#Martin Gruber

[moodboardmix]

Freiform Guesthouse, Chiusa, South Tyrol, Italy, 

Martin Gruber Architect

[annahamiltonsstuff]

Ich sollte mich wirklich beim ZDF als Drehbuchautorin bewerben, dann könnte ich in Bergdoktor mal eine sympathische Freundin schreiben. In Hans in ein anti Aggressions Training schicken oder auch in Therapie, könnte ja nicht schaden. Und in Martin auch mal seinen Freundinnen treu sein lassen.

Das sind ja Zustände am Wilden Kaiser...

[zertretenersektdraht]

Martin mein Herzblatt

[racing-twinks]

It's Wednesday so that means a new episode of Bergdoktor and the question is

WHAT THE FUCK HAVE YOU DONE MARTIN

[xellnikov]

damn.

[ohmyhellogoodbyes]

i headcanon noel as filipino because i am filipino and also kin noel

[theylovebats]

!SPOILERS FOR BOTH THE MAGNUS ARCHIVES AND RIDE THE CYCLONE AHEAD!

Okay! Here is my group of elaborate Magnus RTC crossover concepts (Some are more in depth than others)

Karnak: An avatar of the end; An avatar of the web; An avatar of the eye, skipping all this cause Karnak’s would be super long!

Ocean: An avatar of the eye, some random teenage girl interning at the institute, everyone (especially Jon) kind of hates her and finds her to be a nuisance, there’s a twist and she turns out to be Mary Keay’s assistant, works HARD to become a favorite of the eye, abuses her omnipotent powers like crazy (usually just to show off), Gerry HATES her, Mary thinks she’s perfect and complains about how he “Could’ve been more like her; An avatar of the web, I don’t have much for this it just also made sense but I like the first one better-

Noel: An avatar of the desolation, doesn’t get involved in the Lightless Flame, just does his own thing, evil life destroying drag show; An avatar of the corruption, similar to Jane Prentiss but he is a minor in canon and I’m running with him being a minor so it’s more of a performance art experience that lures you in by being interesting, I feel like him and Prentiss are very close (she views him as her adopted son), drag show vibes either way, Basira and him get along oddly well, I feel like he gets an intern job working for the ghosty podcast so him and Georgie are buddies, Melanie and him have banter but not as much as him and Basira do, they’re the only ones who know they’re joking, everyone else thinks Basira and Noel hate eachother

Mischa: An avatar of the hunt, he’s part of a ridiculous SoundCloud rapper gang that consists of a bunch of other hunt avatars, you make fun of him for a bit and then him and his pack of buddies destroy you; An avatar of the desolation, he sort of accidentally wrecks the lives of tragic souls he hyper-fixates on, he doesn’t realize that the entity he works for is feeding on his pain as much as his victims, random but I feel like him and Tim are besties, he’s friends with Sasha too, after things don’t go well with Talia or they decide to be friends Sasha and Tim try to set him up with Noel, pummels the HECK out of NOT Sasha with Jane/Penny’s help

Ricky: An avatar of the spiral, he gets all creative and hypnotic with his wacky psychedelic cat visuals, Michael was afraid of him and so is Helen, he confuses you with sermons from the Bachelor Man Bible, Tim and him are best friends in both versions; An avatar of the vast, SPAAAACE, he terrorizes astronauts and Simon Fairchild is also afraid of him, him and Daisy are buddies and joke around about the dogs and cats stuff, Daisy carries him around a lot, Georgie is his friend and they learn ASL together, they find his cat stories very interesting

Jane/Penny: An avatar of the stranger, she canonically is beheaded and brought back as Jane Doe, she TERRIFIES everyone from her fear group, Jon pretends to be neutral her but he’s very attached and views her as his niece, can often be found watching National Geographic in the room Martin sleeps in for a hot sec (reciting facts, requesting to play dolls, just generally scaring him and the whole of the employees), the entire institute goes from being afraid of her to loving her over the course of the plot, quickly becomes the golden child of the Magnus institute as she’s not actually that harmful; An avatar of the spiral, Michael and Helen love her, confuzzles you with her weird decapitation tricks, animal facts, identity crisis hypnosis abilities, another interpretation could be actual Penny Lamb with spiral avatar traits and stuff

Constance: An avatar of the vast, CLOUD MAGIC, she definitely has a lil sugar cloud clump she floats on, spends a lot of her time just hanging upside down and doing silly little sky tricks, she for a while doesn’t realize that her spooking of human people is very harmful but after she does she gets a bit of a devious side, she has tea with Simon a LOT and they poke fun at each other for being a “Gen Z hormonal beast” and a “Silly old British man” but neither have the heart to get too mean, I have so much for the final few seasons with this one-; An avatar of the lonely, this one was too sad, I changed it so she’s still vast but she hangs around Martin in his lonely era and makes Blackwood (same last name) jokes, they poke fun at Peter for his multiple divorces with Elias, her and Martin have an adopted sibling relationship, she introduces Martin to the family before the world ends and they love him

BONUS

Ezra: An avatar of the spiral; An avatar of the web

Virgil: An avatar of the end; An avatar of the corruption

[justexistinghere122]

Ride the cyclone characters as Goncharov characters.

