimately giving up and that's not a great conclusion.

on the other hand, as some others on this site have pointed out, aziraphale is certainly showing a lot of strength in his willingness to keep fighting & try to change things for the better, but it's not hard to see how that belief has been twisted. one of aziraphale's biggest flaw in motivation at this point imo is that he doesn't just believe in goodness but Goodness, the kind that's tied to heaven always being right & all actions being morally Good so long as they're done under the name of heaven, and that clearly also isn't great.

thus what i think the both of these two really need ultimately is that deeper connection to humanity, and the ethics born from humans interacting with humans. we can already see how strong these two are when they collaborate, even when they're doing their absolute best to be as subtle as possible, but what i think they need is to once again be grounded by humanity, not to get so caught up in the bullshittery of heaven & hell and Good & Evil, but once again find a goodness defined by the world that they mutually love so much and stick with it.

i keep tossing a question around in my head about whether or not aziraphale & crowley are going to end up human by the end of this series. it feels natural that they would, they're already so at home and in love with earth & around humanity, but i'm also not entirely sure if that would be a happy ending for them considering how long they've watched & loved the world as it's changed. perhaps taking this post into account is another push towards humanity as a happy ending, not running away to a cottage to get away from the world (i just can't see running away to a cottage to be together as as happy ending, sorry- it might work for beelz & gabriel but not for aziraphale & crowley), but choosing to settle down within that world that is so dear.

[sysig]

Hm ok what's your favorite or a really cool worlbuilding thing you've done? For any fandom or original or even an unimplemented idea

Hmm well at least in the past decade, my big worldbuilding projects have mostly come down to three-ish stories: Other Side of the Gun, Adventures of Gæilo and Ethon, and Just Desserts

OSG was an Invader ZiM fancomic concept I started around 2013 to justify every single Irken headcanon I ever came up with lol - I never finished it, or even really started it, but I put a lot of time and energy into its roughs back in the day :)

^A stick figure recap of Ch. 1, inspired by - what else - the Vargas stick figure recaps lol

One that you can see over here is all the work I did for my DnD campaign, AGE! (Though its sideblog hasn't been updated in a while haha - the AGE tag over here works just as well) I basically homebrewed a pantheon and had an absolute blast designing all the gods and their forms before they became gods and even things like architectural differences in their churches and the BBEG and his motivations and just ah <3 Such a fun project :D

It also laid the groundwork for things like Pokemon Homestyle, specifically all my papercrafts! You can really see how I leveled up haha

And my latest has been Just Desserts! Even with less time under its belt, it's still pretty expansive, as evidenced by my icon and theme and the backlog lol, and it's the one I have the most AUs of! (Though OSG does come close actually haha) There are still some thorny details I'm trying to iron out, especially to do with the magic system, but all the characters and creatures and the fact that I made my own fighting minigame, ah, pleased! I've never been so happy with a sona before Charm! ♥ From the very beginning it's been so fun to work on and I still want to improve!

[daemonoferror]

Sometimes I wish I had more thoughts to share. Interesting things to say. Even writings to read or something. I wanna put effort into posts but I don't exactly have energy to put into posts? Which. . . Also sounds silly because what AM I putting effort into then? Nothing?? Where is all of my energy going?? Did I ever have it? It better be over for ALL of you when I start to work on my mental health and post whatever I want.

[meat-pvppet]

im gonna fucking explode dude how do you write compelling monster species bullshit

[dan-crimes]

I don't personally enjoy death in my stories for one because I have no experience with it personally and for two because you can't torture a character anymore once they've died 😇

[ink-livi]

My town is fucking haunted! And it's utterly consuming and feels so impossible to escape it's genuinely insane. It's dying and dead but it's beginning to thrive. Everyone hates it here and wants out but nobody wants to leave. I don't know what to make of it.

[shinmiyovvi]

Ngl, I think I want to draw and make my ocs for my story for real this time cause it came back to me once again. I really want to make this to happen but the only problem I'm facing is... How am I gonna plan out an excuse of using my laptop to my parents?

[shidoukanae]

Paris Valerian but i redesign his dragon form for funsies based on how i see him=. Not sure if I like this design bc im not a fan of bulkier looking dragons but for Paris I think this works??

Some headcanons about this design:

has a bit of a bull-like look bc I associate bulls with persistence and madness and idk that fits Paris well so if Fian has a “fox” motif Paris gets a “bull” one for his dragon form 

His design is based a lot on how a stereotypically evil dragon would look???? Because imo OG!Paris reads as a massive antagonist and I think giving him a look that fits that vibe in his dragon form works!! Especially because he still is an antagonist in a way (though god does he not read that way lmao)

he’s stronger in his dragon form than Fian is and he uses this to his advantage to bully Fian around whenever they playfight as dragons. That said, it seems Paris is surprisingly gentle towards Fian in this form and never hurts him.

he uses this form to intimidate people into getting what he wants. He’s not used to getting retaliated against while in this form and quickly respects anyone who does so (read: Fian, Lyla and Helene)

the silver scales on his body can glow in the same way his eyes do. Typically, he keeps them dull-colored (see above) but if he feels a strong emotion of any sorts they’ll glow brightly without him meaning to (noticeably: they glow constantly whenever Helene is around for obvious reasons~).

[wickedghxst]

finally finished sottr. 4.6/10 that marketing campaign did this game dirty by making me think it’d be good. no wonder i ignored it for 6 years…