Ocean- Gives big Katya energy, also the ship still works. C'mon, Ocean and Constance couldve totaly had a Katya Sofia dynamic if we had more musical time. Plus, the femme-fatale thingy could be her in some context. Also we get another ship people like.

Constance- Sofia, already mentioned that, shes caring, nice but could turn like she did. Next!

Mischa- Goncharov. HEAR ME OUT. Like descent, bad boy but feelings, in this setting it would. If he was raised like him and had his trauma, it would be sooo him.

Noel- Andrey. Thats it. Take it you nischa fans. ( also tragedy loving and the betraying will sting more)

Jane- THERE WAS THIS LITTLE GIRL. I THINK SHE WAS GONCHAVROS NIECE. FORGOT HER NAME BUT SHES SOOOO JANE.

Ricky- Okay, this was tough but maybe Valery? Ocean sometimes acts like his sister in the musical with this one I really dont know.

AND THATS IT! Hope you enjoy and agree, if not, please tell me why :D

[churchofsatannews]

Vox Satanae - Episode #560: Yule 2022 - IV, 14th-21st Centuries - Week of December 19, 2022

Vox Satanae – Episode #560: Yule 2022 – IV, 14th-21st Centuries – Week of December 19, 2022

Vox Satanae – Episode #560 Yule 2022 – IV 14th-21st Centuries We hear anonymous and traditional works and works by Thomas Tallis, Jacobus Vaet, Michael Praetorius, Alessandro Scarlatti, Christoph Weyse, Heinrich Kaminski, Hugh Martin, Ralph Blane, Irving Berlin, Mel Tormé, Myroslav Skoryk, Franz Gruber, Sir John Tavener, John Rutter, and Peter Warlock. 167 Minutes – Week of 2022 December…

[mischaswife]

Each Choir members full name

Ocean o'connel rosnenburg (she already has a cannon full name)

Mischa Ivanovich Bachinski

Noel Charles Gruber

Jasmine August Gruber

Constance Eleanor Blackwood

Richard Smith Potts

Penny Clare lamb

Andrea James Walker

Ezra Ginsberg Martin Luther Woody Guthrie Lamb

[sleepboysummer]

sleepboysummer middle name hcs

noel micah gruber (i think its something biblical)

ocean doesnt get one.

constance eleanor blackwood (canon)

richard alexander potts II (he fucking hates this)

cant think of one for mischa. he doesnt give me middle name vibes either. hes too cool for that shit

penny joni mitchell mary jane rhiannon lamb

ezra ginsberg martin luther woody guthrie lamb (also canon)

tammy madeline edwards

[lokiondisneyplus]

Loki season two seemed like a conclusion to an engaging character arc of one of the Marvel Cinematic Universe’s (MCU) original villains. It capped a redemption arc where the titular character finally achieved what he’s been looking for all this time, but with a twist. At PaleyFest 2024, attendees watched a screening of the season finale followed by a panel featuring the cast and creatives. Stars Tom Hiddleston, Owen Wilson, Sophia Di Martino, and executive producer and writer Eric Martin and executive producers and directors Justin Benson and Aaron Moorhead looked back at the Disney+ series.

Many anecdotes where shared including the previously reported stories of Di Martino’s special Sylvie costume that allowed easy access for feeding and pumping while filming season one. The actress used the same costume the next season because she had recently given birth again. Di Martino also retold the origins of her character working at McDonald’s in season two. When producers asked where she saw Sylvie next, she responded about fancying a burger.

Hiddleston then talked about which characters he studied while developing Loki. It’s no surprise that he drew inspiration from some well known villains including Alan Rickman’s Hans Gruber from Die Hard, Jack Nicholson’s Joker from Batman, and James Mason’s Phillip Vanddamm from North by Northwest. Much like Loki, all there were focused on control and revenge. 

In the season finale, Loki realizes what he must do in order to save his friends. Hiddleston also shared how he got into the right mindset to film his awe inspiring scene where he finds his Glorious Purpose. He went back and watched the God of Mischief’s journey throughout the MCU.

“The experience of watching it reminded me that these are not just scenes I played, but they are all chapters of my own life. It reminded me of the friendships I made and the experiences I had in different parts of the world. I was filled with such gratitude for the whole of it, for the journey.” Hiddleston continued, “I realized that in this moment, Loki is redefining his Glorious Purpose and he’s discovered it because he’s found friends that he loves and wants to care for. Loki is doing it for his friends and the people he loves. And I thought to myself, well, Tom. Do it for your friends and the people you love.”

We’ve already heard of costume designer, Christine Wada, and her magic with Sylvie’s outfit. Hiddleston discussed Wada’s approach to the final God Loki look we see in the finale. 

“It would be distinctly different from everything that had come before. All the other costumes in the MCU are elaborate and armored and detailed with embellishment almost as an expression of who he wants to project in the world. This is more humble and almost monastic. Yes, in a way he’s a king finally ascending the throne. Perhaps he’s more like a monk at the end of time. Something monastic and humble about it.”

During Loki’s moment of self sacrifice to repair the Loom, we see him grasping the various thread-like timelines and weaving them together. It’s as if he is turning these “burdens” and wrapping himself with them. Moorhead shared some insight into the scene itself.

“Loki is learning the importance of the connection between people so it’s a visual metaphor of course for the things that are most important to him, which is connection to the people at the TVA, his friends and all that. Something he didn’t have coming into season one… He’s becoming the Loom by the end of it and so we should have him physically start to become the Loom when he gets into this very humble looking God Loki.”

[black-arcana]

Lena Scissorhands 📸© Martin Gruber

[ao3feed-jonmartin]

But a dozen dimes will buy a crust of garlic bread

read it on AO3 at https://ift.tt/Pkpi0GR by RottenTomatoChild Ok, so what if i was to be given complete artistic freedom? Because i have granted myself that. I can’t physically explain what this fic is. If you want to know just read it. It’s probably the worst/best thing i have ever written. Words: 625, Chapters: 1/?, Language: English Fandoms: The Magnus Archives (Podcast), Ride the Cyclone: A New Musical - Maxwell & Richmond, Once Upon a Time (In Space) - The Mechanisms (Album) Rating: Not Rated Warnings: Creator Chose Not To Use Archive Warnings Categories: Gen Characters: Jonathan "Jon" Sims | The Archivist, Martin Blackwood, Gerard Keay, Michael | The Distortion (The Magnus Archives), Oliver Banks, Jane Doe | Penny Lamb, Noel Gruber, Mischa Bachinski, Constance Blackwood (Ride the Cyclone), Ricky Potts, Cinders (Once Upon A Time In Space), Rose (Once Upon A Time In Space) Relationships: Martin Blackwood/Jonathan "Jon" Sims | The Archivist, Mischa Bachinski/Noel Gruber, Mischa Bachinski/Talia Bolinska, Cinders/Rose (Once Upon A Time In Space), Oliver Banks/Michael "Mike" Crew Additional Tags: More everything to be added, Crack, Crack Treated Seriously, Author Is Sleep Deprived, The Author Regrets Nothing, The Author Regrets Everything, Im just having fun, Most of the ships are only mentioned once, Like, this is the most background terminal velocity ever, Warning: Elias Bouchard | Jonah Magnus, I wrote this at school, my education can suck ass writing this fic is more important, Martin Blackwood Makes Tea, Susie makes a cameo (deltarune), Everyone Is Gay, Other Additional Tags to Be Added, Garlic bread is the reason for all of this, Characters will suddenly start speaking Norwegian because I’m the author and I say so read it on AO3 at https://ift.tt/Pkpi0GR

[xellnikov]

List 5 things that make you happy, then put this in the askbox for the last 10 people who reblogged something from you! get to know your mutuals and followers 🩵

hii :D

random people on the street smiling at me

drawing something and it turning out exactly like i wanted it

my girlfriend

recieving random long voice messages from friends

having long, story loaded dreams at night

[princesssarisa]

Opera on Youtube 4

L'Elisir d'Amore (The Elixir of Love)

Maggio Musicale Fiorentino, 1967 (Carlo Bergonzi, Renata Scotto; conducted by Gianandrea Gavazzeni; no subtitles)

Metropolitan Opera, 1981 (Luciano Pavarotti, Judith Blegen; conducted by Nicola Rescigno; Spanish subtitles) – Part I, Part II

Metropolitan Opera, 1991 (Luciano Pavarotti, Kathleen Battle; conducted by James Levine; English subtitles) – Part I, Part II

Vienna State Opera, 2005 (Rolando Villazón, Anna Netrebko; conducted by Alfred Eschwé; English subtitles)

Theatro da Paz, Brazil, 2013 (Atalla Ayan, Carmen Monarcha; conducted by Emiliano Patarra; Brazilian Portuguese subtitles)

Teatro Manoel, Malta, 2015 (Cliff Zammit Stevens, Shoushik Barsoumian; conducted by Philip Walsh; English subtitles)

Vienna State Opera, 2017 (Dmitry Korchak, Olga Peretyatko; conducted by Marco Armiliato; no subtitles) – Part I, Part II

Ópera de Bellas Artes, Mexico City, 2017 (Ramón Vargas, Olivia Gorra; conducted by Guido Maria Guida; Spanish subtitles)

Vienna State Opera, 2018 (Benjamin Bernheim, Andrea Carroll; conducted by Frédéric Chaslin; no subtitles)

San Francisco Opera, 2023 (Pene Pati, Slávka Zámečníková; conducted by Ramón Tebar; English subtitles)

Hänsel & Gretel

Vittorio Cottafavi studio film, 1957 (Fiorenza Cossotto, Jan Poleri; conducted by Nino Sanzogno; sung in Italian with Italian subtitles)

August Everding studio film, 1981 (Brigitte Fassbaender, Edita Gruberova; conducted by Georg Solti; English subtitles)

Leipzig Opera, 1981 (Annelott Damm, Steffi Ullmann; conducted by Horst Gurgel; no subtitles)

Julliard Opera Center, 1997 (Jennifer Marquette, Sari Gruber; conducted by Randall Behr; English subtitles)

Opera Australia, 1992 (Suzanne Johnston, Christine Douglas; conducted by Johannes Fritzsch; sung in English)

Vienna State Opera, 2015 (Daniel Sindram, Ileana Tonca; conducted by Christian Thielmann; English subtitles)

Pacific Northwest Opera, 2015 (Sylvia Szadovszki, Ksenia Popova; conducted by Clinton Smith; sung in English with English subtitles)

Scottish Opera, 2020 (Kitty Whately, Rhian Lois; conducted by David Parry; sung in English with English subtitles)

Eklund Opera Program, 2020 (Christine Lee, Anna Whiteway; conducted by Nicholas Carthy; sung in English with English subtitles)

Amarillo Opera, 2021 (Sarah Beckham-Turner, Patricia Westley; conducted by Carolyn Watson; English subtitles)

Turandot

Mario Lanfranchi studio film, 1958 (Lucilla Udovick, Franco Corelli; conducted by Fernando Previtali; English subtitles)

Vienna State Opera, 1983 (Eva Marton, José Carreras; conducted by Lorin Maazel; no subtitles)

Royal Opera House, Covent Garden, 1986 (Gwyneth Jones, Franco Bonisolli; conducted by Jacques Delacote; English subtitles)

Forbidden City, Beijing, 1998 (Giovanna Casolla, Sergej Larin; conducted by Zubin Mehta; no subtitles)

Teatro alla Scala; 2001 (Alessandra Marc, Nicola Martinucci; conducted by Georges Prêtre; French subtitles)

Gran Teatre del Liceu, 2009 (Anna Shafajinskaia, Fabio Armiliato; conducted by Giuliano Carella; English subtitles)

Chorégies d'Orange 2012 (Lise Lindstrom, Roberto Alagna; conducted by Michel Plasson; French subtitles)

Wichita Grand Opera, 2015 (Zvetelina Vassileva, Ricardo Tamura; conducted by Martin Mazik; no subtitles)

Teatro de Bellas Artes, Mexico City, 2017 (Gabriela Georgieva, Carlos Galván; conducted by Enrique Patrón de Rueda; Spanish subtitles)

Opera Hong Kong, 2018 (Oksana Dyka, Alfred Kim; conducted by Paolo Olmi; English subtitles)

Eugene Onegin

Prince Regent Theatre, Munich, 1965 (Hermann Prey, Ingeborg Bremert; conducted by Joseph Keilberth; sung in German; no subtitles)

Paris Opera, 1982 (Benjamin Luxon, Galina Vishnevskaya; conducted by Mstislav Rostropovich; French subtitles)

Kirov Opera, 1984 (Sergei Leiferkus, Tatiana Novikova; conducted by Yuri Temirkanov; English subtitles)

Chicago Lyric Opera, 1985 (Wolfgang Brendel, Mirella Freni; conducted by Bruno Bartoletti; Spanish subtitles)

Petr Weigl film, 1988 (Michal Docolomanský dubbed by Bernd Weikl, Magda Vásáryová dubbed by Teresa Kubiak; conducted by Georg Solti; English subtitles)

Festspielhaus Baden-Baden, 1998 (Vladimir Glushchak, Orla Boylan; conducted by Gennadi Rozhdestvensky; English subtitles) – Act I, Act II, Act III

Palau de les Arts Reina Sofia, Valencia, 2011 (Artur Rucinski, Kristine Opolais; conducted by Omer Meir Wellber; no subtitles) – Part I, Part II

Teatro Comunale di Bologna, 2014 (Artur Rucinski, Amanda Echalaz; conducted by Aziz Shokhakimov; English subtitles)

Mariinsky Theatre, 2015 (Andrei Bondarenko, Yekaterina Goncharova; conducted by Valery Gergiev; French subtitles)

Livermore Valley Opera, 2019 (Morgan Smith, Antonina Chehovska; conducted by Alex Katsman; English subtitles)